ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
ANOTHER WARNING! A lot (most!) of the transcripts contained on this site are, shall we say, family-friendly. This is not one of those family-friendly transcripts. Just so we're clear. |
ToyShop & Floyditorium
|
#ClubFloyd Discussion
|
|
Jacqueline says (to ClubFloyd), "load cellar" | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Loading game... | ||
CF | Welcome to the Cheap Glk Implementation, library version 0.9.0. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | The Cellar | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | The Cellar | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Written by David Whyld | ||
Jacqueline presses the yellow enter button. | ||
CF | with ADRIFT Version 4, Release 46 | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | From the Lovecraft Commonplace Book: | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | "Man's body dies - but | ||
CF | corpse retains life. Stalks | ||
CF | about - tries to conceal | ||
CF | odour of decay - detained | ||
Jacqueline presses the yellow enter button. | ||
CF | somewhere - hideous climax." | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | "And you're never to go into the cellar, Nevare!" | ||
CF | | ||
CF | "Yes, father." | ||
CF | | ||
CF | "Never, you understand! If I ever find you've gone down there-" | ||
CF | | ||
CF | "Yes, father." | ||
CF | | ||
CF | "Good, Nevare. I knew I could trust you. You're a good boy." | ||
CF | | ||
Jacqueline presses the yellow enter button. | ||
CF | But now your father is away on business and you're all alone in the | ||
CF | house. And you know where he keeps the key to the cellar. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | The Cellar | ||
CF | | ||
CF | This is my entry to the H. P. Lovecraft Commonplace Book & Exhibit. As | ||
CF | 11th June 2007, this {version 1} is the latest version of the game. It | ||
CF | and any future versions can be found at: | ||
CF | | ||
CF | [LINK] | ||
CF | | ||
CF | The Cellar was written with ADRIFT Version 4, Release 46. Earlier or | ||
CF | later Releases of the ADRIFT Runner will probably play the game | ||
CF | perfectly fine, but just to be on the safe side you're best using this | ||
CF | Release. If you don't have it, you can find it at | ||
CF | | ||
CF | [LINK] | ||
CF | | ||
CF | (Double-clicking the links ought to take you to the relevant | ||
CF | locations.) | ||
CF | | ||
CF | To check which version of the Runner you have, type version. | ||
CF | | ||
CF | General game information: size 24 Kb; rooms 5; objects 53; tasks 141 | ||
CF | | ||
CF | If you like the game, feel free to contact me at dwhyld@gmail.com and | ||
CF | let me know. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | Jade says, "I directly look for in ifdb" | |
Knight_Otu says, "Good boy, here's some threats. :/" | ||
Jacqueline says, "If you like the game, feel free to contact me and let me know. If you *don't* like the game..." | ||
DavidW says, "Well, there was that one cartoon where the forbidden door had naked grandma behind it." | ||
Jacqueline presses the yellow enter button. | ||
CF | David Whyld | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Father's Room l l l | ||
CF | | ||
CF | A sturdy oak table has been placed in the dead centre of your father's | ||
CF | room, its weight enough to make the floorboards creak and groan late at | ||
CF | night. There are papers scattered across the table's surface, each | ||
CF | covered with your father's tight, meticulous writing. A bed beneath the | ||
CF | window is where he sleeps; it seems small, much too small for his large | ||
CF | frame. A door to the east leads to the hallway at the top of the | ||
CF | stairs. In an alcove in one wall are your father's collection of | ||
CF | journals. | ||
CF | | ||
CF | | ||
CF | In a box under the bed, that's where your father keeps the key. You | ||
CF | should grab it and quickly. He won't return for many hours... but even | ||
CF | so, it never pays to take chances. | ||
CF | | ||
CF | > | Jade says, "funny thing" | |
Jacqueline asks (of Jade), "What's funny?" | ||
Jacqueline asks, "So, we are going immediately to the forbidden cellar, I take it?" | ||
Jacqueline says (to ClubFloyd), "x me" | ||
CF | You are Nevare. 11 years old. A quiet, solitary boy who lives with his | ||
CF | father in a dusty old house in the middle of nowhere. You don't have | ||
CF | many friends and have taken to exploring the house and grounds on days | ||
CF | when you have little to do... which is often. | ||
CF | | ||
CF | > | DavidW asks, "How much game is there if we don't take it and try to make a sandwich?" | |
Knight_Otu says, "Well, key first, bt I guess." | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | You are carrying nothing of any great importance. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "look under bed" | ||
CF | On your hands and knees, you peer under the bed and see an old wooden | ||
CF | box, dusty and crumpled. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "open box" | ||
CF | There is not enough room to open the box while it is still under the | ||
CF | bed. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take box" | ||
CF | [get box] | ||
CF | You tug the box out from under the bed but it is in too poor a | ||
CF | condition to be lifted without breaking apart. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "pull box" | ||
CF | [move box] | ||
CF | The box would tear apart if you were to attempt to pick it up. | ||
CF | | ||
CF | > | DavidW says, "move the bed" | |
Jacqueline says, "dang" | ||
Jacqueline says, "I mean, I guess, yeah." | ||
Jade says, "the comment, if you like the game contact me, otherwise don't contact" | ||
Jacqueline says (to Jade), "Oh - ha. Yeah, he didn't say the second part, just kind of implied it." | ||
Jacqueline says (to ClubFloyd), "move bed" | ||
CF | You move it slightly away from the wall but it is too heavy to move | ||
CF | far. | ||
CF | | ||
CF | > | DavidW asks, "Also, there's gonna be silverfish in there, isn't there?" | |
Jacqueline says, "Possibly" | ||
Jacqueline says (to ClubFloyd), "open box" | ||
CF | Almost choking on the dust, you open the box. It is, frustratingly, | ||
CF | empty. | ||
CF | | ||
CF | It seems your father has found a better hiding place for the key to the | ||
CF | cellar. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "move bed" | ||
CF | You move it slightly away from the wall but it is too heavy to move | ||
CF | far. | ||
CF | | ||
CF | > | Jacqueline says (to Game), "I wanted to move the bed *back*" | |
Knight_Otu says, "Well, we are thwarted." | ||
Jacqueline says, "I guess that's the game, then." | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Father's Room l l l | ||
CF | | ||
CF | A sturdy oak table has been placed in the dead centre of your father's | ||
CF | room, its weight enough to make the floorboards creak and groan late at | ||
CF | night. There are papers scattered across the table's surface, each | ||
CF | covered with your father's tight, meticulous writing. A bed beneath the | ||
CF | window is where he sleeps; it seems small, much too small for his large | ||
CF | frame. There is a dusty box by the side of the bed. A door to the east | ||
CF | leads to the hallway at the top of the stairs. In an alcove in one wall | ||
CF | are your father's collection of journals. | ||
CF | | ||
CF | > | DavidW says, "Time for sandwiches, yey!" | |
Jacqueline says, "mmm" | ||
Jacqueline says (to ClubFloyd), "read papers" | ||
CF | You glance at the papers... | ||
CF | | ||
CF | "... lost Penwright today. Bad omen for the rest of the expedition. | ||
CF | Expected he would outlast us all but it wasn't to be. But we are | ||
CF | optimistic of our chances for success in our endeavour. Gavin believes | ||
CF | we should press on with all speed, that the village cannot be far away. | ||
CF | I am more hesitant. Penwright was a good man, he should be given a | ||
CF | decent burial, yet is it possible to bury a man in this godforsaken | ||
CF | marsh? Clarkson proposed bringing the body with us but that idea was | ||
CF | quickly passed on when the thought of trekking around darkest Africa | ||
CF | with a corpse in our possession was raised. And we cannot turn back | ||
CF | now, not when we are so close... | ||
CF | | ||
CF | "In the end, we buried Penwright as best we could. Simonson said a few | ||
CF | words. I laid Penwright's pipe on top of the stones we piled over his | ||
CF | grave. Gavin said we would miss the gruff old fellow. | ||
CF | | ||
CF | "We continue. The village cannot be far..." | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "read papers" | ||
CF | You glance at the papers... | ||
CF | | ||
CF | "... lost Penwright today. Bad omen for the rest of the expedition. | ||
CF | Expected he would outlast us all but it wasn't to be. But we are | ||
CF | optimistic of our chances for success in our endeavour. Gavin believes | ||
CF | we should press on with all speed, that the village cannot be far away. | ||
CF | I am more hesitant. Penwright was a good man, he should be given a | ||
CF | decent burial, yet is it possible to bury a man in this godforsaken | ||
CF | marsh? Clarkson proposed bringing the body with us but that idea was | ||
CF | quickly passed on when the thought of trekking around darkest Africa | ||
CF | with a corpse in our possession was raised. And we cannot turn back | ||
CF | now, not when we are so close... | ||
CF | | ||
CF | "In the end, we buried Penwright as best we could. Simonson said a few | ||
CF | words. I laid Penwright's pipe on top of the stones we piled over his | ||
CF | grave. Gavin said we would miss the gruff old fellow. | ||
CF | | ||
CF | "We continue. The village cannot be far..." | ||
CF | | ||
CF | > | Jacqueline says, "Okay, just the one paper to read." | |
Knight_Otu asks, "We're keeping Penwright in the cellar, aren't we?" | ||
DavidW says, "After we lost Penwright, we lost Pencildraw." | ||
Jacqueline says, "So, to the east is the hallway, or we can read the journals, maybe." | ||
Jacqueline says (to ClubFloyd), "read journals" | ||
CF | Your father only lets you peruse his journals when he is present, and | ||
CF | he has an uncanny knack of knowing when you have studied them in his | ||
CF | absence. | ||
CF | | ||
CF | > | DavidW says, "Journals, yes. Perhaps look under the table? The key could be taped to the underside." | |
Jacqueline says (to ClubFloyd), "look under table" | ||
CF | You see nothing more interesting than the floor. | ||
CF | | ||
CF | > | DavidW asks, "Loose floorboard?" | |
Jacqueline says (to ClubFloyd), "x floor" | ||
CF | You see nothing special about the floor. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "move floorboard" | ||
CF | You cannot move the floorboards. | ||
CF | | ||
CF | > | Jade says, "open" | |
DavidW says (to ClubFloyd), "x floorboard" | ||
CF | The floorboards are a little dusty but you see nothing of interest | ||
CF | about them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push floorboard" | ||
CF | [move floorboard] | ||
CF | You cannot move the floorboards. | ||
CF | | ||
CF | > | Knight_Otu asks, "Yeah. They appear separate objects at least?" | |
DavidW says, "yes" | ||
DavidW says, "They were mentioned re taable weight" | ||
DavidW says (to ClubFloyd), "x walls" | ||
CF | The walls aren't as ordinary as you'd expect them to be. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ceiling" | ||
CF | You examine the ceiling but see nothing special about it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bed" | ||
CF | The bed seems shorter than you would expect considering your father's | ||
CF | height, but if he has any complaints about the size of his bed he never | ||
CF | voices them to you. | ||
CF | | ||
CF | > | Jade says, "move table" | |
DavidW says (to ClubFloyd), "x mattress" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | Jade says, "look under" | |
DavidW says, "We looked under the table." | ||
DavidW says (to ClubFloyd), "look under papers" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | DavidW asks, "Maybe it's not in the room?" | |
DavidW says (to ClubFloyd), "x window" | ||
CF | The window is nailed shut (making the room unbearably stuffy in | ||
CF | summer), as is every other window in the house. You once asked your | ||
CF | father what the reason for this was and he mumbled something vague | ||
CF | about "security" and then would say no more. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x door" | ||
CF | The door is pretty much standard as far as doors go. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close door" | ||
CF | You don't need to concern yourself with opening or closing the door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dresser" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Father's Room l l l | ||
CF | | ||
CF | A sturdy oak table has been placed in the dead centre of your father's | ||
CF | room, its weight enough to make the floorboards creak and groan late at | ||
CF | night. There are papers scattered across the table's surface, each | ||
CF | covered with your father's tight, meticulous writing. A bed beneath the | ||
CF | window is where he sleeps; it seems small, much too small for his large | ||
CF | frame. There is a dusty box by the side of the bed. A door to the east | ||
CF | leads to the hallway at the top of the stairs. In an alcove in one wall | ||
CF | are your father's collection of journals. | ||
CF | | ||
CF | > | Knight_Otu says, "I don't think I like our house." | |
Jade says, "papers and journals" | ||
DavidW asks, "I think we've examined everything?" | ||
Jacqueline says, "I would just go east, but then, that's why you all finish more games than I do by myself." | ||
DavidW says (to ClubFloyd), "x alcove" | ||
CF | Not so much an alcove as a slight depression in the wall, barely deep | ||
CF | enough to step into. | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
DavidW says, "yeah, let's go east." | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | There's no point in leaving before you've found the key. | ||
CF | | ||
CF | > | Jacqueline says, "DANG" | |
DavidW says, "okay then" | ||
Jacqueline asks, "See?" | ||
DavidW says (to ClubFloyd), "search walls" | ||
CF | [x walls] | ||
CF | The walls aren't as ordinary as you'd expect them to be. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "touch floorboards" | ||
CF | You can't touch the floorboards. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "touch walls" | ||
CF | You can't touch the walls. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "search bed" | ||
CF | [x bed] | ||
CF | The bed seems shorter than you would expect considering your father's | ||
CF | height, but if he has any complaints about the size of his bed he never | ||
CF | voices them to you. | ||
CF | | ||
CF | > | Jade says, "we have the key" | |
DavidW says (to ClubFloyd), "touch me" | ||
CF | You can't touch that. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | You are carrying nothing of any great importance. | ||
CF | | ||
CF | > | Knight_Otu says, "We don't." | |
DavidW says, "The key was in our heart all along." | ||
DavidW asks, "Where's the knife?" | ||
Knight_Otu says, ">CUT HEART." | ||
Jade says, "I thought there was a key in the box...." | ||
Jacqueline says, "This is escalating quickly." | ||
DavidW says, "That has happened in some games. More than one." | ||
Jacqueline says (to Jade), "No, dad moved it." | ||
DavidW says (to ClubFloyd), "x box" | ||
CF | The box is open but there is nothing inside. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x lid" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "reach in box" | ||
CF | I don't understand what you want me to do with the box. | ||
CF | | ||
CF | > | Jade says, "ok, I readed the wrong way" | |
Jacqueline says (to Jade), "No worries." | ||
DavidW says (to ClubFloyd), "search box" | ||
CF | [x box] | ||
CF | The box is open but there is nothing inside. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close box" | ||
CF | You close the dusty box up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x box" | ||
CF | The box is closed, its contents hidden from you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open box" | ||
CF | Almost choking on the dust, you open the box. It is, frustratingly, | ||
CF | empty. | ||
CF | | ||
CF | It seems your father has found a better hiding place for the key to the | ||
CF | cellar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dust" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close box" | ||
CF | You close the dusty box up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "get on bed" | ||
CF | The bed cannot be taken. | ||
CF | | ||
CF | > | Jade says, "ok, let's search" | |
DavidW says (to ClubFloyd), "lie on bed" | ||
CF | Now is not the time. You need to find the key before your father | ||
CF | returns. | ||
CF | | ||
CF | > | Knight_Otu says, "With all this dust, it's no wonder that dad is always on to us." | |
DavidW says (to ClubFloyd), "x journals" | ||
CF | Once lavishly-bound, now the years have begun to take their toll on | ||
CF | these journals and they are a pale shadow of their former self. For the | ||
CF | most part, they detail your father's exploration of Africa and his | ||
CF | findings there, delivered in somewhat tight and unflattering prose. | ||
CF | Your father was, after all, an historian and not a storyteller. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search journals" | ||
CF | [x journals] | ||
CF | Once lavishly-bound, now the years have begun to take their toll on | ||
CF | these journals and they are a pale shadow of their former self. For the | ||
CF | most part, they detail your father's exploration of Africa and his | ||
CF | findings there, delivered in somewhat tight and unflattering prose. | ||
CF | Your father was, after all, an historian and not a storyteller. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move journals" | ||
CF | You cannot move the journals. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x paper" | ||
CF | Numerous papers, marked by your father's meticulous handwriting. | ||
CF | | ||
CF | > | Jade says, "search it" | |
DavidW says (to ClubFloyd), "move paper" | ||
CF | You cannot move the papers. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search paper" | ||
CF | [x paper] | ||
CF | Numerous papers, marked by your father's meticulous handwriting. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take paper" | ||
CF | [get paper] | ||
CF | Father would not be happy if he discovered you had taken his papers. | ||
CF | | ||
CF | > | Jade says, "search under bed" | |
DavidW says (to ClubFloyd), "move table" | ||
CF | The table is too heavy for you to move. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand on table" | ||
CF | You can't stand on the table. | ||
CF | | ||
CF | > | Knight_Otu says, "Search and examine appear wholly synonymous here." | |
DavidW says (to ClubFloyd), "stand on bed" | ||
CF | You can't stand on the bed. | ||
CF | | ||
CF | > | Jade says, "ok" | |
DavidW says (to ClubFloyd), "look under bed" | ||
CF | On your hands and knees, you peer under the bed and see a dusty space. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dusty space" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x space" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | Jade asks, "is there no drawer?" | |
Jacqueline says, "The reviews of this game say that it is 'fast-paced'" | ||
DavidW says (to ClubFloyd), "x drawer" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open table" | ||
CF | You can't open the table! | ||
CF | | ||
CF | > | Jade asks, "hidden in some leg?" | |
DavidW says (to ClubFloyd), "x leg" | ||
CF | One of the table's legs seems slightly shorter than the others and has | ||
CF | been propped up with some cloth wadded beneath it. | ||
CF | | ||
CF | > | Jade asks, "stuck under with chewing gum?" | |
DavidW says, "I think we found it!" | ||
DavidW says (to ClubFloyd), "x cloth" | ||
CF | It looks to have been torn from some clothing and wadded under the | ||
CF | table leg to make it the same length as the others. | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
DavidW says (to ClubFloyd), "take cloth" | ||
CF | [get cloth] | ||
CF | You tug it out from under the table, and a key tumbles free. | ||
CF | | ||
CF | A-ha! The key to the cellar! Your father is certainly improving when it | ||
CF | comes to concealing things from you. | ||
CF | | ||
CF | You scoop it up and slip it into your pocket. | ||
CF | | ||
CF | > | Jacqueline says, "Well done. Dang." | |
Knight_Otu says, "There it is." | ||
DavidW says, "Good job on the table leg idea." | ||
DavidW says (to ClubFloyd), "x key" | ||
CF | An unmarked key, cold to the touch. | ||
CF | | ||
CF | > | DavidW asks, "East?" | |
Jade says, "alright" | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Clutching the key, you leave the room. | ||
CF | | ||
CF | [MORE] | ||
CF | | Knight_Otu says, "Let's go disappoint dad." | |
Jacqueline says (to Jade), "Yeah, good job." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Down the stairs you go, into the kitchen, past the old stove which | ||
CF | seldom works and emits foul clouds of smoke when it does, to the cellar | ||
CF | door. You experience a momentary... anxiety? Fear? Dread? It's hard to | ||
CF | say. You've been in the cellar before, many times in fact, but not | ||
CF | since your father returned from his last trip to Africa, not since the | ||
CF | untimely demise of your uncle, and not since your father insisted you | ||
CF | not enter the cellar... | ||
CF | | ||
CF | You hesitate. You've always been a good boy. You've always done what | ||
CF | your father commanded. And the cellar is creepy... | ||
CF | | ||
CF | But like all boys, you burn with curiosity. Deny you something, even | ||
CF | something you're not bothered about, and attaining it becomes all | ||
CF | important. Curiosity is not something you can ignore. | ||
CF | | ||
CF | So you insert the key in the lock, unlock the door, open the door, and | ||
CF | head into the cellar before you can change your mind. | ||
CF | | ||
CF | [MORE] | ||
CF | | DavidW says, "oh sure, blame your uncontrollable maleness." | |
Knight_Otu says, "And then we were eaten by a zombie." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Cellar l l l | ||
CF | | ||
CF | Dimly-lit, the cellar is a place of shadows and darkness. A single bulb | ||
CF | hangs from the ceiling, swinging back and forth in a light breeze that | ||
CF | is clearly present but which you cannot feel. Dust stirs beneath your | ||
CF | feet with every tread. | ||
CF | | ||
CF | The cellar extends to the north along a dusty passageway which slopes | ||
CF | downwards. There are old barrels, themselves little more than dust, in | ||
CF | one corner. Steps lead upwards. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x barreks" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x barrels" | ||
CF | At one time these barrels contained beer, but they are now bone dry. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dust" | ||
CF | It it nothing more than dust. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "turn on light" | ||
CF | The light is already on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x breeze" | ||
CF | There is a light breeze blowing through the cellar but you are unable | ||
CF | to tell where it is coming from. | ||
CF | | ||
CF | > | Knight_Otu says, "You make it sound as though we drank the beer, game." | |
DavidW asks, "I suppose we go north?" | ||
Knight_Otu says, "I guess so." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | To the north you walk, following the dusty passageway as it winds into | ||
CF | the depths of the cellar. It seems to take a while, far longer than you | ||
CF | remember it taking from the last time you were down here. The darkness | ||
CF | encroaches on you at all times, and there are often moments when you | ||
CF | feel certain that something, just out of the corner of your eye, is | ||
CF | following you. Of course, there is nothing there but for a moment... | ||
CF | | ||
CF | You turn a bend in the passageway and find yourself in a larger room, | ||
CF | one you do not remember from before. Is it new? One your father has had | ||
CF | made without telling you about? | ||
CF | | ||
CF | The bed in the centre of the room, and the thing lying upon, are | ||
CF | certainly new. | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Hidden Chamber l l l | ||
CF | | ||
CF | This room, unknown to you before today, is lit so poorly as to make | ||
CF | seeing anything beyond the end of your nose a trying task. | ||
CF | Nevertheless, you can discern the outline of a bed in the centre of the | ||
CF | room, and perhaps a row of cabinets around it, but it is the... the | ||
CF | thing lying on the bed that draws your attention. Seen barely in the | ||
CF | dismal light, it is a grotesque mockery of a man, bloated and | ||
CF | distorted, pale flesh spotted with tufts of coarse hair. | ||
CF | | ||
CF | | ||
CF | The thing stirs. It's too dark to tell for certain, but you feel, or | ||
CF | sense, it turning to look at you. | ||
CF | | ||
CF | "Ah... a visitor..." The voice is a croak. A harsh whisper. A pained | ||
CF | grunt. "So rare these days. Step forward, boy. Let me see what you look | ||
CF | like." | ||
CF | | ||
CF | You don't obey. Not consciously at least. You're too terrified. Yet | ||
CF | something in the thing's voice compels you and you take a step forward | ||
CF | all the same. | ||
CF | | ||
CF | "Well, well," it murmurs. "This is a pleasant surprise." The thing | ||
CF | leans forward slightly and its face, barely recognisable as human, | ||
CF | moves into the light. "Hello, nephew." | ||
CF | | ||
CF | You stare in dismay at your Uncle Gavin. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x Gavin" | ||
CF | To say he has changed from when you last saw him would be a terrible | ||
CF | understatement. He seems like a different man, though sickly and | ||
CF | deformed. It is hard to picture the way he is now with the man you | ||
CF | remember from your childhood. | ||
CF | | ||
CF | > | Jacqueline says, "Well, this doesn't seem so bad." | |
DavidW says (to ClubFloyd), "x bed" | ||
CF | It is hard to focus on the bed. Your attention is constantly drawn to | ||
CF | the... the thing on top of it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cabinets" | ||
CF | "Leave the cabinets be, nephew," says your uncle. "There is nothing for | ||
CF | you in them." | ||
CF | | ||
CF | > | Jacqueline says, "The 'thing' is called uncle Gavin, kiddo." | |
DavidW says (to ClubFloyd), "talk to uncle" | ||
CF | You say- | ||
CF | | ||
CF | "I've a story to tell you, Nevare," says your uncle, interrupting you. | ||
CF | "A... horror story, if you will. But a true one all the same. Then | ||
CF | again..." A soft laugh. "It features me so what else could be but a | ||
CF | horror story? Do you want to hear what I have to say?" | ||
CF | | ||
CF | You don't. You are as curious as ever but right now, standing so close | ||
CF | to this... this thing which used to be your uncle, the last thing you | ||
CF | want to hear is a horror story. | ||
CF | | ||
CF | "I sense your... hesitation. Your reluctance. You consider yourself a | ||
CF | brave little boy, don't you, Nevare? But seeing me like this, seeing | ||
CF | what has become of me following my little... misadventure in Africa, | ||
CF | you find yourself wanting to run away." There is disappointment in your | ||
CF | uncle's tone. Disappointment... and anger. "Tell me, have you read of | ||
CF | what befell Penwright?" | ||
CF | | ||
CF | You nod numbly. You remember what you read in the papers in your | ||
CF | father's room, but weren't sure whether- | ||
CF | | ||
CF | "It is true, every word of it. I see the doubt in your eyes, Nevare. | ||
CF | Good. You're a clever boy to not accept everything at face value. Only | ||
CF | a fool blindly obeys. Only a fool..." The thing on the bed shakes its | ||
CF | deformed head. "Only a fool would end up like I have done. Tell me, | ||
CF | boy, do you believe in evil? Evil as an actual force? As a being who | ||
CF | lives the same as you or I?" | ||
CF | | ||
CF | The question startles you. The sheer... absurdity of it. And no, you're | ||
CF | eleven years old. You've never considered such things. | ||
CF | | ||
CF | "You should understand there are things in this world that defy | ||
CF | comprehension, Nevare. There are things... things that I, even looking | ||
CF | as I do now, even after having undergone the... the transformation that | ||
CF | I have undergone... things that I fear. I came across one such being on | ||
CF | the expedition with your father and Penwright and Clarkson and | ||
CF | Simonson. I came face to face with evil in its purest form. What you | ||
CF | see now, nephew," a mottled hand gestures to the rest of the thing | ||
CF | lying on the bed, "is what happened to me because of it. I looked evil | ||
CF | in the face and evil looked back at me." | ||
CF | | ||
CF | There are moments of silence following this, moments which build into | ||
CF | minutes. The thing on the bed - your uncle, you remind yourself, but | ||
CF | the image you have in your mind of Gavin Crayson is so different from | ||
CF | what you see before you that you cannot reconcile the two - breathes in | ||
CF | and out, painfully it seems. It exudes a stench which makes your nose | ||
CF | curl and your stomach groan, yet you keep any outward expression from | ||
CF | showing. Not through manners, though. | ||
CF | | ||
CF | Through fear. | ||
CF | | ||
CF | "I shall tell you what happened to me, Nevare," says the thing/your | ||
CF | uncle. "It is right that you know. Your father... he wanted to launch a | ||
CF | second expedition when the first one failed. Despite what had befallen | ||
CF | his only brother, he wanted to go back out there. One day, when you're | ||
CF | older, he'll probably invite you. Look at me, boy. LOOK AT ME! And when | ||
CF | he invites you, tell him no! Tell him! Lest you end up like me." Your | ||
CF | uncle's face looms briefly into the light then recedes again. "But | ||
CF | first... first I desire... sustenance... Go to the kitchen... Find me | ||
CF | something to... something to eat, Nevare. Something... palatable..." | ||
CF | The thing laughs harshly. "Something I would find palatable. Go..." | ||
CF | | ||
CF | The voice trails off, becoming weaker and quieter, until you suspect | ||
CF | your uncle has fallen asleep. | ||
CF | | ||
CF | You creep from the chamber. | ||
CF | | ||
CF | [MORE] | ||
CF | | Knight_Otu exclaims, "Halp!" | |
DavidW asks, "So, Unc gets a sandwich, then?" | ||
Knight_Otu says, "Oh, hey, sand... darnit." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Kitchen l l l | ||
CF | | ||
CF | The kitchen is simple and sparsely-furnished. There are the usual | ||
CF | appliances here, many old and scratched though still workable: a stove, | ||
CF | an ancient oven. You see a sink and a counter top where food is | ||
CF | prepared. You see a fridge which chugs away to itself in the corner. | ||
CF | | ||
CF | And then you see the door leading down into the cellar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x fridge" | ||
CF | The fridge is overly large and seems to loom over everything else in | ||
CF | the kitchen. You're not sure that yourself and your father, neither of | ||
CF | you big eaters, need a fridge this large and it's seldom fully stocked | ||
CF | in any event. It is closed. | ||
CF | | ||
CF | > | Jacqueline says, "Yeah, in the last game Roger was making the 'make me a sandwich jokes' so I say we make Roger figure out the sandwich." | |
DavidW says, "Dare we open the fridge? One game I played had a sentient green cottage cheese that attacked with chlorine gas." | ||
DavidW says (to ClubFloyd), "open fridge" | ||
CF | You open the fridge. Inside the fridge is an egg. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x egg" | ||
CF | The egg appears to have gone off. It was perhaps fresh and edible | ||
CF | several weeks ago but now it is the sort of thing that you couldn't | ||
CF | force down if you were starving. | ||
CF | | ||
CF | > | Jacqueline says, "Good use of fridge." | |
Knight_Otu exclaims, "Gee, dad, we'll starve if we don't go shopping!" | ||
DavidW says (to ClubFloyd), "take egg" | ||
CF | [get egg] | ||
CF | You take the egg out of the fridge. | ||
CF | | ||
CF | > | Jacqueline says, "Uncle Gavin is dead, so that's probably fine." | |
DavidW says (to ClubFloyd), "close fridge" | ||
CF | You close the fridge. | ||
CF | | ||
CF | > | DavidW says, "Eggs are symbols of life, y'know." | |
DavidW says (to ClubFloyd), "x oven" | ||
CF | A little battered, a little rusty and in desperate need of a good | ||
CF | clean. It's a little disheartening to think that all your meals are | ||
CF | prepared here. The ancient oven is closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open oven" | ||
CF | You open the ancient oven. Inside the ancient oven is a cob. | ||
CF | | ||
CF | > | Roger says, "This is beyond my sandwiching abilities" | |
DavidW says (to ClubFloyd), "x cob" | ||
CF | Bits of mould have begun to turn the cob an unsightly greenish shade. | ||
CF | The thought of eating it makes your stomach cringe. | ||
CF | | ||
CF | > | Roger says, "A cob under the hob" | |
DavidW says (to ClubFloyd), "take cob" | ||
CF | [get cob] | ||
CF | You take the cob out of the oven. | ||
CF | | ||
CF | > | Knight_Otu asks, "A hobcoblin?" | |
DavidW says (to ClubFloyd), "close oven" | ||
CF | You close the ancient oven. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x stove" | ||
CF | It's seldom your father cooks food with the stove and the light | ||
CF | smattering on dust on it indicates it. You suspect it is many months, | ||
CF | if not years, since it was last switched on. There is a sandwich on | ||
CF | the stove, left for you there by your father. | ||
CF | | ||
CF | > | DavidW says, "SANDWICH!" | |
DavidW says (to ClubFloyd), "x sandwich" | ||
CF | An edible sandwich left for you by your father. You don't know what he | ||
CF | puts in the sandwiches he makes, but they all carry an unpleasant | ||
CF | smell. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell it" | ||
CF | [smell a sandwich] | ||
CF | The sandwich smells normal. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take sandwich" | ||
CF | [get sandwich] | ||
CF | You take the sandwich. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x sink" | ||
CF | The sink is far from clean. You are a little horrified to realise just | ||
CF | how dirty the place where your father prepares his (and your!) meals | ||
CF | is. | ||
CF | | ||
CF | > | Jade says, "lol" | |
DavidW says (to ClubFloyd), "x drain" | ||
CF | You see no such thing. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "do dishes" | ||
CF | Sorry. That is not understood. | ||
CF | | ||
CF | > | DavidW asks, "Shall we take our 3-course meal downstairs?" | |
Jacqueline says, "sure" | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Clutching the food in hand, you head down the cellar steps. | ||
CF | | ||
CF | [MORE] | ||
CF | | Knight_Otu says, "I guess." | |
DavidW pushes the green 'space' button. | ||
CF | Your uncle raises an eyebrow as you show him what you have bought. You | ||
CF | are worried that he will not like it, that he will shout at you, that- | ||
CF | | ||
CF | But he reaches out, takes what you have given him, and swallows it down | ||
CF | without chewing. "Delicious," he murmurs, licking his lips. "Once I | ||
CF | would have felt ill at the very prospect of eating such food but now... | ||
CF | now I feel alive..." His eyes close for several seconds then he | ||
CF | murmurs, "my story." | ||
CF | | ||
CF | He doesn't say anything else for long minutes, simply lies there, | ||
CF | staring at the ceiling, and breathes in and out deeply. His breathing | ||
CF | is harsh and ragged, the breathing of a sick man. | ||
CF | | ||
CF | But then he begins to speak, slowly at first, then gathering momentum | ||
CF | as he tells of what befell him and the fateful expedition to Africa... | ||
CF | | ||
CF | | ||
CF | [MORE] | ||
CF | | Roger says, "uncle, did you brave the rains down there" | |
Jacqueline says, "heh" | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Uncle Gavin's Story | ||
CF | {part 1} | ||
CF | | ||
CF | | ||
CF | The four of us continued at a good pace. I led, your father brought up | ||
CF | the rear, and Simonson and Clarkson walked between, talking quietly | ||
CF | amongst themselves. They seemed ill-inclined to continue and many times | ||
CF | I heard them mention the idea of simply turning back. | ||
CF | | ||
CF | That night we made camp in a dried river bed. We ate a meal of beef | ||
CF | jerky and washed it down with water which tasted foul, even though we | ||
CF | had drawn it fresh from a river that very morning. Simonson insisted | ||
CF | this was because the land was cursed and that we, continuing as we did, | ||
CF | were cursed also. Your father told him not to be a fool, that there was | ||
CF | no such thing as curses and then Clarkson, who I had never known to | ||
CF | argue with your father before, said that he had spoken to a coloured | ||
CF | man in Jiman who had forecast our expedition would fail and that | ||
CF | Penwright would be the first of us to die. None of us were really sure | ||
CF | what to make of that and so your father ordered Clarkson to desist in | ||
CF | his foolishness. Nothing more was said on the subject. | ||
CF | | ||
CF | We slept poorly that night. I perhaps managed an hour but every time I | ||
CF | seemed about to slip off, something awoke me. A sound, a perceived | ||
CF | movement, a feeling that something was wrong. | ||
CF | | ||
CF | I awoke in an ill temper the next day but my anger quickly turned to | ||
CF | dread when only three of us crawled from our beddings. When your father | ||
CF | nudged Clarkson to see if he was merely a heavier sleeper than we had | ||
CF | assumed, we discovered he was dead. | ||
CF | | ||
CF | [MORE] | ||
CF | | Roger says, "The sandwich contains mayonnaise and exposition and I'm all out of mayo" | |
Jacqueline says, "Do not camp in dry river beds, people." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | You are breathless as your uncle's labouring voice falls silent. The | ||
CF | only sounds remaining in the chamber are the sounds of him shifting | ||
CF | uncomfortably on the bed. | ||
CF | | ||
CF | "Not a pleasant tale, is it, Nevare?" he murmurs once, then says | ||
CF | nothing more. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF | You are carrying nothing of any great importance. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "no" | ||
CF | Interesting. | ||
CF | | ||
CF | > | DavidW says, "gosh, he ate everything. Even the key." | |
Jacqueline says, "ha" | ||
Knight_Otu says, "As long as we aren't next." | ||
Knight_Otu asks, "Drat, we are next, aren't we?" | ||
DavidW says, "I'm not sure what to do but 'talk to uncle' again." | ||
Roger says, "my delicious brIN" | ||
Roger says, "brain." | ||
Knight_Otu says, "I guess that's what we are to do." | ||
Roger says, "sure why not" | ||
DavidW says, "raisin brain" | ||
Jacqueline says, "I am guessing that Uncle Gavin will say, 'I seek to cure what's deep inside, frightened of this thing that I've become...'" | ||
DavidW says (to ClubFloyd), "talk to uncle" | ||
CF | "Are you ready for the next part, nephew? Ready to hear what happened | ||
CF | when we ventured further? Ready to know... know the truth?" | ||
CF | | ||
CF | A simple question. Requiring a simple answer. | ||
CF | | ||
CF | > | Roger says, "but I can't handle the truth" | |
Jacqueline says, "I don't think we're ready, yeah." | ||
Jacqueline says, "But also we have no choice, so." | ||
Knight_Otu says, "No, but tell us anyway." | ||
Roger says, "this is a pretty accurate portrayal of when an uncle talks at you" | ||
DavidW says (to ClubFloyd), "no" | ||
CF | "No? Ah, Nevare. You are assuming you have a choice in the matter..." | ||
CF | | ||
CF | [MORE] | ||
CF | | Knight_Otu says, "By not being ready, we prove we are ready." | |
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Uncle Gavin's Story | ||
CF | {part 2} | ||
CF | | ||
CF | | ||
CF | We buried Clarkson in the river bed as best we could, piling stones | ||
CF | atop him. Simonson raised the issue again that we should turn back and | ||
CF | I was all for agreeing with him, but your father was obstinate that we | ||
CF | continue. He said that to turn back now would make the sacrifices of | ||
CF | Penwright and Clarkson in vain and that it was in their good name that | ||
CF | we go on. I wondered at the word 'sacrifices' but didn't wish to cause | ||
CF | friction between your father and Simonson so I held my peace. In the | ||
CF | end, as I knew would happen, Simonson bowed to your father's determined | ||
CF | stance and we pressed on. | ||
CF | | ||
CF | The weather turned cold. Frighteningly cold. We had ill prepared for | ||
CF | it, assuming that Africa, in the height of summer, would be a hot | ||
CF | place. We suffered for our poor planning. Again, Simonson raised the | ||
CF | issue of us turning back and he and your father came close to shouting | ||
CF | at each other on many occasions. I acted as a go between, though my | ||
CF | feelings on the subject were that turning back would be a good idea | ||
CF | indeed. I think the only thing that kept me from doing so was that I | ||
CF | had always admired your father, Nevare, and had sought for a good part | ||
CF | of my adult life to emulate him. To be him, if you will. Turning back - | ||
CF | worse still, siding with Simonson against your father - would have been | ||
CF | an admission that I wasn't cut from the same cloth as he was. So I | ||
CF | acted as the go between to calm down tempers and in that way we pressed | ||
CF | on further. | ||
CF | | ||
CF | We should have reached the village the following day. It was marked on | ||
CF | our maps, unclearly but marked all the same, yet we reached the area | ||
CF | where it was reputed to lie and found ourselves in a dusty valley. If a | ||
CF | village had ever stood anywhere within that valley, we could find no | ||
CF | trace of it. | ||
CF | | ||
CF | Yet the valley was not entirely deserted. There was one person waiting | ||
CF | for us when we arrived at its far end and his presence placed a cold | ||
CF | chill in my heart. | ||
CF | | ||
CF | It was Penwright. | ||
CF | | ||
CF | [MORE] | ||
CF | | DavidW says, "uh oh" | |
Knight_Otu says, "That's just Penwrong." | ||
DavidW asks, "What sort of shortcut did he use?" | ||
Jade says, "wall after wall of text" | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | "Penwright." | ||
CF | | ||
CF | You didn't realise your uncle had finished speaking at first. The final | ||
CF | word - the name of the dead man who was still moving - echoes around | ||
CF | the chamber and, finally, you blink and come back to yourself. | ||
CF | | ||
CF | "Was he dead or alive? It was hard to tell." | ||
CF | | ||
CF | You want to ask a question but your mouth is dry. You cannot speak. | ||
CF | | ||
CF | Your uncle groans. "I am weary, boy. All this talking, it... tires me | ||
CF | so. Fetch me my satchel." | ||
CF | | ||
CF | You stand there, unmoving. | ||
CF | | ||
CF | "In your father's study. He keeps it there. He keeps it..." A sigh. "I | ||
CF | forget where, but I know it is in there. Fetch it for me and return. | ||
CF | Go." | ||
CF | | ||
CF | On shaking legs, you flee the chamber. | ||
CF | | ||
CF | [MORE] | ||
CF | | Jade says, "cool but wall" | |
Jacqueline says (to Jade), "Yeah. Well written story, but more static fiction than interactive." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Study l l l | ||
CF | | ||
CF | Your father's study is actually used as a reading room, hence the many | ||
CF | thick tomes on shelves around the walls. He often retires here at night | ||
CF | to read, though his choice of reading materials seems strange and | ||
CF | bewildering to you. Needless to say, you are forbidden to read from any | ||
CF | of the books in here and the door is kept locked for most of the time. | ||
CF | A chair by the window is where your father sits to read, though the | ||
CF | appalling creaking sound it makes at the lightest touch is enough to | ||
CF | set your teeth on edge. There is a door to the east. | ||
CF | | ||
CF | > | Roger says, "ennhhh I dunno I think I like this a bit better than a lot of 'press X to continue' after every paragraph. Not that those are the only two options, but you know" | |
Roger asks, "Is a study ever not a reading room?" | ||
DavidW says (to ClubFloyd), "x chair" | ||
CF | The chair is a horribly creaky affair, prone to emitting a sound not | ||
CF | unlike a screech when someone seats themselves in it. Why your father | ||
CF | does not replace it with a better one you cannot say. | ||
CF | | ||
CF | However, tucked under it you discover the satchel your uncle sent you | ||
CF | for. You snatch it up quickly, disliking how clammy it feels to your | ||
CF | touch. | ||
CF | | ||
CF | > | Knight_Otu says, "I guess it could be a watching room." | |
DavidW says (to ClubFloyd), "x satchel" | ||
CF | The satchel is old and worn, though still whole. It was once white, yet | ||
CF | the years have treated it unkindly, leaving it now a filthy brown | ||
CF | colour. | ||
CF | | ||
CF | > | Jacqueline says (to Roger), "Well, it'd be cool to be able to ask questions. Some semblance of conversation. Thoguh I guess we're petrified, which is fair." | |
DavidW says (to ClubFloyd), "open it" | ||
CF | [open a satchel] | ||
CF | You fumble with the satchel but can find no way of opening it. | ||
CF | | ||
CF | > | Roger says, "#band-names The Clammy Satchels" | |
DavidW asks, "explore more here or return downstairs?" | ||
Roger says, "let's sit in that chair" | ||
DavidW says (to ClubFloyd), "sit on chair" | ||
CF | The chair is creaky and the sound it makes chills you. You have no | ||
CF | desire to sit in it. | ||
CF | | ||
CF | > | Jade asks, "we are auto moving from one to one room?" | |
DavidW says, "The forbidden cellar: Ok. The squeaky chair: Hell no." | ||
Knight_Otu says (to Jade), "Mostly." | ||
DavidW says, "We're moving plotwise, not geographically." | ||
Knight_Otu nods. | ||
Jade says, "I see" | ||
DavidW says (to ClubFloyd), "x tomes" | ||
CF | Ancient books, some of them first editions, all of them worth a fortune | ||
CF | in the right hands. Your father has spent his lifetime collecting them, | ||
CF | though seldom seems to read them. For him, owning them is enough. | ||
CF | | ||
CF | > | DavidW asks, "down?" | |
Jacqueline shrugs. "Sure." | ||
DavidW says (to ClubFloyd), "d" | ||
CF | The only exit is to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Clutching the satchel, you return to the cellar. | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Your uncle stirs as you step into the chamber. His eyes are dark holes | ||
CF | in his face but they seem to lighten slightly as he sees what you have. | ||
CF | | ||
CF | "Ah, my satchel," he murmurs. "And unopened, too. Good. Curiosity is a | ||
CF | terrible thing, Nevare. I was curious once and look what happened to | ||
CF | me. Hand me the satchel, boy." | ||
CF | | ||
CF | You hesitantly reach out and hand your uncle the satchel. He says | ||
CF | nothing of your reluctance to approach him but instead takes the | ||
CF | satchel and puts it to one side of him. He does not open it. | ||
CF | | ||
CF | "Do you wish to hear the next part of my sad little tale?" he asks, and | ||
CF | before you have chance to reply, he continues. | ||
CF | | ||
CF | [MORE] | ||
CF | | Roger says, "The satchel contains yet more sandwiches" | |
Knight_Otu says, "The +1 Satchel of Endless Sandwiches." | ||
DavidW says, "I should hope so" | ||
DavidW says, "I'd love a satchel like that." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Uncle Gavin's Story | ||
CF | {part 3} | ||
CF | | ||
CF | | ||
CF | Yes, Penwright. But... changed. | ||
CF | | ||
CF | He had always been a large fellow, hefty and strong, yet now he seemed | ||
CF | larger still. He must have been seven feet tall, and his shoulders | ||
CF | bulged more massively than ever. But it was his complexion, his very | ||
CF | skin, which chilled me. It was grey. And cold. His eyes were lifeless | ||
CF | orbs. | ||
CF | | ||
CF | He spoke to us. I don't recall all the words. He told us that we were | ||
CF | fools to come here, that the secrets we sought were not ours to know | ||
CF | and that instead of life eternal we would be cursed with death if we | ||
CF | did not turn back. | ||
CF | | ||
CF | Simonson dropped his pack and fled. I suspect I would have done the | ||
CF | same yet the appearance of a man I knew full well to be dead froze me | ||
CF | on the spot. I could not move. | ||
CF | | ||
CF | Your father, incredibly, took a step towards the living corpse. He | ||
CF | said, "we are here and we demand what is rightfully ours." I remember | ||
CF | the words well. They were the words which damned me. | ||
CF | | ||
CF | The thing that was Penwright but which was now something... | ||
CF | different... took a step towards your father. It lifted an arm and | ||
CF | pointed at him. It said, "go." | ||
CF | | ||
CF | Your father stood firm. | ||
CF | | ||
CF | The thing seemed to laugh at him. At least I gather that the hideous | ||
CF | croaking sound was a laugh. It then said, "then you shall suffer the | ||
CF | consequences." | ||
CF | | ||
CF | But when the thing pointed with its gnarled finger, it was not your | ||
CF | father it pointed at. | ||
CF | | ||
CF | It was me. | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | "It was me..." | ||
CF | | ||
CF | You wait, expecting your uncle to continue. You're horrified by what he | ||
CF | has told you, you're seeing a side to your father that you never | ||
CF | imagined existed before today, you're hearing things that revolt you... | ||
CF | and yet, at the same time, you find yourself clammering to hear what he | ||
CF | might say next. | ||
CF | | ||
CF | But he falls silent and again the only sound in the chamber is his | ||
CF | laboured breathing. | ||
CF | | ||
CF | > | Jacqueline says, "Golly" | |
DavidW says (to ClubFloyd), "x uncle" | ||
CF | To say he has changed from when you last saw him would be a terrible | ||
CF | understatement. He seems like a different man, though sickly and | ||
CF | deformed. It is hard to picture the way he is now with the man you | ||
CF | remember from your childhood. | ||
CF | | ||
CF | > | Knight_Otu asks, "So, uncle, what shall we fetch from where this time?" | |
DavidW says, "Penwright's pipe, of course." | ||
Jacqueline asks (of Uncle), "What is in your satchel? Is it more sammiches?" | ||
Jade says, "oh man" | ||
DavidW says (to ClubFloyd), "wait" | ||
CF | Time passes... | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "open satchel" | ||
CF | Open what? | ||
CF | | ||
CF | > | DavidW says, "I don't think it's here any more. Not in scope." | |
Knight_Otu exclaims, "Come on uncle, you ate the whole satchel?!" | ||
Jacqueline says (to DW), "apparently" | ||
DavidW says (to ClubFloyd), "x cabinets" | ||
CF | "Leave the cabinets be, nephew," says your uncle. "There is nothing for | ||
CF | you in them." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open cabinets" | ||
CF | "Leave the cabinets be, nephew," says your uncle. "There is nothing for | ||
CF | you in them." | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | You start to ask a question - about what happened next to your father | ||
CF | and your uncle during the expedition - but Uncle Gavin groans and turns | ||
CF | painfully to one side. | ||
CF | | ||
CF | "It... hurts..." he says, and his voice, always a croak, now seems | ||
CF | worse than ever. "Your father tells me I am wrong, that my nerves are | ||
CF | as decayed as the rest of me and that they do not function well enough | ||
CF | to convey pain. He says it is all in my mind. And yet... YET IT HURTS!" | ||
CF | he hisses, the loudest you have heard him yet. "IT BURNS AT ME! IT EATS | ||
CF | MY INSIDES! IT... IT... it..." His strength fades and for several | ||
CF | seconds he is silent, gasping hoarsely for breath. Then he says, "it is | ||
CF | my gift and my curse rolled into one, I am told. Though I find it hard | ||
CF | to imagine what gift there can be in being like this." | ||
CF | | ||
CF | "I should go," you say, suddenly wishing you were anywhere but here. | ||
CF | | ||
CF | "You should." Your uncle sucks in a deep breath then expels it | ||
CF | painfully. "But then you won't hear the end of my tale, will you?" | ||
CF | | ||
CF | > | Roger says, "I'll get over it so bye" | |
DavidW says (to ClubFloyd), "no" | ||
CF | "No? Ah, Nevare. You are assuming you have a choice in the matter..." | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Uncle Gavin's Story | ||
CF | {part 2} | ||
CF | | ||
CF | | ||
CF | We buried Clarkson in the river bed as best we could, piling stones | ||
CF | atop him. Simonson raised the issue again that we should turn back and | ||
CF | I was all for agreeing with him, but your father was obstinate that we | ||
CF | continue. He said that to turn back now would make the sacrifices of | ||
CF | Penwright and Clarkson in vain and that it was in their good name that | ||
CF | we go on. I wondered at the word 'sacrifices' but didn't wish to cause | ||
CF | friction between your father and Simonson so I held my peace. In the | ||
CF | end, as I knew would happen, Simonson bowed to your father's determined | ||
CF | stance and we pressed on. | ||
CF | | ||
CF | The weather turned cold. Frighteningly cold. We had ill prepared for | ||
CF | it, assuming that Africa, in the height of summer, would be a hot | ||
CF | place. We suffered for our poor planning. Again, Simonson raised the | ||
CF | issue of us turning back and he and your father came close to shouting | ||
CF | at each other on many occasions. I acted as a go between, though my | ||
CF | feelings on the subject were that turning back would be a good idea | ||
CF | indeed. I think the only thing that kept me from doing so was that I | ||
CF | had always admired your father, Nevare, and had sought for a good part | ||
CF | of my adult life to emulate him. To be him, if you will. Turning back - | ||
CF | worse still, siding with Simonson against your father - would have been | ||
CF | an admission that I wasn't cut from the same cloth as he was. So I | ||
CF | acted as the go between to calm down tempers and in that way we pressed | ||
CF | on further. | ||
CF | | ||
CF | We should have reached the village the following day. It was marked on | ||
CF | our maps, unclearly but marked all the same, yet we reached the area | ||
CF | where it was reputed to lie and found ourselves in a dusty valley. If a | ||
CF | village had ever stood anywhere within that valley, we could find no | ||
CF | trace of it. | ||
CF | | ||
CF | Yet the valley was not entirely deserted. There was one person waiting | ||
CF | for us when we arrived at its far end and his presence placed a cold | ||
CF | chill in my heart. | ||
CF | | ||
CF | It was Penwright. | ||
CF | | ||
CF | [MORE] | ||
CF | | Knight_Otu says, "Er." | |
Jacqueline says, "ah. Yeah, I saw this in a review." | ||
DavidW says, "oops. bug." | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | "Penwright." | ||
CF | | ||
CF | You didn't realise your uncle had finished speaking at first. The final | ||
CF | word - the name of the dead man who was still moving - echoes around | ||
CF | the chamber and, finally, you blink and come back to yourself. | ||
CF | | ||
CF | "Was he dead or alive? It was hard to tell." | ||
CF | | ||
CF | You want to ask a question but your mouth is dry. You cannot speak. | ||
CF | | ||
CF | Your uncle groans. "I am weary, boy. All this talking, it... tires me | ||
CF | so. Fetch me my satchel." | ||
CF | | ||
CF | You stand there, unmoving. | ||
CF | | ||
CF | "In your father's study. He keeps it there. He keeps it..." A sigh. "I | ||
CF | forget where, but I know it is in there. Fetch it for me and return. | ||
CF | Go." | ||
CF | | ||
CF | On shaking legs, you flee the chamber. | ||
CF | | ||
CF | [MORE] | ||
CF | | Jacqueline says, "I saw other reviews that seemed fine, so I was hoping we wouldn't hit it." | |
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Study l l l | ||
CF | | ||
CF | Your father's study is actually used as a reading room, hence the many | ||
CF | thick tomes on shelves around the walls. He often retires here at night | ||
CF | to read, though his choice of reading materials seems strange and | ||
CF | bewildering to you. Needless to say, you are forbidden to read from any | ||
CF | of the books in here and the door is kept locked for most of the time. | ||
CF | A chair by the window is where your father sits to read, though the | ||
CF | appalling creaking sound it makes at the lightest touch is enough to | ||
CF | set your teeth on edge. There is a door to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chair" | ||
CF | The chair is a horribly creaky affair, prone to emitting a sound not | ||
CF | unlike a screech when someone seats themselves in it. Why your father | ||
CF | does not replace it with a better one you cannot say. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take satchel" | ||
CF | [get satchel] | ||
CF | Take what? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | You can't leave without your uncle's satchel. | ||
CF | | ||
CF | > | Jacqueline | There's only one problem: a handful of turns before the climax, at the penultimate moment, you are kicked back to a previous scene with no way to escape from it. I really, really, hate to give two stars because the writing is so good, but at least running Spatterlight, you can't finish the game. | |
DavidW says, "I think I broke it. Sorry." | ||
Knight_Otu says, "To bad, game, uncle already ate the satchel." | ||
Jacqueline says (to DW), "You didn't break it. It broke itself." | ||
DavidW says, "I guess I should not have said 'no' again." | ||
Jade says, "uf" | ||
Jacqueline says, "Enh. I doubt that was it." | ||
Jacqueline says, "But I mean, maybe." | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | | ||
CF | [The previous turn has been undone.] | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | | ||
CF | [The previous turn has been undone.] | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | | ||
CF | [The previous turn has been undone.] | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | | ||
CF | [The previous turn has been undone.] | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | l l l Hidden Chamber l l l | ||
CF | | ||
CF | This room, unknown to you before today, is lit so poorly as to make | ||
CF | seeing anything beyond the end of your nose a trying task. | ||
CF | Nevertheless, you can discern the outline of a bed in the centre of the | ||
CF | room, and perhaps a row of cabinets around it, but it is the... the | ||
CF | thing lying on the bed that draws your attention. Seen barely in the | ||
CF | dismal light, it is a grotesque mockery of a man, bloated and | ||
CF | distorted, pale flesh spotted with tufts of coarse hair. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | "To the next part then..." | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Uncle Gavin's Story | ||
CF | {part 4} | ||
CF | | ||
CF | | ||
CF | I don't remember much of what happened after that. Your father told me | ||
CF | about it later, though I gather he himself didn't remember most of it | ||
CF | and so what I'm telling you now is pretty much conjecture. | ||
CF | | ||
CF | I collapsed, he said, as Penwright pointed at me. Collapsed on the | ||
CF | ground. At first he thought I was dead. But he grabbed me anyway and | ||
CF | dragged me away. I don't know if Penwright tried to stop us - your | ||
CF | father didn't say - but he dragged and half-carried me away from the | ||
CF | valley, away from where the village was supposed to be, away from the | ||
CF | thing that was Penwright. He carried me like that for miles and | ||
CF | eventually, so he said, I began to recover enough so that I could walk | ||
CF | on my own. That seemed like a good sign. | ||
CF | | ||
CF | It wasn't. | ||
CF | | ||
CF | My skin had turned a deathly pale colour. My breathing was ragged. I | ||
CF | coughed and there was blood in what I coughed up. I couldn't keep food | ||
CF | down - not normal food anyway. Not the food I'd been accustomed to | ||
CF | eating. But bugs and lice, vermin of all kinds - they were food to me | ||
CF | now. I was disgusted by it but couldn't help myself. I broke my teeth | ||
CF | eating stones and tore my fingernails off trying to unearth rocks. But | ||
CF | I couldn't help myself, Nevare. I just couldn't. | ||
CF | | ||
CF | We returned to England, your father and I. Simonson we never saw again. | ||
CF | He never returned home. We contacted his family and they professed to | ||
CF | have not heard from him. That hurt your father badly, the fact that he | ||
CF | had taken Simonson under his wing and we never really knew what had | ||
CF | happened to him. But of course he had other concerns of his own right | ||
CF | then. | ||
CF | | ||
CF | He had me to worry about. | ||
CF | | ||
CF | [MORE] | ||
CF | | Jacqueline exclaims, "!" | |
Jade says, "undo works at least" | ||
Knight_Otu says, "Whew." | ||
Jacqueline says, "I guess I unbroke it. Yay me." | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Again as your uncle finishes speaking, there is silence in the chamber. | ||
CF | | ||
CF | "We are nearing the end of my little tale now," says your uncle. He | ||
CF | sounds weary, as if the very effort of speaking is too much for him. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | "Is that why we live out here?" you ask. | ||
CF | | ||
CF | You've found your voice, found the will to ask a question. You remind | ||
CF | yourself that the thing on the bed (and you feel wrong for calling it | ||
CF | that) is still your uncle. He might be changed, hideously, but he is | ||
CF | still the same man who bought you sweets as a child and carried you | ||
CF | around the garden of your old home on his shoulders. | ||
CF | | ||
CF | "You miss your old home, Nevare?" | ||
CF | | ||
CF | You nod. | ||
CF | | ||
CF | "So do I. The cellars there were so much nicer..." A bark of bitter | ||
CF | laughter. "But moving out here was... necessary. I have your father to | ||
CF | thank for that at least, though for little else. He knew I could not be | ||
CF | left alone, and knew, also, that if he abandoned me to fend for myself, | ||
CF | that questions would be asked. They would wonder that how the same | ||
CF | thing which had befallen me had not befallen him. They might, if they | ||
CF | asked the right questions, even discover..." Your uncle hesitates for | ||
CF | long moments. | ||
CF | | ||
CF | > | Jacqueline asks, "oh? OH?" | |
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | "Discover what?" you ask softly, but your uncle, if he hears you, does | ||
CF | not respond. You try a different question: "What is in the satchel?" | ||
CF | | ||
CF | There is movement from the bed. "It is... something I thought I had | ||
CF | lost... a long time ago. Then I found it again. It is only a... small | ||
CF | thing but it means much to me." Slowly, his stubby fingers struggling | ||
CF | to undo its fastenings, your uncle opens the satchel. "It is all I have | ||
CF | now to remind me of... her." | ||
CF | | ||
CF | You see a small portrait, almost tiny enough to fit in the palm of the | ||
CF | hand, of a striking woman with long dark hair. | ||
CF | | ||
CF | "Annie. My... partner. Perhaps even my wife one day. We were very much | ||
CF | in love. But then the expedition... and my accident... and when I | ||
CF | returned home..." | ||
CF | | ||
CF | The portrait disappears inside the satchel and the satchel is hurled | ||
CF | bitterly to one side. | ||
CF | | ||
CF | "I should not have asked you for it, Nevare. All it does is bring back | ||
CF | memories better left forgotten. That is why your father took it from | ||
CF | me. He says it is a reminder I can do without, that to Annie I am dead | ||
CF | and it is best to forget her. That... but I miss her, Nevare. I miss | ||
CF | her so badly..." | ||
CF | | ||
CF | You had never heard of anyone called Annie, though you remember your | ||
CF | uncle had many lady friends that your father used to disapprove of. | ||
CF | Annie must have been one of them. | ||
CF | | ||
CF | > | DavidW says, "discover WHAT, uncle" | |
Knight_Otu asks, "Dad killed Penwright?" | ||
Knight_Otu asks, "A ritual sacrifice against the curse, maybe?" | ||
Jacqueline asks, "Do people need a second to catch up or should I keep talking to him?" | ||
DavidW says, "I'm good" | ||
Knight_Otu says, "I'm caught up." | ||
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | "Let us finish it," says your uncle. "Let me tell you the final part of | ||
CF | my little horor story." | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Uncle Gavin's Story | ||
CF | {part 5} | ||
CF | | ||
CF | | ||
CF | I tried to continue with a normal life at first, but it was impossible. | ||
CF | I smelled of the grave, Nevare. I washed frequently, I literally doused | ||
CF | myself with all manner of herbs and fragrances to take away the smell, | ||
CF | and yet the smell always returned. It was ever present and ever foul. I | ||
CF | could not be rid of it. | ||
CF | | ||
CF | The... decay. Call it that for that is what it is. The decay was not as | ||
CF | bad then as it is now. I could make my way in public without many | ||
CF | glances if I was careful. If asked, I would merely explain that I was | ||
CF | ill, that I had a sensitive skin condition. But over time, the decay | ||
CF | got worse. My skin seemed to be literally rotting off my bones. | ||
CF | | ||
CF | I visited doctors. Many doctors. We are rich, as you know, and we could | ||
CF | afford to pay for the best. But no matter how much education these | ||
CF | doctors had, none of them could tell what was wrong with me. 'A medical | ||
CF | miracle' was how one described me, but when you smell like death, eat | ||
CF | bugs and lice and are afraid of your own appearance, it is hard to see | ||
CF | what 'miracle' there can be in your current condition. | ||
CF | | ||
CF | I withdrew from public life after an incident in a restaurant when the | ||
CF | staff, believing me to be contagious, refused to serve me. I withdrew | ||
CF | to my house and stayed there. Your father was my only visitor. He | ||
CF | talked about what had happened to me and wondered what had gone | ||
CF | 'wrong'. I had been transformed, you see, just as was intended at the | ||
CF | start of our expedition. But the transformation had not given us what | ||
CF | we sought. | ||
CF | | ||
CF | The irony was not lost on me. I had sought to become immortal and yet | ||
CF | in doing so had destroyed what years remained to me. | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Again, there is silence in the chamber as your uncle finishes speaking, | ||
CF | the only sound his harsh and ragged breathing. Then that, too, stops. | ||
CF | | ||
CF | A minute later, your uncle says, "breathing is a habit, Nevare. I don't | ||
CF | need it anymore. I just... do it because it's what I always did before | ||
CF | I... before I died..." | ||
CF | | ||
CF | "Died?" | ||
CF | | ||
CF | Your uncle beckons you to approach him. You remain where you are. | ||
CF | | ||
CF | "You are afraid of me, Nevare. That is good. If you weren't afraid of | ||
CF | me, I would wonder that there was something wrong with you. You see, | ||
CF | you have good reason to be afraid of me. I have done terrible things." | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | "What terrible things?" you ask. | ||
CF | | ||
CF | "I never meant to do them," says your uncle. "At least, I don't think I | ||
CF | did. But it's hard to say sometimes. My memory... is not what it used | ||
CF | to be. I have lucid moments when I remember the events of the | ||
CF | expedition very clearly indeed and then I have days when I don't recall | ||
CF | it at all and lie here wondering just what has befallen me." | ||
CF | | ||
CF | "The manacles..." | ||
CF | | ||
CF | Your uncle raises one bloated arm. The chains rattle. | ||
CF | | ||
CF | "A... precaution. Lest I stray from the bed and cause you harm." | ||
CF | | ||
CF | You aren't sure what to say to that so you say nothing. | ||
CF | | ||
CF | "I am a prisoner here, nephew. I have been here in this room for four | ||
CF | years, ever since I withdrew from public life. Your father keeps me | ||
CF | chained up in case I seek to wander around and kill you. As I killed | ||
CF | Simonson." | ||
CF | | ||
CF | You blink. Did he just say...? | ||
CF | | ||
CF | > | Jacqueline says, "Whyld has written a great short story of nearly static prose." | |
Jacqueline says, "Let me know when y'all are caught up." | ||
Jade asks, "simonson?" | ||
Roger says, "just like HPL, I guess" | ||
DavidW says, "I'm ready" | ||
Jade says, "go" | ||
Jacqueline says (to Jade), "Simonson was a protég�on the expedition." | ||
Knight_Otu says, "Ready." | ||
Jacqueline says (to Jade), "Simonson was a prot�on � the expedition." | ||
Jacqueline says, "Never mind. I give up on accents." | ||
Jade says, "ok, thnx" | ||
Jacqueline says (to ClubFloyd), "talk to uncle" | ||
CF | "You killed Simonson," you say, not so much a question as a statement | ||
CF | of fact. | ||
CF | | ||
CF | "Did I?" Your uncle frowns. "I can't say for certain. My memory is... | ||
CF | hazy." | ||
CF | | ||
CF | "But you said he ran off and you never saw him again." | ||
CF | | ||
CF | "Did I?" A slight smile creases your uncle's face. "Maybe that's true. | ||
CF | Or maybe - maybe, Nevare! - I found him and ate his heart. It was nice. | ||
CF | Tasty. And still warm. Hahahahah!" | ||
CF | | ||
CF | You back away, your former pity for your uncle being replaced with | ||
CF | dread. | ||
CF | | ||
CF | "Or maybe he escaped, Nevare." Your uncle's voice is quiet again, | ||
CF | restrained. "I don't remember. Maybe your father killed him and I just | ||
CF | think it was me. Who can say...?" | ||
CF | | ||
CF | You can't take anymore of this. You turn and flee. | ||
CF | | ||
CF | [MORE] | ||
CF | | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | You emerge from the cellar and run straight into someone's arms. You | ||
CF | struggle, trying to break free, but the arms hold you, and draw you | ||
CF | closer. | ||
CF | | ||
CF | "Nevare." | ||
CF | | ||
CF | You struggle more fiercely. Your uncle. | ||
CF | | ||
CF | "Nevare." | ||
CF | | ||
CF | No. Not your uncle. Your father. | ||
CF | | ||
CF | You stop struggling as he holds you. His face is bitter with | ||
CF | disappointment as he stares at the open cellar door. | ||
CF | | ||
CF | "The door was locked for a reason, Nevare," he says. He takes a key | ||
CF | from his pocket and locks it, twice checking that it has locked. Then | ||
CF | he hesitates. "Did you... see what is down there?" | ||
CF | | ||
CF | You nod, tearful. | ||
CF | | ||
CF | Your father holds out his hand. "Come. We have much to discuss." | ||
CF | | ||
CF | > | Knight_Otu says, "Uh, hi dad." | |
Jacqueline says, "Yeah. Hi, dad." | ||
Jacqueline says (to ClubFloyd), "cry" | ||
CF | "That doesn't concern you now, son," says your father. "Take my hand." | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take hand" | ||
CF | [get hand] | ||
CF | You take your father's hand. | ||
CF | | ||
CF | He leads you from the kitchen and up the stairs to his room. He sits | ||
CF | you down on the bed then seats himself beside you. You become aware of | ||
CF | an unpleasant smell - has something died in here? | ||
CF | | ||
CF | "How much did he tell you?" your father asks. | ||
CF | | ||
CF | > | Jade says, "dad is bac" | |
Roger asks, "Did you sit in my chair? Did you speak with the dead? But my chair is okay?" | ||
Jacqueline says, "haha" | ||
Jacqueline asks, "Oh gosh. Dad is dead too?" | ||
Jacqueline says, "ack" | ||
Knight_Otu asks, "You haven't raided our fridge, have you?" | ||
Jacqueline says (to ClubFloyd), "talk to dad" | ||
CF | You tell your father what your uncle said. | ||
CF | | ||
CF | He sighs and shakes his head. "I feared as much. Your uncle is... not | ||
CF | well, Nevare." | ||
CF | | ||
CF | You recall the thing on the bed in the cellar. | ||
CF | | ||
CF | "He's dead," you say. | ||
CF | | ||
CF | You expect your father to deny that, or to tell you off for being | ||
CF | foolish, but he simply nods. | ||
CF | | ||
CF | "You shouldn't have gone down into the cellar, son," he says softly. | ||
CF | "It was for your own protection." | ||
CF | | ||
CF | "But he's chained up. Like an animal." You can't help but keep the | ||
CF | distaste from your tone. Despite what he has become, despite what you | ||
CF | have heard about him, to keep a man chained to a bed in a cellar... | ||
CF | | ||
CF | "For a reason, Nevare, for a reason." Your father clenches and | ||
CF | unclenches his right hand. You notice, suddenly, how pale his skin is. | ||
CF | And how his nails are crusted with dirt. "He killed Simonson, I'm sure | ||
CF | of that. Despite what he protests, I saw him return to our camp one | ||
CF | night with blood around his mouth. Later, I discovered Simonson's | ||
CF | pocket watch in his possessions. He denied he had killed Simonson and | ||
CF | taken it but I don't believe him." | ||
CF | | ||
CF | > | DavidW says, "We're decaying too now." | |
Roger says, "only morally" | ||
Jacqueline says (to ClubFloyd), "talk to dad" | ||
CF | "Why didn't you go to the police?" you ask. | ||
CF | | ||
CF | "Because he is my brother," says your father harshly. He almost spits | ||
CF | the last word out. "He is my brother," he adds more quietly, "and I | ||
CF | swore I would help him. He only came on the expedition for my sake, | ||
CF | because I nagged and cajoled him into coming, and then when I saw what | ||
CF | had befallen him, how he had been unable to rise above it, I knew that | ||
CF | it was my fault he was that way." | ||
CF | | ||
CF | "Rise above it..." You swallow. "But he's dead..." | ||
CF | | ||
CF | "He lacked self-control." Your father continues, speaking more to | ||
CF | himself than to you. He stares into the distance. "He saw himself for a | ||
CF | monster and despaired and locked himself away from the world. He gave | ||
CF | up hope of a cure and his body began to decay as a result of his own | ||
CF | inaction, and as his body decays so does his despair grow ever deeper. | ||
CF | Of course, no cure exists. There is nothing to cure. He sought life | ||
CF | eternal and he succeeded. The... the side effects are distasteful but | ||
CF | they are just that. Side effects. Considering he will never age, never | ||
CF | succumb to disease, never die... and he talks of a cure..." | ||
CF | | ||
CF | You remember your uncle, hideous and bloated, a corpse manacled to a | ||
CF | bed in the cellar, and shudder. | ||
CF | | ||
CF | > | Jacqueline says, "Dad, are you also immortal? Because... you smell." | |
Knight_Otu says, ""He wished for eternal life, but not for the youth to go with it."" | ||
Jacqueline says, "Or the life." | ||
DavidW says, "yeah, I think Dad is decaying too but too stubborn to believe it." | ||
Jacqueline says, "No, I think he knows." | ||
Jacqueline says, "I think it's that you have to just stick to the worms and grubs." | ||
Jacqueline says, "And avoid, like, eating humans.'" | ||
Jacqueline says, "That's my theory." | ||
Jacqueline says (to ClubFloyd), "talk to dad" | ||
CF | "Why did Penwright let you go, father? How did you escape?" | ||
CF | | ||
CF | Your father does not answer at first. He still stares into the | ||
CF | distance. Then he shakes his head slowly and sighs. | ||
CF | | ||
CF | Finally he looks at you. He smiles softly. "I didn't," he says and | ||
CF | removes his glasses to show the hollow sockets which are all that | ||
CF | remain of his eyes. "I got everything I wanted." | ||
CF | | ||
CF | | ||
CF | [MORE] | ||
CF | | DavidW says, "ah, the secret ingredient in the sandwiches." | |
Jacqueline says, "haha" | ||
Roger says, "I guess that explains all the unread books" | ||
Jacqueline says (to Roger), "hahahahaohgod" | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | And so The Cellar has ended. Many thanks for playing. | ||
CF | | ||
CF | Did you expect the twist at the end of the tale - that the corpse | ||
CF | referred to in the introduction was not, in fact, Uncle Gavin, but the | ||
CF | player's father? | ||
CF | | ||
CF | The restart command will start the game again if you feel like taking | ||
CF | another go, while walkthrough will list the shortest way from beginning | ||
CF | to end. If you're wondering whether you missed anything, try it and | ||
CF | see. | ||
CF | | ||
CF | Finally, feel free to send an email to dwhyld@gmail.com about the game. | ||
CF | It's always nice to hear people are playing my games. | ||
CF | | ||
CF | This current version (version 1) of the game, and any subsequent ones, | ||
CF | will be found on my website at: | ||
CF | | ||
CF | [LINK] | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | David Whyld | ||
CF | | ||
CF | > | Jade says, "oooh. cool great" | |
Roger says, "It's fine as a Twine-before-Twine sort of game" | ||
Jacqueline | ShadowVault.net | ||
Jacqueline | This domain is for sale: $1,895 | ||
DavidW says, "yeah, very on rails. Good writing, though." | ||
Jacqueline says, "Yeah, quite good writing." | ||
DavidW says, "He deleted ShadowVault ages ago when frustrated with ADRIFT 5." | ||
Roger says, "yeah it's not really my jam but when this sort of writing is bad, it can be really terribly bad, so good job" | ||
Jacqueline says (to DW), "huh" | ||
DavidW says, "well, I may have the exact reason wrong. Something made him very upset at the time." | ||
Jacqueline nods. | ||
Jacqueline says, "Well, I think that's all we can play of these games. Sad that the Ingold game didn't load on Floyd." | ||
Jacqueline says, "Always like Jon's work." | ||
DavidW says, "BlueMaxima tried to preserve ShadowVault, but failed, I think." | ||
DavidW says, "And the Wayback machine can't help. Someone bought the url and slapped a norobots or something on it so all prior records couldn't be kept." | ||
Jacqueline says, "Oh gosh" | ||
DavidW says, "or, at least, couldn't be made public." | ||
Jacqueline says, "Huh" | ||
Jacqueline says, "I didn't know that was a thing." | ||
Roger says, "hunh" | ||
DavidW says, "I asked jscott about it at the time about getting at older copies of ShadowVault and he gave me a flat 'no'." | ||
Roger asks, "what was it? a bunch of ADRIFT stuff?" | ||
Jade asks, "there wasn't any fan that has some stuff?" | ||
DavidW says, "ShadowVault was a jewel of ADRIFT stuff. Not just Whyld's games, but others. Also reviews." | ||