ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
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ToyShop & Floyditorium
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#ClubFloyd Discussion
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DavidW says (to ClubFloyd), "load sleepmask eleusinian" | ||
CF ] | ||
CF | | ||
CF | | ||
CF | | ||
CF | Sing, O Muse, of war and fame, | ||
CF | The striving of men and the ruin-- | ||
CF | Oh hang it, the ruin of something | ||
CF | Or other, I forget the line | ||
CF | Though nothing for it but to go | ||
CF | On with this poem best I can | ||
CF | Sing now of struggle and plunder | ||
CF | I think that the word's plunder, | ||
CF | From topless towers that - no, no, | ||
CF | Wrong word again, topless towers of-- | ||
CF | Look I know I'll remember, | ||
CF | From topless towers tum-tumpety-tum | ||
CF | Tumpety tumpety -- wait a tic | ||
CF | Dash it all plunder is wrong | ||
CF | Maybe pillage or flotsam and | ||
CF | Jetsam or I don't quite recall, | ||
CF | The words are just sticking on the | ||
CF | v. tip of the old tongue; | ||
CF | I may have three sheets to the wind | ||
CF | Or one sheet too many in the event | ||
CF | To land this epic poetry jobby. | ||
CF | | ||
CF | I say, speaking of being sloshed though, here's one I do remember -- | ||
CF | | ||
CF | | ||
CF | Press any key to begin | DavidW says, "Goodness." | |
DavidW pushes the green 'space' button. | ||
CF ] Cellar | ||
CF | Well, isn't this a lark! The capital's been rather dull of late, but | ||
CF | after solid years of going after old Alky to let you in on that | ||
CF | Mysteries wheeze of his, at last tonight's the night! He's dragged | ||
CF | you off to Eleusis for some sort of to-do, but no sooner had you | ||
CF | clapped eyes on the amphorae and canapés amply spread across the | ||
CF | courtyard than he informed you of a spot of work in need of doing | ||
CF | before the festivities can commence -- and you've drawn the short | ||
CF | straw in terms of fetching some paraphernalia up from the temple | ||
CF | undercroft. | ||
CF | | ||
CF | It made sense at the time -- or so you think, you must admit you | ||
CF | nodded off midway through the explanation -- Alky at least wrote it | ||
CF | all down for you, the dear. | ||
CF | | ||
CF | Less lamb-like of him, he's standing guard over the stairs that lead | ||
CF | back to the party. Nothing for it but to get to work -- you've heard | ||
CF | of work, you're sure you'll be good at it! | ||
CF | | ||
CF | The Eleusinian Miseries | ||
CF | An Interactive Farce by Mike Russo | ||
CF | Release 1 / Serial number 200926 / Inform 7 build 6M62 (I6/v6.33 lib | ||
CF | 6/12N) | ||
CF | | ||
CF | Cellar | ||
CF | When Alky told you he was taking you to a party, this low, | ||
CF | earthen-walled cellar wasn't exactly what you pictured -- though | ||
CF | you're trying to be fair-minded and not hold it against what might be | ||
CF | a perfectly lovely undercroft once you get to know it. | ||
CF | | ||
CF | Rough wooden stairs lead back up to the temple proper, with Alky | ||
CF | perching beguilingly yet also obstructively upon the top step to keep | ||
CF | you from joining the party before you've done your bit. Openings gape | ||
CF | westward and southward, and from the flickering oil-light coming from | ||
CF | them you'd guess that they're in regular use. The cellar extends | ||
CF | further eastward into darkness, getting less homely and more cave-like | ||
CF | by the inch. | ||
CF | | ||
CF | (Type ABOUT for some general information about the game, HELP for | ||
CF | overall tips and hints for specific puzzles, or CREDITS for the | ||
CF | acknowledgments). | ||
CF | | ||
CF | > | MoyTW says, ""you've heard of work, you're sure you'll be good at it!" oh no" | |
DavidW says (to ClubFloyd), "credits" | ||
CF ] Cellar | ||
CF | > | ||
CF | > CREDITS | ||
CF | | ||
CF | The Eleusinian Miseries is a game by Mike Russo. If you have | ||
CF | feedback, questions, or criticism, please email me at | ||
CF | russo2116@gmail.com. | ||
CF | | ||
CF | The game was written in Inform 7 by Graham Nelson, and uses Menus, | ||
CF | Punctuation Removal, and Basic Screen Effects by Emily Short. This is | ||
CF | the first game I've written, and I benefited immensely from the | ||
CF | support of the kind souls at the IF Community Forum, especially Gavin | ||
CF | Lambert, Matt Weiner, and Andrew Plotkin, who extricated me from a few | ||
CF | messes of my own making. | ||
CF | | ||
CF | I was very fortunate in my beta testers, who were thoughtful and | ||
CF | rigorous in equal measure: Peter M.J. Gross, Alex Harby, Christopher | ||
CF | Merriner, Caleb Wilson, and Brian Rushton. If at any point you are | ||
CF | happy to find that a particular synonym is supported, or a gentle cue | ||
CF | leads you to a puzzle's solution, you probably have them to thank; | ||
CF | when you find yourself frustrated at the lack of same, you definitely | ||
CF | have me to blame. | ||
CF | | ||
CF | I obviously owe a debt to P.G. Wodehouse, in much the same way that | ||
CF | Lord Elgin owed a debt to the builders of the Acropolis -- the voice, | ||
CF | tone, and several of the story's predicaments were heavily inspired by | ||
CF | his novels and short stories. My take on Alky, the titular Mysteries, | ||
CF | and the major incident in the last portion of the game (you'll know it | ||
CF | when you get there) were also inspired by Larry Gonick's Cartoon | ||
CF | History of the Universe, which helped me bluff my way through more | ||
CF | high school history classes than I care to count. | ||
CF | | ||
CF | My wife made all of this possible, by getting me into Wodehouse but | ||
CF | also providing ideas and inspiration, as well as initial testing and | ||
CF | feedback that helped keep me on the right track. Plus she did the | ||
CF | cover. So this one's for and/or on her. | ||
CF | | ||
CF | > | DavidW says, "oh, a Wodehouse inspired game? Capital." | |
DavidW says (to ClubFloyd), "x me" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X ME | ||
CF | | ||
CF | It's a mark of ill-breeding to be a judge in one's own cause, and you | ||
CF | are if nothing else well-bred -- but if, hypothetically, one were to | ||
CF | have one's hypothetical arm twisted, then one might venture to relate | ||
CF | that some -- no, many! -- of one's contemporaries are of the opinion | ||
CF | that one is a dashing young thing of appealing and prepossessing | ||
CF | aspect, and the moustache one has recently grown, after much | ||
CF | consideration, adds just the right note of danger and flair (these | ||
CF | contemporaries to whose opinion one is referring the matter, it is to | ||
CF | be understood, hold themselves to high standards of probity and are | ||
CF | quite fetching themselves, to boot, but no, one couldn't possibly | ||
CF | relate their names right now, and shame on you for asking). | ||
CF | | ||
CF | Currently, you're wearing a well-tailored chiton. | ||
CF | | ||
CF | You've got a tickle of an itch right at your temple. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chiton" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X CHITON | ||
CF | | ||
CF | (the well-tailored chiton) | ||
CF | Your manservant detests this chiton, sniffing superciliously about the | ||
CF | canary-yellow color being d��class��, but he can soak his head -- as | ||
CF | far | ||
CF | as you're concerned, it is just the thing! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "scratch itch" | ||
CF ] Cellar | ||
CF | > | ||
CF | > SCRATCH ITCH | ||
CF | | ||
CF | As your fingers brush the side of your head, they come across a hard, | ||
CF | cylindrical object. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take object" | ||
CF ] Cellar | ||
CF | > | ||
CF | > TAKE OBJECT | ||
CF | | ||
CF | Hang on, this is that knife you lost! You take it down from your ear, | ||
CF | nicking your fingers only twice or thrice in the process. | ||
CF | | ||
CF | > | Knight_Otu says, "Well that's something to find on your head." | |
DavidW says (to ClubFloyd), "x knife" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X KNIFE | ||
CF | | ||
CF | A steel knife, sharper than your wits, hopefully. Or, wait, perhaps | ||
CF | the other way round? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Cellar | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a knife | ||
CF | a well-tailored chiton (being worn) | ||
CF | the list of ceremonial desiderata | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x list" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X LIST | ||
CF | | ||
CF | Alky helpfully handed over this list of all the ritual bric-a-brac he | ||
CF | lost in the cellars during his last bender. There are rather a lot of | ||
CF | words, so you'll have to really commit if you want to read it. | ||
CF | | ||
CF | > | Knight_Otu says, "Better than in your head though." | |
DavidW says (to ClubFloyd), "read list" | ||
CF ] Cellar | ||
CF | > | ||
CF | > READ LIST | ||
CF | | ||
CF | -The krater of the east (a krater is a sort of large vase) | ||
CF | -An amphora of clear water (an amphora is a different sort of large | ||
CF | vase) | ||
CF | -A knife. Any knife will do, and there are probably some up here now | ||
CF | that I think of it, but you might as well pick one up for us while | ||
CF | you're down there, eh? | ||
CF | -An ear of barley, for the kykeon (you'll like the kykeon!) | ||
CF | -A sprig of pennyroyal, adds a delightful minty flavor to the kykeon | ||
CF | (look for the lavender flowers!) | ||
CF | | ||
CF | You see Alky at the top of the stairs, flirting with anything that | ||
CF | comes within arm-span. | ||
CF | | ||
CF | > | Jacqueline says, "I am approving of all of this, now that I'm caught up." | |
DavidW asks, "So, a fetch quest to begin with. West and South are lit, so I suggest starting with west?" | ||
Jacqueline asks, "Is the knife we found... in our hair(?!) the knife for the list?" | ||
DavidW says (to Jacqueline), "yes and yes." | ||
Jacqueline says, "heh" | ||
Knight_Otu says, "West sounds fine." | ||
MoyTW asks, "x alky?" | ||
DavidW says, "Or it was in the ceiling rafter and our head brushed against it." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Granary | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Granary | ||
CF | You smell this room before you enter it -- it gives off the kind of | ||
CF | rank odor you rarely encounter outside the odd visit to a Great-Aunt | ||
CF | who's rather let the housekeeping go to seed. The culprit is easy to | ||
CF | detect: heaps of mostly-rotten grain clog the room everywhere you | ||
CF | turn. There's a vase in the corner -- no, hang on, that's an amphora, | ||
CF | though admittedly a rather vase-like example of the type. | ||
CF | | ||
CF | The main cellar, offering a relative respite for your nose, lies east. | ||
CF | | ||
CF | > | Jacqueline says, "I kind of expected the list to change from 'there are probably some (knives) up here now that (you) think of it' after having found that knife in our hair, is all." | |
DavidW says (to ClubFloyd), "x amphora" | ||
CF ] Granary | ||
CF | > | ||
CF | > X AMPHORA | ||
CF | | ||
CF | This is definitely an amphora, and not a vase. Or is that backwards? | ||
CF | It's got a very narrow neck and stands about two feet tall, and is | ||
CF | tied to iron rings in the wall by a well-knotted rope that's seen | ||
CF | better days. There are a few ears of barley at the very bottom of the | ||
CF | amphora, looking at least marginally fresher than the rotten grain in | ||
CF | the granary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take it" | ||
CF ] Granary | ||
CF | > | ||
CF | > TAKE IT | ||
CF | | ||
CF | This works less well than you'd hoped, inasmuch as the amphora is | ||
CF | anchored to the wall by the rope. | ||
CF | | ||
CF | > | Jacqueline says, "I'm just nerdy enough to be enjoying this vase/krater/amphora humor" | |
DavidW says (to ClubFloyd), "cut rope with knife" | ||
CF ] Granary | ||
CF | > | ||
CF | > CUT ROPE WITH KNIFE | ||
CF | | ||
CF | You slash the frayed rope with the knife. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take amphora" | ||
CF ] Granary | ||
CF | > | ||
CF | > TAKE AMPHORA | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take barley" | ||
CF ] Granary | ||
CF | > | ||
CF | > TAKE BARLEY | ||
CF | | ||
CF | You strain -- gosh, do you strain! -- but try as you might to cram | ||
CF | your hand into the amphora, the neck is just too narrow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tip amphora" | ||
CF ] Granary | ||
CF | > | ||
CF | > TIP AMPHORA | ||
CF | | ||
CF | It's small but heavy, and since you need the amphora sufficiently | ||
CF | intact to hold water, trying to flip it would run an unconscionable | ||
CF | risk of breaking it (you're not sure you'd come through unscathed, | ||
CF | either). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rotten" | ||
CF ] Granary | ||
CF | > | ||
CF | > X ROTTEN | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Granary | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Granary | ||
CF | Heaps of mostly-rotten grain clog the room everywhere you turn. | ||
CF | | ||
CF | The main cellar, offering a relative respite for your nose, lies east. | ||
CF | | ||
CF | A piece of frayed rope lies forlorn on the floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take rope" | ||
CF ] Granary | ||
CF | > | ||
CF | > TAKE ROPE | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x heaps" | ||
CF ] Granary | ||
CF | > | ||
CF | > X HEAPS | ||
CF | | ||
CF | There is, unsurprisingly, a lot of grain in this granary; what's | ||
CF | rather more outside-of-the-box is that nobody apparently could be | ||
CF | troubled to put it in anything, and it's rather just heaped about the | ||
CF | place. Inasmuch as there's a non-negligible amount of humidity, if | ||
CF | not outright dankness, it's all completely rotten. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search it" | ||
CF ] Granary | ||
CF | > | ||
CF | > SEARCH IT | ||
CF | | ||
CF | There is, unsurprisingly, a lot of grain in this granary; what's | ||
CF | rather more outside-of-the-box is that nobody apparently could be | ||
CF | troubled to put it in anything, and it's rather just heaped about the | ||
CF | place. Inasmuch as there's a non-negligible amount of humidity, if | ||
CF | not outright dankness, it's all completely rotten. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "exits" | ||
CF ] Granary | ||
CF | > | ||
CF | > EXITS | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dance" | ||
CF ] Granary | ||
CF | > | ||
CF | > DANCE | ||
CF | | ||
CF | You give a caper, follow up with a shuffle, and finish with a | ||
CF | knee-slide, cha-chaing all the while. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sing" | ||
CF ] Granary | ||
CF | > | ||
CF | > SING | ||
CF | | ||
CF | You belt out this cracking ditty you heard at last month's symposium | ||
CF | -- "I dream of a trireme". | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look" | ||
CF ] Granary | ||
CF | > | ||
CF | > LOOK | ||
CF | | ||
CF | Granary | ||
CF | Heaps of mostly-rotten grain clog the room everywhere you turn. | ||
CF | | ||
CF | The main cellar, offering a relative respite for your nose, lies east. | ||
CF | | ||
CF | > | Jacqueline says, "Find a mouse, put it in the amphora to eat all the grain. >WAIT. >G >G >G >G >G..." | |
DavidW says, "I think we may want the grain." | ||
Jacqueline says, "oh" | ||
Knight_Otu asks, "But we need that... right?" | ||
DavidW says, "We need an ear of barley." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Cellar | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | > | Jacqueline asks, "How much is an ear?" | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Store Room | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | Judging by the supplies and sundries stored here, the Priests of | ||
CF | Eleusis put on quite the shin-dig: the floor practically groans under | ||
CF | the weight of nummies both comestible and potable, stored in a variety | ||
CF | of vessels. You see vases of veal, lekythoi of leeks, bowls of beer, | ||
CF | pithoi of pitted olives, kylixes of kielbase, skyphoi of skyr... And | ||
CF | everywhere you look, there's another krater, each wider-mouthed and | ||
CF | wider-handled than the previous, all strewn in a careless pile against | ||
CF | the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | Knight_Otu says, "Audibly much." | |
Roger says, "an ear is like a cob, I think" | ||
MoyTW asks, "Isn't skyr norse, not greek?" | ||
Roger says, "like, one stalk" | ||
DavidW says (to ClubFloyd), "x lamps" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X LAMPS | ||
CF | | ||
CF | Filled with olive oil and set alight, which is what one of your | ||
CF | unkinder Great-Aunts suggested was waiting for you in Tartarus if you | ||
CF | didn't mend your ways. The ones near the entrance hang close from the | ||
CF | low ceiling, but towards the far end they're suspended from a much | ||
CF | higher point. | ||
CF | | ||
CF | > | Jacqueline says (to Roger), "See, that's what I was thinking, but it's probably not" | |
DavidW says (to ClubFloyd), "take lamp" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TAKE LAMP | ||
CF | | ||
CF | They're chained to the ceiling, so you can't work out how to do that, | ||
CF | or at least how to do that without scattering scalding-hot oil every | ||
CF | which way. | ||
CF | | ||
CF | > | Knight_Otu says, "I'm sure it is." | |
DavidW says (to ClubFloyd), "x pennyroyal" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X PENNYROYAL | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x krater" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X KRATER | ||
CF | | ||
CF | Which krater, exactly, are you trying to look at? There's rather a | ||
CF | pile of the deuced things. | ||
CF | | ||
CF | > | Jacqueline says, "I saw a tweet the other day that was something to the effect of, 'If SCIENCE is so awesome, how come we've been here all this time and we still only have ONE vegetable on the cob?'" | |
Roger says, "hmmm I don't think lamp oil actually heats up like that, but that's fine" | ||
DavidW says (to ClubFloyd), "x krater of east" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X KRATER OF EAST | ||
CF | | ||
CF | Which krater, exactly, are you trying to look at? There's rather a | ||
CF | pile of the deuced things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x list" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X LIST | ||
CF | | ||
CF | Alky helpfully handed over this list of all the ritual bric-a-brac he | ||
CF | lost in the cellars during his last bender. There are rather a lot of | ||
CF | words, so you'll have to really commit if you want to read it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read list" | ||
CF ] Store Room | ||
CF | > | ||
CF | > READ LIST | ||
CF | | ||
CF | -The krater of the east (a krater is a sort of large vase) | ||
CF | -An amphora of clear water (an amphora is a different sort of large | ||
CF | vase) | ||
CF | -A knife. Any knife will do, and there are probably some up here now | ||
CF | that I think of it, but you might as well pick one up for us while | ||
CF | you're down there, eh? | ||
CF | -An ear of barley, for the kykeon (you'll like the kykeon!) | ||
CF | -A sprig of pennyroyal, adds a delightful minty flavor to the kykeon | ||
CF | (look for the lavender flowers!) | ||
CF | | ||
CF | > | MoyTW asks, ""of the east"?" | |
DavidW says (to ClubFloyd), "x lavender" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X LAVENDER | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search kraters" | ||
CF ] Store Room | ||
CF | > | ||
CF | > SEARCH KRATERS | ||
CF | | ||
CF | After a few minutes of careful study, and a few moments of ignominy | ||
CF | when you lose your footing and wind up desperately scrabbling in a | ||
CF | cavalcade of kraters, you think you've found the one you're after, | ||
CF | buried near the bottom of the pile: red-figure depictions of Eos, | ||
CF | flora and fauna from Asia Minor, &c. The legend reading "Krater of | ||
CF | the East" provides a supernumerary clue. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take krater of the east" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TAKE KRATER OF THE EAST | ||
CF | | ||
CF | You give the krater you're after a tug, but it's lodged under quite a | ||
CF | few other kraters, which does not exactly make for stable footing, and | ||
CF | your efforts to dislodge it lead instead to dislodging yourself, in an | ||
CF | arse-over-teakettle sort of way. You dust yourself off, with no-one | ||
CF | having seen your bloomer on the plus side, but also no krater to show | ||
CF | for it on the minus side. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tie rope to krater of the east" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TIE ROPE TO KRATER OF THE EAST | ||
CF | | ||
CF | After a lot of looping a bit of pulling, you think you've knotted the | ||
CF | frayed rope to the krater of the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull rope" | ||
CF ] Store Room | ||
CF | > | ||
CF | > PULL ROPE | ||
CF | | ||
CF | You step well clear of the pile of kraters and give the rope a good | ||
CF | heave. It takes a bit more straining than you'll relate when you tell | ||
CF | Alky the story later, but eventually you pull the Krater of the East | ||
CF | clear of the pile, and you tuck it under your arm with a sense of | ||
CF | accomplishment. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "untie rope" | ||
CF ] Store Room | ||
CF | > | ||
CF | > UNTIE ROPE | ||
CF | | ||
CF | You might have done rather too good of a job with that sheepshead -- | ||
CF | it's not coming out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Store Room | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | Jacqueline says, "nice" | |
DavidW says (to ClubFloyd), "u" | ||
CF ] Darkness | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | You scrabble up the pile of kraters, which teeter this way and that | ||
CF | under your unexpected weight. Just as they're ready to topple, you | ||
CF | leap onto the conveniently-placed ledge. | ||
CF | | ||
CF | Darkness | ||
CF | You're surrounded by the black and inky every which way you look, | ||
CF | which is generally not how you choose to pass your evenings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF ] Store Room | ||
CF | > | ||
CF | > D | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Store Room | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x krater of the east" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X KRATER OF THE EAST | ||
CF | | ||
CF | Red-figure depictions of Eos, flora and fauna from Asia Minor, &c. | ||
CF | The legend reading "Krater of the East" provides a supernumerary clue. | ||
CF | A rather worn rope is tied in a loop around the krater's handles. | ||
CF | | ||
CF | > | Knight_Otu asks, "Hm. How to get some light?" | |
DavidW says, "yes. how." | ||
Roger says, "This feels like IF from someone whose sole exposure to it was Savoir Faire. But not in a bad way." | ||
DavidW says (to ClubFloyd), "cut rope with knife" | ||
CF ] Store Room | ||
CF | > | ||
CF | > CUT ROPE WITH KNIFE | ||
CF | | ||
CF | The krater would be a bit inconvenient to carry without the rope | ||
CF | acting as sort of strap -- now you think of it, you're juggling rather | ||
CF | a lot of kit, here -- so you think better of further rope-trimming. | ||
CF | | ||
CF | > | DavidW asks, "Go back and talk to Alky?" | |
Jacqueline says (to Roger), "Yes, but also yeah, in a good way." | ||
Knight_Otu says, "That's a possibility." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Cellar | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | Alky idly inquires how you're getting along with things. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give krater to alky" | ||
CF ] Cellar | ||
CF | > | ||
CF | > GIVE KRATER TO ALKY | ||
CF | | ||
CF | You can just climb the stairs once you've gathered everything, Alky | ||
CF | will know what to do with the loot. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to alky" | ||
CF ] Cellar | ||
CF | > | ||
CF | > TALK TO ALKY | ||
CF | | ||
CF | To converse with characters, you can ASK them ABOUT something. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about light" | ||
CF ] Cellar | ||
CF | > | ||
CF | > ASK ALKY ABOUT LIGHT | ||
CF | | ||
CF | You get a blank look of the sort with which you're well acquainted. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about lamp" | ||
CF ] Cellar | ||
CF | > | ||
CF | > ASK ALKY ABOUT LAMP | ||
CF | | ||
CF | You get a blank look of the sort with which you're well acquainted. | ||
CF | | ||
CF | Alky explains to you his plan for invading Sicily -- or maybe it's his | ||
CF | plan of attack for dinner, you get confused midway through and, to be | ||
CF | fair, hot oil features in both. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Cellar | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | the Krater of the East | ||
CF | a frayed rope (tied to the krater of the east) | ||
CF | the amphora | ||
CF | some barley | ||
CF | a knife | ||
CF | a well-tailored chiton (being worn) | ||
CF | the list of ceremonial desiderata | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "ask alky about knife" | ||
CF ] Cellar | ||
CF | > | ||
CF | > ASK ALKY ABOUT KNIFE | ||
CF | | ||
CF | Alky seems confused as to why you're asking about it, seeing as you've | ||
CF | got it; and truth be told, now you're somewhat in the same boat | ||
CF | yourself. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "ask alky about grain" | ||
CF ] Cellar | ||
CF | > | ||
CF | > ASK ALKY ABOUT GRAIN | ||
CF | | ||
CF | You get a blank look of the sort with which you're well acquainted. | ||
CF | | ||
CF | > | Jacqueline says, "hrm" | |
DavidW says (to ClubFloyd), "ask alky about seltzer" | ||
CF ] Cellar | ||
CF | > | ||
CF | > ASK ALKY ABOUT SELTZER | ||
CF | | ||
CF | You get a blank look of the sort with which you're well acquainted. | ||
CF | | ||
CF | Alky idly inquires how you're getting along with things. | ||
CF | | ||
CF | > | Jacqueline says, "That's a bit annoying" | |
DavidW asks, "We could brave the darkness to strike out in random directions from the store room?" | ||
DavidW says, "er OR" | ||
DavidW says (to ClubFloyd), "x stairs" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X STAIRS | ||
CF | | ||
CF | It's made of boards, and you've rarely been as bored as you are now, | ||
CF | looking at a staircase when there's a party to get to! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Cave | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Cave | ||
CF | This unfinished bit of the cellars is more of a cave than a cellar, | ||
CF | and it's sufficiently dark that you can't guarantee you'll sleep | ||
CF | nightmare-free tonight. | ||
CF | | ||
CF | Alky, and the eventual party, lie westward, and -- less attractively | ||
CF | -- more darkness stretches eastward. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Darkness | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Darkness | ||
CF | You're surrounded by the black and inky every which way you look, | ||
CF | which is generally not how you choose to pass your evenings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Cave | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Cave | ||
CF | This unfinished bit of the cellars is more of a cave than a cellar, | ||
CF | and it's sufficiently dark that you can't guarantee you'll sleep | ||
CF | nightmare-free tonight. | ||
CF | | ||
CF | Alky, and the eventual party, lie westward, and -- less attractively | ||
CF | -- more darkness stretches eastward. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "listen" | ||
CF ] Cave | ||
CF | > | ||
CF | > LISTEN | ||
CF | | ||
CF | You don't hear anything out of the ordinary, though admittedly you've | ||
CF | had a bit of a ringing in the ears after that loud to-do last month. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Cellar | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Store Room | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Store Room | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Store Room | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search lamps" | ||
CF ] Store Room | ||
CF | > | ||
CF | > SEARCH LAMPS | ||
CF | | ||
CF | They're chained to the ceiling, so you can't work out how to do that, | ||
CF | or at least how to do that without scattering scalding-hot oil every | ||
CF | which way. | ||
CF | | ||
CF | > | MoyTW asks, "x chains?" | |
DavidW says (to ClubFloyd), "x chains" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X CHAINS | ||
CF | | ||
CF | Filled with olive oil and set alight, which is what one of your | ||
CF | unkinder Great-Aunts suggested was waiting for you in Tartarus if you | ||
CF | didn't mend your ways. The ones near the entrance hang close from the | ||
CF | low ceiling, but towards the far end they're suspended from a much | ||
CF | higher point. | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
DavidW says (to ClubFloyd), "climb chain" | ||
CF ] Store Room | ||
CF | > | ||
CF | > CLIMB CHAIN | ||
CF | | ||
CF | They're chained to the ceiling, so you can't work out how to do that, | ||
CF | or at least how to do that without scattering scalding-hot oil every | ||
CF | which way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push lamp" | ||
CF ] Store Room | ||
CF | > | ||
CF | > PUSH LAMP | ||
CF | | ||
CF | They're chained to the ceiling, so you can't work out how to do that, | ||
CF | or at least how to do that without scattering scalding-hot oil every | ||
CF | which way. | ||
CF | | ||
CF | > | DavidW asks, "Can we make a torch?" | |
DavidW asks, "Get a stick, cloth, oil, light it here?" | ||
DavidW says (to ClubFloyd), "tear chiton" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TEAR CHITON | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remove chiton" | ||
CF ] Store Room | ||
CF | > | ||
CF | > REMOVE CHITON | ||
CF | | ||
CF | The evening hasn't gotten nearly eventful enough for that! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search kraters" | ||
CF ] Store Room | ||
CF | > | ||
CF | > SEARCH KRATERS | ||
CF | | ||
CF | Now this is quite the pile! | ||
CF | | ||
CF | > | Jacqueline asks, "You mean to tell me that gathering this small list of items is not as straight-forward as it inititally appeared to be?" | |
DavidW says (to Jacqueline), "Correct." | ||
Knight_Otu asks, "Is it ever that straight-forward?" | ||
Jacqueline says, "No" | ||
Jacqueline says, "No, it never is." | ||
DavidW says, "I have found the knife, amphora, and krater." | ||
Jacqueline exclaims, "You have!" | ||
Jacqueline says, "That is all good." | ||
Knight_Otu says, "And the barley." | ||
Jacqueline says, "I like your idea of a torch..." | ||
DavidW says (to ClubFloyd), "make torch" | ||
CF ] Store Room | ||
CF | > | ||
CF | > MAKE TORCH | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "xyzzy" | ||
CF ] Store Room | ||
CF | > | ||
CF | > XYZZY | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | Jacqueline says, "aw" | |
DavidW says (to ClubFloyd), "verbose" | ||
CF ] Store Room | ||
CF | > | ||
CF | > VERBOSE | ||
CF | | ||
CF | The Eleusinian Miseries is now in its "verbose" mode, which always | ||
CF | gives long descriptions of locations (even if you've been there | ||
Jacqueline says (to ClubFloyd), "doguioifu\" | ||
CF | before). | ||
CF | | ||
CF | > | ||
CF ] Store Room | ||
CF | > | ||
CF | > DOGUIOIFU\ | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Store Room | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x veal" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X VEAL | ||
CF | | ||
CF | The veal is lightly seared to mouth-watering perfection. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x leeks" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X LEEKS | ||
CF | | ||
CF | To be honest, leeks are not your veg of choice, but if needs must eat | ||
CF | a leek, these would do the job. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x beer" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X BEER | ||
CF | | ||
CF | The beer looks dark and smells darker. | ||
CF | | ||
CF | > | MoyTW says, "what's it gotta say about the skyr" | |
DavidW says (to ClubFloyd), "x olives" | MoyTW says, "I gotta know" | |
CF ] Store Room | ||
CF | > | ||
CF | > X OLIVES | ||
CF | | ||
CF | You briefly contemplate the amount of labor required to de-pit each | ||
CF | and every olive in this large vessel -- even just thinking of it makes | ||
CF | you tired. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x kielbase" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X KIELBASE | ||
CF | | ||
CF | Upon closer inspection, this might just be plain old sausage, but | ||
CF | you're rather committed to the alliteration wheeze at this point. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x skyr" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X SKYR | ||
CF | | ||
CF | There's an absolutely whizzing hangover cure your man makes for you | ||
CF | out of thick yogurt like this. You just add -- was it nutmeg? And | ||
CF | some herb or other. Honestly, this is why having a man is so dashed | ||
CF | convenient, not just for the doing of things but for the remembering | ||
CF | of them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pile" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X PILE | ||
CF | | ||
CF | Now this is quite the pile! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "eat kielbase" | ||
CF ] Store Room | ||
CF | > | ||
CF | > EAT KIELBASE | ||
CF | | ||
CF | They're tempting, but you don't want to ruin your appetite before the | ||
CF | party proper! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Store Room | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] Darkness | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | You scrabble up the pile of kraters, which teeter this way and that | ||
CF | under your unexpected weight. Just as they're ready to topple, you | ||
CF | leap onto the conveniently-placed ledge. | ||
CF | | ||
CF | Darkness | ||
CF | You're surrounded by the black and inky every which way you look, | ||
CF | which is generally not how you choose to pass your evenings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Darkness | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | It's rather too dim to be blundering about aimlessly, especially with | ||
CF | that steep drop close to hand! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Darkness | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | It's rather too dim to be blundering about aimlessly, especially with | ||
CF | that steep drop close to hand! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Darkness | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | It's rather too dim to be blundering about aimlessly, especially with | ||
CF | that steep drop close to hand! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "touch ledge" | ||
CF ] Darkness | ||
CF | > | ||
CF | > TOUCH LEDGE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF ] Store Room | ||
CF | > | ||
CF | > D | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | DavidW says, "really need light." | |
DavidW says (to ClubFloyd), "x opening" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X OPENING | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Knight_Otu says, "Hrm. Outside the lamps, nothing really stands out." | |
DavidW says (to ClubFloyd), "x oil" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X OIL | ||
CF | | ||
CF | Filled with olive oil and set alight, which is what one of your | ||
CF | unkinder Great-Aunts suggested was waiting for you in Tartarus if you | ||
CF | didn't mend your ways. The ones near the entrance hang close from the | ||
CF | low ceiling, but towards the far end they're suspended from a much | ||
CF | higher point. | ||
CF | | ||
CF | > | MoyTW says, "Okay. So. Light source. And most actions with chains just tells us that we can't do it without hurting ourselves." | |
DavidW says (to ClubFloyd), "ceiling" | ||
CF ] Store Room | ||
CF | > | ||
CF | > CEILING | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ceiling" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X CEILING | ||
CF | | ||
CF | There's rather an oppressively large amount of dirt looming not very | ||
CF | high above you, here, which is unrewarding to contemplate. Though, | ||
CF | now that you peer more closely, it looks like the ceiling's a bit | ||
CF | higher above the pile of kraters, with perhaps some kind of ledge up | ||
CF | there. | ||
CF | | ||
CF | > | MoyTW asks, "climb kraters and...unchain a lamp...?" | |
DavidW says (to ClubFloyd), "unhook lamp" | ||
CF ] Store Room | ||
CF | > | ||
CF | > UNHOOK LAMP | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "unchain lamp" | ||
CF ] Store Room | ||
CF | > | ||
CF | > UNCHAIN LAMP | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put lamp on ledge" | ||
CF ] Store Room | ||
CF | > | ||
CF | > PUT LAMP ON LEDGE | ||
CF | | ||
CF | They're chained to the ceiling, so you can't work out how to do that, | ||
CF | or at least how to do that without scattering scalding-hot oil every | ||
CF | which way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ledge" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X LEDGE | ||
CF | | ||
CF | A rock ledge runs around the far wall of the store room, perhaps half | ||
CF | a dozen feet above the wild mass of kraters. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x lamps" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X LAMPS | ||
CF | | ||
CF | Filled with olive oil and set alight, which is what one of your | ||
CF | unkinder Great-Aunts suggested was waiting for you in Tartarus if you | ||
CF | didn't mend your ways. The ones near the entrance hang close from the | ||
CF | low ceiling, but towards the far end they're suspended from a much | ||
CF | higher point. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x far lamps" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X FAR LAMPS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig ceiling" | ||
CF ] Store Room | ||
CF | > | ||
CF | > DIG CEILING | ||
CF | | ||
CF | As your Great-Aunt has said, you're not one to get your hands dirty. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search ceiling" | ||
CF ] Store Room | ||
CF | > | ||
CF | > SEARCH CEILING | ||
CF | | ||
CF | There's rather an oppressively large amount of dirt looming not very | ||
CF | high above you, here, which is unrewarding to contemplate. Though, | ||
CF | now that you peer more closely, it looks like the ceiling's a bit | ||
CF | higher above the pile of kraters, with perhaps some kind of ledge up | ||
CF | there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dirt" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X DIRT | ||
CF | | ||
CF | There's rather an oppressively large amount of dirt looming not very | ||
CF | high above you, here, which is unrewarding to contemplate. Though, | ||
CF | now that you peer more closely, it looks like the ceiling's a bit | ||
CF | higher above the pile of kraters, with perhaps some kind of ledge up | ||
CF | there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take dirt" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TAKE DIRT | ||
CF | | ||
CF | Not exactly man-portable, old man. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x floor" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X FLOOR | ||
CF | | ||
CF | The floor, like the walls, is a clay-ey, mucky sort of number whose | ||
CF | contemplation makes you hitch up your chiton. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wall" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X WALL | ||
CF | | ||
CF | The walls, like the floor, are a clay-ey, mucky sort of number whose | ||
CF | contemplation makes you hitch up your chiton, but you think you can | ||
CF | see a recessed ledge up near the top of the chamber, just above the | ||
CF | pile of kraters. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Cellar | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | Alky canvasses your opinion on a naval versus an infantry strategy for | ||
CF | peeling off the Peloponnesian League's allies, which reminds you that | ||
CF | you really need to catch up on the news. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ceiling" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X CEILING | ||
CF | | ||
CF | There's rather an oppressively large amount of dirt looming not very | ||
CF | high above you, here, which is unrewarding to contemplate. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Granary | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Granary | ||
CF | Heaps of mostly-rotten grain clog the room everywhere you turn. | ||
CF | | ||
CF | The main cellar, offering a relative respite for your nose, lies east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell" | ||
CF ] Granary | ||
CF | > | ||
CF | > SMELL | ||
CF | | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move heaps" | ||
CF ] Granary | ||
CF | > | ||
CF | > MOVE HEAPS | ||
CF | | ||
CF | Not exactly man-portable, old man. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ceiling" | ||
CF ] Granary | ||
CF | > | ||
CF | > X CEILING | ||
CF | | ||
CF | There's rather an oppressively large amount of dirt looming not very | ||
CF | high above you, here, which is unrewarding to contemplate. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Cellar | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Store Room | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Store Room | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | the Krater of the East | ||
CF | a frayed rope (tied to the krater of the east) | ||
CF | the amphora | ||
CF | some barley | ||
CF | a knife | ||
CF | a well-tailored chiton (being worn) | ||
CF | the list of ceremonial desiderata | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x beer" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X BEER | ||
CF | | ||
CF | The beer looks dark and smells darker. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "taste it" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TASTE IT | ||
CF | | ||
CF | That's plainly inedible. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take beer" | ||
CF ] Store Room | ||
CF | > | ||
CF | > TAKE BEER | ||
CF | | ||
CF | There'll be plenty of time to be-sozzle yourself at the party -- and | ||
CF | if you sozzle yourself witless now, odds are you won't ever make it | ||
CF | there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "light list" | ||
CF ] Store Room | ||
CF | > | ||
CF | > LIGHT LIST | ||
CF | | ||
CF | You've got some steel, but flint is a non-optional add-on to this | ||
CF | process. | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
DavidW says (to ClubFloyd), "burn list" | ||
CF ] Store Room | ||
CF | > | ||
CF | > BURN LIST | ||
CF | | ||
CF | You've got some steel, but flint is a non-optional add-on to this | ||
CF | process. | ||
CF | | ||
CF | > | MoyTW exclaims, "...huuuuuh!" | |
Jacqueline says, "I think it would be fine to be-sozzle ourselves now and not go to the party later." | ||
Jacqueline says, "I'm just sayin'" | ||
DavidW asks, "Try the east passage again?" | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Store Room | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF ] Store Room | ||
CF | > | ||
CF | > D | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Cellar | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | Alky notices that his torch is dripping ash on his chiton, and flicks | ||
CF | himself clean with a sound that's somewhere between a snort and a | ||
CF | bray, but still manages to be charming. | ||
CF | | ||
CF | > | Knight_Otu says, "I'm not expecting much, but sure." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Cave | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Cave | ||
CF | This unfinished bit of the cellars is more of a cave than a cellar, | ||
CF | and it's sufficiently dark that you can't guarantee you'll sleep | ||
CF | nightmare-free tonight. | ||
CF | | ||
CF | Alky, and the eventual party, lie westward, and -- less attractively | ||
CF | -- more darkness stretches eastward. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Cave | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | Jacqueline says, "But yeah, maybe go find flint? I'm gonna be salty if that was a red herring." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Darkness | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Darkness | ||
CF | You're surrounded by the black and inky every which way you look, | ||
CF | which is generally not how you choose to pass your evenings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Darkness | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | It's rather too dim to be blundering about aimlessly, or rather, | ||
CF | you're not so dim as to do so. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Darkness | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | It's rather too dim to be blundering about aimlessly, or rather, | ||
CF | you're not so dim as to do so. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Cave | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Cave | ||
CF | This unfinished bit of the cellars is more of a cave than a cellar, | ||
CF | and it's sufficiently dark that you can't guarantee you'll sleep | ||
CF | nightmare-free tonight. | ||
CF | | ||
CF | Alky, and the eventual party, lie westward, and -- less attractively | ||
CF | -- more darkness stretches eastward. | ||
CF | | ||
CF | > | Knight_Otu says, "Wait, Alky has a torch." | |
DavidW asks, "he does?" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Cellar | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x alky" | ||
CF ] Cellar | ||
CF | > | ||
CF | > X ALKY | ||
CF | | ||
CF | Now here's a chap who really fills out a chiton. Those flashing eyes, | ||
CF | those silken curls, that perennial sneer have charmed many a gal and | ||
CF | many more a fellow. He's strumming idly on his third-best lyre. He's | ||
CF | also got a torch tucked under his arm, which conveys a dashing | ||
CF | devil-may-care-insouciance but is also a fire hazard. | ||
CF | | ||
CF | > | Knight_Otu says, "Just said so." | |
MoyTW says, "So he does." | ||
DavidW says (to ClubFloyd), "ask alky for torch" | ||
CF ] Cellar | ||
CF | > | ||
CF | > ASK ALKY FOR TORCH | ||
CF | | ||
CF | "Oh, this thing?" asks Alky, with a fetching sneer of the lip. "It | ||
CF | sputters more than you do, but take it if you like it so much." He | ||
CF | hands it over. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Store Room | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x torch" | ||
CF ] Store Room | ||
CF | > | ||
CF | > X TORCH | ||
CF | | ||
CF | Peering into the heavily-smoking torch is going swimmingly, until | ||
CF | suddenly your eyes start to sting. You try it again just to be sure | ||
CF | -- by Jove, you're nearly certain that this rummy smoke is the | ||
CF | culprit! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put torch in lamp" | ||
CF ] Store Room | ||
CF | > | ||
CF | > PUT TORCH IN LAMP | ||
CF | | ||
CF | That doesn't offer much by way of a receptacle, sadly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "light torch" | ||
CF ] Store Room | ||
CF | > | ||
CF | > LIGHT TORCH | ||
CF | | ||
CF | You're nearly certain that's already on fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] Ledge Above the Store Room | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | You scrabble up the pile of kraters, which teeter this way and that | ||
CF | under your unexpected weight. Just as they're ready to topple, you | ||
CF | leap onto the conveniently-placed ledge. | ||
CF | | ||
CF | Ledge Above the Store Room | ||
CF | This must be the most precarious ledge you've ever perched upon -- | ||
CF | though speaking frankly you're having a hard time recollecting any | ||
CF | also-rans, what with the steep decline to the store room below being | ||
CF | awfully distracting. | ||
CF | | ||
CF | Away from the edge, there's a dark tunnel to the southeast, which | ||
CF | isn't exactly inviting but at least promises some relief from the | ||
CF | vertigo of your present position. | ||
CF | | ||
CF | > | Knight_Otu says, "Could have searched a long time for that." | |
DavidW says (to ClubFloyd), "se" | ||
CF ] Spring Source | ||
CF | > | ||
CF | > SE | ||
CF | | ||
CF | | ||
CF | Spring Source | ||
CF | This high cavern is the source of a bubbling stream of water, which | ||
CF | springs out of some nearby rocks, swirls for a while in a clean pool, | ||
CF | and then dramatically leaps off the edge of a cliff as though it's | ||
CF | trying to impress a potential romantic partner (though hard experience | ||
CF | has taught you that this is less of a sure-fire stratagem than you'd | ||
CF | think). | ||
CF | | ||
CF | The dark ledge is back to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "fill amphora" | ||
CF ] Spring Source | ||
CF | > | ||
CF | > FILL AMPHORA | ||
CF | | ||
CF | (with the pool of clear water) | ||
CF | You dip the amphora into the pool until it's full up with water. It's | ||
CF | rather heavy now, but you suppose you can put up with a modicum of | ||
CF | toil for now, since the rest of the evening should be full of nothing | ||
CF | but delightful ease. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take barley" | ||
CF ] Spring Source | ||
CF | > | ||
CF | > TAKE BARLEY | ||
CF | | ||
CF | The barley floats in the water, coming close enough to the opening | ||
CF | that it's easy to lift out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Spring Source | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | some barley | ||
CF | a heavily-smoking torch (providing light) | ||
CF | the Krater of the East | ||
CF | a frayed rope (tied to the krater of the east) | ||
CF | the amphora (full of clear water) | ||
CF | a knife | ||
CF | a well-tailored chiton (being worn) | ||
CF | the list of ceremonial desiderata | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF ] Ledge Above the Store Room | ||
CF | > | ||
CF | > NW | ||
CF | | ||
CF | | ||
CF | Ledge Above the Store Room | ||
CF | This must be the most precarious ledge you've ever perched upon -- | ||
CF | though speaking frankly you're having a hard time recollecting any | ||
CF | also-rans, what with the steep decline to the store room below being | ||
CF | awfully distracting. | ||
CF | | ||
CF | Away from the edge, there's a dark tunnel to the southeast, which | ||
CF | isn't exactly inviting but at least promises some relief from the | ||
CF | vertigo of your present position. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF ] Store Room | ||
CF | > | ||
CF | > D | ||
CF | | ||
CF | | ||
CF | Store Room | ||
CF | The inventory of foodstuffs on offer here includes vases of veal, | ||
CF | lekythoi of leeks, bowls of beer, pithoi of pitted olives, kylixes of | ||
CF | kielbase, and skyphoi of skyr -- there's also a pile of kraters | ||
CF | spilled against the far wall. | ||
CF | | ||
CF | Near the opening that leads back to the cellar to the north, oil lamps | ||
CF | hang from the low earthen roof to provide light, but the ceiling opens | ||
CF | up considerably towards the southern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Cellar | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | Alky tells you something clever he heard off of that Socrates fellow, | ||
CF | but it's a bit hard to follow and leaves you knowing less than when | ||
CF | you started. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Cave | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Cave | ||
CF | This unfinished bit of the cellars is more of a cave than a cellar, | ||
CF | and despite your sputtering torch, it's sufficiently dark that you | ||
CF | can't guarantee you'll sleep nightmare-free tonight. | ||
CF | | ||
CF | Alky, and the eventual party, lie westward, and -- less attractively | ||
CF | -- more darkness stretches eastward. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] More Cave | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | More Cave | ||
CF | You don't like to criticize, but this cavernous chamber is definitely | ||
CF | darker than would be ideal. | ||
CF | | ||
CF | As before, light, civilization, and friends who know how to fill out a | ||
CF | toga lie west, darkness and yet more cave are to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Yet Additional Cave | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Yet Additional Cave | ||
CF | This seems like it must be a natural cave, because the alternative -- | ||
CF | that whatever architect designed these cellars decided that his vision | ||
CF | required this many tunnels, and that whatever workmen hired to realize | ||
CF | the said vision quarried then out uncomplainingly -- is too bleak to | ||
CF | contemplate. | ||
CF | | ||
CF | Per the long-settled drill, bright areas, familiar friends, all that | ||
CF | is good in the world, the promise of alcoholic drinks, laughter, | ||
CF | conversation, and a heretofore-taken-for-granted absence of dank cave | ||
CF | smells are all west, and everything not counted in column A is east. | ||
CF | | ||
CF | > | DavidW says, "good grief" | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Quite Sufficient Qua Cave So Far As You're Concerned | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Quite Sufficient Qua Cave So Far As You're Concerned | ||
CF | You are a broad-minded man. When old Ptolly was over the moon for | ||
CF | that Scythian bird, everyone else laughed, but you helped him | ||
CF | translate his love poems into her awful dialect, spending many a late | ||
CF | night poring over lexicons until you had it just right (the fact that, | ||
CF | upon receipt of the poem aforementioned, she got her tribe to launch | ||
CF | one of the more vicious raids Athens has seen these past few decades, | ||
CF | was surely down to the inherent weaknesses in the source text's | ||
CF | scansion and meter, rather than any flaw in your work). But -- all | ||
CF | this to say, even for someone of your generally liberal tendencies, | ||
CF | this is really getting to be a bit much. | ||
CF | | ||
CF | To get back to Alky and the rest of the cellars, you'll need to return | ||
CF | through more cave to the west than you care to contemplate, while | ||
CF | another chamber opens up to the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Garden | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Garden | ||
CF | You let out an approving cluck when you realize that, contrary to | ||
CF | expectation, you have at last run out of cave. This largish grotto | ||
CF | seems to be some kind of subterranean garden -- a grated opening in | ||
CF | the roof of the cavern lets in copious moonlight (you deduce that this | ||
CF | would be sunlight during the day), which shines on a large, | ||
CF | desultorily-tended bed of herbs. There's a higher part of the cave | ||
CF | above you, whence gushes a muddy waterfall that's created a larger, | ||
CF | even muddier pool. | ||
CF | | ||
CF | The world's most boring cave system waits for you to the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x herbs" | ||
CF ] Garden | ||
CF | > | ||
CF | > X HERBS | ||
CF | | ||
CF | The bed holds row after row of herbs, with quite a lot, it must be | ||
CF | admitted, occupying the purple-ish portion of the palette. That | ||
CF | pennyroyal might take some finding. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search herbs" | ||
CF ] Garden | ||
CF | > | ||
CF | > SEARCH HERBS | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's fuchsia. | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's violet. | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's lilac. | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's violet. | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's fuchsia. | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's lilac. | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's mauve. You're beginning to think that the list wasn't narrowing | ||
CF | things down sufficiently when it said the herb was lavender. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Garden | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You find a lavender herb! No, wait, now you look closer actually this | ||
CF | one's lilac. You're beginning to think that the list wasn't narrowing | ||
CF | things down sufficiently when it said the herb was lavender. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell herbs" | ||
CF ] Garden | ||
CF | > | ||
CF | > SMELL HERBS | ||
CF | | ||
CF | Mmmm, there's a delightful smell of mint coming from one of these | ||
CF | purplish herbs -- that must be the pennyroyal! | ||
CF | | ||
CF | > | Knight_Otu says, "Whew." | |
DavidW says (to ClubFloyd), "take pennyroyal" | ||
CF ] Garden | ||
CF | > | ||
CF | > TAKE PENNYROYAL | ||
CF | | ||
CF | Having zeroed in on the correct herb through your superior nasal | ||
CF | acuity, you pluck a sprig of pennyroyal from its bed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Cellar | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | Now that you know the way to the garden, it's a simple matter to | ||
CF | retrace your steps back to the cellar. | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Granary | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Granary | ||
CF | Heaps of mostly-rotten grain clog the room everywhere you turn. | ||
CF | | ||
CF | The main cellar, offering a relative respite for your nose, lies east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Cellar | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Cellar | ||
CF | It's perhaps a judgment on the cellar that the only things you care to | ||
CF | notice about it are the exits. One might think the stairs to be the | ||
CF | likeliest prospect, but Alky's fetching form is currently interposing | ||
CF | itself. More immediately relevant are the lighted openings to the | ||
CF | west and south, and coming in a distant fourth in the niceness | ||
CF | sweepstakes is the dim, cave-y area to the east. | ||
CF | | ||
CF | Shooting you a sly smile, Alky tells you one of the many things his | ||
CF | guardians don't know about what he gets up to. | ||
CF | | ||
CF | > | ||
DavidW clears the save counter. | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf1" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Cellar | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | As you start up the stairs, Alky grabs the list from you and gives you | ||
CF | the once-over; you flush, but sadly he's not seeing if you look | ||
CF | fetching so much as he's seeing whether you've done all the fetching. | ||
CF | | ||
CF | Alky takes a good sniff of you. "Mmm, minty -- you must have found | ||
CF | the pennyroyal!" | ||
CF | | ||
CF | "Ah, you've got some water!" Alky says. "Don't worry, we're not | ||
CF | drinking it." | ||
CF | | ||
CF | You show Alky the ear of barley; it's off-color and limp, like your | ||
CF | Great-Uncle Sargy's sense of humor, but it must pass muster since | ||
CF | after a few moments of skeptical perusal Alky gives a short nod. | ||
CF | | ||
CF | "Good show," Alky crows as he takes in the krater. | ||
CF | | ||
CF | "Oh, there's that knife!" Alky smiles at you, but gives you a wide | ||
CF | berth, as though he's worried that you'll wind up accidentally | ||
CF | pricking him, like you did that one time last week, or the three times | ||
CF | the week before that. | ||
CF | | ||
CF | "Cheerio, that looks like the lot!" Alky says. "Onward and upward!" | ||
CF | He helps you manage your somewhat-unwieldy collection of vegetable | ||
CF | matter, pottery, fire-sticks, and sharp objects up the stairs, though | ||
CF | you somewhat lose track of your possessions in the process. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Peristyle | ||
CF | Upon surmounting the stairs, you take a deep breath of the fresh air | ||
CF | -- a chap can only be subterranean for so long before longing to | ||
CF | inhale the old clear-and-rarefied. You've come up into a courtyard, | ||
CF | amidst a crowd of chaps who burst into raucous applause once they see | ||
CF | you and Alky ferrying up the instruments of merriment. One of them, a | ||
CF | thin-faced, sallow number, comes over to take custody of the loot. | ||
CF | | ||
CF | "Here you are, Puffy," says Alky, humping the amphora into the other's | ||
CF | arms. "Kick us off, eh?" | ||
CF | | ||
CF | This rather-inappositely-named Puffy motions for silence, and the | ||
CF | fellows oblige him. After two or three more throat-clearings than | ||
CF | seem strictly necessary by your book, he sweeps his arm around to take | ||
CF | in the crowd. "Brethren," he intones, "initiates of the sacred | ||
CF | mysteries, on this most holy and solemn night we welcome newcomers to | ||
CF | our fold, that they may learn the praise that is most pleasing to the | ||
CF | God and Goddess, and partake of our portion of eternity." | ||
CF | | ||
CF | "I'd settle for partaking of our portion of the wine!" pipes up one of | ||
CF | your fellow initiates, prompting further cheering from the hoi polloi | ||
CF | and a pained grimace from Puffy. "Get on with it," comes another | ||
CF | call, and Puffy, sensing that he's losing the room, waves his hand in | ||
CF | surrender. "All right chaps, I'll hurry it up!" He drags the amphora | ||
CF | over to a fountain in the middle of the courtyard with some speed, | ||
CF | pouring it out then discarding it with such haste that it breaks in | ||
CF | the confusion, to much hooting from the mob. | ||
CF | | ||
CF | He dashes some water from the fountain into the krater you brought, | ||
CF | then pours it out -- then does the same with another, matching krater, | ||
CF | though pouring it out in the opposite direction this time, as though | ||
CF | it were a real hit the first time but needed just a little tweak to | ||
CF | really bowl them over. "That's the libation sorted, you lot can get to | ||
CF | the feasting," he yells. "Initiates, come to the telesterion for the | ||
CF | ceremony." With much rejoicing, the crowd disperses, leaving you | ||
CF | alone. | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | You can also see a frayed rope and a largish chunk of amphora here. | ||
CF | | ||
CF | > | Knight_Otu drowned in text. | |
MoyTW asks, "So I guess we go...party now?" | ||
DavidW says (to ClubFloyd), "take rope and chunk" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > TAKE ROPE AND CHUNK | ||
CF | | ||
CF | frayed rope: Taken. | ||
CF | largish chunk of amphora: Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a largish chunk of amphora | ||
CF | a frayed rope | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | DavidW says, "hm, still have the torch." | |
DavidW says (to ClubFloyd), "x chunk" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > X CHUNK | ||
CF | | ||
CF | This was definitely an amphora, and not a vase. Or is that backwards? | ||
CF | This head-sized chunk, from the bottom part of the thing, is that all | ||
CF | that survived Puffy's tender ministrations. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. A crowd of | ||
CF | your soon-to-be-fellow initiates mob the comestibles and imbibables | ||
CF | spread across the tables, breaking into song when the mood hits and | ||
CF | intermittently flit to one of the numberless couches for a lie-down | ||
CF | when the system needs a touch of strengthening. Alky is amidst the | ||
CF | mob but somehow not of it, elegant and poised even as he contemplates | ||
CF | an olive. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | Alky explains to you his plan for invading Sicily -- or maybe it's his | ||
CF | plan of attack for dinner, you get confused midway through and, to be | ||
CF | fair, hot oil features in both. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X FOOD | ||
CF | | ||
CF | If you had any doubts about the divine nature of the mysteries, this | ||
CF | sm��rg��sbord would remove all doubt. There's more kinds of food and | ||
CF | libation here than you can count (admittedly a low-ish number, as the | ||
CF | somewhat-clunky Attic numeral system isn't doing you any favors on | ||
CF | this score). Olives, dates, figs, and grapes, each plumper than the | ||
CF | last, overflow the tables, and that's just the roundish things! | ||
CF | There's a massive roast and dozens of cheeses -- oh, you could get | ||
CF | used to this. | ||
CF | | ||
CF | A pepper pot and a sampling-platter of honeyed cakes round things out, | ||
CF | and some toothpicks are neatly piled at the far end of the table next | ||
CF | to a solitary cup (everyone else must have taken theirs already). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cup" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CUP | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take toothpick" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE TOOTHPICK | ||
CF | | ||
CF | You pluck a toothpick from the pile. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pot" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X POT | ||
CF | | ||
CF | A nice little pot of pepper, in case you think you're a | ||
CF | better-seasoned seasoner than the cooks. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "eat it" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > EAT IT | ||
CF | | ||
CF | You take a pinch and sniff -- ooh, now that's peppery! | ||
CF | | ||
CF | Alky pulls a flask out of his chiton, downs a swallow, and visibly | ||
CF | decides to save the rest for himself rather than offer you any (you | ||
CF | suppose you need to be fully initiated into the Mysteries to get the | ||
CF | good stuff). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell pepper" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > SMELL PEPPER | ||
CF | | ||
CF | You take a pinch and sniff -- ooh, now that's peppery! | ||
CF | | ||
CF | You've got a little tickle in your nose. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sneeze" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > SNEEZE | ||
CF | | ||
CF | You have a feeling that if you just wait a moment, that will take care | ||
CF | of itself. | ||
CF | | ||
CF | This definitely feels like a sneeze coming on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | Alky tells you something clever he heard off of that Socrates fellow, | ||
CF | but it's a bit hard to follow and leaves you knowing less than when | ||
CF | you started. | ||
CF | | ||
CF | "Ah-CHOO!" Your sneeze sounds like a goose's honk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X CAKE | ||
CF | | ||
CF | These cakes are dripping with honey, and have more tiers than the | ||
CF | Theater of Dionysus. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "eat cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > EAT CAKE | ||
CF | | ||
CF | The honey in the cake is enough to glue your lips together, but | ||
CF | fortunately, you remember that nose-breathing is an option just in | ||
CF | time. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x drink" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X DRINK | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drinks" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > DRINKS | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x drinks" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X DRINKS | ||
CF | | ||
CF | Several large urns of wine, with convenient bowls set out to | ||
CF | facilitate sanitary libation. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drink wine" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > DRINK WINE | ||
CF | | ||
CF | Now that's the stuff -- and it seems to have washed out the tickle in | ||
CF | your throat, too! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to alky" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TALK TO ALKY | ||
CF | | ||
CF | To converse with characters, you can ASK them ABOUT something. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x people" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X PEOPLE | ||
CF | | ||
CF | These fellows are much too intent on their stomachs to bother with | ||
CF | you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x couch" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X COUCH | ||
CF | | ||
CF | The couches themselves are rather quotidian, but some of the jewels of | ||
CF | Attic society are sprawled recumbent across their cushions -- under | ||
CF | other circs, you'd be star-struck to be sharing air with Corky | ||
CF | Timogenes! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x corky" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X CORKY | ||
CF | | ||
CF | Everyone here seems rather focused on moving delicacies from table to | ||
CF | tummy as efficiently as possible. | ||
CF | | ||
CF | > | DavidW says, "I'm not sure we're gonna get our next quest here." | |
DavidW says, "I think it's elsewhere." | ||
DavidW says (to ClubFloyd), "take pepper" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE PEPPER | ||
CF | | ||
CF | You take a pinch and sniff -- ooh, now that's peppery! | ||
CF | | ||
CF | Shooting you a sly smile, Alky tells you one of the many things his | ||
CF | guardians don't know about what he gets up to. | ||
CF | | ||
CF | > | Knight_Otu says, "So it seems." | |
DavidW says (to ClubFloyd), "undo" | ||
CF ] Banquet Hall | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Banquet Hall | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x fountain" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > X FOUNTAIN | ||
CF | | ||
CF | The water in the fountain is clean and clear enough, though much less | ||
CF | enticing than what's on offer at the feast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Closet | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | You emit a small "hic" -- that wine must have gone to your head! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x clothes" | ||
CF ] Closet | ||
CF | > | ||
CF | > X CLOTHES | ||
CF | | ||
CF | Up close, these items are fairly tawdry -- your valet would not | ||
CF | approve. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rack" | ||
CF ] Closet | ||
CF | > | ||
CF | > X RACK | ||
CF | | ||
CF | This wooden number sports a profusion of hats -- among the swarm, a | ||
CF | silly, floppy tam, some ear warmers, and a crown of laurels catch your | ||
CF | eye. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bin" | ||
CF ] Closet | ||
CF | > | ||
CF | > X BIN | ||
CF | | ||
CF | You root around in the bin like a pig whose supper depends on finding | ||
CF | a prize truffle. Your best finds are a feather boa, and a gold chain | ||
CF | that could do for a belt in a pinch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bench" | ||
CF ] Closet | ||
CF | > | ||
CF | > X BENCH | ||
CF | | ||
CF | A number of shoes -- hopefully an even one -- are heaped on this | ||
CF | bench. You particularly notice a pair of sandals like Hermes would | ||
CF | wear, and a set of cothurni, like actors wear. | ||
CF | | ||
CF | > | DavidW says, "Seems like a pick-the-correct-outfit sort of puzzle." | |
Knight_Otu says, "Yeah." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Esmond Kerykes -- Puffy to his friends -- lounges about. | ||
CF | | ||
CF | Blimey! That bloke over there is your cousin, Machon | ||
CF | Ephippus-Ephipus. Who knew he was on the to-be-initiated list too? | ||
CF | | ||
CF | That thin bloke Alky called "Puffy" greets you as you enter. "Welcome | ||
CF | to the telesterion," he says, and while you're revolving that in the | ||
CF | noodle (you figure out the "far away" part straightaway, but the rest | ||
CF | is a bit flummoxing), you somewhat lose track of the rest of the | ||
CF | rigmarole. The gist seems to be that you've a few more hoops to jump | ||
CF | through, of a ceremonial nature, and you can get the ball rolling by | ||
CF | asking the said Puffy about the said ritual. | ||
CF | | ||
CF | > | Jacqueline says, "I'm ... I can't tell if I love or hate Britishisms as 'translated from' Greek" | |
DavidW says (to ClubFloyd), "ask puffy about ritual" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ASK PUFFY ABOUT RITUAL | ||
CF | | ||
CF | "Let's get cracking," Puffy says, rubbing his hands together. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | "The ritual starts with some call and response," Puffy says. At your | ||
CF | blank look he elaborates: "I'll say something, then you repeat it | ||
CF | back. Here, let's try to make sure you've got it, I'll say..." As he | ||
CF | hesitates, Machon pipes up, "how about blooey!" Puffy, with a pained | ||
CF | wince, acquiesces. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "say blooey" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY BLOOEY | ||
CF | | ||
CF | (to Puffy) | ||
CF | You need to wait a moment for Puffy to say it first. | ||
CF | | ||
CF | Puffy says "blooey," not without a sour glare at Machon, and looks at | ||
CF | you expectantly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "say blooey" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY BLOOEY | ||
CF | | ||
CF | (to Puffy) | ||
CF | Puffy nods at you, relieved by your ability to follow simple | ||
CF | directions (there are benefits, pedagogically speaking, to having a | ||
CF | Great-Aunt!) | ||
CF | | ||
CF | You've got the bit between your teeth vis a vis this call and response | ||
CF | wheeze now, and you keep pace all through some balderdash Puffy spouts | ||
CF | about rains and children and flowers and all sorts of soppy nonsense. | ||
CF | But then he draws you up short: "All right, this last part's a little | ||
CF | different," Puffy says (you hesitate, about to open your mouth and | ||
CF | repeat this back too, before he dissuades you with a quick shake of | ||
CF | the head). "Now in a moment I'll ask who bore a great son, and you | ||
CF | say mighty Potnia." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | "Who bore a great son?" Puffy intones in your general direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "say mighty Potnia" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY MIGHTY POTNIA | ||
CF | | ||
CF | (to Puffy) | ||
CF | "Mighty Potnia," you say with confidence, only to be met with a chorus | ||
CF | of bemusement. "No, that's not quite it," scolds Puffy. | ||
CF | "Insufficiently plosive, old man," Machon Ephippus-Ephipus puts in. | ||
CF | "More nasal, more emphasis on the first syllable." | ||
CF | | ||
CF | "Great son?" Puffy asks again. He looks at you, hopeful yet wary. | ||
CF | | ||
CF | > | DavidW says, "Do we need the pepper" | |
Jacqueline says, "Hm. Maybe" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | "I don't think you're quite getting it," Puffy tsks in disappointment | ||
CF | as you leave the room. "Perhaps a snack and a drink would help?" He | ||
CF | turns away. | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. A crowd of | ||
CF | your soon-to-be-fellow initiates mob the comestibles and imbibables | ||
CF | spread across the tables, breaking into song when the mood hits and | ||
CF | intermittently flit to one of the numberless couches for a lie-down | ||
CF | when the system needs a touch of strengthening. Alky is amidst the | ||
CF | mob but somehow not of it, elegant and poised even as he drains a bowl | ||
CF | of wine to the dregs. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell pepper" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > SMELL PEPPER | ||
CF | | ||
CF | You take a pinch and sniff -- ooh, now that's peppery! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | There's that tickle again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | As you enter, Puffy bustles over to you, officious. "Are you ready to | ||
CF | get on with the initiation?" he asks. After a moment's pause that | ||
CF | awkwardly stretches to two moments, you realize this wasn't | ||
CF | rhetorical. | ||
DavidW pushes the green 'space' button. | ||
CF ] Telesterion | ||
CF | rhetorical. | ||
CF | > | ||
CF | | ||
CF | Please answer yes or no.> | ||
DavidW says (to ClubFloyd), "yes" | ||
CF ] Telesterion | ||
CF | Please answer yes or no.> | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | Puffy leads you into the Telesterion and into the stage area. | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Esmond Kerykes -- Puffy to his friends -- lounges about. | ||
CF | | ||
CF | Your cousin Machon Ephippus-Ephippus is seated on a couch, doing his | ||
CF | best to stay upright. | ||
CF | | ||
CF | This definitely feels like a sneeze coming on. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | "Remember, just repeat everything I say," Puffy says. You can do | ||
CF | that! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | "Ah-CHOO!" Your sneeze sounds like a lamb's bleat. | ||
CF | | ||
CF | Puffy says "blooey," not without a sour glare at Machon, and looks at | ||
CF | you expectantly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "say blooey" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY BLOOEY | ||
CF | | ||
CF | (to Puffy) | ||
CF | Puffy nods at you, relieved by your ability to follow simple | ||
CF | directions (there are benefits, pedagogically speaking, to having a | ||
CF | Great-Aunt!) | ||
CF | | ||
CF | You breeze through the easy bits, until once again you face that | ||
CF | "mighty Potnia" business. | ||
CF | | ||
CF | > | Jacqueline asks, "Could we have carried the pepper with us?" | |
Jacqueline says, "Maybe it doesn't matter..." | ||
Jacqueline waits. | ||
DavidW asks, "Maybe if we put it in the cup?" | ||
DavidW says (to ClubFloyd), "say mighty Potnia" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY MIGHTY POTNIA | ||
CF | | ||
CF | (to Puffy) | ||
CF | You need to wait a moment for Puffy to give you the prompt. | ||
CF | | ||
CF | There's that tickle again. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | "Who bore a great son?" Puffy intones in your general direction. | ||
CF | | ||
CF | > | Knight_Otu says, "Possibly, but let's see first." | |
DavidW says (to ClubFloyd), "say might Potnia" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY MIGHT POTNIA | ||
CF | | ||
CF | (to Puffy) | ||
CF | There is no reply. | ||
CF | | ||
CF | This definitely feels like a sneeze coming on. | ||
CF | | ||
CF | "Great son?" Puffy asks again. Frankly at this point you'd call this | ||
CF | son something other than great. | ||
CF | | ||
CF | > | Jacqueline says, "yeah" | |
Jacqueline says, "do it again" | ||
DavidW says (to ClubFloyd), "say mighty potnia" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SAY MIGHTY POTNIA | ||
CF | | ||
CF | (to Puffy) | ||
CF | You get out the "mighty" just fine, but a massive sneeze overcomes you | ||
CF | just as you hit the "Potnia" part -- a nasal explosion that wins | ||
CF | plaudits and catcalls from everyone save Puffy, who's rather drenched | ||
CF | in the results of your triumph. "I suppose that's close enough," he | ||
CF | says, wringing out the hem of his chiton. "Ask me about the ritual | ||
CF | when you're ready for the next bit." | ||
CF | | ||
CF | > | Jacqueline says, "Maybe ---yeah" | |
Jacqueline says, "Also, ew" | ||
Knight_Otu says, "Ew." | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf2" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Telesterion | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | MoyTW says, "That is definitely not very nice." | |
DavidW says (to ClubFloyd), "ask puffy about ritual" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ASK PUFFY ABOUT RITUAL | ||
CF | | ||
CF | "Yes, let's get on with it," says Puffy, sniffing in what's either | ||
CF | irritation or a coming head-cold. "Where was I..." | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | "This next bit might be hard for you," Puffy says with concern. "You | ||
CF | just need to stay quiet while I prepare the kykeon." You're about to | ||
CF | ask what the blazes this kykeon is that he and Alky are always going | ||
CF | on about, but as the fellow's a born pedant, he's already explaining: | ||
CF | "we make a special drink from the barley and pennyroyal you brought | ||
CF | us, plus a few other special ingredients, then drink it at the end of | ||
CF | the ceremony." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | There's that tickle again. | ||
CF | | ||
CF | Puffy takes out a knife -- your knife! -- from his sleeve, and slowly | ||
CF | tests its point on his finger. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | This definitely feels like a sneeze coming on. | ||
CF | | ||
CF | Now Puffy moves to the platter, and takes the pennyroyal and the ear | ||
CF | of barley you found earlier. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | "Ah-CHOO!" Your sneeze sounds like a goose's honk. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | Puffy looks at you, horrified. "We need silence! Talk to me when | ||
CF | you're ready to try again." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. A crowd of | ||
CF | your soon-to-be-fellow initiates mob the comestibles and imbibables | ||
CF | spread across the tables, breaking into song when the mood hits and | ||
CF | intermittently flit to one of the numberless couches for a lie-down | ||
CF | when the system needs a touch of strengthening. Alky is amidst the | ||
CF | mob but somehow not of it, elegant and poised even as he gives a date | ||
CF | a dainty nibble. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | Alky canvasses your opinion on a naval versus an infantry strategy for | ||
CF | peeling off the Peloponnesian League's allies, which reminds you that | ||
CF | you really need to catch up on the news. | ||
CF | | ||
CF | There's that tickle again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drink wine" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > DRINK WINE | ||
CF | | ||
CF | Now that's the stuff -- and it seems to have washed out the tickle in | ||
CF | your throat, too! | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | > | Jacqueline says, "oh no" | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | As you enter, Puffy bustles over to you, officious. "Are you ready to | ||
CF | get on with the initiation?" he asks. After a moment's pause that | ||
CF | awkwardly stretches to two moments, you realize this wasn't | ||
CF | rhetorical. | ||
DavidW says (to ClubFloyd), "yes" | ||
CF ] Telesterion | ||
CF | rhetorical. | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | Puffy leads you into the Telesterion and into the stage area. | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Esmond Kerykes -- Puffy to his friends -- lounges about. | ||
CF | | ||
CF | Your cousin Machon Ephippus-Ephippus is seated on a couch, doing his | ||
CF | best to stay upright. | ||
CF | | ||
CF | Puffy heaves a sigh and motions for you to be quiet as he once again | ||
CF | starts to prepare the kykeon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | You hiccup again. | ||
CF | | ||
CF | Puffy looks at you, horrified. "We need silence! Talk to me when | ||
CF | you're ready to try again." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drink water" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > DRINK WATER | ||
CF | | ||
CF | Water's not your usual wheeze, but dashed if that wasn't refreshing! | ||
CF | | ||
CF | After a moment, you're pretty sure that it's fixed your hiccups, too. | ||
CF | | ||
CF | > | Jacqueline says, "Well, at least we don't have to start completely over." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | As you enter, Puffy bustles over to you, officious. "Are you ready to | ||
CF | get on with the initiation?" he asks. After a moment's pause that | ||
CF | awkwardly stretches to two moments, you realize this wasn't | ||
CF | rhetorical. | ||
DavidW says (to ClubFloyd), "yes" | ||
CF ] Telesterion | ||
CF | rhetorical. | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | Puffy leads you into the Telesterion and into the stage area. | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Esmond Kerykes -- Puffy to his friends -- lounges about. | ||
CF | | ||
CF | Your cousin Machon Ephippus-Ephippus is seated on a couch, doing his | ||
CF | best to stay upright. | ||
CF | | ||
CF | Puffy heaves a sigh and motions for you to be quiet as he once again | ||
CF | starts to prepare the kykeon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | Puffy takes out a knife -- your knife! -- from his sleeve, and slowly | ||
CF | tests its point on his finger. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | Now Puffy moves to the platter, and takes the pennyroyal and the ear | ||
CF | of barley you found earlier. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | Slowly, Puffy drags the knife across the barley, cutting a few kernels | ||
CF | off into a shallow basin, then crushes the pennyroyal and throws it in | ||
CF | too. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | You wait for a moment, sure that there must be something more | ||
CF | interesting to come, but no, Puffy appears to be finished, and one of | ||
CF | his assistants whisks the platter and basin away. "It's a symbolic | ||
CF | act," he says defensively, "means new life will come from old." You | ||
CF | nod, as though this follows -- at any rate, that's one more part of | ||
CF | this thing-gummy finished, so you can check in with Puffy when you're | ||
CF | ready for the next. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push save" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUSH SAVE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf3" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Telesterion | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask puffy about ritual" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ASK PUFFY ABOUT RITUAL | ||
CF | | ||
CF | "Yes, let's get on with it," says Puffy, sniffing in what's either | ||
CF | irritation or a coming head-cold. "Where was I..." | ||
CF | | ||
CF | "All right, now we're getting somewhere," Puffy says. "Next we | ||
CF | commemorate those who for a moment brought a smile to holy Demeter's | ||
CF | face while she mourned her lost daughter, by invoking divine | ||
CF | hilarity." You think you've worked this out, and Puffy confirms it: | ||
CF | "Yes, try to make the chaps laugh. Seems in your wheelhouse, no?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | The fellows look at you, a bit gormless and certainly not amused. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dance" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > DANCE | ||
CF | | ||
CF | You give a spin, follow up with a leap, and finish with a high-kick, | ||
CF | spirit-fingering all the while. | ||
CF | | ||
CF | The crowd ribs each other at your antics. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dance" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > DANCE | ||
CF | | ||
CF | You give a caper, follow up with a shuffle, and finish with a lunge, | ||
CF | head-bobbing all the while. | ||
CF | | ||
CF | The crowd ribs each other at your antics. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sing" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SING | ||
CF | | ||
CF | You belt out this cracking ditty you heard at last month's symposium | ||
CF | -- "hop lightly, hoplite!" | ||
CF | | ||
CF | The crowd ribs each other at your antics. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "act" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ACT | ||
CF | | ||
CF | This crowd doesn't seem like they want drama -- something more in the | ||
CF | tomfoolery line would be the ticket. | ||
CF | | ||
CF | You shuffle your feet a bit, and the crowd, mistaking that for | ||
CF | dancing, gives you a smattering of applause. | ||
CF | | ||
CF | Despite your best efforts, boredom has overtaken the crowd. "Best give | ||
CF | it a breather," Puffy advises, "come back when you've fine-tuned your | ||
CF | act and your persona." | ||
CF | | ||
CF | > | Knight_Otu says, "Ah, hah. Persona." | |
DavidW says, "Seems like we need to dress up for this part." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Closet | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | > | Jacqueline says, "oh ah" | |
DavidW says (to ClubFloyd), "x clothes" | ||
CF ] Closet | ||
CF | > | ||
CF | > X CLOTHES | ||
CF | | ||
CF | Up close, these items are fairly tawdry -- your valet would not | ||
CF | approve. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search clothes" | ||
CF ] Closet | ||
CF | > | ||
CF | > SEARCH CLOTHES | ||
CF | | ||
CF | Up close, these items are fairly tawdry -- your valet would not | ||
CF | approve. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear clothes" | ||
CF ] Closet | ||
CF | > | ||
CF | > WEAR CLOTHES | ||
CF | | ||
CF | (first taking the clothes) | ||
CF | None of them are a stitch on your chiton. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remove chiton" | ||
CF ] Closet | ||
CF | > | ||
CF | > REMOVE CHITON | ||
CF | | ||
CF | The evening hasn't gotten nearly eventful enough for that! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x shoes" | ||
CF ] Closet | ||
CF | > | ||
CF | > X SHOES | ||
CF | | ||
CF | A number of shoes -- hopefully an even one -- are heaped on this | ||
CF | bench. You particularly notice a pair of sandals like Hermes would | ||
CF | wear, and a set of cothurni, like actors wear. | ||
CF | | ||
CF | > | Jacqueline says, "hahaha" | |
DavidW says (to ClubFloyd), "wear cothuri" | ||
CF ] Closet | ||
CF | > | ||
CF | > WEAR COTHURI | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear cothurni" | ||
CF ] Closet | ||
CF | > | ||
CF | > WEAR COTHURNI | ||
CF | | ||
CF | (first taking the set of cothurni) | ||
CF | Taken. | ||
CF | | ||
CF | You pull on the boots, tottering a little as you adjust to the high | ||
CF | soles. | ||
CF | | ||
CF | Your current ensemble looks a little silly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hats" | ||
CF ] Closet | ||
CF | > | ||
CF | > X HATS | ||
CF | | ||
CF | You can't use multiple objects with that verb. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hat" | ||
CF ] Closet | ||
CF | > | ||
CF | > X HAT | ||
CF | | ||
CF | This wooden number sports a profusion of hats -- among the swarm, a | ||
CF | silly, floppy tam, some ear warmers, and a crown of laurels catch your | ||
CF | eye. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear tam" | ||
CF ] Closet | ||
CF | > | ||
CF | > WEAR TAM | ||
CF | | ||
CF | (first taking the silly floppy tam) | ||
CF | Taken. | ||
CF | | ||
CF | The bright, floppy, be-belled tam settles upon your brow as though you | ||
CF | were born to it. | ||
CF | | ||
CF | Your outfit is fairly ridiculous, but perhaps you've not quite | ||
CF | attained the acme of silliness. | ||
CF | | ||
CF | > | Jacqueline says, "yay" | |
DavidW says (to ClubFloyd), "x bin" | ||
CF ] Closet | ||
CF | > | ||
CF | > X BIN | ||
CF | | ||
CF | You root around in the bin like a pig whose supper depends on finding | ||
CF | a prize truffle. Your best finds are a feather boa, and a gold chain | ||
CF | that could do for a belt in a pinch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear boa" | ||
CF ] Closet | ||
CF | > | ||
CF | > WEAR BOA | ||
CF | | ||
CF | (first taking the feather boa) | ||
CF | Taken. | ||
CF | | ||
CF | The boa adds a nice splash of color to your ensemble -- or maybe | ||
CF | rather a tsunami than a splash. | ||
CF | | ||
CF | You must admit, your present accoutrements present quite the hilarious | ||
CF | prospect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Closet | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | As you enter, Puffy bustles over to you, officious. "Are you ready to | ||
CF | get on with the initiation?" he asks. After a moment's pause that | ||
CF | awkwardly stretches to two moments, you realize this wasn't | ||
CF | rhetorical. | ||
DavidW says (to ClubFloyd), "yes" | ||
CF ] Telesterion | ||
CF | rhetorical. | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | Puffy leads you into the Telesterion and into the stage area. | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Esmond Kerykes -- Puffy to his friends -- lounges about. | ||
CF | | ||
CF | Your cousin Machon Ephippus-Ephippus is seated on a couch, doing his | ||
CF | best to stay upright. | ||
CF | | ||
CF | "Give us some singing!" someone calls from the crowd. Now there's an | ||
CF | idea! | ||
CF | | ||
CF | "Alright, let's have some more comedy," Puffy says, his lowered | ||
CF | expectations written across his face. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sing" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SING | ||
CF | | ||
CF | You belt out this cracking ditty you heard at last month's symposium | ||
CF | -- "I dream of a trireme". | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dance" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > DANCE | ||
CF | | ||
CF | The cothurni make you rather totter as you give a spin, follow up with | ||
CF | a leap, and finish with a knee-slide, spirit-fingering all the while. | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "act" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ACT | ||
CF | | ||
CF | This crowd doesn't seem like they want drama -- something more in the | ||
CF | tomfoolery line would be the ticket. | ||
CF | | ||
CF | The fellows look at you, a bit gormless and certainly not amused. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sing" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SING | ||
CF | | ||
CF | You belt out this cracking ditty you heard at last month's symposium | ||
CF | -- "hop lightly, hoplite!" | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dance" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > DANCE | ||
CF | | ||
CF | The cothurni make you rather totter as you give a twirl, follow up | ||
CF | with a split, and finish with a high-kick, head-bobbing all the while. | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | Despite your best efforts, boredom has overtaken the crowd once again. | ||
CF | "Best give it a breather," Puffy advises, "come back when you've | ||
CF | fine-tuned your act and your persona. And try to look the part!" | ||
CF | | ||
CF | > | Jacqueline says, "huh" | |
Knight_Otu asks, "Joke, perhaps?" | ||
Jacqueline says, "I was wondering that" | ||
Jacqueline asks, "But how? >TELL JOKE?" | ||
DavidW says (to ClubFloyd), "joke" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > JOKE | ||
CF | | ||
CF | You clear your throat slightly. "Who do actors never want to see in | ||
CF | the theater? Boo-eatians." | ||
CF | | ||
CF | > | Knight_Otu says, "That, or just... right." | |
Jacqueline says, "oh nice" | ||
DavidW says (to ClubFloyd), "ask puffy about ritural" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ASK PUFFY ABOUT RITURAL | ||
CF | | ||
CF | Puffy blinks at you, perhaps taken aback by your rather outlandish | ||
CF | getup. | ||
CF | | ||
CF | You get a blank look of the sort with which you're well acquainted. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask puffy about ritual" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > ASK PUFFY ABOUT RITUAL | ||
CF | | ||
CF | Puffy blinks at you, perhaps taken aback by your rather outlandish | ||
CF | getup. | ||
CF | | ||
CF | "Yes, let's get on with it," says Puffy, sniffing in what's either | ||
CF | irritation or a coming head-cold. "Where was I..." | ||
CF | | ||
CF | "Alright, let's have some more comedy," Puffy says, his lowered | ||
CF | expectations written across his face. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "joke" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > JOKE | ||
CF | | ||
CF | You clear your throat slightly. "Why are Minoans good at keeping | ||
CF | secrets? They're very dis-Crete." | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You clear your throat slightly. "Who's the Athenian lady who lives on | ||
CF | the tallest spot in Athens? Thea Kropolis." | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You clear your throat slightly. "Apologies if you don't like puns, | ||
CF | but it's Sparta the act." | ||
CF | | ||
CF | You get a few scattered laughs, but you detect a note of restlessness | ||
CF | in the crowd -- might be time to change things up! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sing" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SING | ||
CF | | ||
CF | You belt out this cracking ditty you heard at last month's symposium | ||
CF | -- "rock me, Menelaus". | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sing" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > SING | ||
CF | | ||
CF | You belt out this cracking ditty you heard at last month's symposium | ||
CF | -- "hop lightly, hoplite!" | ||
CF | | ||
CF | There are real guffaws in the crowd -- this is the stuff! | ||
CF | | ||
CF | Wave after wave of laughter convulses the crowd, and even Puffy | ||
CF | exhales a sharp chortle or two. "Oh, good show!" he says. | ||
CF | | ||
CF | "Last part," says Puffy, putting a lot of cheek into a heavy | ||
CF | exhalation (now you remember where the nickname came from!). "You lot | ||
CF | need to pass an hour in silent prayer and meditation while the kykeon | ||
CF | brews." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "meditate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | Your prayer starts out strong, but as you get to a particularly dull | ||
CF | bit reciting the list of which birds give good omens, your left eyelid | ||
CF | starts to droop down -- for you, an infallible herald of an oncoming | ||
CF | nap -- and you jerk awake in horror. If there's one thing your | ||
CF | Great-Aunts have taught you about prayer vigils, it's that you can't | ||
CF | sleep through them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear toothpick" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > WEAR TOOTHPICK | ||
CF | | ||
CF | Carefully -- very carefully! -- you use the toothpick to prop your | ||
CF | left eyelid open. After a bit of fiddling, you get it wedged in there | ||
CF | pretty good! It's not exactly comfortable, but there's little risk | ||
CF | you'll nod off while it's there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "meditate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | You're getting through your prayers, but you're interrupted by a | ||
CF | wheeze, and not the diverting kind -- searching for the source, you | ||
CF | see that Machon Ephippus-Ephipus' slouch has turned into more of a | ||
CF | fully-horizontal jobby. Puffy was quite specific about all of you | ||
CF | keeping the vigil, so you resolve to do your part to get him through | ||
CF | -- it's the brotherly thing to do! | ||
CF | | ||
CF | > | Knight_Otu says, "Eugh." | |
MoyTW says, "this game has some real uncomfortable moments" | ||
DavidW asks, "How do we keep cuz upright?" | ||
DavidW says (to ClubFloyd), "x machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X MACHON | ||
CF | | ||
CF | Machon, emitting the occasional snore, is insensible to the world | ||
CF | about him. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wake machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > WAKE MACHON | ||
CF | | ||
CF | You rouse Macon with a gentle shake. He smiles his thanks, then emits | ||
CF | a small yawn. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "meditate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | Ephippus-Ephipus is nodding off again, poor lamb, and emits a dry, | ||
CF | repetitive snore. You can't very well keep prodding him awake while | ||
CF | you're in the middle of your meditations, though -- you might need | ||
CF | some help with this. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a feather boa (being worn) | ||
CF | a silly floppy tam (being worn) | ||
CF | a set of cothurni (being worn) | ||
CF | a toothpick (currently propping open your left eye) | ||
CF | a cup | ||
CF | a largish chunk of amphora | ||
CF | a frayed rope | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | Knight_Otu asks, "The torch?" | |
DavidW says, "Or maybe the chunk" | ||
DavidW says (to ClubFloyd), "put chunk under machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT CHUNK UNDER MACHON | ||
CF | | ||
CF | Short of allowing you to relive the childhood fun of a game of | ||
CF | hide-the-stylus, you don't see what this would accomplish. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give chunk to machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE CHUNK TO MACHON | ||
CF | | ||
CF | Machon Ephippus-Ephipus doesn't look like he wants it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "machon, sit on chunk" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MACHON, SIT ON CHUNK | ||
CF | | ||
CF | Your cousin's never been especially good at doing what others ask, and | ||
CF | this probably isn't the evening that changes. | ||
CF | Besides, he's sleeping now, which adds an extra element of | ||
CF | challenge. | ||
CF | | ||
CF | > | Jacqueline says, "Hide the stylus... banana...." | |
DavidW asks, "We should find a banana?" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Closet | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop hat, shoes, boa" | ||
CF ] Closet | ||
CF | > | ||
CF | > DROP HAT, SHOES, BOA | ||
CF | | ||
CF | silly floppy tam: (first taking the silly floppy tam off) | ||
CF | The tam jingles as you sweep it off the pate. | ||
CF | | ||
CF | Dropped. | ||
CF | shoe bench: The shoe bench is already here. | ||
CF | feather boa: (first taking the feather boa off) | ||
CF | With a tinge of regret, you unclasp the boa from about your hips. | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Closet | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a set of cothurni (being worn) | ||
CF | a toothpick (currently propping open your left eye) | ||
CF | a cup | ||
CF | a largish chunk of amphora | ||
CF | a frayed rope | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop cothurni" | ||
CF ] Closet | ||
CF | > | ||
CF | > DROP COTHURNI | ||
CF | | ||
CF | (first taking the set of cothurni off) | ||
CF | You slide the cothurni off, relieved that now only children and the | ||
CF | exceptionally short will be able to see your nose-hairs. | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. A crowd of | ||
CF | your soon-to-be-fellow initiates mob the comestibles and imbibables | ||
CF | spread across the tables, breaking into song when the mood hits and | ||
CF | intermittently flit to one of the numberless couches for a lie-down | ||
CF | when the system needs a touch of strengthening. Alky is amidst the | ||
CF | mob but somehow not of it, elegant and poised even as he gobbles down | ||
CF | a handful of grapes. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x banana" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X BANANA | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X FOOD | ||
CF | | ||
CF | If you had any doubts about the divine nature of the mysteries, this | ||
CF | sm��rg��sbord would remove all doubt. There's more kinds of food and | ||
CF | libation here than you can count (admittedly a low-ish number, as the | ||
CF | somewhat-clunky Attic numeral system isn't doing you any favors on | ||
CF | this score). Olives, dates, figs, and grapes, each plumper than the | ||
CF | last, overflow the tables, and that's just the roundish things! | ||
CF | There's a massive roast and dozens of cheeses -- oh, you could get | ||
CF | used to this. | ||
CF | | ||
CF | A pepper pot and a sampling-platter of honeyed cakes round things out, | ||
CF | and some toothpicks are neatly piled at the far end of the table. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x roast" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X ROAST | ||
CF | | ||
CF | You run through the admittedly-scanty competition before concluding | ||
CF | that yes, this is the most enticing you've ever seen a goat look. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cheeses" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X CHEESES | ||
CF | | ||
CF | It doesn't get any feta than this. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CAKE | ||
CF | | ||
CF | You can't help yourself -- you grab a big lump of honey cake in case | ||
CF | you want a nibble later on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Good old Machon Ephippus-Ephipus slouches on a couch, having | ||
CF | temporarily lost his struggle to stay upright. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wake machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > WAKE MACHON | ||
CF | | ||
CF | You rouse Macon with a gentle shake. He smiles his thanks, then emits | ||
CF | a small yawn. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give cake to machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE CAKE TO MACHON | ||
CF | | ||
CF | Machon Ephippus-Ephipus doesn't look like he wants it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "hit machon with chunk" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > HIT MACHON WITH CHUNK | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chunk" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X CHUNK | ||
CF | | ||
CF | This was definitely an amphora, and not a vase. Or is that backwards? | ||
CF | This head-sized chunk, from the bottom part of the thing, is that all | ||
CF | that survived Puffy's tender ministrations. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put torch under machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT TORCH UNDER MACHON | ||
CF | | ||
CF | Short of allowing you to relive the childhood fun of a game of | ||
CF | hide-the-stylus, you don't see what this would accomplish. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give torch to machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE TORCH TO MACHON | ||
CF | | ||
CF | Machon Ephippus-Ephipus doesn't look like he wants it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X MACHON | ||
CF | | ||
CF | Machon is your cousin, with one or two additional removes you've never | ||
CF | been able to keep straight. He's something of a gourmand, with a | ||
CF | physique to match. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "hold up machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > HOLD UP MACHON | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | DavidW asks, "ideas?" | |
Knight_Otu says, "Not really." | ||
MoyTW asks, "Did we try giving him wine?" | ||
DavidW says, "That would likely give him hiccups, and we need to be silent." | ||
MoyTW asks, "Or maybe he could fall asleep?" | ||
MoyTW says, "...and possibly snore but" | ||
DavidW says, "That's what we're trying to avoid." | ||
DavidW says, "The sleeping is bad." | ||
MoyTW asks, "I thought we were trying to avoid slouching?" | ||
MoyTW says, "well" | ||
MoyTW says, "yeah ok" | ||
MoyTW says, "right." | ||
DavidW says, "I'll get another toothpick." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. A crowd of | ||
CF | your soon-to-be-fellow initiates mob the comestibles and imbibables | ||
CF | spread across the tables, breaking into song when the mood hits and | ||
CF | intermittently flit to one of the numberless couches for a lie-down | ||
CF | when the system needs a touch of strengthening. Alky is amidst the | ||
CF | mob but somehow not of it, elegant and poised even as he gives a date | ||
CF | a dainty nibble. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take toothpick" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE TOOTHPICK | ||
CF | | ||
CF | You already have that. | ||
CF | | ||
CF | > | DavidW says, "okay, only one toothpick per customer" | |
DavidW says (to ClubFloyd), "take cheese" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CHEESE | ||
CF | | ||
CF | You make up a plate from the goodies on offer. | ||
CF | | ||
CF | Alky explains to you his plan for invading Sicily -- or maybe it's his | ||
CF | plan of attack for dinner, you get confused midway through and, to be | ||
CF | fair, hot oil features in both. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Your cousin Machon Ephippus-Ephippus is seated on a couch, doing his | ||
CF | best to stay upright. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give plate to cousin" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE PLATE TO COUSIN | ||
CF | | ||
CF | If Machon Ephippus-Ephipus is hungry, he can make up his own plate -- | ||
CF | this one's yours! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x plate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X PLATE | ||
CF | | ||
CF | A plate of scrummy delights -- ooh, that olive looks good! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a plate of food | ||
CF | a lump of honey cake | ||
CF | a toothpick (currently propping open your left eye) | ||
CF | a cup | ||
CF | a largish chunk of amphora | ||
CF | a frayed rope | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "meditate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | Ephippus-Ephipus is nodding off again, poor lamb, and emits a dry, | ||
CF | repetitive snore. You can't very well keep prodding him awake while | ||
CF | you're in the middle of your meditations, though -- you might need | ||
CF | some help with this. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cake in cousin" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT CAKE IN COUSIN | ||
CF | | ||
CF | That doesn't offer much by way of a receptacle, sadly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give cake to cousin" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE CAKE TO COUSIN | ||
CF | | ||
CF | Machon Ephippus-Ephipus doesn't look like he wants it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cake in machon's mouth" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT CAKE IN MACHON'S MOUTH | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X MACHON | ||
CF | | ||
CF | Machon, emitting the occasional snore, is insensible to the world | ||
CF | about him. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. A crowd of | ||
CF | your soon-to-be-fellow initiates mob the comestibles and imbibables | ||
CF | spread across the tables, breaking into song when the mood hits and | ||
CF | intermittently flit to one of the numberless couches for a lie-down | ||
CF | when the system needs a touch of strengthening. Alky is amidst the | ||
CF | mob but somehow not of it, elegant and poised even as he contemplates | ||
CF | an olive. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about snoring" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > ASK ALKY ABOUT SNORING | ||
CF | | ||
CF | You get a blank look of the sort with which you're well acquainted. | ||
CF | | ||
CF | Alky tells you something clever he heard off of that Socrates fellow, | ||
CF | but it's a bit hard to follow and leaves you knowing less than when | ||
CF | you started. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about meditation" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > ASK ALKY ABOUT MEDITATION | ||
CF | | ||
CF | "That bit is rather a bore. Want some company in your meditations?" | ||
CF | Alky asks. "I suppose I could be bothered." He saunters out of the | ||
CF | banquet hall, shooting you a come-hither look. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | source of drinking songs and belches, and eastwards, whence quiet | ||
CF | music and some jolly bracing incense waft. The stairs back down to | ||
CF | the cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and a crowd of the | ||
CF | already-initiated bustling about to witness the ceremonies. Some | ||
CF | tasteful harp music is piping in from a low grating at the back of the | ||
CF | hall, behind a cleared area that's doing its best impression of a | ||
CF | stage. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | Good old Machon Ephippus-Ephipus slouches on a couch, having | ||
CF | temporarily lost his struggle to stay upright. | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "meditate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | Ephippus-Ephipus is nodding off again, poor lamb, and emits a dry, | ||
CF | repetitive snore. You can't very well keep prodding him awake while | ||
CF | you're in the middle of your meditations, though -- you might need | ||
CF | some help with this. | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give toothpick to machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE TOOTHPICK TO MACHON | ||
CF | | ||
CF | Machon, emitting the occasional snore, is insensible to the world | ||
CF | about him. | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wake machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > WAKE MACHON | ||
CF | | ||
CF | You rouse Macon with a gentle shake. He smiles his thanks, then emits | ||
CF | a small yawn. | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give toothpick to machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > GIVE TOOTHPICK TO MACHON | ||
CF | | ||
CF | Machon looks dubiously at the toothpick. "That doesn't seem | ||
CF | especially pleasant," he squeaks. "I'll stay awake this time, I | ||
CF | promise!" | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | Jacqueline asks, "Will he, though?" | |
DavidW says (to ClubFloyd), "meditate" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | Ephippus-Ephipus is nodding off again, poor lamb, and emits a dry, | ||
CF | repetitive snore. You can't very well keep prodding him awake while | ||
CF | you're in the middle of your meditations, though -- you might need | ||
CF | some help with this. | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | Knight_Otu says, "Of course... not." | |
MoyTW exclaims, "Yes Machon that doesn't seem especially pleasant but also stop falling asleep!" | ||
DavidW says (to ClubFloyd), "wear toothpick" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > WEAR TOOTHPICK | ||
CF | | ||
CF | You're already wearing the toothpick (currently propping open your | ||
CF | left eye)! | ||
CF | | ||
CF | Alky is sitting next to you, offering a quick elbow to the ribs or an | ||
CF | acid witticism whenever you're in danger of nodding off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky about machon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > TELL ALKY ABOUT MACHON | ||
CF | | ||
CF | "He could use some help staying awake, couldn't he?" Alky says, taking | ||
CF | up a position near his couch and giving him a friendly prod back to | ||
CF | awareness. | ||
CF | | ||
CF | Alky is looming over poor Machon, prodding him when he's in danger of | ||
CF | slipping into Hypnos' embrace. | ||
CF | | ||
CF | > | MoyTW asks, "How do we get Alky to concentrate on Machon?" | |
MoyTW says, "Oh." | ||
MoyTW says, "Like that." | ||
DavidW says (to ClubFloyd), "meditate" | ||
CF | > | ||
CF | > MEDITATE | ||
CF | | ||
CF | You mumble your way through an hour's worth of prayers. | ||
CF | | ||
CF | Finally, well after you've started looking about for a water-clock to | ||
CF | check whether the hour is up, Puffy's assistant returns, carefully | ||
CF | tottling in a brim-ful oinochaio, or is it an oinochoai, or an | ||
CF | oinocha-cha -- a jug, you decide, a brim-ful jug. "The kykeon is | ||
CF | ready," Puffy declares, and gosh, this bird is good at bringing the | ||
CF | portent. "You are about to become full initiates into the mysteries | ||
CF | -- so from now on you can't talk about not talking about what you | ||
CF | can't talk about. Right?" You think you're supposed to nod, so you | ||
CF | do, while taking the opportunity to de-toothpick your eye. Meanwhile | ||
CF | the assistant runs out to the banquet-hall to round up the rest of the | ||
CF | crowd, making the telesterion rather a standing-room-only concern and | ||
CF | throwing you, Machon, and Alky into a neighborly clump. | ||
CF | | ||
CF | Puffy raises the jug to his lips, not without a bit of sloshing, and | ||
CF | drinks quite the quaff. He makes a face, then hands it back to the | ||
CF | assistant, who circles the room offering a chug to each personage in | ||
CF | their turn. "We stand together in Eleusis to celebrate the most | ||
CF | sacred mysteries of life, which have been vouchsafed to us for | ||
CF | obeisance and -- say, fellows," Puffy breaks off, laying an unsteady | ||
CF | hand against the nearest pillar, "why aren't you standing still? This | ||
CF | is no -- time for dancing --". He sinks to the floor. | ||
CF | | ||
CF | You shoot a look at Machon -- maybe this is a gag they pull on all the | ||
CF | new initiates, and that wheeze about dancing means there's about to be | ||
CF | a musical number? There was this one supper club where you had to | ||
CF | promise to sing in order to get in (and then once you were in and | ||
CF | they'd heard you, promise to stop singing in order to stay). But no, | ||
CF | this doesn't seem like a gag, as others are now reeling about the same | ||
CF | way Puffy is. "I thought the kykeon tasted off," one of them slurs, | ||
CF | and for a moment you wonder whether your standards with respect to | ||
CF | barley-freshness might need to be recalibrated -- but there's hardly | ||
CF | time to assess the impact of agricultural decay on human metabolism | ||
CF | before the fellows who've already swallowed their share of the kykeon | ||
CF | interrupt your cogitations by making the most frightful stir. | ||
CF | | ||
CF | In a metamorphosis worthy of a poet, the crowd has suddenly become a | ||
CF | mob, with scuffles breaking out left and right, chaps racing flat-out | ||
CF | into pillars, and a few unlucky sods crawling back to the jug for | ||
CF | seconds and thirds of the perhaps-too-potent kykeon. Suddenly Puffy | ||
CF | springs back up, lets out an uninhibited bellow, then sprints out of | ||
CF | the room and clear out of the sanctuary, bringing most of the rest of | ||
CF | the crowd along in his wake. In the confusion, you kick over the | ||
CF | kykeon, in a closing-the-barn-door-after-it's-too-late sort of way, | ||
CF | then follow so you don't miss too much of the excitement. | ||
CF | | ||
CF | Please press SPACE to continue. | MoyTW says, "We are very good at this." | |
DavidW pushes the green 'space' button. | ||
CF ] Portico | ||
CF | | ||
CF | Great-Aunt Agnes says that things always go wrong when you're around, | ||
CF | and you have to allow there's perhaps a smidgen of truth in that -- | ||
CF | though now that you think of it, you're always around when you're | ||
CF | around -- or to put it another way, you're never around when you're | ||
CF | not around -- so you can't say as you have an adequate baseline from | ||
CF | which to measure. | ||
CF | | ||
CF | At any rate, thing are certainly going wrong now. The mob is milling | ||
CF | about, somewhere a horse gives a frightened whinny, and who knows | ||
CF | where Puffy's wound up. | ||
CF | | ||
CF | Oh, hang on, there he is! | ||
CF | | ||
CF | He's on the roof. | ||
CF | | ||
CF | "Seems to me as though things are wrapping up here," sniffs Alky as he | ||
CF | comes over to you and Machon. "Time to head back to Athens for the | ||
CF | after party, I think. Oh don't worry," he says, to your questioning | ||
CF | look, "you've been properly initiated and all. Or at least that's | ||
CF | what we'll tell Puffy once he's better. Though Hippy rather panicked | ||
CF | and smashed up my chariot," Alky says, throwing a judgmental glance | ||
CF | westward, "so you'll need to see to my horse and vehicle before we can | ||
CF | go. And I suppose you should see to Puffy, as well." | ||
CF | | ||
CF | You're not sure why you've been dragooned into taking care of all of | ||
CF | this, but then you see how fetching Alky looks as he leans suavely | ||
CF | against a pillar, puckishly tossing his curls, and you resign yourself | ||
CF | to playing the dogsbody once again. | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Atop the | ||
CF | roof of the temple, Puffy is leaping and capering about like he's | ||
CF | taken leave of his gourd (upon reflection, you think that might | ||
CF | actually be what's happened). | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pillars" | ||
CF ] Portico | ||
CF | > | ||
CF | > X PILLARS | ||
CF | | ||
CF | The sanctuary is reasonably big as such things go -- you should know, | ||
CF | you've been faffing about in and under it all evening. The portico | ||
CF | and steps leading into it do what they can to impress, from the | ||
CF | stately pillars to the delicately-painted pediment (or so you assume, | ||
CF | your eyesight isn't the best, but Puffy doesn't seem the type of bird | ||
CF | to skimp out on the little things). You remember your Great-Uncle | ||
CF | once telling you why this sort of jobby is called "hexastyle", but in | ||
CF | your somewhat jumbled recollection it had to do either with the number | ||
CF | six or with witches, you can't remember which, though probably that's | ||
CF | neither here nor there (unless it's witches). Currently, the | ||
CF | impression made by the old slab is somewhat undermined by the mob of | ||
CF | maniacs milling about and the high priest raving like a loon while | ||
CF | dancing around the roof. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] Portico | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | Getting up on the roof to help Puffy is a capital idea, but your | ||
CF | vertical hop is ever so slightly not up to the task, and the pillars | ||
CF | here don't have enough frilly bits to provide adequate handholds. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pillars" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > X PILLARS | ||
CF | | ||
CF | They say if you've seen one pillar, you've seen them all, and by the | ||
CF | evidence here you agree (though you do have just a touch of | ||
CF | nearsightedness, so possibly there's some excitement going on | ||
CF | somewhere in all those ceiling-adjacent blurs). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search pillars" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > SEARCH PILLARS | ||
CF | | ||
CF | They say if you've seen one pillar, you've seen them all, and by the | ||
CF | evidence here you agree (though you do have just a touch of | ||
CF | nearsightedness, so possibly there's some excitement going on | ||
CF | somewhere in all those ceiling-adjacent blurs). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb pillars" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > CLIMB PILLARS | ||
CF | | ||
CF | You're not opposed to a spot of acrobatics, but typically you like | ||
CF | there to be a point, or at least an audience. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Atop the | ||
CF | roof of the temple, Puffy is leaping and capering about like he's | ||
CF | taken leave of his gourd (upon reflection, you think that might | ||
CF | actually be what's happened). | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search pillars" | ||
CF ] Portico | ||
CF | > | ||
CF | > SEARCH PILLARS | ||
CF | | ||
CF | The sanctuary is reasonably big as such things go -- you should know, | ||
CF | you've been faffing about in and under it all evening. The portico | ||
CF | and steps leading into it do what they can to impress, from the | ||
CF | stately pillars to the delicately-painted pediment (or so you assume, | ||
CF | your eyesight isn't the best, but Puffy doesn't seem the type of bird | ||
CF | to skimp out on the little things). You remember your Great-Uncle | ||
CF | once telling you why this sort of jobby is called "hexastyle", but in | ||
CF | your somewhat jumbled recollection it had to do either with the number | ||
CF | six or with witches, you can't remember which, though probably that's | ||
CF | neither here nor there (unless it's witches). Currently, the | ||
CF | impression made by the old slab is somewhat undermined by the mob of | ||
CF | maniacs milling about and the high priest raving like a loon while | ||
CF | dancing around the roof. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb pillars" | ||
CF ] Portico | ||
CF | > | ||
CF | > CLIMB PILLARS | ||
CF | | ||
CF | Getting up on the roof to help Puffy is a capital idea, but your | ||
CF | vertical hop is ever so slightly not up to the task, and the pillars | ||
CF | here don't have enough frilly bits to provide adequate handholds. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | This nice little yard, bounded by a low wall, is the kind of lovely, | ||
CF | bucolic place you'd never be caught dead in if you had the choice. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, by which | ||
CF | stands the penultimate herm on the way from Athens to Eleusis, and | ||
CF | eastward lies the portico. A shed-like building, or possibly just a | ||
CF | shed, stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hippy" | ||
CF ] Yard | ||
CF | > | ||
CF | > X HIPPY | ||
CF | | ||
CF | Alky's horse, much like her master, is a good-looking animal with | ||
CF | questionable self-control. She rears away from the pig, her wide eyes | ||
CF | glancing and rolling every which way, like a rampaging Great-Aunt. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > X PIG | ||
CF | | ||
CF | Despite Hippy's dislike, this pig seems all right to you -- he | ||
CF | snuffles over to you, tongue lolling out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > TAKE PIG | ||
CF | | ||
CF | This pig's admirable girth suggests that the question isn't so much | ||
CF | whether you'd like to shift him about as whether he'd deign to be | ||
CF | shifted. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Workshop | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chariot" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X CHARIOT | ||
CF | | ||
CF | Alky's chariot is a sporty little thing, with flashy gilded inlays and | ||
CF | a low, sleek profile. Unfortunately, currently one of the wheels is | ||
CF | listing, and the reins hang in tatters from their anchoring ring, | ||
CF | somewhat limiting the chariot's top speed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tie rope to reins" | ||
CF ] Workshop | ||
CF | > | ||
CF | > TIE ROPE TO REINS | ||
CF | | ||
CF | You're dubious that the frayed rope is a long-term solution to this | ||
CF | rum critical-dearth-of-reins situation, but it only needs to get Alky | ||
CF | back to Athens, you reason. You tie it extra tight just to be sure. | ||
CF | | ||
CF | That's one makeshift rein in, so everything's set so long as Alky only | ||
CF | turns left. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X WHEEL | ||
CF | | ||
CF | You quickly diagnose the concern here -- a significant portion of the | ||
CF | rim has been smashed away. With this much wood missing, it's | ||
CF | currently somewhat-ineffective qua wheel. You'll need to effect some | ||
CF | repairs before it's fit to turn once again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remove wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > REMOVE WHEEL | ||
CF | | ||
CF | With much lifting and grunting, you pull the broken wheel free of the | ||
CF | chariot's axiom (you think that's the word). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X WHEEL | ||
CF | | ||
CF | You quickly diagnose the concern here -- a significant portion of the | ||
CF | rim has been smashed away. With this much wood missing, it's | ||
CF | currently somewhat-ineffective qua wheel. You'll need to effect some | ||
CF | repairs before it's fit to turn once again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x axle" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X AXLE | ||
CF | | ||
CF | Alky's chariot is a sporty little thing, with flashy gilded inlays and | ||
CF | a low, sleek profile. Unfortunately, currently the reins hang in | ||
CF | tatters from their anchoring ring, somewhat limiting the chariot's top | ||
CF | speed. The chariot also currently violates the fairly strict | ||
CF | requirement that chariots have at least two wheels. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put chunk on axle" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT CHUNK ON AXLE | ||
CF | | ||
CF | Putting things on Alky's chariot would achieve nothing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Workshop | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a wheel | ||
CF | a plate of food | ||
CF | a lump of honey cake | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a largish chunk of amphora | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | DavidW says, "I assume the food or cake helps with the pig." | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Workshop | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | Your carefully-cultivated look wouldn't be quite as effective if you | ||
CF | were lugging a wheel with you -- best leave that here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > DROP WHEEL | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Yard | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show plate to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > SHOW PLATE TO PIG | ||
CF | | ||
CF | The pig perks up, his eyes -- and snout -- raptly following the plate, | ||
CF | and by extension, you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Atop the | ||
CF | roof of the temple, Puffy is leaping and capering about like he's | ||
CF | taken leave of his gourd (upon reflection, you think that might | ||
CF | actually be what's happened). | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pig" | ||
CF ] Portico | ||
CF | > | ||
CF | > X PIG | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask machon about alky" | ||
CF ] Portico | ||
CF | > | ||
CF | > ASK MACHON ABOUT ALKY | ||
CF | | ||
CF | "Sounds like one of your fancy friends," Machon says. | ||
CF | | ||
CF | > | Knight_Otu says, "Didn't follow." | |
DavidW says, "I noticed." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give food to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE FOOD TO PIG | ||
CF | | ||
CF | You've seen some fellows with an appetite tuck into their chow like | ||
CF | they mean it, but none of them have anything on this pig -- he gobbles | ||
CF | down the food, gives a last dainty lick, then looks back up at you, | ||
CF | eager for more (after the treatment the pig's given the plate, you're | ||
CF | content to let it go). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Atop the | ||
CF | roof of the temple, Puffy is leaping and capering about like he's | ||
CF | taken leave of his gourd (upon reflection, you think that might | ||
CF | actually be what's happened). | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pig" | ||
CF ] Portico | ||
CF | > | ||
CF | > X PIG | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > X PIG | ||
CF | | ||
CF | Despite Hippy's dislike, this pig seems all right to you -- he | ||
CF | snuffles over to you, tongue lolling out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pet pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > PET PIG | ||
CF | | ||
CF | He seems to like that! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ride pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > RIDE PIG | ||
CF | | ||
CF | It would be beneath the pig's dignity to carry you around. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Atop the | ||
CF | roof of the temple, Puffy is leaping and capering about like he's | ||
CF | taken leave of his gourd (upon reflection, you think that might | ||
CF | actually be what's happened). | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, twiddling his thumbs | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb machon" | ||
CF ] Portico | ||
CF | > | ||
CF | > CLIMB MACHON | ||
CF | | ||
CF | Getting up on the roof to help Puffy is a capital idea, but your | ||
CF | vertical hop is ever so slightly not up to the task, and the pillars | ||
CF | here don't have enough frilly bits to provide adequate handholds. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "get on machon" | ||
CF ] Portico | ||
CF | > | ||
CF | > GET ON MACHON | ||
CF | | ||
CF | He's not something you can enter. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "machon, climb me" | ||
CF ] Portico | ||
CF | > | ||
CF | > MACHON, CLIMB ME | ||
CF | | ||
CF | Your cousin's never been especially good at doing what others ask, and | ||
CF | this probably isn't the evening that changes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and now, post-ceremony, an overall | ||
CF | air of ravishment and mayhem, with the large pool of kykeon spilling | ||
CF | out of its ceremonial jug the most obvious factor depressing property | ||
CF | values. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jug" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X JUG | ||
CF | | ||
CF | If you were to imagine a drink of minty, fermented barley, then | ||
CF | imagined that it was ten times worse than the way you first imagined | ||
CF | it, you'd be approaching an idea of the foul liquid spilling out of | ||
CF | this jug. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take jug" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > TAKE JUG | ||
CF | | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pillars" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X PILLARS | ||
CF | | ||
CF | They say if you've seen one pillar, you've seen them all, and by the | ||
CF | evidence here you agree (though you do have just a touch of | ||
CF | nearsightedness, so possibly there's some excitement going on | ||
CF | somewhere in all those ceiling-adjacent blurs). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ceiling" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > X CEILING | ||
CF | | ||
CF | You lift your eyes heavenward, thinking that's the sort of thing one | ||
CF | does in the middle of a ceremony. The marble ceiling is nice enough, | ||
CF | but you quickly grow bored. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb pillars" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > CLIMB PILLARS | ||
CF | | ||
CF | You're not opposed to a spot of acrobatics, but typically you like | ||
CF | there to be a point, or at least an audience. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Atop the | ||
CF | roof of the temple, Puffy is leaping and capering about like he's | ||
CF | taken leave of his gourd (upon reflection, you think that might | ||
CF | actually be what's happened). | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Side of the Temple | ||
CF | The path leads to a cozy, tree-lined nook off to the side of the | ||
CF | sanctuary, which would be quite the place for peaceful contemplation | ||
CF | were it not for the mob tramping about the portico and Puffy dancing | ||
CF | one of your louder species of tarantella up on the roof. | ||
CF | | ||
CF | Of course, one of the things that would make it so suited for a piece | ||
CF | of the said peaceful cont. is that it's rather dull -- besides all the | ||
CF | trees, there's not much here besides the path leading back south to | ||
CF | the portico. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pillars" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > X PILLARS | ||
CF | | ||
CF | A row of pillars runs down the length of the sanctuary, so regimented | ||
CF | and regular that you wonder how the architect made it through the | ||
CF | project without nodding off. From this angle you can make out enough | ||
CF | of the roof to confirm that Puffy has yet to see reason and come down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | You lay a preliminary hand on a low branch, but recoil when the | ||
CF | buzzing of the bees rises to a menacing key. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bees" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > X BEES | ||
CF | | ||
CF | This hive's sporting one of your bigger dents, as though it ran afoul | ||
CF | of a particularly uncoordinated bear; honey oozes about the hole. | ||
CF | Unsurprisingly given the threat to hearth and home, it's positively | ||
CF | popping with bees, who are crawling about in patterns so complicated | ||
CF | it makes your brain hurt to try to follow them. You feel bad for the | ||
CF | blighters, since you've always liked bees -- your Great-Uncle took up | ||
CF | apiculture a few years back, in point of fact, so you've got a bit of | ||
CF | a family connection. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cake in hive" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > PUT CAKE IN HIVE | ||
CF | | ||
CF | They've already got rather a lot of honey stored up in their hive. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cake in hole" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > PUT CAKE IN HOLE | ||
CF | | ||
CF | They've already got rather a lot of honey stored up in their hive. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear cake" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > WEAR CAKE | ||
CF | | ||
CF | You can't wear that! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show cake to bees" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > SHOW CAKE TO BEES | ||
CF | | ||
CF | Works better when you try that on a person (or at least an animal), in | ||
CF | your experience. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put torch in hive" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > PUT TORCH IN HIVE | ||
CF | | ||
CF | Cringing away from the occasional over-bold bee, you hold the torch | ||
CF | blindly up towards the hive until you think it's gotten an adequate | ||
CF | dosage of smoke -- at least, the bees do seem a bit more lassitudinous | ||
CF | in their buzzing now. | ||
CF | | ||
CF | > | Knight_Otu exclaims, "But bees are animals!" | |
DavidW says (to ClubFloyd), "u" | ||
CF ] Portico | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | You haul yourself up the tree and thence to the roof, not without some | ||
CF | difficulty. | ||
CF | | ||
CF | Roof | ||
CF | The first thing you learn upon reaching the summit of the sanctuary is | ||
CF | that roofing-tiles have a decided tendency to slip out from under one | ||
CF | if one isn't paying the utmost attention. The second thing you learn | ||
CF | is that paying the utmost attention is not exactly on the menu when a | ||
CF | deranged Puffy is gamboling towards you with an ominous glint in the | ||
CF | eye. | ||
CF | | ||
CF | "You!" he snarls (yes, you'd have to say "snarls") -- "you bollixed | ||
CF | everything up! I'll beat you into a jelly!" You utter a note of | ||
CF | protest -- if nothing else, this is rum doings after you came up here | ||
CF | to help him! -- and do what you can to evade the lunge with which he | ||
CF | apparently intends to commence the jellying process. Sadly, the | ||
CF | roofing-tiles do not cooperate with your plan, giving out under you as | ||
CF | you attempt to flee. Scrabbling about for an anchor-point at the same | ||
CF | time Puffy is scrabbling about for your throat, the two of you meet in | ||
CF | a less-than-brotherly embrace and immediately tumble off the roof. | ||
CF | | ||
CF | It's something of a task to disentangle yourself and Puffy, and sort | ||
CF | out which limbs belong to whom -- including an awkward moment where it | ||
CF | seems as though the thing might not come off and one might need to | ||
CF | discuss non-custodial visitation rights vis a vis an ambiguous elbow. | ||
CF | At least the fall seems to have knocked some sense into Puffy, as he | ||
CF | looks like he's back to his old, lovable, long-suffering self, albeit | ||
CF | somewhat the worse for wear. Besides the dirt smeared on his face | ||
CF | like greasepaint and the twigs sprouting from his hair, he also has a | ||
CF | bit of honeycomb stuck to his chiton (he must have had a run-in with | ||
CF | bees on his way to the roof). | ||
CF | | ||
CF | "Thanks awfully, old chap," he croaks at you, then swallows heavily. | ||
CF | "I suppose that wasn't the best batch of kykeon I've brewed, but it | ||
CF | can't be helped." Alky and Machon, acting something like a Greek | ||
CF | chorus, loudly agree with the sentiment, which seems to reassure him. | ||
CF | "I think I need a bit of a lie-down," this somewhat-rattled Puffy | ||
CF | says, "good night." He slumps down, landing on what you have to admit | ||
CF | is the portico's comfiest-looking pillar. | ||
CF | | ||
CF | As you dust yourself off and stand, you notice that Puffy seems to | ||
CF | have bounced off the herm on his way down, and as a result the | ||
CF | statue's unmentionable has been knocked clean off. | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x herm" | ||
CF ] Portico | ||
CF | > | ||
CF | > X HERM | ||
CF | | ||
CF | Herms are little monuments sacred to Hermes -- the tell is in the | ||
CF | name, most people don't know that -- which line the Sacred Way to | ||
CF | Eleusis, helping protect it and fend off evil spirits and all that | ||
CF | sort of thing. There's a rather ho-hum bust of Hermes atop a stone | ||
CF | pillar, and an anything-but-ho-hum central attribute midway down that | ||
CF | typically makes things awkward when it comes up in conversation with, | ||
CF | say, one's Great-Aunt. The unmentionable is rather the worse for | ||
CF | wear. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take unmentionable" | ||
CF ] Portico | ||
CF | > | ||
CF | > TAKE UNMENTIONABLE | ||
CF | | ||
CF | You don't have the expertise to effect any immediate repairs to the | ||
CF | situation, and if you seem too interested someone might think you had | ||
CF | something to do with breaking it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x honeycomb" | ||
CF ] Portico | ||
CF | > | ||
CF | > X HONEYCOMB | ||
CF | | ||
CF | This chunk of honeycomb has suffered more than its share of | ||
CF | bludgeoning, and there are still a few bees buzzing desultorily about, | ||
CF | but it remains sticky and delicious. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take it" | ||
CF ] Portico | ||
CF | > | ||
CF | > TAKE IT | ||
CF | | ||
CF | You delicately remove the honeycomb from Puffy's chest -- he's still | ||
CF | dirty, bedraggled, and stickier-fingered than your cousin Pamphilos | ||
CF | who nobody invites around any more, but at least you've done | ||
CF | something. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give honeycomb to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE HONEYCOMB TO PIG | ||
CF | | ||
CF | pig might enjoy the honeycomb, but then, you might enjoy it too. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x honeycomb" | ||
CF ] Yard | ||
CF | > | ||
CF | > X HONEYCOMB | ||
CF | | ||
CF | This chunk of honeycomb has suffered more than its share of | ||
CF | bludgeoning, and there are still a few bees buzzing desultorily about, | ||
CF | but it remains sticky and delicious. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put honeycomb on pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > PUT HONEYCOMB ON PIG | ||
CF | | ||
CF | That would just make a sticky mess. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "eat honeycomb" | ||
CF ] Yard | ||
CF | > | ||
CF | > EAT HONEYCOMB | ||
CF | | ||
CF | You bring the honeycomb near your mouth for a nibble, but the upset | ||
CF | buzzing of the bees still inside it puts you off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smoke honeycomb" | ||
CF ] Yard | ||
CF | > | ||
CF | > SMOKE HONEYCOMB | ||
CF | | ||
CF | What do you want to smoke the honeycomb with? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "torch" | ||
CF ] Yard | ||
CF | > | ||
CF | > TORCH | ||
CF | | ||
CF | These poor bees have suffered enough. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw honeycomb at pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > THROW HONEYCOMB AT PIG | ||
CF | | ||
CF | pig might enjoy the honeycomb, but then, you might enjoy it too. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show honeycomb to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > SHOW HONEYCOMB TO PIG | ||
CF | | ||
CF | Your Great-Aunt has impressed upon you that showing off one's | ||
CF | possessions does not strike the proper tone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give honeycomb to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE HONEYCOMB TO PIG | ||
CF | | ||
CF | pig might enjoy the honeycomb, but then, you might enjoy it too. | ||
CF | | ||
CF | > | Knight_Otu says, "I wonder if the honey is to repair the wheel? Not that it makes that much sense, but..." | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Workshop | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | You can also see a wheel here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "repair wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > REPAIR WHEEL | ||
CF | | ||
CF | That's a fine aspiration so far as it goes, but to carry it out you'll | ||
CF | need to get more specific. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put honeycomb on wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT HONEYCOMB ON WHEEL | ||
CF | | ||
CF | You squeeze a generous helping of honey onto the wheel, making the | ||
CF | wood on either side of the gap quite sticky. This turns the comb | ||
CF | into a mashed lump of honey, wax, and deeply miffed honeybees, so you | ||
CF | dispose of it posthaste (and lick your fingers clean best as you can). | ||
CF | | ||
CF | > | Jacqueline says, "Belatedly, I'd just like to put in my formal opposition to the spelling of 'bollocksed' as 'bollixed'" | |
DavidW says (to ClubFloyd), "put chunk on wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT CHUNK ON WHEEL | ||
CF | | ||
CF | Even if you could cram that into the gap in the wheel's wooden rim, | ||
CF | you don't see how it would help. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x gap" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X GAP | ||
CF | | ||
CF | You quickly diagnose the concern here -- a significant portion of the | ||
CF | rim has been smashed away. With this much wood missing, it's | ||
CF | currently somewhat-ineffective qua wheel. You'll need to effect some | ||
CF | repairs before it's fit to turn once again. The wood around the gap | ||
CF | has been coated in copious layers of honey, like the world's most | ||
CF | splintery baklava. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put torch in gap" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT TORCH IN GAP | ||
CF | | ||
CF | Even if you could cram that into the gap in the wheel's wooden rim, | ||
CF | you don't see how it would help. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Workshop | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a lump of honey cake | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a largish chunk of amphora | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cake in gap" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT CAKE IN GAP | ||
CF | | ||
CF | You squeeze a generous helping of honey onto the wheel, making the | ||
CF | wood on either side of the gap quite sticky. The de-honeyed cake is | ||
CF | rather unappetizing, so you discreetly chuck it away (and lick your | ||
CF | fingers clean best as you can). | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
DavidW says, "looks like either the honey cake or the honeycomb was meant as a 'glue' here." | ||
Knight_Otu asks, "But what's meant to fill the gap?" | ||
DavidW says, "I don't know." | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf4" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Workshop | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put toothpick in gap" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT TOOTHPICK IN GAP | ||
CF | | ||
CF | Even if you could cram that into the gap in the wheel's wooden rim, | ||
CF | you don't see how it would help. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Workshop | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | You can also see a wheel here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x worktable" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X WORKTABLE | ||
CF | | ||
CF | You're more acquainted with tables than with work, but you think | ||
CF | you've got this sorted out -- there's a flat surface, there's a toothy | ||
CF | apparatus you recognize as a saw, then a jumble of miscellaneous | ||
CF | tools, parts, and whatsits. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jumble" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X JUMBLE | ||
CF | | ||
CF | The saw you can make out, but otherwise your eyes glaze over as they | ||
CF | take in a hodge-podge of pegs, nails, joints (you think), joists | ||
CF | (perhaps?), adzes, awls.... If you're fuzzy on the nomenclature, | ||
CF | you're even fuzzier on the usage of this miscellany. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take saw" | ||
CF ] Workshop | ||
CF | > | ||
CF | > TAKE SAW | ||
CF | | ||
CF | Your previous experience gallivanting around with large, sharp objects | ||
CF | has been such that you'd rather just use the saw in situ, if needed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "saw table" | ||
CF ] Workshop | ||
CF | > | ||
CF | > SAW TABLE | ||
CF | | ||
CF | (with the saw) | ||
CF | You're not sure that would appreciate a trim. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "saw torch" | ||
CF ] Workshop | ||
CF | > | ||
CF | > SAW TORCH | ||
CF | | ||
CF | (with the saw) | ||
CF | You're not sure that would appreciate a trim. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "saw wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > SAW WHEEL | ||
CF | | ||
CF | (with the saw) | ||
CF | You're not sure that would appreciate a trim. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "saw wood" | ||
CF ] Workshop | ||
CF | > | ||
CF | > SAW WOOD | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Workshop | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | You can also see a wheel here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chariot" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X CHARIOT | ||
CF | | ||
CF | Alky's chariot is a sporty little thing, with flashy gilded inlays and | ||
CF | a low, sleek profile. Unfortunately, currently the reins hang in | ||
CF | tatters from their anchoring ring, somewhat limiting the chariot's top | ||
CF | speed. The chariot also currently violates the fairly strict | ||
CF | requirement that chariots have at least two wheels. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x inlays" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X INLAYS | ||
CF | | ||
CF | Alky's chariot is a sporty little thing, with flashy gilded inlays and | ||
CF | a low, sleek profile. Unfortunately, currently the reins hang in | ||
CF | tatters from their anchoring ring, somewhat limiting the chariot's top | ||
CF | speed. The chariot also currently violates the fairly strict | ||
CF | requirement that chariots have at least two wheels. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under chariot" | ||
CF ] Workshop | ||
CF | > | ||
CF | > LOOK UNDER CHARIOT | ||
CF | | ||
CF | You find nothing of interest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Yard | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | You're certainly tempted to slink back to Athens, but you'd feel | ||
CF | guilty leaving all this chaos behind you -- especially since the | ||
CF | uncharitable might consider that you played a very minor role in | ||
CF | bringing things to this point. Besides, it'd be a long walk! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Yard | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, frowning while he waits | ||
CF | for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Side of the Temple | ||
CF | The path leads to a cozy, tree-lined nook off to the side of the | ||
CF | sanctuary, which would be quite the place for peaceful contemplation | ||
CF | were it not for the mob tramping about the portico. | ||
CF | | ||
CF | Of course, one of the things that would make it so suited for a piece | ||
CF | of the said peaceful cont. is that it's rather dull -- besides all the | ||
CF | trees, there's not much here besides the path leading back south to | ||
CF | the portico. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | There's no need to climb to such vertiginous heights, thankfully. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tree" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > X TREE | ||
CF | | ||
CF | There's a nice copse (or is it a grove?) of trees here, with one | ||
CF | noticeably tall tree growing close to the side of the sanctuary, | ||
CF | throwing out branches willy-nilly and with a particularly green and | ||
CF | springy one growing fairly close to the ground. | ||
CF | | ||
CF | Olive buds grow everywhere, though they look rather immature (you can | ||
CF | sympathize). Closer inspection also reveals a sizable bee hive slung | ||
CF | under one of the boughs. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x buds" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > X BUDS | ||
CF | | ||
CF | Hard and bud-like, these olives will eventually be delicious, but | ||
CF | there's a long way to go yet. | ||
CF | | ||
CF | > | Jacqueline asks, "I... think copse and grove are synonyms?" | |
Jacqueline says, "Admittedly, not sure." | ||
DavidW says (to ClubFloyd), "take buds" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > TAKE BUDS | ||
CF | | ||
CF | Your plans for the evening would be slightly crimped by the severe | ||
CF | digestive distress these olive buds would occasion. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bough" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > TAKE BOUGH | ||
CF | | ||
CF | You grab onto the branch -- because the wood is so green, it takes | ||
CF | quite a lot of undignified bending and straining, but finally you're | ||
CF | able to snap it off the tree. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, twiddling his thumbs | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Workshop | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | You can also see a wheel here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "saw bough" | ||
CF ] Workshop | ||
CF | > | ||
CF | > SAW BOUGH | ||
CF | | ||
CF | (with the saw) | ||
CF | Using the saw, you trim off various of the unsightly knots, twigs, &c. | ||
CF | until the branch is a smooth, smart-looking number. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Workshop | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a springy green branch | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a largish chunk of amphora | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x branch" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X BRANCH | ||
CF | | ||
CF | This one particular branch, a bit less than arm-length, seems | ||
CF | especially springy and flexible. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put branch on wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT BRANCH ON WHEEL | ||
CF | | ||
CF | You think you're onto something, but it's hard to fit the branch onto | ||
CF | the wheel since the latter is wobbling about quite a lot on the uneven | ||
CF | floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop chunk" | ||
CF ] Workshop | ||
CF | > | ||
CF | > DROP CHUNK | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheel on chunk" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT WHEEL ON CHUNK | ||
CF | | ||
CF | (first taking the wheel) | ||
CF | Putting things on the largish chunk of amphora would achieve nothing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x floor" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X FLOOR | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheel on chariot" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT WHEEL ON CHARIOT | ||
CF | | ||
CF | The wheel is still hors de combat, so replacing it would be premature. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheel on bench" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT WHEEL ON BENCH | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Knight_Otu says, "Put the... hm." | |
DavidW says (to ClubFloyd), "put wheel on workbench" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT WHEEL ON WORKBENCH | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x put wheel on worktable" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X PUT WHEEL ON WORKTABLE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheel on worktable" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT WHEEL ON WORKTABLE | ||
CF | | ||
CF | You put the wheel on the worktable. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put branch on wheel" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT BRANCH ON WHEEL | ||
CF | | ||
CF | The honey helps glue the branch into place as you strain, bend, and | ||
CF | shimmy it onto the rim of the wheel. You lash it all together with | ||
CF | some tiny bits of twine you find lying around on the work-table, and | ||
CF | at the end of it you've got a mostly-serviceable wheel. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheel on chariot" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT WHEEL ON CHARIOT | ||
CF | | ||
CF | With even more lifting and grunting than it took to get it off, you | ||
CF | manage to shove the repaired wheel back where it belongs. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chariot" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X CHARIOT | ||
CF | | ||
CF | Alky's chariot is a sporty little thing, with flashy gilded inlays and | ||
CF | a low, sleek profile. The reins hang in tatters from their anchoring | ||
CF | ring, somewhat limiting the chariot's top speed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf5" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Workshop | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | DavidW says, "Pig is all that's left." | |
Knight_Otu says, "At least for now." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Yard | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | Jacqueline says (to KO), "True" | |
DavidW says (to ClubFloyd), "hit pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > HIT PIG | ||
CF | | ||
CF | Violence is against the code, old man. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kiss pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > KISS PIG | ||
CF | | ||
CF | It's really not that sort of party. | ||
CF | | ||
CF | > | Jacqueline says, "NO" | |
Jacqueline says, "NO HIT PIG" | ||
Jacqueline says, "NO" | ||
DavidW says, "fine, I'll get more food and stifle my idea of making a whipping cane from another branch." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask machon about pig" | ||
CF ] Portico | ||
CF | > | ||
CF | > ASK MACHON ABOUT PIG | ||
CF | | ||
CF | "You know, I had a pig once," Machon says. "As a pet, I mean." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell machon about pig" | ||
CF ] Portico | ||
CF | > | ||
CF | > TELL MACHON ABOUT PIG | ||
CF | | ||
CF | "You know, I had a pig once," Machon says. "As a pet, I mean." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | Jacqueline says, "Also, please no attempts to molest the pig ala PigGate." | |
DavidW says, "The thought already crossed my mind." | ||
Jacqueline says, "no" | ||
MoyTW says, "uh" | ||
MoyTW says, "what" | ||
Jacqueline says, "just ... no" | ||
DavidW says, "sorry" | ||
DavidW says, "I did think of it and rejected it as helpful." | ||
Jacqueline says (to MoyTW), "... um ... [LINK]" | ||
DavidW says, "er as unhelpful" | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE FOOD | ||
CF | | ||
CF | You make up a plate from the goodies on offer. | ||
CF | | ||
CF | > | MoyTW says, "oh" | |
DavidW says (to ClubFloyd), "take cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CAKE | ||
CF | | ||
CF | You can't help yourself -- you grab a big lump of honey cake in case | ||
CF | you want a nibble later on. | ||
CF | | ||
CF | > | Jacqueline says, "... yeah" | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give cake to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE CAKE TO PIG | ||
CF | | ||
CF | You've seen some fellows with an appetite tuck into their chow like | ||
CF | they mean it, but none of them have anything on this pig -- he gobbles | ||
CF | down the cake, gives a last dainty lick, then looks back up at you, | ||
CF | eager for more. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give food to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE FOOD TO PIG | ||
CF | | ||
CF | You've seen some fellows with an appetite tuck into their chow like | ||
CF | they mean it, but none of them have anything on this pig -- he gobbles | ||
CF | down the food, gives a last dainty lick, then looks back up at you, | ||
CF | eager for more (after the treatment the pig's given the plate, you're | ||
CF | content to let it go). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, twiddling his thumbs | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about pig" | ||
CF ] Portico | ||
CF | > | ||
CF | > ASK ALKY ABOUT PIG | ||
CF | | ||
CF | "Looks as though he likes his grub almost as you do," Alky says | ||
CF | approvingly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about puffy" | ||
CF ] Portico | ||
CF | > | ||
CF | > ASK ALKY ABOUT PUFFY | ||
CF | | ||
CF | "Yes, well done," says Alky, glancing towards Puffy's slumbering form. | ||
CF | "Now he's once again the boring Puffy we all know and love." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x puffy" | ||
CF ] Portico | ||
CF | > | ||
CF | > X PUFFY | ||
CF | | ||
CF | Puffy, poor lamb, is nestled against the pillar like it's the softest | ||
CF | sleeping-couch he's found. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x alky" | ||
CF ] Portico | ||
CF | > | ||
CF | > X ALKY | ||
CF | | ||
CF | Now here's a chap who really fills out a chiton. Those flashing eyes, | ||
CF | those silken curls, that perennial sneer have charmed many a gal and | ||
CF | many more a fellow. He's managed to grab his lyre in the confusion, | ||
CF | and tucked it under his arm. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky about lyre" | ||
CF ] Portico | ||
CF | > | ||
CF | > ASK ALKY ABOUT LYRE | ||
CF | | ||
CF | "It's only my third best," Alky says, as though in apology. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask alky for lyre" | ||
CF ] Portico | ||
CF | > | ||
CF | > ASK ALKY FOR LYRE | ||
CF | | ||
CF | "It's only my third best," Alky says, as though in apology. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "alky, play lyre" | ||
CF ] Portico | ||
CF | > | ||
CF | > ALKY, PLAY LYRE | ||
CF | | ||
CF | There is no reply. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "play lyre" | ||
CF ] Portico | ||
CF | > | ||
CF | > PLAY LYRE | ||
CF | | ||
CF | I didn't understand that sentence. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x machon" | ||
CF ] Portico | ||
CF | > | ||
CF | > X MACHON | ||
CF | | ||
CF | Machon is your cousin, with one or two additional removes you've never | ||
CF | been able to keep straight. He's something of a gourmand, with a | ||
CF | physique to match. | ||
CF | | ||
CF | > | Knight_Otu says, "We won't be a-lyre-ing the pig." | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | Jacqueline says, "good" | |
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take hippy" | ||
CF ] Yard | ||
CF | > | ||
CF | > TAKE HIPPY | ||
CF | | ||
CF | I don't suppose Hippy would care for that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "hippy, south" | ||
CF ] Yard | ||
CF | > | ||
CF | > HIPPY, SOUTH | ||
CF | | ||
CF | In your experience animals are generally a bit hard to move with | ||
CF | honeyed words of persuasion alone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take honey" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE HONEY | ||
CF | | ||
CF | You can't help yourself -- you grab a big lump of honey cake in case | ||
CF | you want a nibble later on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give honey to hippy" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE HONEY TO HIPPY | ||
CF | | ||
CF | You're not sure whether horses like honey cake, but you're quite sure | ||
CF | that you do, so you decide to hang onto it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put honey on pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > PUT HONEY ON PIG | ||
CF | | ||
CF | That would just make a sticky mess. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show cake to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > SHOW CAKE TO PIG | ||
CF | | ||
CF | The pig perks up, his eyes -- and snout -- raptly following the plate, | ||
CF | and by extension, you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | You're certainly tempted to slink back to Athens, but you'd feel | ||
CF | guilty leaving all this chaos behind you -- especially since the | ||
CF | uncharitable might consider that you played a very minor role in | ||
CF | bringing things to this point. Besides, it'd be a long walk! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, twiddling his thumbs | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pig" | ||
CF ] Portico | ||
CF | > | ||
CF | > X PIG | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x grass" | ||
CF ] Yard | ||
CF | > | ||
CF | > X GRASS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wall" | ||
CF ] Yard | ||
CF | > | ||
CF | > X WALL | ||
CF | | ||
CF | This waist-high stone wall puts you in mind of all the times your | ||
CF | Great-Aunt made you carry rocks for her estate's mason when she | ||
CF | thought you weren't sticking to your studies. It's rather less than | ||
CF | impregnable (the wall you mean, not your Great-Aunt), what with the | ||
CF | large gap where the Sacred Way begins. | ||
CF | | ||
CF | > | Jacqueline says, "I mean... I don't wanna do violence on the pig. But one of my favorite stories from my childhood is The Old Woman and Her Pig, which (SPOILER ALERT) ends with her using a stick to whip the pig so that it finally goes over the style and she gets to go home that night." | |
DavidW says (to ClubFloyd), "climb wall" | ||
CF ] Yard | ||
CF | > | ||
CF | > CLIMB WALL | ||
CF | | ||
CF | You're not opposed to a spot of acrobatics, but typically you like | ||
CF | there to be a point, or at least an audience. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop cake" | ||
CF ] Portico | ||
CF | > | ||
CF | > DROP CAKE | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | Jacqueline says, "Style/stile, whatev..." | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | Jacqueline | pitt.edu/~dash/type2030.html | |
DavidW says (to ClubFloyd), "take cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CAKE | ||
CF | | ||
CF | No need to get greedy! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, frowning while he waits | ||
CF | for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | You can also see a lump of honey cake here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cake" | ||
CF ] Portico | ||
CF | > | ||
CF | > TAKE CAKE | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | inky says, "ok, pig, we're not going home until you're stylin', so put on these sunglasses" | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put pepper on cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > PUT PEPPER ON CAKE | ||
CF | | ||
CF | (the lump of honey cake) | ||
CF | Before you meddle with the divine perfection of this food, you figure | ||
CF | you'd best take a sniff to make sure you gauge the spiciness right. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sniff cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > SNIFF CAKE | ||
CF | | ||
CF | (the lump of honey cake) | ||
CF | Delectable! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put pepper on cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > PUT PEPPER ON CAKE | ||
CF | | ||
CF | (the lump of honey cake) | ||
CF | No, that pepper is too peppery -- you shan't risk it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE FOOD | ||
CF | | ||
CF | You make up a plate from the goodies on offer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put pepper on food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > PUT PEPPER ON FOOD | ||
CF | | ||
CF | (the plate of food) | ||
CF | No, that pepper is too peppery -- you shan't risk it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and now, post-ceremony, an overall | ||
CF | air of ravishment and mayhem, with the large pool of kykeon spilling | ||
CF | out of its ceremonial jug the most obvious factor depressing property | ||
CF | values. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put kykeon on food" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT KYKEON ON FOOD | ||
CF | | ||
CF | (first taking the spilled kykeon) | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put food in kykeon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT FOOD IN KYKEON | ||
CF | | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cake in kykeon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > PUT CAKE IN KYKEON | ||
CF | | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | Jacqueline says (to inky), "yay" | |
DavidW says (to ClubFloyd), "drink kykeon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > DRINK KYKEON | ||
CF | | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | DavidW asks, "The cellars are still available too. Is there something I could give the pig that'll make it sleepy or barfy or anything?" | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take wine" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE WINE | ||
CF | | ||
CF | Now that's the stuff! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a plate of food | ||
CF | a lump of honey cake | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | Knight_Otu says, "I'm not really sure." | |
DavidW says (to ClubFloyd), "x cup" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > X CUP | ||
CF | | ||
CF | It's not much to look at, but you're more concerned with what's in it: | ||
CF | sadly, currently it's empty, so you're just back to it being not much | ||
CF | to look at. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wine in cup" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > PUT WINE IN CUP | ||
CF | | ||
CF | You fill the cup brim-full with wine. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, twiddling his thumbs | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give wine to pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE WINE TO PIG | ||
CF | | ||
CF | The pig doesn't seem interested -- he's more focused on filling his | ||
CF | belly than wetting his whistle. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pour wine on pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > POUR WINE ON PIG | ||
CF | | ||
CF | You can't pour liquids into the pig. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pour wine on food" | ||
CF ] Yard | ||
CF | > | ||
CF | > POUR WINE ON FOOD | ||
CF | | ||
CF | You can't pour liquids into the plate of food. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pour wine on cake" | ||
CF ] Yard | ||
CF | > | ||
CF | > POUR WINE ON CAKE | ||
CF | | ||
CF | You can't pour liquids into the lump of honey cake. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "empty cup" | ||
CF ] Yard | ||
CF | > | ||
CF | > EMPTY CUP | ||
CF | | ||
CF | You discreetly dash out the cup when no one is looking. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | Knight_Otu asks, "Sure we can. It wouldn't be wise, but has that stopped us before?" | |
DavidW says (to ClubFloyd), "fill cup with pepper" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > FILL CUP WITH PEPPER | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Jacqueline says, "Oh man. A barfy pig... harkening back to that ol' classic: THINGS" | |
Jacqueline says, "(Yes, I know it's a classic that I'm co-author on, but I'm still fond of it.)" | ||
DavidW says, "yes, I remember Things. There was a veggie thing that the scuri-something thing could eat and barf up an unlocking thing." | ||
Jacqueline nods emphatically. | ||
Knight_Otu says, "Now here we need a pig-solving thing." | ||
DavidW asks, "Where's the crisco?" | ||
Jacqueline says, "Scurimorphic-thing, but yeah." | ||
Jacqueline says (to KO), "True]" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | Jacqueline says (to DW), "ha" | |
DavidW says (to ClubFloyd), "x cup" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > X CUP | ||
CF | | ||
CF | It's not much to look at, but you're more concerned with what's in it: | ||
CF | sadly, currently it's empty, so you're just back to it being not much | ||
CF | to look at. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Telesterion | ||
CF | You'd rate this as one of your grander halls, with pillars towering | ||
CF | upwards to a dimly-visible and smoky ceiling, nicely turned-out | ||
CF | furniture lending a note of class, and now, post-ceremony, an overall | ||
CF | air of ravishment and mayhem, with the large pool of kykeon spilling | ||
CF | out of its ceremonial jug the most obvious factor depressing property | ||
CF | values. | ||
CF | | ||
CF | The peristyle is back to the west. | ||
CF | | ||
CF | > | Jacqueline says, "I think crisco would make our situation... worse" | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "fill cup with kykeon" | ||
CF ] Telesterion | ||
CF | > | ||
CF | > FILL CUP WITH KYKEON | ||
CF | | ||
CF | Oh good heavens no. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in fountain" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > LOOK IN FOUNTAIN | ||
CF | | ||
CF | The water in the fountain is clean and clear enough, though much less | ||
CF | enticing than what's on offer at the feast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search puffy" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > SEARCH PUFFY | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, twiddling his thumbs | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search puffy" | ||
CF ] Portico | ||
CF | > | ||
CF | > SEARCH PUFFY | ||
CF | | ||
CF | Puffy has more than earned some peaceful repose. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x statue" | ||
CF ] Portico | ||
CF | > | ||
CF | > X STATUE | ||
CF | | ||
CF | Herms are little monuments sacred to Hermes -- the tell is in the | ||
CF | name, most people don't know that -- which line the Sacred Way to | ||
CF | Eleusis, helping protect it and fend off evil spirits and all that | ||
CF | sort of thing. There's a rather ho-hum bust of Hermes atop a stone | ||
CF | pillar, and an anything-but-ho-hum central attribute midway down that | ||
CF | typically makes things awkward when it comes up in conversation with, | ||
CF | say, one's Great-Aunt. The unmentionable is rather the worse for | ||
CF | wear. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "hit unmentionable" | ||
CF ] Portico | ||
CF | > | ||
CF | > HIT UNMENTIONABLE | ||
CF | | ||
CF | You don't have the expertise to effect any immediate repairs to the | ||
CF | situation, and if you seem too interested someone might think you had | ||
CF | something to do with breaking it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take it" | ||
CF ] Portico | ||
CF | > | ||
CF | > TAKE IT | ||
CF | | ||
CF | You don't have the expertise to effect any immediate repairs to the | ||
CF | situation, and if you seem too interested someone might think you had | ||
CF | something to do with breaking it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bust" | ||
CF ] Portico | ||
CF | > | ||
CF | > X BUST | ||
CF | | ||
CF | Herms are little monuments sacred to Hermes -- the tell is in the | ||
CF | name, most people don't know that -- which line the Sacred Way to | ||
CF | Eleusis, helping protect it and fend off evil spirits and all that | ||
CF | sort of thing. There's a rather ho-hum bust of Hermes atop a stone | ||
CF | pillar, and an anything-but-ho-hum central attribute midway down that | ||
CF | typically makes things awkward when it comes up in conversation with, | ||
CF | say, one's Great-Aunt. The unmentionable is rather the worse for | ||
CF | wear. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop food" | ||
CF ] Portico | ||
CF | > | ||
CF | > DROP FOOD | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop cake" | ||
CF ] Yard | ||
CF | > | ||
CF | > DROP CAKE | ||
CF | | ||
CF | You've seen some fellows with an appetite tuck into their chow like | ||
CF | they mean it, but none of them have anything on this pig -- he gobbles | ||
CF | down the food, gives a last dainty lick, then looks back up at you, | ||
CF | eager for more. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | You can also see a plate of food here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take food" | ||
CF ] Portico | ||
CF | > | ||
CF | > TAKE FOOD | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, wildly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | > | Jacqueline says, "I suspect no matter how much food we give it..." | |
Knight_Otu says, "Yeah." | ||
DavidW says, "Pig is definitely not interested in following us." | ||
DavidW says (to ClubFloyd), "pet horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > PET HORSE | ||
CF | | ||
CF | You gently stroke the side of Hippy's neck. Your touch seems to make | ||
CF | her calmer -- a critique you've gotten from more than one lady friend, | ||
CF | who evidently held that such things should lead rather to a revving up | ||
CF | of excitement than the reverse. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Yard | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | You gently stroke the side of Hippy's neck. This doesn't seem to calm | ||
CF | her down any further though -- as with Midas, you suppose that one | ||
CF | touch pretty much does the business. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "lead horse south" | ||
CF ] Yard | ||
CF | > | ||
CF | > LEAD HORSE SOUTH | ||
CF | | ||
CF | Hippy's a bit too worked up right now to follow your lead. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pet pig" | ||
CF ] Yard | ||
CF | > | ||
CF | > PET PIG | ||
CF | | ||
CF | He seems to like that! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give cake to horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE CAKE TO HORSE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Knight_Otu asks, "Perhaps we need to throw the food into a direction, and the pig runs after it?" | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Yard | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw food east" | ||
CF ] Yard | ||
CF | > | ||
CF | > THROW FOOD EAST | ||
CF | | ||
CF | You whirl the plate like a discus, sending it spinning to the east. | ||
CF | The pig leaps after it in close pursuit, giving a little hop to grab | ||
CF | the plate out of the air as soon as it comes within leaping distance. | ||
CF | He makes short work of the food, then cheerfully trots back to the | ||
CF | yard. | ||
CF | | ||
CF | > | Knight_Otu says, "Hrm." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, frowning while he waits | ||
CF | for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE FOOD | ||
CF | | ||
CF | You make up a plate from the goodies on offer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cake" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CAKE | ||
CF | | ||
CF | You can't help yourself -- you grab a big lump of honey cake in case | ||
CF | you want a nibble later on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cheese" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE CHEESE | ||
CF | | ||
CF | You've already made up a plate. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop cake" | ||
CF ] Portico | ||
CF | > | ||
CF | > DROP CAKE | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | Alky's horse Hippy is here, anxiously pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw food east" | ||
CF ] Yard | ||
CF | > | ||
CF | > THROW FOOD EAST | ||
CF | | ||
CF | You whirl the plate like a discus, sending it spinning to the east. | ||
CF | The pig leaps after it in close pursuit, giving a little hop to grab | ||
CF | the plate out of the air as soon as it comes within leaping distance. | ||
CF | He makes short work of the food, then cheerfully trots back to the | ||
CF | yard. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw cake west" | ||
CF ] Yard | ||
CF | > | ||
CF | > THROW CAKE WEST | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | You can also see a lump of honey cake here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cake" | ||
CF ] Portico | ||
CF | > | ||
CF | > TAKE CAKE | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | There's a pig hungrily rooting around the yard. Hippy shies away | ||
CF | every time the pig comes near her. | ||
CF | | ||
CF | Alky's horse Hippy is here, anxiously pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw cake west" | ||
CF ] Yard | ||
CF | > | ||
CF | > THROW CAKE WEST | ||
CF | | ||
CF | You heave the lump of cake like a shotput, sending it arcing over the | ||
CF | wall. The pig leaps after it in close pursuit, leaving a | ||
CF | decrescendoing series of "oinks" in his wake. You miss the friendly | ||
CF | blighter, but Hippy seems relieved to have more personal space to | ||
CF | herself. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pet horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > PET HORSE | ||
CF | | ||
CF | You gently stroke the side of Hippy's neck. This doesn't seem to calm | ||
CF | her down any further though -- as with Midas, you suppose that one | ||
CF | touch pretty much does the business. | ||
CF | | ||
CF | > | Knight_Otu says, "Whew." | |
DavidW says (to ClubFloyd), "horse, south" | ||
CF ] Yard | ||
CF | > | ||
CF | > HORSE, SOUTH | ||
CF | | ||
CF | In your experience animals are generally a bit hard to move with | ||
CF | honeyed words of persuasion alone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "lead horse south" | ||
CF ] Yard | ||
CF | > | ||
CF | > LEAD HORSE SOUTH | ||
CF | | ||
CF | Hippy's a bit too worked up right now to follow your lead. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pet horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > PET HORSE | ||
CF | | ||
CF | You gently stroke the side of Hippy's neck. This doesn't seem to calm | ||
CF | her down any further though -- as with Midas, you suppose that one | ||
CF | touch pretty much does the business. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | MoyTW says, "Nice job." | |
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf6" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Portico | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky about horse" | ||
CF ] Portico | ||
CF | > | ||
CF | > TELL ALKY ABOUT HORSE | ||
CF | | ||
CF | "Looks like she's got the collywobbles," says Alky, turning over some | ||
CF | ideas for what might help. "Maybe give her a pat? Couldn't hurt, | ||
CF | unless she bites." | ||
CF | | ||
CF | > | Jacqueline asks, "Wait, is the pig over the wall, or back?" | |
DavidW says, "The pig is gone." | ||
Jacqueline says, "That's what I thought." | ||
DavidW says, "But there seems to be another horse issue." | ||
Jacqueline says, "Maybe she just needs some anti-anxiety meds" | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Banquet Hall | ||
CF | In theory, the ceremony in the telesterion is the main event, but the | ||
CF | spread on offer in this room make it a close-run thing. | ||
CF | | ||
CF | You could go back to the peristyle by going north if you prefer | ||
CF | pillars to prandial delights. | ||
CF | | ||
CF | > | Jacqueline says, "I mean, it's 2020. We all need those." | |
DavidW says (to ClubFloyd), "take food" | ||
CF ] Banquet Hall | ||
CF | > | ||
CF | > TAKE FOOD | ||
CF | | ||
CF | You make up a plate from the goodies on offer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, frowning while he waits | ||
CF | for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, anxiously pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give food to hippy" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE FOOD TO HIPPY | ||
CF | | ||
CF | The horse doesn't seem particularly interested -- her loss, you sniff. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pet horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > PET HORSE | ||
CF | | ||
CF | You gently stroke the side of Hippy's neck. This doesn't seem to calm | ||
CF | her down any further though -- as with Midas, you suppose that one | ||
CF | touch pretty much does the business. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > SEARCH HORSE | ||
CF | | ||
CF | Alky's horse, much like her master, is a good-looking animal with | ||
CF | questionable self-control. Her wide eyes are glancing and rolling | ||
CF | every which way, like a rampaging Great-Aunt. | ||
CF | | ||
CF | > | Knight_Otu asks, "CAn we just bury this year in the back yard and pretend it didn'tb ever exist?" | |
DavidW says (to ClubFloyd), "x eyes" | ||
CF ] Yard | ||
CF | > | ||
CF | > X EYES | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | Knight_Otu says, "I guess there are some raisins to pick from it beforehand." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "fill cup with water" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > FILL CUP WITH WATER | ||
CF | | ||
CF | You fill the cup brim-full with water. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, anxiously pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give water to horse" | ||
CF ] Yard | ||
CF | > | ||
CF | > GIVE WATER TO HORSE | ||
CF | | ||
CF | Hippy drinks the proffered water, though it doesn't do much to alter | ||
CF | her disposition (funny, that's just how water is for you!) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky about hippy" | ||
CF ] Portico | ||
CF | > | ||
CF | > TELL ALKY ABOUT HIPPY | ||
CF | | ||
CF | "Looks like she's got the collywobbles," says Alky, turning over some | ||
CF | ideas for what might help. "You haven't seen her blinders, have you? | ||
CF | Those sometimes calm her down." | ||
CF | | ||
CF | > | DavidW says, "right, I was wondering if blinders were needed." | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Side of the Temple | ||
CF | The path leads to a cozy, tree-lined nook off to the side of the | ||
CF | sanctuary, which would be quite the place for peaceful contemplation | ||
CF | were it not for the mob tramping about the portico. | ||
CF | | ||
CF | Of course, one of the things that would make it so suited for a piece | ||
CF | of the said peaceful cont. is that it's rather dull -- besides all the | ||
CF | trees, there's not much here besides the path leading back south to | ||
CF | the portico. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hats" | ||
CF ] Side of the Temple | ||
CF | > | ||
CF | > X HATS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Portico | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, frowning while he waits | ||
CF | for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Closet | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | You can see a set of cothurni, a feather boa, and a silly floppy tam | ||
CF | here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hats" | ||
CF ] Closet | ||
CF | > | ||
CF | > X HATS | ||
CF | | ||
CF | You can't use multiple objects with that verb. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hat" | ||
CF ] Closet | ||
CF | > | ||
CF | > X HAT | ||
CF | | ||
CF | This wooden number sports a profusion of hats -- among the swarm, some | ||
CF | ear warmers and a crown of laurels catch your eye. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x warmers" | ||
CF ] Closet | ||
CF | > | ||
CF | > X WARMERS | ||
CF | | ||
CF | This doohicky is two swatches of fur attached to either end of a band | ||
CF | -- were the evening a bit cooler, they'd be quite the thing for the | ||
CF | 'ol whorlies! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take warmers" | ||
CF ] Closet | ||
CF | > | ||
CF | > TAKE WARMERS | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, idly cleaning a nail | ||
CF | while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, anxiously pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put warmers on hippy" | ||
CF ] Yard | ||
CF | > | ||
CF | > PUT WARMERS ON HIPPY | ||
CF | | ||
CF | It takes a bit of prodding, shoving, and scuffling -- there's a bite | ||
CF | or two exchanged in both directions -- but once you get the ear | ||
CF | warmers on Hippy's head, they block off her view as if they were a | ||
CF | pair of blinders. Once she gets over the excitement of the fray, she | ||
CF | seems to settle down. | ||
CF | | ||
CF | Finally, Hippy calms down, looking like Hercules must have done when | ||
CF | the divine madness had passed and he realized that he'd rather stepped | ||
CF | in it. She gives a tuneful nicker, either to thank you for everything | ||
CF | you've done or just because she's a musical soul. | ||
CF | | ||
CF | > | Jacqueline says, "yay" | |
DavidW says (to ClubFloyd), "lead hippy south" | ||
CF ] Yard | ||
CF | > | ||
CF | > LEAD HIPPY SOUTH | ||
CF | | ||
CF | Leading Hippy all about the sanctuary might get her nervous again -- | ||
CF | best for her to say put. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, frowning while he waits | ||
CF | for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky about hippy" | ||
CF ] Portico | ||
CF | > | ||
CF | > TELL ALKY ABOUT HIPPY | ||
CF | | ||
CF | "Thanks for calming her down, old bean," Alky says. "Ride back to | ||
CF | Athens would have been rather bumpy otherwise." | ||
CF | | ||
CF | > | Knight_Otu says, "Stay put, game, not say put." | |
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf7" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Portico | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky about chariot" | ||
CF ] Portico | ||
CF | > | ||
CF | > TELL ALKY ABOUT CHARIOT | ||
CF | | ||
CF | "That's both of our rides back to Athens," says Alky. "Be a pet and | ||
CF | sort it out, would you?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky about puffy" | ||
CF ] Portico | ||
CF | > | ||
CF | > TELL ALKY ABOUT PUFFY | ||
CF | | ||
CF | "Yes, well done," says Alky, glancing towards Puffy's slumbering form. | ||
CF | "Now he's once again the boring Puffy we all know and love." | ||
CF | | ||
CF | > | DavidW says, "hm, seems the chariot issue isn't quite done." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Closet | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | You can see a set of cothurni, a feather boa, and a silly floppy tam | ||
CF | here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chain" | ||
CF ] Closet | ||
CF | > | ||
CF | > X CHAIN | ||
CF | | ||
CF | This is the kind of accessory that lends a high tone to any occasion. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take chain" | ||
CF ] Closet | ||
CF | > | ||
CF | > TAKE CHAIN | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, calmly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Workshop | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | You can also see a largish chunk of amphora here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put chain on ring" | ||
CF ] Workshop | ||
CF | > | ||
CF | > PUT CHAIN ON RING | ||
CF | | ||
CF | A fabulous idea, but from what your tutor drilled into you about | ||
CF | tensile strength, you suspect that trying to use a flimsy gold chain | ||
CF | to redirect a galloping horse would be one of those acts of hubris the | ||
CF | tragedians are always banging on about. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take rope" | ||
CF ] Workshop | ||
CF | > | ||
CF | > TAKE ROPE | ||
CF | | ||
CF | You'd have to untie it first. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ring" | ||
CF ] Workshop | ||
CF | > | ||
CF | > X RING | ||
CF | | ||
CF | You know, you must have seen dozens of chariots over the years, but | ||
CF | until this evening you can't say as you ever noticed this metal ring | ||
CF | jobby where you attach the reins. You've got one makeshift rein | ||
CF | anchored in place, so everything's set so long as Alky only turns | ||
CF | left. | ||
CF | | ||
CF | > | DavidW asks, "The boa?" | |
Knight_Otu asks, "Maybe?" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Yard | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, calmly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Portico | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, stifling a yawn while he | ||
CF | waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Closet | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Closet | ||
CF | Either the rites of Eleusis involve quite a lot of fancy-dress | ||
CF | shenanigans, or one of the priests is a clothes horse of very little | ||
CF | discernment, because this small room is chock-a-block with clothes, | ||
CF | including a hat rack, a bin for accessories, and a bench heaped with | ||
CF | shoes -- everything you might need for a party or some light comic | ||
CF | theater. | ||
CF | | ||
CF | The peristyle is back to the south. | ||
CF | | ||
CF | You can see a set of cothurni, a feather boa, and a silly floppy tam | ||
CF | here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x boa" | ||
CF ] Closet | ||
CF | > | ||
CF | > X BOA | ||
CF | | ||
CF | It reminds you of how Alky looked that morning after he decided to go | ||
CF | drinking in the dye-works. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take boa" | ||
CF ] Closet | ||
CF | > | ||
CF | > TAKE BOA | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Closet | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | There are many fine directions you could traipse from here, but sadly | ||
CF | that isn't among them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Peristyle | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Peristyle | ||
CF | Come to think, you've never had the foggiest what a peristyle is, but | ||
CF | this pillar-and-porch number here seems as reasonable a candidate as | ||
CF | any (though twist your arm, it looks just like a courtyard to you). | ||
CF | | ||
CF | There's a small closet in an outbuilding to the north and the exit to | ||
CF | the countryside lies west, but more appealing are the paths southward, | ||
CF | where lies the now-deserted banquet hall, and eastwards, whence the | ||
CF | sour smells of the spilled kykeon waft. The stairs back down to the | ||
CF | cellars are off in a dingy corner. | ||
CF | | ||
CF | There's a stone fountain at the center of the courtyard, happily | ||
CF | burbling just the way you do after Alky's made you drink number seven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Portico | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Portico | ||
CF | The hexastyle entrance into the sanctuary of Eleusis has seen calmer | ||
CF | evenings. A mob of the fellows swarm around its august pillars, | ||
CF | unclear on direction now that the initiation has taken something of an | ||
CF | unexpected turn. Directly before the entrance stands a statue, the | ||
CF | final herm in the long chain running from Athens to Eleusis. Puffy is | ||
CF | collapsed against a pillar off to the side of the entrance. | ||
CF | | ||
CF | To the east, the peristyle promises some degree of peace, a small yard | ||
CF | lies westward, and there's a small path running around the side of the | ||
CF | sanctuary to the north. | ||
CF | | ||
CF | Alky stands amidst but not of the confusion, looking up at the moon to | ||
CF | guess at the time while he waits for the hubbub to die down. | ||
CF | | ||
CF | Machon is here, looking no different now that he's preliminarily | ||
CF | initiated into the mysteries of Eleusis. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Yard | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Yard | ||
CF | Besides the wall that encloses it and the penultimate herm, there's | ||
CF | not much to this yard. | ||
CF | | ||
CF | The Sacred Way begins through a gap in the wall to the west, and | ||
CF | eastward lies the portico. A shed stands to the south. | ||
CF | | ||
CF | Alky's horse Hippy is here, calmly pawing the grass (well, hooving, | ||
CF | perhaps). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Workshop | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Workshop | ||
CF | The ambiance here in this workshop -- with its worktable, scattering | ||
CF | of tools, and general aura of hard, honest toil -- makes you | ||
CF | positively allergic. | ||
CF | | ||
CF | A low opening to the north leads to the only-better-by-comparison | ||
CF | yard. | ||
CF | | ||
CF | Alky's second-best chariot is here, somewhat the worse for wear. | ||
CF | | ||
CF | You can also see a largish chunk of amphora here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put boa on ring" | ||
CF | > | ||
CF | > PUT BOA ON RING | ||
CF | | ||
CF | It may be a little unorthodox qua rein, but the feather boa should | ||
CF | meet the need, and besides, you're sure Alky will like the colors. | ||
CF | You knot it to the chariot, then throw in a few extra knots just to be | ||
CF | sure. | ||
CF | | ||
CF | There, that's brought the reins back up to regulation strength! | ||
CF | | ||
CF | The impression Alky would make rolling up in the chariot as | ||
CF | reconstituted is maybe not precisely as good as that made by the first | ||
CF | edition, but as someone whose only previous experience of vehicle | ||
CF | maintenance was giving sugar-lumps to your Great-Uncle's oxen, you | ||
CF | think you've gone rather above and beyond! After doing one final | ||
CF | check to ensure it's up to snuff in both the rolling and the turning | ||
CF | departments, you push the chariot out of the workshop -- careful not | ||
CF | to ding the doorway as you exit! -- and into the yard. | ||
CF | | ||
CF | It takes rather more grunting, sweating, and heaving than becomes a | ||
CF | chap of your breeding, but eventually the eventuality eventuates and | ||
CF | you get it where you want it. As you survey your handiwork with | ||
CF | pride, you notice that your manhandling has dislodged a horsey treat | ||
CF | from some nether crevice of the chariot. | ||
CF | | ||
CF | With Hippy calm and the chariot restored, you hitch the one to the | ||
CF | other. It's not the world's simplest process (you think you might be | ||
CF | trying to do it the wrong way round), and somehow in the confusion | ||
CF | Hippy gives a kick that delivers a painful-looking blow to the most | ||
CF | vulnerable spot of the nearby herm. You finish the job and nervously | ||
CF | step clear -- lots of bad luck today! | ||
CF | | ||
CF | You wave Alky over now that horse, vehicle, and man are all accounted | ||
CF | for and more or less intact, not without a bit of wear and tear around | ||
CF | the margins. "Nice spot of business," he says, inclining his head at | ||
CF | your accomplishments. "The archons and magistrates might come on | ||
CF | rather peevish about the herms once they're informed, but since the | ||
CF | damage happened within sanctuary grounds I'm sure Puffy can cool them | ||
CF | down. In any event, time to head to the metrop!" In fact the mob | ||
CF | here appears to be breaking up, with about an even division between | ||
CF | those staggering into the temple and calling uncle on the evening, and | ||
CF | those hopping into their chariots to zip back to Athens for the after | ||
CF | party (you note that Machon, despite his earlier struggle with | ||
CF | somnabulance, is of the latter group). | ||
CF | | ||
CF | You help Alky get Puffy wedged into the chariot, then join him as he | ||
CF | snaps the reins and Hippy takes off onto the Sacred Way at an | ||
CF | admirable, though perhaps not completely safety-conscious, pace. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | MoyTW says, "Despite being a walking disaster area we are surprisingly proficient in makeshift repairs." | |
Jacqueline nods. | ||
DavidW pushes the green 'space' button. | ||
CF ] Sacred Way | ||
CF | | ||
CF | Sacred Way (in Alky's chariot) | ||
CF | The Sacred Way is called that because it's the holiest road in Attica, | ||
CF | running all the way from the sanctuary in Eleusis back to Athens, but | ||
CF | given the daredevil clip at which Alky is driving Hippy you'd be | ||
CF | forgiven for transposing the c with the a in a moment of mental | ||
CF | dyslexia. Trees whizz by at a terrific clip, and if you were better | ||
CF | at arithmetic you'd be able to calculate your velocity based on how | ||
CF | quickly you're overtaking the regularly-placed herms at the side of | ||
CF | the road. | ||
CF | | ||
CF | The wind in your face is nice and fresh, and the evening is cool and | ||
CF | bright as you race towards Athens. The one fly in the ointment is | ||
CF | that you're rather occupied with holding the still-snoozing Puffy in | ||
CF | place, since you're not sure he'd appreciate getting | ||
CF | up-close-and-personal knowledge of the Sacred Way. | ||
CF | | ||
CF | "You know, old man," says Alky, reading your mind, "it might be time | ||
CF | to wake Puffy and see if he's sobered up any." | ||
CF | | ||
CF | > | Jacqueline says, "huh" | |
Jacqueline says, "Not the end" | ||
DavidW says (to ClubFloyd), "wake puffy" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > WAKE PUFFY | ||
CF | | ||
CF | You can't really get him to come around. "Here, let me try," Alky | ||
CF | calls, and hands you the reins -- just as the road is about to make a | ||
CF | sharp curve to the left. | ||
CF | | ||
CF | Hippy gives a loud snort, the likes of which you've only previously | ||
CF | when heard when asking your man his opinion of your sartorial choices. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull left rein" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > PULL LEFT REIN | ||
CF | | ||
CF | I only understood you as far as wanting to pull. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x reins" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > X REINS | ||
CF | | ||
CF | You know, you must have seen dozens of chariots over the years, but | ||
CF | until this evening you can't say as you ever noticed this metal ring | ||
CF | jobby where you attach the reins. They're not factory-standard, but | ||
CF | you've got two rein-analogues anchored in place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull reins" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > PULL REINS | ||
CF | | ||
CF | Hippy doesn't seem especially inclined to take instruction from you, | ||
CF | or maybe you've managed to confuse her, because she takes the curve a | ||
CF | bit too wide -- the rear of the chariot sloughs past the side of the | ||
CF | road, colliding with a herm as you pass it and shearing off its | ||
CF | unmentionable (more bad luck!) At least this has the salutary effect | ||
CF | of jolting Puffy awake, and the even more salutary effect of getting | ||
CF | Alky to take back the reins. | ||
CF | | ||
CF | Up ahead, Machon's chariot comes into view -- you're not sure he's | ||
CF | noticed you, which is a bit worrisome given how fast Alky's still | ||
CF | driving. | ||
CF | | ||
CF | > | DavidW says, "oh dear" | |
MoyTW says, "oh no no no" | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf8" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Sacred Way | ||
CF | > SAVEOk. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x machon's chariot" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > X MACHON'S CHARIOT | ||
CF | | ||
CF | Machon's trotting along in a chariot pulled by a horse who looks to be | ||
CF | as rotund and as good-natured as he is. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x puffy" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > X PUFFY | ||
CF | | ||
CF | Puffy's knuckles are as white as the stones of his temple as he | ||
CF | clutches the edge of Alky's chariot. | ||
CF | | ||
CF | > | Jacqueline says, "eep" | |
DavidW says (to ClubFloyd), "x alky" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > X ALKY | ||
CF | | ||
CF | Alky has always been a fiend for speed, and you can see why -- the | ||
CF | wind is artfully tousling his hair and he's got quite the roguish, | ||
CF | devil-may care aspect going. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hippy" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > X HIPPY | ||
CF | | ||
CF | Hippy is somewhat burdened by carrying three people in a chariot | ||
CF | that's intended for two, but she's still managed to work up to a | ||
CF | frankly terrifying speed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tell alky to slow down" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > TELL ALKY TO SLOW DOWN | ||
CF | | ||
CF | I didn't understand that sentence. | ||
CF | | ||
CF | > | DavidW asks, "ideas?" | |
Knight_Otu says, "Not really." | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | MoyTW asks, "Tell alky about mahon?" | |
MoyTW says, "Machon" | ||
DavidW says (to ClubFloyd), "tell alky about machon" | ||
CF ] Sacred Way | ||
CF | > | ||
CF | > TELL ALKY ABOUT MACHON | ||
CF | | ||
CF | You draw Alky's attention to Machon and gently imply that he might | ||
CF | consider slowing down. He snorts, then pulls back on his reins, which | ||
CF | makes Hippy give a louder snort and decelerate sharply. The chariot | ||
CF | kicks up a terrific clatter, which startles Machon -- he yanks the | ||
CF | reins perhaps a bit harder than he ought, sending his chariot spinning | ||
CF | across the road, and inevitably given the way the evening has been | ||
CF | going, he smashes into another herm and sends its unmentionable | ||
CF | spiraling out into the gloom. Fortunately, before he disappears out | ||
CF | of sight behind you, you see Machon pop up none the worse for wear. | ||
CF | | ||
CF | Less fortunately, Puffy, seeing the damage to the sacred statue, is | ||
CF | now hyperventilating. "Oh no oh no oh no," he keens, "it's been | ||
CF | decades since a herm was broken -- they'll have my head for losing | ||
CF | one!" | ||
CF | | ||
CF | It occurs to you that Puffy missed the several previous instances of | ||
CF | herm-destruction and perhaps should be made aware that it's a tiny bit | ||
CF | worse than he thinks.... | ||
CF | | ||
CF | > | Knight_Otu says, "Oh dear." | |
DavidW says (to ClubFloyd), "tell puffy about herm" | ||
CF | > | ||
CF | > TELL PUFFY ABOUT HERM | ||
CF | | ||
CF | (the sacred-way herms) | ||
CF | As gently as you can, you fill Puffy in on the damage to the other | ||
CF | herms -- your idea is to warm him up to it with some broad | ||
CF | generalizations about the fickleness of fate and the need to take a | ||
CF | philosophical attitude of detachment with respect to the vicissitudes | ||
CF | fortune pitches into the gentle stream of our lives from time to time, | ||
CF | but he's glaring at you with sufficient force as to make you more | ||
CF | tongue-tied than usual so eventually you just lay out that the | ||
CF | evening's broken-herm quota has just reached four, rather than one. | ||
CF | | ||
CF | The change in Puffy is immediate -- one doesn't like to label a fellow | ||
CF | berserk, but sometimes that's the clearest word to hand. He gives out | ||
CF | a bellow, and makes a grab for the reins, shouting about how he needs | ||
CF | to go back and fix things (you're no stone mason, but this seems like | ||
CF | a tall order, especially given the hour of the night). "Steady on!" | ||
CF | Alky calls, trying to shoulder Puffy aside, but the squabble has | ||
CF | confused poor Hippy, who decides she will have none of it and skids to | ||
CF | a halt. You and Alky manage to grab on for dear life, but Puffy, who | ||
CF | luck is really not being kind to tonight, pitches forward off the | ||
CF | chariot and, just to crown things off, fractures his bonce and one | ||
CF | more herm in coming to a none-too-gentle landing. | ||
CF | | ||
CF | You rush over to assist, but Puffy throws you off, looking now if | ||
CF | anything more deranged than he did after drinking the spiked kykeon. | ||
CF | "You fools!" he screams, which is an unkind cut though you notice that | ||
CF | Machon's now run up to join you, and with his addition maybe the group | ||
CF | judgment is a fair one. "You ruined the mysteries, and now you're | ||
CF | bent on destroying the herms too? Well, I won't let you -- I'll beat | ||
CF | you to the punch!" | ||
CF | | ||
CF | With a cry, he levels a terrific kick at the unmentionable attribute | ||
CF | of another herm, getting quite a bit of lift onto it as it flies | ||
CF | clear, and is no sooner done than he's running to the next one down, | ||
CF | bent on yet more destruction. You rush forward to try to rein things | ||
CF | in, but Machon, somewhat confused by what's happening, tries to be a | ||
CF | good sport and follows Puffy's lead by cracking up some herms of his | ||
CF | own. Between the din of everyone's shouts, the panicked neighing of | ||
CF | the horse, and the sharp explosions of fracturing statuary, all is | ||
CF | pandemonium. | ||
CF | | ||
CF | Eventually you and Alky are able to restore some semblance of order | ||
CF | and talk Puffy down. You coax him back to the chariot and, once you | ||
CF | reach Athens, bring him and the rest of the boys to your flat -- | ||
CF | nobody's in much mood for the after party now, but after a nightcap or | ||
CF | two and some rest you're sure everything will look better in the | ||
CF | morning. | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | DavidW says, "oh the in-herm-anity!" | |
DavidW pushes the green 'space' button. | ||
CF ] Bedroom | ||
CF | A nightcap or two turned into several more -- more, at least, than you | ||
CF | can comfortably count with your head this fuzzy -- but as you thought, | ||
CF | with the bright light shining down and your boon companions bunking | ||
CF | down with you, things seem, if not exactly right as rain, at least | ||
CF | more manageable than they did last night, when all the blasphemous | ||
CF | vandalry was really getting you down. But now the birds are chirping, | ||
CF | the gentle noises of commerce and socialization drift up from | ||
CF | passersby walking and vending beneath your window, and there's a loud | ||
CF | pounding, as of armored feet, coming up the stairs to your door... | ||
CF | Hang on, that's rather less idyllic! | ||
CF | | ||
CF | Whoever's on the other side makes a prim little knock. "Good morning, | ||
CF | citizen. Are you awake? I'm one of the city's magistrates, and I | ||
CF | have some questions to ask you about your whereabouts last night." | ||
CF | | ||
CF | The others are awake now, all suffering more or less from the fallout | ||
CF | from last night's drinking and the dread of public odium. "Look, we | ||
CF | can bluff it out," Alky whispers. "Puffy, you can just threaten any | ||
CF | fellow who squawks with expulsion from the mysteries, and without any | ||
CF | evidence we'll be in the clear." | ||
CF | | ||
CF | He's confidently walking to the door to throw it open and walk the | ||
CF | magistrate through the whole story, when Machon breaks in: "small | ||
CF | question, do you think they'd consider the broken-off unmentionables | ||
CF | to be evidence?" He spreads out his hands to reveal an even | ||
CF | half-dozen of the thing-gummys. "I gathered up as many as I could, so | ||
CF | you could fix them," Machon says, looking over to Puffy. | ||
CF | | ||
CF | "Oh, that was too kind," Puffy replies with a gulp. "Too kind." | ||
CF | | ||
CF | "Right," says Alky, a grim set to his mouth. "Bluffing's out then." | ||
CF | He grabs the chair from your writing desk and sets it against the door | ||
CF | as a makeshift barricade. | ||
CF | | ||
CF | Machon turns to you and hands over the unmentionables, shrugging as | ||
CF | you accept them gingerly. "Maybe you can put them out of the way, | ||
CF | coz?" Then he and Puffy take up positions next to Alky. | ||
CF | | ||
CF | Bedroom | ||
CF | Your pied-��-terre in the city provides you with a temporary base | ||
CF | during the season -- though given present circs you'd prefer something | ||
CF | a bit more castle-like. Beyond the essentials of your bed, a | ||
CF | clothes-chest, the fireplace, and an empty shelf (usually your valet | ||
CF | puts a vase of flowers here each morning, but lucky for him he's on | ||
CF | holiday), the only other furnishing is your writing desk. The gang, | ||
CF | plus your press-ganged desk chair, are braced against the door on the | ||
CF | west wall that ordinarily only opens onto the stairs, but now leads to | ||
CF | a mob bent on justice. There's also a window facing the door, looking | ||
CF | down on an alley that presents a dismal prospect that's nonetheless | ||
CF | appealing by comparison to the pickle you're currently in. Pity | ||
CF | you're too high up to jump! | ||
CF | | ||
CF | > | Knight_Otu says, "Lot's of herm in trying." | |
Jacqueline says, "This has been a hell of a night." | ||
MoyTW says, "Oh man this sure is a thing we did." | ||
DavidW says, "So now it really is a hide-the-phallus game." | ||
Jacqueline says, "snrk" | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | six unmentionables | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | DavidW says, "Gee, and there's only four of us." | |
Knight_Otu says, "Torch still burning bright." | ||
Jacqueline is beginning to wonder if she's too young for this game. | ||
DavidW says (to ClubFloyd), "x desk" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X DESK | ||
CF | | ||
CF | A little writing desk you sometimes use for scribbling off whatever | ||
CF | musical or literary ideas you have bouncing around in your noggin. It | ||
CF | holds your trusty inkwell, a sheet of paper, and your pan pipes. Your | ||
CF | stylus is also right at hand. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pipes" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X PIPES | ||
CF | | ||
CF | A small set of pan pipes, with loose leather straps holding the small | ||
CF | reeds together. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put umentionable in pipes" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT UMENTIONABLE IN PIPES | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Jacqueline says, "brb - getting a glass of water" | |
Knight_Otu says, "I'll be right back." | ||
DavidW says (to ClubFloyd), "o unmentionable" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > O UNMENTIONABLE | ||
CF | | ||
CF | You add an unmentionable to the end of the set of pipes, and lash it | ||
CF | into place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put unmentionable in inkwell" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT UNMENTIONABLE IN INKWELL | ||
CF | | ||
CF | You swirl the unmentionable in the inkwell, giving it a dose of the | ||
CF | black and tarry. | ||
CF | | ||
CF | > | MoyTW asks, "What is "o"?" | |
DavidW says, "oops" | ||
DavidW says, "It fixes the misspelled word in the previous command." | ||
MoyTW says, "Ah." | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | an inked unmentionable | ||
CF | four unmentionables | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x fireplace" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X FIREPLACE | ||
CF | | ||
CF | This fireplace has a few sad pieces of wood stacked together, with a | ||
CF | flint lying on the hearth. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take flint" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > TAKE FLINT | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wood" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X WOOD | ||
CF | | ||
CF | A teetering stack of charred firewood (you try to reuse things when | ||
CF | you can). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in chimney" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > LOOK IN CHIMNEY | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hearth" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X HEARTH | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bed" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X BED | ||
CF | | ||
CF | You went all-out on your bed, from the gilded frame to the nice, plump | ||
CF | mattress. Now that you think of it, you've woken up with a backache | ||
CF | these last few mornings -- though that's the least of your problems at | ||
CF | the moment. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x frame" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X FRAME | ||
CF | | ||
CF | You went all-out on your bed, from the gilded frame to the nice, plump | ||
CF | mattress. Now that you think of it, you've woken up with a backache | ||
CF | these last few mornings -- though that's the least of your problems at | ||
CF | the moment. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x mattress" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X MATTRESS | ||
CF | | ||
CF | Your downy mattress has been feeling a bit lumpy of late. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open it" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > OPEN IT | ||
CF | | ||
CF | Oh, hello! Now you see why your nightly dormition has been rather | ||
CF | more ache-inducing of late -- somehow your scale model of the Trojan | ||
CF | Horse wound up under your mattress. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put unmentionable in horse" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT UNMENTIONABLE IN HORSE | ||
CF | | ||
CF | Yours is a struggle worthy of Homer's tongue -- perhaps it could be | ||
CF | slotted into the Iliad in place of some of the sulking? -- but | ||
CF | eventually you are able to cram the unmentionable inside the replica. | ||
CF | | ||
CF | "Citizen, did you hear me?" the magistrate calls through the door. | ||
CF | His tone is polite, but you've been on the wrong side of enough | ||
CF | judicial proceedings to know an act when you hear one. "If you don't | ||
CF | open the door, I will have to consider taking more drastic measures." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put unmentionable in mattress" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT UNMENTIONABLE IN MATTRESS | ||
CF | | ||
CF | You cram an unmentionable under your mattress. | ||
CF | | ||
CF | > | Jacqueline says, "back - good efforts while I've been away" | |
Jacqueline says, "I am worried, though" | ||
DavidW says (to ClubFloyd), "x chest" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X CHEST | ||
CF | | ||
CF | Your closed clothes-chest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open chest" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > OPEN CHEST | ||
CF | | ||
CF | You pop open your chest, and are surprised to find, supernumerary to | ||
CF | the typical freight of clothing, two unmentionables rolling around | ||
CF | amidst the garments. Machon notices your confusion, and slaps his | ||
CF | forehead: "That's right, there were too many of them to carry, so I | ||
CF | stowed the extras in your chest. I really apologize!" | ||
CF | | ||
CF | > | DavidW says, "We just got two more to hide!" | |
Jacqueline asks, "Gosh. Et tu, Machon?" | ||
Knight_Otu says, "Back." | ||
DavidW says (to ClubFloyd), "take unmentionables from chest" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > TAKE UNMENTIONABLES FROM CHEST | ||
CF | | ||
CF | unmentionable: Taken. | ||
CF | unmentionable: Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x clothing" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X CLOTHING | ||
CF | | ||
CF | Your man thinks you have too many clothes, but you pay for his | ||
CF | services, not his opinions. Admittedly, your togs do make up a rather | ||
CF | good pile, but there are still some substantial gaps in your wardrobe | ||
CF | -- you've had your eye on this white mess-jacket down at your | ||
CF | tailor's.... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x window" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X WINDOW | ||
CF | | ||
CF | Your window looks out on a nice, quiet alley. | ||
CF | | ||
CF | > | Jacqueline says, "ooh" | |
Jacqueline says, "toss" | ||
Jacqueline says, "defenestrate" | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | four unmentionables | ||
CF | a flint | ||
CF | an inked unmentionable | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | Jacqueline exclaims, "I never ever get to say that. Defenestrate!" | |
DavidW says (to ClubFloyd), "x inked" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X INKED | ||
CF | | ||
CF | You'd really prefer not to get into details here, but each | ||
CF | unmentionable thingy -- that might be a more pleasant nickname, | ||
CF | "thingy" -- used to be attached to a herm. Now that it's detached, | ||
CF | it's a little less clear what it used to be and a nearsighted or very | ||
CF | innocent person might just think it's a small stone cylinder? This | ||
CF | one has ink smeared on one end. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put inked on shelf" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT INKED ON SHELF | ||
CF | | ||
CF | Leaving an unmentionable lying around in the open seems rather the | ||
CF | opposite of concealing it, and while there can be a pleasant frisson | ||
CF | from contradicting what's expected, you're less enthusiastic about the | ||
CF | kind of contradiction that gets you hauled into the law-courts. | ||
CF | | ||
CF | Machon suddenly gets a quizzical look on his face. "Say, I think I | ||
CF | had one more of those broken bits I forget to give you." Sure enough, | ||
CF | he pulls out one more unmentionable and hands it to you. "There you | ||
CF | are!" | ||
CF | | ||
CF | > | MoyTW says, "Machon is very helpful, hahahaha." | |
DavidW says (to ClubFloyd), "look under bed" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > LOOK UNDER BED | ||
CF | | ||
CF | You discover an unmentionable! Of course, that's not terribly | ||
CF | surprising inasmuch as you hid it there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | five unmentionables | ||
CF | a flint | ||
CF | an inked unmentionable | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under bed" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > LOOK UNDER BED | ||
CF | | ||
CF | You discover an unmentionable! Of course, that's not terribly | ||
CF | surprising inasmuch as you hid it there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put herm under bed" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT HERM UNDER BED | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x herm" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X HERM | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dick" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X DICK | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | DavidW says, "there's gotta be some shortform." | |
Knight_Otu says (to ClubFloyd), "x thingy" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X THINGY | ||
CF | | ||
CF | You'd really prefer not to get into details here, but each | ||
CF | unmentionable thingy -- that might be a more pleasant nickname, | ||
CF | "thingy" -- used to be attached to a herm. Now that it's detached, | ||
CF | it's a little less clear what it used to be and a nearsighted or very | ||
CF | innocent person might just think it's a small stone cylinder? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "defenestrate unmentionable" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > DEFENESTRATE UNMENTIONABLE | ||
CF | | ||
CF | That action might be a bit esoteric for the evening's proceedings. | ||
CF | | ||
CF | > | DavidW says (to Knight), "thanks" | |
Jacqueline says, "aw" | ||
DavidW says (to ClubFloyd), "close horse" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > CLOSE HORSE | ||
CF | | ||
CF | It isn't something you can close. | ||
CF | | ||
CF | > | Knight_Otu says, "Now, if only we could get them away from us." | |
DavidW says (to ClubFloyd), "open window" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > OPEN WINDOW | ||
CF | | ||
CF | You haven't sprung out for shutters, so the window is as the window | ||
CF | will remain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | You briefly contemplate a leap out the window, but it'd be quite the | ||
CF | fall, and besides, you're not the type to leave your friends in the | ||
CF | lurch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw thingy out window" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > THROW THINGY OUT WINDOW | ||
CF | | ||
CF | After quickly checking to make sure nobody is looking, you drop an | ||
CF | unmentionable out the window. It hits the ground with a rather loud | ||
CF | clatter, but that's the least of your problems right now. | ||
CF | | ||
CF | "All right, if that's the way you like it," yells the magistrate. | ||
CF | "Let them have it, boys!" There's a rather loud crash as some | ||
CF | uncalled-for force is brought to bear against your door. It's holding | ||
CF | for now, but you worry your landlord isn't going to be best pleased | ||
CF | with any more damage to the premises. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > G | ||
CF | | ||
CF | There's a bit of a crowd out there now, but you toss out another | ||
CF | unmentionable on the theory that -- well, you don't really have a | ||
CF | theory but better there than here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put inky in fireplace" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT INKY IN FIREPLACE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put inked in fireplace" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT INKED IN FIREPLACE | ||
CF | | ||
CF | You slide an inked unmentionable into the stack of firewood -- it | ||
CF | teeters for a moment, but stays in place. | ||
CF | | ||
CF | > | Knight_Otu asks, "I mean, surely there should be lots of room under the bed?" | |
DavidW says (to ClubFloyd), "undo" | ||
CF ] Bedroom | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Bedroom | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy in firewood" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY IN FIREWOOD | ||
CF | | ||
CF | You slide an unmentionable into the stack of firewood -- it teeters | ||
CF | for a moment, but stays in place. Nonetheless, since the wood is | ||
CF | quite charred and the pale stone is unblemished, you might say the | ||
CF | unmentionable is in the stack but not of it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "undo" | ||
CF ] Bedroom | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Bedroom | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put inked in fireplace" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT INKED IN FIREPLACE | ||
CF | | ||
CF | You slide an inked unmentionable into the stack of firewood -- it | ||
CF | teeters for a moment, but stays in place. | ||
CF | | ||
CF | > | DavidW says, "okay, that's where that one goes." | |
DavidW says (to ClubFloyd), "put thingy under machon" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY UNDER MACHON | ||
CF | | ||
CF | Short of allowing you to relive the childhood fun of a game of | ||
CF | hide-the-stylus, you don't see what this would accomplish. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy in machon" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY IN MACHON | ||
CF | | ||
CF | That doesn't offer much by way of a receptacle, sadly. | ||
CF | | ||
CF | > | Jacqueline says, "Well, I'm worried that the step after this is that they come in and search" | |
DavidW says (to ClubFloyd), "x paper" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X PAPER | ||
CF | | ||
CF | A blank sheet of paper, standing ready in case inspiration strikes. | ||
CF | | ||
CF | > | Jacqueline says, "And anything not well-hidden is pointless." | |
Jacqueline says, "But I guess we'll see." | ||
DavidW says (to ClubFloyd), "x floor" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X FLOOR | ||
CF | | ||
CF | Your floor is both unexceptional and unexceptionable. | ||
CF | | ||
CF | > | Jacqueline says, "(ie under the bed)" | |
DavidW says (to ClubFloyd), "x walls" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X WALLS | ||
CF | | ||
CF | There's a patch of wall that will be right behind the door when it | ||
CF | opens. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy in patch" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY IN PATCH | ||
CF | | ||
CF | You carefully place an unmentionable in the spot right behind where | ||
CF | the door will open -- with any luck they'll never notice what they | ||
CF | never noticed! | ||
CF | | ||
CF | Alky winces as the door absorbs another solid blow. "Say, fellows, | ||
CF | you've made your point," he calls. "If you bring your sister, I | ||
CF | promise I'll make an honest woman out of her!" Alky flashes you a | ||
CF | grin, as this throws them into confusion. | ||
CF | | ||
CF | "Is this a fornication? I thought we were here about the herms," you | ||
CF | hear a peevish voice ask. There's more hubbub as they try to sort | ||
CF | this out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | two unmentionables | ||
CF | a flint | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy in clothes" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY IN CLOTHES | ||
CF | | ||
CF | You slip an unmentionable into the stack. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close chest" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > CLOSE CHEST | ||
CF | | ||
CF | You close the chest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy in food" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY IN FOOD | ||
CF | | ||
CF | That doesn't offer much by way of a receptacle, sadly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy in me" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY IN ME | ||
CF | | ||
CF | That doesn't offer much by way of a receptacle, sadly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put thingy under mattress" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT THINGY UNDER MATTRESS | ||
CF | | ||
CF | You're willing to make some sacrifices, but a second unmentionable | ||
CF | would compromise your night-time comfort too thoroughly to | ||
CF | contemplate. | ||
CF | | ||
CF | The blokes outside have stopped pummeling your door, as Alky's | ||
CF | stratagem has left them flummoxed. But then a clear voice cuts across | ||
CF | the din: "Wait, was that Alcibiades? The rotter actually did seduce | ||
CF | my sister, and I bet he did for the herms, too!" The wronged brother | ||
CF | hurls himself against the door again, and the siege resumes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "undo" | ||
CF ] Bedroom | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Bedroom | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x shelf" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X SHELF | ||
CF | | ||
CF | This shelf came with the room, and doesn't get much use. It's | ||
CF | currently quite bare. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put horse on shelf" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > PUT HORSE ON SHELF | ||
CF | | ||
CF | (first taking the Trojan Horse replica) | ||
CF | You put the Trojan Horse replica down on the shelf, making a nice | ||
CF | little display. | ||
CF | | ||
CF | The blokes outside have stopped pummeling your door, as Alky's | ||
CF | stratagem has left them flummoxed. But then a clear voice cuts across | ||
CF | the din: "Wait, was that Alcibiades? The rotter actually did seduce | ||
CF | my sister, and I bet he did for the herms, too!" The wronged brother | ||
CF | hurls himself against the door again, and the siege resumes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move chest" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > MOVE CHEST | ||
CF | | ||
CF | Not exactly man-portable, old man. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ceiling" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X CEILING | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | DavidW says, "I'm not sure what I've missed." | |
DavidW says (to ClubFloyd), "x lyre" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X LYRE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x alky" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X ALKY | ||
CF | | ||
CF | This doesn't seem like the first time Alky's woken up to a gang trying | ||
CF | to break down his door -- even while bracing the door with all his | ||
CF | strength, he looks rather bored. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x machon" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X MACHON | ||
CF | | ||
CF | It's a nice thing that your cousin is rather full-figured, as he's | ||
CF | putting his considerable gravitas into keeping the door closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x puffy" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X PUFFY | ||
CF | | ||
CF | Puffy is doing what he can to hold the door closed, albeit with | ||
CF | somewhat less enthusiasm than Alky or Machon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x door" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > X DOOR | ||
CF | | ||
CF | Alky, Puffy, and Machon are doing their best to keep the door closed | ||
CF | under the blows of the magistrate and his flunkies, but it's clearly a | ||
CF | losing battle. Beyond the current excitement, there's not much to say | ||
CF | about it other than that it opens to the right -- you had to move your | ||
CF | writing desk to the other side because you kept knocking your inkwell | ||
CF | over when throwing the door open. You've secreted an unmentionable | ||
CF | away behind it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw thingy out window" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > THROW THINGY OUT WINDOW | ||
CF | | ||
CF | There's a bit of a crowd out there now, but you toss out another | ||
CF | unmentionable on the theory that -- well, you don't really have a | ||
CF | theory but better there than here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You are carrying: | ||
CF | a flint | ||
CF | a gold chain | ||
CF | a plate of food | ||
CF | a toothpick | ||
CF | a cup | ||
CF | a heavily-smoking torch (providing light) | ||
CF | a well-tailored chiton (being worn) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open door" | ||
CF ] Bedroom | ||
CF | > | ||
CF | > OPEN DOOR | ||
CF | | ||
CF | There's currently a makeshift barricade obstructing your door, but if | ||
CF | you did want to speed things along, you suppose you could dislodge it. | ||
CF | Do you want to make this whole nightmare end that much sooner? | ||
DavidW says (to ClubFloyd), "yes" | ||
CF | Do you want to make this whole nightmare end that much sooner? | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | You remove the chair, making the barricade rather more of a notional | ||
CF | concern. | ||
CF | | ||
CF | With a final great heave, your door is hurled open, sending the lads | ||
CF | flying and entirely hiding the unmentionable you put against the wall. | ||
CF | The first cove through has a gimlet eye and an impressive nose, so you | ||
CF | take him for the magistrate. He in turn appears to take you as the | ||
CF | ringleader, inasmuch as you weren't getting your hands dirty trying to | ||
CF | hold the door. "What's the meaning of this, eh?" he asks, poking a | ||
CF | meaty forefinger against your lapel. "When we say open up, a good | ||
CF | Athenian opens up!" | ||
CF | | ||
CF | "Er, sorry old man," you stammer out, "I'm a bit hard of hearing?" He | ||
CF | harrumphs, and signals his men to search you and the others. | ||
CF | | ||
CF | The fellow patting you down has high hopes as he pulls out each of | ||
CF | your possessions, but is crestfallen when he sees that though you do | ||
CF | carry around a rather odd allotment of items, none of them are | ||
CF | precisely contraband. | ||
CF | | ||
CF | Puffy squirms under the attentions of his fellow, who grows frustrated | ||
CF | not to have found anything. | ||
CF | | ||
CF | Machon says "no need to be physical, chaps, here's all I've got," and | ||
CF | turns out his pockets. Beyond some lint and a few olives he was | ||
CF | saving for later, there's not much of interest. | ||
CF | | ||
CF | The last henchman runs his hands up and down Alky, who starts | ||
CF | breathing heavily and making faces. "Don't stop," he sighs, dancing | ||
CF | his tongue over his lips, and the unnerved fellow makes the search | ||
CF | rather cursory. | ||
CF | | ||
CF | "Right, now let's see if they've hidden aught about the place," the | ||
CF | magistrate calls. He couldn't be looking over your digs any more | ||
CF | coldly were he a Great-Aunt. | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] | ||
CF | The chest is an obvious place to look, and the magistrate throws it | ||
CF | open with a wolfish smirk. Fortunately, he doesn't dig deep into your | ||
CF | clothing, so he overlooks the unmentionable you've hidden there. | ||
CF | | ||
CF | One of the magistrate's men walks over to the fireplace. You tense as | ||
CF | his eyes wander towards where you hid an unmentionable, but since you | ||
CF | blackened it with ink, it blends right in with the charred wood. | ||
CF | | ||
CF | The shelf is just the place for a knick-knack like the replica, so the | ||
CF | magistrate doesn't give it a second look -- this must be how Odysseus | ||
CF | felt when his wheeze snookered the Trojans! | ||
CF | | ||
CF | A fellow takes a quick gander under your bed, but helpfully draws the | ||
CF | line at exploring your bedclothes, thereby leaving one more | ||
CF | unmentionable undetected. | ||
CF | | ||
CF | The magistrate turns to examine the writing things on your desk, but | ||
CF | quickly loses interest. | ||
CF | | ||
CF | The pan pipes lie unobtrusively on your desk, drawing no scrutiny to | ||
CF | themselves whatsoever as the magistrate finishes his scan of the area. | ||
CF | | ||
CF | His inspection complete, the magistrate wheels around at you. "And | ||
CF | one last thing -- was it just a coincidence that remnants of a herm | ||
CF | were found just below your window?" he snaps, "I think not." He | ||
CF | opens his mouth to pronounce his verdict... | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] | ||
CF | "The sacred herms have been desecrated, and you are the ones | ||
CF | responsible! Oh, you'll be paying for this for a long time," the | ||
CF | magistrate snarls. But he's brought short by a polite cough from one | ||
CF | of his men. | ||
CF | | ||
CF | "Beggin' yer pardon," he says, "but there was a lot of herms broke, | ||
CF | more than a dozen by my reckoning. This lot only had a few." | ||
CF | | ||
CF | The magistrate revolves this in his noodle, but Alky jumps in before | ||
CF | he comes to any firm conclusion: "we saw a few smashed herms on our | ||
CF | way back from a drinking party, and these were the only ones we found, | ||
CF | you see." | ||
CF | | ||
CF | "Yes," Puffy adds, seeing Alky's gist, "we wanted to return them to | ||
CF | the proper authorities, but were worried you might get the wrong | ||
CF | idea." | ||
CF | | ||
CF | "Hmm," the magistrate says, pursing his lips. "That's a nice story. | ||
CF | Let's see how it holds up, what? None of you lot leave Athens while | ||
CF | we sort this out." With a closing harrumph, he leads his men out of | ||
CF | your digs. | ||
CF | | ||
CF | The four of you look at each other in silence until you're quite sure | ||
CF | they're beyond earshot. "When he discovers," ventures Machon, "that | ||
CF | that drinking party was in Eleusis, and all of the smashed herms | ||
CF | happen to be in a straight line between there and here..." | ||
CF | | ||
CF | "We won't want to be anywhere in the vicinity," Alky finishes the | ||
CF | thought. "Well, despite that closing admonition, I see a lot of | ||
CF | reason to find more hospitable climes -- and we should have time to | ||
CF | liquidate some assets to make things more comfortable while we're away | ||
CF | from home. I'd been planning a trip to Sicily -- you lot want to come | ||
CF | with?" | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Bedroom | ||
CF | Three months later, the bloom is rather off the rose when it comes to | ||
CF | this Sicilian vacation -- turns it was more of a bally expedition, | ||
CF | with Alky notionally in charge though his second in command, sensing | ||
CF | there was something untoward about what happened to the herms, keeps | ||
CF | staring daggers at his backside. While he's off doing his spot of | ||
CF | generalship, you, Puffy, and Machon have been cooling your heels in | ||
CF | Catania, about which the nicest thing you can say is that it's just | ||
CF | downslope of Mount Etna. | ||
CF | | ||
CF | One day, as you're doing a spot of fishing to try to suppress the | ||
CF | monotony, a thought occurs. You turn to your companion: "Say, Puffy," | ||
CF | you ask, "what, when you get right down to it, were those old | ||
CF | mysteries about? They got a bit lost in the shuffle." | ||
CF | | ||
CF | Puffy heaves a sigh -- he's not been getting many bites today. | ||
CF | "They're a ritual re-enactment of Persephone's abduction and rescue, | ||
CF | symbolizing the regeneration and ultimate ascent of the soul." | ||
CF | | ||
CF | "Oh," you say. | ||
CF | | ||
CF | "I mean it's not very good when you just say it like that," Puffy | ||
CF | admits. | ||
CF | | ||
CF | "No, of course." | ||
CF | | ||
CF | "And Alky probably built it up for you, nothing can ever live up to | ||
CF | high expectations." You smile at him in commiseration. "Plus the | ||
CF | kykeon -- the kykeon really helps it all land." | ||
CF | | ||
CF | "Shame it didn't quite come together," you say, then cast your line | ||
CF | out again. | ||
CF | | ||
CF | Well, there's always next year. | ||
CF | | ||
CF | | ||
CF | | ||
CF | *** That could have gone worse! *** | ||
CF | | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, see suggestions for | ||
CF | AMUSING things to do as well as some end notes, QUIT, or UNDO the last | ||
CF | command? | ||
CF | > | DavidW says, "amusing" | |
DavidW says (to ClubFloyd), "amusing" | ||
CF ] Potential Post-Completion Diversions | ||
CF ] | ||
CF ] N = Next Q = Quit Menu | ||
CF ] P = Previous ENTER = Select | ||
CF | > Post-Game Notes | ||
CF | Easily-Overlooked Amusing Things | ||
DavidW pushes the green 'space' button. | ||
CF ] Post-Game Notes | ||
CF | I hope you enjoyed The Eleusinian Miseries! If you did, didn't, or | ||
CF | have any other feedback, please send it to me at russo2116@gmail.com | ||
CF | or post it on the IF Community Forum. This is my first game, so | ||
CF | criticism would be very helpful! | ||
CF | | ||
CF | A quick note on the historicity, or lack thereof, of the game -- the | ||
CF | desecration of the herms was a real event that occurred in Athens in | ||
CF | the middle of the Peloponnesian War, documented by Thucydides in his | ||
CF | history of the same. The culprit was never found, though Alcibiades, | ||
CF | who was viewed as something of an enfant terrible, was blamed, and in | ||
CF | fact had to cut short his military expedition to Sicily when he was | ||
CF | recalled to stand trial for the crime (seeing which way the wind was | ||
CF | blowing, he promptly defected to Sparta -- quite the flexible fellow, | ||
CF | he later made a further defection to Persia, then un-defected back to | ||
CF | Athens). | ||
CF | | ||
CF | I tried to avoid anachronisms that would be detectable with 10 seconds | ||
CF | of looking at Wikipedia except when I couldn't give up the gag. I'm | ||
CF | sure there are some players whose expertise on the period goes much | ||
CF | deeper than mine, however, so I would appreciate hearing about any | ||
CF | howlers so I can correct them for a post-comp release (I am aware that | ||
CF | the opening proem-y bit is a) not remotely close in meter to the | ||
CF | dactylic hexamer of the sources it's aping, b) riffing off of epic | ||
CF | poems that are not remotely close in time or content to the period I'm | ||
CF | loosely depicting here, and c) not as funny as I think it is, but I | ||
CF | like the topless towers tumpety-tum gag and so this darling has | ||
CF | remained un-killed). | ||
CF | | ||
CF | Finally, I wanted to name a significant flaw in the game, which is how | ||
CF | poorly it does on representation -- all the major characters are | ||
CF | European men, with only a few, largely-derisive references to a | ||
CF | Great-Aunt and some incidental female-coded names in the crowd scenes | ||
CF | to break up the monotony. This is partially a failure of imagination | ||
CF | and inability to look past my inspirations, in this case the Wodehouse | ||
CF | side of things -- the whole milieu, and many of the jokes, are | ||
CF | predicated on the existence of an elite but useless social class (I | ||
CF | mean, a major meta joke is that all of this tomfoolery is happening in | ||
CF | the middle of a civilization-ending war, and the characters barely | ||
CF | notice!). Therefore I felt like including a woman or someone from | ||
CF | Asia Minor as one of the main cast would have put them in something of | ||
CF | an unfair position and I wasn't sure how to address that without | ||
CF | taking the story fairly off course. So for lack of a better idea, I | ||
CF | stuck with this approach, though it's probably the aspect of the game | ||
CF | with which I'm least content (coming in second is the absolutely | ||
CF | atrocious way conversations are coded -- I am no programmer and the | ||
CF | source code will prove it). | ||
CF | | ||
CF | | ||
CF | | ||
CF | Please press SPACE to continue. | ||
DavidW pushes the green 'space' button. | ||
CF ] Potential Post-Completion Diversions | ||
CF ] | ||
CF ] N = Next Q = Quit Menu | ||
CF ] P = Previous ENTER = Select | ||
CF | > Post-Game Notes | ||
CF | Easily-Overlooked Amusing Things | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Potential Post-Completion Diversions | ||
CF ] | ||
CF ] N = Next Q = Quit Menu | ||
CF ] P = Previous ENTER = Select | ||
CF | Post-Game Notes | ||
CF | > Easily-Overlooked Amusing Things | ||
DavidW pushes the green 'space' button. | ||
CF ] Easily-Overlooked Amusing Things | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | DavidW says, "I didn't notice the flask." | |
DavidW says (to ClubFloyd), "or his chiton" | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | DavidW says, "We never used the chunk for anything." | |
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Jacqueline asks, "Do you all feel that the 'that could have gone worse' or whatever was the winning ending?" | |
DavidW says, "um, more or less." | ||
Jacqueline says, "Yeah" | ||
MoyTW says, ""winning" seems relative in this context but yeah" | ||
DavidW says, "I think we got less than the ideal but basically I think that was all there was to it." | ||
Jacqueline says, "I hope Mark reads our transcript and implements 'defenestrate'" | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Knight_Otu says, "It might not have been, but frankly I'm not sure I want to go through that final bit again here." | |
Jacqueline says, "Which, yeah, I guess I need to set up the transcript swat team again soon." | ||
DavidW asks, "If putting the toothpick in our eye was an optional idea... I guess there's multiple solutions for some puzzles?" | ||
Jacqueline says, "Apparently, yeah" | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Jacqueline says, "I ... was surprised about the toothpick" | |
Knight_Otu asks, "Which reminds me, did my mudmail get to you Jacq?" | ||
Jacqueline asks (of ko), "About Founders Mercy?" | ||
Knight_Otu says, "Yeah." | ||
DavidW says, "I'll pause for a bit." | ||
Jacqueline says, "I see it now, but will probably forget. Guess I'll email that link to myself" | ||
Jacqueline says, "And I have now done that." | ||
Knight_Otu says, "Hope it helps complete that transcript." | ||
Jacqueline says, "And also, Roger, I just saw your mudmail. Thank you. (Aw)" | ||
DavidW asks, "Should I bother continuing with this increasingly long list of AMUSINGs?" | ||
Jacqueline says, "Yeah" | ||
Jacqueline says, "Please do" | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Jacqueline says, "Wish it would just give us the whole list at once, but yes" | |
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Knight_Otu says, "We never did get a chance to get the horse treat." | |
DavidW says, "We didn't exactly find the treat until we were on our way." | ||
Jacqueline asks, "Is amusing only unlocked after the game is won?" | ||
DavidW says (to Jacqueline), "usually, yes." | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Jacqueline says, "Or could I just pull up a copy of the game, type this command in a bunch, and then copy & paste this... oh, okay." | |
Knight_Otu says, "Well, usually. Maybe not this time, but usually." | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Jacqueline says, "Almost... there..." | |
Jacqueline says, "Only ... ten ... more" | ||
DavidW says, "oh, I almost tried to examine the aura." | ||
DavidW says, "I thought, no way." | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | 33/38: GIVEing unmentionables to Puffy and Machon to hide? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | 33/38: GIVEing unmentionables to Puffy and Machon to hide? | ||
CF | | ||
CF | 34/38: Carrying an inked unmentionable when the magistrate comes in? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | DavidW says, "Perhaps I could have inked more than one." | |
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | 33/38: GIVEing unmentionables to Puffy and Machon to hide? | ||
CF | | ||
CF | 34/38: Carrying an inked unmentionable when the magistrate comes in? | ||
CF | | ||
CF | 35/38: Carrying the pan pipes, with a tied-on unmentionable, when the | ||
CF | magistrate comes in? | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | ||
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | 33/38: GIVEing unmentionables to Puffy and Machon to hide? | ||
CF | | ||
CF | 34/38: Carrying an inked unmentionable when the magistrate comes in? | ||
CF | | ||
CF | 35/38: Carrying the pan pipes, with a tied-on unmentionable, when the | ||
CF | magistrate comes in? | ||
CF | | ||
CF | 36/38: Leaving the Trojan Horse somewhere obvious after you've hidden | ||
CF | an unmentionable in it. | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | MoyTW says, "This game is pretty dense." | |
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | 33/38: GIVEing unmentionables to Puffy and Machon to hide? | ||
CF | | ||
CF | 34/38: Carrying an inked unmentionable when the magistrate comes in? | ||
CF | | ||
CF | 35/38: Carrying the pan pipes, with a tied-on unmentionable, when the | ||
CF | magistrate comes in? | ||
CF | | ||
CF | 36/38: Leaving the Trojan Horse somewhere obvious after you've hidden | ||
CF | an unmentionable in it. | ||
CF | | ||
CF | 37/38: Leaving an uninked unmentionable on the writing desk when the | ||
CF | magistrate comes in. | ||
CF | | ||
CF | Press SPACE to return to the menu or H to reveal another hint. | Jacqueline says, "This last one better be really amusing." | |
DavidW says (to ClubFloyd), "h" | ||
CF | 1/38: The gag density in the game is fairly high, but here are some | ||
CF | that might have flown under the radar. Have you tried.... | ||
CF | | ||
CF | 2/38: X ME twice in succession? | ||
CF | | ||
CF | 3/38: Wearing a second belt, or hat, or pair of shoes, while you're | ||
CF | already wearing a first? | ||
CF | | ||
CF | 4/38: Running through all the different permutations for JOKE and | ||
CF | SING, or DANCEing while wearing different shoes? | ||
CF | | ||
CF | 5/38: EMPTYing an already-empty container? | ||
CF | | ||
CF | 6/38: Xing Alky's chiton? | ||
CF | | ||
CF | 7/38: ASKing Alky about his flask so you can have a sip? | ||
CF | | ||
CF | 8/38: Xing all the food in the store room? | ||
CF | | ||
CF | 9/38: BURNing the rope instead of cutting it to get the amphora? | ||
CF | | ||
CF | 10/38: Xing and EATing all the food in the banquet hall, including | ||
CF | EATing the olives twice? | ||
CF | | ||
CF | 11/38: WEARing the frayed rope or the largish chunk of amphora? | ||
CF | | ||
CF | 12/38: WEARing and REMOVEing all the hats, shoes, and belts in the | ||
CF | closet? | ||
CF | | ||
CF | 13/38: GIVEing the cup to the different characters and animals, when | ||
CF | filled with wine or water? | ||
CF | | ||
CF | 14/38: Running through all the different descriptions of your sneezes? | ||
CF | The one involving Ares is a personal favorite. | ||
CF | | ||
CF | 15/38: DRINKing the cup when it's empty? | ||
CF | | ||
CF | 16/38: Trying out different ways of curing hiccups? | ||
CF | | ||
CF | 17/38: Xing or TAKEing the platter and basin in the telesterion, | ||
CF | before they're whisked away to make the kykeon? | ||
CF | | ||
CF | 18/38: Performing the prayer vigil while hiccuping and/or sneezing? | ||
CF | | ||
CF | 19/38: PUTing the toothpick in your eye? In Machon's eye? | ||
CF | | ||
CF | 20/38: Xing or DRINKing the spilled, spoiled kykeon? | ||
CF | | ||
CF | 21/38: THROWing something at Puffy while he's on the roof? | ||
CF | | ||
CF | 22/38: SMELLing or EATing the honeycomb? | ||
CF | | ||
CF | 23/38: Xing Puffy once he's off the roof? | ||
CF | | ||
CF | 24/38: EATing or SMELLing the horsey treat, or GIVEing it to someone? | ||
CF | | ||
CF | 25/38: RIDEing Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 26/38: PETting Hippy? The pig? One of your friends? | ||
CF | | ||
CF | 27/38: BURNing the springy green branch? | ||
CF | | ||
CF | 28/38: Doing anything to the general aura of hard, earnest toil in the | ||
CF | workshop? | ||
CF | | ||
CF | 29/38: Using the gold chain as a makeshift rein? | ||
CF | | ||
CF | 30/38: LISTENing while in the side of the temple? | ||
CF | | ||
CF | 31/38: WAITing to see all the different potential events while driving | ||
CF | on the Sacred Way? | ||
CF | | ||
CF | 32/38: Trying out which hiding places aren't as effective if you use | ||
CF | them to conceal an inked unmentionable? | ||
CF | | ||
CF | 33/38: GIVEing unmentionables to Puffy and Machon to hide? | ||
CF | | ||
CF | 34/38: Carrying an inked unmentionable when the magistrate comes in? | ||
CF | | ||
CF | 35/38: Carrying the pan pipes, with a tied-on unmentionable, when the | ||
CF | magistrate comes in? | ||
CF | | ||
CF | 36/38: Leaving the Trojan Horse somewhere obvious after you've hidden | ||
CF | an unmentionable in it. | ||
CF | | ||
CF | 37/38: Leaving an uninked unmentionable on the writing desk when the | ||
CF | magistrate comes in. | ||
CF | | ||
CF | 38/38: ASKing Alky about various historical topics -- the great | ||
CF | philosophers, the Spartans, Thucydides and the Peloponnesian War, or | ||
CF | even his real name? | ||
CF | | ||
CF | Press SPACE to return to the menu. | Jacqueline says, "huh" | |
DavidW pushes the green 'space' button. | ||
CF ] Potential Post-Completion Diversions | ||
CF ] | ||
CF ] N = Next Q = Quit Menu | ||
CF ] P = Previous ENTER = Select | ||
CF | Post-Game Notes | ||
CF | > Easily-Overlooked Amusing Things | ||
DavidW says (to ClubFloyd), "q" | ||
CF ] Bedroom | ||
CF | Would you like to RESTART, RESTORE a saved game, see suggestions for | ||
CF | AMUSING things to do as well as some end notes, QUIT, or UNDO the last | ||
CF | command? | ||
CF | > | DavidW asks, "Are we done?" | |
Knight_Otu says, "We might be." | ||
MoyTW says, "I'm fine with being done." | ||
Jacqueline says, "Yeah. I'm good." | ||
Jacqueline exclaims, "Thanks, all!" | ||
DavidW says, "Thanks everyone! Interesting game!" | ||
MoyTW says, "Thanks! That was fun." | ||
Jacqueline says, "Yeah. It was great." | ||