ClubFloyd Transcript:
The idea behind ClubFloyd
is that each week at a pre-arranged time, a group of
people meet online to cooperatively play a game of
interactive fiction.
To skip directly to a particular game, click on its title: |
ToyShop & Floyditorium
|
#ClubFloyd Discussion
|
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Jacqueline says, "It's ClubFloyd time. We're playing the Apollo 18+20 games starting today and going at least 2-3 weeks." | |||
Jacqueline says, "We will play no more than three hours today." | |||
Jacqueline exclaims, "So, let's begin!" | |||
Jacqueline says, "Wait." | |||
Jacqueline asks, "Any new folks?" | |||
Jacqueline says, "mmkay, there don't seem to be any new folks." | |||
Jacqueline says, "So yeah, let's begin." | |||
Jacqueline says (to Floyd), "sleepmask a18digmygrave" | |||
Floyd says (to Jacqueline), "Floyd doesn't know that trick." | |||
Afterward arrives, full of fun and funk. | Jacqueline says, "One sec, trying to remember the syntax for the new sleepmask thing." | ||
Yuri exclaims, "hello all!" | |||
* Jacqueline has added Afterward to the channel. | |||
Yuri says, "Looking forward to the game..." | |||
Gerynar asks, "isn't it floyd load sleepmask ?" | |||
Jacqueline asks, "Hi, Afterward. Are you familiar with how to play ClubFloyd?" | |||
Afterward exclaims, "no!" | Jacqueline says (to Gerynar), "Yeah, that's my next try... but we should tutor Afterward first." | ||
Jacqueline says (to Afterward), "Welcome to ClubFloyd." | |||
Jacqueline says, "First off, speak on the channel. To do that the first time, type #CLUBFLOYD HELLO" | |||
Afterward says, "Very sorry to slow things down." | Afterward exclaims, "Hello!" | ||
Jacqueline says, "Then that will set your channel. After that, all you'll need is to preface with a semi-colon... ;HELLO AGAIN" | |||
Gerynar says (to Afterward), "no problem...everyone here was new once (except maybe Jacq)" | |||
Jacqueline says, "snrk" | |||
Afterward asks, "Like this???" | |||
Jacqueline says, "Yep." | |||
Jacqueline says, "So, we play the game in the room, but all the talk about the game stays on the channel. This keeps the transcript clean. Does that make sense? I'm assuming some things and using some jargon, so slow me down if need be." | |||
Jacqueline says, "We can all play the game, everyone can enter commands, except that it's polite to ask before you chage rooms in a game to make sure everyone was done with that location." | |||
Jacqueline says, "The exception is that sometimes we run into an obviously tricky bit, where a puzzle requires timing, and then we usually designate a 'driver' - one person who enters all the commands, though we still suggest the commands to that person here on the channel (so everyone is still 'playing', just not everyone is at the wheel.)" | |||
Jacqueline asks, "Am I missing anything, regulars?" | |||
Gerynar says, "to give a command to the game, type f (such as: f look in mirror)" | |||
Jacqueline says, "Ah, yes. And please don't whisper to Floyd, because we all want to see who entered what commands." | |||
Jacqueline says, "So, we're only going three hours today and have a lot to get through, so let's begin. (Afterward, if you have questions at any time, just ask. Welcome.)" | |||
Jacqueline says (to Floyd), "load sleepmask a18digmygrave" | |||
Floyd ]
Floyd ]
Floyd ]
Floyd ]
Floyd ]
Floyd ] You are out by yourself in the woods.
Floyd ]
Floyd | >
| |||
Jacqueline says (to Floyd), "x me" | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] Oh hey. Floyd ] Floyd ] Floyd | Floyd | > X ME Floyd | Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "i" | |||
Floyd ] Floyd | Floyd | > I Floyd | Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] (I forgot to put in the title) Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | Floyd | Floyd | > | Jacqueline says, "heh" | ||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Floyd | Dig My Grave Floyd | An interactive incident by Ryan Veeder Floyd | Release 1 / Serial number 120315 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Woods Floyd | This is as deep in the forest as it gets. Nothing but trees all around, Floyd | and only a couple beams of moonlight to see them by. Floyd | Floyd | There's a dead body here. Floyd | Floyd | The soil in this tiny clearing feels uncommonly soft. Floyd | Floyd | > | |||
Gerynar says (to Floyd), "x me" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Ha ha ha. Floyd ] Tell that guy to shut up. Floyd ] Floyd ] Floyd | Floyd | > X ME Floyd | A little scuffed up from the walk out here, but looking better than Floyd | your friend over there. Floyd | Floyd | > | |||
Gunther arrives, full of neither funk nor fun. | |||
genericgeekgirl says (to Floyd), "x soil" | |||
Floyd ] Woods Floyd | Floyd | > X SOIL Floyd | It's too dark to be sure, but this is probably just normal dirt. Floyd | Floyd | > | * Gunther has joined the channel. | ||
genericgeekgirl says (to Floyd), "touch soil" | |||
Floyd ] Woods Floyd | Floyd | > TOUCH SOIL Floyd | You feel nothing unexpected. Floyd | Floyd | > | Jacqueline says, "We're using sleepmask today. I think this is our first official CF session using it. You can now see the status line (everything preceeded by a ] instead of a |)." | ||
genericgeekgirl exclaims, "Yay!" | |||
genericgeekgirl says (to Floyd), "x trees" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Don't worry about the trees. Floyd ] They're just trees. Floyd ] Floyd ] Floyd | Floyd | > X TREES Floyd | The trees crowd around you. They almost seem suspicious. Floyd | Floyd | > | |||
ASchultz That's really cool, especially if it helped keep the comments. | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Woods Floyd | Floyd | > I Floyd | You are carrying: Floyd | a shovel Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x shovel" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Yeah, yeah! Get moving! Floyd ] Floyd ] Floyd | Floyd | > X SHOVEL Floyd | A long, sturdy shovel of questionable provenance. Floyd | Floyd | > | Jacqueline says, "Also, you can see the command that was entered. Old Floyd would not have been able to display the text boxes of this game, either. Thanks to vimes (...and inky, perhaps? maybe also zarf? can't recall...) for working on Sleepmask." | ||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd ] Woods Floyd | Floyd | > XYZZY Floyd | That's not a verb I recognise. Floyd | Floyd | > | Jacqueline says (to ASchultz), "Channel. :)" | ||
ASchultz says, "Thanks. It's been a few months. Sorry about that :/" | |||
Jacqueline says, "No worries." | |||
Jacqueline says (to Floyd), "x me" | |||
Floyd ] Woods Floyd | Floyd | > X ME Floyd | A little scuffed up from the walk out here, but looking better than Floyd | your friend over there. Floyd | Floyd | > | Jacqueline says, "Oh dear. We did this." | ||
Jacqueline says (to Floyd), "x body" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Yeah sorry if I seem a little aloof. Floyd ] Floyd ] Floyd | Floyd | > X BODY Floyd | It's a dead body. Its clothes are dirty (on account of being dragged Floyd | through the woods). Its eyes are open, but they aren't looking at Floyd | anything. Floyd | Floyd | > | ASchultz says, "I confused the colon and semicolon there." | ||
Jacqueline says (to Floyd), "close eyes" | |||
Floyd ] Woods Floyd | Floyd | > CLOSE EYES Floyd | To a person playing a game in text, that probably seems like a poetic Floyd | thing to do, but in person the prospect is kind of really gross. Floyd | Floyd | > | genericgeekgirl says, "Hee" | ||
Jacqueline says, "heh" | |||
genericgeekgirl says (to Floyd), "search body" | |||
Floyd ] Woods Floyd | Floyd | > SEARCH BODY Floyd | You find nothing of interest. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "about" | |||
Floyd ] Instructions Floyd ] Floyd ] N = Next Q = Quit Menu Floyd ] P = Previous ENTER = Select Floyd | > Introduction to Dig My Grave Floyd | Instructions for Play | |||
genericgeekgirl presses the yellow enter button. | |||
Floyd ] Introduction to Dig My Grave Floyd | This is a game for the Apollo 18+20 project, organized by Herr Kevin Floyd | Von Jackson-Mead. It's based on a dang They Might Be Giants song! Floyd | Floyd | This game relies a lot on displaying boxed quotations, so if your Floyd | interpreter can't handle that, then, um, maybe you should Floyd | Floyd | um Floyd | Floyd | Floyd | Floyd | Please press SPACE to continue. | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Instructions Floyd ] Floyd ] N = Next Q = Quit Menu Floyd ] P = Previous ENTER = Select Floyd | > Introduction to Dig My Grave Floyd | Instructions for Play | Jacqueline says, "hahaha" | ||
genericgeekgirl says (to Floyd), "q" | |||
Floyd ] Woods Floyd | Woods Floyd | This is as deep in the forest as it gets. Nothing but trees all around, Floyd | and only a couple beams of moonlight to see them by. Floyd | Floyd | There's a dead body here. Floyd | Floyd | The soil in this tiny clearing feels uncommonly soft. Floyd | Floyd | > | |||
Afterward says (to Floyd), "examine body" | |||
Floyd ] Woods Floyd | Floyd | > EXAMINE BODY Floyd | It's a dead body. Its clothes are dirty (on account of being dragged Floyd | through the woods). Its eyes are open, but they aren't looking at Floyd | anything. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "x trees" | |||
Floyd ] Woods Floyd | Floyd | > X TREES Floyd | The trees crowd around you. They almost seem suspicious. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "climb trees" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] HEY. GET TO WORK. Floyd ] Floyd ] Floyd | Floyd | > CLIMB TREES Floyd | The trees don't require your attention right now. Floyd | Floyd | > | Jacqueline says, "ha" | ||
Jacqueline asks, "So... should we?" | |||
genericgeekgirl says, "I wonder if the body starts to rot eventually." | |||
Gerynar says (to Floyd), "x body" | |||
Gerynar says "bloop" and shrinks down into a little dot, then winks out...just like those old-fashioned B&w televisions. | |||
Gerynar has disconnected. | |||
Floyd ] Woods Floyd | Floyd | > X BODY Floyd | It's a dead body. Its clothes are dirty (on account of being dragged Floyd | through the woods). Its eyes are open, but they aren't looking at Floyd | anything. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "kick body" | |||
Floyd ] Woods Floyd | Floyd | > KICK BODY Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Gerynar arrives, full of funk, but no fun. | |||
Afterward says (to Floyd), "x eyes" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Well, those never were my best feature. Floyd ] Floyd ] Floyd | Floyd | > X EYES Floyd | They look more like two glass eyes. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take eyes" | |||
Floyd ] Woods Floyd | Floyd | > TAKE EYES Floyd | That seems to be a part of the dead body. Floyd | Floyd | > | |||
ASchultz says (to Floyd), "attack body" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Cut it out, jerk! Floyd ] Floyd ] Floyd | Floyd | > ATTACK BODY Floyd | You give the corpse a stiff kick. To make sure. Floyd | Floyd | > | Afterward says, "oh gross." | ||
Jacqueline | genericgeekgirl says (to Floyd), "z. z. z. z. z. z. z. z. z. z. z. z. z. x corpse. z. z. z. z. z. z. z. z. z. z. x corpse." | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd | Floyd | > DIG Floyd | You begin digging. Soon you've excavated an area about as long and Floyd | broad as the corpse, and a few inches deep. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "hit body with shovel" | |||
Floyd ] Woods Floyd | Floyd | > HIT BODY WITH SHOVEL Floyd | I only understood you as far as wanting to hit the dead body. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "x grave" | |||
Floyd ] Woods Floyd | Floyd | > X GRAVE Floyd | That hole's still got a ways to go before it's deep enough. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Nice, nice. Still a little shallow though. Floyd ] Keep going. Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You dig some more. The hole gets deeper. Piles of turned-up soil are Floyd | forming around its perimeter. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x grave" | |||
Floyd ] Woods Floyd | Floyd | > X GRAVE Floyd | It's starting to look like a real hole. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "enter grave" | |||
Floyd ] Woods Floyd | Floyd | > ENTER GRAVE Floyd | You stand in the hole for a little bit, but it's a lackluster Floyd | experience. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd ] Woods Floyd | Floyd | > OUT Floyd | But you aren't in anything at the moment. Floyd | Floyd | > | Jacqueline says, "I wonder if the text boxes are supposed to go before or after the other output." | ||
TheXenographer says, "before, I think." | |||
genericgeekgirl says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Hey! Why'd you stop? Keep digging! Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You manage to excavate a little more, but after all this digging you're Floyd | exhausted. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "sleep" | |||
Floyd ] Woods Floyd | Floyd | > SLEEP Floyd | You aren't feeling especially drowsy. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "rest" | |||
Floyd ] Woods Floyd | Floyd | > REST Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "cuddle up next to corpse" | |||
Floyd ] Woods Floyd | Floyd | > CUDDLE UP NEXT TO CORPSE Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "sleep" | |||
Floyd ] Woods Floyd | Floyd | > SLEEP Floyd | You aren't feeling especially drowsy. Floyd | Floyd | > | genericgeekgirl snrk. | ||
TheXenographer says, "... or maybe after would make more sense" | |||
genericgeekgirl says (to Floyd), "chop up body" | |||
Floyd ] Woods Floyd | Floyd | > CHOP UP BODY Floyd | I only understood you as far as wanting to chop up. Floyd | Floyd | > | ASchultz says, "Playing the game in Gargoyle, they both appear at the same time." | ||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd | Floyd | > DIG Floyd | Your arms are too tired, and you're out of breath. You need to take a Floyd | break before you dig any more. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "x me" | |||
Floyd ] Woods Floyd | Floyd | > X ME Floyd | A little scuffed up from the walk out here, but looking better than Floyd | your friend over there. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd | Floyd | > DIG Floyd | Your arms are too tired, and you're out of breath. You need to take a Floyd | break before you dig any more. Floyd | Floyd | Well, now your arms are starting to feel like they could handle some Floyd | more digging. Floyd | Floyd | > | |||
Afterward says (to Floyd), "x clothes" | |||
Floyd ] Woods Floyd | Floyd | > X CLOTHES Floyd | The corpse's clothes are stained and ripped beyond repair. You can Floyd | discern a lump in one of the pockets. Floyd | Floyd | > | Jacqueline says, "oHO" | ||
Afterward says (to Floyd), "x lump" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Oh don't worry about that. Floyd ] It's nothing. Floyd ] Floyd ] Floyd | Floyd | > X LUMP Floyd | (First reaching in the dead person's pocket and stealing their stuff) Floyd | It's a rock, in kind of a spiral shape. Floyd | Floyd | > | Jacqueline says, "ha" | ||
genericgeekgirl says (to Floyd), "x rock" | |||
Floyd ] Woods Floyd | Floyd | > X ROCK Floyd | It's a rock, in kind of a spiral shape. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "eat rock" | |||
Floyd ] Woods Floyd | Floyd | > EAT ROCK Floyd | That's plainly inedible. Floyd | Floyd | > | |||
Afterward says (to Floyd), "x shape" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Oh come on. Floyd ] You have better things to do. Floyd ] I know you do. Floyd ] Floyd ] Floyd | Floyd | > X SHAPE Floyd | At first it just seemed to be a vaguely spiral-shaped rock, but now in Floyd | the spaces between its coils you notice some weird scratches. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x scratches" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] seriously stop wasting your time Floyd ] Floyd ] Floyd | Floyd | > X SCRATCHES Floyd | The scratches are apparently artificial. As you look at them, they seem Floyd | to form some kind of pattern. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x pattern" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] What did I tell you? Floyd ] Now get to work. Floyd ] Floyd ] Floyd | Floyd | > X PATTERN Floyd | As you squint more and more at the spiral, the pattern of scratches Floyd | almost makes its significance known to you--but no. It's just just a Floyd | scratched-up rock. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Great! Almost there! Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You return to your task with renewed vigor. The hole gets deeper. Floyd | Floyd | > | Afterward says, "Mwahahahaha." | ||
genericgeekgirl says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Perfect! That's perfect. Floyd ] Now get going and bury me! Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You continue to dig until the hole has become more or less a proper Floyd | grave. Congratulations. Floyd | Floyd | > | genericgeekgirl cheers! | ||
Jacqueline says (to Floyd), "get in grave" | |||
Floyd ] Woods Floyd | Floyd | > GET IN GRAVE Floyd | You get in the grave for a little while. A creepy feeling comes over Floyd | you. You climb out of the grave. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "jump" | |||
Floyd ] Woods Floyd | Floyd | > JUMP Floyd | You jump on the spot, fruitlessly. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "sing" | |||
Floyd ] Woods Floyd | Floyd | > SING Floyd | Your singing is abominable. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "bury myself alive" | |||
Floyd ] Woods Floyd | Floyd | > BURY MYSELF ALIVE Floyd | I only understood you as far as wanting to bury yourself. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cry" | |||
Floyd ] Woods Floyd | Floyd | > CRY Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "mourn" | |||
Floyd ] Woods Floyd | Floyd | > MOURN Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "repent" | |||
Floyd ] Woods Floyd | Floyd | > REPENT Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "regret" | |||
Floyd ] Woods Floyd | Floyd | > REGRET Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Gerynar says (to Floyd), "weep" | |||
Floyd ] Woods Floyd | Floyd | > WEEP Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "pick up body" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Come on!!! Floyd ] Floyd ] Floyd | Floyd | > PICK UP BODY Floyd | Having decided that this is the right place, you don't need to carry it Floyd | any further. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "kiss body" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] what Floyd ] is wrong Floyd ] with you Floyd ] Floyd ] Floyd | Floyd | > KISS BODY Floyd | You can only bring yourself to give it a little peck on the cheek. Floyd | Floyd | > | Jacqueline says, "heehee" | ||
Jacqueline says (to Floyd), "put body in grave" | |||
Floyd ] Woods
Floyd |
Floyd | > PUT BODY IN GRAVE
Floyd | You push the corpse to the edge of the grave and then you shove it in.
Floyd | It hits the bottom with a thud.
Floyd |
Floyd | You cover it up with dirt until you get bored and walk away.
| |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] And now... Floyd ] Floyd ] Floyd | | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ]
Floyd | And now I'm in charge! Thanks for putting my spirit to rest,
Floyd | sucker!
Floyd |
Floyd | You can go ahead and press a key.
| |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Pearly Gates Floyd | Floyd | Pearly Gates Floyd | I'm in Heaven, in front of the pearly gate, and you're not, so, sucks Floyd | to be you. Floyd | Floyd | And Saint Peter is here! Awesome! Floyd | Floyd | > | genericgeekgirl says, "Haha" | ||
genericgeekgirl says (to Floyd), "x me" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X ME Floyd | Who cares what I look like? It's the afterlife! I look like whatever Floyd | the heck I want! Floyd | Floyd | > | Afterward says, "hooray!!!!" | ||
genericgeekgirl says (to Floyd), "x peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X PETER Floyd | He's this dude in a robe, with a beard, that kind of thing, and he's Floyd | carrying some keys. He's waving at me, because he knows we're gonna be Floyd | best friends. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wave at peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > WAVE AT PETER Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wave" | |||
Floyd ] Pearly Gates Floyd | Floyd | > WAVE Floyd | You wave, feeling foolish. Floyd | Floyd | > | Jacqueline says, "I wonder if we can get vimes to replay with asterisks." | ||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Pearly Gates Floyd | Floyd | > I Floyd | I am carrying nothing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x keys" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X KEYS Floyd | One of them is gold, and the other one is silver. I don't see why this Floyd | one gate needs two keys. Floyd | Floyd | > | ASchultz asks, "Oh, that's one thing we might've forgotten in the intro. How do you push space and enter on floyd?" | ||
Jacqueline says, "Though in theory the script will make those go italic, so maybe that is okay." | |||
Afterward says, "oh yeah I was supposed to fix the waving thing" | |||
genericgeekgirl says, ""press enter" and "press space"" | |||
Afterward says (to Floyd), "x clouds" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X CLOUDS Floyd | Yes obviously there are clouds here. Duh. Floyd | Floyd | > | Jacqueline says (to AS), "There are objects in the room - a green button and a yellow button that are, IIRC, space and enter, respectively." | ||
genericgeekgirl says (to Floyd), "punch peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > PUNCH PETER Floyd | Violence isn't the answer to this one. Floyd | Floyd | > | |||
Jacqueline clears the save counter. | |||
genericgeekgirl says (to Floyd), "hug peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > HUG PETER Floyd | > | |||
genericgeekgirl says (to Floyd), "kiss peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > KISS PETER Floyd | > | genericgeekgirl says, "Aw :(" | ||
genericgeekgirl says (to Floyd), "x gold key" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X GOLD KEY Floyd | One of them is gold, and the other one is silver. I don't see why this Floyd | one gate needs two keys. Floyd | Floyd | > | |||
Gerynar says (to Floyd), "pray" | |||
Floyd ] Pearly Gates Floyd | Floyd | > PRAY Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take keys" | |||
Floyd ] Pearly Gates Floyd | Floyd | > TAKE KEYS Floyd | He doesn't want to give them to me, for whatever reason. Floyd | Floyd | > | Afterward says, "whoa what did I do there" | ||
Jacqueline says, "There is also an autosaver object - 'press save' will automatically save the game, assigning it a sequential file name." | |||
Afterward says (to Floyd), "x gate" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X GATE Floyd | It's this huge gate, made out of a gigantic pearl. It's pretty amazing. Floyd | I wish you could see it. But you can't, because you're alive! Floyd | Floyd | I don't really care whether you see it or not! Floyd | Floyd | > | |||
TheXenographer says (to Floyd), "talk to peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > TALK TO PETER Floyd | Hey, Peter! How about letting me in, man? Floyd | Floyd | He's not saying anything. He's just getting something out of the Floyd | copious folds of his voluminous robe. Floyd | Floyd | Oh, hey, it's a medal! For me! For being so great! Thanks, Pete! Floyd | Floyd | > | |||
TheXenographer says (to Floyd), "x medal" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X MEDAL Floyd | It's this awesome gold medal, and it says "AMICISSIMUS DAMNATORUM," Floyd | which is Latin. Floyd | Floyd | > | genericgeekgirl says (to Afterward), "If you don't have a default response set up to a command, and you don't code one in for a specific object, it just returns null like that." | ||
genericgeekgirl says (to Floyd), "wear medal" | |||
Floyd ] Pearly Gates
Floyd |
Floyd | > WEAR MEDAL
Floyd | Hey guess what? I'll wear it when I feel like it!
Floyd |
Floyd | Hold on, Peter is talking now. Press a key, will you?
| |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Pearly Gates
Floyd |
Floyd | *** You have died ***
Floyd |
Floyd | Well yes, obviously. That was a while ago. So how about opening that
Floyd | gate?
| genericgeekgirl exclaims, "Hee!" | ||
Jacqueline says (to Floyd), "open gate" | |||
Floyd ] Pearly Gates
Floyd |
Floyd | *** Sorry ***
Floyd |
Floyd | What do you mean, sorry? Come on!
| |||
Jacqueline says (to Floyd), "open gate" | |||
Floyd ] Pearly Gates Floyd | Floyd | Floyd | Wait, what's going on? | |||
Jacqueline says (to Floyd), "open gate" | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] NO Floyd ] Floyd ] Floyd | | |||
Jacqueline says (to Floyd), "open gate" | |||
Floyd ] Pearly Gates
Floyd |
Floyd |
Floyd | ## *** The End ***
Floyd |
Floyd |
Floyd |
Floyd |
Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last
Floyd | command?
Floyd | >
| Jacqueline says, "gosh" | ||
genericgeekgirl sniffles. | |||
Jacqueline asks, "So, um, should we restart, and save when we get to heaven?" | |||
inky arrives, full of fun and funk. | Jacqueline says, "hinky" | ||
Jacqueline says (to Floyd), "restart" | |||
Floyd ]
Floyd |
Floyd |
Floyd |
Floyd |
Floyd |
Floyd | You are out by yourself in the woods.
Floyd |
Floyd | >
| |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] Oh hey. Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Floyd | Floyd | > DIG Floyd | Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] (I forgot to put in the title) Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd | Floyd | > DIG Floyd | Floyd | Dig My Grave Floyd | An interactive incident by Ryan Veeder Floyd | Release 1 / Serial number 120315 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Woods Floyd | This is as deep in the forest as it gets. Nothing but trees all around, Floyd | and only a couple beams of moonlight to see them by. Floyd | Floyd | There's a dead body here. Floyd | Floyd | The soil in this tiny clearing feels uncommonly soft. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] All right! That's a good start there. Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You begin digging. Soon you've excavated an area about as long and Floyd | broad as the corpse, and a few inches deep. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Nice, nice. Still a little shallow though. Floyd ] Keep going. Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You dig some more. The hole gets deeper. Piles of turned-up soil are Floyd | forming around its perimeter. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Hey! Why'd you stop? Keep digging! Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You manage to excavate a little more, but after all this digging you're Floyd | exhausted. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "z" | |||
Floyd ] Woods Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | Well, now your arms are starting to feel like they could handle some Floyd | more digging. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Great! Almost there! Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You return to your task with renewed vigor. The hole gets deeper. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd ] Floyd ] Floyd ] Floyd ] Perfect! That's perfect. Floyd ] Now get going and bury me! Floyd ] Floyd ] Floyd | Floyd | > DIG Floyd | You continue to dig until the hole has become more or less a proper Floyd | grave. Congratulations. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "dig" | |||
Floyd ] Woods Floyd | Floyd | > DIG Floyd | The grave is deep enough. You are done digging. Floyd | Floyd | > | |||
inky says (to Floyd), "bury me" | |||
Floyd ] Woods Floyd | Floyd | > BURY ME Floyd | That would be harder than it sounds. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "x clothes" | |||
Floyd ] Woods Floyd | Floyd | > X CLOTHES Floyd | The corpse's clothes are stained and ripped beyond repair. You can Floyd | discern a lump in one of the pockets. Floyd | Floyd | > | |||
inky says (to Floyd), "enter grave" | |||
Floyd ] Woods Floyd | Floyd | > ENTER GRAVE Floyd | You get in the grave for a little while. A creepy feeling comes over Floyd | you. You climb out of the grave. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "take lump" | |||
Floyd ] Woods Floyd | Floyd | > TAKE LUMP Floyd | Taken. Floyd | Floyd | > | |||
TheXenographer gets bored and wanders off to the Toyshop. | |||
TheXenographer arrives, ready to play with the toys. | |||
Jacqueline says (to Floyd), "push body into grave" | |||
Floyd ] Woods
Floyd |
Floyd | > PUSH BODY INTO GRAVE
Floyd | You push the corpse to the edge of the grave and then you shove it in.
Floyd | It hits the bottom with a thud.
Floyd |
Floyd | You cover it up with dirt until you get bored and walk away.
| |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] And now... Floyd ] Floyd ] Floyd | | |||
Jacqueline pushes the green 'space' button. | |||
Floyd ]
Floyd | And now I'm in charge! Thanks for putting my spirit to rest,
Floyd | sucker!
Floyd |
Floyd | You can go ahead and press a key.
| |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Pearly Gates Floyd | Floyd | Pearly Gates Floyd | I'm in Heaven, in front of the pearly gate, and you're not, so, sucks Floyd | to be you. Floyd | Floyd | And Saint Peter is here! Awesome! Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "SAVE" | |||
Jacqueline says (to Floyd), "cf1" | |||
Floyd | %% File to save: Floyd | %% Save file: cf1 Floyd ] Pearly Gates Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | Jacqueline asks, "And there we go. Now what?" | ||
Jacqueline asks, "So we're... controlling the soul of the corpse we probably killed?" | |||
inky says (to Floyd), "x peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X PETER Floyd | He's this dude in a robe, with a beard, that kind of thing, and he's Floyd | carrying some keys. He's waving at me, because he knows we're gonna be Floyd | best friends. Floyd | Floyd | > | |||
inky says (to Floyd), "wave at peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > WAVE AT PETER Floyd | You can't see any such thing. Floyd | Floyd | > | |||
inky says (to Floyd), "wave" | |||
Floyd ] Pearly Gates Floyd | Floyd | > WAVE Floyd | You wave, feeling foolish. Floyd | Floyd | > | |||
inky says (to Floyd), "wave peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > WAVE PETER Floyd | But you aren't holding him. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "show rock to peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > SHOW ROCK TO PETER Floyd | You can't see any such thing. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "i" | |||
Floyd ] Pearly Gates Floyd | Floyd | > I Floyd | I am carrying nothing. Floyd | Floyd | > | Jacqueline says, "Aw" | ||
inky says (to Floyd), "x me" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X ME Floyd | Who cares what I look like? It's the afterlife! I look like whatever Floyd | the heck I want! Floyd | Floyd | > | |||
inky says (to Floyd), "enter heaven" | |||
Floyd ] Pearly Gates Floyd | Floyd | > ENTER HEAVEN Floyd | You can't see any such thing. Floyd | Floyd | > | |||
inky says (to Floyd), "open gates" | |||
Floyd ] Pearly Gates Floyd | Floyd | > OPEN GATES Floyd | Looks like it's locked. Whatever, Peter's gonna unlock it in a second. Floyd | Floyd | > | |||
inky says (to Floyd), "peter, unlock gates" | |||
Floyd ] Pearly Gates
Floyd |
Floyd | > PETER, UNLOCK GATES
Floyd | (with the keys)
Floyd | Saint Peter has better things to do.
Floyd |
Floyd | >
| |||
Jacqueline says (to Floyd), "x gates" | |||
Floyd ] Pearly Gates Floyd | Floyd | > X GATES Floyd | It's this huge gate, made out of a gigantic pearl. It's pretty amazing. Floyd | I wish you could see it. But you can't, because you're alive! Floyd | Floyd | I don't really care whether you see it or not! Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "open gates" | |||
Floyd ] Pearly Gates Floyd | Floyd | > OPEN GATES Floyd | Looks like it's locked. Whatever, Peter's gonna unlock it in a second. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "talk to peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > TALK TO PETER Floyd | Hey, Peter! How about letting me in, man? Floyd | Floyd | He's not saying anything. He's just getting something out of the Floyd | copious folds of his voluminous robe. Floyd | Floyd | Oh, hey, it's a medal! For me! For being so great! Thanks, Pete! Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "attack peter" | |||
Floyd ] Pearly Gates Floyd | Floyd | > ATTACK PETER Floyd | Violence isn't the answer to this one. Floyd | Floyd | > | |||
Gerynar says (to Floyd), "give medal to peter" | |||
Floyd ] Pearly Gates
Floyd |
Floyd | > GIVE MEDAL TO PETER
Floyd | Saint Peter doesn't seem interested.
Floyd |
Floyd | Hold on, Peter is talking now. Press a key, will you?
| |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Pearly Gates
Floyd |
Floyd | *** You have died ***
Floyd |
Floyd | Well yes, obviously. That was a while ago. So how about opening that
Floyd | gate?
| |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Pearly Gates
Floyd |
Floyd | *** Sorry ***
Floyd |
Floyd | What do you mean, sorry? Come on!
| |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Pearly Gates Floyd | Floyd | Floyd | Wait, what's going on? | |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Floyd ] Floyd ] Floyd ] Floyd ] NO Floyd ] Floyd ] Floyd | | |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Pearly Gates
Floyd |
Floyd |
Floyd | ## *** The End ***
Floyd |
Floyd |
Floyd |
Floyd |
Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last
Floyd | command?
Floyd | >
| Jacqueline says, "Hrm. I wonder if there *is* another ending." | ||
Afterward exclaims, "No!" | |||
genericgeekgirl :P | |||
maga says, "I think I found one that was a bit different, but it wasn't really a good one" | |||
maga says, "and I could be remembering it wrong" | |||
Jacqueline says, "The afterlife makes things fuzzy." | |||
Jacqueline asks, "So, play again, or move on because we have a gazillion more games?" | |||
genericgeekgirl exclaims, "Onward!" | |||
TheXenographer exclaims, "Yeah, let's move on!" | |||
Jacqueline says, "Oh, wait, I hadn't thought ahead. The next one is playable online." | |||
Jacqueline says, "Only." | |||
genericgeekgirl says, "I presume Afterward isn't joking about there not being another ending :)" | |||
Jacqueline says, "Hrm. I wonder if I could cut and paste it." | |||
Jacqueline says, "One sec." | |||
TheXenographer says, "I'm going to be on a plane next Sunday and at a conference the Sunday aftr, so I'd like to get through as many games as possible today" | |||
TheXenographer says, "That's entirely selfish of me, but." | |||
zarf arrives, full of fun, but no funk. | genericgeekgirl says, "Yeah, I'm going to miss most of the 3rd session, so I'm hoping we reach mine next week. " | ||
Afterward says, "hey Andrew, did they find the... wait how do I whisper" | |||
Gerynar says, "put a period before the nickname you want to whisper to .afterword I'm whispering" | |||
Jacqueline says, "okay, got it - one sec while I change computers to the one on which I can do this for you guys." | |||
inky says, "but don't do it on the channel" | |||
Jacqueline says, "Well, I was hoping to do this with a different user name, but oh well. I haven't done this since starting to use TinyFugue." | |||
Jacqueline says, "Anyway, I will past the game into the room. You guys give me commands here on the channel." | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | Afterward says, ">CROP OUT" | ||
maga says, "Nick, oh Nick" | |||
Jacqueline says, "s/past/paste, of course." | |||
Gerynar says, "j x outcropping" | |||
Jacqueline says (to maga), "Yes, it's very Nick." | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | Gerynar says, "j x outcropping" | ||
Jacqueline | >X OUTCROPPING | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | TheXenographer says, ">look over overlook" | ||
Jacqueline says, "I guess I'll say the command, too, so you know I did that." | |||
Jacqueline | > LOOK OVER OVERLOOK | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | Afterward says, ">overlook self" | ||
Jacqueline | > OVERLOOK SELF | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | djfletch says, ">view canyon view" | ||
Jacqueline | > VIEW CANYON VIEW | |||
Jacqueline | ... NOW, THINK! What action? What words? What action? What? THINK NOW! ... | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | djfletch says, ">think now think" | ||
Jacqueline | > THINK NOW THINK | |||
Jacqueline | ... NOW, THINK! What action? What words? What action? What? THINK NOW! ... | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | |||
vimes arrives, full of neither funk nor fun. | djfletch says, ">jump" | ||
Afterward says, ">rock canyon itself, unspectacular" | |||
zarf says, "this game took me a few minutes to figure out. It's kind of a guess-the- problem" | |||
Jacqueline | > JUMP | |||
Jacqueline | ... NOW, THINK! What action? What words? What action? What? THINK NOW! ... | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | |||
Jacqueline | > ROCK CANYON ITSELF, UNSPECTACULAR | zarf says, "guess the syntax, I guess" | ||
Jacqueline | ... NOW, THINK! What action? What words? What action? What? THINK NOW! ... | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | Jacqueline says, "Okay, I think I get it, but I had a nudge from maga, so I'm just going to continue in my role as Floyd-impersonator." | ||
genericgeekgirl says, "> view canyon" | |||
Jacqueline | > VIEW CANYON | |||
Jacqueline | One point ... four more, four. Point one! | |||
Jacqueline | COAL MINE | |||
Jacqueline | Mysterious darkened corridors. Alone, all alone. Corridors, darkened, mysterious. | Afterward says, ">PLAN A CANAL" | ||
genericgeekgirl says, "A ha." | |||
genericgeekgirl says, "mine coal" | |||
Afterward says, "oh shucks" | |||
Jacqueline | > PLAN A CANAL | |||
Jacqueline | ... NOW, THINK! What action? What words? What action? What? THINK NOW! ... | |||
Jacqueline | I PALINDROME I | |||
Jacqueline | CANYON VIEW | |||
Jacqueline | Rocky outcropping, unspectacular by itself, overlooks canyon. Canyon overlooks itself by unspectacular outcropping, rocky. | zarf says, "oh, and if you screw up it starts over" | ||
genericgeekgirl says, "Meh." | |||
zarf says, "I don't know why nm thought that was a good idea" | |||
Afterward exclaims, "oh jeez sorry!" | |||
Jacqueline says (to z), "Now you tell us." | |||
genericgeekgirl says, "> View Canyon. Mine Coal" | |||
Jacqueline | > VIEW CANYON | |||
Jacqueline | One point ... four more, four. Point one! | |||
Jacqueline | COAL MINE | |||
Jacqueline | Mysterious darkened corridors. Alone, all alone. Corridors, darkened, mysterious. | |||
Jacqueline | > MINE COAL | |||
Jacqueline | Two points ... three more, three. Points: Two. | |||
Jacqueline | BAGGAGE CLAIM | |||
Jacqueline | Luggage coming and going; Belts running to connect to running belts. Going and coming, luggage. | inky says, "I think it might have just been laziness in writing the code, but I faithfully translated it anyway" | ||
genericgeekgirl says, "> Claim Baggage" | |||
Jacqueline | > CLAIM BAGGAGE | |||
Jacqueline | Three points ... two more, two. Points: Three. | |||
Jacqueline | BOOK-LINED STUDY | |||
Jacqueline | Many books, blank and printed. One ruled: One. Printed and blank books, many. | genericgeekgirl says, "This is cute." | ||
genericgeekgirl says, "> study lined book" | |||
Jacqueline | > STUDY LINED BOOK | |||
Jacqueline | Four points ... one more, one. Points: Four. | |||
Jacqueline | ROUND CHAMBER | |||
Jacqueline | Targets everywhere, circles all around. All circles, everywhere: targets. | TheXenographer says, ">chamber round" | ||
Afterward says, "this is the best one." | |||
Jacqueline | > CHAMBER ROUND | |||
Jacqueline | Five points won! You won! Points: Five. | |||
Jacqueline | *** YES, YOU HAVE WON! HAVE YOU? YES! *** | genericgeekgirl says, "Can you really use "chamber" in that way? I'm not really a gun person." | ||
zarf says, "yes" | |||
Jacqueline says, "yay" | |||
vimes says, "yep, you can" | |||
Jacqueline says, "Also, yay that I don't have to be Floyd anymore." | |||
Afterward says, ""I don't wanna be Floyd anymore! I wanna be Debbie!"" | |||
ASchultz says, "[LINK] ... I admit I didn't know when I played, just guessed it could mean that" | |||
vimes says, "That sleep mask makes you jaunty and stylish, though." | |||
vimes says, "Not as much as the top hat and bow tie, but still." | |||
Jacqueline says, "One sec, please, before the next game." | |||
ASchultz asks, "By the way, are these games the original versions posted back in march by pr-if, or can/will they be updated?" | |||
Jacqueline says, "Well, I was hoping to switch back computers, but I'm not sure what to say to screen when it askes 'Attach from inside of screen?'" | |||
zarf says, "I've updated several of the games on the web site. I don't know if Kevin has been updating the giant zip download he keeps in dropbox." | |||
Jacqueline says, "So I guess I'll just continue on this one, as it seems Perry is still logging on the other computer even though I can't see it, and I don't want to mess that up." | |||
genericgeekgirl says, "The link for "download to play offline" says updated April 13th." | |||
zarf says, "then he has" | |||
Jacqueline says, "To answer your question, these are the ones I downloaded from the site this morning, so they should be the latest versions." | |||
Floyd ] Pearly Gates Floyd | Floyd | > LIST A Floyd | Please give one of the answers above. Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | |||
Jacqueline says (to Floyd), "quit" | |||
Floyd | debugcheapnitfol quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | |||
Jacqueline says (to Floyd), "load a18shesactualsize" | |||
Floyd | Welcome to the Cheap Glk Implementation, library version 0.9.0. Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
genericgeekgirl says (to Floyd), "panic" | |||
Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | Floyd | She's Actual Size Floyd | An Interactive Fiction by Jake Eakle Floyd | Release 5 / Serial number 120327 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your suitcase is sitting out on the floor. Floyd | Floyd | Piles of junk mail cover the only empty shelf in your bookcase. Floyd | Floyd | Your trash can has a few pieces of junk in it. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | There's a heap of dirty laundry next to your bed. Floyd | Floyd | >Part I: Paul | |||
genericgeekgirl says (to Floyd), "press space" | |||
Floyd | You can't see any such thing. Floyd | | |||
genericgeekgirl says (to Floyd), "panic" | |||
Floyd | >That's not a verb I recognise. Floyd | | Jacqueline says, "Oh, rereading what zarf said... no, I downloaded the zip, so I'm not sure. I guess we'll know if we hit a serial number dated later" | ||
djfletch says (to Floyd), "x me" | |||
Floyd | >You're nothing, compared to her. Floyd | | |||
djfletch says (to Floyd), "i" | |||
Floyd | >(You don't need to accumulate an inventory in this story.) Floyd | | ASchultz says, "Latest version is 4/13 so that all looks good" | ||
genericgeekgirl asks, "Hm. Why is it displaying like that?" | |||
ASchultz says, "Well, unless you're superstitious about Friday the 13th." | |||
genericgeekgirl says (to Floyd), "x laundry" | |||
Floyd | >You don't have nearly enough time to take your clothes to a Floyd | laundromat, so you just shove them under your bed. Floyd | | genericgeekgirl says, "classy" | ||
genericgeekgirl says (to Floyd), "look under bed" | |||
Floyd | >You should focus on getting it made. Floyd | | Jacqueline asks, "Hm, I should have loaded this with sleepmask - may I restart?" | ||
genericgeekgirl says, "Just checking. Dead bodies under the bed are such a turn off. Sure." | |||
Jacqueline says, "I'm still getting use to that little gem." | |||
Jacqueline says (to Floyd), "q" | |||
Jacqueline says (to Floyd), "y" | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | vimes says, "When i'm a bit more confident in sleepmask's stability, i'll make it the default" | ||
Jacqueline says (to Floyd), "load sleepmask a18shesactualsize" | |||
Floyd | >Are you sure you want to quit? You wake from a dream of perfect Lisa. Floyd | She was larger than life, and held you in the loving palm of her hand, Floyd | and smiled. Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
genericgeekgirl says (to Floyd), "press space" | |||
Floyd | Part I: Paul Floyd ] Your bedroom 9:00 am Floyd | Floyd | She's Actual Size Floyd | An Interactive Fiction by Jake Eakle Floyd | Release 5 / Serial number 120327 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your suitcase is sitting out on the floor. Floyd | Floyd | Piles of junk mail cover the only empty shelf in your Floyd | bookcase. Floyd | Floyd | Your trash can has a few pieces of junk in it. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | There's a heap of dirty laundry next to your bed. Floyd | Floyd | > | Jacqueline says, "Much better." | ||
inky says, "hunh" | |||
genericgeekgirl says (to Floyd), "x me" | |||
Floyd ] Your bedroom 9:00 am Floyd | Floyd | > X ME Floyd | You're nothing, compared to her. Floyd | Floyd | > | zarf says, "ah, this one. the style is blue, indicating keywords; is red, for a keyword you've used." | ||
Jacqueline says, "I think we had missed some stuff. I'm not sure what the thing is." | |||
Jacqueline says, "Ah" | |||
genericgeekgirl says, "Ah. I was wondering, because gargoyle doesn't show me the colours." | |||
inky asks, "so this is an error in the interpreter?" | |||
zarf says (to inky), "please turn on the CSS feature of your eyeballs" | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Your bedroom 9:00 am Floyd | > Floyd | > I Floyd | (You don't need to accumulate an inventory in this story.) Floyd | Floyd | > | inky says, "hee hee" | ||
djfletch says (to Floyd), "bed" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x pillows" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > X PILLOWS Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "think about lisa" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > THINK ABOUT LISA Floyd | I only understood you as far as wanting to think. Floyd | Floyd | > | vimes says, "i suppose i ought to make an option to differentiate between normal and preformatted text, which i have ambiguated in sleepmask" | ||
genericgeekgirl says (to Floyd), "appreciate lisa" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > APPRECIATE LISA Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
djfletch says (to Floyd), "look in trash" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > LOOK IN TRASH Floyd | Put trash in it. Empty it when it is full. Otherwise, leave it be. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x suitcase" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > X SUITCASE Floyd | You just need to get it out of here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take suitcase" | |||
Floyd ] Your bedroom 9:10 am Floyd | > Floyd | > TAKE SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take clothes" | |||
Floyd ] Your bedroom 9:15 am Floyd | > Floyd | > TAKE CLOTHES Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "books" | |||
Floyd ] Your bedroom 9:15 am Floyd | > Floyd | > BOOKS Floyd | You can't, the shelf is covered in junk mail. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "read mail" | |||
Floyd ] Your bedroom 9:20 am Floyd | > Floyd | > READ MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Your bedroom 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your bed## stands ready. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | You've hidden your dirty laundry. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your trash can is half full. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | > | |||
inky says (to Floyd), "empty trash" | |||
Floyd ] Your bedroom 9:20 am Floyd | > Floyd | > EMPTY TRASH Floyd | No point in taking it out until you've thrown away all the crap in your Floyd | room. Floyd | Floyd | > | |||
ASchultz says (to Floyd), "clean desk" | |||
Floyd ] Your bedroom 9:25 am Floyd | > Floyd | > CLEAN DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | genericgeekgirl is thoroughly creeped out. | ||
genericgeekgirl says (to Floyd), "books" | |||
Floyd ] Your bedroom 9:30 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
ASchultz says (to Floyd), "x trash" | |||
Floyd ] Your bedroom 9:30 am Floyd | > Floyd | > X TRASH Floyd | Put trash in it. Empty it when it is full. Otherwise, leave it be. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "trash" | |||
Floyd ] Your bedroom 9:35 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Your bedroom 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your bed## stands ready. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | You've hidden your dirty laundry. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:20 - 9:25 Floyd | Floyd | Your books## are organized neatly. -- 9:25 - 9:30 Floyd | Floyd | Your trash can is empty. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "shower" | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] Your bedroom 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | genericgeekgirl says, "Ooh." | ||
genericgeekgirl says (to Floyd), "x me" | |||
Floyd ] Your bedroom 9:00 Floyd | am Floyd | Floyd | > X ME Floyd | You need to get out of bed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "get out of bed" | |||
Floyd ] Your bedroom 9:00 Floyd | am Floyd | > Floyd | > GET OUT OF BED Floyd | I only understood you as far as wanting to get outside. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "up" | |||
Floyd ] Your bedroom 9:00 Floyd | am Floyd | > Floyd | > UP Floyd | Floyd | *** Run-time problem P10: Since the up is not allowed the property Floyd | "cleaned", it is against the rules to try to use it. Floyd | Floyd | Floyd | You need to get out of bed. Floyd | Floyd | > | zarf says, "oops" | ||
genericgeekgirl says (to Floyd), "exit bed" | |||
Floyd ] Your bedroom 9:00 Floyd | am Floyd | > Floyd | > EXIT BED Floyd | I only understood you as far as wanting to exit. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "get up" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's beginning to really sink in, panic clawing away the remnants of Floyd | sleep - you're enormous. It's not a dream, it's terrifyingly real, and Floyd | that sound was your knee splintering your dresser drawer. You start to Floyd | hyperventilate, and your breaths sound like someone breathing into a Floyd | microphone. You want to scream but you're scared of what it will sound Floyd | like. Floyd | Floyd | You lie on your floor, terrified to move, no clue what to do - at least Floyd | your PJs grew with you, so you're not naked. Floyd | Floyd | You can hear Paul's watch ticking loudly on your dresser. Floyd | Floyd | > | genericgeekgirl says, "There we go." | ||
genericgeekgirl says, "Magic modesty clothing." | |||
genericgeekgirl says (to Floyd), "listen" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > LISTEN Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x me" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > X ME Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "sort things out" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > SORT THINGS OUT Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x watch" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > X WATCH Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "z" | |||
Floyd ] Your bedroom 9:10 Floyd | am Floyd | > Floyd | > Z Floyd | After a while your leg starts cramping up. You were kind of hoping this Floyd | would all just go away after a minute somehow, but here you are. Time Floyd | to tough it out and.. what? You can't stand up; you'd break the house. Floyd | Yell for Liz, you guess. What will she do when she sees you? What Floyd | should she do? Call the police? The news? She'll probably just Floyd | pass out as soon as she opens the door. Floyd | Floyd | What'll happen if you just keep lying here? The cramping will get Floyd | worse, for one -- you're going to have to at least roll over soon. You Floyd | tentatively try flexing your leg. It seems to work. Ok. You can do Floyd | this. Floyd | Floyd | You gingerly lift one leg, shift your weight -- creeaaaaak go Floyd | the floorboards -- then lift your arm, roll further... ok. Cool. Your Floyd | leg doesn't hurt anymore. Now what? Floyd | Floyd | Paul's watch is sitting on your dresser, ticking loudly. You have no Floyd | idea why you're concerned with that right now, but you really feel like Floyd | you should get it back to him. You sit up carefully and reach towards Floyd | it. Your arm extends sickeningly far in front of you, all the way to Floyd | the dresser. You grab for the watch but your fingers are too big. You Floyd | knock it off the top of the dresser and it lands on your leg, where it Floyd | looks absurdly tiny. You try again to pick it up, but you're really not Floyd | used to this - you move your hand too fast and it skitters under the Floyd | bed. Shit. You've got to get it out of there! Floyd | Floyd | > | |||
inky says (to Floyd), "lift bed" | |||
Floyd ] Your bedroom 9:10 Floyd | am Floyd | > Floyd | > LIFT BED Floyd | You've got to get that watch! Floyd | Floyd | > | |||
inky says (to Floyd), "move bed" | |||
Floyd ] Your bedroom 9:10 Floyd | am Floyd | > Floyd | > MOVE BED Floyd | You can't see any such thing. Floyd | Floyd | > | |||
inky says (to Floyd), "get bed" | |||
Floyd ] Your bedroom 9:10 Floyd | am Floyd | > Floyd | > GET BED Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "get wtach" | |||
Floyd ] Your bedroom 9:10 Floyd | am Floyd | > Floyd | > GET WTACH Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "get watch" | |||
Floyd ] Your bedroom 9:15 am Floyd | > Floyd | > GET WATCH Floyd | There's only a few inches between the bottom of your bed and the floor Floyd | - there's no way you're going to get your arm under there in this Floyd | state. You'll just have to lift it. Floyd | Floyd | You wedge your fingers under the bed and lift. It's absurdly easy. Floyd | Holding the bed at a 45Ë angle with one hand, you lean under it and Floyd | reach for the watch with the other. Floyd | Floyd | The watch's ticking suddenly stops. An airy, feathery sensation ripples Floyd | across your skin, and the bed is much too heavy, your arm Floyd | buckles - it's shriveling! - and the thick metal frame slams into your Floyd | normal-sized head. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | inky says, "ow" | ||
Gunther has had his fill of playing for now, and goes back to the Lounge. | |||
genericgeekgirl says (to Floyd), "z" | |||
Floyd ] Your bedroom ~*#@!*~ Floyd | * * * The world goes black * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | genericgeekgirl says, "Hm." | ||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | genericgeekgirl frumple. | ||
inky says, "wait a sec" | |||
ASchultz asks, "Ok, can/should we undo?" | |||
TheXenographer says, "No, I don't think so." | |||
TheXenographer says, "AFAIK the game is unwinnable when that happens." | |||
genericgeekgirl asks, "Floyd should be able to undo to before we tried to take the watch, so it would be fine, no?" | |||
ASchultz says, "I'd guess. As long as you can undo" | |||
genericgeekgirl says, "Or we can start over and go quickly through the first room and save." | |||
ASchultz says, "I vote for that--good idea" | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | Part I: Paul Floyd ] Your bedroom 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "make bed" | |||
Floyd ] Your bedroom 9:05 am Floyd | Floyd | > MAKE BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | > | genericgeekgirl asks, "Objections, first?" | ||
genericgeekgirl says, "Otherwise, I'll drive through it quickly." | |||
inky says, "go for it" | |||
genericgeekgirl says (to Floyd), "mail" | |||
Floyd ] Your bedroom 9:10 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "books" | |||
Floyd ] Your bedroom 9:15 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "suitcase" | |||
Floyd ] Your bedroom 9:20 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "clothes" | |||
Floyd ] Your bedroom 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your bed## stands ready. -- 9:00 - 9:05 Floyd | Floyd | You've thrown away all your junk mail. -- 9:05 - 9:10 Floyd | Floyd | Your books## are organized neatly. -- 9:10 - 9:15 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:15 Floyd | - 9:20 Floyd | Floyd | Your trash can is half full. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | There's a heap of dirty laundry next to your bed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "desk" | |||
Floyd ] Your bedroom 9:25 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "laundry" | |||
Floyd ] Your bedroom 9:30 am Floyd | > Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "trash" | |||
Floyd ] Your bedroom 9:35 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "shower" | |||
Floyd ] Your bedroom 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your bed## stands ready. -- 9:00 - 9:05 Floyd | Floyd | You've thrown away all your junk mail. -- 9:05 - 9:10 Floyd | Floyd | Your books## are organized neatly. -- 9:10 - 9:15 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:15 Floyd | - 9:20 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:20 - 9:25 Floyd | Floyd | You've hidden your dirty laundry. -- 9:25 - 9:30 Floyd | Floyd | Your trash can is empty. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] Your bedroom 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "SAVE" | |||
genericgeekgirl says (to Floyd), "cf2" | |||
Floyd | %% File to save: Floyd | %% Save file: cf2 Floyd ] Your bedroom 9:00 Floyd | am Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | genericgeekgirl says, "All right." | ||
inky says (to Floyd), "stand" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > STAND Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's beginning to really sink in, panic clawing away the remnants of Floyd | sleep - you're enormous. It's not a dream, it's terrifyingly real, and Floyd | that sound was your knee splintering your dresser drawer. You start to Floyd | hyperventilate, and your breaths sound like someone breathing into a Floyd | microphone. You want to scream but you're scared of what it will sound Floyd | like. Floyd | Floyd | You lie on your floor, terrified to move, no clue what to do - at least Floyd | your PJs grew with you, so you're not naked. Floyd | Floyd | You can hear Paul's watch ticking loudly on your dresser. Floyd | Floyd | > | |||
inky says (to Floyd), "get watch" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > GET WATCH Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | |||
inky says (to Floyd), "get watch" | |||
Floyd ] Your bedroom 9:05 Floyd | am Floyd | > Floyd | > GET WATCH Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | |||
inky says (to Floyd), "wait" | |||
Floyd ] Your bedroom 9:10 am Floyd | > Floyd | > WAIT Floyd | After a while your leg starts cramping up. You were kind of hoping this Floyd | would all just go away after a minute somehow, but here you are. Time Floyd | to tough it out and.. what? You can't stand up; you'd break the house. Floyd | Yell for Liz, you guess. What will she do when she sees you? What Floyd | should she do? Call the police? The news? She'll probably just Floyd | pass out as soon as she opens the door. Floyd | Floyd | You had tuned out the oddly-loud ticking of Paul's wach, and become Floyd | aware of it again as it stops. Weird. But before you can think about Floyd | that any more, an airy, feathery sensation develops all across Floyd | your skin, and the room leaps away from you. Floyd | Floyd | You and your PJs have just shrunk back to your normal sizes. Okay. This Floyd | is officially the weirdest day ever. Floyd | Floyd | Your only evidence is a smashed dresser drawer, though. You always hate Floyd | it when characters in movies refuse to tell people about the magical Floyd | things that happen to them, but now you kinda get it. You have Floyd | absolutely nothing tangible to show for your experience. People really Floyd | would just think you were joking or crazy. And you have Floyd | absolutely no clue what happened, and no desire to make it Floyd | happen again. So... you should probably get to work. You spent a long Floyd | time lying around being a giant, and Sanders wants the final version of Floyd | their logo by the end of the day. Floyd | Floyd | You throw your clothes on in a hurry and rush out without Paul's watch. Floyd | You're pretty sure he left it here on purpose to get you into his house Floyd | anyway. What a loser. Floyd | Floyd | Liz yells something at you about the garbage disposal as you blow past Floyd | her, and normally you'd care, but you really just need to get out of Floyd | the house right now. Floyd | Floyd | Floyd | - - - - - Floyd | | inky says, "hunh, weird" | ||
inky says (to Floyd), "look" | |||
Floyd ] Your bedroom ~*#@!*~ Floyd | * * * You go on about your day * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | inky says, "bummer" | ||
inky says (to Floyd), "look" | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
inky says (to Floyd), "restore" | |||
Floyd | %% File to restore: | |||
inky says (to Floyd), "cf2" | |||
Floyd | %% Restore file: cf2 Floyd | Part I: Paul Floyd ] Your bedroom 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | inky asks, "wait, what?" | ||
inky says (to Floyd), "RESTORE" | |||
inky says (to Floyd), "cf2" | |||
Floyd | %% File to restore: Floyd | %% Restore file: cf2 Floyd | %% Critical error. Floyd | %% Message: stream_open_file: unable to open file. Floyd ] Your bedroom 9:00 am Floyd | Floyd | > RESTORE Floyd | Restore failed. Floyd | Floyd | > | inky says, "weird" | ||
Jacqueline says, "Did we..." | |||
Jacqueline says, "huh" | |||
Jacqueline asks, "Oh, wait, maybe that's... is that a save from another game? Like, another file, not a different playthrough?" | |||
ASchultz says, "No, the log shows we saved to cf2" | |||
ASchultz says, "maybe it was because we restored 2x in a row? I don't know" | |||
Jacqueline says, "Nah, that shouldn't matter." | |||
Jacqueline asks, "So, what now?" | |||
TheXenographer asks, "Just keep playing from there?" | |||
Jacqueline says, "Yeah." | |||
Jacqueline says (to Floyd), "l" | |||
Floyd ] Your bedroom 9:00 am Floyd | > Floyd | > L Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your suitcase is sitting out on the floor. Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Piles of junk mail cover the only empty shelf in your Floyd | bookcase. Floyd | Floyd | Your trash can has a few pieces of junk in it. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | There's a heap of dirty laundry next to your bed. Floyd | Floyd | > | Jacqueline says, "So we started over, essentially? (We'd put the suitcase away and the mail in the trash and whatnot, right?)" | ||
inky says, "yeah" | |||
genericgeekgirl says, "Yeah." | |||
Jacqueline asks (of ggg), "Could you get us back?" | |||
genericgeekgirl says (to Floyd), "mail" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "books" | |||
Floyd ] Your bedroom 9:10 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "suitcase" | |||
Floyd ] Your bedroom 9:15 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "laundry" | |||
Floyd ] Your bedroom 9:20 am Floyd | > Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "desk" | |||
Floyd ] Your bedroom 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've thrown away all your junk mail. -- 9:00 - 9:05 Floyd | Floyd | Your books## are organized neatly. -- 9:05 - 9:10 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:10 Floyd | - 9:15 Floyd | Floyd | You've hidden your dirty laundry. -- 9:15 - 9:20 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your trash can is half full. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "bed" | |||
Floyd ] Your bedroom 9:25 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | > | inky says, "I guess we should save when we get to part 2" | ||
genericgeekgirl says (to Floyd), "desk" | |||
Floyd ] Your bedroom 9:30 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "trash" | |||
Floyd ] Your bedroom 9:35 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "shower" | |||
Floyd ] Your bedroom 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've thrown away all your junk mail. -- 9:00 - 9:05 Floyd | Floyd | Your books## are organized neatly. -- 9:05 - 9:10 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:10 Floyd | - 9:15 Floyd | Floyd | You've hidden your dirty laundry. -- 9:15 - 9:20 Floyd | Floyd | Your bed## stands ready. -- 9:20 - 9:25 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:25 - 9:30 Floyd | Floyd | Your trash can is empty. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "shower" | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] Your bedroom 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | genericgeekgirl says, "This is where we saved earlier." | ||
inky says, "although I'm wondering if our actions in part 2 have to match up with our actions in part 1 somehow" | |||
genericgeekgirl says, "Hm." | |||
ASchultz says, "The times might be a clue. Part 1 and part 2 start at 9 AM, both" | |||
genericgeekgirl says, "Well, we threw away the junk mail first." | |||
ASchultz asks, "The bed pins you down. Perhaps it's worth cleaning it up first?" | |||
genericgeekgirl says, "We did that first the very first time, though, and it still pinned us down." | |||
genericgeekgirl says, "But it's worth a try." | |||
ASchultz says, "There's also laundry on the bed I believe. Maybe it's a compound thing" | |||
inky says (to Floyd), "get laundry" | |||
Floyd ] Your bedroom 9:00 Floyd | am Floyd | Floyd | > GET LAUNDRY Floyd | You can't see any such thing. Floyd | Floyd | > | |||
inky says (to Floyd), "l" | |||
Floyd ] Your bedroom 9:00 Floyd | am Floyd | > Floyd | > L Floyd | You need to get out of bed. Floyd | Floyd | > | |||
inky says (to Floyd), "out" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > OUT Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's just beginning to really sink in, panic clawing away the remnants Floyd | of sleep, when you start to feel an airy, feathery sensation all over Floyd | your skin, and the room leaps away from you, and then stillness. And Floyd | the memory of the watch Paul left here ticking away on your dresser. Floyd | Funny, you can't hear it anymore. Floyd | Floyd | You feel okay to sit up. You appear to be the right size again. Floyd | Floyd | Your brain really, really wants it to have been a dream. You're Floyd | exhausted from the party. You just need to get dressed and get that Floyd | watch back to Paul before work. Floyd | Floyd | > | |||
inky says (to Floyd), "get watch" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > GET WATCH Floyd | You really just want to get dressed and out the door as quickly as Floyd | possible. Floyd | Floyd | > | |||
inky says (to Floyd), "dress" | |||
Floyd ] Your bedroom 9:05 am Floyd | > Floyd | > DRESS Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
inky says (to Floyd), "get dressed" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You throw on your clothes as quickly as possible, toss the watch in Floyd | your satchel, and try to look in the mirror for as little time as Floyd | possible. At least your hair is shorter now, so you don't have to deal Floyd | with that. Floyd | Floyd | Liz is yelling at you from the kitchen about something. You gather Floyd | yourself and step into the hall to see what's up. Floyd | Floyd | "...all clogged now! You were supposed to take care of this before the Floyd | party, Lisa. Now it's going to take way longer, and.." Floyd | Floyd | She's talking about the garbage disposal. And it sounds like she tried Floyd | to run it again. Damn it, you don't have time- Floyd | Floyd | A stretching, burning feeling comes alive all through your body, and Floyd | somehow you think you can hear Paul's antique watch ticking impossibly Floyd | loudly inside your satchel. There's a crack! and you lose vision as Floyd | your head slams into the ceiling. But it doesn't hurt, exactly, and you Floyd | tentatively open your eyes... Floyd | Floyd | The hallway is in shambles. You've knocked out a segment of the wall Floyd | into Liz's bedroom, and you can see cars going by through her picture Floyd | window. There's weight on your head and shoulders, so you lower your Floyd | head - and a shower of plaster crumbles onto you and the floor. Floyd | Floyd | Liz is staring from the intact kitchen, her anger about the garbage Floyd | disposal dead on her still-moving lips. Floyd | Floyd | Floyd | - - - - - Floyd | | ASchultz says, "Whoah, a new ending" | ||
TheXenographer says, "it's not an ending" | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | 2. Buildings Tumble. Floyd ] The Hall 9:10 Floyd | am Floyd | The satchel grew with you, and it bulges against your side. In your Floyd | mind's eye you can see the watch, expanded inside it to the size of a Floyd | CD. You have to return it! Liz looks like she's about to break her Floyd | shocked silence, and you don't want to be here when that happens. Floyd | Floyd | The freedom of the street beckons, just one more flimsy wall away to Floyd | the north... Floyd | Floyd | > | inky says, "oh hey" | ||
genericgeekgirl asks, "Shall we go north?" | |||
TheXenographer says, "sure" | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] The Road to the City 9:15 Floyd | am Floyd | Floyd | > N Floyd | You run through the bedroom, throw an arm in front of your face, and Floyd | barrel straight through the window. And some of the window frame. Floyd | Floyd | Instead of trying to figure out if that hurt, you are struck by the Floyd | strange thought that you ought to have put on those amethyst earrings Floyd | you were wearing last night. The house makes a terrible Floyd | groaning-and-then-cracking sound behind you, and you finally hear Liz Floyd | scream. Floyd | Floyd | You take off running east down the street. You've never been athletic, Floyd | but it's easy, it's like a movie. Blocks fly by in five or six of your Floyd | enormous strides. You begin to synchronize your steps to the beat of Floyd | Paul's watch, which you can somehow hear from within your satchel. Floyd | Floyd | A parked car crinkles underfoot, like stepping on tinfoil. You're much Floyd | bigger than before; you can see the tops of two-story houses. The city Floyd | proper, and within it Paul's apartment, loom ahead. Floyd | Floyd | > | inky says, "go for it" | ||
ASchultz says, "Oo, chapter 2, yay" | |||
Jacqueline says, "Goodness." | |||
djfletch says, "Attack of the 50ft Woman" | |||
inky says (to Floyd), "n" | |||
Floyd ] The Road to the City 9:15 Floyd | am Floyd | > Floyd | > N Floyd | Floyd | *** Run-time problem P10: Since the north is not allowed the property Floyd | "cleaned", it is against the rules to try to use it. Floyd | Floyd | Floyd | The road to Paul's apartment is east. Floyd | Floyd | > | |||
inky says (to Floyd), "e" | |||
Floyd ] The Road to the City 9:20 Floyd | am Floyd | > Floyd | > E Floyd | You feel increasingly comfortable as you run. You no longer fit on the Floyd | sidewalk, so you're tearing down the middle of the road. The asphalt Floyd | crumbles into satisfying grit beneath your feet, and you dig into it Floyd | and launch yourself forward with each step. Floyd | Floyd | And then the watch doesn't tick, and your foot doesn't fall, and the Floyd | feathers are all over your body again. Floyd | Floyd | You've shrunk, but your momentum hasn't, and you're hurtling through Floyd | the air. It's the same terror you used to get when you had falling Floyd | dreams, so you're pretty sure you're about to wake up- Floyd | Floyd | - - - - - Floyd | | Jacqueline says, "eep" | ||
inky has had his fill of playing for now, and goes back to the Lounge. | |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] The Road to the City ~*#@!*~ Floyd | * * * You have died * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | genericgeekgirl says, "Oh no." | ||
Jacqueline grumbles. | |||
Jacqueline pushes the green 'space' button. | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | Jacqueline asks, "So... we have to do it all again?" | ||
genericgeekgirl says, "Seems that way." | |||
Jacqueline asks (of ggg), "Drive again, please?" | |||
Jacqueline says, "Also, I still find it amusing that to speak to you I always type ...ggg" | |||
Jacqueline says, "I do like how that time changes when we die." | |||
genericgeekgirl says (to Floyd), "bed" | |||
Floyd | Part I: Paul Floyd ] The Road to the City 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "mail" | |||
Floyd ] The Road to the City 9:10 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "books" | |||
Floyd ] The Road to the City 9:15 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "laundry" | |||
Floyd ] The Road to the City 9:20 am Floyd | > Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your bed## stands ready. -- 9:00 - 9:05 Floyd | Floyd | You've thrown away all your junk mail. -- 9:05 - 9:10 Floyd | Floyd | Your books## are organized neatly. -- 9:10 - 9:15 Floyd | Floyd | You've hidden your dirty laundry. -- 9:15 - 9:20 Floyd | Floyd | Your suitcase is sitting out on the floor. Floyd | Floyd | Your trash can is half full. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "desk" | |||
Floyd ] The Road to the City 9:25 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "suitcase" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "trash" | |||
Floyd ] The Road to the City 9:35 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | Your bed## stands ready. -- 9:00 - 9:05 Floyd | Floyd | You've thrown away all your junk mail. -- 9:05 - 9:10 Floyd | Floyd | Your books## are organized neatly. -- 9:10 - 9:15 Floyd | Floyd | You've hidden your dirty laundry. -- 9:15 - 9:20 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:20 - 9:25 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:25 Floyd | - 9:30 Floyd | Floyd | Your trash can is empty. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl says (to Floyd), "shower" | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] The Road to the City 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | genericgeekgirl says, "Hm. Some of them are prefixed with ##. I wonder if that meant something. Like they're in the right order or not." | ||
genericgeekgirl says, "Except that you can't do books without mail, so.." | |||
Jacqueline asks, "Why would the order matter?" | |||
ASchultz says, "I think it's just formatting, bold text" | |||
Jacqueline says, "I mean, because it's a game, I realize, but ..." | |||
genericgeekgirl asks, "Sure, but why are only some of them bolded?" | |||
vimes says, "## indicates bold text, # indicates big bold text" | |||
Jacqueline says, "Oh" | |||
genericgeekgirl says, "I don't know, there was some speculation earlier about the times/ordering mattering." | |||
genericgeekgirl says, "I'm mostly just doing it randomly, though, except that books have to happen after mail and trash can only happen last." | |||
genericgeekgirl says, "Anyway. Onward." | |||
genericgeekgirl says (to Floyd), "get up" | |||
Floyd ] The Road to the City 9:05 Floyd | am Floyd | Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's beginning to really sink in, panic clawing away the remnants of Floyd | sleep - you're enormous. It's not a dream, it's terrifyingly real, and Floyd | that sound was your knee splintering your dresser drawer. You start to Floyd | hyperventilate, and your breaths sound like someone breathing into a Floyd | microphone. You want to scream but you're scared of what it will sound Floyd | like. Floyd | Floyd | You lie on your floor, terrified to move, no clue what to do - at least Floyd | your PJs grew with you, so you're not naked. Floyd | Floyd | You can hear Paul's watch ticking loudly on your dresser. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "x watch" | |||
Floyd ] The Road to the City 9:05 Floyd | am Floyd | > Floyd | > X WATCH Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | genericgeekgirl says, "Testing it out in Gargoyle. Sometimes finished actions show up in italics. Sometimes they show up bold with the relevant command in red. It might mean something." | ||
djfletch says, "hmm" | |||
ASchultz asks, "Oh, is it ok to have something going on the side?" | |||
Jacqueline asks, "You mean, to play it on the side?" | |||
ASchultz says, "Yes, in gargoyle on my local machine" | |||
Jacqueline says, "If it's to figure out if Floyd is keeping us from seeing something critical, I guess." | |||
Jacqueline says, "Though it's better if we're all seeing the same thing so that commentary makes sense." | |||
djfletch asks, "are the things we do as Lisa making any difference to how far we get?" | |||
Jacqueline says, "These transcripts are read by people who weren't here, sometimes by authors, sometimes just curious folks, so it's best if they transcripts make sense and that players reveal things naturally, not through hints or spoilers." | |||
ASchultz says, "I've been going through what we did to see if we missed anything" | |||
ASchultz says, "I would think so, DJ. The game seems pretty on rails after you clean stuff up" | |||
genericgeekgirl says, "Yeah, I'm just confirming that the formatting might be relevant, and not a weird quirk of how floyd is handling it." | |||
vimes says, "reasonable idea, given how new the formatting handling of floyd is" | |||
djfletch says, "so... what if we take a guess that the bold ones are in the right order" | |||
genericgeekgirl says, "But for now, let's go on and worry about it when/if we have to restart." | |||
genericgeekgirl asks, "What worked earlier? Getting dressed?" | |||
Ellison arrives, ready to play with the toys. | ASchultz says, "I think we got pretty far starting with laundry" | ||
Jacqueline says, "I have this weird thing happening where I can't scroll back, but I *can* look at the log as it's beging created." | |||
djfletch says, "I'm not sure what else we can do here. Yeah, just try getting dressed." | |||
genericgeekgirl says (to Floyd), "get dressed" | |||
Floyd ] The Road to the City 9:05 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "z" | |||
Floyd ] The Road to the City 9:10 am Floyd | > Floyd | > Z Floyd | After a while your leg starts cramping up. You were kind of hoping this Floyd | would all just go away after a minute somehow, but here you are. Time Floyd | to tough it out and.. what? You can't stand up; you'd break the house. Floyd | Yell for Liz, you guess. What will she do when she sees you? What Floyd | should she do? Call the police? The news? She'll probably just Floyd | pass out as soon as she opens the door. Floyd | Floyd | You had tuned out the oddly-loud ticking of Paul's wach, and become Floyd | aware of it again as it stops. Weird. But before you can think about Floyd | that any more, an airy, feathery sensation develops all across Floyd | your skin, and the room leaps away from you. Floyd | Floyd | You and your PJs have just shrunk back to your normal sizes. Okay. This Floyd | is officially the weirdest day ever. Floyd | Floyd | Your only evidence is a smashed dresser drawer, though. You always hate Floyd | it when characters in movies refuse to tell people about the magical Floyd | things that happen to them, but now you kinda get it. You have Floyd | absolutely nothing tangible to show for your experience. People really Floyd | would just think you were joking or crazy. And you have Floyd | absolutely no clue what happened, and no desire to make it Floyd | happen again. So... you should probably get to work. You spent a long Floyd | time lying around being a giant, and Sanders wants the final version of Floyd | their logo by the end of the day. Floyd | Floyd | You throw your clothes on in a hurry and rush out without Paul's watch. Floyd | You're pretty sure he left it here on purpose to get you into his house Floyd | anyway. What a loser. Floyd | Floyd | Liz yells something at you about the garbage disposal as you blow past Floyd | her, and normally you'd care, but you really just need to get out of Floyd | the house right now. Floyd | Floyd | Floyd | - - - - - Floyd | | genericgeekgirl says, "Ok, yeah. I guess it does matter." | ||
genericgeekgirl says, "Earlier we were able to get dressed as the second action, but we ended up in the "all you can do is wait" loop. But earlier, that loop didn't end the section and force a restart, it let us get undazed." | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] The Road to the City ~*#@!*~ Floyd | * * * You go on about your day * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | Jacqueline asks, "Is there a reasoning here?" | ||
genericgeekgirl says, "No idea yet." | |||
djfletch says, "I think just try a different order and see what the list looks like." | |||
djfletch says, "See if we can work out what the formatting means." | |||
genericgeekgirl says, "Yeah. The question is whether italics or bold is "good"." | |||
ASchultz says, "Given that bold also has red, I'd vote italics" | |||
genericgeekgirl says, "Ok." | |||
genericgeekgirl says, "Based on previous playthroughs: when the first action was mail, it was in italics; bed was in bold. Books and trash can't be first." | |||
genericgeekgirl says, "But. When we did books right after mail, it was bold." | |||
genericgeekgirl says, "And that's all I've got." | |||
ASchultz says, "Hm, actually, looking at previous final summaries--mail laundry and trash are always italics/em2" | |||
ASchultz says, "the others are always red" | |||
genericgeekgirl says, "Yeah. Hm." | |||
ASchultz says, "So it looks like coloring doesn't matter. We may have to go with trial and error--but it looks like we need to place the laundry first" | |||
ASchultz says, "because paul's watch is in the laundry, presumably, and when it's left on the dresser you get your arm pinned reaching for it" | |||
genericgeekgirl says, "Sure." | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd | Part I: Paul Floyd ] The Road to the City 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "laundry" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | Jacqueline says, "This is why I love ClubFloyd (well, one of the reasons): this is totally not my thing, but I'm glad other people are interested enough to figure it out so that I'll get to see the result." | ||
vimes says, "yes, indeed." | |||
ASchultz says, "I have to admit I was flagging a bit before other people came up with theories. I just hope I haven't offered another dead end." | |||
TheXenographer says, "I eventually managed to progress most of the way through this game before hitting a game-breaking bug, but I was completely doing trial-and-error" | |||
TheXenographer says, "I couldn't figure out any logic to it at all." | |||
genericgeekgirl asks, "Preferences on what we do next?" | |||
olethros arrives, full of fun and funk. | olethros asks, "what is being played?" | ||
ASchultz says, "She's Actual Size" | |||
ASchultz says, "If I were playing alone I'd just start quickly running through how to clean my room up & in what order" | |||
ASchultz says, "& how far it gets me" | |||
ASchultz says, "but that'd create a LOT of ClubFloyd logs" | |||
djfletch says, "yeah, I think we should just try some orders and see what happens" | |||
djfletch says (to Floyd), "l" | |||
Floyd ] The Road to the City 9:05 am Floyd | > Floyd | > L Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | Your suitcase is sitting out on the floor. Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Piles of junk mail cover the only empty shelf in your Floyd | bookcase. Floyd | Floyd | Your trash can has a few pieces of junk in it. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | > | |||
djfletch says (to Floyd), "suitcase" | |||
Floyd ] The Road to the City 9:10 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "mail" | |||
Floyd ] The Road to the City 9:15 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | > | |||
djfletch says (to Floyd), "books" | |||
Floyd ] The Road to the City 9:20 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | You've thrown away all your junk mail. -- 9:10 - 9:15 Floyd | Floyd | Your books## are organized neatly. -- 9:15 - 9:20 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your trash can is half full. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | > | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] The Road to the City 9:25 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | > | |||
djfletch says (to Floyd), "l" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > L Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | You've thrown away all your junk mail. -- 9:10 - 9:15 Floyd | Floyd | Your books## are organized neatly. -- 9:15 - 9:20 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:20 - 9:25 Floyd | Floyd | Your trash can is empty. -- 9:25 - 9:30 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | > | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:35 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | You've thrown away all your junk mail. -- 9:10 - 9:15 Floyd | Floyd | Your books## are organized neatly. -- 9:15 - 9:20 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:20 - 9:25 Floyd | Floyd | Your trash can is empty. -- 9:25 - 9:30 Floyd | Floyd | Your bed## stands ready. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | olethros says, "oh tough" | ||
olethros says, "wait I already cleaned the room" | |||
olethros says, "(online)" | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] The Road to the City 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "dress" | |||
Floyd ] The Road to the City 9:00 Floyd | am Floyd | Floyd | > DRESS Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
djfletch says (to Floyd), "x me" | |||
Floyd ] The Road to the City 9:00 Floyd | am Floyd | > Floyd | > X ME Floyd | You need to get out of bed. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get out" | |||
Floyd ] The Road to the City 9:05 am Floyd | > Floyd | > GET OUT Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's just beginning to really sink in, panic clawing away the remnants Floyd | of sleep, when you start to feel an airy, feathery sensation all over Floyd | your skin, and the room leaps away from you, and then stillness. And Floyd | the memory of the watch Paul left here ticking away on your dresser. Floyd | Funny, you can't hear it anymore. Floyd | Floyd | You feel okay to sit up. You appear to be the right size again. Floyd | Floyd | Your brain really, really wants it to have been a dream. You're Floyd | exhausted from the party. You just need to get dressed and get that Floyd | watch back to Paul before work. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get dressed" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You throw on your clothes as quickly as possible, toss the watch in Floyd | your satchel, and try to look in the mirror for as little time as Floyd | possible. At least your hair is shorter now, so you don't have to deal Floyd | with that. Floyd | Floyd | Liz is yelling at you from the kitchen about something. You gather Floyd | yourself and step into the hall to see what's up. Floyd | Floyd | "...all clogged now! You were supposed to take care of this before the Floyd | party, Lisa. Now it's going to take way longer, and.." Floyd | Floyd | She's talking about the garbage disposal. And it sounds like she tried Floyd | to run it again. Damn it, you don't have time- Floyd | Floyd | A stretching, burning feeling comes alive all through your body, and Floyd | somehow you think you can hear Paul's antique watch ticking impossibly Floyd | loudly inside your satchel. There's a crack! and you lose vision as Floyd | your head slams into the ceiling. But it doesn't hurt, exactly, and you Floyd | tentatively open your eyes... Floyd | Floyd | The hallway is in shambles. You've knocked out a segment of the wall Floyd | into Liz's bedroom, and you can see cars going by through her picture Floyd | window. There's weight on your head and shoulders, so you lower your Floyd | head - and a shower of plaster crumbles onto you and the floor. Floyd | Floyd | Liz is staring from the intact kitchen, her anger about the garbage Floyd | disposal dead on her still-moving lips. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | 2. Buildings Tumble. Floyd ] The Hall 9:10 Floyd | am Floyd | The satchel grew with you, and it bulges against your side. In your Floyd | mind's eye you can see the watch, expanded inside it to the size of a Floyd | CD. You have to return it! Liz looks like she's about to break her Floyd | shocked silence, and you don't want to be here when that happens. Floyd | Floyd | The freedom of the street beckons, just one more flimsy wall away to Floyd | the north... Floyd | Floyd | > | |||
djfletch says (to Floyd), "n" | |||
Floyd ] Your Front Lawn 9:15 Floyd | am Floyd | Floyd | > N Floyd | You run through the bedroom, throw an arm in front of your face, and Floyd | barrel straight towards the window. You close your eyes as the point of Floyd | impact approaches, but instead of glass you feel the same light, Floyd | feathery sensation you felt when you rolled out of bed. Then Floyd | comes the glass. Floyd | Floyd | You're not moving anymore. You open your eyes. You're lying on the Floyd | front lawn, surrounded by frighteningly large, jagged spears of broken Floyd | glass and a sea of tiny fragments. You're not big anymore. And... oh. Floyd | You really shouldn't have looked at your leg. Floyd | Floyd | Either the sight of that much blood or the loss of it is too much for Floyd | you. Floyd | Floyd | Floyd | - - - - - Floyd | | djfletch says, "ok, so that time we did two things then died on the third" | ||
djfletch pushes the green 'space' button. | |||
Floyd ] Your Front Lawn ~*#@!*~ Floyd | * * * The world goes black * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | djfletch says, "unless anyone has a better plan, I'll try just changing the third thing we do to something else" | ||
djfletch says (to Floyd), "laundry" | |||
Floyd | Part I: Paul Floyd ] Your Front Lawn 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
djfletch says (to Floyd), "suitcase" | |||
Floyd ] Your Front Lawn 9:05 am Floyd | Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "undo" | |||
Floyd ] Your Front Lawn 9:05 am Floyd | > Floyd | > UNDO Floyd | The use of UNDO is forbidden in this game. Floyd | Floyd | > | djfletch says, "oops ok I'm starting with suitcase then" | ||
djfletch says (to Floyd), "laundry" | |||
Floyd ] Your Front Lawn 9:10 am Floyd | > Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
djfletch says (to Floyd), "mail" | |||
Floyd ] Your Front Lawn 9:15 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | > | |||
djfletch says (to Floyd), "books" | |||
Floyd ] Your Front Lawn 9:20 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] Your Front Lawn 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | The suitcase## awaits your future travels. -- 9:00 Floyd | - 9:05 Floyd | Floyd | You've hidden your dirty laundry. -- 9:05 - 9:10 Floyd | Floyd | You've thrown away all your junk mail. -- 9:10 - 9:15 Floyd | Floyd | Your books## are organized neatly. -- 9:15 - 9:20 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your trash can is half full. Floyd | Floyd | Your desk is a disaster area. Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] Your Front Lawn 9:20 am Floyd | > Floyd | > TRASH Floyd | No point in taking it out until you've thrown away all the crap in your Floyd | room. Floyd | Floyd | > | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] Your Front Lawn 9:25 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] Your Front Lawn 9:30 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | > | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] Your Front Lawn 9:35 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] Your Front Lawn 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | The suitcase## awaits your future travels. -- 9:00 Floyd | - 9:05 Floyd | Floyd | You've hidden your dirty laundry. -- 9:05 - 9:10 Floyd | Floyd | You've thrown away all your junk mail. -- 9:10 - 9:15 Floyd | Floyd | Your books## are organized neatly. -- 9:15 - 9:20 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:20 - 9:25 Floyd | Floyd | Your trash can is empty. -- 9:25 - 9:30 Floyd | Floyd | Your bed## stands ready. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] Your Front Lawn 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get up" | |||
Floyd ] Your Front Lawn 9:05 Floyd | am Floyd | Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's beginning to really sink in, panic clawing away the remnants of Floyd | sleep - you're enormous. It's not a dream, it's terrifyingly real, and Floyd | that sound was your knee splintering your dresser drawer. You start to Floyd | hyperventilate, and your breaths sound like someone breathing into a Floyd | microphone. You want to scream but you're scared of what it will sound Floyd | like. Floyd | Floyd | You lie on your floor, terrified to move, no clue what to do - at least Floyd | your PJs grew with you, so you're not naked. Floyd | Floyd | You can hear Paul's watch ticking loudly on your dresser. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get dressed" | |||
Floyd ] Your Front Lawn 9:05 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You're pretty disoriented right now. Probably best to just take a few Floyd | minutes to sort things out. Floyd | Floyd | > | djfletch says, "making me wait this time" | ||
djfletch says (to Floyd), "z" | |||
Floyd ] Your Front Lawn 9:10 am Floyd | > Floyd | > Z Floyd | After a while your leg starts cramping up. You were kind of hoping this Floyd | would all just go away after a minute somehow, but here you are. Time Floyd | to tough it out and.. what? You can't stand up; you'd break the house. Floyd | Yell for Liz, you guess. What will she do when she sees you? What Floyd | should she do? Call the police? The news? She'll probably just Floyd | pass out as soon as she opens the door. Floyd | Floyd | You had tuned out the oddly-loud ticking of Paul's wach, and become Floyd | aware of it again as it stops. Weird. But before you can think about Floyd | that any more, an airy, feathery sensation develops all across Floyd | your skin, and the room leaps away from you. Floyd | Floyd | You and your PJs have just shrunk back to your normal sizes. Okay. This Floyd | is officially the weirdest day ever. Floyd | Floyd | Your only evidence is a smashed dresser drawer, though. You always hate Floyd | it when characters in movies refuse to tell people about the magical Floyd | things that happen to them, but now you kinda get it. You have Floyd | absolutely nothing tangible to show for your experience. People really Floyd | would just think you were joking or crazy. And you have Floyd | absolutely no clue what happened, and no desire to make it Floyd | happen again. So... you should probably get to work. You spent a long Floyd | time lying around being a giant, and Sanders wants the final version of Floyd | their logo by the end of the day. Floyd | Floyd | You throw your clothes on in a hurry and rush out without Paul's watch. Floyd | You're pretty sure he left it here on purpose to get you into his house Floyd | anyway. What a loser. Floyd | Floyd | Liz yells something at you about the garbage disposal as you blow past Floyd | her, and normally you'd care, but you really just need to get out of Floyd | the house right now. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch says (to Floyd), "push space" | |||
Floyd ] Your Front Lawn ~*#@!*~ Floyd | * * * You go on about your day * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
Dave has had his fill of playing for now, and goes back to the Lounge. | |||
djfletch says (to Floyd), "laundry" | |||
Floyd | Part I: Paul Floyd ] Your Front Lawn 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
djfletch says (to Floyd), "laundry" | |||
Floyd ] Your Front Lawn 9:05 am Floyd | Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
djfletch says (to Floyd), "suit" | |||
Floyd ] Your Front Lawn 9:05 am Floyd | > Floyd | > SUIT Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
djfletch says (to Floyd), "suitcase" | |||
Floyd ] Your Front Lawn 9:10 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] Your Front Lawn 9:15 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
djfletch says (to Floyd), "mail" | |||
Floyd ] Your Front Lawn 9:20 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] Your Front Lawn 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your trash can is full. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | > | |||
djfletch says (to Floyd), "book" | |||
Floyd ] Your Front Lawn 9:25 am Floyd | > Floyd | > BOOK Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] Your Front Lawn 9:30 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | > | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] Your Front Lawn 9:35 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] Your Front Lawn 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your books## are organized neatly. -- 9:20 - 9:25 Floyd | Floyd | Your trash can is empty. -- 9:25 - 9:30 Floyd | Floyd | Your bed## stands ready. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] Your Front Lawn 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get up" | |||
Floyd ] Your Front Lawn 9:05 am Floyd | Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's just beginning to really sink in, panic clawing away the remnants Floyd | of sleep, when you start to feel an airy, feathery sensation all over Floyd | your skin, and the room leaps away from you, and then stillness. And Floyd | the memory of the watch Paul left here ticking away on your dresser. Floyd | Funny, you can't hear it anymore. Floyd | Floyd | You feel okay to sit up. You appear to be the right size again. Floyd | Floyd | Your brain really, really wants it to have been a dream. You're Floyd | exhausted from the party. You just need to get dressed and get that Floyd | watch back to Paul before work. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get dressed" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You throw on your clothes as quickly as possible, toss the watch in Floyd | your satchel, and try to look in the mirror for as little time as Floyd | possible. At least your hair is shorter now, so you don't have to deal Floyd | with that. Floyd | Floyd | Liz is yelling at you from the kitchen about something. You gather Floyd | yourself and step into the hall to see what's up. Floyd | Floyd | "...all clogged now! You were supposed to take care of this before the Floyd | party, Lisa. Now it's going to take way longer, and.." Floyd | Floyd | She's talking about the garbage disposal. And it sounds like she tried Floyd | to run it again. Damn it, you don't have time- Floyd | Floyd | A stretching, burning feeling comes alive all through your body, and Floyd | somehow you think you can hear Paul's antique watch ticking impossibly Floyd | loudly inside your satchel. There's a crack! and you lose vision as Floyd | your head slams into the ceiling. But it doesn't hurt, exactly, and you Floyd | tentatively open your eyes... Floyd | Floyd | The hallway is in shambles. You've knocked out a segment of the wall Floyd | into Liz's bedroom, and you can see cars going by through her picture Floyd | window. There's weight on your head and shoulders, so you lower your Floyd | head - and a shower of plaster crumbles onto you and the floor. Floyd | Floyd | Liz is staring from the intact kitchen, her anger about the garbage Floyd | disposal dead on her still-moving lips. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | 2. Buildings Tumble. Floyd ] The Hall 9:10 Floyd | am Floyd | The satchel grew with you, and it bulges against your side. In your Floyd | mind's eye you can see the watch, expanded inside it to the size of a Floyd | CD. You have to return it! Liz looks like she's about to break her Floyd | shocked silence, and you don't want to be here when that happens. Floyd | Floyd | The freedom of the street beckons, just one more flimsy wall away to Floyd | the north... Floyd | Floyd | > | |||
DavidW arrives, full of fun and funk. | |||
djfletch says (to Floyd), "n" | |||
Floyd ] The Road to the City 9:15 Floyd | am Floyd | Floyd | > N Floyd | You run through the bedroom, throw an arm in front of your face, and Floyd | barrel straight through the window. And some of the window frame. Floyd | Floyd | Instead of trying to figure out if that hurt, you are struck by the Floyd | strange thought that you ought to have put on those amethyst earrings Floyd | you were wearing last night. The house makes a terrible Floyd | groaning-and-then-cracking sound behind you, and you finally hear Liz Floyd | scream. Floyd | Floyd | You take off running east down the street. You've never been athletic, Floyd | but it's easy, it's like a movie. Blocks fly by in five or six of your Floyd | enormous strides. You begin to synchronize your steps to the beat of Floyd | Paul's watch, which you can somehow hear from within your satchel. Floyd | Floyd | A parked car crinkles underfoot, like stepping on tinfoil. You're much Floyd | bigger than before; you can see the tops of two-story houses. The city Floyd | proper, and within it Paul's apartment, loom ahead. Floyd | Floyd | > | djfletch says, "this is better" | ||
djfletch says (to Floyd), "e" | |||
Floyd ] The Road to the City 9:20 Floyd | am Floyd | > Floyd | > E Floyd | You feel increasingly comfortable as you run. You no longer fit on the Floyd | sidewalk, so you're tearing down the middle of the road. The asphalt Floyd | crumbles into satisfying grit beneath your feet, and you dig into it Floyd | and launch yourself forward with each step. Floyd | Floyd | And then the watch doesn't tick, and your foot doesn't fall, and the Floyd | feathers are all over your body again. Floyd | Floyd | You've shrunk, but your momentum hasn't, and you're hurtling through Floyd | the air. It's the same terror you used to get when you had falling Floyd | dreams, so you're pretty sure you're about to wake up- Floyd | Floyd | - - - - - Floyd | | |||
tester arrives, ready to play with the toys. | |||
tester goes home. | |||
tester has disconnected. | djfletch says, "so maybe laundry, suitcase, desk, mail is right" | ||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] The Road to the City ~*#@!*~ Floyd | * * * You have died * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | genericgeekgirl says, "We got to that point earlier, yeah." | ||
djfletch says, "this time we can try laundry, suitcase, desk, mail, then something other than books" | |||
djfletch pushes the green 'space' button. | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part I: Paul Floyd ] The Road to the City 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
djfletch says (to Floyd), "laundry" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
djfletch says (to Floyd), "suitcase" | |||
Floyd ] The Road to the City 9:10 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] The Road to the City 9:15 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
djfletch says (to Floyd), "mail" | |||
Floyd ] The Road to the City 9:20 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your trash can is full. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] The Road to the City 9:25 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | > | |||
djfletch says (to Floyd), "books" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:35 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your trash can is empty. -- 9:20 - 9:25 Floyd | Floyd | Your books## are organized neatly. -- 9:25 - 9:30 Floyd | Floyd | Your bed## stands ready. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] The Road to the City 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get up" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's just beginning to really sink in, panic clawing away the remnants Floyd | of sleep, when you start to feel an airy, feathery sensation all over Floyd | your skin, and the room leaps away from you, and then stillness. And Floyd | the memory of the watch Paul left here ticking away on your dresser. Floyd | Funny, you can't hear it anymore. Floyd | Floyd | You feel okay to sit up. You appear to be the right size again. Floyd | Floyd | Your brain really, really wants it to have been a dream. You're Floyd | exhausted from the party. You just need to get dressed and get that Floyd | watch back to Paul before work. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get dressed" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You throw on your clothes as quickly as possible, toss the watch in Floyd | your satchel, and try to look in the mirror for as little time as Floyd | possible. At least your hair is shorter now, so you don't have to deal Floyd | with that. Floyd | Floyd | Liz is yelling at you from the kitchen about something. You gather Floyd | yourself and step into the hall to see what's up. Floyd | Floyd | "...all clogged now! You were supposed to take care of this before the Floyd | party, Lisa. Now it's going to take way longer, and.." Floyd | Floyd | She's talking about the garbage disposal. And it sounds like she tried Floyd | to run it again. Damn it, you don't have time- Floyd | Floyd | A stretching, burning feeling comes alive all through your body, and Floyd | somehow you think you can hear Paul's antique watch ticking impossibly Floyd | loudly inside your satchel. There's a crack! and you lose vision as Floyd | your head slams into the ceiling. But it doesn't hurt, exactly, and you Floyd | tentatively open your eyes... Floyd | Floyd | The hallway is in shambles. You've knocked out a segment of the wall Floyd | into Liz's bedroom, and you can see cars going by through her picture Floyd | window. There's weight on your head and shoulders, so you lower your Floyd | head - and a shower of plaster crumbles onto you and the floor. Floyd | Floyd | Liz is staring from the intact kitchen, her anger about the garbage Floyd | disposal dead on her still-moving lips. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | 2. Buildings Tumble. Floyd ] The Hall 9:10 Floyd | am Floyd | The satchel grew with you, and it bulges against your side. In your Floyd | mind's eye you can see the watch, expanded inside it to the size of a Floyd | CD. You have to return it! Liz looks like she's about to break her Floyd | shocked silence, and you don't want to be here when that happens. Floyd | Floyd | The freedom of the street beckons, just one more flimsy wall away to Floyd | the north... Floyd | Floyd | > | |||
djfletch says (to Floyd), "n" | |||
Floyd ] The Road to the City 9:15 Floyd | am Floyd | Floyd | > N Floyd | You run through the bedroom, throw an arm in front of your face, and Floyd | barrel straight through the window. And some of the window frame. Floyd | Floyd | Instead of trying to figure out if that hurt, you are struck by the Floyd | strange thought that you ought to have put on those amethyst earrings Floyd | you were wearing last night. The house makes a terrible Floyd | groaning-and-then-cracking sound behind you, and you finally hear Liz Floyd | scream. Floyd | Floyd | You take off running east down the street. You've never been athletic, Floyd | but it's easy, it's like a movie. Blocks fly by in five or six of your Floyd | enormous strides. You begin to synchronize your steps to the beat of Floyd | Paul's watch, which you can somehow hear from within your satchel. Floyd | Floyd | A parked car crinkles underfoot, like stepping on tinfoil. You're much Floyd | bigger than before; you can see the tops of two-story houses. The city Floyd | proper, and within it Paul's apartment, loom ahead. Floyd | Floyd | > | |||
djfletch says (to Floyd), "e" | |||
Floyd ] The Road to the City 9:20 Floyd | am Floyd | > Floyd | > E Floyd | You feel increasingly comfortable as you run. You no longer fit on the Floyd | sidewalk, so you're tearing down the middle of the road. The asphalt Floyd | crumbles into satisfying grit beneath your feet, and you dig into it Floyd | and launch yourself forward with each step. Floyd | Floyd | And then the watch doesn't tick, and your foot doesn't fall, and the Floyd | feathers are all over your body again. Floyd | Floyd | You've shrunk, but your momentum hasn't, and you're hurtling through Floyd | the air. It's the same terror you used to get when you had falling Floyd | dreams, so you're pretty sure you're about to wake up- Floyd | Floyd | - - - - - Floyd | | djfletch says, "hmm, same" | ||
djfletch says, "I wonder if that bit about putting on the earrings is important" | |||
vimes says, "On that account, starting screen will automatically start tf and log in as perry, and doing /quit will (if you haven't created another screen shell) stop screen." | |||
vimes says, "ilac." | |||
djfletch says, "actually, it was the fourth move here that went wrong, so it might be I should have done something else instead of mail" | |||
djfletch says, "could do the bed at that point" | |||
djfletch says (to Floyd), "push space" | |||
Floyd ] The Road to the City ~*#@!*~ Floyd | * * * You have died * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch says (to Floyd), "push space" | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
djfletch says (to Floyd), "push space" | |||
Floyd | Part I: Paul Floyd ] The Road to the City 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
djfletch says (to Floyd), "laundry" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
djfletch says (to Floyd), "suitcase" | |||
Floyd ] The Road to the City 9:10 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] The Road to the City 9:15 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
djfletch says (to Floyd), "mail" | |||
Floyd ] The Road to the City 9:20 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | djfletch says, "dammit I meant to do bed then" | ||
djfletch says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | Your trash can is full. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] The Road to the City 9:25 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | > | |||
djfletch says (to Floyd), "book" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > BOOK Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
djfletch says (to Floyd), "l" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > L Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your trash can is empty. -- 9:20 - 9:25 Floyd | Floyd | Your books## are organized neatly. -- 9:25 - 9:30 Floyd | Floyd | Your bed is a mess. Floyd | Floyd | > | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:35 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | You've thrown away all your junk mail. -- 9:15 - 9:20 Floyd | Floyd | Your trash can is empty. -- 9:20 - 9:25 Floyd | Floyd | Your books## are organized neatly. -- 9:25 - 9:30 Floyd | Floyd | Your bed## stands ready. -- 9:30 - 9:35 Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | You get a weird sense of déjàvu. It seems like you did things in a
Floyd | similar way before, and you didn't get to see Lisa...
Floyd |
Floyd |
Floyd |
Floyd | - - - - -
Floyd |
| |||
djfletch pushes the green 'space' button. | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] The Road to the City 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get up" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's just beginning to really sink in, panic clawing away the remnants Floyd | of sleep, when you start to feel an airy, feathery sensation all over Floyd | your skin, and the room leaps away from you, and then stillness. And Floyd | the memory of the watch Paul left here ticking away on your dresser. Floyd | Funny, you can't hear it anymore. Floyd | Floyd | You feel okay to sit up. You appear to be the right size again. Floyd | Floyd | Your brain really, really wants it to have been a dream. You're Floyd | exhausted from the party. You just need to get dressed and get that Floyd | watch back to Paul before work. Floyd | Floyd | > | vimes says, "ah, floyd and his charming insensibility to UTF-8" | ||
djfletch says (to Floyd), "get dressed" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You throw on your clothes as quickly as possible, toss the watch in Floyd | your satchel, and try to look in the mirror for as little time as Floyd | possible. At least your hair is shorter now, so you don't have to deal Floyd | with that. Floyd | Floyd | Liz is yelling at you from the kitchen about something. You gather Floyd | yourself and step into the hall to see what's up. Floyd | Floyd | "...all clogged now! You were supposed to take care of this before the Floyd | party, Lisa. Now it's going to take way longer, and.." Floyd | Floyd | She's talking about the garbage disposal. And it sounds like she tried Floyd | to run it again. Damn it, you don't have time- Floyd | Floyd | A stretching, burning feeling comes alive all through your body, and Floyd | somehow you think you can hear Paul's antique watch ticking impossibly Floyd | loudly inside your satchel. There's a crack! and you lose vision as Floyd | your head slams into the ceiling. But it doesn't hurt, exactly, and you Floyd | tentatively open your eyes... Floyd | Floyd | The hallway is in shambles. You've knocked out a segment of the wall Floyd | into Liz's bedroom, and you can see cars going by through her picture Floyd | window. There's weight on your head and shoulders, so you lower your Floyd | head - and a shower of plaster crumbles onto you and the floor. Floyd | Floyd | Liz is staring from the intact kitchen, her anger about the garbage Floyd | disposal dead on her still-moving lips. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | 2. Buildings Tumble. Floyd ] The Hall 9:10 Floyd | am Floyd | The satchel grew with you, and it bulges against your side. In your Floyd | mind's eye you can see the watch, expanded inside it to the size of a Floyd | CD. You have to return it! Liz looks like she's about to break her Floyd | shocked silence, and you don't want to be here when that happens. Floyd | Floyd | The freedom of the street beckons, just one more flimsy wall away to Floyd | the north... Floyd | Floyd | > | |||
djfletch says (to Floyd), "wear earrings" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | Floyd | > WEAR EARRINGS Floyd | You can't see any such thing. Floyd | Floyd | > | |||
djfletch says (to Floyd), "n" | |||
Floyd ] The Road to the City 9:15 Floyd | am Floyd | > Floyd | > N Floyd | You run through the bedroom, throw an arm in front of your face, and Floyd | barrel straight through the window. And some of the window frame. Floyd | Floyd | Instead of trying to figure out if that hurt, you are struck by the Floyd | strange thought that you ought to have put on those amethyst earrings Floyd | you were wearing last night. The house makes a terrible Floyd | groaning-and-then-cracking sound behind you, and you finally hear Liz Floyd | scream. Floyd | Floyd | You take off running east down the street. You've never been athletic, Floyd | but it's easy, it's like a movie. Blocks fly by in five or six of your Floyd | enormous strides. You begin to synchronize your steps to the beat of Floyd | Paul's watch, which you can somehow hear from within your satchel. Floyd | Floyd | A parked car crinkles underfoot, like stepping on tinfoil. You're much Floyd | bigger than before; you can see the tops of two-story houses. The city Floyd | proper, and within it Paul's apartment, loom ahead. Floyd | Floyd | > | |||
djfletch says (to Floyd), "e" | |||
Floyd ] The Road to the City 9:20 Floyd | am Floyd | > Floyd | > E Floyd | You feel increasingly comfortable as you run. You no longer fit on the Floyd | sidewalk, so you're tearing down the middle of the road. The asphalt Floyd | crumbles into satisfying grit beneath your feet, and you dig into it Floyd | and launch yourself forward with each step. Floyd | Floyd | And then the watch doesn't tick, and your foot doesn't fall, and the Floyd | feathers are all over your body again. Floyd | Floyd | You've shrunk, but your momentum hasn't, and you're hurtling through Floyd | the air. It's the same terror you used to get when you had falling Floyd | dreams, so you're pretty sure you're about to wake up- Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City ~*#@!*~ Floyd | * * * You have died * * * Floyd | Floyd | "Hmm," says a voice a bit like Paul's, "That's not how I wanted that to Floyd | go." Floyd | You hear the sound of a watch being wound back... Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] Floyd | You wake from a dream of perfect Lisa. She was larger than life, and Floyd | held you in the loving palm of her hand, and smiled. Floyd | And there was a sense of having tried many times to get it right... Floyd | Floyd | Floyd | Ah, Lisa. She was radiant at the party last night. Your room, by Floyd | contrast, is a fucking mess. And she's going to be here in less than an Floyd | hour! | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part I: Paul Floyd ] The Road to the City 9:00 am Floyd | Floyd | Your bedroom Floyd | You drag yourself out of bed, still in the clothes you collapsed in. Floyd | Better get this mess straightened out quick, so you have time to make Floyd | yourself presentable before she gets here! Floyd | Floyd | > | |||
djfletch says (to Floyd), "laundry" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > LAUNDRY Floyd | You don't have nearly enough time to take your clothes to a laundromat, Floyd | so you just shove them under your bed. Floyd | Floyd | > | |||
djfletch says (to Floyd), "suitcase" | |||
Floyd ] The Road to the City 9:10 am Floyd | > Floyd | > SUITCASE Floyd | The only real place to put something this big is in the shared storage Floyd | space in your apartment building's attic. As you carry it up the Floyd | stairs, your mind wanders to thoughts of future travel with Lisa. Floyd | Floyd | You can see her outside an airport, stepping out of a taxi in Floyd | immaculate business attire, striding through the sliding doors as you Floyd | get the luggage and tip the cabbie. Floyd | Floyd | You see her lounging in a swimsuit by a hotel pool, magazine in hand, Floyd | tanned legs a mile long. Floyd | Floyd | You see her in your room later that night, towering above you, those Floyd | amethyst earrings dangling... Floyd | Floyd | Somehow you're back in your room already, the suitcase safely stowed in Floyd | an overhead compartment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "desk" | |||
Floyd ] The Road to the City 9:15 am Floyd | > Floyd | > DESK Floyd | Sigh. This part is your least favorite. You dump all the easy Floyd | stuff in the trash and then begin picking out pieces of paper and Floyd | post-its one by one, trying to remember what the hell various Floyd | passwords, phone numbers, and illegible scribbles were supposed to be Floyd | for. Floyd | Floyd | A business card catches your eye, and your breath sticks in your Floyd | throat. How could you have left that there? You lift it reverently, Floyd | kiss it. It's hers. Floyd | Floyd | Lisa Douglas Floyd | Graphic Designer Floyd | Floyd | Staring into the confident, professional logo she designed for herself, Floyd | you remember every detail of the day she gave it to you. How her hand Floyd | brushed yours as everyone was waiting to be seated at the restaurant. Floyd | The sleek white car she arrived in, and her majestic exit therefrom. Floyd | Her smile as she handed you the card, suggesting that you call her if Floyd | you ever needed an icon, or some snazzy buttons for a website. You know Floyd | she was just being nice - you're pretty sure you could never afford to Floyd | have someone that good work on one of your projects. Floyd | Floyd | Squirreling the card away in a drawer, you get back to work on your Floyd | desk, thoughts lingering... Floyd | Floyd | You finish cleaning your desk. Floyd | Floyd | > | |||
djfletch says (to Floyd), "bed" | |||
Floyd ] The Road to the City 9:20 am Floyd | > Floyd | > BED Floyd | As you straighten out the sheets, you dare to imagine Lisa between Floyd | them. You can't quite fit yourself into the picture, though: she's too Floyd | angelic, untouchable. Floyd | Floyd | You lay out the pillows tenderly, fold back the bedspread just so. Floyd | Preparing a horizontal throne for your queen. Floyd | Floyd | You know she'll just drop off your watch and run. Why would she come Floyd | inside? But you have to try. Floyd | Floyd | You feel like a total slimeball for pulling that trick on her, though. Floyd | What if you're making her late? What if she realizes that you left it Floyd | there on purpose? God, she probably realized immediately and is just Floyd | far too well-mannered to say anything. Floyd | Floyd | You finish making the bed. Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:20 am Floyd | Pleased with your progress, you pause to survey your handiwork. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | Your bed## stands ready. -- 9:15 - 9:20 Floyd | Floyd | Piles of junk mail cover the only empty shelf in your Floyd | bookcase. Floyd | Floyd | Your trash can is half full. Floyd | Floyd | There are books strewn about the base of your bookshelf. Floyd | Floyd | > | |||
djfletch says (to Floyd), "mail" | |||
Floyd ] The Road to the City 9:25 am Floyd | > Floyd | > MAIL Floyd | You shuffle through the pile of mail to make sure there's nothing Floyd | important. There isn't. You toss it all in the trash. Floyd | Floyd | > | |||
djfletch says (to Floyd), "books" | |||
Floyd ] The Road to the City 9:30 am Floyd | > Floyd | > BOOKS Floyd | You arrange them by spine color on your bookshelf. Lisa shared some Floyd | stuff from Things Organized Neatly on facebook recently, so you hope Floyd | she'll appreciate it. Of course, she's the talented graphic designer -- Floyd | your amateurish efforts are probably beneath her. Still, you can't help Floyd | but imagine a little smile on her pristine lips as she takes in your Floyd | room... Floyd | Floyd | > | |||
djfletch says (to Floyd), "trash" | |||
Floyd ] The Road to the City 9:35 am Floyd | > Floyd | > TRASH Floyd | You take the trash downstairs and empty it into the streetside bin. Floyd | Setting the empty bin next to your clean desk feels pretty good - your Floyd | room hasn't been this organized in a while! Floyd | Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd ] The Road to the City 9:35 am Floyd | Excellent. Room clean! Time for a quick shower and a bite to eat. Floyd | Floyd | Your bedroom Floyd | Your bedroom. There's no guarantee she'll even step through your front Floyd | door, let alone make it this far, but you want to be sure. It's still a Floyd | mess. Floyd | Floyd | You've hidden your dirty laundry. -- 9:00 - 9:05 Floyd | Floyd | The suitcase## awaits your future travels. -- 9:05 Floyd | - 9:10 Floyd | Floyd | Your desk## is clean, and Lisa's card is safe Floyd | inside. -- 9:10 - 9:15 Floyd | Floyd | Your bed## stands ready. -- 9:15 - 9:20 Floyd | Floyd | You've thrown away all your junk mail. -- 9:20 - 9:25 Floyd | Floyd | Your books## are organized neatly. -- 9:25 - 9:30 Floyd | Floyd | Your trash can is empty. -- 9:30 - 9:35 Floyd | Floyd | Your window shatters-- Floyd | Floyd | Floyd | - - - - - Floyd | | djfletch says, "oho" | ||
genericgeekgirl asks, "Wait, what?" | |||
djfletch says, "I have no idea" | |||
genericgeekgirl says, "I guess we got it, maybe." | |||
djfletch says (to Floyd), "push space" | |||
Floyd | Part II: Lisa Floyd | 1. Words Fail Floyd ] The Road to the City 9:00 Floyd | am Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | genericgeekgirl asks, "Since that presumably means that she makes it to us?" | ||
djfletch says (to Floyd), "get up" | |||
Floyd ] The Road to the City 9:05 am Floyd | Floyd | > GET UP Floyd | You're afraid your head will hit the ceiling if you sit up too fast. Floyd | You gingerly roll out of bed onto the floor, and for the first time you Floyd | see your hand, your arm - it's so big, like an enlargement in a Floyd | textbook. Floyd | Floyd | It's just beginning to really sink in, panic clawing away the remnants Floyd | of sleep, when you start to feel an airy, feathery sensation all over Floyd | your skin, and the room leaps away from you, and then stillness. And Floyd | the memory of the watch Paul left here ticking away on your dresser. Floyd | Funny, you can't hear it anymore. Floyd | Floyd | You feel okay to sit up. You appear to be the right size again. Floyd | Floyd | Your brain really, really wants it to have been a dream. You're Floyd | exhausted from the party. You just need to get dressed and get that Floyd | watch back to Paul before work. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get dressed" | |||
Floyd ] The Hall 9:10 Floyd | am Floyd | > Floyd | > GET DRESSED Floyd | You throw on your clothes as quickly as possible, toss the watch in Floyd | your satchel, and try to look in the mirror for as little time as Floyd | possible. At least your hair is shorter now, so you don't have to deal Floyd | with that. Floyd | Floyd | Liz is yelling at you from the kitchen about something. You gather Floyd | yourself and step into the hall to see what's up. Floyd | Floyd | "...all clogged now! You were supposed to take care of this before the Floyd | party, Lisa. Now it's going to take way longer, and.." Floyd | Floyd | She's talking about the garbage disposal. And it sounds like she tried Floyd | to run it again. Damn it, you don't have time- Floyd | Floyd | A stretching, burning feeling comes alive all through your body, and Floyd | somehow you think you can hear Paul's antique watch ticking impossibly Floyd | loudly inside your satchel. There's a crack! and you lose vision as Floyd | your head slams into the ceiling. But it doesn't hurt, exactly, and you Floyd | tentatively open your eyes... Floyd | Floyd | The hallway is in shambles. You've knocked out a segment of the wall Floyd | into Liz's bedroom, and you can see cars going by through her picture Floyd | window. There's weight on your head and shoulders, so you lower your Floyd | head - and a shower of plaster crumbles onto you and the floor. Floyd | Floyd | Liz is staring from the intact kitchen, her anger about the garbage Floyd | disposal dead on her still-moving lips. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | 2. Buildings Tumble. Floyd ] The Hall 9:10 Floyd | am Floyd | The satchel grew with you, and it bulges against your side. In your Floyd | mind's eye you can see the watch, expanded inside it to the size of a Floyd | CD. You have to return it! Liz looks like she's about to break her Floyd | shocked silence, and you don't want to be here when that happens. Floyd | Floyd | The freedom of the street beckons, just one more flimsy wall away to Floyd | the north... Floyd | Floyd | > | |||
djfletch says (to Floyd), "n" | |||
Floyd ] The Road to the City 9:15 Floyd | am Floyd | Floyd | > N Floyd | You run through the bedroom, throw an arm in front of your face, and Floyd | barrel straight through the window. And some of the window frame. Floyd | Floyd | Instead of trying to figure out if that hurt, you are struck by the Floyd | strange thought that you ought to have put on those amethyst earrings Floyd | you were wearing last night. The house makes a terrible Floyd | groaning-and-then-cracking sound behind you, and you finally hear Liz Floyd | scream. Floyd | Floyd | You take off running east down the street. You've never been athletic, Floyd | but it's easy, it's like a movie. Blocks fly by in five or six of your Floyd | enormous strides. You begin to synchronize your steps to the beat of Floyd | Paul's watch, which you can somehow hear from within your satchel. Floyd | Floyd | A parked car crinkles underfoot, like stepping on tinfoil. You're much Floyd | bigger than before; you can see the tops of two-story houses. The city Floyd | proper, and within it Paul's apartment, loom ahead. Floyd | Floyd | > | |||
djfletch says (to Floyd), "e" | |||
Floyd ] Downtown 9:20 Floyd | am Floyd | > Floyd | > E Floyd | You feel increasingly comfortable as you run. You no longer fit on the Floyd | sidewalk, so you're tearing down the middle of the road. The asphalt Floyd | crumbles into satisfying grit beneath your feet, and you dig into it Floyd | and launch yourself forward in time to the watch. As you enter the Floyd | city, you let your hands fly out to your sides. Your palm smacks a Floyd | billboard off its posts and it feels like the world record high-five. Floyd | Floyd | You become aware of a fast thud-thud-thud-thud and lengthen Floyd | your strides. You're downtown now, the glass of fourth-floor office Floyd | windows tinkling pleasantly against your outstretched fingertips to Floyd | either side. The sound is getting louder and it's making you a little Floyd | nervous, but you're so close now. Just up ahead you can see the light Floyd | at Seventh, Paul's street. He's only another eight blocks or so, should Floyd | only take a moment. Floyd | Floyd | A black threat strobes across your vision. Floyd | Floyd | Pinpricks in your left shoulder. Two more steps until Seventh. Floyd | Floyd | More bees, blinking, buzzing, black. Floyd | Thud-thud-thud-thud-thud-thud-thud. A deeper counterpoint to Floyd | the ever-present tick-tick-tick-tick of the watch. Floyd | Floyd | You reach out to swat one, connect. It meets a skyscraper and they Floyd | conspire to produce a lovely fireball. Floyd | Floyd | Something's nagging. The skyscraper groans. You reach the intersection. Floyd | The thing in your bag needs to go back to the place where you're going. Floyd | South. Floyd | Floyd | > | |||
TheXenographer says (to Floyd), "s" | |||
Floyd ] Downtown 9:25 am Floyd | > Floyd | > S Floyd | You slam a foot down in the middle of the intersection and pivot to the Floyd | south. As you turn, you see that the skyscraper has begun to crumble in Floyd | on itself, smoke and shrapnel billowing up from its base, filling the Floyd | street. The dust cloud rises to meet you, but too fast- you're falling? Floyd | no- your arms are all feathery again. The debris rushes up past you and Floyd | vertigo takes hold for a moment. Floyd | Floyd | And then you are you. Tiny, pointless, terrified you, coughing on your Floyd | hands and knees in the middle of the ruined street, lost in the Floyd | swirling, towering dust storm that some other you has summoned. Your Floyd | ears are starting to come back online, with vague reports of screams Floyd | and sirens. And more helicopters. Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | 3. The Ground Opens Wide. Floyd ] Downtown 9:25 am Floyd | Debris blocks the way back, and thick smoke fills the air. Floyd | Floyd | > | |||
djfletch says (to Floyd), "SAVE" | |||
djfletch says (to Floyd), "cf3" | |||
Floyd | %% File to save: Floyd | %% Save file: cf3 Floyd ] Downtown 9:25 am Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | |||
djfletch says (to Floyd), "l" | |||
Floyd ] Downtown 9:25 am Floyd | > Floyd | > L Floyd | Fiery debris blocks Seventh to the north, you're sure as hell not Floyd | wading back into the inferno to the west, and the street dead ends to Floyd | the east, so heading south is pretty much your only option. Besides, Floyd | you'd like to see what Paul has to say about this watch... Floyd | Floyd | > | |||
djfletch says (to Floyd), "s" | |||
Floyd ] Downtown 9:30 Floyd | am Floyd | > Floyd | > S Floyd | Coughing in the smoke, you make your way south as quickly as possible. Floyd | You can still hear the helicopters, but they're not looking for somone Floyd | your size. Your shoulder isn't badly hurt - the bullets must have Floyd | shrunk to the size of a grain of sand. Floyd | Floyd | You make it three of the eight blocks to Paul's in a numb haze. The Floyd | streets are filled with shocked, bedraggled citizens, so you fit right Floyd | in. Your mind hasn't even begun to process your place in what happened, Floyd | but there's a big lump of dread waiting for you to snap out of it. Floyd | Floyd | Then the watch starts ticking, and your skin starts burning. Floyd | Floyd | No! ## NO! A sob escapes you as you break into a run, trying Floyd | to get away from people, from what's happening to you. Floyd | Floyd | This is not me! you try to scream, but your throat is clogged, Floyd | and you're already attracting attention, already towering above the Floyd | other people on the street. You bellow a warning and try not to step on Floyd | anyone. You wipe tears from your enormous eyes, trying to step lightly, Floyd | but you know if you stop the helicopters will find you in moments. Rage Floyd | and fear course through you, and the screams coming up from the ground Floyd | are unutterably wrenching. Floyd | Floyd | Your foot comes down again, carefully avoiding a parked delivery truck, Floyd | and goes straight through the ground. You trip and topple, and the road Floyd | gives way where you fall, leaving a giant gash right down the middle of Floyd | Seventh. You've caved in some kind of subway mainentance tunnel. Floyd | Floyd | > | |||
djfletch says (to Floyd), "l" | |||
Floyd ] Downtown 9:30 Floyd | am Floyd | > Floyd | > L Floyd | There's not much to do but get out of this hole. Floyd | Floyd | > | |||
TheXenographer says (to Floyd), "get up\" | |||
Floyd ] Downtown 9:30 Floyd | am Floyd | > Floyd | > GET UP\ Floyd | You can't see any such thing. Floyd | Floyd | > | |||
TheXenographer says (to Floyd), "stand up" | |||
Floyd ] Downtown 9:35 am Floyd | > Floyd | > STAND UP Floyd | You sit up and lever yourself out of the pit. You're directly in front Floyd | of Paul's aparment building. Floyd | Floyd | You're still big, but you're still you. You can stop this. You push Floyd | away the thought that you must have been still you the last time you Floyd | were big as well. You don't have much time. Floyd | Floyd | Sitting on the edge of the pit, eyes level with the third story of Floyd | Paul's building, you open your satchel and take out the watch. It's Floyd | about the size of a dinner plate, and still looks fairly small in your Floyd | hand. Floyd | Floyd | You think you know which one it is. You reach out with your other hand Floyd | and poke a finger through Paul's window. You lean in, and you can see Floyd | him turn around. Floyd | Floyd | He rushes to the edge of the mess of glass on his floor and stares out Floyd | at you agape. Floyd | Floyd | You hold up his watch, make sure he understands what it is. Floyd | Floyd | And then you crush it. Floyd | Floyd | And then you shrink. Floyd | Floyd | Floyd | - - - - - Floyd | | |||
djfletch pushes the green 'space' button. | |||
Floyd | Part III: Paul Floyd | Light Beams Down From Heaven Floyd ] Downtown 9:36 am Floyd | You step up to the window, ignoring the broken glass under your Floyd | slippers. You shield your eyes against the glare of the sunlight Floyd | intruding on your normally dimly lit room and look north up Seventh, Floyd | toward the sirens. You see a black cloud rising above the city. Floyd | Floyd | That was your watch. A fragment of your dream comes back to you: Floyd | turning back the watch, again and again, trying frantically to avert Floyd | disaster and bring forth the Lisa you desired. Floyd | Floyd | Lisa is walking towards the door to your building, so you tear yourself Floyd | away from the window and run downstairs. You push open the door and she Floyd | steps into the foyer. Floyd | Floyd | > | |||
djfletch says (to Floyd), "x lisa" | |||
Floyd ] Downtown 9:36 am Floyd | Floyd | > X LISA Floyd | You can't see any such thing. Floyd | Floyd | > | |||
djfletch says (to Floyd), "l" | |||
Floyd ] Downtown 9:36 am Floyd | > Floyd | > L Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | You can see a watch here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "SAVE" | |||
djfletch says (to Floyd), "cf4" | |||
Floyd | %% File to save: Floyd | %% Save file: cf4 Floyd ] Downtown 9:36 am Floyd | > Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get watch" | |||
Floyd ] Downtown 9:36 am Floyd | > Floyd | > GET WATCH Floyd | Taken. Floyd | Floyd | > | |||
djfletch says (to Floyd), "x it" | |||
Floyd ] Downtown 9:36 am Floyd | > Floyd | > X IT Floyd | You see nothing special about the watch. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get up" | |||
Floyd ] Downtown 9:36 am Floyd | > Floyd | > GET UP Floyd | But you aren't in anything at the moment. Floyd | Floyd | > | |||
djfletch says (to Floyd), "l" | |||
Floyd ] Downtown 9:36 am Floyd | > Floyd | > L Floyd | Your bedroom Floyd | You wake up huge. Floyd | Floyd | Your brain spends a few seconds scrambling after a scrap of dream Floyd | before it admits that your feet really shouldn't be touching the floor Floyd | while your head is still way up here. Floyd | Floyd | > | TheXenographer says, "... oh, the gamebreaking bug is still here." | ||
djfletch says, "hmm" | |||
TheXenographer says, "Welp." | |||
TheXenographer says, "That's frustrating." | |||
djfletch asks, "did it break because I saved?" | |||
TheXenographer says, "No, it broke because you didn't get everything in the right order the first time." | |||
TheXenographer says, "Or I should say, we didn't." | |||
TheXenographer says, "I had hoped that had been fixed." | |||
djfletch says, "oh" | |||
Jacqueline says, "Well." | |||
djfletch says, "at least we got to rampage through the city" | |||
Jacqueline asks, "It might (*might*) have to do with sleepmask. Have we tried saving elsewhere today, with success?" | |||
Jacqueline says, "And restoring, that is? I'm not sure we have." | |||
Jacqueline asks (of vimes), "Thoughts?" | |||
TheXenographer says, "Well, it's the exact same error I hit when playing it on my computer" | |||
Jacqueline says, "Oh, oh oh oh - good. I guess." | |||
genericgeekgirl asks, "Odd. If I play in Gargoyle, using the most recent file, it seems to work just fine. I can reach what might be a good ending?" | |||
genericgeekgirl says, "Using the same commands we used here in this playthrough." | |||
TheXenographer says, "Huh. Maybe it is an interpreter thing? I use Glulxe." | |||
vimes says, "This is also glulxe." | |||
vimes says, "(possibly an older version, though I don't imagine that /should/ make a great deal of difference.)" | |||
ASchultz says, "Well, I saw the runtime error in the floyd version but not the latest pr-if version" | |||
genericgeekgirl says, "I'm using the version of glulxe that came with gargoyle." | |||
Jacqueline says, "Hrm. ..AS That may be it. These are from the zip file, which zarf (I believe) might not be as up to date as individual files." | |||
Jacqueline says, "er, that was directed at ASchultz." | |||
genericgeekgirl says, "Here, the final line, after she gives you the watch and walks away *should say*: *** She stands before you, and you see her, for the first time, actual size. ***" | |||
Jacqueline says, "Granted, I downloaded that zip file just this morning." | |||
Jacqueline says, "And Kevin knew we were playing these this weekend, so." | |||
Jacqueline says, "And I intentionally held off on playing these a couple of weeks to let bugs iron themselves out." | |||
ASchultz says, "Good call on letting bugs fix themselves. I had a few" | |||
zarf says, "Actual Size was updated on 4/13, md5 "c706eac7ceee1baa5b5e1e97beb3d859 ActualSize.gblorb"" | |||
ASchultz says, "But I'm using the binary from the dropbox zip, and I'm seeing a few things fixed in gargoyle." | |||
Floyd ] Downtown 9:36 am Floyd | > Floyd | > HELP Floyd | That's not a verb I recognise. Floyd | Floyd | > | vimes says, "Well, this is glulxe 0.4.4, and 0.4.7 exists." | ||
vimes says, "I'll rebuild it real quick, if you'd like." | |||
vimes says, "Or even if you don't. So there." | |||
vimes says, "(but I won't switch the terp sleepmask is using until i test it myself)" | |||
Jacqueline says, "Well, let's hold off, and play another game." | |||
Jacqueline says, "Most of the games are not glulx." | |||
TheXenographer says, "Sounds good to me." | |||
djfletch says, "it seems like we saw all of that game except for the ending message" | |||
genericgeekgirl says, "Yeah." | |||
TheXenographer says, "Ah, that's not so bad, then" | |||
djfletch says, "we declare victory" | |||
Jacqueline asks, "So. We (I) had said we'd only go three hours (selfishly, because I have to do some telecommuting work today), but it's the sort of work where I can keep one eye on the mud on a different computer, so I am okay if we keep going, I guess). Do we want to keep going?" | |||
Jacqueline says, "(We are at 3 hrs)." | |||
vimes says, "0.4.7 still produces the "Run-time problem P10" message, for what it's worth." | |||
TheXenographer says, "I wouldn't mind doing one more." | |||
genericgeekgirl says, "Sure." | |||
Jacqueline says (to Floyd), "q" | |||
Floyd | > Floyd | > Q Floyd | Are you sure you want to quit? | |||
Jacqueline says (to Floyd), "y" | |||
Floyd | cheapglulxe quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | djfletch says, "yes, I'd play another" | ||
Jacqueline says (to Floyd), "load sleepmask a18myeviltwin" | |||
Floyd | cheapglulxe quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | |||
Jacqueline says (to Floyd), "load sleepmask a18myeviltwin" | |||
Floyd | cheapglulxe quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | Jacqueline says, "um." | ||
Jacqueline says, "This one is supposed to be zcode." | |||
Jacqueline asks, "Vimes, did I upload it wrong?" | |||
Jacqueline says, "Into the wrong directory>" | |||
Jacqueline asks, "er, ?" | |||
Jacqueline says, "Man, technicalities galore today here on CF." | |||
vimes says, "possibly, let me look" | |||
vimes asks, "yeah, there's a bunch of a18 games in g - which should be in z?" | |||
Jacqueline says, "No, not all of them." | |||
Jacqueline asks, "Mammal, the one after this, should be in z as well, and I rather firmly remember checking that one, so I think it's just this one. Could you move it, please?" | |||
Jacqueline says, "(This is something vimes can see/do that I can't, peeps.)" | |||
vimes says, "Sure. Moved." | |||
Jacqueline says (to Floyd), "load sleepmask a18myeviltwin" | |||
Floyd | cheapglulxe quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | Jacqueline says, "Um." | ||
Jacqueline says, "Let me just try the next one, we'll come back to this." | |||
Jacqueline says (to Floyd), "load sleepmask mammal" | |||
Floyd says (to Jacqueline), "Floyd doesn't know that game." | |||
Jacqueline says (to Floyd), "load sleepmask a18mammal" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | Floyd | Floyd | Floyd | You are a lowly human slave, suffering beneath the squamous toes of Floyd | your new lizard overlords. Patrisnake Kssshsss has charged you with Floyd | getting rid of all trace of mammals in the back rooms of the Don Floyd | Quixote Memorial Museum. Floyd | Floyd | Mammal Floyd | An Interactive Song Tribute by Joey Jones Floyd | Release 1 / Serial number 120324 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. Your Floyd | co-slaves have already gone through most of museum, including Floyd | thankfully, the toilets. When the job is done, you need only blow the Floyd | whistle you've been given, and Kssshsss will come and assess your Floyd | execution of the task. Floyd | Floyd | > | vimes says, "oh, wait, sorry, wrong game" | ||
Jacqueline says, "Phew. There we go." | |||
Jacqueline says (to vimes), "Ah. Well, we'll come back to it." | |||
vimes says, "there, evil twin moved" | |||
genericgeekgirl says (to Floyd), "x me" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > X ME Floyd | You are a lowly human slave. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a lizard whistle (being worn) Floyd | Floyd | > | Afterward exclaims, "Oh I know this one!" | ||
genericgeekgirl says (to Floyd), "x whistle" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > X WHISTLE Floyd | Around your neck is a whistle. The whistle can be blown to summon the Floyd | Patrisnake Kssshsss. This should only be done when you've collected as Floyd | many mammals as you expect to be able to get. Floyd | Floyd | > | Jacqueline asks, "So, we hop in the skip and blow the whistle?" | ||
Jacqueline says, "We're human, after all." | |||
Jacqueline says, "And thus a mammal." | |||
genericgeekgirl says (to Floyd), "about" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > ABOUT Floyd | Thanks for playing Mammal. Special thanks goes to They Might Be Giants Floyd | and of course the rest of the They Might Be Giants Apollo 18/20 Tribute Floyd | Team (especially, Ruth, Andrew, Jack and Melvin). Floyd | Floyd | If you've anything to report or suggest, drop Joey an email at Floyd | notquitethere@gmail.com. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > XYZZY Floyd | That's not a verb I recognise. Floyd | Floyd | > | genericgeekgirl says, "Haha" | ||
Afterward says, "Dilemma: The whistle is not a mammal. It can't be in the skip when we blow it." | |||
djfletch says (to Floyd), "x skip" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > X SKIP Floyd | The skip is empty. Floyd | Floyd | > | genericgeekgirl says, "I wonder what befalls us if we blow it too soon." | ||
Jacqueline rolls her eyes, as Afterward might well be right. | |||
Jacqueline says (to ggg), "Easy way to find out." | |||
Jacqueline says, "Wait." | |||
Jacqueline clears the save counter. | |||
Jacqueline says (to Floyd), "SAVE" | |||
Jacqueline says (to Floyd), "cf1" | |||
Floyd | %% File to save: Floyd | %% Save file: cf1 Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | Jacqueline says, "Let's test the save thing with sleepmask." | ||
Jacqueline says (to Floyd), "blow whistle" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > BLOW WHISTLE Floyd | You give the whistle a sharp blow, and in moments Patrisnake Ksshss Floyd | arrives to survey the skip. Floyd | Floyd | Floyd | He (or she?) is aghast by the distinct lack of mammals in the skip. Floyd | Floyd | Floyd | Floyd | ## *** You Will Be Eaten Imminently *** Floyd | Floyd | Floyd | In that game you scored 0 out of a possible 14, in 6 turns, earning you Floyd | the rank of human, all too human. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | genericgeekgirl exclaims, "Yay!" | ||
Jacqueline says (to Floyd), "restore" | |||
Floyd | %% File to restore: | |||
Jacqueline says (to Floyd), "cf1" | |||
Floyd | %% Restore file: cf1 Floyd | %% Critical error. Floyd | %% Message: stream_open_file: unable to open file. Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > RESTORE Floyd | Restore failed. Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | ASchultz says, "You could lean out of the skip and blow the whistle when it's, like, not over the plane or something" | ||
Jacqueline says, "There you go, vimes." | |||
genericgeekgirl says, "Anti-yay." | |||
Jacqueline says (to Floyd), "restart" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | Floyd | Floyd | Floyd | You are a lowly human slave, suffering beneath the squamous toes of Floyd | your new lizard overlords. Patrisnake Kssshsss has charged you with Floyd | getting rid of all trace of mammals in the back rooms of the Don Floyd | Quixote Memorial Museum. Floyd | Floyd | Mammal Floyd | An Interactive Song Tribute by Joey Jones Floyd | Release 1 / Serial number 120324 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. Your Floyd | co-slaves have already gone through most of museum, including Floyd | thankfully, the toilets. When the job is done, you need only blow the Floyd | whistle you've been given, and Kssshsss will come and assess your Floyd | execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "enter skip" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > ENTER SKIP Floyd | You climb into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | Jacqueline asks, "So, one sec. We probably want to play without sleepmask, then, right?" | ||
Afterward says, "Yeah, you could blow it so hard that as it sounds, it pops out of your mouth and onto the floor." | |||
Jacqueline asks, "So we can save and restore?" | |||
genericgeekgirl says, "Seems that way." | |||
vimes says, "hm, actually, hang on one moment" | |||
Jacqueline asks (of vimes), "More testing required, I guess... oh wait, what?" | |||
genericgeekgirl says, "If we're going to restart anyway, let's blow the whistle." | |||
vimes says, "let me just move these old cf saves out of the way" | |||
Jacqueline says (to Floyd), "blow whistle" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > BLOW WHISTLE Floyd | You give the whistle a sharp blow, and in moments Patrisnake Ksshss Floyd | arrives to survey the skip. Floyd | Floyd | Floyd | He finds you within the skip and smiles (snakes always smile) as he Floyd | orders all the contents (including yourself) summarily destroyed. Floyd | Floyd | Floyd | Floyd | ## *** You Have Been Incinerated *** Floyd | Floyd | Floyd | In that game you scored 1 out of a possible 14, in 2 turns, earning you Floyd | the rank of human, all too human. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | Jacqueline says, "Well, we got a point." | ||
vimes asks, "ok, will you try saving and restoring again?" | |||
Afterward says, "but that poor whistle" | |||
Jacqueline says (to Floyd), "restart" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | Floyd | Floyd | Floyd | You are a lowly human slave, suffering beneath the squamous toes of Floyd | your new lizard overlords. Patrisnake Kssshsss has charged you with Floyd | getting rid of all trace of mammals in the back rooms of the Don Floyd | Quixote Memorial Museum. Floyd | Floyd | Mammal Floyd | An Interactive Song Tribute by Joey Jones Floyd | Release 1 / Serial number 120324 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. Your Floyd | co-slaves have already gone through most of museum, including Floyd | thankfully, the toilets. When the job is done, you need only blow the Floyd | whistle you've been given, and Kssshsss will come and assess your Floyd | execution of the task. Floyd | Floyd | > | |||
Jacqueline clears the save counter. | |||
Jacqueline says (to Floyd), "SAVE" | |||
Jacqueline says (to Floyd), "cf1" | |||
Floyd | %% File to save: Floyd | %% Save file: cf1 Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "restore" | |||
Floyd | %% File to restore: | |||
Jacqueline says (to Floyd), "cf1" | |||
Floyd | %% Restore file: cf1 Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > RESTORE Floyd | Ok. Floyd | Floyd | > | Jacqueline says, "oho" | ||
genericgeekgirl says, "w00t" | |||
vimes says, "okay, i know (more or less) what the problem is" | |||
Jacqueline says, "Okay, but we should try one more time before we get too deep." | |||
Jacqueline asks (of vimes), "Do you think we're good to go?" | |||
vimes says, "yes, i think so" | |||
Jacqueline says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
djfletch says (to Floyd), "x desk" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > X DESK Floyd | A large wood-panelled information desk sits in the atrium, with a Floyd | little drawer on the staff side. Floyd | Floyd | > | |||
djfletch says (to Floyd), "open drawer" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > OPEN DRAWER Floyd | You open the little drawer, revealing a packet of pork scratchings and Floyd | a piece of string. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get scratchings" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > GET SCRATCHINGS Floyd | Taken. Floyd | Floyd | > | |||
djfletch says (to Floyd), "x scratchings" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > X SCRATCHINGS Floyd | This is a pack of dried battered scraps of pig, some with visible Floyd | stubble. Floyd | Floyd | > | |||
djfletch says (to Floyd), "get string" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > GET STRING Floyd | Taken. Floyd | Floyd | > | genericgeekgirl says, "Ew." | ||
genericgeekgirl says (to Floyd), "x string" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > X STRING Floyd | The piece of string is long enough to be wound around things. Floyd | Floyd | > | vimes says, "(the issue is the remglk library tries to add a file extension to saves automatically, but it isn't consistent about it the way things are wired up to sleepmask right now, so it was saving to cf2 since the file existed, but trying to load from cf2.glksave, apparently)" | ||
genericgeekgirl says (to Floyd), "put scratchings in skip" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > PUT SCRATCHINGS IN SKIP Floyd | You throw the packet of pork scratchings into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | Jacqueline asks, "But you won't have to clear the cache of saves each time for us, will you? That was just a one time thing?" | ||
genericgeekgirl googles, discovers that to be a real thing, ewws again. | |||
vimes says, "i may have to for a little bit" | |||
Jacqueline asks, "Oh, hrm. So if today we just never clear the save counter we'd be okay?" | |||
Jacqueline asks, "Just keep using higher and higher saves?" | |||
vimes says, "that is correct" | |||
Jacqueline says, "(For now.)" | |||
Jacqueline says, "Okay." | |||
Jacqueline says, "Thanks." | |||
Jacqueline says (to ggg), "Yes, yes they are real." | |||
Jacqueline says (to Floyd), "score" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > SCORE Floyd | You have so far scored 1 out of a possible 14, in 9 turns, earning you Floyd | the rank of human, all too human. Floyd | Floyd | > | Afterward says, "Floyd seems complicated, like a nuclear submarine." | ||
Jacqueline says (to Afterward), "No, more like a woman." | |||
genericgeekgirl says (to Floyd), "x skip" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > X SKIP Floyd | In the skip is a packet of pork scratchings. Floyd | Floyd | > | djfletch says, "like a nuclear woman" | ||
Jacqueline says, "snrk" | |||
vimes says, "you make me feel like a nuclear woman o/~" | |||
Jacqueline says (to vimes), "Thanks ever so for that little earworm." | |||
genericgeekgirl says, "So, we "need" to go east. So I'm tempted to put it last and see what's in the portrait gallery." | |||
Jacqueline asks, "So, I have never heard of a garbage dumpster being called a 'skip.' Have others?" | |||
Afterward says, "I like my women like I like my submarines: Claustrophobic." | |||
Afterward asks, "Wasn't the dumpster in Ad Verbum a skip?" | |||
djfletch says (to Jacqueline), "it's the British name" | |||
ASchultz says, "I didn't before I tested the game. Joey is English, though, so I think there're a few" | |||
Jacqueline says, "I guess maga has just never said it in front of me." | |||
ASchultz says, "e.g. scratchings = rinds, too" | |||
Jacqueline says, "We don't talk about dumpsters a lot, though, on the whole." | |||
ASchultz says, "Well if you don't live around a bunch of dumpsters it may never come up" | |||
zarf says, "Dumpster is a US trademark, if I recall" | |||
Jacqueline says, "We have a bunch of dumpsters in our recycling room, though." | |||
genericgeekgirl says, "But it's the most romantic of topics." | |||
Jacqueline says, "I guess it's just that maga has assimilated." | |||
zarf says, "also, 'skip' is one of those words in a Harry Potter book that might or might not hav been translated for US editions" | |||
djfletch says, "actually it doesn't seem to be exactly the same thing" | |||
Jacqueline says, "Wow, what a rabbit trail I've created. Maybe we should just play." | |||
genericgeekgirl asks, "East?" | |||
djfletch says, "because a big bin doesn't count as a skip really. Yes, carry on." | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 1/14 Floyd | Floyd | > E Floyd | (first opening the little door) Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | genericgeekgirl says, "Oh. I menat west." | ||
genericgeekgirl says, "Into the gallery." | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > W Floyd | Floyd | Portrait Gallery Floyd | The once impressive collection of portraits has now disappeared, most Floyd | likely looted. The gallery is centred around a great window that Floyd | overlooks the eastern exit. Floyd | Floyd | A lone moose head is all that remains. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x window" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > X WINDOW Floyd | The window has been broken open, and a crowbar is still jammed in it. Floyd | Floyd | > | Jacqueline says, "eep" | ||
Afterward says, "things that are creepy: snake overlords. moose heads." | |||
genericgeekgirl says (to Floyd), "x crowbar" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > X CROWBAR Floyd | The crowbar is a solid length of metal with a hooked end, designed for Floyd | prying things. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take crowbar" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > TAKE CROWBAR Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x head" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > X HEAD Floyd | On closer inspection, it looks like a caribou. Floyd | Floyd | > | DavidW says, "Moose is a mammal." | ||
genericgeekgirl says (to Floyd), "take head" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > TAKE HEAD Floyd | It's pretty much nailed to the wall. Floyd | Floyd | > | Jacqueline says, "That is true." | ||
TheXenographer says (to Floyd), "pry head with crowbar" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > PRY HEAD WITH CROWBAR Floyd | You lever the moose head off the wall and it lands undignified upon its Floyd | nose. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take moose with crowbar" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > TAKE MOOSE WITH CROWBAR Floyd | I only understood you as far as wanting to take the caribou head. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a crowbar Floyd | a piece of string Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take moose" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > TAKE MOOSE Floyd | You're carrying too many things already. Floyd | Floyd | > | Jacqueline says, "Ah, lovely." | ||
genericgeekgirl says (to Floyd), "tie string around moose" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > TIE STRING AROUND MOOSE Floyd | You tie the piece of string to the caribou head. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drag moose" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > DRAG MOOSE Floyd | Nothing obvious happens. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drag moose w" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > DRAG MOOSE W Floyd | I only understood you as far as wanting to drag the caribou head. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "pull moose" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > PULL MOOSE Floyd | Nothing obvious happens. Floyd | Floyd | > | DavidW asks, "You can't put the crowbar down?" | ||
Jacqueline asks, "One at a time?" | |||
TheXenographer says (to Floyd), "get moose" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > GET MOOSE Floyd | Taken. Floyd | Floyd | > | TheXenographer says, "now that the string is tied to it..." | ||
genericgeekgirl says, "Heh. Ok." | |||
genericgeekgirl says, "Nevermind that a moose head is much bulkier than a piece of string.." | |||
TheXenographer says, "ah, well, inventory limits aren't rational" | |||
DavidW says, "I suppose I missed part of the game." | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > L Floyd | Portrait Gallery Floyd | The once impressive collection of portraits has now disappeared, Floyd | definitely looted. The gallery is centred around a great window that Floyd | overlooks the eastern exit. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Portrait Gallery Exits: east 1/14 Floyd | Floyd | > W Floyd | You can't go that way. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > E Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop crowbar" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > DROP CROWBAR Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take string" | |||
Floyd ] Atrium Exits: south, east and west 1/14 Floyd | Floyd | > TAKE STRING Floyd | You deftly untie the string. Floyd | Floyd | You already have that. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put moose in skip" | |||
Floyd ] Atrium Exits: south, east and west 2/14 Floyd | Floyd | > PUT MOOSE IN SKIP Floyd | You throw the caribou head into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | genericgeekgirl asks, "South?" | ||
djfletch says, "yeah" | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > S Floyd | Floyd | Museum Steps Floyd | You are greeted by a sunny day on the steps of the museum. The grand Floyd | entrance looms up to the north, while steps radiate out in all other Floyd | directions. Going in such directions would, of course, be highly Floyd | forbidden. Floyd | Floyd | A dog is mourning here over the vaporised remains of its owner. Floyd | Floyd | > | genericgeekgirl says, "Oh no. I don't want to put something living in the skip (other than us, I suppose) :(" | ||
genericgeekgirl says (to Floyd), "x dog" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > X DOG Floyd | The dog is one of those really sad looking pugs. You know how you can Floyd | have jolly looking pugs? Well this isn't one of them. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "pet dog" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > PET DOG Floyd | As much as you'd love to pet the dog, the dog doesn't seem inclined to Floyd | suffer the affection. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "kick dog" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > KICK DOG Floyd | Violence begets violence. Or maybe it begets sentient lizard people. Floyd | Either way, it's not the solution. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > S Floyd | You really shouldn't stroll off from the museum: that is in direct Floyd | violation of the commands of your lizard overlords. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take dog" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > TAKE DOG Floyd | The dog growls at you, and refuses to be budged from the remains of its Floyd | owner. Floyd | Floyd | > | |||
djfletch says (to Floyd), "tie string to dog" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > TIE STRING TO DOG Floyd | Unfortunately, the mourning dog doesn't seem to be too enthusiastic Floyd | about that plan. It'd probably work on a smaller animal though. Floyd | Floyd | > | genericgeekgirl says, "Hm. Maybe the pork rinds." | ||
djfletch says (to Floyd), "x owner" | |||
Floyd ] Museum Steps Exits: north 2/14
Floyd |
Floyd | > GS. YOU You see nothing special about the vaporised remains.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take remains" | |||
Floyd ] Museum Steps Exits: north 2/14 Floyd | Floyd | > TAKE REMAINS Floyd | Taken. Floyd | Floyd | > | genericgeekgirl says, "Gonna go get the rinds and see if we can't lure him in." | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Atrium Exits: south, east and west 2/14 Floyd | Floyd | > N Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see a crowbar here. Floyd | Floyd | The mourning dog arrives from the south. Floyd | Floyd | > | genericgeekgirl says, "Or, he'll just follow the remains." | ||
genericgeekgirl says (to Floyd), "put remains in skip" | |||
Floyd ] Atrium Exits: south, east and west 3/14
Floyd |
Floyd | > NE POINT.]
Floyd |
Floyd |
Floyd | > >S
Floyd |
Floyd |
Floyd | > MUSeYou throw the vaporised remains into the skip.
Floyd |
Floyd | The dog clambers into the skip to be closer to the remains.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| Afterward asks, "This bugged me. If the remains are vaporized, doesn't that mean that they're made of vapor?" | ||
TheXenographer says, "I've got to go now" | |||
TheXenographer exclaims, "this has been fun though!" | |||
genericgeekgirl says, "Good doggie. Bye, Xeno." | |||
TheXenographer says, "'bye guys" | |||
TheXenographer goes home. | genericgeekgirl says (to Afterward), "Technically, yes. But it's frequently used to mean "reduced to ashes"." | ||
djfletch says, "we should go back south and try to run away" | |||
Afterward asks, "Frequently by whom????" | |||
djfletch says, "although it might kill us" | |||
genericgeekgirl says, "Cremation, for example, refers to vaporization." | |||
genericgeekgirl says, "We tried going south." | |||
genericgeekgirl says, "I didn't try a second time, but it told us no." | |||
Jacqueline says, "I don't think it does, but I will be open to the idea that other people might think that." | |||
djfletch says, "oh right, so it did" | |||
djfletch says, "somewhere else then" | |||
genericgeekgirl says, "Yeah, I didn't mean "refers" in the equivalent sense. But when you read about the process of cremation, it uses that term." | |||
Jacqueline says, "huh" | |||
genericgeekgirl says, "Not that the byproduct of cremation is technically "ashes", either. Anyway.." | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 3/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x ceiling" | |||
Floyd ] Back Corridor Exits: north, south, east and west 3/14 Floyd | Floyd | > X CEILING Floyd | Above you is a very high ceiling! Floyd | Floyd | In the high ceiling is a reticent bat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 3/14 Floyd | Floyd | > X BAT Floyd | The bat is circling above you, apparently reticent about coming down. Floyd | Floyd | > | genericgeekgirl says, "Hm." | ||
genericgeekgirl asks, "north, west, south, in that order?" | |||
genericgeekgirl says, "I mean east. Not west." | |||
genericgeekgirl says, "I keep mixing those up." | |||
djfletch says, "go for it" | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > N Floyd | Floyd | Cloak Room Floyd | The cloak room is musty and full of old coats. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x coats" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > X COATS Floyd | Which do you mean, the blue raincoat, the snakeskin coat or the ocelot Floyd | coat? Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x ocelot coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > X OCELOT COAT Floyd | It's a faux-fur ocelot coat, as revealing as it is tasteless. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "search ocelot coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > SEARCH OCELOT COAT Floyd | You find nothing of interest. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wear ocelot coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > WEAR OCELOT COAT Floyd | (first taking the ocelot coat) Floyd | You put on the ocelot coat. Floyd | Floyd | > | genericgeekgirl says, "Yay" | ||
genericgeekgirl says (to Floyd), "remove ocelot coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > REMOVE OCELOT COAT Floyd | You take off the ocelot coat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x snakeskin coat" | |||
Floyd ] Cloak Room Exits: south 3/14
Floyd |
Floyd | > ONE POINT.]
Floyd |
Floyd |
Floyd | > >S
Floyd | The coat is made of real snake skin. Best not show this to Kssshsss...
Floyd |
Floyd | >
| genericgeekgirl asks, "So.. we shouldn't put it in the skip?" | ||
genericgeekgirl says (to Floyd), "search snakeskin coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > SEARCH SNAKESKIN COAT Floyd | You find nothing of interest. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x blue" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > X BLUE Floyd | It's a famous design, with an inside pocket. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x pocket" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > X POCKET Floyd | The pocket is very spacious. Floyd | Floyd | In the inside pocket is a pair of fox-fur gloves. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take gloves" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > TAKE GLOVES Floyd | You're carrying too many things already. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | an ocelot coat Floyd | a piece of string Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > DROP COAT Floyd | (the ocelot coat) Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take gloves" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > TAKE GLOVES Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x gloves" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > X GLOVES Floyd | The gloves are made of fox leather and lined with fox fur. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "search blue" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > SEARCH BLUE Floyd | The pocket is very spacious. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > L Floyd | Cloak Room Floyd | The cloak room is musty and full of old coats. Floyd | Floyd | You can see an ocelot coat here. Floyd | Floyd | > | |||
djfletch says (to Floyd), "wear gloves" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > WEAR GLOVES Floyd | You put on the pair of fox-fur gloves. Floyd | Floyd | > | |||
djfletch says (to Floyd), "wear coat" | |||
Floyd ] Cloak Room Exits: south 3/14 Floyd | Floyd | > WEAR COAT Floyd | (the ocelot coat) Floyd | (first taking the ocelot coat) Floyd | You put on the ocelot coat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "strut." | |||
Floyd ] Cloak Room Exits: south 3/14
Floyd |
Floyd | > STRUT.
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| djfletch says, "heh" | ||
Afterward says, "fox-fur! That's a pun! maybe" | |||
genericgeekgirl asks, "What?" | |||
Jacqueline asks, "On faux-fur?" | |||
Afterward says, "like, what if you didn't know how to pronounce 'faux fur' yeah" | |||
Afterward says, "YEAH" | |||
genericgeekgirl says, "Heh." | |||
genericgeekgirl says, "Later I want to see about putting the snakeskin coat in the skip =)" | |||
genericgeekgirl says, "But let's continue without deliberately pissing off our snakey overlord first. Maybe." | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Back Corridor Exits: north, south, east and west 3/14 Floyd | Floyd | > S Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | genericgeekgirl says, "Maybe we can catch the bat in the ocy coat later, if we can get it to come down." | ||
Afterward asks, "What even attracts bats?" | |||
djfletch says, "we need some fruit if it's a fruitbat or some blood if it's a vampire bat" | |||
genericgeekgirl says, "Yeah. Let's see what we can find." | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 3/14 Floyd | Floyd | > Us Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see a crowbar here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put gloves in skip" | |||
Floyd ] Atrium Exits: south, east and west 4/14 Floyd | Floyd | > PUT GLOVES IN SKIP Floyd | (first taking it off) Floyd | You throw the pair of fox-fur gloves into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 4/14 Floyd | Floyd | > r Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > E Floyd | Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | A half-constructed whale skeleton hangs from the ceiling from long thin Floyd | wires. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x skeleton" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X SKELETON Floyd | The bones form the back end of a whale- mostly a rib cage and tail Floyd | bones. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take skeleton" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > TAKE SKELETON Floyd | There's no way you'll be able to take the bones while the wire is still Floyd | intact. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x shelves" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X SHELVES Floyd | The shelves are stacked with banal pots and unfathomable ancient Floyd | trinkets. On one of the shelves there's a pair of secateurs. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x secateurs" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X SECATEURS Floyd | It's a small pair of very sharp hand-shears, used for snipping or Floyd | cutting things. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take secateurs" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > TAKE SECATEURS Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cut wire with secateurs" | |||
Floyd ] Main Holding Room Exits: west 4/14
Floyd |
Floyd | > TH A SIGNIFICANTLY HIGH You snip the many wires that hold up the
Floyd | whale skeleton, and with the last one all the bones fall into a vast
Floyd | pile at your feet.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x pots" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X POTS Floyd | One pot stands out as particularly significant. Not because of the Floyd | design (a bland series of brown lines), but because of the massive Floyd | stuffed dolphin sticking out of it. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x dolphin" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X DOLPHIN Floyd | It's a small river dolphin, gently preserved for future generations to Floyd | admire. Floyd | Floyd | > | Afterward says, "The Sundanese word for 'dolphin' is 'lumba-lumba'." | ||
genericgeekgirl says (to Floyd), "drop secateurs" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > DROP SECATEURS Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wear string" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > WEAR STRING Floyd | You can't wear that! Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "tie string to whistle" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > TIE STRING TO WHISTLE Floyd | You tie the piece of string to the lizard whistle. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take dolphin" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > TAKE DOLPHIN Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take whale" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > TAKE WHALE Floyd | You'll never be able to pick up the whale bones while you're carrying Floyd | the stuffed dolphin. Floyd | Floyd | > | genericgeekgirl says, "Oh, fine. Now it considers bulkiness." | ||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > L Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | There's a pile of whale bones here. Floyd | Floyd | You can also see a pair of secateurs here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s trinkets" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > CORRIDOR Floyd | YI only understood you as far as wanting to s the long thin wires. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s tables" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > S TABLES Floyd | I only understood you as far as wanting to s the long thin wires. Floyd | Floyd | > | genericgeekgirl says, "Oops." | ||
genericgeekgirl says (to Floyd), "x trinkets" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X TRINKETS Floyd | The holding room is full of the cultural detritus of ages. And pots. Floyd | Lots of pots. Apparently, the only thing that consistently survives Floyd | each era is a culture's equivalent to Tupperware. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x tables" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X TABLES Floyd | The low tables mostly just hold uninteresting pots, but one of them has Floyd | a massive crate on it. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x crate" | |||
Floyd ] Main Holding Room Exits: west 4/14 Floyd | Floyd | > X CRATE Floyd | It's a massive crate with an Australian postage mark on the side- it's Floyd | currently nailed shut. Floyd | Floyd | > | genericgeekgirl says, "Gonna go drop off the dolphin and get the crowbar." | ||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Back Corridor Exits: north, south, east and west 4/14 Floyd | Floyd | > W Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a plot relevant high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 4/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see a crowbar here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put dolphin in skip" | |||
Floyd ] Atrium Exits: south, east and west 5/14 Floyd | Floyd | > MADE OF R Floyd | Floyd | > BACK CORrYou throw the stuffed dolphin into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take crowbar" | |||
Floyd ] Atrium Exits: south, east and west 5/14 Floyd | Floyd | > TAKE CROWBAR Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 5/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > E Floyd | Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | There's a pile of whale bones here. Floyd | Floyd | On a low table is a massive crate (closed). Floyd | Floyd | You can also see a pair of secateurs here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x artefacts" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > X ARTEFACTS Floyd | The holding room is full of the cultural detritus of ages. And pots. Floyd | Lots of pots. Apparently, the only thing that consistently survives Floyd | each era is a culture's equivalent to Tupperware. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "open crate with crowbar" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > OPEN CRATE WITH CROWBAR Floyd | That doesn't seem to be something you can unlock. Floyd | Floyd | > | Afterward says, "Game design tip: put it in a wooden crate." | ||
DavidW says, "I've seen this cartoon. Australian crates contain boxing kangarooes that are mistaken for giant mice." | |||
Johnny asks, "Do we need to make a corset?" | |||
Firion arrives, full of neither funk nor fun. | genericgeekgirl says (to DW), "Hahaha" | ||
genericgeekgirl says (to Floyd), "open crate" | |||
Floyd ] Main Holding Room Exits: west 5/14
Floyd |
Floyd | > HE STUFFED The crate needs to be pryed open.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "pry crate with crowbar" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > PRY CRATE WITH CROWBAR Floyd | You pry open the crate, revealing a severely over-stuffed koala within. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > X KOALA Floyd | The taxidermist evidently had never seen a living koala, and so did not Floyd | know when to stop stuffing the late marsupial. It's almost bursting at Floyd | its clearly visible seams. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "hug koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > HUG KOALA Floyd | You can only do that to something animate. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > TAKE KOALA Floyd | You give the koala a pull, but it's too overstuffed to remove. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop crowbar" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > DROP CROWBAR Floyd | Dropped. Floyd | Floyd | > | |||
DavidW says (to Floyd), "open koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > OPEN KOALA Floyd | That's not something you can open. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take secateurs" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > TAKE SECATEURS Floyd | Taken. Floyd | Floyd | > | Johnny says, "f reanimate koala" | ||
genericgeekgirl says (to Floyd), "cut koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > CUT KOALA Floyd | You shear into the overstuffed koala, revealing a mound of treated Floyd | straw bursting out of its abdomen. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x straw" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > X STRAW Floyd | There's really so much more stuffing that you'd imagine could fit in a Floyd | single koala. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take stuffing" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > TAKE STUFFING Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop stuffing" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > DROP STUFFING Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > X KOALA Floyd | The koala is more streamlined now, albeit at the cost of having a vast Floyd | hole in its abdomen. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop secateurs" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > DROP SECATEURS Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > TAKE KOALA Floyd | You pull out the koala, revealing a slightly squashed stuffed echidna Floyd | underneath. Floyd | Floyd | > | genericgeekgirl says, "Oh my. Jackpot." | ||
Afterward says, "aww" | |||
genericgeekgirl says (to Floyd), "x echidna" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > CROWBAR Floyd | YIt's a slightly squashed prickly monotreme. Given that it's stuffed, Floyd | it's not likely it'll lay eggs any time soon. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > DROP KOALA Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take echidna" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > TAKE ECHIDNA Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x crate" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > X CRATE Floyd | You've broken open the massive crate. Floyd | Floyd | > | genericgeekgirl says, "Empty :'(" | ||
genericgeekgirl says, "Gonna go drop off all three of these things in quick succession." | |||
djfletch says (to Floyd), "search straw" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > SEARCH STRAW Floyd | You find nothing of interest. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w.w.drop echidna" | |||
Floyd ] Atrium Exits: south, east and west 5/14 Floyd | Floyd | > W.W.DROP ECHIDNA Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | Dropped. Floyd | Floyd | > | djfletch says, "I was hoping for mice in the straw" | ||
genericgeekgirl says (to Floyd), "e.e.take whale" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > PRYED OPEN. Floyd | Floyd | Floyd | > >p Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | There's a pile of whale bones here. Floyd | Floyd | On a low table is a massive crate (empty). Floyd | Floyd | You can also see an over-stuffed koala, a pair of secateurs, a treated Floyd | straw stuffing and a crowbar here. Floyd | Floyd | The bones are very bulky but surprisingly light. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w.w.drop whale" | |||
Floyd ] Atrium Exits: south, east and west 5/14 Floyd | Floyd | > W.W.DROP WHALE Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see a stuffed echidna here. Floyd | Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e.e.take koala" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > RYOU THROW THE Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a plot relevant high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | On a low table is a massive crate (empty). Floyd | Floyd | You can also see an over-stuffed koala, a pair of secateurs, a treated Floyd | straw stuffing and a crowbar here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Main Holding Room Exits: west 5/14 Floyd | Floyd | > L Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | On a low table is a massive crate (empty). Floyd | Floyd | You can also see a pair of secateurs, a treated straw stuffing and a Floyd | crowbar here. Floyd | Floyd | > | genericgeekgirl says, "We're probably done here unless we need those tools again." | ||
genericgeekgirl says (to Floyd), "w.w.drop koala" | |||
Floyd ] Atrium Exits: south, east and west 5/14 Floyd | Floyd | > W.W.DROP KOALA Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see a whale bones and a stuffed echidna here. Floyd | Floyd | Dropped. Floyd | Floyd | > | genericgeekgirl says, "Oh, oops." | ||
genericgeekgirl says (to Floyd), "put koala in skip" | |||
Floyd ] Atrium Exits: south, east and west 6/14
Floyd |
Floyd | > CORRYOU THROW THe(first taking the over-stuffed koala)
Floyd |
Floyd | You throw the over-stuffed koala into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "put whale in skip" | |||
Floyd ] Atrium Exits: south, east and west 7/14 Floyd | Floyd | > PUT WHALE IN SKIP Floyd | (first taking the whale bones) Floyd | Floyd | You pick up the bones again. Floyd | Floyd | You throw the whale bones into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put echidna in skip" | |||
Floyd ] Atrium Exits: south, east and west 8/14 Floyd | Floyd | > PUT ECHIDNA IN SKIP Floyd | (first taking the stuffed echidna) Floyd | Floyd | You throw the stuffed echidna into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Atrium Exits: south, east and west 8/14 Floyd | Floyd | > L Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > S Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | genericgeekgirl asks, "South?" | ||
djfletch says, "ok" | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > S Floyd | Floyd | Curator's Office Floyd | The office of the curator is mostly taken up by a huge painting of a Floyd | giraffe. Beneath the painting the small office comprises of a small Floyd | desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | On the small desk is a rock paperweight. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x paperweight" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > X PAPERWEIGHT Floyd | It's a pet rock. They were all the craze once: everyone wanted one. Floyd | Floyd | > | Afterward says, "sure, we're still missing a giraffe" | ||
genericgeekgirl says (to Floyd), "take rock" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > TAKE ROCK Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x painting" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > X PAINTING Floyd | A somewhat postmodern arrangement of orange and black splodges. You're Floyd | fairly sure that the only animals harmed by the making of this painting Floyd | were the human critics paid to look at it. Floyd | Floyd | You hear some squeaking from somewhere in the room. Floyd | Floyd | > | |||
Afterward says (to Floyd), "tie string around rock" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > TIE STRING AROUND ROCK Floyd | (first untying the string) Floyd | Floyd | You deftly untie the string. Floyd | Floyd | You already have that. Floyd | Floyd | You tie the piece of string to the rock paperweight. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "listen" | |||
Floyd ] Curator's Office Exits: north 8/14
Floyd |
Floyd | > TO SOUtYou think you can hear some squeaking from behind the huge
Floyd | giraffe painting.
Floyd |
Floyd | You hear nothing unexpected.
Floyd |
Floyd | There's that squeaking again.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take painting" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > TAKE PAINTING Floyd | It's rather attached to the wall. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "push painting" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > PUSH PAINTING Floyd | It is fixed in place. Floyd | Floyd | > | genericgeekgirl asks, "Crowbar to the rescue?" | ||
DavidW says (to Floyd), "look behind it" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > LOOK BEHIND IT Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "look behind painting" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > LOOK BEHIND PAINTING Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x desk" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > X DESK Floyd | The desk is small and practical, but it doesn't have drawer. Floyd | Floyd | > | Afterward asks, "Where's the crowbar?" | ||
genericgeekgirl says (to Floyd), "x chair" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > X CHAIR Floyd | The chair is huge and overstuffed, but it looks like it could easily be Floyd | moved between places. Floyd | Floyd | On the huge overstuffed chair is the resident cat. Floyd | Floyd | > | DavidW asks, "I suppose cut the painting?" | ||
genericgeekgirl says, "Yeah, we can try both. Gonna go get the tools." | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a rock paperweight Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop paperweight" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > DROP PAPERWEIGHT Floyd | Dropped. Floyd | Floyd | Yep, definitely some squeaking. Floyd | Floyd | > | genericgeekgirl says, "Just in case." | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > N Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Main Holding Room Exits: west 8/14 Floyd | Floyd | > In Floyd | Main Holding Room Floyd | You stand in a vast maze of shelves and low tables cluttered with all Floyd | the pots and less interesting artefacts that haven't won a place in the Floyd | public parts of the museum. Floyd | Floyd | On a low table is a massive crate (empty). Floyd | Floyd | You can also see a pair of secateurs, a treated straw stuffing and a Floyd | crowbar here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take secateurs and crowbar" | |||
Floyd ] Main Holding Room Exits: west 8/14 Floyd | Floyd | > TAKE SECATEURS AND CROWBAR Floyd | pair of secateurs: Taken. Floyd | crowbar: Taken. Floyd | Floyd | > | Jacqueline says, "I guess it would be pointless to have an animal *inside* an animal (like, in a marsupial pouch or something), because you'd just get the extra point without realizing why." | ||
genericgeekgirl says (to Floyd), "w.s" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > W.S Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Curator's Office Floyd | The office of the curator is mostly taken up by a huge painting of a Floyd | giraffe. Beneath the painting the small office comprises of a small Floyd | desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a rock paperweight here. Floyd | Floyd | Yep, definitely some squeaking. Floyd | Floyd | > | genericgeekgirl says, "Haha. Well, I bet that cat is going to eat whatever squeaks." | ||
genericgeekgirl says (to Floyd), "pry painting with crowbar" | |||
Floyd ] Curator's Office Exits: north 8/14
Floyd |
Floyd | > NE UP BY ONE POINT.]
Floyd |
Floyd |
Floyd | > >S
Floyd | TThe painting tears off the wall, landing in a torn heap on the floor.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > L Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a hole in the brickwork (in which is a family of shrews) Floyd | and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x shrews" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > X SHREWS Floyd | There's a small family of shrews living in the brickwork. The only Floyd | thing you remember about shrews is that if you try to poison them, it Floyd | only makes their bites fatal. And that might not be true. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take shrews" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > TAKE SHREWS Floyd | Pick them up with your unprotected hands?! They're vicious little Floyd | biting things; it's not going to happen. Floyd | Floyd | > | genericgeekgirl says, "Oh. The gloves.." | ||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > TAKE CAT Floyd | You're carrying too many things already. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop secateurs and crowbar" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > DROP SECATEURS AND CROWBAR Floyd | pair of secateurs: Dropped. Floyd | crowbar: Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > TAKE CAT Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show shrews to cat" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > SHOW SHREWS TO CAT Floyd | (first taking the family of shrews) Floyd | Pick them up with your unprotected hands?! They're vicious little Floyd | biting things; it's not going to happen. Floyd | Floyd | > | DavidW says, "Fox gloves" | ||
genericgeekgirl says (to Floyd), "put cat in hole" | |||
Floyd ] Curator's Office Exits: north 8/14
Floyd |
Floyd | > PAINTING THE SMaThere is no more room in the hole in the brickwork.
Floyd |
Floyd | >
| genericgeekgirl says, "Yeah. I said that." | ||
genericgeekgirl says, "But trying to get the cat to do it for us :)" | |||
Afterward says, "f point cat at shrews" | |||
genericgeekgirl says (to Floyd), "show cat to shrews" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > SHOW CAT TO SHREWS Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x cat" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > X CAT Floyd | The cat is a rather fluffy tortoiseshell, insistent on following you Floyd | around. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | the resident cat Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "pet cat" | |||
Floyd ] Curator's Office Exits: north 8/14 Floyd | Floyd | > PET CAT Floyd | The cat purrs merrily as you pet her. Floyd | Floyd | > | genericgeekgirl says, ""What a good kitty. Into the dumpster you go."" | ||
DavidW asks, "Do shrews eat straw?" | |||
Jacqueline says (to ggg), "That is so quotable." | |||
genericgeekgirl says, "Probably not. They might use it as bedding material." | |||
genericgeekgirl says (to Floyd), "n.w." | |||
Floyd ] Atrium Exits: south, east and west 8/14 Floyd | Floyd | > N.W. Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a plot relevant high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 9/14
Floyd |
Floyd | > N HEAP ON THE FlYou throw the resident cat into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take gloves" | |||
Floyd ] Atrium Exits: south, east and west 7/14 Floyd | Floyd | > TAKE GLOVES Floyd | Taken. Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | [Your score has just gone down by two points.] Floyd | Floyd | > | genericgeekgirl says, "Stupid cat." | ||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 7/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | The resident cat arrives from the west. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > S Floyd | Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a crowbar, a pair of secateurs, a hole in the brickwork (in Floyd | which is a family of shrews) and a rock paperweight here. Floyd | Floyd | The resident cat arrives from the north. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wear gloves" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > WEAR GLOVES Floyd | You put on the pair of fox-fur gloves. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take shrews" | |||
Floyd ] Curator's Office Exits: north 7/14
Floyd |
Floyd | > POINTS.]
Floyd |
Floyd |
Floyd | > >eTaken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x hole" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > X HOLE Floyd | There's a gaping hole in the crumbling brickwork. Floyd | Floyd | The cat turns around three time, flops to the ground and falls asleep. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "give shrews to cat" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > GIVE SHREWS TO CAT Floyd | The resident cat doesn't seem interested. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > L Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see the resident cat, a crowbar, a pair of secateurs, a hole in Floyd | the brickwork (empty) and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take secateurs" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > TAKE SECATEURS Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cut chair" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > CUT CHAIR Floyd | It's not going to be worthwhile cutting that. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x fridge" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > X FRIDGE Floyd | It's a small white box for keeping things cold. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "open fridge" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > OPEN FRIDGE Floyd | You open the fridge, and inside is a glass of milk, a regular trifle, a Floyd | bunch of grapes and a vegan trifle. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x milk" | |||
Floyd ] Curator's Office Exits: north 7/14
Floyd |
Floyd | > L, LANdIt's a cold glass of milk. From the smell, you'd say it might
Floyd | be goat's milk.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x regular" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > X REGULAR Floyd | It's a three-tiered concoction of full-fat cream, ox gelatin jelly, and Floyd | milk-powder-enriched sponge cake. Floyd | Floyd | > | Afterward exclaims, "Grapes!" | ||
genericgeekgirl says (to Floyd), "x grapes" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > X GRAPES Floyd | Just a bunch of sad looking grapes. Floyd | Floyd | > | djfletch asks, "are grapes a mammal?" | ||
genericgeekgirl says (to Floyd), "x vegan" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > X VEGAN Floyd | It's gluten and sugar free as well. You can only assume that it's made Floyd | entirely from rice starch. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take milk and regular" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > TAKE MILK AND REGULAR Floyd | glass of milk: You're carrying too many things already. Floyd | regular trifle: You're carrying too many things already. Floyd | Floyd | > | genericgeekgirl says, "But the bat might like them." | ||
genericgeekgirl says (to Floyd), "drop secateurs" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > DROP SECATEURS Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take grapes" | |||
Floyd ] Curator's Office Exits: north 7/14 Floyd | Floyd | > TAKE GRAPES Floyd | Taken. Floyd | Floyd | > | djfletch says, "oh yeah" | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 7/14 Floyd | Floyd | > N Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 7/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put shrews in skip" | |||
Floyd ] Atrium Exits: south, east and west 8/14
Floyd |
Floyd | > POINT.]
Floyd |
Floyd |
Floyd | > >S
Floyd |
Floyd | > TTHE PaYou throw the family of shrews into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "put gloves in skip" | |||
Floyd ] Atrium Exits: south, east and west 9/14 Floyd | Floyd | > PUT GLOVES IN SKIP Floyd | (first taking it off) Floyd | You throw the pair of fox-fur gloves into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 9/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a bunch of grapes Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > X BAT Floyd | The bat is circling above you, apparently reticent about coming down. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "give grapes to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > GIVE GRAPES TO BAT Floyd | The reticent bat doesn't seem interested. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop grapes" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > DROP GRAPES Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "z" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s.n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > S.N Floyd | Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a pair of secateurs, the resident cat, a crowbar, a hole in Floyd | the brickwork (empty) and a rock paperweight here. Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | > | genericgeekgirl says, "Hm." | ||
genericgeekgirl says, "Gonna go grab the milk and trifle, and maybe the cat will follow the milk." | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Curator's Office Exits: north 9/14 Floyd | Floyd | > Il Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a pair of secateurs, the resident cat, a crowbar, a hole in Floyd | the brickwork (empty) and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take milk and regular" | |||
Floyd ] Curator's Office Exits: north 9/14 Floyd | Floyd | > TAKE MILK AND REGULAR Floyd | glass of milk: Taken. Floyd | regular trifle: Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take vegan" | |||
Floyd ] Curator's Office Exits: north 9/14 Floyd | Floyd | > TAKE VEGAN Floyd | You're carrying too many things already. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 9/14 Floyd | Floyd | > N Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a plot relevant high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 9/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | Firion asks, "What game is this?" | ||
genericgeekgirl says (to Floyd), "put milk in skip" | |||
Floyd ] Atrium Exits: south, east and west 10/14
Floyd |
Floyd | > CURATOR'S OFFICE
Floyd | You throw the glass of milk into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > TAKE CAT Floyd | You can't see any such thing. Floyd | Floyd | > | genericgeekgirl says, "Oh,she's sleeping." | ||
Jacqueline says (to Floyd), "score" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > SCORE Floyd | You have so far scored 10 out of a possible 14, in 202 turns, earning Floyd | you the rank of one admired for a high metabolisssm, but not general Floyd | level of competencccy in executing a tasssk. Floyd | Floyd | > | DavidW says (to Firion), "Mammal" | ||
genericgeekgirl says (to Floyd), "put trifle in skip" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > PUT TRIFLE IN SKIP Floyd | You throw the regular trifle into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e.s.take cat" | |||
Floyd ] Curator's Office Exits: north 11/14 Floyd | Floyd | > E.S.TAKE CAT Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a pair of secateurs, the resident cat, a crowbar, a hole in Floyd | the brickwork (empty) and a rock paperweight here. Floyd | Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "n.w" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > ONE Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | Afterward asks, "For some reason I want to put the vegan trifle on the grapes to make them sticky?" | ||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 12/14
Floyd |
Floyd | > IGH CEILING. THeYou throw the resident cat into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| genericgeekgirl says, "Oh, maybe." | ||
genericgeekgirl says (to Floyd), "z" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 12/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | > | genericgeekgirl says, "Maybe she's staying put now." | ||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Back Corridor Exits: north, south, east and west 12/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Curator's Office Exits: north 11/14 Floyd | Floyd | > S Floyd | Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a pair of secateurs, a crowbar, a hole in the brickwork Floyd | (empty) and a rock paperweight here. Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | genericgeekgirl says, "Or not." | ||
genericgeekgirl says, "She might stay if we get in later." | |||
genericgeekgirl says, "And yes, I've decided the cat is female." | |||
DavidW says, "Tie the paperweight to the cat." | |||
genericgeekgirl says, "That's.. horrible. And might work." | |||
djfletch says, "maybe we just do the cat last and blow the whistle quickly" | |||
genericgeekgirl says (to Floyd), "take vegan and rock" | |||
Floyd ] Curator's Office Exits: north 11/14
Floyd |
Floyd | > THE SKIP.
Floyd |
Floyd |
Floyd | > [YOUR SCovegan trifle: Taken.
Floyd | rock paperweight: Taken.
Floyd |
Floyd | The resident cat arrives from the north.
Floyd |
Floyd | >
| Afterward says, "Genius." | ||
genericgeekgirl says, "We definitely got a point for getting into the skip ourselves. Probably we need to sacrifice ourselves anyway, and I think the cat will follow us." | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > N Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | The resident cat arrives from the south. Floyd | Floyd | > | djfletch asks, "are the pork scratchings in the skip yet?" | ||
genericgeekgirl says (to Floyd), "put vegan on grapes" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > PUT VEGAN ON GRAPES Floyd | Putting things on the bunch of grapes would achieve nothing. Floyd | Floyd | The cat rubs against your legs. Floyd | Floyd | > | genericgeekgirl says, "Yeah" | ||
genericgeekgirl says, "shake fist at bat" | |||
Afterward says, "cat, bat, human, that's 14" | |||
genericgeekgirl says (to Floyd), "tie rock to cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TIE ROCK TO CAT Floyd | You would achieve nothing by this. Floyd | Floyd | > | |||
djfletch says (to Floyd), "tie string to cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TIE STRING TO CAT Floyd | (first untying the string) Floyd | Floyd | You want the string tied around the rock paperweight. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "throw rock at bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > THROW ROCK AT BAT Floyd | No, that would be cruel. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put vegan on rock" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > PUT VEGAN ON ROCK Floyd | Putting things on the rock paperweight would achieve nothing. Floyd | Floyd | > | |||
djfletch says (to Floyd), "swing rock" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > SWING ROCK Floyd | There's nothing sensible to swing here. Floyd | Floyd | The cat purrs contently. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "swing rock at bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14
Floyd |
Floyd | > RESIDENT CAT ARRiI only understood you as far as wanting to swing
Floyd | the rock paperweight.
Floyd |
Floyd | >
| |||
Afterward says (to Floyd), "tie string to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TIE STRING TO BAT Floyd | With the string, you tie the bat to the rock, anchoring the poor bat to Floyd | the rock. Floyd | Floyd | > | Afterward says, "......" | ||
genericgeekgirl says, "How can we do that if we can't reach the bat.." | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a vegan trifle Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take rock" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE ROCK Floyd | That seems to be a part of the anchored bat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE BAT Floyd | The bat is too high to jump and catch from the ground. Floyd | Floyd | > | genericgeekgirl says, "..." | ||
DavidW says, "logic error" | |||
Afterward says (to Floyd), "take string" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE STRING Floyd | You want the string tied around the anchored bat. Floyd | Floyd | > | Afterward asks, "did I just break the game?" | ||
DavidW says, "maybe so" | |||
Afterward says, "I'm sorry if I broke the game." | |||
genericgeekgirl says, "I'm sure we're just missing some necessary verb." | |||
Jacqueline says, "Well, it made sense, what you tried." | |||
Jacqueline says, "I don't think it's broken, I think ggg is right." | |||
genericgeekgirl says (to Floyd), "throw coat at bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > THROW COAT AT BAT Floyd | No, that would be cruel. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cover bat with coat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > COVER BAT WITH COAT Floyd | I only understood you as far as wanting to cover the anchored bat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a vegan trifle Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | The cat stretches joyously. Floyd | Floyd | > | djfletch says, "we were probably supposed to lure it down then use the rock to keep it in the skip" | ||
Afterward says (to Floyd), "pull rope" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > PULL ROPE Floyd | You can't see any such thing. Floyd | Floyd | > | Jacqueline asks, "Have you been saving? Could you do multiple undo?" | ||
genericgeekgirl asks, "Perhaps. Maybe we can cut the string and then still reuse it?" | |||
genericgeekgirl says, "We haven't :/ Yeah, maybe." | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14
Floyd |
Floyd | > TTHE ## Back Corridor
Floyd | [Previous turn undone.]
Floyd |
Floyd | >
| genericgeekgirl asks, "Any idea how far back?" | ||
Afterward says, "probably more than that" | |||
djfletch asks, "sevenish?" | |||
genericgeekgirl says, "Until we go back to the office, I think. We haven't done anything else since coming in here." | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | genericgeekgirl says, "Hm." | ||
genericgeekgirl asks, "Have we really been in this room that long?" | |||
Afterward says, "well we did try a lot of stupid stuff with that bat" | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > UNDO Floyd | Back Corridor Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Curator's Office Exits: north 11/14 Floyd | Floyd | > UNDO Floyd | Curator's Office Floyd | [Previous turn undone.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Curator's Office Exits: north 11/14 Floyd | Floyd | > L Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see the resident cat, a pair of secateurs, a crowbar and a hole Floyd | in the brickwork (empty) here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Curator's Office Exits: north 11/14
Floyd |
Floyd | > K You are carrying:
Floyd | a rock paperweight
Floyd | a vegan trifle
Floyd | an ocelot coat (being worn)
Floyd | a lizard whistle (being worn)
Floyd |
Floyd | The cat rubs against your legs.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > N Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes here. Floyd | Floyd | The resident cat arrives from the south. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "lure bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > LURE BAT Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
djfletch says (to Floyd), "SAVE" | |||
djfletch says (to Floyd), "cf2" | |||
Floyd | %% File to save: Floyd | %% Save file: cf2 Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "eat vegan" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > EAT VEGAN Floyd | You've already had lunch. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "give vegan to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > GIVE VEGAN TO BAT Floyd | The reticent bat doesn't seem interested. Floyd | Floyd | > | genericgeekgirl asks, "Pork rinds? Trifle?" | ||
genericgeekgirl says (to Floyd), "cut self" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > CUT SELF Floyd | Things aren't that dire yet. Floyd | Floyd | The cat purrs contently. Floyd | Floyd | > | genericgeekgirl says, "Not blood :)" | ||
Afterward asks, "is there anything that might make a loud noise?" | |||
djfletch says, "hah" | |||
genericgeekgirl says (to Floyd), "yell" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > YELL Floyd | That's not a verb I recognise. Floyd | Floyd | > | djfletch asks, "did you try explicitly showing the grapes to the bat?" | ||
genericgeekgirl says, "Out of random curiosity, gonna go get the snakeskin coat and see. Yeah, I did." | |||
genericgeekgirl says (to Floyd), "show grapes to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > SHOW GRAPES TO BAT Floyd | (first taking the bunch of grapes) Floyd | You're carrying too many things already. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop rock" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > DROP ROCK Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show grapes to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > SHOW GRAPES TO BAT Floyd | (first taking the bunch of grapes) Floyd | The reticent bat is unimpressed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show vegan to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14
Floyd |
Floyd | > .]
Floyd |
Floyd |
Floyd | > >UNDO
Floyd |
Floyd | > BACK COrThe reticent bat is unimpressed.
Floyd |
Floyd | The cat stretches joyously.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "drop grapes" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > DROP GRAPES Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Cloak Room Exits: south 11/14 Floyd | Floyd | > N Floyd | Floyd | Cloak Room Floyd | The cloak room is musty and full of old coats. Floyd | Floyd | The resident cat arrives from the south. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take coat" | |||
Floyd ] Cloak Room Exits: south 11/14 Floyd | Floyd | > TAKE COAT Floyd | (the ocelot coat) Floyd | You already have that. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take snakeskin" | |||
Floyd ] Cloak Room Exits: south 11/14 Floyd | Floyd | > TAKE SNAKESKIN Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Cloak Room Exits: south 11/14 Floyd | Floyd | > L Floyd | Cloak Room Floyd | The cloak room is musty and full of old coats. Floyd | Floyd | You can see the resident cat here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x coats" | |||
Floyd ] Cloak Room Exits: south 11/14 Floyd | Floyd | > X COATS Floyd | Which do you mean, the blue raincoat, the snakeskin coat or the ocelot Floyd | coat? Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Cloak Room Exits: south 11/14 Floyd | Floyd | > S Floyd | I only understood you as far as wanting to examine south. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > S Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a plot relevant high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a bunch of grapes and a rock paperweight here. Floyd | Floyd | The resident cat arrives from the north. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show snakeskin coat to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > SHOW SNAKESKIN COAT TO BAT Floyd | The reticent bat is unimpressed. Floyd | Floyd | The cat stretches joyously. Floyd | Floyd | > | |||
DavidW says (to Floyd), "show bat to cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > OP GRAPES Floyd | Floyd | > DROPPe(first taking the reticent bat) Floyd | The bat is too high to jump and catch from the ground. Floyd | Floyd | The cat turns around three time, flops to the ground and falls asleep. Floyd | Floyd | > | genericgeekgirl says, "I thought maybe it really hated snakes and wanted to attack them." | ||
genericgeekgirl says (to Floyd), "wear snakeskin coat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > WEAR SNAKESKIN COAT Floyd | You put on the snakeskin coat. Floyd | Floyd | > | Afterward asks, "maybe shrews?" | ||
genericgeekgirl says (to Floyd), "drop snakeskin coat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > DROP SNAKESKIN COAT Floyd | (first taking the snakeskin coat off) Floyd | Dropped. Floyd | Floyd | > | genericgeekgirl says, "Sure" | ||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a vegan trifle Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop vegan" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > DROP VEGAN Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 11/14
Floyd |
Floyd | > W
Floyd |
| DavidW says, "Oh. Stand on the chair to take the bat." | ||
Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wear gloves" | |||
Floyd ] Atrium Exits: south, east and west 10/14
Floyd |
Floyd | > BAT)
Floyd |
Floyd | > THE BAt(first taking the pair of fox-fur gloves)
Floyd | You put on the pair of fox-fur gloves.
Floyd |
Floyd | [Your score has just gone down by one point.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take shrews" | |||
Floyd ] Atrium Exits: south, east and west 9/14 Floyd | Floyd | > TAKE SHREWS Floyd | Taken. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | genericgeekgirl says, "And for the hell of it." | ||
genericgeekgirl says (to Floyd), "take regular" | |||
Floyd ] Atrium Exits: south, east and west 8/14 Floyd | Floyd | > TAKE REGULAR Floyd | Taken. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat, the resident cat, a bunch Floyd | of grapes and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show shrews to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > SHOW SHREWS TO BAT Floyd | The reticent bat is unimpressed. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "feed shrews to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > FEED SHREWS TO BAT Floyd | The reticent bat doesn't seem interested. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "feed shrews to cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > FEED SHREWS TO CAT Floyd | The resident cat doesn't seem interested. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show regular to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14
Floyd |
Floyd | > HE CAT STRETCHES JOyThe reticent bat is unimpressed.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Back Corridor Exits: north, south, east and west 8/14 Floyd | Floyd | > L Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat, the resident cat, a bunch Floyd | of grapes and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 8/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | ASchultz says, "To jump in, is anyone seeing text being overwritten? I'm using MUSHClient" | ||
Afterward says, "resident cat/reticent bat" | |||
Afterward says, "president rat" | |||
genericgeekgirl says (to AS), "Yup." | |||
genericgeekgirl says (to Floyd), "put regular and shrews and gloves in skip" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | Floyd | > >L Floyd | Floyd | > BACK CORRIDOR Floyd | Floyd | > YOU FIND YOURSELF IN A dregular trifle: You throw the regular trifle Floyd | into the skip. Floyd | family of shrews: You throw the family of shrews into the skip. Floyd | pair of fox-fur gloves: (first taking it off) Floyd | You throw the pair of fox-fur gloves into the skip. Floyd | Floyd | [Your score has just gone up by three points.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take pork" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > TAKE PORK Floyd | Taken. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | DavidW says, "I'm seeing text that shouldn't be there, yes." | ||
genericgeekgirl says (to Floyd), "x skip" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > X SKIP Floyd | In the skip are a pair of fox-fur gloves, a family of shrews, a regular Floyd | trifle, a glass of milk, a stuffed echidna, a whale bones, an Floyd | over-stuffed koala, a stuffed dolphin, a mourning dog, some vaporised Floyd | remains and a caribou head. Floyd | Floyd | > | ASchultz says, "Ah ok, it's easy enough to read through, though. Just wonedering if I needed to do anything." | ||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 10/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat, the resident cat, a bunch Floyd | of grapes and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "show pork to bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 10/14
Floyd |
Floyd | > ONE POINT.]
Floyd |
Floyd |
Floyd | > >S
Floyd | The reticent bat is unimpressed.
Floyd |
Floyd | >
| djfletch says, "must be a bug in new Floyd" | ||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Curator's Office Exits: north 10/14 Floyd | Floyd | > S Floyd | Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a pair of secateurs, a crowbar and a hole in the brickwork Floyd | (empty) here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take secateurs" | |||
Floyd ] Curator's Office Exits: north 10/14 Floyd | Floyd | > TAKE SECATEURS Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x fridge" | |||
Floyd ] Curator's Office Exits: north 10/14 Floyd | Floyd | > X FRIDGE Floyd | It's a small white box for keeping things cold. Floyd | Floyd | > | zarf says, "it's some kind of bug, but vimes will have to investigate where" | ||
genericgeekgirl says (to Floyd), "open fridge" | |||
Floyd ] Curator's Office Exits: north 10/14 Floyd | Floyd | > OPEN FRIDGE Floyd | That's already open. Floyd | Floyd | > | DavidW says, "I think it's something in what the terp is doing." | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Back Corridor Exits: north, south, east and west 10/14 Floyd | Floyd | > N Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a significantly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat, the resident cat, a bunch Floyd | of grapes and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cut koala" | |||
Floyd ] Atrium Exits: south, east and west 10/14
Floyd |
Floyd | > ]
Floyd |
Floyd |
Floyd | > >S
Floyd |
Floyd | > THE You've already cut that!
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "cut echidna" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > CUT ECHIDNA Floyd | It's not going to be worthwhile cutting that. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cut dolphin" | |||
Floyd ] Atrium Exits: south, east and west 10/14 Floyd | Floyd | > CUT DOLPHIN Floyd | It's not going to be worthwhile cutting that. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put pork in skip" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > PUT PORK IN SKIP Floyd | You throw the packet of pork scratchings into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a pair of secateurs Floyd | an ocelot coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop secateurs" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > DROP SECATEURS Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cut ocelot" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > CUT OCELOT Floyd | You'll need to be holding something with which to cut the ocelot coat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take secateurs" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > TAKE SECATEURS Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cut ocelot" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > CUT OCELOT Floyd | It's not going to be worthwhile cutting that. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop ocelot" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > DROP OCELOT Floyd | (first taking the ocelot coat off) Floyd | Dropped. Floyd | Floyd | > | DavidW says, "You're going way too fast." | ||
Afterward says, "The chair is pushable between rooms." | |||
genericgeekgirl says, "Sorry." | |||
genericgeekgirl exclaims, "Oh!" | |||
DavidW says, "I'm not sure she saw my chair comment." | |||
genericgeekgirl says, "Nope." | |||
DavidW asks, "SEE?" | |||
Jacqueline says, "If we want, on future games we could forego sleepmask, but I think vimes will appreciate the transcripts for getting the bugs worked out, and that the end result is something we'll very much appreciate." | |||
Afterward says, "Well, then, let me recap: David was like 'man, what if, like, the chair,' and in my mind I was all 'yeah'" | |||
genericgeekgirl says (to Floyd), "e.s." | |||
Floyd ] Curator's Office Exits: north 11/14 Floyd | Floyd | > E.S. Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with a plot relevant high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat, the resident cat, a bunch Floyd | of grapes and a rock paperweight here. Floyd | Floyd | Curator's Office Floyd | The painting lies in tatters on the floor of the office, revealing a Floyd | hole in the brickwork behind. Beneath the painting the small office Floyd | comprises of a small desk, a huge overstuffed chair and mini fridge. Floyd | Floyd | You can see a crowbar and a hole in the brickwork (empty) here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "push chair north" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > CATEURS Floyd | Floyd | > AN OCEl Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an incredibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat, the resident cat, a bunch Floyd | of grapes and a rock paperweight here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "stand on chair" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > STAND ON CHAIR Floyd | You get onto the huge overstuffed chair. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take bat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE BAT Floyd | Triumphantly, you leap and grasp hold of the bat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "tie bat to rock" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TIE BAT TO ROCK Floyd | Not a bad plan, but you'd need something to tie it with. Floyd | Floyd | > | DavidW says, "huzzah" | ||
genericgeekgirl says (to Floyd), "tie bat to string" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TIE BAT TO STRING Floyd | With the string, you tie the bat to the rock, anchoring the poor bat to Floyd | the rock. Floyd | Floyd | > | djfletch says (to Jacqueline), "yeah, agree. These extra bits of text are easy to ignore anyway." | ||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14
Floyd |
Floyd | > ING TO BeYou're carrying too many things already.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "drop secateurs" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > DROP SECATEURS Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE CAT Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | the resident cat Floyd | an anchored bat Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > L Floyd | Back Corridor (on the huge overstuffed chair) Floyd | You find yourself in a dingy back corridor with an improbably high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat and a bunch of grapes Floyd | here. Floyd | Floyd | On the huge overstuffed chair you can see a pair of secateurs. Floyd | Floyd | > | genericgeekgirl asks, "Into the skip with all of us?" | ||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > W Floyd | (first getting off the huge overstuffed chair) Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see an ocelot coat here. Floyd | Floyd | > | DavidW says, "Unless we can sew the cat inside the koala." | ||
genericgeekgirl says, "We'd still be missing a point." | |||
genericgeekgirl says, "Unless.. the coat." | |||
genericgeekgirl says, "I guess we can save and try that before sacrificing ourselves." | |||
DavidW asks, "yeah, what's up with the three coats?" | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 11/14
Floyd |
Floyd | >You are carrying:
Floyd | the resident cat
Floyd | an anchored bat
Floyd | a lizard whistle (being worn)
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take snakeskin" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > TAKE SNAKESKIN Floyd | You can't see any such thing. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > E Floyd | Floyd | Back Corridor Floyd | You find yourself in a dingy back corridor with an impossibly high Floyd | ceiling. The way back to the atrium lies through the little door west. Floyd | The main Holding Room opens up to the east, the curator's office is to Floyd | south, while north sits a cloak room. Floyd | Floyd | You can see a vegan trifle, a snakeskin coat and a bunch of grapes Floyd | here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take snakeskin" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE SNAKESKIN Floyd | You're carrying too many things already. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > DROP CAT Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "wear snakeskin" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > WEAR SNAKESKIN Floyd | (first taking the snakeskin coat) Floyd | You put on the snakeskin coat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Back Corridor Exits: north, south, east and west 11/14 Floyd | Floyd | > TAKE CAT Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | > | genericgeekgirl says, "We found the gloves in the pocket of the raincoat." | ||
Firion exclaims, "Don't you DARE hurt that cat!" | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd ] Atrium Exits: south, east and west 11/14 Floyd | Floyd | > W Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see an ocelot coat here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put bat in skip" | Afterward says, "I anticipate being mistaken for a snakeman in this coat and spared from the fires." | ||
Floyd ] Atrium Exits: south, east and west 12/14
Floyd |
Floyd | > NT.]
Floyd |
Floyd |
Floyd | > >S
Floyd |
Floyd | > THE YOuYou throw the anchored bat into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| genericgeekgirl says, "Hm." | ||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > PUT CAT IN SKIP Floyd | You throw the resident cat into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "SAVE" | |||
genericgeekgirl says (to Floyd), "cf3" | |||
Floyd | %% File to save: Floyd | %% Save file: cf3 Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | |||
Firion says (to floyd), "x ski" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > X SKI Floyd | You can't see any such thing. Floyd | Floyd | > | djfletch says, "we have the ocelot coat to go in still" | ||
genericgeekgirl says, "It's not real." | |||
genericgeekgirl says (to Floyd), "take ocy" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > TAKE OCY Floyd | You can't see any such thing. Floyd | Floyd | > | |||
Firion says (to Floyd), "x skip" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > X SKIP Floyd | In the skip are the resident cat, an anchored bat, a packet of pork Floyd | scratchings, a pair of fox-fur gloves, a family of shrews, a regular Floyd | trifle, a glass of milk, a stuffed echidna, a whale bones, an Floyd | over-stuffed koala, a stuffed dolphin, a mourning dog, some vaporised Floyd | remains and a caribou head. Floyd | Floyd | > | DavidW says, "Except, yeah, faux fur." | ||
genericgeekgirl says (to Floyd), "take ocelot" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > TAKE OCELOT Floyd | Taken. Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | djfletch says, "oh, missed that" | ||
genericgeekgirl says (to Floyd), "put ocelot in skip" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > PUT OCELOT IN SKIP Floyd | You throw the ocelot coat into the skip. Floyd | Floyd | The cat starts lapping at the milk, but then gets bored. Floyd | Floyd | The cat climbs up the faux-fur ocelot coat, destroying it in no time at Floyd | all. Floyd | Floyd | > | genericgeekgirl says, "Yeah." | ||
genericgeekgirl says, "Going to try first while wearing the coat, then just the coat, then just us." | |||
DavidW says, "huh. Cat destroys fur." | |||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > PUT CAT IN SKIP Floyd | (first taking the resident cat) Floyd | Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | You throw the resident cat into the skip. Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "enter skip" | |||
Floyd ] Atrium Exits: south, east and west 13/14
Floyd |
Floyd |
Floyd | > [YOUR SCOrYou climb into the skip.
Floyd |
Floyd | [Your score has just gone up by one point.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "meow" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > MEOW Floyd | That's not a verb I recognise. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "z" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > Z Floyd | Time passes. Floyd | Floyd | > | genericgeekgirl says, "Stupid cat." | ||
Firion says (to floyd), "damn" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > DAMN Floyd | Real adventurers do not use such language. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > OUT Floyd | You get out of the skip. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | You can also see the resident cat here. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > EOW Floyd | Floyd | > THAT'You pick her up and she miaows with minor concern. Floyd | Floyd | > | Firion snickers. | ||
genericgeekgirl says (to Floyd), "enter skip" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > ENTER SKIP Floyd | You climb into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "drop cat" | |||
Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > DROP CAT Floyd | Dropped. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "SAVE" | |||
genericgeekgirl says (to Floyd), "cf4" | |||
Floyd | %% File to save: Floyd | %% Save file: cf4 Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > SAVE Floyd | Ok. Floyd | Floyd | > | |||
Afterward says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > PUT CAT IN SKIP Floyd | The resident cat is already here. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a snakeskin coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "blow whistle" | |||
Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > BLOW WHISTLE Floyd | You give the whistle a sharp blow, and in moments Patrisnake Ksshss Floyd | arrives to survey the skip. Floyd | Floyd | Floyd | He finds you within the skip and smiles (snakes always smile) as he Floyd | orders all the contents (including yourself) summarily destroyed. Floyd | Floyd | Just before you are incinerated, Kssshsss congratulates you on finding Floyd | everything in the museum. Floyd | Floyd | Floyd | Floyd | ## *** You Have Been Incinerated, But At Least You Got The Top Floyd | Score *** Floyd | Floyd | Floyd | In that game you scored 14 out of a possible 14, in 303 turns, earning Floyd | you the rank of one that hasss done almost too well. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Atrium Exits: south, east and west 14/14
Floyd |
Floyd | > YOUR ## Atrium
Floyd | [Previous turn undone.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "put snakeskin in skip" | |||
Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > PUT SNAKESKIN IN SKIP Floyd | (first taking the snakeskin coat off) Floyd | Dropped. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take snakeskin" | |||
Floyd ] Atrium Exits: south, east and west 14/14 Floyd | Floyd | > TAKE SNAKESKIN Floyd | Taken. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > OUT Floyd | You get out of the skip. Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. When the Floyd | job is done, you need only blow the whistle you've been given, and Floyd | Kssshsss will come and assess your execution of the task. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put snakeskin in skip" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > PUT SNAKESKIN IN SKIP Floyd | You throw the snakeskin coat into the skip. Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | genericgeekgirl says, "The coat doesn't get us anything." | ||
genericgeekgirl says, "So I guess we got the best ending.." | |||
DavidW says, "I think the snakeskin coat might save us." | |||
genericgeekgirl says, "We were wearing it." | |||
genericgeekgirl says, "He didn't care." | |||
djfletch says, "try putting the cat back and see if there's an ending with 13 points" | |||
DavidW asks, "Were we outside the skip?" | |||
genericgeekgirl says, "We were in it, wearing the coat." | |||
genericgeekgirl says (to dj), "Sure." | |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Atrium Exits: south, east and west 12/14
Floyd |
Floyd | > P.
Floyd |
Floyd |
Floyd | > ATRIuYou pick her up and she miaows with minor concern.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > PUT CAT IN SKIP Floyd | You throw the resident cat into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "blow whistle" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > BLOW WHISTLE Floyd | You give the whistle a sharp blow, and in moments Patrisnake Ksshss Floyd | arrives to survey the skip. Floyd | Floyd | Floyd | "So," starts Ksssnsss, "a magnificent performance, you have found all Floyd | the mammalian items!" Floyd | Floyd | "But you're much too clever by half..." he says, eating you whole. Floyd | Lizards are not known for their appreciation of high-achievers. Floyd | Floyd | Floyd | Floyd | ## *** You Didn't Even Get The Last Lousy Point! *** Floyd | Floyd | Floyd | In that game you scored 13 out of a possible 14, in 309 turns, earning Floyd | you the rank of one who'sss tremulousss four-chambered heart beats with Floyd | purpose. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | DavidW says, "We have to be out of the skip to survive, though." | ||
genericgeekgirl says, "Surviving doesn't mean winning." | |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd ] Atrium Exits: south, east and west 13/14
Floyd |
Floyd | > T INt## Atrium
Floyd | [Previous turn undone.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "wear snakeskin" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > WEAR SNAKESKIN Floyd | (first taking the snakeskin coat) Floyd | You put on the snakeskin coat. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > I Floyd | You are carrying: Floyd | a snakeskin coat (being worn) Floyd | a lizard whistle (being worn) Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | [Your score has just gone down by one point.] Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "take cat" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > TAKE CAT Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 12/14 Floyd | Floyd | > PUT CAT IN SKIP Floyd | You throw the resident cat into the skip. Floyd | Floyd | The cat gets bored of being in the skip and jumps out. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "put cat in skip" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > PUT CAT IN SKIP Floyd | (first taking the resident cat) Floyd | Floyd | You pick her up and she miaows with minor concern. Floyd | Floyd | You throw the resident cat into the skip. Floyd | Floyd | [Your score has just gone up by one point.] Floyd | Floyd | > | Jacqueline says, "Man, so close." | ||
genericgeekgirl says (to Floyd), "blow whistle" | |||
Floyd ] Atrium Exits: south, east and west 13/14 Floyd | Floyd | > BLOW WHISTLE Floyd | You give the whistle a sharp blow, and in moments Patrisnake Ksshss Floyd | arrives to survey the skip. Floyd | Floyd | Floyd | "So," starts Ksssnsss, "a magnificent performance, you have found all Floyd | the mammalian items!" Floyd | Floyd | "But you're much too clever by half..." he says, eating you whole. Floyd | Lizards are not known for their appreciation of high-achievers. Floyd | Floyd | Floyd | Floyd | ## *** You Didn't Even Get The Last Lousy Point! *** Floyd | Floyd | Floyd | In that game you scored 13 out of a possible 14, in 314 turns, earning Floyd | you the rank of one who'sss tremulousss four-chambered heart beats with Floyd | purpose. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | genericgeekgirl says, "We have to sacrifice ourself." | ||
Afterward says, "I'm kind of terrified that somehow you have to get the ocelot coat in there and then the cat," | |||
Afterward says, "without letting the cat scratch up the coat." | |||
genericgeekgirl asks (of Afterward), "How would that help?" | |||
Afterward says, "but that seems too cruel even for Joey." | |||
genericgeekgirl says, "There was no point for the ocelot coat, because it's synthetic." | |||
Afterward says, "Oh I didn't notice that." | |||
genericgeekgirl says, "There would have been a point and then an immediate loss of point, I presume." | |||
genericgeekgirl says, "I think we got the best ending we could have, with all 14 points. He said we found "everything."" | |||
Afterward says, "Well, the joke is on the Patrisnake." | |||
Afterward says, "We tricked him into incinerating his cousin's coat." | |||
genericgeekgirl says, "Haha" | |||
ASchultz says, "Awesome, didn't think of that" | |||
djfletch says, "we should have led all the mammals in revolt" | |||
djfletch says, "except a lot of them were already dead" | |||
Afterward asks, "I think all the mammals in the song showed up?" | |||
Afterward says, "Except the giraffe was a painting." | |||
Jacqueline says, "Hm... so, trying again, or done with this one? If the latter, are you wanting to play the next one? (Or rather, the previous one, since we had to skip Baf's game.)" | |||
Gerynar says "bloop" and shrinks down into a little dot, then winks out...just like those old-fashioned B&w televisions. | |||
Gerynar has disconnected. | genericgeekgirl says, "I think we're done with it, and sure." | ||
ASchultz asks, "How many spoilers can be revealed after the game's finished?" | |||
genericgeekgirl says, "Oh. If Xeno hadn't left, I was going to suggest skipping ahead to her game since she won't be here." | |||
genericgeekgirl says, "Well, there's #cf-spoiler" | |||
ASchultz says, "Ahh. There we go." | |||
Jacqueline asks, "mmkay - next one, then - still want to use sleepmask?" | |||
Jacqueline says, "er, s/next one/previous one" | |||
genericgeekgirl says, "One sec." | |||
genericgeekgirl says (to Floyd), "restart" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | Floyd | Floyd | Floyd | You are a lowly human slave, suffering beneath the squamous toes of Floyd | your new lizard overlords. Patrisnake Kssshsss has charged you with Floyd | getting rid of all trace of mammals in the back rooms of the Don Floyd | Quixote Memorial Museum. Floyd | Floyd | Mammal Floyd | An Interactive Song Tribute by Joey Jones Floyd | Release 1 / Serial number 120324 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Floyd | Atrium Floyd | You stand in a vast glass-ceilinged atrium. The main doors stand behind Floyd | you to the south, in front is the rest of the museum. The part that you Floyd | actually need to clear is through the little door to the back rooms, Floyd | behind the information desk to the east. The portrait gallery opens off Floyd | to the west. Floyd | Floyd | In the centre of the atrium is a huge skip, (or garbage dumpster, if Floyd | you're so inclined), into which you are to place all objects tainted Floyd | with mammalian DNA, or direct organic bi-products of mammals. Your Floyd | co-slaves have already gone through most of museum, including Floyd | thankfully, the toilets. When the job is done, you need only blow the Floyd | whistle you've been given, and Kssshsss will come and assess your Floyd | execution of the task. Floyd | Floyd | > | Jacqueline says, "But are we still good with testing sleepmask? -- oh" | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd ] Atrium Exits: south, east and west 0/14 Floyd | Floyd | > N Floyd | The rest of the museum has been cleared already, your job lies in the Floyd | back room through the little door to the east. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Museum Steps Exits: north 0/14 Floyd | Floyd | > S Floyd | Floyd | Museum Steps Floyd | You are greeted by a sunny day on the steps of the museum. The grand Floyd | entrance looms up to the north, while steps radiate out in all other Floyd | directions. Going in such directions would, of course, be highly Floyd | forbidden. Floyd | Floyd | A dog is mourning here over the vaporised remains of its owner. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Museum Steps Exits: north 0/14 Floyd | Floyd | > S Floyd | You really shouldn't stroll off from the museum: that is in direct Floyd | violation of the commands of your lizard overlords. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd ] Museum Steps Exits: north 15/14 Floyd | Floyd | > S Floyd | You boldly stride beyond the confines of the museum, rebelling against Floyd | your less-than-benevolent overlords. Floyd | Floyd | Floyd | Floyd | ## *** You Are Free *** Floyd | Floyd | Floyd | In that game you scored 15 out of a possible 14, in 4 turns, earning Floyd | you the rank of one who has done a runner. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last Floyd | command? Floyd | > | |||
genericgeekgirl says (to Floyd), "quit" | |||
Floyd | debugcheapnitfol quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | genericgeekgirl says, "Ok. I'm content." | ||
genericgeekgirl says, "I even thought about that earlier when dj suggested going south when we already had, and decided not to." | |||
genericgeekgirl says, "Also thought about trying it while wearing the snakeskin." | |||
ASchultz says, "Sleepmask's already been useful to see the narrator's messages in Dig My Grave as I understand" | |||
Afterward says, "Yeah, that turned out real nice." | |||
Gerynar arrives, full of fun and funk. | Jacqueline says, "Okay, we'll keep using it." | ||
ASchultz says, "BTW it's been a bit more than the 3 hour original but My Evil Twin is not too long. I really liked it, too." | |||
Jacqueline says, "Let's play baf's game." | |||
Jacqueline says (to Floyd), "load a18myeviltwin" | |||
Floyd | Welcome to the Cheap Glk Implementation, library version 0.9.0.
Floyd |
Floyd |
Floyd |
Floyd |
Floyd |
Floyd |
Floyd |
Floyd |
Floyd | He's up to something. I can always tell. I can just feel it, like a
Floyd | sixth sense. I know him that well. In a sense, we have the same brain.
Floyd |
Floyd | After last night's all-nighter (I had an important report to do for
Floyd | work), I intended to sleep all through the day. But I can't afford to
Floyd | do that. Somewhere out there, my evil twin is plying his schemes, and
Floyd | I'm the only one who can stop him.
Floyd |
Floyd | My Evil Twin
Floyd | A Musical Adaptation by Carl Muckenhoupt
Floyd | Release 1 / Serial number 120322 / Inform 7 build 6G60 (I6/v6.32 lib
Floyd | 6/12N)
Floyd | Type ABOUT for more details and instructions for play.
Floyd |
Floyd | My Apartment
Floyd | This studio apartment, located conveniently near work and right across
Floyd | the street from the park, serves as my personal headquarters for my
Floyd | hobbies, such as doing volunteer restoration work for the local
Floyd | American History Museum and foiling the plots of my evil twin. My only
Floyd | real attempt at decoration is a framed poster right next to the
Floyd | bookshelf. I can leave to the north.
Floyd |
Floyd | I can see a presidential figurine and a stack of papers here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x me" | |||
Floyd | I look exactly like myself.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying nothing.
Floyd |
Floyd | >
| Jacqueline asks (of ggg), "How do you read so quickly?" | ||
genericgeekgirl says, "Heh, sorry." | |||
Jacqueline says, "This reminds me, I signed up for a speed reading course that I've yet to schedule. I need to do that." | |||
Jacqueline says (to Floyd), "x figurine" | |||
Floyd | It's a likeness of Benjamin Harrison, the 23rd president of the United
Floyd | States. Harrison may not have been one of our more exciting presidents
Floyd | - he's certainly no James K. Polk - but he did do something that no
Floyd | other president has done. Generally speaking, once a president loses
Floyd | re-election, he doesn't bother running again, because everyone knows
Floyd | that no one votes for a loser. But Harrison's economic policies were so
Floyd | monumentally unpopular that the incumbent he defeated in 1888, Grover
Floyd | Cleveland, was actually able to mount a successful challenge to him in
Floyd | 1892. Cleveland is thus considered to be both the 22nd and 24th
Floyd | president. I've always liked that anomaly, and without Harrison's
Floyd | particular blend of win and lame, it wouldn't have happened.
Floyd |
Floyd | Normally it's part of a diorama at a small museum downtown, but someone
Floyd | snuck in and cut one of its arms off the other day, so I took it home
Floyd | to do a little repair work. I suspect that the mystery vandal was my
Floyd | evil twin, but I haven't mentioned this to anyone.
Floyd |
Floyd | >
| Gerynar says, "ggg's comment reminds me of a woody allen quote: "I took a speed reading course. I read War & Peace in 8 hours...it's about Russia"" | ||
Jacqueline says, "haha" | |||
genericgeekgirl says (to Floyd), "x papers" | |||
Floyd | The product of an entire night's procrastination. I was supposed to be
Floyd | writing a report for work, but I wound up spending the entire night
Floyd | sitting alone in my room playing hangman instead.
Floyd |
Floyd | Well, at least it proves I was busy. If the police come looking for my
Floyd | evil twin again, I can use it as an alibi.
Floyd |
Floyd | >
| genericgeekgirl says, "Playing hangman. Alone." | ||
genericgeekgirl says (to Floyd), "x poster" | |||
Floyd | It's a signed concert poster showing two guys. I'm not sure which of
Floyd | them signed it. The signature just says "John".
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "look behind poster" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| Jacqueline says, "That is pretty sad." | ||
genericgeekgirl says (to Floyd), "x bookshelf" | |||
Floyd | The only books on it are a multi-volume set on the writings of
Floyd | Nostradamus. I'm generally more of a history guy than a future guy, but
Floyd | Nostradamus, being a historical figure who wrote about the future, is
Floyd | both, two natures in one. Anyway, his writing creeps me out. I'm not
Floyd | sure why.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "read books" | |||
Floyd | I pull one down and open it a random:
Floyd |
Floyd | Two royal brothers will wage war so fiercely
Floyd | That between them the war will be so mortal
Floyd | That both will occupy the strong places;
Floyd | Their great quarrel will fill realm and life.
Floyd |
Floyd | Somehow, that gives me an uncanny feeling. I'm not sure what it is
Floyd | about it, but I'm glad to put it back on the shelf.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "read books" | |||
Floyd | I apprehensively pull another volume down and open it at random:
Floyd |
Floyd | ...and so a great noise and bellicose tumult will they make amongst
Floyd | them that all the East will tremble in terror of these brothers, yet
Floyd | not brothers...
Floyd |
Floyd | As I reshelve it, I involuntarily shudder. What does it all mean?
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "play hangman" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| |||
djfletch says (to Floyd), "look behind poster" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| djfletch says, "oh, you did that" | ||
genericgeekgirl says (to Floyd), "fix figurine" | |||
Floyd | It doesn't need repairing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x park" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take figurine" | |||
Floyd | Taken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take poster" | |||
Floyd | Nah, I like it where it is.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | My Apartment
Floyd | This studio apartment, located conveniently near work and right across
Floyd | the street from the park, serves as my personal headquarters for my
Floyd | hobbies, such as doing volunteer restoration work for the local
Floyd | American History Museum and foiling the plots of my evil twin. My only
Floyd | real attempt at decoration is a framed poster right next to the
Floyd | bookshelf. I can leave to the north.
Floyd |
Floyd | I can see a stack of papers here.
Floyd |
Floyd | >
| genericgeekgirl asks, "North?" | ||
djfletch says, "yup" | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x building" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x park" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| genericgeekgirl asks, "Park first?" | ||
djfletch says, "ok" | |||
genericgeekgirl says (to Floyd), "enter park" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "cross street" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x children" | |||
Floyd | They seem particularly fond of the cotton candy machine.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x machine" | |||
Floyd | It's an impressive device, fully automatic, with brass fittings and a
Floyd | huge tub. The kids are gathered around as much to watch it in operation
Floyd | as to sample the results. Too bad I can't stand cotton candy.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "eat cotton candy" | |||
Floyd | (first taking the cotton candy machine)
Floyd | No thanks. Cotton candy makes me ill.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "put figurine in cotton candy" | |||
Floyd | That can't contain things.
Floyd |
Floyd | >
| genericgeekgirl says, "Darn." | ||
genericgeekgirl asks, "Photo booth, since it's hopefully a dead end?" | |||
djfletch says, "ok" | |||
Gerynar says, "just don't pick it up" | |||
Gerynar says, "the photobooth" | |||
genericgeekgirl says, "Haha" | |||
genericgeekgirl says, "Now I want to try that, just in case." | |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Photo Booth
Floyd | Photo booths like these are something of a relic in the age of the
Floyd | cell-phone camera, but they weren't so uncommon twenty years ago. Cheap
Floyd | beige polyester curtains form a neutral backdrop, and a button waits to
Floyd | be pressed.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x curtains" | |||
Floyd | I see nothing special about the curtains.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "press button" | |||
Floyd | An unseen shutter goes click, and a photograph slides from a hidden
Floyd | slot and into my hand.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x photo" | |||
Floyd | It's a photograph of me.
Floyd |
Floyd | >
| genericgeekgirl asks, "Yay?" | ||
genericgeekgirl says (to Floyd), "press button" | |||
Floyd | I don't need another photo.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take booth" | |||
Floyd | That's hardly portable.
Floyd |
Floyd | >
| genericgeekgirl asks, "East?" | ||
genericgeekgirl says (to Floyd), "e" | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | An abandoned propaganda pamphlet lies forlorn the ground.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x pamphlet" | |||
Floyd | I flip through it. It's mostly poorly-grounded arguments and appeals to
Floyd | fear, but I'm left unclear about just what it's trying to convince me
Floyd | of. Is it possible for propaganda to be simply propaganda, divorced
Floyd | from content?
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "read pamphlet" | |||
Floyd | I flip through it. It's mostly poorly-grounded arguments and appeals to
Floyd | fear, but I'm left unclear about just what it's trying to convince me
Floyd | of. Is it possible for propaganda to be simply propaganda, divorced
Floyd | from content?
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take pamphlet" | |||
Floyd | Taken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x graffiti" | |||
Floyd | Most of it is illegible, but one particularly large one painted over
Floyd | the rest says "I don't want the world, I just want your half".
Floyd |
Floyd | >
| genericgeekgirl says, "Dun dun dun." | ||
baf arrives, full of fun and funk. | |||
Ellison goes back to Squeamhurst.. | |||
genericgeekgirl says (to Floyd), "listen" | |||
Floyd | I think I can make out the strains of an accordion.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "dance" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| Jacqueline says, "omg baf" | ||
Jacqueline exclaims, "Everyone! Quick! Hide!" | |||
baf says, "hi" | |||
Jacqueline says (to baf), "Oh, hi, baf... it's you. We happen to be playing your game right now." | |||
baf says, "Cool! I was worried I'd miss the whole thing." | |||
genericgeekgirl asks, "Into the tunnel?" | |||
Jacqueline asks, "Well, you almost did, but I screwed something up that made us skip your game. I'd say we've been playing yours... 15 minutes?" | |||
djfletch says, "yeah, carry on exploring" | |||
ASchultz says, "Pretty much just started. Great to have you here." | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | >
| Jacqueline says, "Um, sure. Except unfortunately I'm also working in another window, so I am not paying as close attention as I'd like." | ||
genericgeekgirl says (to Floyd), "x cottage" | |||
Floyd | Quaint. I'd call it old-fashioned, if I didn't know it was less than a
Floyd | week old.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x sign" | |||
Floyd | Just a crude wood-burned 16x16 icon of a sword, the
Floyd | universally-recognized symbol of weapon shops everywhere.
Floyd |
Floyd | >
| genericgeekgirl says, "Haha" | ||
genericgeekgirl says (to Floyd), "x barrel" | |||
Floyd | It's the traditional small barrel of complimentary goodies to entice
Floyd | customers.
Floyd |
Floyd | In the barrel are twelve apples.
Floyd |
Floyd | >
| Jacqueline says, "And for you OIG folks out there: by 'in another window,' I mean 'on another computer' and no, I'm not planning to turn in all my time today because some of it was interspersed with fun." | ||
genericgeekgirl says (to Floyd), "x apples" | |||
Floyd | You can't use multiple objects with that verb.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x apple" | |||
Floyd | Red, shiny, and tempting.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take apple" | |||
Floyd | Taken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "SAVE" | |||
genericgeekgirl says (to Floyd), "cf5" | |||
Floyd | Enter saved game to store: Ok.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "eat apple" | |||
Floyd | I scarf it down and toss the core.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd | Outside Weapon Shop
Floyd | [Previous turn undone.]
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x dummy" | |||
Floyd | It's one of those straw dummies on a pole that people use to practice
Floyd | sword-blows on. This one is set on casters for easy movement. It looks
Floyd | pristine, as if newly-installed.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push dummy" | |||
Floyd | It rolls a litle.
Floyd |
Floyd | >
| Jacqueline says, "Oh, by the way - an important note to newcomers: until further notice, do not clear the save counter." | ||
inky says, "ha ha" | |||
genericgeekgirl asks, "Into the shop?" | |||
djfletch says, "yup, might as well" | |||
genericgeekgirl says (to Floyd), "enter shop" | |||
Floyd | The door sticks pretty badly, but I manage to push my way through it.
Floyd |
Floyd | Weapon Shop
Floyd | A muscular, red-bearded man stands behind a counter with a built-in
Floyd | display case.
Floyd |
Floyd | The shopkeeper says, "Welcome! We're having a special customer loyalty
Floyd | promotion today: bring in a weapon, any kind of weapon, and you can
Floyd | trade it for anything in the display case." Glancing at the case's
Floyd | contents, it seems like people have already been taking advantage of
Floyd | this by trading in things that are only marginally weapons.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | an apple
Floyd | a propaganda pamphlet
Floyd | a photo
Floyd | a presidential figurine
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "give apple to man" | |||
Floyd | The shopkeeper shakes his head. "That's not a weapon."
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "give figurine to man" | |||
Floyd | The shopkeeper shakes his head. "That's not a weapon."
Floyd |
Floyd | >
| |||
djfletch says (to Floyd), "x case" | |||
Floyd | In the display case are a lead pipe, a wrench, a candlestick and a
Floyd | revolver.
Floyd |
Floyd | >
| genericgeekgirl says, "> throw apple at man's head" | ||
genericgeekgirl says (to Floyd), "x pipe" | |||
Floyd | A heavy metal object. Hollow, but strong. I could crack someone's head
Floyd | open with this, if there were any reason to do so.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x wrench" | |||
Floyd | A hefty adjustable pipe wrench, suitable for both plumbing and
Floyd | bludgeoning.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x candlestick" | |||
Floyd | An elegant shape worked in pewter, this would be a fine decoration for
Floyd | any home. Or it could be used to murder someone.
Floyd |
Floyd | >
| djfletch says, "propaganda could count as a weapon" | ||
genericgeekgirl says (to Floyd), "x revolver" | |||
Floyd | It's pretty much the only thing in the shop that was actually intended
Floyd | to be a weapon.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "give propaganda to man" | |||
Floyd | The shopkeeper shakes his head. "That's not a weapon."
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "give photo to man" | |||
Floyd | "A nice likeness."
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | an apple
Floyd | a propaganda pamphlet
Floyd | a photo
Floyd | a presidential figurine
Floyd |
Floyd | >
| genericgeekgirl says, "Alas." | ||
genericgeekgirl says (to Floyd), "x man" | |||
Floyd | He has the easy demeanor of someone who's at home in his environment.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "talk to man" | |||
Floyd | He nods uncomprehendingly.
Floyd |
Floyd | >
| djfletch says, "keep exploring I suppose" | ||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| genericgeekgirl says, "Oh. Maybe we should check out the rest of the street first." | ||
genericgeekgirl says, "Like, between our building and the park." | |||
djfletch says, "yeah, do that" | |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| genericgeekgirl says, "East first, I guess." | ||
genericgeekgirl says (to Floyd), "e" | |||
Floyd |
Floyd | Neighbor's Lawn
Floyd | I'm just ouside my neighbor's house -- yes, he can afford a whole
Floyd | house, with a lawn and everything, in this neighborhood. Tire marks on
Floyd | the lawn suggest that someone's been doing donuts here. I don't have
Floyd | any real evidence that my evil twin is responsible, but it's the kind
Floyd | of thing he'd do. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | The door inside is hanging off its hinges. Someone must have broken in.
Floyd |
Floyd | A recycling bin is set out on the curbside.
Floyd |
Floyd | A lawnmower stands here alone, as if puzzled about what to do.
Floyd |
Floyd | >
| |||
Firion goes home. | |||
genericgeekgirl says (to Floyd), "x door" | |||
Floyd | The door is splintered asunder, as if someone shouldered it down.
Floyd | They'll probably blame local hoodlums, but I think I know who's really
Floyd | responsible.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x bin" | |||
Floyd | The standard blue plastic square bin with the recycling logo on the
Floyd | side.
Floyd |
Floyd | In the recycling bin are eleven empty bottles.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take bottle" | |||
Floyd | I'm not taking someone else's recycling.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x bottle" | |||
Floyd | It's a discarded green glass bottle. The label is missing, but it's
Floyd | probably for beer.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x lawnmower" | |||
Floyd | It's a shiny new top-of-the-line model.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push lawnmower" | |||
Floyd | It rolls a litle.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take lawnmower" | |||
Floyd | This is one of those bulky models that can't really be picked up. I
Floyd | could probably push it from place to place, though.
Floyd |
Floyd | >
| Gerynar says, "start it" | ||
djfletch says (to Floyd), "mow lawn" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "turn on lawnmower" | |||
Floyd | That's not something I can switch.
Floyd |
Floyd | >
| baf asks, "Gah. Why did I not handle that verb?" | ||
Gerynar says (to Floyd), "start lawnmower" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "use lawnmower" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| genericgeekgirl exclaims, "Into the house!" | ||
Tale arrives, full of fun, but no funk. | |||
genericgeekgirl says (to Floyd), "enter house" | |||
Floyd | I'm not just going to barge in without an invitation. Especially now
Floyd | that it looks like the place has been burgled. The police are sometimes
Floyd | less than understanding when appearances are against me that way, even
Floyd | when I explain to them that my evil twin is really the one to blame.
Floyd |
Floyd | >
| genericgeekgirl says, "Aw :'(" | ||
genericgeekgirl says, "North, then.." | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "undo" | |||
Floyd | Neighbor's Lawn
Floyd | [Previous turn undone.]
Floyd |
Floyd | >
| genericgeekgirl says, "Back in the other direction? Possibly with the lawnmower." | ||
djfletch asks, "yes, was there a way west along this road?" | |||
genericgeekgirl says, "Yeah" | |||
genericgeekgirl says (to Floyd), "push lawnmower w" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push lawnmower w" | |||
Floyd | That way leads to the office. If I went there, I'd wind up spending the
Floyd | rest of the day in meetings making progress reports instead of foiling
Floyd | the plans of my evil twin. So I really don't think I should go there
Floyd | today. There are more important matters afoot.
Floyd |
Floyd | >
| genericgeekgirl says, "Well, all right." | ||
Jacqueline says, "heh" | |||
Jacqueline says, "Oh, I hope our evil twin is a praying mantis." | |||
genericgeekgirl says, "Ha" | |||
baf asks, "?" | |||
Jacqueline says (to baf), "The Beloved is one of my favoritest things. Surely you recall the Beloved." | |||
Jacqueline asks, "You wrote that, right?" | |||
baf says, "Oh." | |||
baf says, "Yes." | |||
baf exclaims, "But how could one of those be your evil twin? The Great Masters are benevolent! And universally adored!" | |||
Jacqueline says, "Sure sure" | |||
Jacqueline says, "I was not left with that impression, despite the jovial congratulations I was given about acquiring my new house." | |||
genericgeekgirl says (to Floyd), "push lawnmower e" | |||
Floyd |
Floyd | Neighbor's Lawn
Floyd | I'm just ouside my neighbor's house -- yes, he can afford a whole
Floyd | house, with a lawn and everything, in this neighborhood. Tire marks on
Floyd | the lawn suggest that someone's been doing donuts here. I don't have
Floyd | any real evidence that my evil twin is responsible, but it's the kind
Floyd | of thing he'd do. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | The door inside is hanging off its hinges. Someone must have broken in.
Floyd |
Floyd | A recycling bin is set out on the curbside.
Floyd |
Floyd | >
| genericgeekgirl says, "I want to try going through the underpass from this direction." | ||
genericgeekgirl says (to Floyd), "push lawnmower n" | |||
Floyd | Floyd | Vinculum Gate Floyd | This is a transient place, a space between spaces that joins two Floyd | alternatives. That is to say, it's a tunnel, which curves from west to | djfletch says, "go go" | ||
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push lawnmower w" | |||
Floyd |
Floyd | Jekyll Park
Floyd | Dark, leafless trees claw at the graying sky here. A sinister booth
Floyd | labeled "INDOCTRINATION" lies to the west, Silent Street can be crossed
Floyd | to the south, and an entrance to a concrete tunnel lies east.
Floyd |
Floyd | A mind control device has been planted at a strategic point in the
Floyd | park's center.
Floyd |
Floyd | A crowd of brainwashed citizens mill about with dull eyes and slack
Floyd | jaws, perhaps waiting for some sort of signal to begin their rampage.
Floyd |
Floyd | >
| baf says, "Anyway, your desires are noted and I'll be sure to put a giant mantis into my next game." | ||
genericgeekgirl says (to Floyd), "x booth" | |||
Floyd | I see nothing special about the indoctrination booth.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x device" | |||
Floyd | It's a device of a sort frequently employed by my evil twin. It uses a
Floyd | unique form of electromagnetic emission to zombify the human brain.
Floyd | Naturally, he designed it so that his own brain would be immune to its
Floyd | effects -- but, as an accidental consequence, so is mine! This puts me
Floyd | in a unique position to foil his plans: I alone can get close enough to
Floyd | smash the thing without being taken over.
Floyd |
Floyd | I knew there was something like this going on. I must have felt the
Floyd | emissions from the device all the way from my apartment!
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x citizens" | |||
Floyd | I've seen this effect before. The only way to free these people from my
Floyd | evil twin's control is to destroy the source of the mind rays.
Floyd | Fortunately, that's right here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "mow device" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd | I don't want to risk going inside the booth. There's no guarantee that
Floyd | I'd be immune to whatever happens in there.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | an apple
Floyd | a propaganda pamphlet
Floyd | a photo
Floyd | a presidential figurine
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "give propaganda to citizens" | |||
Floyd | The brainwashed citizens don't seem interested.
Floyd |
Floyd | >
| Jacqueline says (to baf), "yay" | ||
genericgeekgirl says (to Floyd), "smash device" | |||
Floyd | I flail at it with my fists, but it's going to take more than that.
Floyd | Some kind of heavy blunt instrument would be ideal.
Floyd |
Floyd | >
| genericgeekgirl asks, "South?" | ||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| genericgeekgirl says, "And we're back here. Ok. So, we need to trade something for a weapon that we can smash the device with." | ||
genericgeekgirl says (to Floyd), "x camera" | |||
Floyd | As you gaze at the security camera, the security camera also gazes at
Floyd | you.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "SAVE" | |||
genericgeekgirl says (to Floyd), "cf6" | |||
Floyd | Enter saved game to store: Ok.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd | As I approach the door, the security camera lights up. A voice from a
Floyd | hidden speaker barks "VISUAL MATCH FAILED. YOU ARE NOT AUTHORIZED FOR
Floyd | ENTRY."
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "wear photograph" | |||
Floyd | I can't wear that!
Floyd |
Floyd | >
| |||
djfletch says (to Floyd), "show photo to camera" | |||
Floyd | "VISUAL MATCH FAILED."
Floyd |
Floyd | >
| djfletch says, "maybe we need to draw a goatee on it or something" | ||
genericgeekgirl says, "Hehe" | |||
djfletch asks, "could we trade the lawnmower?" | |||
djfletch says, "or maybe there's some way to hit the device with it" | |||
djfletch says, "just push it at the device maybe" | |||
genericgeekgirl says, "Sure" | |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Jekyll Park
Floyd | Dark, leafless trees claw at the graying sky here. A sinister booth
Floyd | labeled "INDOCTRINATION" lies to the west, Silent Street can be crossed
Floyd | to the south, and an entrance to a concrete tunnel lies east.
Floyd |
Floyd | A lawnmower stands here alone, as if puzzled about what to do.
Floyd |
Floyd | A mind control device has been planted at a strategic point in the
Floyd | park's center.
Floyd |
Floyd | A crowd of brainwashed citizens mill about with dull eyes and slack
Floyd | jaws, perhaps waiting for some sort of signal to begin their rampage.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push lawnmower at device" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push lawnmower onto device" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "push lawnmower to device" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
djfletch says (to Floyd), "hit device with lawnmower" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | an apple
Floyd | a propaganda pamphlet
Floyd | a photo
Floyd | a presidential figurine
Floyd |
Floyd | >
| Gerynar says, "did you try showing the figurine to the camera" | ||
genericgeekgirl says, "Oh, no." | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "show figurine to camera" | |||
Floyd | "VISUAL MATCH FAILED."
Floyd |
Floyd | >
| genericgeekgirl says, "One sec." | ||
genericgeekgirl says (to Floyd), "drop all" | |||
Floyd | apple: Dropped.
Floyd | propaganda pamphlet: Dropped.
Floyd | photo: Dropped.
Floyd | presidential figurine: Dropped.
Floyd |
Floyd | >
| genericgeekgirl says, "Checking something." | ||
genericgeekgirl says (to Floyd), "w" | |||
Floyd | My evil twin's day job is in that direction. Thus, that's not where he
Floyd | is. The man is positively allergic to work.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n.w.s." | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | I can see a voodoo doll, a photo, a discarded newspaper and an empty
Floyd | bottle here.
Floyd |
Floyd | >
| genericgeekgirl says, "Mhm." | ||
genericgeekgirl says (to Floyd), "x doll" | |||
Floyd | This is definitely my evil twin's handiwork. I've seen dolls like these
Floyd | before. They don't actually function as voodoo dolls, of course, but he
Floyd | uses them to send a message to people. The face on this one looks
Floyd | vaguely familiar. Some obscure politician, perhaps?
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x photo" | |||
Floyd | It's a photograph of my evil twin. I've never actually met him face to
Floyd | face, but I know it's a picture of him because he looks exactly like
Floyd | me.
Floyd |
Floyd | >
| genericgeekgirl says, "There we go." | ||
genericgeekgirl says, "I wonder if we can take those papers from our apartment, and what they turn into." | |||
genericgeekgirl says (to Floyd), "x newspaper" | |||
Floyd | I scan the headlines. It seems there's been a wave of vandalism and
Floyd | petty theft. Gee, I wonder who's responsible?
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take all" | |||
Floyd | voodoo doll: Taken.
Floyd | photo: Taken.
Floyd | discarded newspaper: Taken.
Floyd | empty bottle: Taken.
Floyd |
Floyd | >
| baf says, "Congratulations." | ||
Jacqueline says, "If the voodoo doll works, I hope it works on him and not us." | |||
Jacqueline says, "maybe s/him/her" | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| genericgeekgirl says, "Grabbing the papers" | ||
genericgeekgirl says (to Floyd), "in" | |||
Floyd | I unlock the door and go back inside.
Floyd |
Floyd | My Apartment
Floyd | This studio apartment, located conveniently near work and right across
Floyd | the street from the park, serves as my personal headquarters for my
Floyd | hobbies, such as doing volunteer restoration work for the local
Floyd | American History Museum and foiling the plots of my evil twin. My only
Floyd | real attempt at decoration is a framed poster right next to the
Floyd | bookshelf. I can leave to the north.
Floyd |
Floyd | I can see a stack of papers here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take papers" | |||
Floyd | Taken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| DavidW says, "My guess: Want to find an evil twin? Look in a mirror." | ||
genericgeekgirl says (to Floyd), "drop papers" | |||
Floyd | Dropped.
Floyd |
Floyd | >
| genericgeekgirl says, "One moment." | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n.w.s.e" | |||
Floyd | The funfair is for the enjoyment of the kiddies. I don't see anything
Floyd | in that direction that interests me.
Floyd |
Floyd | Photo Booth
Floyd | Photo booths like these are something of a relic in the age of the
Floyd | cell-phone camera, but they weren't so uncommon twenty years ago. Cheap
Floyd | beige polyester curtains form a neutral backdrop, and a button waits to
Floyd | be pressed.
Floyd |
Floyd | I can't go that way.
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Photo Booth
Floyd | Photo booths like these are something of a relic in the age of the
Floyd | cell-phone camera, but they weren't so uncommon twenty years ago. Cheap
Floyd | beige polyester curtains form a neutral backdrop, and a button waits to
Floyd | be pressed.
Floyd |
Floyd | >
| genericgeekgirl says, "And I'm lost. Heh." | ||
genericgeekgirl says (to Floyd), "w" | |||
Floyd | I can't go that way.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "e" | |||
Afterward goes home. | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | I can see a noose here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x noose" | |||
Floyd | No doubt left by my evil twin as a kind of warning.
Floyd |
Floyd | >
| genericgeekgirl exclaims, "A ha!" | ||
genericgeekgirl says (to Floyd), "take noose" | |||
Floyd | Taken.
Floyd |
Floyd | >
| genericgeekgirl asks, "Gonna go try trading this in. What weapon do y'all want?" | ||
genericgeekgirl says, "Something blunt, I guess." | |||
genericgeekgirl says (to Floyd), "wear noose" | |||
Floyd | I can't wear that!
Floyd |
Floyd | >
| djfletch says, "hmm" | ||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Jekyll Park
Floyd | Dark, leafless trees claw at the graying sky here. A sinister booth
Floyd | labeled "INDOCTRINATION" lies to the west, Silent Street can be crossed
Floyd | to the south, and an entrance to a concrete tunnel lies east.
Floyd |
Floyd | A lawnmower stands here alone, as if puzzled about what to do.
Floyd |
Floyd | A mind control device has been planted at a strategic point in the
Floyd | park's center.
Floyd |
Floyd | A crowd of brainwashed citizens mill about with dull eyes and slack
Floyd | jaws, perhaps waiting for some sort of signal to begin their rampage.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Neighbor's Lawn
Floyd | I'm just ouside my neighbor's house -- yes, he can afford a whole
Floyd | house, with a lawn and everything, in this neighborhood. Tire marks on
Floyd | the lawn suggest that someone's been doing donuts here. I don't have
Floyd | any real evidence that my evil twin is responsible, but it's the kind
Floyd | of thing he'd do. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | The door inside is hanging off its hinges. Someone must have broken in.
Floyd |
Floyd | A recycling bin is set out on the curbside.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Neighbor's Lawn
Floyd | I'm just ouside my neighbor's house -- yes, he can afford a whole
Floyd | house, with a lawn and everything, in this neighborhood. Tire marks on
Floyd | the lawn suggest that someone's been doing donuts here. I don't have
Floyd | any real evidence that my evil twin is responsible, but it's the kind
Floyd | of thing he'd do. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | The door inside is hanging off its hinges. Someone must have broken in.
Floyd |
Floyd | A recycling bin is set out on the curbside.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | The center of attention here is a shiny new cotton candy machine.
Floyd |
Floyd | A gaggle of children are running around, laughing and playing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "e" | |||
Floyd |
Floyd | Vinculum Gate
Floyd | This is a transient place, a space between spaces that joins two
Floyd | alternatives. That is to say, it's a tunnel, which curves from west to
Floyd | south. The damp concrete walls are covered with graffiti, and loud but
Floyd | muffled dance music fills the air, presumably from something on the
Floyd | other side of the tunnel wall.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "in" | |||
Floyd |
Floyd | Weapon Shop
Floyd | A muscular, red-bearded man stands behind a counter with a built-in
Floyd | display case.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x case" | |||
Floyd | In the display case are a lead pipe, a wrench, a candlestick and a
Floyd | revolver.
Floyd |
Floyd | >
| DavidW says, "huh. It's like Clue." | ||
genericgeekgirl says, "Yeah" | |||
djfletch says, "a wrench seems good for taking apart a device" | |||
DavidW asks, "Even an underpass?" | |||
djfletch says, "although if we're just going to hit it, it might not matter" | |||
genericgeekgirl says, "And for beating it into submission." | |||
genericgeekgirl says (to Floyd), "give noose to man" | |||
Floyd | "The punjab lasso!" The shopkeeper snatches the revolver out of the
Floyd | display case and holds it at the level of his eyes fearfully. "I don't
Floyd | know how to use that myself, but I know how to defend myself against
Floyd | it. It's good for a trade, sure."
Floyd |
Floyd | He waits for me to initiate a trade.
Floyd |
Floyd | [To trade with the shopkeeper, type "TRADE X FOR Y".]
Floyd |
Floyd | >
| genericgeekgirl asks, "So, wrench?" | ||
djfletch says, "might as well try it" | |||
genericgeekgirl says (to Floyd), "trade noose for wrench" | |||
Floyd | The shopkeeper tightens his grip on the revolver as if expecting an
Floyd | ambush.
Floyd |
Floyd | I hand over the noose and the shopkeeper puts it in the display case.
Floyd | He gives me the wrench in exchange.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Outside Weapon Shop
Floyd | I'm just outside a rustic half-timbered cottage with a wooden sign
Floyd | displaying a sword out front. It must be new; I don't recall seeing it
Floyd | around before. The street continues east and west from here, but
Floyd | there's some kind of construction going on to the east, making that way
Floyd | impassible. There's a pedestrian underpass to the north.
Floyd |
Floyd | Beside the shop is the traditional shop-side barrel.
Floyd |
Floyd | >
| genericgeekgirl exclaims, "Let's go cause some damage!" | ||
genericgeekgirl says (to Floyd), "w" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Jekyll Park
Floyd | Dark, leafless trees claw at the graying sky here. A sinister booth
Floyd | labeled "INDOCTRINATION" lies to the west, Silent Street can be crossed
Floyd | to the south, and an entrance to a concrete tunnel lies east.
Floyd |
Floyd | A lawnmower stands here alone, as if puzzled about what to do.
Floyd |
Floyd | A mind control device has been planted at a strategic point in the
Floyd | park's center.
Floyd |
Floyd | A crowd of brainwashed citizens mill about with dull eyes and slack
Floyd | jaws, perhaps waiting for some sort of signal to begin their rampage.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "hit device with wrench" | |||
Floyd | I triumphantly smash the machine to pieces with the wrench. The people,
Floyd | freed from its influence, confusedly wander away. That's one of my evil
Floyd | twin's plans foiled, but I can't help but feel there's a further
Floyd | mystery afoot. Maybe I should finally try that espionage mission to his
Floyd | inner sanctum that I've been meaning to do.
Floyd |
Floyd | Now that the crowds are gone, I notice a knife stuck in a tree, where
Floyd | it's been used to carve a message.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x knife" | |||
Floyd | I'm not sure if it's technically a bowie knife. I've never really been
Floyd | all that interested in such things, and don't know the exact
Floyd | definition. But it's impressive, with notches and grooves and things,
Floyd | and a blade that looks like it's almost a foot long.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take knife" | |||
Floyd | Taken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "read message" | |||
Floyd | The branches of the trees twist into menacing shapes. Carved into one
Floyd | tree is the message "YOU'RE NEXT". What a maddeningly non-specific
Floyd | message. Next for what? Is the message it even meant for me?
Floyd |
Floyd | >
| genericgeekgirl asks, "Shall we go try the photo on the camera?" | ||
djfletch asks, "did it change into an evil photo?" | |||
genericgeekgirl says (to Floyd), "x photo" | |||
Floyd | It's a photograph of my evil twin. I've never actually met him face to
Floyd | face, but I know it's a picture of him because he looks exactly like
Floyd | me.
Floyd |
Floyd | >
| genericgeekgirl says, "Yup" | ||
djfletch says, "cool" | |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "show photo to camera" | |||
Floyd | The camera eagerly locks onto the image of my evil twin, and the hidden
Floyd | speaker says "VISUAL MATCH SUCCEEDED. WELCOME HOME, MASTER!" A buzz and
Floyd | a click from the door handle indicates that the door is unlocked, so I
Floyd | let myself inside.
Floyd |
Floyd | My Evil Twin's Lair
Floyd | A feeling of pure malevolance seethes from the very walls here, but
Floyd | other than that, it's a fairly ordinary studio apartment. His only real
Floyd | attempt at decoration is a framed poster right next to a
Floyd | suspicious-looking bookshelf.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x poster" | |||
Floyd | It shows Harvey Dent from Batman, looking particularly malevolent. I
Floyd | think my evil twin sees him as a kind of role model.
Floyd |
Floyd | I may not agree with him on that point, but I have to admit that Dent
Floyd | is one of the better characters in Batman's rogues gallery. Batman
Floyd | really fights two distinct sets of criminals: you have the caricatured
Floyd | but relatively mundane gangsters and thugs, and you have the flamboyant
Floyd | costume-wearing theme villains. The brilliant thing about Dent is that
Floyd | he can work in either role, depending on what aspects of the character
Floyd | the writer chooses to emphasize. It's like he has a foot in two
Floyd | different worlds.
Floyd |
Floyd | >
| genericgeekgirl says, "Heh" | ||
genericgeekgirl says (to Floyd), "x bookshelf" | |||
Floyd | It's filled with fake-looking books with titleless spines.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take books" | |||
Floyd | Just as I thought: it's just a bunch of fake spines.
Floyd |
Floyd | Close examination reveals a numeric keypad hidden behind the fake
Floyd | books. I shift them around to expose it for easier access.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x keypad" | |||
Floyd | Just ten numbers and an enter key underneath a glowing seven-digit
Floyd | display. I can use it to type numbers.
Floyd |
Floyd | >
| genericgeekgirl says, "Hm." | ||
DavidW says, "type 5318008" | |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | a bowie knife
Floyd | a wrench
Floyd | an empty bottle
Floyd | a discarded newspaper
Floyd | a photo
Floyd | a voodoo doll
Floyd |
Floyd | >
| genericgeekgirl asks, "Why?" | ||
DavidW says, "BOOBIES" | |||
genericgeekgirl says, "Heh" | |||
olethros says, "iZ" | |||
olethros has ordered three mega-generators to be installed in his boathouse. | |||
DavidW says (to Floyd), "type 5318008" | |||
Floyd | I type "5318008" on the keypad and hit the enter key. It's rejected
Floyd | with a little electronic blurp.
Floyd |
Floyd | >
| DavidW says, "oh well" | ||
djfletch says, "it's hard to turn a safe upside down" | |||
djfletch says, "the president had some numbers - he was the 22nd and 24th or something" | |||
djfletch says, "not very much like a combination though" | |||
genericgeekgirl says (to Floyd), "type 03241992" | |||
Floyd | I type "03241992" on the keypad, although only the last seven digits
Floyd | fit on the display, and then hit the enter key. It's rejected with a
Floyd | little electronic blurp.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "type 3241992" | |||
Floyd | I type "3241992" on the keypad and hit the enter key. It's rejected
Floyd | with a little electronic blurp.
Floyd |
Floyd | >
| DavidW says, "Random numbers aren't likely to work." | ||
genericgeekgirl says, "(Release date of Apollo 18)" | |||
djfletch says (to Floyd), "x newspaper" | |||
Floyd | I scan the headlines. It seems there's been a wave of vandalism and
Floyd | petty theft. Gee, I wonder who's responsible?
Floyd |
Floyd | >
| genericgeekgirl says, "I used the date in my own games." | ||
genericgeekgirl says, "(That's not a spoiler)" | |||
genericgeekgirl says (to Floyd), "type 2431992" | |||
Floyd | I type "2431992" on the keypad and hit the enter key. It's rejected
Floyd | with a little electronic blurp.
Floyd |
Floyd | >
| genericgeekgirl says, "Ok." | ||
djfletch says, "we can go back and see if the knife turns into something else" | |||
genericgeekgirl says, "Yeah." | |||
genericgeekgirl says (to Floyd), "x knife" | |||
Floyd | I'm not sure if it's technically a bowie knife. I've never really been
Floyd | all that interested in such things, and don't know the exact
Floyd | definition. But it's impressive, with notches and grooves and things,
Floyd | and a blade that looks like it's almost a foot long.
Floyd |
Floyd | >
| djfletch says, "or get a different weapon, but I don't know why" | ||
genericgeekgirl says (to Floyd), "drop knife" | |||
Floyd | Dropped.
Floyd |
Floyd | >
| genericgeekgirl says, "Going back to our apartment." | ||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | There's a flash of light, and I find myself elsewhere...
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| genericgeekgirl says, "So yeah. That works, btw. Because I'm feeling lazy." | ||
genericgeekgirl says (to Floyd), "in" | |||
Floyd | I unlock the door and go back inside.
Floyd |
Floyd | My Apartment
Floyd | This studio apartment, located conveniently near work and right across
Floyd | the street from the park, serves as my personal headquarters for my
Floyd | hobbies, such as doing volunteer restoration work for the local
Floyd | American History Museum and foiling the plots of my evil twin. My only
Floyd | real attempt at decoration is a framed poster right next to the
Floyd | bookshelf. I can leave to the north.
Floyd |
Floyd | I can see a pocket knife here.
Floyd |
Floyd | >
| djfletch says, "nice" | ||
genericgeekgirl says (to Floyd), "x knife" | |||
Floyd | It's a litle folding penknife with a red handle. Kind of like one of
Floyd | those Swiss Army knives, but with only one blade.
Floyd |
Floyd | >
| Gerynar asks, "it works only because you're feeling lazy?" | ||
genericgeekgirl says, "It looks like I'm pulling it out of nowhere, since I didn't try it earlier. But I was futzing in Gargoyle earlier and found it." | |||
genericgeekgirl says (to Floyd), "x bookshelf" | |||
Floyd | The only books on it are a multi-volume set on the writings of
Floyd | Nostradamus. I'm generally more of a history guy than a future guy, but
Floyd | Nostradamus, being a historical figure who wrote about the future, is
Floyd | both, two natures in one. Anyway, his writing creeps me out. I'm not
Floyd | sure why.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take books" | |||
Floyd | Once more, I dare to peek inside the books or prophecy:
Floyd |
Floyd | In the year when Apollo comes of age, twins shall arise
Floyd | Friendly to each other only in times of storm.
Floyd | One shall always want to start
Floyd | When the other wants to begin.
Floyd |
Floyd | I'm pretty much freaking out now and I can't articulate why. No way am
Floyd | I opening those books again today.
Floyd |
Floyd | >
| genericgeekgirl says, "Hm. Not sure that helped at all." | ||
djfletch says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | a wrench
Floyd | an empty bottle
Floyd | a discarded newspaper
Floyd | a photo
Floyd | a voodoo doll
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "stab doll" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "cut doll" | |||
Floyd | Cutting that up would achieve little.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | My Apartment
Floyd | This studio apartment, located conveniently near work and right across
Floyd | the street from the park, serves as my personal headquarters for my
Floyd | hobbies, such as doing volunteer restoration work for the local
Floyd | American History Museum and foiling the plots of my evil twin. My only
Floyd | real attempt at decoration is a framed poster right next to the
Floyd | bookshelf. I can leave to the north.
Floyd |
Floyd | I can see a pocket knife here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x pocket knife" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x knife" | |||
Floyd | It's a litle folding penknife with a red handle. Kind of like one of
Floyd | those Swiss Army knives, but with only one blade.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "open knife" | |||
Floyd | That's not something I can open.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "take knife" | |||
Floyd | Taken.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "cut doll" | |||
Floyd | On a hunch, I slice one of the arms off. (Ouch!) There's a slip of
Floyd | paper stuffed inside, which I take.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "read paper" | |||
Floyd | It looks like a fortune-cookie message, but all it says "You will spend
Floyd | the entire day".
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "drop paper" | |||
Floyd | Dropped.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | Nothing happens here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | There's a flash of light, and I find myself elsewhere...
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "in" | |||
Floyd | I wave my photograph at the camera and it buzzes me through.
Floyd |
Floyd | My Evil Twin's Lair
Floyd | A feeling of pure malevolance seethes from the very walls here, but
Floyd | other than that, it's a fairly ordinary studio apartment. His only real
Floyd | attempt at decoration is a framed poster right next to a
Floyd | suspicious-looking bookshelf.
Floyd |
Floyd | I can see a slip of paper here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x paper" | |||
Floyd | It has the number "6962" written on it. Mysterious!
Floyd |
Floyd | >
| genericgeekgirl exclaims, "Tada!" | ||
genericgeekgirl says (to Floyd), "type 6962" | |||
Floyd | I type "6962" on the keypad and hit the enter key. It's rejected with a
Floyd | little electronic blurp.
Floyd |
Floyd | >
| DavidW says, "7 digits are wanted." | ||
genericgeekgirl says (to Floyd), "type 2696" | |||
Floyd | I type "2696" on the keypad and hit the enter key. It's rejected with a
Floyd | little electronic blurp.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "type 006962" | |||
Floyd | I type "006962" on the keypad and hit the enter key. It's rejected with
Floyd | a little electronic blurp.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "type 020696" | |||
Floyd | I type "020696" on the keypad and hit the enter key. It's rejected with
Floyd | a little electronic blurp.
Floyd |
Floyd | >
| genericgeekgirl says, "Sorry, I can't count." | ||
maga says, "try 6962696" | |||
genericgeekgirl says (to Floyd), "type 6962696" | |||
Floyd | I type "6962696" on the keypad and hit the enter key. It's rejected
Floyd | with a little electronic blurp.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "type 0006962" | |||
Floyd | I type "0006962" on the keypad and hit the enter key. It's rejected
Floyd | with a little electronic blurp.
Floyd |
Floyd | >
| maga asks, "those are little Gemini signs, no?" | ||
DavidW says, "I think you need three digits from elsewhere." | |||
DavidW says, "69 looks like pisces, not gemini." | |||
maga says, "oop, no, Cancer" | |||
DavidW asks, "oh, is pisces the one that looks like )-( ?" | |||
maga says, "baf should have made this My Evil Teratoma, then that would have been awesome" | |||
DavidW says, "(can't believe I've forgotten the zodiac signs)" | |||
maga says, "not that a teratoma is really a cancer, but it's in the same general category of ick" | |||
genericgeekgirl says (to Floyd), "x newspaper" | |||
Floyd | I scan the headlines. It seems there's been a wave of vandalism and
Floyd | petty theft. Gee, I wonder who's responsible?
Floyd |
Floyd | >
| DavidW asks, "Any way, what was written on the other tree?" | ||
genericgeekgirl says (to Floyd), "x date" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "out" | |||
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "n" | |||
Floyd |
Floyd | Jekyll Park
Floyd | Dark, leafless trees claw at the graying sky here. A sinister booth
Floyd | labeled "INDOCTRINATION" lies to the west, Silent Street can be crossed
Floyd | to the south, and an entrance to a concrete tunnel lies east.
Floyd |
Floyd | A lawnmower stands here alone, as if puzzled about what to do.
Floyd |
Floyd | A heap of junk that used to be a mind control device lies vanquished in
Floyd | the dirt.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x tree" | |||
Floyd | The branches of the trees twist into menacing shapes. Carved into one
Floyd | tree is the message "YOU'RE NEXT".
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | There's a flash of light, and I find myself elsewhere...
Floyd |
Floyd | Hyde Park
Floyd | This is normally just a pleasant enough place to go for a walk, but
Floyd | today there's a special event in progress: some sort of fun fair held
Floyd | as a fundraiser for the elementary school. Hill Street lies to the
Floyd | south, to the east is an entrance to a concrete tunnel, and a photo
Floyd | booth stands to the west.
Floyd |
Floyd | A training dummy stands here.
Floyd |
Floyd | Someone has trashed the cotton candy machine! The children seem to have
Floyd | fled when this happened.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x tree" | |||
Floyd | Overhead, the rustling leaves provide pleasant shade. On a hunch, I
Floyd | scan all the trees in the vicinity. Sure enough, there's one with a
Floyd | carved message: the number "387". Enigmatic.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd |
Floyd | Outside My Apartment
Floyd | I'm out on Hill Street just outside my apartment building. It's a
Floyd | beautiful sunny day in a quiet residential neighborhood. The street
Floyd | continues east and west, and just across it is the park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | There's a flash of light, and I find myself elsewhere...
Floyd |
Floyd | Outside My Evil Twin's Lair
Floyd | My evil twin's dark fortress casts its shadow over Silent Street, which
Floyd | continues east and west. A security camera mounted above the massive
Floyd | iron-banded door tracks my every move. Across the street to the north
Floyd | is the... other park.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "s" | |||
Floyd | I wave my photograph at the camera and it buzzes me through.
Floyd |
Floyd | My Evil Twin's Lair
Floyd | A feeling of pure malevolance seethes from the very walls here, but
Floyd | other than that, it's a fairly ordinary studio apartment. His only real
Floyd | attempt at decoration is a framed poster right next to a
Floyd | suspicious-looking bookshelf.
Floyd |
Floyd | I can see a slip of paper here.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "x paper" | |||
Floyd | It has the number "6962" written on it.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "press 3876962" | |||
Floyd | I can't see any such thing.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "type 3876962" | |||
Floyd | I type "3876962" on the keypad and hit the enter key. It emits a
Floyd | congratulatory bleep, and the bookshelf pivots to reveal a dark
Floyd | staircase leading down.
Floyd |
Floyd | >
| DavidW says, "woot" | ||
genericgeekgirl says (to Floyd), "down" | |||
Floyd | At last, I penetrate the darkness of my evil twin's inner sanctum. I Floyd | wonder if I'll finally meet him here? | maga says, "oooooo" | ||
Floyd |
Floyd | Something is wrong. I hear a siren, then black out. When I wake up, I'm
Floyd | in a jail.
Floyd |
Floyd | Jail (in the cell)
Floyd | Iron bars separate me from freedom. Clearly, this is a case of mistaken
Floyd | identity. The police should be thanking me, not confining me!
Floyd |
Floyd | I can see a policeman here.
Floyd |
Floyd | The policeman says "I hope you rot in there. What did you think you
Floyd | were doing, spoiling things for a bunch of kids like that?" He then
Floyd | turns away and sits at a desk with his back to me.
Floyd |
Floyd | >
| genericgeekgirl exclaims, "Oh no!" | ||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | Nothing happens here.
Floyd |
Floyd | The policeman grumbles to himself.
Floyd |
Floyd | >
| genericgeekgirl pouts. | ||
genericgeekgirl says (to Floyd), "x policeman" | |||
Floyd | He looks thoroughly unsympathetic. On his belt is a conspicuous key
Floyd | ring.
Floyd |
Floyd |
Floyd | >
| maga says, "what if im the bad guy" | ||
genericgeekgirl says (to Floyd), "x key" | |||
Floyd | It jangles tantalizingly out of reach.
Floyd |
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "i" | |||
Floyd | I am carrying:
Floyd | a pocket knife
Floyd | a wrench
Floyd | an empty bottle
Floyd | a discarded newspaper
Floyd | a photo
Floyd | a damaged voodoo doll
Floyd |
Floyd | There's a knock at the door. The policeman gets up to answer it.
Floyd |
Floyd | >
| maga says, "worst strip-search ever" | ||
djfletch says, "ha" | |||
genericgeekgirl says, "Haha" | |||
genericgeekgirl says (to Floyd), "l" | |||
Floyd | Jail (in the cell)
Floyd | Iron bars separate me from freedom. Clearly, this is a case of mistaken
Floyd | identity. The police should be thanking me, not confining me!
Floyd |
Floyd | I can see a policeman here.
Floyd |
Floyd | The policeman is talking with a mysterious figure at the door.
Floyd |
Floyd | >
| |||
DavidW says (to Floyd), "x figure" | |||
Floyd | His face his hidden by his broad-brimmed hat and the turned-up collar
Floyd | of his tranchcoat, but I think I recognize his voice. Could it be...?
Floyd |
Floyd | The policeman and the mysterious figure seem to be arguing. The latter
Floyd | turns to look at me, but I can't make out his face in the shadows under
Floyd | his broad-brimmed hat.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "yell" | |||
Floyd | That's not a verb I recognise.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "talk to figure" | |||
Floyd | I start to speak, and the figure focuses his attention on me, his face
Floyd | still in shadow. My blood runs cold at the thought that he's seen my
Floyd | face but I still haven't seen his, and I find my words choked off.
Floyd |
Floyd | The policeman's face falls and his manner turns apologetic.
Floyd |
Floyd | >
| |||
genericgeekgirl says (to Floyd), "talk to policeman" | |||
Floyd | He contemptuously disregards anything I say.
Floyd |
Floyd | Finally, the policeman turns back to me. "I'm letting you out. It seems
Floyd | this is a case of mistaken identity. Your brother just told me all
Floyd | about it."
Floyd |
Floyd |
Floyd |
Floyd |
Floyd |
Floyd | Confused? You probably don't really understand how things are between
Floyd | me and my twin.
Floyd |
Floyd | The thing you have to understand is that we're brothers. Even if we've
Floyd | never been seen in the same room, even if I don't actually know his
Floyd | name, we're really very close. In a way, we complement each other. He
Floyd | does the things that I'd never do, like crimes and atrocities. I thwart
Floyd | him when he goes too far. Well, sometimes. The point is that we need
Floyd | each other. We're bound into a cycle of eternal warfare, and innocents
Floyd | are caught in the crossfire. And I wouldn't have it any other way.
Floyd |
Floyd |
Floyd |
Floyd | *** The End ***
Floyd |
Floyd |
Floyd |
Floyd |
Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last
Floyd | command?
Floyd | >
| genericgeekgirl exclaims, "Yay!" | ||
djfletch says, "hurrah" | |||
genericgeekgirl exclaims (at Baf), "Awesome!" | |||
Jacqueline says, "That's... deep." | |||
baf exclaims, "Thanks!" | |||
DavidW asks, "If you don't go down at the evil bookcase, is there something down in our apartment?" | |||
baf says, "Nah. The bookcase is angled away from the wall, but that's it." | |||
DavidW says, "ah" | |||
Jacqueline says, "So, I have a special request, since I may be unable to attend next couple of weeks due to a business trip. If people are willing, could you play mine? It should be fairly quick (I think)." | |||
Jacqueline says, "Also, if I am not here next week, whoever is: let's hold off on playing Everything Is Catching Fire until Xenographer is here." | |||
genericgeekgirl says, "Ok." | |||
Jacqueline says, "Otherwise, everything is uploaded and ready to go, so all we'll need is someone to log." | |||
Jacqueline asks (of ggg), "Okay we won't play her game, or okay we can play Jacq's game?" | |||
genericgeekgirl says, "Both :)" | |||
Jacqueline asks, "Heh. Yay. Anyone else up for one more?" | |||
Jacqueline says, "It's one of the one turn games." | |||
Jacqueline says, "(Akin to Aisle.)" | |||
DavidW says, "I've scarcely played at all this session." | |||
djfletch says, "yes, I'll stay a bit longer" | |||
Jacqueline says (to Floyd), "q" | |||
Floyd | Please give one of the answers above.
Floyd | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last
Floyd | command?
Floyd | >
| |||
Jacqueline says (to Floyd), "quit" | |||
Floyd | | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | |||
Jacqueline says (to Floyd), "load a18ihearthewindblow" | |||
Floyd | Welcome to the Cheap Glk Implementation, library version 0.9.0. Floyd | Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | | Jacqueline says, "wait" | ||
Jacqueline says, "Let's use sleepmask" | |||
Jacqueline says, "I am still not trained yet." | |||
Jacqueline says (to Floyd), "q" | |||
Floyd | >Are you sure you want to quit? | |||
Jacqueline says (to Floyd), "y" | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | |||
Jacqueline says (to Floyd), "load sleepmask a18ihearthewindblow" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "about" | |||
Floyd | > Floyd | > ABOUT Floyd | Just to warn you, this is a bit of text dump. Press any key once Floyd | you've prepared yourself... Floyd | | Gerynar says, "ohh ohh .... I know what to do" | ||
genericgeekgirl asks, "Heh. Ready?" | |||
Gerynar sits on his hands and keeps quiet | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Fingertips: I Hear the Wind Blow is part of Apollo 18+20: Floyd | The IF Tribute Album. That means that it is one work in a Floyd | collection of interactive fiction pieces created to commemorate the Floyd | twentieth anniversary of the They Might Be Giants album Apollo Floyd | 18, an effort coordinated by Kevin Jackson-Mead. Floyd | Floyd | The phrase "I hear the wind blow" comes from a song called Floyd | Fingertips, and is but one line of many in the song. It Floyd | should be noted that while I *have* actually taken the time to suffer Floyd | through (oops! I meant 'listen to') Fingertips, the song Floyd | itself really didn't play into the inspiration for this work. My Floyd | apologies to all you rabid TMBG fans out there. The phrase "I hear the Floyd | wind blow" is all I used for the writing prompt, and this work would Floyd | not have been crafted any differently had I never heard the song Floyd | Fingertips. Floyd | Floyd | So, if you like TMBG, I hope you won't hold all this against me. And Floyd | if you're not all that into TMBG, please know that that is fine (with Floyd | me, anyway). In either case, I hope you enjoy this short piece of Floyd | interactive fiction. Floyd | Floyd | (And if you're wondering how such a non-TMBG fan ended up participating Floyd | in this endeavor, be sure to read the CREDITS.) Floyd | Floyd | > | djfletch says, "go" | ||
Jacqueline says (to Gerynar), "Hush" | |||
DavidW says (to Floyd), "listen" | |||
Floyd | > Floyd | > LISTEN Floyd | The wind wails a distant, indignant lament. I listen to it for a time, Floyd | lulled by its song, my thoughts wandering, until my thoughts become Floyd | befuddled and I drift off into unconsciousness. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | | |||
Jacqueline pushes the green 'space' button. | |||
Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > Floyd ] Darkness 1 Floyd | > Floyd | > Floyd | I beg your pardon? Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "x me" | Jacqueline says, "Oops, sorry." | ||
Floyd | > Floyd | > X ME Floyd | I run my hands along my sides, and sense that I'm in my favorite Sunday Floyd | dress. I know it by the feel of the pockets. For some reason, I find Floyd | this comforting. Floyd | Floyd | The feeling of comfort turns to confusion, however... and then to a Floyd | loss of consciousness. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "taste air" | |||
Floyd | > Floyd | > TASTE AIR Floyd | It tastes... stale, somehow. Like old books, though of course I've Floyd | never tried to taste anything of the sort. The thought seems random, Floyd | yet tied to the scent, altogether ridiculous, and in another way, Floyd | poetic. It's difficult to judge what makes sense, and after a while, I Floyd | cease to try. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "touch wind" | |||
Floyd | > Floyd | > TOUCH WIND Floyd | I cannot see or feel the wind, only hear it. Strange, as if it's close Floyd | but far away. Things make little sense... Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "look in pockets" | |||
Floyd | > Floyd | > LOOK IN POCKETS Floyd | I place my hands in my pockets... and each hand finds an object: in my Floyd | left hand, a locket. In my right, a whistle. I close my fingers Floyd | around them both, a mix of thoughts in my head as I slowly lose Floyd | consciousness. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "open locket" | |||
Floyd | > Floyd | > OPEN LOCKET Floyd | That's not something I can open. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW says (to Floyd), "push space" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | Jacqueline makes a note. | ||
DavidW says (to Floyd), "x locket" | |||
Floyd | > Floyd | > X LOCKET Floyd | I close my hand around the locket, knowing now for certain that it was Floyd | John who placed me here. I remember the day I gave him this locket, Floyd | what it meant to me then, and what it must mean now: his assurance to Floyd | me that he understood and accepted my decision was a lie. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "love" | |||
Floyd | > Floyd | > LOVE Floyd | No. Now there is room for nothing in my heart. Not even hate. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
maga pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | Jacqueline says (to ggg), "Heh - I didn't think anyone would try that." | ||
maga says (to Floyd), "rainy soul miasma" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > RAINY SOUL MIASMA Floyd | That's not a verb I recognize. Floyd | Floyd | > | Jacqueline says (to maga), "snrk" | ||
DavidW says (to maga), "ha" | |||
DavidW says (to Floyd), "x whistle" | |||
Floyd | > Floyd | > X WHISTLE Floyd | A whistle? He left me a whistle? Perhaps it's better not to question Floyd | the motives of a madman. Perhaps a part of him was too moral or sane Floyd | or... or perhaps too in love to leave me here with absolutely no means Floyd | of escape. Love, though, can be another word for obsession. Or Floyd | control. It really shouldn't have ended this way. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | baf says, "Try swallowing the whistle." | ||
Jacqueline says, "tweeeee" | |||
Jacqueline says, "Sadly, I didn't implement that." | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "blow whistle" | |||
Floyd | > Floyd | > BLOW WHISTLE Floyd | I draw the whistle from my pocket, and place it to my lips, but manage Floyd | little more than a feeble, airy sound. It... must be broken. Damn him Floyd | and his cruelty. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | djfletch says, "you were supposed to get in the skip first" | ||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "wake up" | |||
Floyd | > Floyd | > WAKE UP Floyd | I attempt to wake up, and realize that I either cannot, or that I was Floyd | already awake at the start... Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | genericgeekgirl says, "Haha" | ||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "xyzzy" | |||
Floyd | > Floyd | > XYZZY Floyd | I mutter nonsense words to myself, their understanding and my desired Floyd | outcome known only to me. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | | |||
DavidW pushes the green 'space' button. | |||
Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > Floyd ] Darkness 1 Floyd | > Floyd | > Floyd | I beg your pardon? Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "cry" | |||
Floyd | > Floyd | > CRY Floyd | I give in to the desire to cry: first a whimper, then tears, then a Floyd | sob, then choking. I gasp for air... Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | DavidW says, "sorry, you go ahead" | ||
genericgeekgirl says, "Done." | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "break locket" | |||
Floyd | > Floyd | > BREAK LOCKET Floyd | I take the locket in my hands and try to crush it in my grasp, but of Floyd | course the small silver locket resists. Nevertheless, I crush and Floyd | crush, my hands trembling, until the tears start to flow and I cry Floyd | until there is nothing left to give. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "wear locket" | |||
Floyd | > Floyd | > WEAR LOCKET Floyd | (first taking the locket) Floyd | I close my hand around the locket, knowing now for certain that it was Floyd | John who placed me here. I remember the day I gave him this locket, Floyd | what it meant to me then, and what it must mean now: his assurance to Floyd | me that he understood and accepted my decision was a lie. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | Jacqueline makes another note. | ||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "sing" | |||
Floyd | > Floyd | > SING Floyd | I've never been one to serenade, but I recall the time not so long ago Floyd | when my heart sang. Now I lie here alone, betrayed. I'm trying not to Floyd | think of it... and then I find that in time it becomes easier to think Floyd | of nothing at all... Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
genericgeekgirl says (to Floyd), "press space" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "dance" | |||
Floyd | > Floyd | > DANCE Floyd | I have no heart for dancing, not anymore. I used to fill my nights Floyd | with it, in his embrace, and the world seemed perfect. How wrong I was. Floyd | Visualizing it now, thinking of how happy we once were... the memories Floyd | wash over me. Memories I wish I could now forget. I try to block it Floyd | all from my mind, and I find that the trying becomes increasingly Floyd | harder. But at the same time, I discover that the forgetting grows Floyd | surprisingly easier... until at last I forget everything, and there Floyd | aren't really any thoughts at all. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
Tale says (to Floyd), "think" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
baf says (to Floyd), "rezrov" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > REZROV Floyd | That's not a verb I recognize. Floyd | Floyd | > | genericgeekgirl says, "Aw" | ||
DavidW says (to Floyd), "go shopping" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > GO SHOPPING Floyd | I can't see any such thing. Floyd | Floyd | > | Jacqueline makes a note to add all the darn spells as nonsense words. | ||
genericgeekgirl says (to Floyd), "curses" | |||
Floyd | > Floyd | > CURSES Floyd | It's too late to curse his actions now. Floyd | Floyd | And besides, I am not without my own culpability here. Was it not I Floyd | who chose to be with him? Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | genericgeekgirl says, "..." | ||
Jacqueline says, "I don't think you got to see Tale's 'think'" | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
Tale says (to Floyd), "push space" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > PUSH SPACE Floyd | I can't see any such thing. Floyd | Floyd | > | |||
Tale says (to Floyd), "think" | |||
Floyd | > Floyd | > THINK Floyd | Yes. I get it now. But where my misstep occurred, whether it was in Floyd | saying goodbye or in breaking the news to him while the two of us were Floyd | alone, or if it was ever being with him in the first place... it's Floyd | difficult to say for certain. In any case, my reckoning comes too Floyd | late. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | Gerynar start to say "try.." before he's tackled by jacqueline | ||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "think about john" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > THINK ABOUT JOHN Floyd | I only understood you as far as wanting to think. Floyd | Floyd | > | genericgeekgirl says, "Ah" | ||
DavidW says (to Floyd), "call john" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > CALL JOHN Floyd | That's not a verb I recognize. Floyd | Floyd | > | |||
Tale says (to Floyd), "scream" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > SCREAM Floyd | The air seems thin, hardly adequate, but I do my best to let out a Floyd | tremendous scream... Floyd | Floyd | My head begins to spin, I gasp for air, and the panic begins to Floyd | escalate within me: crescendoing as the realization of my situation Floyd | takes hold. Then, almost as quickly as it began, I discard the dread, Floyd | seek out resignation, and begin to drift away... Floyd | Floyd | I hear a voice: vague and far away. "Miss? Miss, can you hear me?" I Floyd | sense movement, as if I'm being carried. "Dear God, Max, we've got to Floyd | get her to Dr. Murray!" Floyd | Floyd | Floyd | Floyd | ** *** I have saved my own life. *** Floyd | Floyd | Floyd | I managed to attract the attention of passersby, who came to my aid. Floyd | Perhaps I will see justice done. Floyd | Floyd | HINT: Even though you've found a winning ending, if you're not certain Floyd | what just happened (or why you were even in that predicament in the Floyd | first place), please consider playing again. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, or QUIT? Floyd | > | genericgeekgirl exclaims, "Yay!" | ||
djfletch says, "wooo" | |||
Jacqueline says, "A winner is you peeps." | |||
Tale says, "Far to few games use "scream"" | |||
Jacqueline says (to Tale), "That's not the only solution." | |||
genericgeekgirl says, "I have it in both of mine." | |||
djfletch says (to Floyd), "restart" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "i" | |||
Floyd | > Floyd | > I Floyd | I once held the attention of seemingly everyone, with all the benefits Floyd | that that entailed. Thinking back, I can see that when I tired of the Floyd | options and narrowed down my choices, I sealed my fate. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | baf says, "That's the solution I found when I was playing it alone." | ||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "x me" | |||
Floyd | > Floyd | > X ME Floyd | I run my hands along my sides, and sense that I'm in my favorite Sunday Floyd | dress. I know it by the feel of the pockets. For some reason, I find Floyd | this comforting. Floyd | Floyd | The feeling of comfort turns to confusion, however... and then to a Floyd | loss of consciousness. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
DavidW says (to Floyd), "x dress" | |||
Floyd | > Floyd | > X DRESS Floyd | I run my hands along my sides, and sense that I'm in my favorite Sunday Floyd | dress. I know it by the feel of the pockets. For some reason, I find Floyd | this comforting. Which is well enough, as that's my last waking Floyd | thought. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
Tale says (to Floyd), "touch breasts" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > TOUCH BREASTS Floyd | I can't see any such thing. Floyd | Floyd | > | |||
DavidW says (to Floyd), "n" | |||
Floyd | > Floyd | > N Floyd | I make a move to stand up so that I can try to go somewhere, but I hit Floyd | my head before I can even sit upright. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
genericgeekgirl says (to Floyd), "dig" | |||
Floyd | > Floyd | > DIG Floyd | I try to dig, but my hands claw madly against wood, nothing more. Floyd | Floyd | *** I have lost my hold on life. *** Floyd | Floyd | That was perhaps not the best outcome. Floyd | Let us see if you can do better, shall we? Floyd | Floyd | (Press any key to restart.) | |||
DavidW pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | |||
Tale says (to Floyd), "open coffin" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > OPEN COFFIN Floyd | I realize that I have but an instant to act. Despite the weakness of Floyd | the moment before, I gather strength and beat wildly against the wood. Floyd | Floyd | The movement proves too much: my senses become disjointed, my head Floyd | begins to throb, I gasp for air, and the panic within me begins to Floyd | increase: the full horror of my situation becomes abhorrently clear. Floyd | Then, it's almost as if I begin to observe my feelings from outside Floyd | myself: alarm gives way to surrender which paves the way for peace... Floyd | Floyd | Then I sense movement. A jostling. And a voice: dreamlike and Floyd | distant. "Oh my God, she... I think she may still be alive. Gerald, Floyd | help me lift her--I'm not as strong as I used to be. We've got to get Floyd | her some help." Floyd | Floyd | Floyd | Floyd | ** *** I have saved my own life. *** Floyd | Floyd | Floyd | I managed to attract the attention of passersby, who came to my aid. Floyd | Perhaps I will see justice done. Floyd | Floyd | HINT: Even though you've found a winning ending, if you're not certain Floyd | what just happened (or why you were even in that predicament in the Floyd | first place), please consider playing again. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, or QUIT? Floyd | > | |||
DavidW says (to Floyd), "open coffin" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > OPEN COFFIN Floyd | Please give one of the answers above. Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, or QUIT? Floyd | > | |||
genericgeekgirl pushes the green 'space' button. | |||
Floyd ] Darkness 1 Floyd | > Floyd | > Floyd | Please give one of the answers above. Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, or QUIT? Floyd | > | |||
genericgeekgirl says (to Floyd), "restart" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | Jacqueline says (to Tale), "Touch breasts? Really? Maga made me implement that in another game, but he failed to feel up the PC in this game." | ||
genericgeekgirl says (to Floyd), "knock" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > KNOCK Floyd | I realize that I have but an instant to act. Despite the weakness of Floyd | the moment before, I gather strength and beat wildly against the wood. Floyd | Floyd | The movement proves too much: my senses become disjointed, my head Floyd | begins to throb, I gasp for air, and the panic within me begins to Floyd | increase: the full horror of my situation becomes abhorrently clear. Floyd | Then, it's almost as if I begin to observe my feelings from outside Floyd | myself: alarm gives way to surrender which paves the way for peace... Floyd | Floyd | Then I sense movement. A jostling. And a voice: dreamlike and Floyd | distant. "Oh my God, she... I think she may still be alive. Gerald, Floyd | help me lift her--I'm not as strong as I used to be. We've got to get Floyd | her some help." Floyd | Floyd | Floyd | Floyd | ** *** I have saved my own life. *** Floyd | Floyd | Floyd | I managed to attract the attention of passersby, who came to my aid. Floyd | Perhaps I will see justice done. Floyd | Floyd | HINT: Even though you've found a winning ending, if you're not certain Floyd | what just happened (or why you were even in that predicament in the Floyd | first place), please consider playing again. Floyd | Floyd | Floyd | Would you like to RESTART, RESTORE a saved game, or QUIT? Floyd | > | Tale says, "i was hoping he did! looks like he failed me this time" | ||
Jacqueline says, "yeah" | |||
genericgeekgirl says (to Jacq), "I need to head out soonish. We should talk about NightFloyd." | |||
Jacqueline says, "You should write him a complaint letter, Tale." | |||
Jacqueline says (to Floyd), "restart" | |||
Floyd ] Darkness 1 Floyd | Floyd | Floyd | Floyd | Fingertips: I Hear the Wind Blow Floyd | A one-turn interactive narrative by Jacqueline A. Lott Floyd | Release 1 / Serial number 120325 / Inform 7 build 6G60 (I6/v6.32 lib Floyd | 6/12N) Floyd | Written for Apollo 18+20: The IF Tribute Album. Floyd | Inspired by the writing prompt "I hear the wind blow." Floyd | First time players may wish to type ABOUT, CREDITS, or HELP. Floyd | You may contact the author at jacqueline.a.lott@gmail.com Floyd | Floyd | Darkness Floyd | I hear the wind blow. It sounds as if it's close by, but I can't feel Floyd | it. On the contrary, the air seems stale. Floyd | Floyd | > | maga says, ">TOUCH BREASTS You have lost your hold on life. but not on tits, which is something" | ||
Jacqueline says (to Floyd), "credits" | |||
Floyd | > Floyd | > CREDITS Floyd | Just to warn you, this is a bit of text dump. Press any key once Floyd | you've prepared yourself... Floyd | | |||
Jacqueline presses the yellow enter button. | |||
Floyd ] Darkness 1
Floyd | I'd like to blame (...or is the proper word 'thank'?) Ben
Floyd | Collins-Sussman for looping me into doing this. Ben was shocked to
Floyd | learn that I was not at all a TMBG fan, nor had I ever even heard of
Floyd | this album. "You don't know that TMBG album?!? it's not a milestone of
Floyd | your adolescence??" he asked incredulously over G-chat one evening. For
Floyd | some reason, he encouraged me to participate anyway.
Floyd |
Floyd | So, despite my lack of fangirl status, and despite the fact that it was
Floyd | already well past the deadline for intents to participate, I found a
Floyd | writing prompt among those yet unclaimed which spoke to me. I
Floyd | subsequently twisted Kevin's arm to let me take part (which was not
Floyd | difficult, and Kevin was just great throughout--very well organized,
Floyd | kept people on task, and allowed me time for a little extra polish
Floyd | while he was waiting on the late submissions). So thanks, Ben and
Floyd | Kevin.
Floyd |
Floyd | Of course, one can never thank Graham Nelson enough for the joy that is
Floyd | Inform 7, nor praise Emily Short sufficiently for all of her work and
Floyd | the rather insane number of incredibly helpful examples she has written
Floyd | over the years. Cheers also to the denizens of the ifMUD for their
Floyd | patience in answering my questions, helping me past obstacles, and
Floyd | providing encouragement over the past decade or so. In particular,
Floyd | Emily Short, Andrew Plotkin, Sam Kabo Ashwell and GenericGeekGirl came
Floyd | to my rescue a few times while I was writing this.
Floyd |
Floyd | Many thanks to the folks who stepped up to beta test: Ruth Alfasso, Sam
Floyd | Kabo Ashwell, Royce Odle, Melvin Rangasamy, Andrew Schultz, Jack Welch,
Floyd | and The Xenographer. Mistakes which remain are, of course, my own.
Floyd |
Floyd | Super, great big, major giant props to Justin de Vesine (who is both
Floyd | jaunty *and* stylish) for a gazillion things. He is possibly the most
Floyd | helpful person I know, and I feel like I'm constantly thanking him for
Floyd | stuff. On this particular occasion I would most like to thank him for
Floyd | his help in figuring out how I could code on my Chromebook (using the
Floyd | I7 command line compiler), so thanks for that. Thanks also to Adam
Floyd | Thornton for the development of the command line I7 platform and
Floyd | helping me with its use.
Floyd |
Floyd | I also coded a bit of this on a netbook using P. F. Chimento's Linux
Floyd | GUI of Inform, so props for that I7 front end as well. And as long as
Floyd | I seem to be thanking pretty much the whole entire world, thanks to
Floyd | John Cater for recommending that I use Crunch Bang Linux to resurrect
Floyd | said netbook, and Philip Newborough for #!.
Floyd |
Floyd | Oh, and thank YOU for your time.
Floyd |
Floyd | (You might also be interested in reading ABOUT the writing of this
Floyd | piece.)
Floyd |
Floyd | >
| Tale says, "Please make your wife implement more breasts in her games. Sincerely, Tale" | ||
(from Tale) Tale says, "Hey, I let me 12 year old brother use my computer! What did he ... oh my" | |||
DavidW says (to Tale), "'The Fire Tower 2: Now With More Breasts'" | |||
maga says (to Tale), "just as soon as we get more simulationist penis-modelling in Alex and Paul" | |||
Jacqueline says, "The other thing you guys didn't see, because you didn't ask for help, is that the full backstory is in here." | |||
DavidW asks, "I mean Beasts. Who wrote that?" | |||
Jacqueline says (to maga), "snrk" | |||
Jacqueline says, "Man, who would have thought that *my* game would end up needing the Adult Transcript warning for the website." | |||
Jacqueline says (to Floyd), "help" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > HELP Floyd | You may be asking for help because you keep dying. That's an Floyd | unfortunate consequence of the predicament in which your character now Floyd | finds herself. Here is my advice: undo is worthless, and restarting is Floyd | automatic, so just keep dying. Each time, try something new, and see Floyd | if you can gather more information about who you are, why you're here, Floyd | and whether or not you can save yourself. There are, I promise you, at Floyd | least a couple of non-obscure ways to get out of your predicament. Floyd | Floyd | ...and if you happen upon one of those solutions early on but still Floyd | have no idea what happened, consider playing the game some more. After Floyd | that, if you are still wishing I had been more obvious (or if you'd Floyd | merely like to confirm your suspicions), you can type BACKSTORY to Floyd | learn what brought you here. Floyd | Floyd | (However, it goes without saying that all will be revealed, so only ask Floyd | for the BACKSTORY if you are entirely done with this piece and open to Floyd | being completely and utterly spoiled.) Floyd | Floyd | > | |||
Jacqueline says (to Floyd), "backstory" | |||
Floyd ] Darkness 1 Floyd | > Floyd | > BACKSTORY Floyd | In Fingertips: I Hear the Wind Blow, you are Kate Lauren, a Floyd | young woman who lived some time in the past. Refined, beautiful, and Floyd | of means, you had your pick of suitors. Lacking patience, and tired of Floyd | the steady stream of people vying for your attention, you decided to Floyd | settle on a dark and mysterious beau named John Whitman -- despite the Floyd | fact that there was something unsettling about him that you couldn't Floyd | quite place. Floyd | Floyd | "Perhaps..." you sometimes thought to yourself, "perhaps he is a little Floyd | *too* dark and mysterious." But you longed to spend your time with Floyd | someone, share your dreams. And he was more exciting to you than any Floyd | of the others--not to mention every bit as handsome as the finest in Floyd | the lot. As days turned to months and your courtship progressed, you Floyd | began to realize that you had been unwise to ignore your instincts. Floyd | Floyd | When you began to truly understand the person he was, you decided to Floyd | break off your relationship with him. He appeared to take the news Floyd | well, indicating that he accepted that the affair was over forever. Floyd | And with that, he bid you adieu... Floyd | Floyd | Now, as the game begins, you awake in your coffin, having been buried Floyd | alive. Precisely how you got here is not entirely clear, but you have Floyd | a fairly firm idea of who the responsible party is, almost assuredly. Floyd | Floyd | > | Jacqueline says, "And that's all she (well, I) wrote." | ||
Jacqueline says, "See you guys next week, hopefully. If I can't be here, maga will at least start the transcripts, and all the games are uploaded (they all start with a18)." | |||
Jacqueline says, "Looks like my 2-3 week estimate was way off - might be more." | |||
Jacqueline says, "But that is fine - we played some good stuff today." | |||
Tale says, "There were some very fun tits. Er, bits." | |||
Jacqueline says, "..." | |||
baf says, "By the way, the number in my game was the They Might Be Giants dial-a-song number. I get the impression that more people got through it by just guessing that then by finding the numbers in the game." | |||
Tale is fired from breathing. | |||
Tale has disconnected. | genericgeekgirl says, "Oh. Nice." | ||
genericgeekgirl disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | |||
Gerynar has had his fill of playing for now, and goes back to the Lounge. | |||
DavidW says (to Floyd), "q" | |||
Floyd | > Floyd | > Q Floyd | Are you sure you want to quit? | |||
DavidW says (to Floyd), "yes" | |||
Floyd | cheapglulxe quit with exit status: 0 | |||
Floyd asks, "That game over already? It was just getting good. Wanna play another?" | |||
DavidW has had his fill of playing for now, and goes back to the Lounge. | |||