ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
To skip directly to a particular game, click on its title: |
ToyShop & Floyditorium
|
#ClubFloyd Discussion
|
|
Roger says, "Jacq is voting for forest, you say" | ||
Jacqueline says (to Roger), "Shocking, I know." | ||
Roger says, "I'm also up for some morning wood, so let's get to it" | ||
Jacqueline gives Roger the side-eye. | ||
DavidW says, "I like all my picks, obviously, so I'm abstaining from this vote." | ||
Roger says, "I would like to eventually get to space sometime though" | ||
DavidW says, "oh yes." | ||
DavidW says, "I figure we'll play all three, it's just which one is first." | ||
MoyTW says, "Oh, they're all that short? Well, all righty then." | ||
Jacqueline says (to DW), "Well, load us up, please." | ||
DavidW says, "I don't know how short they are. Founder's Mercy was a Spring Thing winner, though, so it might be longer than average." | ||
DavidW says (to ClubFloyd), "load sleepmask narcissi" | ||
CF ] | ||
CF | | ||
CF | | ||
CF | | ||
CF | How to Play Narcissi | ||
CF | | ||
CF | In this short game, the most useful commands are examine | ||
CF | (X) (yourself and other things, more than once), talk | ||
CF | to, ask about, touch, take, and drink things | ||
CF | in the game world. If you get stuck, feel free to ask for a | ||
CF | hint, if you still can. Finally, you should be listening to | ||
CF | David Grisman and Jerry Garcia's rendition of "Shady Grove" while you | ||
CF | play, for best effect. | ||
CF | | ||
CF | Press any key to begin. | Jacqueline says, "I think this one must be short." | |
Jacqueline says, "I just have a feeling." | ||
Jacqueline says, "For some reason." | ||
DavidW pushes the green 'space' button. | ||
CF ] Shady Grove 0/1 | ||
CF | | ||
CF | | ||
CF | Narcissi | ||
CF | An Interactive Fiction by Teela Brown written for the Narrascope 2020 | ||
CF | Game Jam | ||
CF | Release 1 / Serial number 200609 / Inform 7 build 6M62 (I6/v6.33 lib | ||
CF | 6/12N) | ||
CF | | ||
CF | | ||
CF | Woo thyself, be of thyself rejected; | ||
CF | Steal thine own freedom, and complain on theft. | ||
CF | Narcissus so himself himself forsook | ||
CF | And died to kiss his shadow in the brook. | ||
CF | | ||
CF | Torches are made to light, jewels to wear, | ||
CF | Dainties to taste, fresh beauty for the use, | ||
CF | Herbs for their smell, and sappy plants to bear. | ||
CF | Things growing to themselves are growth's abuse. | ||
CF | | ||
CF | | ||
CF | Shady Grove | ||
CF | You have been wandering through a woods near your home, staring at | ||
CF | your feet and paying no attention to the branching paths. You look up | ||
CF | to find yourself in a shady grove of willow trees. Peaches in the | ||
CF | summertime. Apples in the fall. If I can't have the girl I love I | ||
CF | don't want none at all. The trees encircle a pond, leaning | ||
CF | towards and over it, as if they are taking care to keep it sheltered | ||
CF | and in shadow. In a circle around the pond is a wabe of marshy grass. | ||
CF | | ||
CF | A gray bird with dark wings is perched on a flattened boulder that | ||
CF | leans out and over the pond's edge. | ||
CF | | ||
CF | > | Roger says, "this seems familiar but also like the sort of thing multiple games may have done" | |
DavidW says (to ClubFloyd), "x pond" | ||
CF ] Shady Grove 0/2 | ||
CF | > | ||
CF | > X POND | ||
CF | | ||
CF | | ||
CF | There are pale blue lilies floating listlessly in the pond. Flocks of | ||
CF | tall swaying paperwhites, fully in bloom, are reflected in the | ||
CF | rippling water as if they are floating there too. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x grass" | ||
CF ] Shady Grove 0/2 | ||
CF | > | ||
CF | > X GRASS | ||
CF | | ||
CF | | ||
CF | That's not in the world with you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bird" | ||
CF ] Shady Grove 0/3 | ||
CF | > | ||
CF | > X BIRD | ||
CF | | ||
CF | | ||
CF | Based on your sketchy knowledge of woodland birds, you think it could | ||
CF | be a mockingbird. It appears to be standing on one foot and holding a | ||
CF | tiny book in its other. | ||
CF | | ||
CF | > | MoyTW asks, "Doe a lot of Inform clients support HTML tags or is this the author just...trusting you know how to read them?" | |
Jacqueline says, "Ask for a hint 'if you still can' sounds a touch ominous." | ||
Knight_Otu says (to Jacq), "it sure does," | ||
DavidW says, "Sleepmask is converting the markup to HTML." | ||
DavidW says (to ClubFloyd), "x book" | ||
CF ] Shady Grove 0/4 | ||
CF | > | ||
CF | > X BOOK | ||
CF | | ||
CF | | ||
CF | The book is tiny enough to fit into a mockingbird's talon, which is, | ||
CF | almost completely obscuring its tiny title from your view. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to bird" | ||
CF ] Shady Grove 0/5 | ||
CF | > | ||
CF | > TALK TO BIRD | ||
CF | | ||
CF | | ||
CF | The bird announces, "I smell an unmuzzled sheep-biting pumpion!" | ||
CF | | ||
CF | Okay then. You wonder if the mockingbird understands what it is | ||
CF | saying, or if it is just repeating things that someone taught it to | ||
CF | say. "Hello! Hello! Pretty bird!" you call out in that sing-song voice | ||
CF | people use when talking to birds. | ||
CF | | ||
CF | "Hello! hello!" it repeats back, in exactly your tone and accent, and | ||
CF | then adds -- "you tardy-gaited coxcomb!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask bird about book" | ||
CF ] Shady Grove 0/6 | ||
CF | > | ||
CF | > ASK BIRD ABOUT BOOK | ||
CF | | ||
CF | | ||
CF | The mockingbird stares at you for a long moment, appraising you. | ||
CF | Abruptly it flies up from the boulder and perches on a swaying willow | ||
CF | branch. From there it sings out "These trees shall be my books, | ||
CF | and in their barks my thoughts I'll character, that every eye which in | ||
CF | this forest looks, shall see thy virtue witness'd everywhere. | ||
CF | | ||
CF | It preens a feather for a moment and then adds pleasantly, "Everything | ||
CF | should be clear to you now you gut-griping, belly-gorged, malt-worm." | ||
CF | | ||
CF | > | Roger says, "okay no this wasn't what I was thinking of" | |
Jacqueline | [LINK] | ||
Knight_Otu says, "That's one mocking bird." | ||
DavidW says (to ClubFloyd), "x trees" | ||
CF ] Shady Grove 0/7 | ||
CF | > | ||
CF | > X TREES | ||
CF | | ||
CF | | ||
CF | Willow trees encircle and shelter the pond. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read trees" | ||
CF ] Shady Grove 0/8 | ||
CF | > | ||
CF | > READ TREES | ||
CF | | ||
CF | | ||
CF | Willow trees encircle and shelter the pond. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask bird about trees" | ||
CF ] Shady Grove 0/9 | ||
CF | > | ||
CF | > ASK BIRD ABOUT TREES | ||
CF | | ||
CF | | ||
CF | The bird blandly comments, "What is there to be said to a vain | ||
CF | clay-brained minnow!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask bird about pool" | ||
CF ] Shady Grove 0/10 | ||
CF | > | ||
CF | > ASK BIRD ABOUT POOL | ||
CF | | ||
CF | | ||
CF | The bird rasps, "I smell a fobbing gut-griping bum-bailey!" | ||
CF | | ||
CF | > | Knight_Otu says, ">mock bird back" | |
DavidW says, "mock bird" | ||
DavidW says (to ClubFloyd), "mock bird" | ||
CF ] Shady Grove 0/10 | ||
CF | > | ||
CF | > MOCK BIRD | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "swim" | ||
CF ] Shady Grove 0/10 | ||
CF | > | ||
CF | > SWIM | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take book" | ||
CF ] Shady Grove 0/11 | ||
CF | > | ||
CF | > TAKE BOOK | ||
CF | | ||
CF | | ||
CF | The bird give your offending hand a vicious bite. It shrieks at you in | ||
CF | fury, "Now you've done it, you rude-growing pignut! No hints for you!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "undo" | ||
CF ] Shady Grove 0/10 | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Shady Grove | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask bird about bird" | ||
CF ] Shady Grove 0/11 | ||
CF | > | ||
CF | > ASK BIRD ABOUT BIRD | ||
CF | | ||
CF | | ||
CF | The bird shrieks, "Why should I converse with a reeky unchin-snouted | ||
CF | pignut!" | ||
CF | | ||
CF | > | Knight_Otu says, "Well. That explains the if you still can bit." | |
DavidW says (to ClubFloyd), "clean me" | ||
CF ] Shady Grove 0/12 | ||
CF | > | ||
CF | > CLEAN ME | ||
CF | | ||
CF | You rub yourself. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "bow" | ||
CF ] Shady Grove 0/12 | ||
CF | > | ||
CF | > BOW | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "listen" | ||
CF ] Shady Grove 0/13 | ||
CF | > | ||
CF | > LISTEN | ||
CF | | ||
CF | You hear nothing unexpected. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell" | ||
CF ] Shady Grove 0/14 | ||
CF | > | ||
CF | > SMELL | ||
CF | | ||
CF | You smell nothing unexpected. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Shady Grove 0/15 | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Shady Grove | ||
CF | You are beside the shadowed pond. In a circle around the pond is a | ||
CF | wabe of marshy grass. Around the wabe is a circle of willow trees. | ||
CF | | ||
CF | The mockingbird is perched on a swaying willow branch watching you. | ||
CF | | ||
CF | > | DavidW asks, "Ideas?" | |
MoyTW asks, "x wabe?" | ||
Jacqueline says, "Well, I suggest not looking at our reflection." | ||
DavidW says (to ClubFloyd), "x wabe" | ||
CF ] Shady Grove 0/16 | ||
CF | > | ||
CF | > X WABE | ||
CF | | ||
CF | | ||
CF | It looks like a manicured lawn, but it's not. Your feet make a squishy | ||
CF | kind of noise with every step across it. It completely encircles the | ||
CF | pond. A wabe technically surrounds a sundial, not a pond, but that's | ||
CF | the word that came into your mind when you saw it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask bird about wabe" | ||
CF ] Shady Grove 0/17 | ||
CF | > | ||
CF | > ASK BIRD ABOUT WABE | ||
CF | | ||
CF | | ||
CF | The bird blandly comments, "You are nothing but a fawning | ||
CF | clapper-clawed hugger-mugger!" | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
Jacqueline says, "Also, I tried listening to Shady Grove and it was too distracting. I couldn't read the text while listening to the song. :(" | ||
DavidW says (to ClubFloyd), "look in pond" | ||
CF ] Shady Grove 0/18 | ||
CF | > | ||
CF | > LOOK IN POND | ||
CF | | ||
CF | | ||
CF | This pond may be connected to the brook your feet followed to get to | ||
CF | this grove. Or perhaps it is spring fed. In either case, it is not | ||
CF | stagnant. It looks so fresh and clean. You wonder if it would be safe | ||
CF | to drink the water. | ||
CF | | ||
CF | > | Jacqueline says, "Yeah, that bird is rude." | |
DavidW says (to ClubFloyd), "drink water" | ||
CF ] Shady Grove 0/19 | ||
CF | > | ||
CF | > DRINK WATER | ||
CF | | ||
CF | | ||
CF | You can't get close enough to the pond from here. The wabe is so | ||
CF | marshy, there's nowhere to safely stand. | ||
CF | | ||
CF | > | Jacqueline says, "Oh, I thought this was a Narcissus thing and we'd fall in and drown or just be transfixed." | |
DavidW says (to ClubFloyd), "climb tree" | ||
CF ] Shady Grove 0/20 | ||
CF | > | ||
CF | > CLIMB TREE | ||
CF | | ||
CF | Little is to be achieved by that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "enter pond" | ||
CF ] Shady Grove 0/21 | ||
CF | > | ||
CF | > ENTER POND | ||
CF | | ||
CF | | ||
CF | Regretably, you never learned how to swim. | ||
CF | | ||
CF | > | MoyTW asks, "Can we x ourselves?" | |
DavidW says (to ClubFloyd), "x me" | ||
CF ] Shady Grove 0/22 | ||
CF | > | ||
CF | > X ME | ||
CF | | ||
CF | | ||
CF | You are still dressed in the clothes you put on yesterday morning. You | ||
CF | slept in them last night. This morning, since you were already | ||
CF | dressed, you figured why change? Who would know, or care? You forced | ||
CF | yourself to leave your house to go for a walk, the first time you had | ||
CF | been out for weeks, except to grab some food and supplies from the | ||
CF | shop with the widest aisles, and hope to find toilet paper without | ||
CF | having to hunt across town for it. At least you only need to find | ||
CF | enough for one person now. There's that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x clothes" | ||
CF ] Shady Grove 0/22 | ||
CF | > | ||
CF | > X CLOTHES | ||
CF | | ||
CF | | ||
CF | That's not in the world with you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Shady Grove 0/23 | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying nothing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "undress" | ||
CF ] Shady Grove 0/23 | ||
CF | > | ||
CF | > UNDRESS | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | Jacqueline says, "#PandemicGameJam" | |
DavidW says (to ClubFloyd), "ask bird for book" | ||
CF ] Shady Grove 0/24 | ||
CF | > | ||
CF | > ASK BIRD FOR BOOK | ||
CF | | ||
CF | | ||
CF | | ||
CF | It preens a feather for a moment and then adds pleasantly, "Everything | ||
CF | should be clear to you now you dread-bolted, dismal-dreaming, | ||
CF | barnacle." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x boulder" | ||
CF ] Shady Grove 0/25 | ||
CF | > | ||
CF | > X BOULDER | ||
CF | | ||
CF | | ||
CF | The large flattened stone is positioned so that it overhangs the | ||
CF | water. It is surrounded by paperwhites and lillies. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "swim" | ||
CF ] Shady Grove 0/25 | ||
CF | > | ||
CF | > SWIM | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "dance" | ||
CF ] Shady Grove 0/25 | ||
CF | > | ||
CF | > DANCE | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb boulder" | ||
CF ] Shady Grove 0/26 | ||
CF | > | ||
CF | > CLIMB BOULDER | ||
CF | | ||
CF | Little is to be achieved by that. | ||
CF | | ||
CF | > | Knight_Otu asks, "I don't think we've touched things yet?" | |
DavidW says (to ClubFloyd), "get on boulder" | ||
CF ] Shady Grove 0/27 | ||
CF | > | ||
CF | > GET ON BOULDER | ||
CF | | ||
CF | | ||
CF | You climb up onto the boulder. | ||
CF | | ||
CF | Shady Grove (on the flattened boulder) | ||
CF | You are beside the shadowed pond. In a circle around the pond is a | ||
CF | wabe of marshy grass. Around the wabe is a circle of willow trees. | ||
CF | | ||
CF | The mockingbird is perched on a swaying willow branch watching you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drink water" | ||
CF | > | ||
CF | > DRINK WATER | ||
CF | | ||
CF | | ||
CF | You sit on the edge of the boulder. Pushing aside the flowers, you are | ||
CF | able to scoop up a handful of water. The narcissi release an | ||
CF | urgent message understood only by the chemically literate flora and | ||
CF | fauna of the pond. The mockingbird shouts a raucous warning but you | ||
CF | inhale the musky scent, understanding nothing. | ||
CF | | ||
CF | You take a sip. | ||
CF | | ||
CF | Press any key to continue. | Roger says, "that escalated quickly" | |
DavidW pushes the green 'space' button. | ||
CF | Press any key to continue. | ||
CF | As your vision darkens all that keeps you in the world is the distant | ||
CF | voice of the mockingbird: "Sing willow, willow, willow: The fresh | ||
CF | streams ran by her, and murmur'd her moans; Sing willow, willow, | ||
CF | willow; Her salt tears fell from her, and soften'd the stones." | ||
CF | Where you expect to see your own face reflected in the water, you see | ||
CF | a sundial, the shadow of its blade moving from number to number, round | ||
CF | and round, day after dismal day shut into your apartment alone; safe | ||
CF | they call it, safe, is it? Endless dessicated days become practice for | ||
CF | year after lonely year, assuredly ahead, since it is certain no one | ||
CF | will ever love you again. | ||
CF | | ||
CF | The mockingbird begins to fly around and around your head, shrieking | ||
CF | and cackling in crazed abandon: "You gut-griping, fen-sucked, | ||
CF | elf-skinned, weather-bitten, rude-growing, moldwarp! You pottle-deep, | ||
CF | tickle-brained, unchin-snouted, clay-brained, rude-growing, boar-pig! | ||
CF | You boil-brained, rump-fed, beetle-headed, ill-nurtured, shard-borne, | ||
CF | ratsbane!" | ||
CF | | ||
CF | You sit up, wiping away tears and snot with the back of your hand, and | ||
CF | scream at the bird, "I'm heart-broken goddamn it, and I'm lonely and | ||
CF | I'm doing the fucking best I can! Why do you have to be so mean?" | ||
CF | | ||
CF | Press any key to continue. | Jacqueline says, "uhoh" | |
Jacqueline says, "Gosh" | ||
Knight_Otu exclaims, "Language!" | ||
DavidW says, "wow" | ||
MoyTW says, "Definitely one of the Pandemic Games." | ||
Jacqueline says, "yeah" | ||
DavidW pushes the green 'space' button. | ||
CF ] Shady Grove 0/28 | ||
CF | Press any key to continue. | ||
CF | The mockingbird is silent. It returns to its perch on the willow | ||
CF | branch, and waits for you to catch your breath. | ||
CF | | ||
CF | Alone she was, | ||
CF | and did communicate to herself | ||
CF | her own words to her own ears. | ||
CF | | ||
CF | "Don't you see, my little love," it says kindly. "There has never been | ||
CF | anyone in this shady grove but you." | ||
CF | | ||
CF | Shady Grove | ||
CF | You are alone beside the shadowed pond. The pond is in the middle of | ||
CF | some marshy grass in a little copse of trees near your house. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x house" | ||
CF ] Shady Grove 0/28 | ||
CF | > | ||
CF | > X HOUSE | ||
CF | | ||
CF | | ||
CF | That's not in the world with you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bird" | ||
CF ] Shady Grove 0/28 | ||
CF | > | ||
CF | > X BIRD | ||
CF | | ||
CF | | ||
CF | That's not in the world with you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pond" | ||
CF | > | ||
CF | > X POND | ||
CF | | ||
CF | | ||
CF | Thou seest we are not all alone unhappy. | ||
CF | This wide and universal theatre presents | ||
CF | more woeful pageants than the scene wherein we play. | ||
CF | | ||
CF | You lean over the edge of the boulder and see a face in the pond, | ||
CF | puffy and streaked from crying. You stop yourself from calling it | ||
CF | ugly, your heart feeling unexpected tenderness for this sad and weary | ||
CF | face. Thou seest we are not all alone unhappy. Yes, your | ||
CF | heartbreak is an insignificant tragedy in an unjust world; but no need | ||
CF | to pass judgment on yourself there either. What is needful is just to | ||
CF | make it through. | ||
CF | | ||
CF | You stand up and brush dirt and sand and petals off your slept-in | ||
CF | clothes. Maybe there's a way to help someone. Maybe there will be | ||
CF | love, on the other side. Across the pond, you see the path that will | ||
CF | take you home. | ||
CF | | ||
CF | Press any key.... | Jacqueline says, "Also: hahahaha - KO, I thought your 'language!' was directed at my 'gosh', but then I read the profanity in the game..." | |
DavidW pushes the green 'space' button. | ||
CF ] Shady Grove 0/28 | ||
CF | Press any key.... | ||
CF | | ||
CF | | ||
CF | *** All is well ended.. *** | ||
CF | | ||
CF | | ||
CF | Thank you for playing through my Narrascope 2020 game! It incorporated | ||
CF | lyrics from the traditional folk song, "Shady Grove," as performed by | ||
CF | David Grisman and Jerry Garcia. Shakespearean text originated in Venus | ||
CF | and Adonis, Othello, and As You Like It, retrieved from Open Source | ||
CF | Shakespeare, [LINK] The insulting | ||
CF | Shakespearan words were collected from multiple sources, including | ||
CF | anonymous internet lists, some of which credit Jerry Maguire, an | ||
CF | English teacher at Center Grove High School, Greenwood Indiana, whose | ||
CF | Shakespearean insult-generating homework assignment was included in | ||
CF | Teaching A Midsummer Night's Dream, Romeo and Juliet, and | ||
CF | Macbeth,by Peggy O'Brien, New York: Washington Square Press, | ||
CF | 1993. | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | ||
CF | command? | ||
CF | > | Knight_Otu says, "Yeah, that was directed at the game." | |
DavidW says, "oh. That was much shorter than I expected." | ||
MoyTW says, "Well, that was fun." | ||
MoyTW says, "NarraScope game jam was 1 week, so..." | ||
Jacqueline says, "I..." | ||
Jacqueline says, "I have whiplash." | ||
DavidW says, "Sorry!" | ||
Jacqueline says, "That went from melancholy to hopeful in 0.6 seconds." | ||
Jacqueline says, "In a very unexpected way." | ||
Jacqueline says (to DW), "Oh, don't apologise." | ||
Knight_Otu says, "I didn't quite expect to be reminded of the pandemic in a magic forest game." | ||
Jacqueline says (to KO), "Same" | ||
DavidW says, "Ditto" | ||
Jacqueline says, "But... makes sense that it was front of mind when this was being written." | ||
Knight_Otu says, "True." | ||
Jacqueline says, "As part of a game jam that was part of a conference that was being held entirely online due to pandemic." | ||
MoyTW says, "There were a couple of Spring Thing games that were not, like, about the Pandemic, but you could tell that it was top of mind." | ||
Jacqueline says, "(She says, for historians reading this transcript later...)" | ||
Jacqueline says, "I suspect I may (may) lose interest during the space station game. That's either a reason to play it in the middle (to hold my attention), or to save it for last (in case I wander away)." | ||
MoyTW says, "Oh! Moving(On) is pretty good, by the way, I'd recommend that." | ||
MoyTW says, "(it's another NarraScope game)" | ||
Jacqueline nods. Cool. No reason not to do a lot of those. | ||
DavidW asks, "Should I find it and upload it?" | ||
Jacqueline says, "Hm. Sure." | ||
MoyTW says, "Uh, you can get it here: [LINK]" | ||
DavidW says (to ClubFloyd), "quit" | ||
CF | > | ||
CF | > QUIT | ||
CF | cheapglulxe quit with exit status: 0 | ||
CF asks, "That game over already? It was just getting good. Wanna play another?" | ||
DavidW says (to ClubFloyd), "load sleepmask movingon" | ||
CF ] Your Old Bedroom | ||
CF | | ||
CF | | ||
CF | | ||
CF | It's been over a year since you last set foot in this house. Your | ||
CF | parents told you they were selling it a while ago now, downsizing to a | ||
CF | smaller property, but the words never really felt real. A house is a | ||
CF | house, permament and solid. But now you're here, and you can see all | ||
CF | the bubblewrap, the cardboard boxes, the empty spaces where you can't | ||
CF | remember what used to fill them but you know they definitely weren't | ||
CF | just empty spaces. It's really happening. | ||
CF | | ||
CF | "We've almost finished upstairs," your mum says, bustling past you | ||
CF | with a filled plastic bag in each hand. "There're just some things | ||
CF | left in your old room - didn't know whether you still wanted them so I | ||
CF | didn't throw them out yet." She pauses, looks at you just standing | ||
CF | dumbly in the hallway, seeming like you've never been here before. | ||
CF | Gently, she says, "You should probably go look before your dad gets to | ||
CF | them. He'll definitely just chuck anything he finds." | ||
CF | | ||
CF | That's enough to nudge you out of your silent daze. "Oh, yeah, I'll | ||
CF | take a look. Thanks, mum." | ||
CF | | ||
CF | Your mum heads out the front door with her bags, and you head up the | ||
CF | stairs, running your hand along the bannister as you go. From the far | ||
CF | end of the corridor, you can hear your dad shifting things around in | ||
CF | the study. Your room is the first on the left. It's where you grew up, | ||
CF | where countless memories were made, and nobody's used it since you | ||
CF | moved out. | ||
CF | | ||
CF | You take a breath, and you go inside. | ||
CF | | ||
CF | Moving (On) | ||
CF | An Interactive Fiction by quackoquack | ||
CF | Release 1 / Serial number 200609 / Inform 7 build 6M62 (I6/v6.33 lib | ||
CF | 6/12N) | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | The air feels stale. Afternoon sunlight filters in through half-opened | ||
CF | curtains, illuminating a shaft of dust that cuts the space in two. | ||
CF | Everything looks both completely different and entirely the same. | ||
CF | | ||
CF | On the floor just in front of the doorway, there's an empty bin bag - | ||
CF | your mum must have left this here for you to put things in, things you | ||
CF | were sure you wanted to throw out. You pick it up and shut the door | ||
CF | behind you. | ||
CF | | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains and one remaining sheet of | ||
CF | paper. | ||
CF | | ||
CF | | ||
CF | Almost all of your old stuff is gone - taken to your new flat in the | ||
CF | city, or driven off to a charity shop - but you know there'll be a few | ||
CF | remnants still here. | ||
CF | | ||
CF | (If this is your first time playing a text adventure, type HELP) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x paper" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X PAPER | ||
CF | | ||
CF | (the comic drawing) | ||
CF | It's a comic strip you drew when you were eleven. The pencil is | ||
CF | smudged and fading, so you carefully take it down from the wall to | ||
CF | look at it more closely. At the top, in large, bubble letters, is the | ||
CF | title: "THE MAGIC NOTEBOOK". | ||
CF | | ||
CF | At school, you'd started off being the quiet kid, who liked to stay | ||
CF | indoors rather than go run around outside with the others. You'd had | ||
CF | your wild imagination to keep you company, so you hadn't really minded | ||
CF | the loneliness. Instead, you just wrote things, and you drew things, | ||
CF | and you daydreamed about being a movie writer, or a famous book | ||
CF | author, or a comic book artist, or - the list went on. When did those | ||
CF | dreams slip away? | ||
CF | | ||
CF | This was one of the first comics you drew. If you tried hard enough to | ||
CF | REMINISCE ON it, you could probably still remember where you were when | ||
CF | you penned down the final panels... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "reminisce on comic" | ||
CF | > | ||
CF | > REMINISCE ON COMIC | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | comic drawing. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] The School Yard | ||
CF | | ||
CF | The School Yard | ||
CF | You're eleven years old, and you're outside your primary school, in | ||
CF | the yard for running around in during breaktimes. Your classmates are | ||
CF | all around you, and behind you is the playground area, but nobody is | ||
CF | playing. Instead, everyone is looking up at the roof of the main | ||
CF | building. | ||
CF | | ||
CF | (You're somewhere different now - a difference place, a different | ||
CF | time. You can sense that there's a lesson for you, at the end of this | ||
CF | memory, but you can always PINCH yourself to go back to the present, | ||
CF | and continue this memory later when you've learned more lessons.) | ||
CF | | ||
CF | | ||
CF | "Oh no! Milo is stuck on the roof!" a girl with frizzy hair cries out, | ||
CF | pointing at the roof. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x milo" | ||
CF ] The School Yard | ||
CF | > | ||
CF | > X MILO | ||
CF | | ||
CF | A small, grey tabby cat belonging to the headteacher. He is very cute, | ||
CF | and far more popular with you all than his owner is. Nobody seems to | ||
CF | know how he made it onto the roof, but he doesn't look happy about it. | ||
CF | He peers over the edge, and miaows sadly. | ||
CF | | ||
CF | "How are we going to get him down?" a boy asks worriedly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x roof" | ||
CF ] The School Yard | ||
CF | > | ||
CF | > X ROOF | ||
CF | | ||
CF | You follow the crowd's gaze and look up at the roof. And there he is - | ||
CF | Milo, the headteacher's cat, perched precariously close to the edge. | ||
CF | | ||
CF | "It's too high! How did he get up there?" someone exclaims. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] The School Yard | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a magic notebook | ||
CF | | ||
CF | "We have to save him!" comes another cry. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb roof" | ||
CF ] The School Yard | ||
CF | > | ||
CF | > CLIMB ROOF | ||
CF | | ||
CF | It's two storeys up, and you're not Spider Man. You do, however, have | ||
CF | a magic notebook... | ||
CF | | ||
CF | You can hear everyone continue to panic about how to rescue Milo. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x magic" | ||
CF ] The School Yard | ||
CF | > | ||
CF | > X MAGIC | ||
CF | | ||
CF | Your magic notebook! Anything you sketch in this notebook appears in | ||
CF | real life! You just have to DRAW something. | ||
CF | | ||
CF | You can hear everyone continue to panic about how to rescue Milo. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "draw ladder" | ||
CF | > | ||
CF | > DRAW LADDER | ||
CF | | ||
CF | Good idea! You draw a huge ladder, filling up an entire page of your | ||
CF | magic notebook, and then hold it up open to the sky. | ||
CF | | ||
CF | A few people look at you strangely, but then there's a collective gasp | ||
CF | and they all turn back round - now, just in front of the school | ||
CF | building - there's a giant ladder! | ||
CF | | ||
CF | "Woah!" everyone shouts. | ||
CF | | ||
CF | You run forward and climb the ladder, and soon you're onto the roof. | ||
CF | Milo mews happily as you pick him up. | ||
CF | | ||
CF | "I've got him!" you say, and everyone cheers. You're a hero! | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Classroom | ||
CF | | ||
CF | Classroom | ||
CF | A primary school classroom, with tables and blue plastic chairs | ||
CF | arranged in rows. It's raining hard outside, for the third day in the | ||
CF | row, so you and all your classmates are spending yet another | ||
CF | lunchbreak indoors. But you don't mind that very much - you've been | ||
CF | drawing your comic. Your class teacher, Miss Andrews, is at the front | ||
CF | of the room. | ||
CF | | ||
CF | You're just finishing up the final panel - drawing the happy look on | ||
CF | Milo's face as he's placed back down on the ground - when you hear a | ||
CF | voice next to you. | ||
CF | | ||
CF | "What are you drawing? Can I see?" It's Maya, a girl with red hair. | ||
CF | You haven't spoken with her much, but she's one of the louder kids in | ||
CF | your class. Her question makes you nervous - you haven't shown anyone | ||
CF | your comics before, and you find yourself afraid of what she might | ||
CF | say. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show comic to Maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > SHOW COMIC TO MAYA | ||
CF | | ||
CF | You don't want to ruin it, you've spent ages drawing it! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x Maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > X MAYA | ||
CF | | ||
CF | A girl with red hair. You haven't spoken with her much, but she's one | ||
CF | of the louder kids in your class. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x Miss Andrews" | ||
CF ] Classroom | ||
CF | > | ||
CF | > X MISS ANDREWS | ||
CF | | ||
CF | Your Year 6 class teacher, brown hair in a bun. She's reading a | ||
CF | newspaper at her desk and occasionally looking up to see what you're | ||
CF | all doing. | ||
CF | | ||
CF | > | Jacqueline asks, "Who is quackoquack? Do we know?" | |
DavidW says, "I don't." | ||
Jacqueline says, "This is rather lovely." | ||
Jacqueline says, "I wonder if it's a team." | ||
DavidW says, "I'm not sure what to do at this juncture." | ||
Jacqueline says, "A lot of the games were written by teams." | ||
Jacqueline says (to ClubFloyd), "about" | ||
CF ] Classroom | ||
CF | > | ||
CF | > ABOUT | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | Knight_Otu says, "Not quite responsible teaching." | |
Jacqueline says (to ClubFloyd), "credits" | ||
CF ] Classroom | ||
CF | > | ||
CF | > CREDITS | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | MoyTW says, "Remember you can pinch yourself if you want to leave the memory." | |
Jacqueline says, "Yeah" | ||
DavidW asks (of MoyTW), "I remember, but presumably we can do something here, yes?" | ||
Jacqueline says, "Possibly, yeah." | ||
Jacqueline says (to ClubFloyd), "x maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > X MAYA | ||
CF | | ||
CF | A girl with red hair. You haven't spoken with her much, but she's one | ||
CF | of the louder kids in your class. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "talk to maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | "Uhhhm, it's kind of private..." you reply uncertainly, feeling your | ||
CF | heart beating in your chest. | ||
CF | | ||
CF | "Aw, please?" Maya says, blinking her eyes. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "talk to maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | A part of you wants to say yes, but you're just too nervous about it. | ||
CF | "Maybe tomorrow?" you offer, but Maya is still unsatisfied. | ||
CF | | ||
CF | "Pretty please?" she tries. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "show book to maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > SHOW BOOK TO MAYA | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "show magic to maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > SHOW MAGIC TO MAYA | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | DavidW says, "comic, not book" | |
Jacqueline says, "Help - thanks" | ||
Jacqueline says (to ClubFloyd), "show comic to maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > SHOW COMIC TO MAYA | ||
CF | | ||
CF | You don't want to ruin it, you've spent ages drawing it! | ||
CF | | ||
CF | > | Jacqueline says, "Whatever, game. She asked real nice." | |
Jacqueline says (to ClubFloyd), "i" | ||
CF ] Classroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a comic drawing | ||
CF | | ||
CF | > | DavidW says, "Try talking to her more." | |
Jacqueline says (to ClubFloyd), "x comic" | ||
CF ] Classroom | ||
CF | > | ||
CF | > X COMIC | ||
CF | | ||
CF | You've been working on this comic during breaktimes all this week. | ||
CF | You're so happy it's finally finished! | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "read comic" | ||
CF ] Classroom | ||
CF | > | ||
CF | > READ COMIC | ||
CF | | ||
CF | You've been working on this comic during breaktimes all this week. | ||
CF | You're so happy it's finally finished! | ||
CF | | ||
CF | > | Jacqueline says, "hm..." | |
DavidW says (to ClubFloyd), "talk to teacher" | ||
CF ] Classroom | ||
CF | > | ||
CF | > TALK TO TEACHER | ||
CF | | ||
CF | You don't really want to get her attention. | ||
CF | | ||
CF | > | Jacqueline says, "My breakfast just arrived, so I'll be watching and munching for a few..." | |
DavidW says (to ClubFloyd), "talk to maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | You open your mouth again, trying to say yes, but your nerves still | ||
CF | get the better of you. Maya pouts at you, and shows no signs of | ||
CF | leaving. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push maya" | ||
CF ] Classroom | ||
CF | > | ||
CF | > PUSH MAYA | ||
CF | | ||
CF | Maya might not like that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "draw umbrella" | ||
CF ] Classroom | ||
CF | > | ||
CF | > DRAW UMBRELLA | ||
CF | | ||
CF | You can't draw anything whilst Maya is here, watching you. | ||
CF | | ||
CF | > | Jacqueline asks (of DW), "Now who's the meanie?" | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Classroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a comic drawing | ||
CF | | ||
CF | > | DavidW says (to Jacqueline), "I didn't think it would work, but I had to try." | |
Jacqueline says, ">DRAW MAYA. WATCH MAYA AND MAGIC MAYA FIGHT TO THE DEATH" | ||
DavidW asks, "Shall I PINCH myself?" | ||
Jacqueline says, "Enh. Sure." | ||
Jacqueline says, "I'm cool with that." | ||
DavidW says (to ClubFloyd), "pinch" | ||
CF | > | ||
CF | > PINCH | ||
CF | | ||
CF | Maybe you can't reach the end of this memory just yet. You pinch | ||
CF | yourself hard, and open your eyes. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | Knight_Otu says, "I don't really have any idea here yet." | |
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open drawers" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > OPEN DRAWERS | ||
CF | | ||
CF | You start opening up each drawer in turn. They're all empty until you | ||
CF | reach the fifth one - in there, you see a green paper folder. This was | ||
CF | the drawer you used to keep old school notes and books in. You took | ||
CF | pleasure in shredding most of your notes after your final school | ||
CF | exams, so you're surprised that whatever this is has survived. You | ||
CF | pick it up and shut the drawer again. | ||
CF | | ||
CF | > | Jacqueline says, "'just yet' implies we are not done there, hm" | |
DavidW says (to ClubFloyd), "x folder" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X FOLDER | ||
CF | | ||
CF | Made of green card, it has your name scrawled on the front in black | ||
CF | biro. You open it up, and now you remember what this is - it's a | ||
CF | folder you put in the few things you were proud enough of not | ||
CF | to shred with everything else. There's not that much in here: a couple | ||
CF | pages of unusually neat revision notes, a certificate from a school | ||
CF | art competition, and - ah, yes. | ||
CF | | ||
CF | You haven't seen this bundle of pages for a good few years, but it's | ||
CF | immediately familiar: a twenty-page report you had to write for your | ||
CF | Physics coursework at sixth form college. You almost got full marks on | ||
CF | it, even your teacher was surprised. | ||
CF | | ||
CF | Still, it had been a close call. If you were to REMINISCE ON the | ||
CF | report, you bet you could picture yourself the day of the deadline... | ||
CF | | ||
CF | | ||
CF | > | Knight_Otu says, "Maybe we need a courage memory first." | |
Jacqueline says (to KO), "True! That'd be neat." | ||
DavidW says (to ClubFloyd), "x bed" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X BED | ||
CF | | ||
CF | It's just a wooden frame now - you can see the carpet underneath | ||
CF | through the gaps in the boards. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under bed" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > LOOK UNDER BED | ||
CF | | ||
CF | You kneel down and reach a hand underneath the bed. Your arm emerges | ||
CF | covered in dust, and in your hand - is your old teddy bear. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bear" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X BEAR | ||
CF | | ||
CF | He's definitely seen better days; one of his eyes is hanging a little | ||
CF | loose, and his fur is uneven and matted, thanks to the various | ||
CF | beverages that have been spilled on him over the years. But still, the | ||
CF | threaded smile on his little bear face is intact, and seeing him again | ||
CF | after all this time makes you smile too. | ||
CF | | ||
CF | You used to sleep with him tucked under your arm every night. As a | ||
CF | child you had been... embarrassingly terrified of the dark. Even | ||
CF | leaving the light on stopped keeping the nightmares away, after that | ||
CF | one time you caught your dad sneaking in to turn it off when he | ||
CF | thought you'd fallen asleep. No. The only cure... had been good old Mr | ||
CF | Cuddles. | ||
CF | | ||
CF | You'd almost forgotten all about your old nightmares, but this bear | ||
CF | brings the memories right back. You reckon if you tried hard enough to | ||
CF | REMINISCE ON him, you could picture them... | ||
CF | | ||
CF | > | DavidW says, "This looks enCOURAGEing." | |
Knight_Otu says, "I does." | ||
DavidW says (to ClubFloyd), "reminisce on teddy" | ||
CF | > | ||
CF | > REMINISCE ON TEDDY | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | teddy bear. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Darkness | ||
CF | | ||
CF | Darkness | ||
CF | For a moment, you're falling. You have no sense of speed, there's no | ||
CF | rush of air against your skin, just that lurching feeling in your | ||
CF | stomach. Then you hit the floor - gently, somehow - and you open your | ||
CF | eyes. | ||
CF | | ||
CF | All you see is darkness. No, blackness. The falling feeling | ||
CF | in your gut might be gone, but it's replaced by something worse - | ||
CF | fear. | ||
CF | | ||
CF | (You're somewhere different now - a difference place, a different | ||
CF | time. You can sense that there's a lesson for you, at the end of this | ||
CF | memory, but you can always PINCH yourself to go back to the present, | ||
CF | and continue this memory later when you've learned more lessons.) | ||
CF | | ||
CF | | ||
CF | You hear a noise in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "isten" | ||
CF ] Darkness | ||
CF | > | ||
CF | > ISTEN | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "listen" | ||
CF ] Darkness | ||
CF | > | ||
CF | > LISTEN | ||
CF | | ||
CF | You hear nothing unexpected. | ||
CF | | ||
CF | The noise is closer now - it sounds like a low mechanical rumble. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Darkness | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying nothing. | ||
CF | | ||
CF | Still, the ominous noise gets ever louder, and something tells you | ||
CF | that you really don't want to find out what it is - you feel the urge | ||
CF | to get away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "run" | ||
CF ] Darkness | ||
CF | > | ||
CF | > RUN | ||
CF | | ||
CF | You'll have to say which compass direction to go in. | ||
CF | | ||
CF | You can still hear it, something, slowly, inevitably, moving towards | ||
CF | you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF ] Darkness | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | If you want to get out of the memory, you can PINCH yourself. | ||
CF | | ||
CF | For a second, there's silence - but then the sound is back, closer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Darkness | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You stumble blindly, with your arms stretched out before you. | ||
CF | | ||
CF | Darkness | ||
CF | Everything is still pitch black, and you feel like you can't even move | ||
CF | in a straight line when there's nothing to help you keep your | ||
CF | bearings. | ||
CF | | ||
CF | You cover your ears for a little while, just to drown out the noise. | ||
CF | You need to move. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Darkness | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You keep moving, disorientated and afraid. | ||
CF | | ||
CF | Darkness | ||
CF | Dark as ever, but it feels like the ground is sloping downwards. | ||
CF | | ||
CF | You can still hear it, something, slowly, inevitably, moving towards | ||
CF | you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF ] Darkness | ||
CF | > | ||
CF | > D | ||
CF | | ||
CF | The floor is hard and cold beneath you, there's nowhere to go down. | ||
CF | | ||
CF | You cover your ears for a little while, just to drown out the noise. | ||
CF | You need to move. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Darkness | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You don't know where you're going, but you have to keep moving, keep | ||
CF | hoping you're growing and not reducing the distance between you and | ||
CF | that sound. Next thing you know, you're hurtling down a slope, picking | ||
CF | up speed. The only thing you can do is brace your arms over your head | ||
CF | and hope. | ||
CF | | ||
CF | You tumble and you tumble and you tumble, until finally the floor | ||
CF | levels out and you come to a stop. For a moment, you just stay lying | ||
CF | on the floor, breathing hard. Maybe you've at least escaped whatever | ||
CF | was coming after you? | ||
CF | | ||
CF | But the hope is brief - you can still hear that incessant, unfamiliar, | ||
CF | noise, now somewhere above you. | ||
CF | | ||
CF | Darkness | ||
CF | The floor here feels soft, like carpet. And, maybe it's your eyes | ||
CF | playing desperate tricks on you, but you think you can see the | ||
CF | faintest glow of light in front of you. | ||
CF | | ||
CF | You can still hear it, something, slowly, inevitably, moving towards | ||
CF | you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x light" | ||
CF ] Darkness | ||
CF | > | ||
CF | > X LIGHT | ||
CF | | ||
CF | The light is so faint... is it even there? You move closer to it, and | ||
CF | you realise it's like the orange glow of a street lamp. Is this a | ||
CF | window? | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open window" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > OPEN WINDOW | ||
CF | | ||
CF | You're not sure what is is yet - but when you reach out, your hands | ||
CF | come into contact with the soft fabric of curtains. You pull them | ||
CF | open, and more of the orange light streams in. It's dim, but it's | ||
CF | something. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "touch floor" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > TOUCH FLOOR | ||
CF | | ||
CF | That won't help make the darkness go away. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x carpet" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > X CARPET | ||
CF | | ||
CF | It looks just like when you were a kid... | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x light" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > X LIGHT | ||
CF | | ||
CF | The dim orange glow of a street lamp outside. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "enter window" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > ENTER WINDOW | ||
CF | | ||
CF | You know it won't open far enough for you to fit through. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "yell" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > YELL | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | Knight_Otu asks, "Open the window again?" | |
Jacqueline asks, "how did you know that was a window, back there?" | ||
DavidW says, "It said it might be a window." | ||
DavidW says (to ClubFloyd), "x bed" | Jacqueline says, "Oh, must have missed that." | |
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > X BED | ||
CF | | ||
CF | It looks just like when you were a kid... | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under bed" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > LOOK UNDER BED | ||
CF | | ||
CF | That won't help make the darkness go away. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "cover ears" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > COVER EARS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search bed" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > SEARCH BED | ||
CF | | ||
CF | That won't help make the darkness go away. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "get in bed" | ||
CF ] Your Old Bedroom, But Wrong | ||
CF | > | ||
CF | > GET IN BED | ||
CF | | ||
CF | That won't help make the darkness go away. | ||
CF | | ||
CF | There's got to be a way to make the noise go away... You've always | ||
CF | known that bad things happen in the dark, it's like they're attracted | ||
CF | to it. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "turn on light" | ||
CF | > | ||
CF | > TURN ON LIGHT | ||
CF | | ||
CF | Of course! The light switch is here, by the strange doorway, just like | ||
CF | it is in real life. You flick the switch, and the room is immediately | ||
CF | bathed in familiar, yellow light. The eerie shadows the furniture was | ||
CF | casting on the walls fade; and what's more, when you bring yourself to | ||
CF | look at the doorway again, it's just your door, white and shut. | ||
CF | | ||
CF | You can still hear something, but you realise - it's just the sound of | ||
CF | cars intermittently driving down the street outside. Your brain had | ||
CF | been twisting their engine noise into something far more sinister. | ||
CF | | ||
CF | You're safe now, the nightmare is over. You feel yourself being taken | ||
CF | back to reality... | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | DavidW says, "oh d'oh" | |
Jacqueline smiles. | ||
Knight_Otu says, "Oh." | ||
MoyTW says, "Hahahahaha." | ||
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | You used to have nightmares about the dark all the time. The day after | ||
CF | a particularly bad one, Mr Cuddles had appeared on your bed, with a | ||
CF | red ribbon round his neck, and your mum smiling next to him. | ||
CF | | ||
CF | After a few nights, the nightmares stopped, and as you grew older you | ||
CF | realised - there was nothing scary about the dark, or about a lot of | ||
CF | things. They were only scary if you let them scare you. And so, Mr | ||
CF | Cuddles lost his purpose, though he never quite lost his place in your | ||
CF | heart. | ||
CF | | ||
CF | (You have learned the lesson of CALMNESS. To remind yourself of | ||
CF | this lesson, REMEMBER CALMNESS - this will allow you to apply this | ||
CF | lesson to your next action. To check which lessons you have learned, | ||
CF | REMEMBER LESSONS.) | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | | ||
CF | > | Jacqueline asks, "Hrm. Will that help with Maya?" | |
Jacqueline says, "Might." | ||
DavidW says (to ClubFloyd), "x table" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X TABLE | ||
CF | | ||
CF | There used to be a lamp on here, but now the only thing on it is a | ||
CF | birthday card, looking cheerful and out of place in your otherwise | ||
CF | lifeless bedroom. You pick it up. | ||
CF | | ||
CF | The front is innocent enough - flowers, balloons, a font almost as | ||
CF | cheesy as Comic Sans. It's the inside that makes your stomach twist a | ||
CF | little. The message is in your handwriting, because this card wasn't | ||
CF | for you - it was for Maya. Her nineteenth birthday. | ||
CF | | ||
CF | You know that if you were to REMINISCE ON the card, you could take | ||
CF | yourself right back to that day. | ||
CF | | ||
CF | > | Jacqueline says, "'Almost as cheesy as comic sans,' but not *that* bad." | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a birthday card | ||
CF | a teddy bear | ||
CF | a Physics report | ||
CF | a green paper folder | ||
CF | a comic drawing | ||
CF | a bin bag | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bag" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X BAG | ||
CF | | ||
CF | Your mum must have left this for you to put things into. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bear" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X BEAR | ||
CF | | ||
CF | He's definitely seen better days; one of his eyes is hanging a little | ||
CF | loose, and his fur is uneven and matted, thanks to the various | ||
CF | beverages that have been spilled on him over the years. But still, the | ||
CF | threaded smile on his little bear face is intact, and seeing him again | ||
CF | after all this time makes you smile too. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open wardrobe" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > OPEN WARDROBE | ||
CF | | ||
CF | You open the wardrobe - the left door is still as stiff as you | ||
CF | remember it being. Inside, it's entirely empty other than for a | ||
CF | lonely-looking coat hanger. And on that coat hanger, there's a very | ||
CF | lonely-looking hoodie. | ||
CF | | ||
CF | You rescue it from its solitude. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hoodie" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X HOODIE | ||
CF | | ||
CF | It's your school leavers hoodie, a dark blue with the names of the | ||
CF | whole class arranged on the back, and your own surname in bold letters | ||
CF | on the right side of the front. You used to love wearing it around at | ||
CF | home on lazy weekends - the unisex sizing meant it had been much too | ||
CF | large for you - and your tendency to fiddle with the sleeves meant | ||
CF | both cuffs had an assortment of holes. Your parents must have taken | ||
CF | the rest of your clothes to charity shops whilst you'd been away, but | ||
CF | left this for you, just in case. | ||
CF | | ||
CF | You're glad they did. Though you can't really see yourself wearing | ||
CF | this anymore, you do have fond memories from the days when you did. | ||
CF | | ||
CF | There's one memory in particular that you associate strongly with it - | ||
CF | if you were to REMINISCE ON the hoodie, you could probably remember | ||
CF | just how it played out... | ||
CF | | ||
CF | > | Jacqueline says, "All this reminiscing is making me think of the game jam game *I* wrote about reminiscing. (Pleasantly so.)" | |
DavidW asks, "Should we try again with calmness and Maya?" | ||
Knight_Otu asks, "So reminiscing about reminiscing?" | ||
Jacqueline says (to KO), "Yeah." | ||
Knight_Otu says (to David), "Sure." | ||
Jacqueline says, "Sure" | ||
DavidW says (to ClubFloyd), "reminisce on comic" | ||
CF | > | ||
CF | > REMINISCE ON COMIC | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | comic drawing. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Classroom | ||
CF | | ||
CF | Classroom | ||
CF | A primary school classroom, with tables and blue plastic chairs | ||
CF | arranged in rows. It's raining hard outside, for the third day in the | ||
CF | row, so you and all your classmates are spending yet another | ||
CF | lunchbreak indoors. Your class teacher, Miss Andrews, is at the front | ||
CF | of the room. | ||
CF | | ||
CF | Maya is still standing next to your desk, attempting to peer at your | ||
CF | drawing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember calmness" | ||
CF ] Classroom | ||
CF | > | ||
CF | > REMEMBER CALMNESS | ||
CF | | ||
CF | You take a deep breath and remember not to let your mind convince you | ||
CF | something is scary when it doesn't need to be. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to maya" | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | You finally manage a smile. "Okay, I guess you can take a look! It's | ||
CF | only rough, though." | ||
CF | | ||
CF | Maya grins and doesn't hesitate to pick up the piece of paper. You | ||
CF | watch her as she reads it. The smile doesn't fade from her face, even | ||
CF | when she's finished. | ||
CF | | ||
CF | "You're really good at drawing!" she says. "I wish the headteacher | ||
CF | actually had a cat." | ||
CF | | ||
CF | Her words fill you with warmth, and any nervousness you had is | ||
CF | forgotten. Instead, you hear yourself laugh. "Me too," you reply. | ||
CF | | ||
CF | "You should put, like, aliens or something in. Why make a | ||
CF | superhero comic and just set it at school?" | ||
CF | | ||
CF | "I wanted to have everything realistic, so the notebook seems more | ||
CF | special." | ||
CF | | ||
CF | Maya tilts her head. "But that's boooring." She says it jokingly, and | ||
CF | you find yourself laughing again. | ||
CF | | ||
CF | "Okay, okay, how about you come up with the next story, and I'll draw | ||
CF | it?" | ||
CF | | ||
CF | It's the start of a long friendship. | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | You and Maya drew countless comics together, aliens and all. | ||
CF | Inevitably, some of Maya's careless confidence rubbed off on you, and | ||
CF | through spending your school years by her side, you realised that | ||
CF | speaking up for yourself didn't feel as overwhelming as it had before. | ||
CF | Maybe your comic self had a magic notebook, but the real you was good | ||
CF | too. | ||
CF | | ||
CF | (You have learned the lesson of CONFIDENCE. To remind yourself of | ||
CF | this lesson, REMEMBER CONFIDENCE - this will allow you to apply this | ||
CF | lesson to your next action. To check which lessons you have learned, | ||
CF | REMEMBER LESSONS.) | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | | ||
CF | > | Knight_Otu asks, "Calm and confident. We might be ready for the test?" | |
DavidW says (to ClubFloyd), "x window" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X WINDOW | ||
CF | | ||
CF | It's late in the afternoon, so the sunlight coming through the window | ||
CF | has a warm if not a bright glow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a leavers hoodie | ||
CF | a birthday card | ||
CF | a teddy bear | ||
CF | a Physics report | ||
CF | a green paper folder | ||
CF | a comic drawing | ||
CF | a bin bag | ||
CF | | ||
CF | > | DavidW asks, "Birthday card next?" | |
Knight_Otu says, "Or that." | ||
Jacqueline says, "Yeah" | ||
DavidW says (to ClubFloyd), "reminisce on card" | ||
CF | > | ||
CF | > REMINISCE ON CARD | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | birthday card. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Motorway | ||
CF | | ||
CF | Motorway | ||
CF | It's Maya's birthday, and you are stuck on the side of a motorway, | ||
CF | three hundred miles away. You were on your way to the airport, and | ||
CF | your dad was nice enough to let you borrow his car for the weekend. As | ||
CF | it turns out, that blessing was a curse: you're still half an hour's | ||
CF | drive from London Heathrow, but this old Fiat has given up. | ||
CF | | ||
CF | Your flight to Newcastle is in just under two hours. You'd promised | ||
CF | you be there, tonight, at the big party she's throwing in her | ||
CF | university dorms. For weeks you've been looking forward to this, but | ||
CF | instead you're here, with an engine that won't start. It's lucky you | ||
CF | managed to veer into the hard shoulder before you lost all your speed. | ||
CF | | ||
CF | You curse, you put on the handbrake, and you get out. | ||
CF | | ||
CF | It's a dreary day for March - gloomy clouds cover the sky. The road is | ||
CF | busy, but not packed - three lanes on both sides, everyone else's cars | ||
CF | working just fine as they whizz past. The steep banks on each side of | ||
CF | the motorway are covered in nothing but weeds and small trees, and | ||
CF | you're far away from the last service station you passed. | ||
CF | | ||
CF | It's just you and your dad's car. | ||
CF | | ||
CF | (You're somewhere different now - a difference place, a different | ||
CF | time. You can sense that there's a lesson for you, at the end of this | ||
CF | memory, but you can always PINCH yourself to go back to the present, | ||
CF | and continue this memory later when you've learned more lessons.) | ||
CF | | ||
CF | | ||
CF | > | Jacqueline says, "I am thoroughly in love with this little game." | |
DavidW says (to ClubFloyd), "x car" | ||
CF ] Motorway | ||
CF | > | ||
CF | > X CAR | ||
CF | | ||
CF | It's red and it's old. Your dad never wanted to sell it out of some | ||
CF | slightly misplaced sense of loyalty, but it looks like its time might | ||
CF | finally be up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Motorway | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a phone | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x phone" | ||
CF ] Motorway | ||
CF | > | ||
CF | > X PHONE | ||
CF | | ||
CF | Your trusty smartphone, now very old and mildly temperamental. The | ||
CF | screensaver is a selfie of you and your friends, the last time you | ||
CF | were all together before going your separate ways for uni. You really | ||
CF | miss them. | ||
CF | | ||
CF | You could TEXT someone - you know Maya, Alex and Isaac always have | ||
CF | their phones on them. Your mum and dad have been getting better at | ||
CF | checking their texts too. | ||
CF | | ||
CF | > | DavidW asks, "Who should we text?" | |
Jacqueline asks, "I'm thinking maybe Maya?" | ||
Knight_Otu asks, "Maya directly?" | ||
DavidW says (to ClubFloyd), "text maya" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT MAYA | ||
CF | | ||
CF | "hey! soo my dad's car broke down on the way to the airport..." you | ||
CF | type out. Then you stare at the message and wonder if it's worth | ||
CF | sending. It makes it sound like you've already given up, and you're | ||
CF | not giving up. And you don't want to make Maya worry. | ||
CF | | ||
CF | You delete the message again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "text mum" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT MUM | ||
CF | | ||
CF | You think about it, but your mum would just panic. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "text dad" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT DAD | ||
CF | | ||
CF | "hey dad, the engine won't start..." you send. | ||
CF | | ||
CF | "where are you?" | ||
CF | | ||
CF | "side of the M4..." | ||
CF | | ||
CF | "oh no, be careful. call the roadside rescue?" | ||
CF | | ||
CF | He sends you the number you need, so you now you can try to CALL | ||
CF | RESCUE. | ||
CF | | ||
CF | > | Jacqueline says, "cool" | |
DavidW says (to ClubFloyd), "call rescue" | ||
CF ] Motorway | ||
CF | > | ||
CF | > CALL RESCUE | ||
CF | | ||
CF | You've always had a strong dislike of making phone calls - something | ||
CF | about speaking on the phone always makes you stumble on every word you | ||
CF | say. You know you have to, but, you can't bring yourself to hit the | ||
CF | dial icon. | ||
CF | | ||
CF | > | Jacqueline says, "calm" | |
Jacqueline says, "confident" | ||
DavidW says (to ClubFloyd), "remember confidence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CONFIDENCE | ||
CF | | ||
CF | You remind yourself that you're a cool, competent person capable of | ||
CF | cool, competent things. | ||
CF | | ||
CF | > | Knight_Otu says, "Both may work." | |
DavidW says (to ClubFloyd), "call rescue" | ||
CF ] Motorway | ||
CF | > | ||
CF | > CALL RESCUE | ||
CF | | ||
CF | You rehearse what you're going to say in you're head, take a deep | ||
CF | breath, and then you hit the dial icon. | ||
CF | | ||
CF | The good news is that they pick up quickly, and the conversation goes | ||
CF | surprisingly smoothly. | ||
CF | | ||
CF | The bad news is, they won't be able to get anyone to you for another | ||
CF | forty minutes. That doesn't leave much time for you to get to the | ||
CF | airport on time... but you say yes anyway, thank them, and hang up. | ||
CF | Damn it. | ||
CF | | ||
CF | > | Jacqueline asks, "Alex or Isaac?" | |
DavidW says (to ClubFloyd), "remember calmness" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CALMNESS | ||
CF | | ||
CF | You take a deep breath and remember not to let your mind convince you | ||
CF | something is scary when it doesn't need to be. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "text alex" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT ALEX | ||
CF | | ||
CF | "hey do you know how to fix a broken car??" you send. | ||
CF | | ||
CF | "you're the one who took physics alevel not me!" is Alex's reply. | ||
CF | | ||
CF | "ughhhh" | ||
CF | | ||
CF | "try googling?" | ||
CF | | ||
CF | You suppose trying to GOOGLE isn't the worst idea in the world... | ||
CF | | ||
CF | Calmness wasn't useful for that; you stop concentrating on it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "google" | ||
CF ] Motorway | ||
CF | > | ||
CF | > GOOGLE | ||
CF | | ||
CF | You pull out your phone and type in: "car that won't start". | ||
CF | | ||
CF | A lot of possible causes come up - is your battery dead? Maybe it's | ||
CF | the ignition switch? Or the fuel filter is clogged? The only option | ||
CF | you feel qualified enough to rule out is that you're out of fuel | ||
CF | altogether - you made sure to fill up before you left. | ||
CF | | ||
CF | You sigh. Finding an answer isn't going to be as easy as you thought, | ||
CF | not that you even thought it was going to be easy. You're going to | ||
CF | need to Google harder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "google harder" | ||
CF ] Motorway | ||
CF | > | ||
CF | > GOOGLE HARDER | ||
CF | | ||
CF | I only understood you as far as wanting to google. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "google" | ||
CF ] Motorway | ||
CF | > | ||
CF | > GOOGLE | ||
CF | | ||
CF | Thinking about scrolling through all those words you don't fully | ||
CF | understand makes you feel exhausted... | ||
CF | | ||
CF | > | Jacqueline says, "Ha! GOOGLE HARDER" | |
Knight_Otu says, "That really should have been recognized." | ||
Jacqueline says, "I don't know that it should have been, but I would have loved it if it had been." | ||
Jacqueline says, "I'm going to have to remember that, next time I can't find what I want." | ||
DavidW says (to ClubFloyd), "remember confidence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CONFIDENCE | ||
CF | | ||
CF | You remind yourself that you're a cool, competent person capable of | ||
CF | cool, competent things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "google" | ||
CF ] Motorway | ||
CF | > | ||
CF | > GOOGLE | ||
CF | | ||
CF | Thinking about scrolling through all those words you don't fully | ||
CF | understand makes you feel exhausted... | ||
CF | | ||
CF | Confidence wasn't useful for that; you stop concentrating on it. | ||
CF | | ||
CF | > | MoyTW says, "I'm kinda surprised they had text for shoving Maya, which is significantly less likely than entering in "Google harder" there." | |
Knight_Otu says, "Of course, it's always easier to claim "Should have been recognized" as the player." | ||
Jacqueline says, "I think that 'push Maya' text is default to Inform." | ||
DavidW says, "That was just standard push someone." | ||
MoyTW says, "Oooooh." | ||
Jacqueline says, "Inform is magic like that quite often." | ||
DavidW says, "I think we need another lesson first before we can google harder here." | ||
Knight_Otu says, "Possibly the physics report." | ||
Jacqueline asks, "Mmkay... pinch then?" | ||
DavidW says (to ClubFloyd), "pinch" | ||
CF | > | ||
CF | > PINCH | ||
CF | | ||
CF | Maybe you can't reach the end of this memory just yet. You pinch | ||
CF | yourself hard, and open your eyes. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "reminisce on hoodle" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > REMINISCE ON HOODLE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "reminisce on hoodie" | ||
CF | > | ||
CF | > REMINISCE ON HOODIE | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | leavers hoodie. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] The Park | ||
CF | | ||
CF | The Park | ||
CF | The sun is sitting low in the sky, and you and three friends are | ||
CF | sitting in a circle, legs stretched out on the grass. This small | ||
CF | square of greenery is a spot your group likes to come after school, | ||
CF | when the weather allows. It's surrounded on all sides by ugly brick | ||
CF | buildings, but it's still a breath of fresh air, and a good place to | ||
CF | just relax before heading home. | ||
CF | | ||
CF | You're sitting next to your best friend, Maya. It's her birthday today | ||
CF | - the sweet sixteen - and she hasn't let any of you forget it. | ||
CF | | ||
CF | "I told you!" she's exclaiming in her typical melodramatic manner. "I | ||
CF | want to celebrate with alcohol! This is a milestone!" | ||
CF | | ||
CF | Your friend Alex laughs and shakes his head. "Maya, I think you're | ||
CF | confusing sixteen with eighteen..." | ||
CF | | ||
CF | Maya waves her hand dismissively. "Shush. I want alcohol. We are | ||
CF | getting our hands on some beer tonight, or I'm finding a new group of | ||
CF | friends." | ||
CF | | ||
CF | You all know she's only joking... but she's a stubborn one. | ||
CF | | ||
CF | (You're somewhere different now - a difference place, a different | ||
CF | time. You can sense that there's a lesson for you, at the end of this | ||
CF | memory, but you can always PINCH yourself to go back to the present, | ||
CF | and continue this memory later when you've learned more lessons.) | ||
CF | | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x Maya" | ||
CF ] The Park | ||
CF | > | ||
CF | > X MAYA | ||
CF | | ||
CF | Red hair, brown eyes, always talking. You've been close friends since | ||
CF | you were eleven, and you can't really imagine not having her around, | ||
CF | even if your life would be significantly more peaceful that way. You | ||
CF | know she'll always have your back when it really matters. | ||
CF | | ||
CF | Alex holds up his hands. "All right, all right - birthday girl wants | ||
CF | some beer, we got it." | ||
CF | | ||
CF | "None of us can buy alcohol..." your state-the-obvious friend Isaac | ||
CF | points out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x Alex" | ||
CF ] The Park | ||
CF | > | ||
CF | > X ALEX | ||
CF | | ||
CF | Absolute goofball. You're not sure you've ever heard him take anything | ||
CF | seriously, but his constant cheerfulness is always welcome company. | ||
CF | | ||
CF | Then Maya breaks into a grin - it's the grin that always warns you | ||
CF | when she's got something up her sleeve. "So maybe we can't buy | ||
CF | alcohol," she says, "but my nineteen year-old stepsister can." And she | ||
CF | might not have had anything literally in her sleeve, but she did have | ||
CF | something in her pocket - her stepsister's driving license, which | ||
CF | she's now holding out proudly in her hand. | ||
CF | | ||
CF | > | Knight_Otu says, "My, my." | |
Jacqueline says, "tut tut" | ||
DavidW says (to ClubFloyd), "x license" | ||
CF ] The Park | ||
CF | > | ||
CF | > X LICENSE | ||
CF | | ||
CF | The driving license of a Miss Stephanie Thorpe. You've only met Maya's | ||
CF | stepsister once, but the mugshot captures her grumpy demeanour pretty | ||
CF | well. | ||
CF | | ||
CF | Alex leans forwards to grab the driving license from Maya's hand, and | ||
CF | inspects it more closely. "I thought you two hated each other! How'd | ||
CF | you get this?" | ||
CF | | ||
CF | Maya continues to grin. "Who says she knows I have it?" | ||
CF | | ||
CF | Alex nods, impressed; meanwhile Isaac looks slightly horrified. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x Isaac" | ||
CF ] The Park | ||
CF | > | ||
CF | > X ISAAC | ||
CF | | ||
CF | Lives next-door to Alex, but that's about where the similarities end. | ||
CF | Isaac is the one you all tend to copy homework from. | ||
CF | | ||
CF | "You're going to impersonate her?" Isaac asks Maya, and it's in a tone | ||
CF | that suggests he doesn't really want to know the answer. | ||
CF | | ||
CF | "I'd totally do it, except Stephanie's blonde, and I'm clearly not. | ||
CF | So, no, I'm not impersonating anyone." Then Maya retrieves the license | ||
CF | from Alex's grip and places it in your lap instead. "This lady is." | ||
CF | | ||
CF | Oh, hell. | ||
CF | | ||
CF | "So," Maya challenges, "you up for this?" | ||
CF | | ||
CF | > | Jacqueline says, "Oh, holy hell." | |
Knight_Otu exclaims, "Want a new best friend!" | ||
Jacqueline says, "I thought I *had* a best friend." | ||
Jacqueline crosses her arms and frowns. | ||
DavidW says (to ClubFloyd), "talk to maya" | ||
CF ] The Park | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | "Uhhh, I don't think so, Maya." You smile apologetically and hand the | ||
CF | license back to her. You just don't believe you could pull it off. | ||
CF | | ||
CF | Maya simply gives the card back to you. "You'll be fine!" she insists. | ||
CF | "Cashiers never look that closely." | ||
CF | | ||
CF | Maya is looking at you, hoping you'll agree to her bold plan. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to maya" | ||
CF ] The Park | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | "You can say whatever you like, but my anxiety still says no," you | ||
CF | reply. "Why don't we buy you some blonde hair-dye instead?" | ||
CF | | ||
CF | Alex chuckles at that. "As much as I would love to see Maya with | ||
CF | blonde hair - you should do it! It'll be fun!" | ||
CF | | ||
CF | This is going to be hard to get out of. | ||
CF | | ||
CF | Saying yes to Maya's idea does sound like it could be fun... but you | ||
CF | don't trust yourself to be able to do it well. | ||
CF | | ||
CF | > | Jacqueline says, "We are brilliant, and everyone should embrace our blonde hair dye idea." | |
DavidW says (to ClubFloyd), "remember confidence" | ||
CF ] The Park | ||
CF | > | ||
CF | > REMEMBER CONFIDENCE | ||
CF | | ||
CF | You remind yourself that you're a cool, competent person capable of | ||
CF | cool, competent things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to maya" | ||
CF ] The Park | ||
CF | > | ||
CF | > TALK TO MAYA | ||
CF | | ||
CF | Maybe you can do this. So long as you look like you know what | ||
CF | you're doing - or rather, that you're not doing anything suspicious at | ||
CF | all - nobody will know a thing, right? | ||
CF | | ||
CF | "All right," you say, standing up dramatically. "I'll do it." | ||
CF | | ||
CF | Alex whoops, and Maya claps happily. "I knew I could count on you!" | ||
CF | she says. "Here." She places a ten pound note in your hand. "Get a six | ||
CF | pack." | ||
CF | | ||
CF | You put the money and the driving license in the back pocket of your | ||
CF | jeans, and look to the west where the closest convenience shop is. | ||
CF | | ||
CF | Time to go to the shop and hope for the best! | ||
CF | | ||
CF | > | Jacqueline says, "I hate this." | |
DavidW says, "I don't care for this section either." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] The Park | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | You start heading towards the shop, but Alex tugs at your leg. | ||
CF | | ||
CF | "I think you might be forgetting something, if you don't want the | ||
CF | cashier to spot anything odd," he chuckles. | ||
CF | | ||
CF | Time to go to the shop and hope for the best! | ||
CF | | ||
CF | > | Jacqueline says, "Update: my arms are still crossed and I am still frowning." | |
DavidW says (to ClubFloyd), "x license" | ||
CF ] The Park | ||
CF | > | ||
CF | > X LICENSE | ||
CF | | ||
CF | The driving license of a Miss Stephanie Thorpe. You've only met Maya's | ||
CF | stepsister once, but the mugshot captures her grumpy demeanour pretty | ||
CF | well. Unfortunately for you, she does have very similar hair to you - | ||
CF | dark blonde and down past the shoulders. | ||
CF | | ||
CF | Time to go to the shop and hope for the best! | ||
CF | | ||
CF | > | Jacqueline asks, "Memorize birthdate?" | |
Knight_Otu says (to ClubFloyd), "x me" | ||
CF ] The Park | ||
CF | > | ||
CF | > X ME | ||
CF | | ||
CF | You're sixteen, and your dark blonde hair is up in a half-hearted bun. | ||
CF | You're wearing your leavers hoodie, still new and fresh having only | ||
CF | been delivered last week. | ||
CF | | ||
CF | Time to go to the shop and hope for the best! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read license" | ||
CF ] The Park | ||
CF | > | ||
CF | > READ LICENSE | ||
CF | | ||
CF | The driving license of a Miss Stephanie Thorpe. You've only met Maya's | ||
CF | stepsister once, but the mugshot captures her grumpy demeanour pretty | ||
CF | well. Unfortunately for you, she does have very similar hair to you - | ||
CF | dark blonde and down past the shoulders. | ||
CF | | ||
CF | Time to go to the shop and hope for the best! | ||
CF | | ||
CF | > | Jacqueline says, "We'll deserve what we have coming." | |
Knight_Otu asks, "Take off the hoodie?" | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] The Park | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a money | ||
CF | a driving license | ||
CF | a school leavers hoodie (being worn) | ||
CF | | ||
CF | Time to go to the shop and hope for the best! | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
Jacqueline says (to ClubFloyd), "badideas" | ||
CF ] The Park | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | Knight_Otu says, "If it's a school-leavers hoodie... that would give it away." | |
DavidW says (to ClubFloyd), "remove hoodie" | ||
CF ] The Park | ||
CF | > | ||
CF | > REMOVE HOODIE | ||
CF | | ||
CF | Good point - wearing a hoodie with a name that is definitely not | ||
CF | Thorpe printed in bright, white letters across the front would perhaps | ||
CF | not have been wise. You wriggle out of it and throw it to Maya. You | ||
CF | decide to take your hair out of its bun as well - anything to make you | ||
CF | look more like the photo on the license. | ||
CF | | ||
CF | All right, now you're really ready to go! | ||
CF | | ||
CF | > | Jacqueline says, "ah good" | |
DavidW says (to ClubFloyd), "w" | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | "You got this, girl!" Maya yells after you as you go. She might be a | ||
CF | terrible influence, but you wouldn't be you without it. | ||
CF | | ||
CF | The operation is carried out without a hitch - the cashier looked | ||
CF | barely older than eighteen himself, and almost forgets to even ask for | ||
CF | proof of age from you in the first place. You return, triumphant, and | ||
CF | the four of you spend the rest of the spring evening joking and | ||
CF | laughing. Even Isaac manages to finish a can, despite spitting out his | ||
CF | first mouthful. | ||
CF | | ||
CF | Once the cans are empty and the sun is down, you split off to go home. | ||
CF | Alex and Isaac take a left, you and Maya take a right, and a short | ||
CF | walk later, when the two of you are in front of her house, she turns | ||
CF | to you. | ||
CF | | ||
CF | "Your company's the best birthday present, you know that, right?" | ||
CF | She's definitely tipsy, but you can tell there's truth in there. | ||
CF | | ||
CF | "Goodnight, Maya," you chuckle. "And happy birthday." | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | Knight_Otu says, "Oh, and a name as well." | |
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | Those were easier days. Maybe they didn't feel them at the time, but | ||
CF | you miss not really having any responsibilities. That, combined with | ||
CF | spending too much time around Maya and Alex and their nonsense, let | ||
CF | you learn that sometimes, doing something bold (and maybe even stupid) | ||
CF | was the best way to get things done. | ||
CF | | ||
CF | (You have learned the lesson of AUDACITY. To remind yourself of | ||
CF | this lesson, REMEMBER AUDACITY - this will allow you to apply this | ||
CF | lesson to your next action. To check which lessons you have learned, | ||
CF | REMEMBER LESSONS.) | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | | ||
CF | > | Jacqueline says, "AUDACIOUS" | |
Jacqueline says, "Excellent" | ||
DavidW says, "hm. I don't think audacity will help with the car scene, though." | ||
Jacqueline says, "Hm. No." | ||
DavidW says (to ClubFloyd), "x folder" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > X FOLDER | ||
CF | | ||
CF | Made of green card, it has your name scrawled on the front in black | ||
CF | biro. | ||
CF | | ||
CF | Nothing else in there is that interesting, really. You decide to just | ||
CF | place it in the bin bag. | ||
CF | | ||
CF | > | Jacqueline says, "Unless we need some audacious car repair." | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a leavers hoodie | ||
CF | a birthday card | ||
CF | a teddy bear | ||
CF | a Physics report | ||
CF | a comic drawing | ||
CF | a bin bag | ||
CF | a green paper folder | ||
CF | | ||
CF | > | DavidW says, "I guess the report unless there's something else in the room." | |
Jacqueline exclaims, "Oh!" | ||
Jacqueline exclaims, "Yeah. That was a hint!" | ||
DavidW asks, "What was?" | ||
Jacqueline says, "When we asked our friend about car repair, he said something like, 'I dunno - you're the one who's good at physics." | ||
Knight_Otu says, "That we took a-level physics." | ||
Jacqueline says, "Which makes no sense for car repair, but ..." | ||
DavidW says, "oh." | ||
DavidW says (to ClubFloyd), "reminisce on report" | ||
CF | > | ||
CF | > REMINISCE ON REPORT | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | Physics report. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Library | ||
CF | | ||
CF | Library | ||
CF | You're sat in front of one of the computers in your sixth form | ||
CF | college's library, and you've just realised - you've messed up. Your | ||
CF | Physics coursework is due at the end of today, printed and ready to | ||
CF | hand in, and since you don't have a functioning printer at home, you | ||
CF | emailed the document to yourself when you finished the report, in the | ||
CF | early hours of the morning. | ||
CF | | ||
CF | Or, at least, you thought you had - but you didn't send the final | ||
CF | version. Long story short, you're missing the whole last section of | ||
CF | your report, and your laptop is all the way back home. | ||
CF | | ||
CF | You feel yourself begin to panic. | ||
CF | | ||
CF | (You're somewhere different now - a difference place, a different | ||
CF | time. You can sense that there's a lesson for you, at the end of this | ||
CF | memory, but you can always PINCH yourself to go back to the present, | ||
CF | and continue this memory later when you've learned more lessons.) | ||
CF | | ||
CF | | ||
CF | > | Knight_Otu says, "Oops." | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Library | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a phone | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x phone" | ||
CF ] Library | ||
CF | > | ||
CF | > X PHONE | ||
CF | | ||
CF | Your trusty smartphone, a couple of years old. The screensaver is a | ||
CF | nice photo of the Scottish Highlands, where you went on holiday with | ||
CF | your parents last year. | ||
CF | | ||
CF | > | Jacqueline says, "Snap. Been there." | |
Jacqueline says (to ClubFloyd), "call mom" | ||
CF ] Library | ||
CF | > | ||
CF | > CALL MOM | ||
CF | | ||
CF | At the moment, the only thing you can think about is how hard your | ||
CF | heart is beating. You stayed up all night working on that report - | ||
CF | what are you going to do? What are you going to do? | ||
CF | | ||
CF | > | Jacqueline says, "MOM COULD SEND THE REPORT TO US" | |
Knight_Otu says, "Calmness." | ||
Jacqueline says, "I AM CALM" | ||
DavidW says (to ClubFloyd), "remember calmness" | ||
CF ] Library | ||
CF | > | ||
CF | > REMEMBER CALMNESS | ||
CF | | ||
CF | You take a deep breath and remember not to let your mind convince you | ||
CF | something is scary when it doesn't need to be. | ||
CF | | ||
CF | You feel a little better now as the panic clears from your head. Your | ||
CF | goal is clear - you need to get back home, come back, print it out, | ||
CF | and hand it to the office before the deadline at 4pm. Only thing is, | ||
CF | it's already 1pm, the end of your lunch break, and you're supposed to | ||
CF | be in a Maths lesson in ten minutes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "call mom" | ||
CF ] Library | ||
CF | > | ||
CF | > CALL MOM | ||
CF | | ||
CF | Making phone calls in the library is a good way to make the librarian | ||
CF | hate you. | ||
CF | | ||
CF | > | Jacqueline says, "HEH" | |
Jacqueline says, "Oops. Caps lock." | ||
Jacqueline asks, "Skip class?" | ||
MoyTW says, "These librarians care a lot more about quiet than the ones at my high school." | ||
DavidW says (to ClubFloyd), "go home" | ||
CF ] Library | ||
CF | > | ||
CF | > GO HOME | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "skip class" | ||
CF ] Library | ||
CF | > | ||
CF | > SKIP CLASS | ||
CF | | ||
CF | I only understood you as far as wanting to skip. | ||
CF | | ||
CF | > | Knight_Otu says, "Somehow, all game librarians do." | |
Jacqueline nods. | ||
DavidW says (to ClubFloyd), "remember audacity" | ||
CF ] Library | ||
CF | > | ||
CF | > REMEMBER AUDACITY | ||
CF | | ||
CF | You think of the risks you've taken in the past and remind yourself | ||
CF | that, sometimes, there is no safe way to get things done. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "call home" | ||
CF ] Library | ||
CF | > | ||
CF | > CALL HOME | ||
CF | | ||
CF | Making phone calls in the library is a good way to make the librarian | ||
CF | hate you. | ||
CF | | ||
CF | Audacity wasn't useful for that; you stop concentrating on it. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "home" | ||
CF ] Library | ||
CF | > | ||
CF | > HOME | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF ] Library | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | But you aren't in anything at the moment. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF ] Library | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Library | ||
CF | You're sat in front of one of the computers in your sixth form | ||
CF | college's library, and you've just realised - you've messed up. Long | ||
CF | story short, you're missing the whole last section of your report, and | ||
CF | your laptop is all the way back home. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x computer" | ||
CF ] Library | ||
CF | > | ||
CF | > X COMPUTER | ||
CF | | ||
CF | Frustratingly slow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "call maya" | ||
CF ] Library | ||
CF | > | ||
CF | > CALL MAYA | ||
CF | | ||
CF | Making phone calls in the library is a good way to make the librarian | ||
CF | hate you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "text mom" | ||
CF ] Library | ||
CF | > | ||
CF | > TEXT MOM | ||
CF | | ||
CF | Yeah, you're not telling your mum about this... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "text maya" | ||
CF ] Library | ||
CF | > | ||
CF | > TEXT MAYA | ||
CF | | ||
CF | "sent myself the wrong version of my report..." you type. | ||
CF | | ||
CF | "damn! you have to hand that in after our maths lesson today?" comes | ||
CF | Maya's quick reply. | ||
CF | | ||
CF | "yup" | ||
CF | | ||
CF | "well, you know what i'd do ;)" | ||
CF | | ||
CF | And you can tell just what your friend is implying - that you should | ||
CF | skip the lesson. You'd need to get Maya to cover for you though, and | ||
CF | Mr Wright isn't known for being friendly most days... | ||
CF | | ||
CF | > | Knight_Otu says, "Right, I was about to suggest texting." | |
Jacqueline says, "YES" | ||
Jacqueline says, "We didn't need Maya to tell us that, game." | ||
DavidW says, "I've never texted in real life. It's not something I think of doing." | ||
Jacqueline says (to ClubFloyd), "text maya" | ||
CF ] Library | ||
CF | > | ||
CF | > TEXT MAYA | ||
CF | | ||
CF | "yeah, can you cov" | ||
CF | | ||
CF | You get partway through the message when you realise it's completely | ||
CF | out of character for you. Asking a friend to lie to a teacher so you | ||
CF | can ditch a lesson? It seems risky. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "audacious" | ||
CF ] Library | ||
CF | > | ||
CF | > AUDACIOUS | ||
CF | | ||
CF | That's not a verb I recognise. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember audacity" | ||
CF ] Library | ||
CF | > | ||
CF | > REMEMBER AUDACITY | ||
CF | | ||
CF | You think of the risks you've taken in the past and remind yourself | ||
CF | that, sometimes, there is no safe way to get things done. | ||
CF | | ||
CF | > | Jacqueline says, "Thank you" | |
DavidW says (to ClubFloyd), "text maya" | ||
CF | > | ||
CF | > TEXT MAYA | ||
CF | | ||
CF | Maybe it's a slightly reckless plan, but it's all you can think of: | ||
CF | you're going to ditch Maths, and you're going to ask Maya to cover for | ||
CF | you. | ||
CF | | ||
CF | "yeah, can you cover for me? tell mr wright i'm ill?" you type. | ||
CF | | ||
CF | "i got you! now go get your report!!" | ||
CF | | ||
CF | You knew you could count on her. But then your phone buzzes again - | ||
CF | | ||
CF | "also i'm proud of your rebellious streak hahaha" | ||
CF | | ||
CF | You smirk at that. She was always a bad influence. | ||
CF | | ||
CF | You grab your things and head out of the building, grateful that the | ||
CF | receptionist is too busy to ask where you're going. | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | It was a half hour bus journey from college, and your heart was in | ||
CF | your mouth for most of it, but Maya texted you to say Mr Wright wasn't | ||
CF | suspicious, and thus you could relax. You got home, resent the file - | ||
CF | three times, to make sure you definitely didn't mess it up again - and | ||
CF | made it back to the library to print, all in good time. You were | ||
CF | sweating a little bit as you handed it in, but Maya was there by your | ||
CF | side, and there to hi-five you once it was done. | ||
CF | | ||
CF | And it was all worth it. It might have been written in the early hours | ||
CF | of the morning, and you did almost miss the deadline altogether, but | ||
CF | it was one of the best marks you ever got. | ||
CF | | ||
CF | (You have learned the lesson of DILIGENCE. To remind yourself of | ||
CF | this lesson, REMEMBER DILIGENCE - this will allow you to apply this | ||
CF | lesson to your next action. To check which lessons you have learned, | ||
CF | REMEMBER LESSONS.) | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | On the right side of the room is your bed - or rather, bedframe, since | ||
CF | the mattress is gone. Next to the end where the pillow would have | ||
CF | been, there's a little bedside table. A wooden wardrobe sits in the | ||
CF | far left corner. Beside it, there's a low chest of drawers. There's a | ||
CF | window on the wall opposite the door, looking out onto the street. The | ||
CF | light switch is on the wall next to the door, whilst the wall above | ||
CF | the bed is covered in old blu-tac stains. | ||
CF | | ||
CF | | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Your Old Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a leavers hoodie | ||
CF | a birthday card | ||
CF | a teddy bear | ||
CF | a Physics report | ||
CF | a comic drawing | ||
CF | a bin bag | ||
CF | a green paper folder | ||
CF | | ||
CF | > | Jacqueline asks, "GOOGLE DILIGENTLY?" | |
Jacqueline says, "Kidding" | ||
Jacqueline says, "Maybe." | ||
DavidW says (to ClubFloyd), "reminisce on card" | ||
CF | > | ||
CF | > REMINISCE ON CARD | ||
CF | | ||
CF | You close your eyes, and you dive deep into the memory evoked by the | ||
CF | birthday card. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Motorway | ||
CF | | ||
CF | Motorway | ||
CF | It's a dreary day for March - gloomy clouds cover the sky. The road is | ||
CF | busy, but not packed - three lanes on both sides, everyone else's cars | ||
CF | working just fine as they whizz past. The steep banks on each side of | ||
CF | the motorway are covered in nothing but weeds and small trees, and | ||
CF | you're far away from the last service station you passed. | ||
CF | | ||
CF | It's just you and your dad's car. | ||
CF | | ||
CF | > | Knight_Otu says, ">I only understood you as far as you wanting to google." | |
DavidW says (to ClubFloyd), "remember diligence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER DILIGENCE | ||
CF | | ||
CF | You steel yourself to put some effort in, because you've learned that | ||
CF | often there's just no way around some hard work. | ||
CF | | ||
CF | > | Jacqueline says (to KO), "heh" | |
DavidW says (to ClubFloyd), "google" | ||
CF ] Motorway | ||
CF | > | ||
CF | > GOOGLE | ||
CF | | ||
CF | You take out your phone again and prepare yourself to keep reading. | ||
CF | It's draining, trying to make sense of all these mechanical terms | ||
CF | you're unfamiliar with, but you keep reading, and hoping there'll be | ||
CF | some magic, easy fix. | ||
CF | | ||
CF | You follow the steps on some How To article, trying to narrow down the | ||
CF | problem, but when it comes to testing whether your windshield wipers | ||
CF | still work, you come to the depressing conclusion that it might be the | ||
CF | battery after all. And there's not a lot you can do about that by | ||
CF | yourself. | ||
CF | | ||
CF | > | Jacqueline says, "We need a memory that will make us electric." | |
DavidW says (to ClubFloyd), "google" | ||
CF ] Motorway | ||
CF | > | ||
CF | > GOOGLE | ||
CF | | ||
CF | Unfortunately, Google can't magic a new battery out of thin air. If | ||
CF | only that magic notebook you used to write comics about was real... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "draw battery" | ||
CF ] Motorway | ||
CF | > | ||
CF | > DRAW BATTERY | ||
CF | | ||
CF | You have nothing to draw that on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "text isaac" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT ISAAC | ||
CF | | ||
CF | "hello mr know it all, do you know how to fix a broken car?" you send. | ||
CF | | ||
CF | "you're gonna need to be a little more specific" Isaac replies. | ||
CF | | ||
CF | "engine won't start" | ||
CF | | ||
CF | "still not specific enough" | ||
CF | | ||
CF | "i don't know anything about cars!!" | ||
CF | | ||
CF | "sorry, if i was there i'd help you :(" | ||
CF | | ||
CF | > | ||
Knight_Otu says (to ClubFloyd), "draw isaac" | ||
CF ] Motorway | ||
CF | > | ||
CF | > DRAW ISAAC | ||
CF | | ||
CF | You have nothing to draw that on. | ||
CF | | ||
CF | > | Jacqueline asks, "Diligently text?" | |
Jacqueline says, "He sounds promising" | ||
DavidW says (to ClubFloyd), "text isaac" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT ISAAC | ||
CF | | ||
CF | It sounds like Isaac won't be able to help you much here. | ||
CF | | ||
CF | > | Knight_Otu says, "We may have to text Maya that we'll be late." | |
DavidW says (to ClubFloyd), "x cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > X CARS | ||
CF | | ||
CF | A white BMW, a red Ford, a white Mercedes... they all drive past, | ||
CF | either not seeing or ignoring you looking sorry for yourself. Maybe | ||
CF | you could try and WAVE to get someone's attention? | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "remember diligence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER DILIGENCE | ||
CF | | ||
CF | You steel yourself to put some effort in, because you've learned that | ||
CF | often there's just no way around some hard work. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "text isaac" | ||
CF ] Motorway | ||
CF | > | ||
CF | > TEXT ISAAC | ||
CF | | ||
CF | It sounds like Isaac won't be able to help you much here. | ||
CF | | ||
CF | Diligence wasn't useful for that; you stop concentrating on it. | ||
CF | | ||
CF | > | Jacqueline says, "oh" | |
Jacqueline says, "meh" | ||
DavidW says, "I think we need to flag another driver down to help us." | ||
Jacqueline says, "Hm. Okay" | ||
DavidW says (to ClubFloyd), "wave at cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > WAVE AT CARS | ||
CF | | ||
CF | Despite your desperation, you feel too self-conscious to try and flag | ||
CF | anyone down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember confidence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CONFIDENCE | ||
CF | | ||
CF | You remind yourself that you're a cool, competent person capable of | ||
CF | cool, competent things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wave at cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > WAVE AT CARS | ||
CF | | ||
CF | You wave an arm, ignoring how stupid you feel. Nobody slows down, and | ||
CF | your confidence only lasts for about a minute before you lose hope | ||
CF | again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember audacity" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER AUDACITY | ||
CF | | ||
CF | You think of the risks you've taken in the past and remind yourself | ||
CF | that, sometimes, there is no safe way to get things done. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wave at cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > WAVE AT CARS | ||
CF | | ||
CF | It's mildly suicidal, but you try stepping out of the hard shoulder a | ||
CF | little bit, and wave at the next car in the outermost lane. All you | ||
CF | get is a very angry honk, and you jump back out of the way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember diligence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER DILIGENCE | ||
CF | | ||
CF | You steel yourself to put some effort in, because you've learned that | ||
CF | often there's just no way around some hard work. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wave at cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > WAVE AT CARS | ||
CF | | ||
CF | Despite your desperation, you feel too self-conscious to try and flag | ||
CF | anyone down. | ||
CF | | ||
CF | Diligence wasn't useful for that; you stop concentrating on it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember confidence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CONFIDENCE | ||
CF | | ||
CF | You remind yourself that you're a cool, competent person capable of | ||
CF | cool, competent things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember diligence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER DILIGENCE | ||
CF | | ||
CF | You forget about confidence and remember diligence instead. | ||
CF | | ||
CF | You steel yourself to put some effort in, because you've learned that | ||
CF | often there's just no way around some hard work. | ||
CF | | ||
CF | > | DavidW says, "oh, we can't mix 'em." | |
DavidW says (to ClubFloyd), "remember confidence" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CONFIDENCE | ||
CF | | ||
CF | You forget about diligence and remember confidence instead. | ||
CF | | ||
CF | You remind yourself that you're a cool, competent person capable of | ||
CF | cool, competent things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wave at cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > WAVE AT CARS | ||
CF | | ||
CF | You wave an arm, ignoring how stupid you feel. Nobody slows down, and | ||
CF | your confidence only lasts for about a minute before you lose hope | ||
CF | again. | ||
CF | | ||
CF | > | Knight_Otu says, "Yeah." | |
DavidW says (to ClubFloyd), "remember calmness" | ||
CF ] Motorway | ||
CF | > | ||
CF | > REMEMBER CALMNESS | ||
CF | | ||
CF | You take a deep breath and remember not to let your mind convince you | ||
CF | something is scary when it doesn't need to be. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wave at cars" | ||
CF ] Motorway | ||
CF | > | ||
CF | > WAVE AT CARS | ||
CF | | ||
CF | Despite your desperation, you feel too self-conscious to try and flag | ||
CF | anyone down. | ||
CF | | ||
CF | Calmness wasn't useful for that; you stop concentrating on it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search car" | ||
CF ] Motorway | ||
CF | > | ||
CF | > SEARCH CAR | ||
CF | | ||
CF | The only things you have in the car is some changes of clothes, | ||
CF | snacks, and a collection of balloons spelling out Maya's name. There's | ||
CF | also an envelope containing her birthday card - you can't wait to see | ||
CF | her face when she reads it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x snacks" | ||
CF ] Motorway | ||
CF | > | ||
CF | > X SNACKS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x clothes" | ||
CF ] Motorway | ||
CF | > | ||
CF | > X CLOTHES | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show leg" | ||
CF ] Motorway | ||
CF | > | ||
CF | > SHOW LEG | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Jacqueline says, "snrk" | |
Jacqueline asks, "Have we exhausted our abilities to reminisce?" | ||
Jacqueline asks, "Like, is there another memory that comes before this still?" | ||
DavidW says, "I don't know." | ||
DavidW says (to ClubFloyd), "pinch" | ||
CF | > | ||
CF | > PINCH | ||
CF | | ||
CF | Maybe you can't reach the end of this memory just yet. You pinch | ||
CF | yourself hard, and open your eyes. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Your Old Bedroom | ||
CF | | ||
CF | Your Old Bedroom | ||
CF | You're back to the present, back to holding this card. | ||
CF | | ||
CF | You sigh. Even just reliving that memory, you feel helpless. You | ||
CF | didn't manage to fix that car. You didn't manage to make that flight. | ||
CF | | ||
CF | You didn't manage to see Maya one last time, before her accident a | ||
CF | couple of weeks later. | ||
CF | | ||
CF | It's a guilt you've been carrying with you ever since, missing her | ||
CF | last birthday. She'd always been there for you, ever since she first | ||
CF | grabbed that comic from your desk. All you had to do was just be there | ||
CF | for her that night - and you messed that up. | ||
CF | | ||
CF | But, you suppose, maybe that's the hardest lesson there is. Sometimes | ||
CF | there's just nothing you can do. You can be calm and you can be | ||
CF | confident and you can be daring and you can be diligent, and it still | ||
CF | won't change a thing. You can only give up. | ||
CF | | ||
CF | It's a way you've not really thought about it before, but as you stand | ||
CF | here, holding this undelivered birthday card, you realise that it | ||
CF | makes no sense to keep blaming yourself. You did everything you could | ||
CF | have. And you couldn't have known Maya's time would be up so soon | ||
CF | after... | ||
CF | | ||
CF | That's the past now. There's no use holding onto these things, or onto | ||
CF | that guilt. You place the card into the bin bag, along with everything | ||
CF | else, and you leave the room. | ||
CF | | ||
CF | (You have learned the lesson of ACCEPTANCE.) | ||
CF | | ||
CF | | ||
CF | *** The End *** | ||
CF | | ||
CF | | ||
CF | Thank you so much for playing Moving (On). This was thrown together | ||
CF | for the NarraScope 2020 Game Jam with the theme "growth" (a big thank | ||
CF | you to the organizers too!) | ||
CF | | ||
CF | I didn't leave myself enough time for polish and testing as I would | ||
CF | have liked, so please send any typos or bugs my way. Or any thoughts | ||
CF | in general, I'd love to hear them! | ||
CF | | ||
CF | You can find me on Twitter and itch.io as @quackoquack :) | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | ||
CF | command? | ||
CF | > | Jacqueline says, "Yeah. I wondered why we still had the card." | |
Jacqueline says, "Now we know." | ||
Knight_Otu says, "Ouch." | ||
Jacqueline says, "Also, if she was our best friend, seems like she would have freakin' understood." | ||
DavidW says, "I didn't even think of that, that it was undelivered." | ||
Jacqueline exclaims, "Oh!" | ||
Jacqueline says, "OH GOD SHE DIED" | ||
Jacqueline asks, "???????????????" | ||
Knight_Otu says, "Yeah." | ||
MoyTW says, "That was interesting, because the author was definitely - yeah, that's the implication." | ||
Jacqueline says, "I can't hear you through the crying, ,KO" | ||
Jacqueline says, ";Aw man." | ||
Jacqueline says, "I can no longer punctuate" | ||
Jacqueline says, "Remember punctuation" | ||
Jacqueline says, "That was good, but daaaammmnn" | ||
Jacqueline says, "I'm back to crossed arms and frowning" | ||
MoyTW says, "Hahaha. Y'all seemed to have such a negative reaction to the alcohol buying scene, I was surprised." | ||
DavidW says, "These laws exist for reasons, y'know." | ||
Jacqueline says (to MoyTW), "To be fair, I was being hypocritically negative." | ||
Jacqueline says, "I may be good for today." | ||
Jacqueline asks, "Could we save the other two games for next week?" | ||
Knight_Otu says, "They may learn to drink responsibly at age 16... but probably not by buying the beer illicitly." | ||
DavidW says, "Sure, we can stop here for today." | ||
Knight_Otu says, "Sure, we can have a short session today." | ||
MoyTW says, "No problems with that." | ||
DavidW says, "Maybe in another game we'll get the hair dye." | ||
Jacqueline says, "I'mmago be sad now." | ||
DavidW says, "quackoquack has written one other game." | ||
Jacqueline says (to DW), "oh?" | ||
Jacqueline says, "Good writer." | ||
Jacqueline asks, "What's the other game?" | ||
MoyTW asks, "Uh, I see five?" | ||
DavidW asks, "'Mind the Gap' :: You're in London for a day, and your friends are all unhelpfully scattered across Zone 1. Can you visit them all before your night bus leaves the city?" | ||
MoyTW says, "[LINK]" | ||
DavidW says, "oh, I was only looking at IFDB." | ||
DavidW says, "[LINK]" | ||
Knight_Otu says, "Not all of them are IF, I guess." | ||