ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
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ToyShop & Floyditorium
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#ClubFloyd Discussion
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*** SESSION ONE *** | |||
David says, (to ClubFloyd), "load sleepmask arborea" | |||
CF ] Vast Forest 0/1 | |||
CF | | |||
CF | | |||
CF | | |||
CF | Starting Program Arborea ... | |||
CF | | |||
CF | ... a soft female voice speaks out ... | |||
CF | | |||
CF | ... please remain calm while your environment is created. | |||
CF | | |||
CF | A few moments later, the walls of the simulation room swim before your | |||
CF | eyes and ... | |||
CF | | |||
CF | Arborea | |||
CF | A traditional parser-based adventure with an arboreal/ecological theme | |||
CF | by Richard Develyn | |||
CF | Release 12 / Serial number 220922 / Inform 7 build 6M62 (I6/v6.33 lib | |||
CF | 6/12N) | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. | |||
CF | | |||
CF | The soft female voice speaks out again: | |||
CF | | |||
CF | To finish this program, you will have to retrieve the kernel | |||
CF | (there might be a play on words here). | |||
CF | | |||
CF | If this is your first time, try asking for help. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "help" | |||
CF ] Vast Forest 0/1 | |||
CF | > | |||
CF | > HELP | |||
CF | | |||
CF | Welcome to Arborea. | |||
CF | | |||
CF | The purpose of this game is to discover a story by interacting with it | |||
CF | using the simple English language. | |||
CF | | |||
CF | This is not a full simulation, i.e. don't expect to be able to do | |||
CF | everything to everything, however, anything which is relevant to | |||
CF | advancing the story, plus anything which is close to advancing the | |||
CF | story, should be understood. | |||
CF | | |||
CF | In terms of special commands and conventions: | |||
CF | | |||
CF | help, credits, feedback, full score, save, restore, restart, | |||
CF | quit and undo are pretty self-explanatory. | |||
CF | | |||
CF | i, which is short for "inventory", will list everything that | |||
CF | you are carrying (and you start this game carrying something). | |||
CF | | |||
CF | l, which is short for "look", will redisplay the description of | |||
CF | your location (but you will need to type the full "look" with "look | |||
CF | for", "look under", etc). | |||
CF | | |||
CF | x, which is short for "examine", and which you should use a | |||
CF | lot, will tell you more information about whatever it is that you are | |||
CF | examining (and sometimes the first "examine" will list things which | |||
CF | you should subsequently "examine"). | |||
CF | | |||
CF | z, which is short for sleep, will allow a "turn" of time to | |||
CF | pass without doing anything, as sometimes things happen regardless of | |||
CF | what you do. | |||
CF | | |||
CF | The cardinal directions, n,s,e,w,ne,nw,se,sw, plus u for | |||
CF | up, d for down, in and out, are the conventional | |||
CF | ways of moving around in the world, but there are other ways you can | |||
CF | use which you will discover as you make your way through the story | |||
CF | (for example, if you are in the forest, try climb a tree). | |||
CF | | |||
CF | The main thing about a game like this is to try things out and see | |||
CF | where it takes you. Keep an eye on your score to see how well or badly | |||
CF | you are doing, and remember, if your score suddenly drops (which means | |||
CF | you've put the game in an unwinnable state, which is always flagged in | |||
CF | this way) or you die, you can always use UNDO. | |||
CF | | |||
CF | Happy Adventuring. | |||
CF | | |||
CF | Richard | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x trees" | |||
CF ] Vast Forest 0/2 | |||
CF | > | |||
CF | > X TREES | |||
CF | | |||
CF | They are many and varied, but here in the middle of the forest there's | |||
CF | nothing particularly special about any of them. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x me" | |||
CF ] Vast Forest 0/3 | |||
CF | > | |||
CF | > X ME | |||
CF | | |||
CF | You look rather ordinary. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "i" | |||
CF ] Vast Forest 0/4 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "credits" | |||
CF ] Vast Forest 0/4 | |||
CF | > | |||
CF | > CREDITS | |||
CF | | |||
CF | | |||
CF | Play Testers: Michael Russo, Vivienne Dunstan, Christopher | |||
CF | Merriner, Peter M.J. Gross. | |||
CF | | |||
CF | Cover art by [LINK] . | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x markings" | |||
CF ] Vast Forest 0/4 | |||
CF | > | |||
CF | > X MARKINGS | |||
CF | | |||
CF | Which do you mean, the acorn, the crab, the cross-legged mystic, the | |||
CF | fluff, the palm leaf, the pine cone, the tree frog or the upside-down | |||
CF | tree? | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "acorn" | |||
CF ] Vast Forest 0/5 | |||
CF | > | |||
CF | > ACORN | |||
CF | | |||
CF | Massive oak trees grow from little acorns. | |||
CF | | |||
CF | > | DavidW says, "whoops" | ||
robryk says, "yeah, i'm not sure why it matched" | |||
robryk says (to ClubFloyd), "x gourd" | |||
CF ] Vast Forest 0/6 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x frog" | |||
CF ] Vast Forest 0/7 | |||
CF | > | |||
CF | > X FROG | |||
CF | | |||
CF | The distinctive wide-eyed inhabitant of the Amazon rainforest. | |||
CF | | |||
CF | > | robryk says, "nah, that seems to be actually correct, but just slightly weirdly written" | ||
DavidW says, "Could you slow down a bit. I cannot read that fast and take any notes." | |||
robryk says, "ack, will do" | |||
DavidW says, "okay, I've made a list of the markings." | |||
Jade says, "me too" | |||
robryk says (to ClubFloyd), "x crab" | |||
CF ] Vast Forest 0/8 | |||
CF | > | |||
CF | > X CRAB | |||
CF | | |||
CF | Although this could refer to a crab-apple tree, a genuine crab which | |||
CF | likes to spend its time climbing trees can be found in the | |||
CF | mangrove swamps of the Caribbean. | |||
CF | | |||
CF | > | DavidW says, "I wonder if the markings are like elevator buttons that transform the simulation when you push them." | ||
robryk exclaims, "do try!" | |||
David says, (to ClubFloyd), "push crab" | |||
CF ] Vast Forest 0/9 | |||
CF | > | |||
CF | > PUSH CRAB | |||
CF | | |||
CF | All you need to do is to keep an eye on the picture of the crab on the | |||
CF | gourd; nothing else about it matters. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "stare at crab" | |||
CF ] Vast Forest 0/9 | |||
CF | > | |||
CF | > STARE AT CRAB | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x mystic" | |||
CF ] Vast Forest 0/10 | |||
CF | > | |||
CF | > X MYSTIC | |||
CF | | |||
CF | The most famous reference to a tree concerning mysticism is the fig | |||
CF | tree known as the bodhi tree. Legend has it that below this | |||
CF | tree Siddhartha Gautama eventually achieved enlightenment and became | |||
CF | the Buddha. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x fluff" | |||
CF ] Vast Forest 0/11 | |||
CF | > | |||
CF | > X FLUFF | |||
CF | | |||
CF | This probably refers to that strange "cotton" which clings to the side | |||
CF | of poplar or cottonwood trees typical of the southern | |||
CF | states of the USA. | |||
CF | | |||
CF | > | robryk says, "so, all of these have connections to forests that are very obvious to the character" | ||
DavidW says, "And not the insides of aspirin bottles." | |||
DavidW says, "yeah, the PC knows a lot more about forests than I do." | |||
David says, (to ClubFloyd), "roll gourd" | |||
CF ] Vast Forest 0/12 | |||
CF | > | |||
CF | > ROLL GOURD | |||
CF | | |||
CF | You get the feeling the gourd is quite important, given that you | |||
CF | started the simulation with the thing in your possession, so probably | |||
CF | best not to mess about with it too much until you know more about it. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "look at crab" | |||
CF ] Vast Forest 0/13 | |||
CF | > | |||
CF | > LOOK AT CRAB | |||
CF | | |||
CF | Although this could refer to a crab-apple tree, a genuine crab which | |||
CF | likes to spend its time climbing trees can be found in the | |||
CF | mangrove swamps of the Caribbean. | |||
CF | | |||
CF | > | DavidW asks, "So not a die, then?" | ||
robryk says (to ClubFloyd), "imagine crab" | |||
CF ] Vast Forest 0/13 | |||
CF | > | |||
CF | > IMAGINE CRAB | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x palm leaf" | |||
CF ] Vast Forest 0/14 | |||
CF | > | |||
CF | > X PALM LEAF | |||
CF | | |||
CF | Undeniably part of a palm tree, which comes in many varieties, | |||
CF | and produces many different types of fruit, the most common being | |||
CF | coconuts and dates. | |||
CF | | |||
CF | > | robryk says, "or at least we don't know it yet" | ||
David says, (to ClubFloyd), "x cone" | |||
CF ] Vast Forest 0/15 | |||
CF | > | |||
CF | > X CONE | |||
CF | | |||
CF | As produced in huge quantities by pine trees around the world, | |||
CF | and often painted by children as decorations. | |||
CF | | |||
CF | > | DavidW says, "I've never painted a pine cone. Also, the damn things are sticky." | ||
DavidW says, "The pine sap makes your fingers smell like pine for hours." | |||
David says, (to ClubFloyd), "x tree" | |||
CF ] Vast Forest 0/16 | |||
CF | > | |||
CF | > X TREE | |||
CF | | |||
CF | (one of the random trees) | |||
CF | They are many and varied, but here in the middle of the forest there's | |||
CF | nothing particularly special about any of them. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x upside-down tree" | |||
CF ] Vast Forest 0/17 | |||
CF | > | |||
CF | > X UPSIDE-DOWN TREE | |||
CF | | |||
CF | No tree grows upside-down, of course, but the baobab tree found | |||
CF | on the African continent has gained this name because its sparse | |||
CF | branches resemble roots. | |||
CF | | |||
CF | > | robryk asks, ""of course"... well, how do we know that?" | ||
DavidW says, "I think baobabs are in Madagasgar." | |||
DavidW says, "I guess Africa as well." | |||
Jade says, "yes" | |||
David says, (to ClubFloyd), "x me" | |||
CF ] Vast Forest 0/18 | |||
CF | > | |||
CF | > X ME | |||
CF | | |||
CF | You look rather ordinary. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "open gourd" | |||
CF ] Vast Forest 0/19 | |||
CF | > | |||
CF | > OPEN GOURD | |||
CF | | |||
CF | You can't see any obvious way to open it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "shake it" | |||
CF ] Vast Forest 0/20 | |||
CF | > | |||
CF | > SHAKE IT | |||
CF | | |||
CF | You hear a little rattling sound from inside. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "smell gourd" | |||
CF ] Vast Forest 0/21 | |||
CF | > | |||
CF | > SMELL GOURD | |||
CF | | |||
CF | You smell nothing unexpected. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "plant gourd" | |||
CF ] Vast Forest 0/21 | |||
CF | > | |||
CF | > PLANT GOURD | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "taste gourd" | |||
CF ] Vast Forest 0/22 | |||
CF | > | |||
CF | > TASTE GOURD | |||
CF | | |||
CF | You get the feeling the gourd is quite important, given that you | |||
CF | started the simulation with the thing in your possession, so probably | |||
CF | best not to mess about with it too much until you know more about it. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "tell me about gourd" | |||
CF ] Vast Forest 0/23 | |||
CF | > | |||
CF | > TELL ME ABOUT GOURD | |||
CF | | |||
CF | Um. Ok. | |||
CF | | |||
CF | > | DavidW says, "Game, it's the only thing here to mess with." | ||
robryk says, "eh, the kind lady won't reapper" | |||
David says, (to ClubFloyd), "climb a tree" | |||
CF ] Forest (up a tree) 0/24 | |||
CF | > | |||
CF | > CLIMB A TREE | |||
CF | | |||
CF | (one of the random trees) | |||
CF | No problem at all for a fit adventurer like yourself. | |||
CF | | |||
CF | Forest (up a tree) | |||
CF | From here, you can see the forest canopy stretching out in all | |||
CF | directions. Variations in the makeup of the forest are clearer from | |||
CF | this height - should there be any kind of tree in particular that you | |||
CF | want to look for. | |||
CF | | |||
CF | > | DavidW says, "oh." | ||
DavidW says, "We can try to look for one of the trees mentioned." | |||
David says, (to ClubFloyd), "look for palm tree" | |||
CF ] Forest (up a tree) 5/25 | |||
CF | > | |||
CF | > LOOK FOR PALM TREE | |||
CF | | |||
CF | Looking over towards the east, the forest becomes almost symmetrical | |||
CF | in its layout, and the trees more uniform - less of a forest, more of | |||
CF | a plantation. | |||
CF | | |||
CF | [Your score has just gone up by five points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for mangrove" | |||
CF ] Forest (up a tree) 5/26 | |||
CF | > | |||
CF | > LOOK FOR MANGROVE | |||
CF | | |||
CF | Over to the west, the tree line becomes strangely twisted, suggesting | |||
CF | a mangrove swamp. You can also see a river next to it emptying out | |||
CF | into the sea. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pook for pine tree" | |||
CF ] Forest (up a tree) 5/26 | |||
CF | > | |||
CF | > POOK FOR PINE TREE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for pine tree" | |||
CF ] Forest (up a tree) 5/27 | |||
CF | > | |||
CF | > LOOK FOR PINE TREE | |||
CF | | |||
CF | Far to the north the tree line rises, becomes more coniferous and a | |||
CF | pine shade of green. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for oak" | |||
CF ] Forest (up a tree) 5/28 | |||
CF | > | |||
CF | > LOOK FOR OAK | |||
CF | | |||
CF | Over to the northwest, the forest becomes more regular, like a park, | |||
CF | with oak trees and a festival taking place around them. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for baobab" | |||
CF ] Forest (up a tree) 5/29 | |||
CF | > | |||
CF | > LOOK FOR BAOBAB | |||
CF | | |||
CF | Towards the southeast, the forest thins out so much that pretty soon | |||
CF | only a few, large, strangely shaped trees can be seen dotting the | |||
CF | landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for rainforest" | |||
CF ] Forest (up a tree) 5/30 | |||
CF | > | |||
CF | > LOOK FOR RAINFOREST | |||
CF | | |||
CF | Over to the southwest, the forest becomes more tropical, like a | |||
CF | jungle, with low rain clouds hanging over the canopy. Perhaps you | |||
CF | should try that way. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for fig tree" | |||
CF ] Forest (up a tree) 5/31 | |||
CF | > | |||
CF | > LOOK FOR FIG TREE | |||
CF | | |||
CF | Mountains rise to the northeast, where the forest becomes sparse, and | |||
CF | a few fig trees dot the landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look for poplar" | |||
CF ] Forest (up a tree) 5/32 | |||
CF | > | |||
CF | > LOOK FOR POPLAR | |||
CF | | |||
CF | Far to the south, a prairie can be seen. The trees that border that | |||
CF | land are of the cottonwood variety (also known as poplars). | |||
CF | | |||
CF | > | DavidW says, "That's all eight directions and markings accounted for." | ||
robryk asks, "so, shall we walk?" | |||
DavidW says, "sure, but get off the tree first. :)" | |||
robryk says (to ClubFloyd), "down" | |||
CF ] Vast Forest 5/33 | |||
CF | > | |||
CF | > DOWN | |||
CF | | |||
CF | You climb back down. | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. Examine the trees if | |||
CF | you want a reminder of the different types of trees that you've | |||
CF | discovered and the direction in which they lie. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "north" | |||
CF ] The Pine Forests of Scandinavia 5/34 | |||
CF | > | |||
CF | > NORTH | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | Between every two pines is a doorway to a new world. | |||
CF | - John Muir | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | (Incidentally, I have highlighted the direction back to the forest in | |||
CF | the description of every area adjacent to it so as to make it easier | |||
CF | for you to navigate back - you can thank me later). | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x viking" | |||
CF ] The Pine Forests of Scandinavia 5/35 | |||
CF | > | |||
CF | > X VIKING | |||
CF | | |||
CF | The Viking is big, blond, blue-eyed, muscular, and not available (in | |||
CF | case you fancy that sort of thing). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "talk to viking" | |||
CF ] The Pine Forests of Scandinavia 5/36 | |||
CF | > | |||
CF | > TALK TO VIKING | |||
CF | | |||
CF | He looks briefly in your direction but otherwise ignores you. You get | |||
CF | the feeling that he's here to guard the door, and until he's relieved | |||
CF | of duty he's not going to be interested in anything else. | |||
CF | | |||
CF | > | DavidW asks, "So, we need a Sif costume?" | ||
robryk asks, "so, should we try to pretend to be his relief?" | |||
robryk asks, "lake or lookout?" | |||
DavidW says, "Maybe we can make a viking helmet from a coconut and horns, yeah." | |||
DavidW says, "lookout first" | |||
DavidW says, "please" | |||
robryk says (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 5/37 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | Above the pine forest clearing, this small viewpoint overlooks the | |||
CF | lake, which you can now regard below you in all of its glory. | |||
CF | | |||
CF | The lake waters are calm and peaceful, and a deep shade of blue. The | |||
CF | pine forest itself surrounds the lake on all sides, mostly all the way | |||
CF | down to the water's edge. However, there is a spot just below you | |||
CF | which is clear and which you can probably get to if you keep going | |||
CF | down, and next to it is a Viking funeral ship, floating on the water. | |||
CF | Off towards the centre of the lake is a small island shrouded in mist. | |||
CF | | |||
CF | A tall Viking, evidently an archer, stands here next to a small | |||
CF | campfire, looking out towards the lake. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x archer" | |||
CF ] Lake Viewpoint 5/38 | |||
CF | > | |||
CF | > X ARCHER | |||
CF | | |||
CF | He seems to be looking out, or perhaps waiting, for something to | |||
CF | happen towards the lake or around the funeral ship below. | |||
CF | | |||
CF | > | robryk says, "so, he's going to set fire to the ship" | ||
David says, (to ClubFloyd), "x ship" | |||
CF ] Lake Viewpoint 5/39 | |||
CF | > | |||
CF | > X SHIP | |||
CF | | |||
CF | The distant viking funeral ship is too far away to get a proper look - | |||
CF | you'll have to get closer. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x island" | robryk says, "i wonder if we could prevent that and use the ship to get to the island" | ||
CF ] Lake Viewpoint 5/40 | |||
CF | > | |||
CF | > X ISLAND | |||
CF | | |||
CF | It's (a) in the distance and (b) shrouded in mist. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x lake" | |||
CF ] Lake Viewpoint 5/41 | |||
CF | > | |||
CF | > X LAKE | |||
CF | | |||
CF | (the lake below) | |||
CF | The lake below is too far away to get a proper look - you'll have to | |||
CF | get closer. | |||
CF | | |||
CF | > | DavidW asks, "If we go 'down', won't we just return to the first Viking?" | ||
robryk asks, "so, down to the shore to see the ship?" | |||
robryk says, "i believe so" | |||
DavidW says, "Try, yes." | |||
robryk says (to ClubFloyd), "d" | |||
CF ] The Pine Forests of Scandinavia 5/42 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "d" | |||
CF ] Edge of Lake 5/43 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | > | DavidW says, "ah" | ||
robryk says (to ClubFloyd), "x ship" | |||
CF ] Edge of Lake 5/44 | |||
CF | > | |||
CF | > X SHIP | |||
CF | | |||
CF | (the Viking funeral ship) | |||
CF | Basically a Viking longship with a big stack of firewood inside on | |||
CF | which rests a body of some sort, but you'll have to climb in if you | |||
CF | want a better look. | |||
CF | | |||
CF | > | robryk asks, "do we get in and risk being immolated?" | ||
DavidW clears the save counter. | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf1" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Edge of Lake 5/44 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | DavidW says, "Try now if you want to." | ||
robryk says (to ClubFloyd), "enter ship" | |||
CF ] Funeral Ship 5/45 | |||
CF | > | |||
CF | > ENTER SHIP | |||
CF | | |||
CF | (the Viking funeral ship) | |||
CF | Funeral Ship | |||
CF | You are standing inside a Viking funeral ship, which is basically a | |||
CF | longship, such as sensible, living, Vikings might use, but stacked up | |||
CF | with a pyre of logs on which rests the body of a dead Viking | |||
CF | chieftain. You feel the ship might also have been drenched in petrol, | |||
CF | or something similar, for there's an uncomfortably "flammable" smell | |||
CF | about it. | |||
CF | | |||
CF | Outside the ship is the edge of the lake, where you arrived. You can | |||
CF | just say "launch" if you want to push the ship away towards the | |||
CF | distant island. | |||
CF | | |||
CF | Lying over the chieftain's body is a splendid battle axe. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x axe" | |||
CF ] Funeral Ship 5/46 | |||
CF | > | |||
CF | > X AXE | |||
CF | | |||
CF | It's an axe made for chopping people, though I guess you could chop | |||
CF | other things with it if the idea of chopping people doesn't appeal. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x body" | |||
CF ] Funeral Ship 5/47 | |||
CF | > | |||
CF | > X BODY | |||
CF | | |||
CF | He would be pining for the fjords if he wasn't actually in them. | |||
CF | Clearly an important fellow; otherwise Vikings would soon get fed up | |||
CF | of burning a boat every time one of them died. | |||
CF | | |||
CF | > | Jade says, "axe" | ||
robryk says (to ClubFloyd), "get axe" | |||
CF ] Funeral Ship 5/48 | |||
CF | > | |||
CF | > GET AXE | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "wield axe" | |||
CF ] Funeral Ship 5/48 | |||
CF | > | |||
CF | > WIELD AXE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "wear axe" | |||
CF ] Funeral Ship 5/49 | |||
CF | > | |||
CF | > WEAR AXE | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the battle | |||
CF | axe, but not that. | |||
CF | | |||
CF | > | DavidW says, "I think we will chop a tree or coconut with it." | ||
DavidW says, "Just keep it for now." | |||
DavidW says, "I think we want to explore another forest now." | |||
Jade says, "for sure" | |||
robryk says (to ClubFloyd), "out" | |||
CF ] Edge of Lake 5/50 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "u" | |||
CF ] The Pine Forests of Scandinavia 5/51 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "south" | |||
CF ] Vast Forest 5/52 | |||
CF | > | |||
CF | > SOUTH | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | robryk asks, "in order?" | ||
DavidW asks, "uh, or clockwise?" | |||
Jade says, "chop tree" | |||
robryk says (to ClubFloyd), "chop tree" | |||
CF ] Vast Forest 5/53 | |||
CF | > | |||
CF | > CHOP TREE | |||
CF | | |||
CF | (any of the random trees) | |||
CF | (with the axe) | |||
CF | | |||
CF | There are a lot of trees in the forest and you're not about to start a | |||
CF | logging business. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 5/54 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | Baobabs can live for over 3000 years. | |||
CF | | |||
CF | They resist drought, fire, and termites and can regrow their bark | |||
CF | if stripped. | |||
CF | | |||
CF | Legend says that if you pick a flower from a baobab tree, you will | |||
CF | be eaten by a lion, but if you drink water that has been soaked with | |||
CF | baobab seeds, you will not be eaten by crocodiles. | |||
CF | | |||
CF | Humans utilise baobabs for many purposes, including shelter, | |||
CF | ceremonies, food, medicine, fibre, juices and beer. Their massive | |||
CF | trunks (the largest circumference on record is 47 metres) have been | |||
CF | used as jails, post offices and bush pubs. | |||
CF | | |||
CF | Some of Africa's largest and oldest baobab trees appear to be | |||
CF | dying off at an alarming rate. Aged between 1,100 and 2,500 years, | |||
CF | researchers suspect climate change as the cause. | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | DavidW says, "I think we'll need to visit everywhere before we're done, so I'm not fussy which way to go right now." | ||
robryk says, "according to a standard clock :)" | |||
Jade says, "for example" | |||
robryk asks, "climb the tree?" | |||
robryk says (to ClubFloyd), "x baobab" | |||
CF ] The Vast Plains of the Serengeti 5/55 | |||
CF | > | |||
CF | > X BAOBAB | |||
CF | | |||
CF | It's huge, majestic, but broken almost into two pieces, a huge crack, | |||
CF | bigger than you, in fact, running down the middle. | |||
CF | | |||
CF | > | DavidW says, "examine it first, but sure." | ||
robryk says (to ClubFloyd), "climb it" | |||
CF ] The Vast Plains of the Serengeti 5/56 | |||
CF | > | |||
CF | > CLIMB IT | |||
CF | | |||
CF | It's not in a fit state to climb, and anyway, the vultures don't seem | |||
CF | to be too keen on welcoming visitors. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x crack" | |||
CF ] The Vast Plains of the Serengeti 5/57 | |||
CF | > | |||
CF | > X CRACK | |||
CF | | |||
CF | It's big enough to enter. | |||
CF | | |||
CF | > | DavidW asks, "Can we enter the crack?" | ||
robryk says (to ClubFloyd), "enter crack" | |||
CF ] The Vast Plains of the Serengeti 5/58 | |||
CF | > | |||
CF | > ENTER CRACK | |||
CF | | |||
CF | The baobab-crack is just part of the general landscape of the | |||
CF | simulation - no need to interact with it. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "in" | |||
CF ] Inside a Baobab Tree 6/59 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | You climb through the crack in the tree and enter a cramped chamber | |||
CF | within the tree itself. | |||
CF | | |||
CF | Inside a Baobab Tree | |||
CF | Even from the inside, it is difficult to see why the baobab cracked | |||
CF | open. This is not unusual - something's killing them off in the | |||
CF | Serengeti and nobody knows what it is. | |||
CF | | |||
CF | A long, wooden mask leans against the inside of the trunk, presumably | |||
CF | discarded here by an African tribesman. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x mask" | |||
CF ] Inside a Baobab Tree 6/60 | |||
CF | > | |||
CF | > X MASK | |||
CF | | |||
CF | It looks spiritual, which would tie in with the fact that a baobab | |||
CF | tree was often considered spiritual by the tribe-people of Africa. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "get mask" | |||
CF ] Inside a Baobab Tree 6/61 | |||
CF | > | |||
CF | > GET MASK | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | robryk asks, "wear it?" | ||
robryk asks, "or do we want to save beforehand?" | |||
DavidW says, "examine it first" | |||
Jade says, "yes" | |||
robryk says (to ClubFloyd), "x mask" | |||
CF ] Inside a Baobab Tree 6/62 | |||
CF | > | |||
CF | > X MASK | |||
CF | | |||
CF | It looks spiritual, which would tie in with the fact that a baobab | |||
CF | tree was often considered spiritual by the tribe-people of Africa. | |||
CF | | |||
CF | > | DavidW says, "oh, you did." | ||
robryk says (to ClubFloyd), "SAVE" | |||
robryk says (to ClubFloyd), "cf2" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Inside a Baobab Tree 6/62 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | DavidW says, "You were going a bit fast again." | ||
robryk says, "thanks for telling me" | |||
robryk says, "i'll try not to be, but i predict i'll forget at least once today" | |||
DavidW says, "I'm very guilty of going too fast too. It happens." | |||
robryk says (to ClubFloyd), "wear mask" | |||
CF ] Inside a Baobab Tree 6/63 | |||
CF | > | |||
CF | > WEAR MASK | |||
CF | | |||
CF | It doesn't have a back to it, so you'd have to hold it in place, and | |||
CF | that would make it very difficult for you to do much else with your | |||
CF | hands. | |||
CF | | |||
CF | > | robryk shrugs | ||
DavidW says, "hm." | |||
DavidW says, "There must be some use for it, though." | |||
DavidW says, "Perhaps it's a trade-able item, or goes on something else." | |||
DavidW says, "Hold onto it. We'll figure it out later." | |||
robryk says, "let's check the pickup out" | |||
robryk says (to ClubFloyd), "out" | |||
CF ] The Vast Plains of the Serengeti 6/64 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | Jade says, "we need a rubber band" | ||
robryk says, "or a string" | |||
DavidW says, "And lion repellant." | |||
robryk asks, "are we picking flowers?" | |||
robryk says (to ClubFloyd), "e" | |||
CF ] Plateau 6/65 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x searchlight" | |||
CF ] Plateau 6/65 | |||
CF | > | |||
CF | > X SEARCHLIGHT | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x floodlight" | |||
CF ] Plateau 6/66 | |||
CF | > | |||
CF | > X FLOODLIGHT | |||
CF | | |||
CF | It's a huge thing mounted over the truck's cabin, pointing straight | |||
CF | ahead and down over the escarpment. You can switch the light on and | |||
CF | off. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x escarpment" | |||
CF ] Plateau 6/67 | |||
CF | > | |||
CF | > X ESCARPMENT | |||
CF | | |||
CF | It's steep but climbable. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | robryk asks, "which direction is the escarpment in?" | ||
DavidW asks, "East and down?" | |||
robryk says, "let's get the light on and take a closer look" | |||
DavidW says, "I'm not clear if the light's on or off right now." | |||
DavidW says, "but yes" | |||
robryk says (to ClubFloyd), "turn light off" | |||
CF ] Plateau 6/68 | |||
CF | > | |||
CF | > TURN LIGHT OFF | |||
CF | | |||
CF | It's already switched off. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "turn light on" | |||
CF ] Plateau 6/69 | |||
CF | > | |||
CF | > TURN LIGHT ON | |||
CF | | |||
CF | You switch the floodlight on, revealing a grisly scene over the | |||
CF | escarpment where an elephant, in its majestic prime, lies motionless | |||
CF | on its side by a watering hole, doubtlessly shot dead by the two | |||
CF | poachers who are sitting on top of it, and who are looking back at you | |||
CF | and the floodlight with cold-blooded hostility. | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | > | robryk says, "uh" | ||
DavidW says, "uh oh. UNDO" | |||
robryk says (to ClubFloyd), "undo" | |||
CF ] Plateau 6/68 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Plateau | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x truck" | |||
CF ] Plateau 6/69 | |||
CF | > | |||
CF | > X TRUCK | |||
CF | | |||
CF | A rugged thing, presumably once white but now covered in mud. The back | |||
CF | of the thing and the cabin are both empty, as far as you can tell, | |||
CF | anyway, given that the cabin is locked. There's a floodlight on top of | |||
CF | the cabin which you can turn on or off. | |||
CF | | |||
CF | > | Jade says, "oops" | ||
DavidW says, "hm. We can't enter the truck, I see." | |||
robryk says (to ClubFloyd), "climb on truck" | |||
CF ] Plateau 6/70 | |||
CF | > | |||
CF | > CLIMB ON TRUCK | |||
CF | | |||
CF | Don't worry about the pickup truck, it's effectively part of the | |||
CF | landscape. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | Jade says, "try but it's closed" | ||
DavidW says, "and locked" | |||
robryk says, "so this seems to be the "second part" of this area" | |||
robryk says (to ClubFloyd), "enter truck" | |||
CF ] Plateau 6/71 | |||
CF | > | |||
CF | > ENTER TRUCK | |||
CF | | |||
CF | You can't get into the closed pickup truck. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "open truck" | |||
CF ] Plateau 6/72 | |||
CF | > | |||
CF | > OPEN TRUCK | |||
CF | | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | DavidW says, "One of the poachers probably has the key." | ||
robryk says (to ClubFloyd), "unlock truck" | |||
CF ] Plateau 6/72 | |||
CF | > | |||
CF | > UNLOCK TRUCK | |||
CF | | |||
CF | What do you want to unlock the pickup truck with? | |||
CF | | |||
CF | > | DavidW says, "I wonder if we had a jar if we could catch the fireflies." | ||
robryk asks, "so, next area? or do we try to sneak down?" | |||
Jade asks, "what poachers are?" | |||
DavidW says, "I think I'd like to go to another area first. Like, we could save and try, but I imagine we'd 'die'." | |||
robryk says, "mhm" | |||
robryk says (to ClubFloyd), "e" | |||
CF ] Plateau 6/72 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 6/73 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | DavidW says, "Or the game would stop us from doing something so foolish." | ||
robryk says (to ClubFloyd), "se" | |||
CF ] Grassland 6/74 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | Grassland | |||
CF | Where the Serengeti gets a little wetter, savannah gives way to | |||
CF | grassland, greener and in places as tall as your waist. Trees are a | |||
CF | little sparse apart from the baobab to the northwest. | |||
CF | | |||
CF | A single rhinoceros roams the grassland, moving peacefully here and | |||
CF | there. | |||
CF | | |||
CF | Several burlap sacks are scattered throughout the ground, tied closed | |||
CF | but definitely full of something. | |||
CF | | |||
CF | > | robryk says, "oh, this is a _different_ place" | ||
robryk says (to ClubFloyd), "x sacks" | |||
CF ] Grassland 6/75 | |||
CF | > | |||
CF | > X SACKS | |||
CF | | |||
CF | They don't look all that interesting, but they smell quite foul. | |||
CF | | |||
CF | The rhinoceros blunders your way - seems to spot you and stares | |||
CF | fixedly, though slightly myopically, in your direction. | |||
CF | | |||
CF | > | DavidW asks, "Since when is a rhino peaceful?" | ||
robryk asks, "it's peaceful until it isn't?" | |||
DavidW says, "fine" | |||
robryk asks, "maybe we should lead it to the poachers?" | |||
robryk says, "let's save in case there's a counter" | |||
robryk says (to ClubFloyd), "SAVE" | |||
robryk says (to ClubFloyd), "cf3" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Grassland 6/75 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | Jade says, "god mode on..." | ||
DavidW asks, "open a sack?" | |||
DavidW says, "The rhino may charge soon, though." | |||
Jade says, "try it" | |||
robryk says (to ClubFloyd), "open sack" | |||
CF ] Grassland 6/76 | |||
CF | > | |||
CF | > OPEN SACK | |||
CF | | |||
CF | You open the burlap sacks, revealing rhino dung. | |||
CF | | |||
CF | The rhinoceros charges (oh-oh). | |||
CF | | |||
CF | > | DavidW says, "run away!" | ||
robryk asks, "so, up?" | |||
robryk says (to ClubFloyd), "u" | |||
CF ] Grassland 6/76 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | grow wings and fly up into the air. | |||
CF | | |||
CF | 2000kg of rhinoceros ploughs straight into you .... and that's not | |||
CF | good. | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 6 out of a possible 100, in 76 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
robryk says (to ClubFloyd), "undo" | |||
CF ] Grassland 6/76 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Grassland | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "nw" | |||
CF ] The Vast Plains of the Serengeti 6/77 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | robryk asks, "so, we just outran the rhino?" | ||
Jade says, "it seems up and down may notbwork" | |||
DavidW asks, "Why would anyone want sacks of rhino dung?" | |||
robryk says, "yeah, that's weird." | |||
robryk asks, "maybe they _don't_ want them someplace else?" | |||
DavidW says, "I suppose the dung might repel someone or some animals." | |||
DavidW says, "Just from the smell." | |||
DavidW says, "But that's just a game reason." | |||
DavidW says, "I have heard of elephant dung coffee, though." | |||
DavidW says, "Elephants sometimes eat coffee beans and they pass out the other end and change them a bit." | |||
robryk asks, "so, do we try the foolish thing or go back?" | |||
DavidW asks, "Which foolish thing?" | |||
robryk says, "going down to the poachers" | |||
Jade says, "perhaps attracts male or female rhinos" | |||
DavidW says, "I think we need light." | |||
robryk says, "ah, we should also check if the rhino is still enraged" | |||
robryk says, "in case I've just made it unwinnable" | |||
DavidW says, "There's at least three dangers: poachers, rhino, lions. The vultures may be a problem too." | |||
robryk asks, "lions seemed to be far off, no?" | |||
DavidW says, "Not that far off." | |||
robryk says (to ClubFloyd), "se" | |||
CF ] Grassland 6/78 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | Grassland | |||
CF | Where the Serengeti gets a little wetter, savannah gives way to | |||
CF | grassland, greener and in places as tall as your waist. Trees are a | |||
CF | little sparse apart from the baobab to the northwest. | |||
CF | | |||
CF | A single rhinoceros roams the grassland, moving peacefully here and | |||
CF | there. | |||
CF | | |||
CF | Several burlap sacks are scattered throughout the ground, tied closed | |||
CF | but definitely full of something. | |||
CF | | |||
CF | The rhinoceros blunders your way - seems to spot you and stares | |||
CF | fixedly, though slightly myopically, in your direction. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "nw" | |||
CF ] The Vast Plains of the Serengeti 6/79 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | Jade says, "poarcher are ilega� hunters" | ||
robryk says, "ok, it's not charging immediately" | |||
DavidW says, "I think if we go south from the baobab we'll visit the lions." | |||
Jade; * ilegal | DavidW says, "And whatever they killed." | ||
DavidW says (to Jade), "illegal. yes." | |||
Jade says, "so they could be no dangerous..." | |||
robryk asks, "so, do we visit the lions or the other forests?" | |||
DavidW says, "Try the lions quickly then somewhere else entirely." | |||
robryk says (to ClubFloyd), "s" | |||
CF ] The Vast Plains of the Serengeti 6/80 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | You gingerly head your way towards the lions, but as soon as one of | |||
CF | them turns to look at you, you think better of it and scamper back to | |||
CF | the safety of the baobab tree (the Masai seem to manage it, maybe they | |||
CF | just do it bravely). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "nw" | |||
CF ] Vast Forest 6/81 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | DavidW says, "okay then." | ||
robryk says (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 6/82 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | Palm oil has been and continues to be a major driver of | |||
CF | deforestation of some of the world's most biodiverse forests, | |||
CF | destroying the habitat of already endangered species such as the | |||
CF | Orangutan, pygmy elephant and Sumatran rhino. | |||
CF | | |||
CF | This forest loss and the conversion of carbon-rich peat soils are | |||
CF | throwing millions of tons of greenhouse gases into the atmosphere and | |||
CF | contributing to climate change. There also remains some exploitation | |||
CF | of workers and child labour. | |||
CF | | |||
CF | These are serious issues that the whole palm oil sector needs to | |||
CF | step up to address because it doesn't have to be this way. | |||
CF | - WWF | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | A toy monkey lies discarded among the processing tables. The people | |||
CF | who run these sort of places are not averse to using child labour. | |||
CF | | |||
CF | > | Jade says, "get toy" | ||
robryk says (to ClubFloyd), "x toy" | |||
CF ] The Palm Tree Plantations of Indonesia 6/83 | |||
CF | > | |||
CF | > X TOY | |||
CF | | |||
CF | A small fluffy monkey carrying a pair of cymbals with a pull string on | |||
CF | the back. A label on its leg says "Made in Bangladesh". | |||
CF | | |||
CF | > | Jade says, "noise maker" | ||
robryk says, "or a bomb" | |||
robryk says, "but yes, likely a distraction" | |||
DavidW says, "We probably want it." | |||
robryk says (to ClubFloyd), "get toy" | |||
CF ] The Palm Tree Plantations of Indonesia 6/84 | |||
CF | > | |||
CF | > GET TOY | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take kernel" | |||
CF ] The Palm Tree Plantations of Indonesia 6/85 | |||
CF | > | |||
CF | > TAKE KERNEL | |||
CF | | |||
CF | These aren't the kernels you're looking for. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull string" | |||
CF ] The Palm Tree Plantations of Indonesia 6/86 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "z" | |||
CF ] The Palm Tree Plantations of Indonesia 6/87 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x tables" | |||
CF ] The Palm Tree Plantations of Indonesia 6/88 | |||
CF | > | |||
CF | > X TABLES | |||
CF | | |||
CF | It all looks pretty basic. The people who run these sorts of places | |||
CF | don't believe in comfort. | |||
CF | | |||
CF | > | robryk says, "hmm, doesn't work long" | ||
DavidW asks, "East or west from here?" | |||
David says, (to ClubFloyd), "x trees" | |||
CF ] The Palm Tree Plantations of Indonesia 6/89 | |||
CF | > | |||
CF | > X TREES | |||
CF | | |||
CF | There are miles upon miles of palm trees growing in neat, and totally | |||
CF | unnatural, rows upon rows upon rows. | |||
CF | | |||
CF | > | robryk says, "west is back" | ||
Jade says, "exploration mode: ON" | |||
robryk says (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 6/90 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | That would take far too long, by foot, and you'd probably die of | |||
CF | boredom. | |||
CF | | |||
CF | > | DavidW says, "ah. So try east then." | ||
robryk asks, "so, we need the truck?" | |||
DavidW says, "I doubt that." | |||
David says, (to ClubFloyd), "x baskets" | |||
CF ] The Palm Tree Plantations of Indonesia 6/91 | |||
CF | > | |||
CF | > X BASKETS | |||
CF | | |||
CF | Used for gathering palm kernels, you suppose. There's piles and piles | |||
CF | of them. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take basket" | |||
CF ] The Palm Tree Plantations of Indonesia 6/92 | |||
CF | > | |||
CF | > TAKE BASKET | |||
CF | | |||
CF | The wicker baskets don't belong to you. Messing about with them is | |||
CF | likely to upset someone. | |||
CF | | |||
CF | > | Jade says, "some vehicle..." | ||
robryk says (to ClubFloyd), "x track" | |||
CF ] The Palm Tree Plantations of Indonesia 6/93 | |||
CF | > | |||
CF | > X TRACK | |||
CF | | |||
CF | It's wide and long, not really made for Shanks's pony, but maybe for | |||
CF | another sort of pony? | |||
CF | | |||
CF | > | DavidW asks, "Who is Shanks?" | ||
robryk says, "a random dictionary claims "used to refer to one's own legs and the action of walking as a means of conveyance." for Shank's pony" | DavidW asks, "Seems we need a pony? Or mule?" | ||
Jade says, "a sort of poney" | |||
DavidW says, "huh. Never heard that idiom before." | |||
robryk says, "neither did I" | DavidW says, "channel please" | ||
robryk says, "well, I don't see anything more we could do here" | |||
robryk says, "will do" | |||
DavidW says, "yeah, try somewhere else please" | |||
robryk says (to ClubFloyd), "w" | |||
CF ] Vast Forest 6/94 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 6/95 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | And this our life, exempt from public haunt, | |||
CF | Find tongues in trees, books in the running brooks, | |||
CF | Sermons in stones, and good in everything | |||
CF | - William Shakespeare | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | Two quite different-looking horses are grazing nearby. One, a large | |||
CF | stallion, chestnut, tall and muscular, looks at you levelly, while a | |||
CF | smaller filly, white and beautifully groomed, pointedly ignores you | |||
CF | while she carries on eating. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x caravan" | |||
CF ] The Green Hills of England 6/96 | |||
CF | > | |||
CF | > X CARAVAN | |||
CF | | |||
CF | They're the standard wooden cylindrical affairs, typical of the | |||
CF | Romanies of eastern Europe rather than the canvas types that you | |||
CF | associate with the Wild West. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x oak" | |||
CF ] The Green Hills of England 6/97 | |||
CF | > | |||
CF | > X OAK | |||
CF | | |||
CF | It's just part of the landscape. | |||
CF | | |||
CF | You see the stallion move around the oak tree and gaze down at the | |||
CF | festival. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x stallion" | |||
CF ] The Green Hills of England 6/98 | |||
CF | > | |||
CF | > X STALLION | |||
CF | | |||
CF | He's tall, elegant, chestnut (though he would have preferred black) | |||
CF | and impressively muscled. | |||
CF | | |||
CF | You see the stallion snorting its head as if to shake away a fly. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x filly" | |||
CF ] The Green Hills of England 6/99 | |||
CF | > | |||
CF | > X FILLY | |||
CF | | |||
CF | She's cute, little, white (though she would have preferred pink) and | |||
CF | immaculately groomed. | |||
CF | | |||
CF | > | robryk asks, "where are the travellers though?" | ||
robryk says (to ClubFloyd), "l in caravan" | |||
CF ] The Green Hills of England 6/100 | |||
CF | > | |||
CF | > L IN CARAVAN | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | > | Jade says, "score" | ||
DavidW says, "We have 6 points" | |||
Jade asks, "6 / ?" | |||
David says, (to ClubFloyd), "enter caravan" | |||
CF ] The Green Hills of England 6/101 | |||
CF | > | |||
CF | > ENTER CARAVAN | |||
CF | | |||
CF | The owners are all down in the festival, presumably selling their | |||
CF | wares. I don't think it would be very nice burgling their homes while | |||
CF | they're away. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "6 of 100, I think." | |||
CF ] The Green Hills of England 6/101 | |||
CF | > | |||
CF | > 6 OF 100, I THINK. | |||
CF | | |||
CF | You seem to want to talk to someone, but I can't see whom. | |||
CF | | |||
CF | > | Jade says, "no, that is turns" | ||
David says, (to ClubFloyd), "climb oak" | |||
CF ] The Green Hills of England 6/102 | |||
CF | > | |||
CF | > CLIMB OAK | |||
CF | | |||
CF | You climb up, have a look around, get a better view of the festivities | |||
CF | below, and then climb back down again. | |||
CF | | |||
CF | > | robryk asks, "north?" | ||
DavidW says, "oh, so it is." | |||
David says, (to ClubFloyd), "score" | |||
CF ] The Green Hills of England 6/102 | |||
CF | > | |||
CF | > SCORE | |||
CF | | |||
CF | You have so far scored 6 out of a possible 100, in 102 turns. | |||
CF | | |||
CF | > | Jade exclaims, "100!" | ||
robryk says (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 6/103 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 1. Full performance tonight.". | |||
CF | | |||
CF | > | DavidW says, "Hope we can steal a wig." | ||
DavidW says, "Any actor playing a woman will need a wig." | |||
David says, (to ClubFloyd), "x stage" | |||
CF ] Elizabethan Festival (south) 6/104 | |||
CF | > | |||
CF | > X STAGE | |||
CF | | |||
CF | It's a raised wooden stage surrounded by painted backdrops. You can go | |||
CF | round the other side of it if you want (just go in its direction). | |||
CF | | |||
CF | Falstaff is on stage with a "young lady", being very flirtatious. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x lady" | |||
CF ] Elizabethan Festival (south) 6/105 | |||
CF | > | |||
CF | > X LADY | |||
CF | | |||
CF | Well, you recognise Falstaff, plus a number of others, all male though | |||
CF | some dressed up quite convincingly as women, playing various colourful | |||
CF | roles. | |||
CF | | |||
CF | A second "young lady" arrives from backstage and informs the first | |||
CF | young lady that her husband is on his way. Falstaff hides by leaping | |||
CF | into a laundry basket just as she arrives. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x basket" | |||
CF ] Elizabethan Festival (south) 6/106 | |||
CF | > | |||
CF | > X BASKET | |||
CF | | |||
CF | The laundry basket is a big wicker thing with a lid. Currently, the | |||
CF | laundry basket is closed. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "open basket" | |||
CF ] Elizabethan Festival (south) 6/107 | |||
CF | > | |||
CF | > OPEN BASKET | |||
CF | | |||
CF | The laundry basket is an important part of the performance. You're not | |||
CF | an important part of the performance. Leave it alone. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, fantastic prices, today | |||
CF | only!" | |||
CF | | |||
CF | > | DavidW says, "We should visit backstage and also north of here." | ||
robryk asks, "backstage?" | |||
robryk says (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (east) 6/108 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the stage) | |||
CF | | |||
CF | Elizabethan Festival (east) | |||
CF | The Elizabethan festival continues behind the theatre, which is now to | |||
CF | the west (going west will take you front of stage). | |||
CF | | |||
CF | Several actors are backstage, waiting for their cue. | |||
CF | | |||
CF | Some actors come backstage, others go to the front. Falstaff stays | |||
CF | where he is on stage - clearly the most important character in the | |||
CF | play. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, piping hot!" | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x vendor" | |||
CF ] Elizabethan Festival (east) 6/109 | |||
CF | > | |||
CF | > X VENDOR | |||
CF | | |||
CF | They're busy selling pies and the like (pretty much only pies, | |||
CF | actually - Elizabethan England runs on a pie-based economy). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x actors" | |||
CF ] Elizabethan Festival (east) 6/110 | |||
CF | > | |||
CF | > X ACTORS | |||
CF | | |||
CF | They're quietly discussing what they're due to do next in the play. | |||
CF | | |||
CF | > | DavidW says, "hm" | ||
robryk says (to ClubFloyd), "talk to actors" | |||
CF ] Elizabethan Festival (east) 6/111 | |||
CF | > | |||
CF | > TALK TO ACTORS | |||
CF | | |||
CF | The actors in the play wouldn't appreciate you interfering with their | |||
CF | performance. | |||
CF | | |||
CF | A number of the actors, including Falstaff, come backstage; Falstaff | |||
CF | undresses from his normal costume and puts on the costume of an old | |||
CF | woman. Then all the actors go back on stage for the next scene. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, vegan option available!" | |||
CF | | |||
CF | > | robryk asks, "we could steal falstaff's costume now? but why would we want to?" | ||
robryk asks, "should we?" | |||
DavidW says, "It's not clear that the costume is available." | |||
David says, (to ClubFloyd), "x costume" | |||
CF ] Elizabethan Festival (east) 6/112 | |||
CF | > | |||
CF | > X COSTUME | |||
CF | | |||
CF | It's a sort of foppish affair, made for someone who clearly loves his | |||
CF | ale, though it can be worn by anyone of a smaller size as "baggy" is | |||
CF | always in. | |||
CF | | |||
CF | > | DavidW says, "hm. Looks like we could steal it." | ||
DavidW says, "No idea why we'd want it, though." | |||
DavidW says, "And surely the other actors would notice." | |||
robryk says, "but they're all onstage now" | |||
DavidW asks, "all of them?" | |||
David says, (to ClubFloyd), "take costume" | |||
CF ] Elizabethan Festival (east) 7/113 | |||
CF | > | |||
CF | > TAKE COSTUME | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | DavidW says, "ok then" | ||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (south) 7/114 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the stage) | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 4. Full performance tonight.". | |||
CF | | |||
CF | Falstaff is chased off stage followed by all the other actors. A | |||
CF | moment later the two ladies come back on with their respective | |||
CF | husbands. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "buy meat pie" | |||
CF ] Elizabethan Festival (south) 7/115 | |||
CF | > | |||
CF | > BUY MEAT PIE | |||
CF | | |||
CF | You've no cash or anything to barter with. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 7/116 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). An impressive regal | |||
CF | figure that can only be Queen Elizabeth I of England stands in front | |||
CF | of the tent surrounded, at a respectful distance, by her ladies in | |||
CF | waiting. A very well-dressed pirate whom you recognise from portraits | |||
CF | as Sir Francis Drake stands a few paces away from the queen. The two | |||
CF | of them seem to be in a heated discussion: she is telling him that he | |||
CF | should be sorting out a Spanish invasion fleet which is apparently on | |||
CF | its way over, but he's more interested in showing her his potato. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | > | robryk says, "huh, how is falstaff onstage? we have the falstaff costume" | ||
DavidW says, "They'll manage somehow." | |||
robryk says, "we just saw falstaff two moves after we stole the costume" | |||
DavidW says, "I once saw a Shakepeare scene where the actors wore big name tags on neck strings as their 'costumes'." | |||
robryk says, "that must be an important potato" | |||
David says, (to ClubFloyd), "x potato" | |||
CF ] Elizabethan Festival (north) 7/117 | |||
CF | > | |||
CF | > X POTATO | |||
CF | | |||
CF | It's a potato, but before they were specially bred to be bigger and | |||
CF | tastier. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x queen" | |||
CF ] Elizabethan Festival (north) 7/118 | |||
CF | > | |||
CF | > X QUEEN | |||
CF | | |||
CF | (Queen Elizabeth I) | |||
CF | Dressed in all her regal clothing, Queen Elizabeth I looks like a | |||
CF | pasty-faced, pink-wigged, middle-aged woman whose lower part is | |||
CF | encased in an ornate and bejewelled tent. Despite her somewhat | |||
CF | ridiculous appearance, there is no doubt this woman has power given | |||
CF | the way everyone around her behaves. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, every one must go!" | |||
CF | | |||
CF | The Queen finally tires of trying to persuade Drake that the Spanish | |||
CF | Armada is more important than his stupid vegetable and storms away | |||
CF | into the pavilion. The queen's ladies-in-waiting follow her, many of | |||
CF | them barely suppressing a giggle. Drake watches them all go with a | |||
CF | "but ... but ... but" still on his lips. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x drake" | |||
CF ] Elizabethan Festival (north) 7/119 | |||
CF | > | |||
CF | > X DRAKE | |||
CF | | |||
CF | Unmistakeable in his dapper little moustache and a goatee beard, | |||
CF | Francis Drake is dressed in clothing which, though fine, fits around | |||
CF | him tightly enough so that he can fight at a moment's notice. A | |||
CF | notorious privateer, pirate, slave trader and explorer, he clearly | |||
CF | commands the respect of his queen. However, she seems to be a little | |||
CF | bit exasperated with him right now. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask Drake about potato" | |||
CF ] Elizabethan Festival (north) 7/120 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT POTATO | |||
CF | | |||
CF | "I'm sorry to say that Her Majesty completely fails to appreciate the | |||
CF | importance of this humble vegetable. Tobacco is even more important." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask drake about tobacco" | |||
CF ] Elizabethan Festival (north) 7/121 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT TOBACCO | |||
CF | | |||
CF | "I'm sorry to say that Her Majesty completely fails to appreciate the | |||
CF | importance of this humble vegetable. Tobacco is even more important." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask drake about queen" | |||
CF ] Elizabethan Festival (north) 7/122 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT QUEEN | |||
CF | | |||
CF | "Her Majesty's a pretty nice girl, and she has an awful lot to say." | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one free!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask drake about spanish armada" | |||
CF ] Elizabethan Festival (north) 7/123 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT SPANISH ARMADA | |||
CF | | |||
CF | "We'll run circles around them." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x yeoman" | |||
CF ] Elizabethan Festival (north) 7/124 | |||
CF | > | |||
CF | > X YEOMAN | |||
CF | | |||
CF | (the yeoman of the guard) | |||
CF | Resplendent in their red and blue uniform, these guards form the | |||
CF | queen's personal bodyguard. She must have placed this particular one | |||
CF | here to make sure nobody undesirable enters the jousting arena, | |||
CF | perhaps because she intends to go in there herself later today. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x tent" | |||
CF ] Elizabethan Festival (north) 7/124 | |||
CF | > | |||
CF | > X TENT | |||
CF | | |||
CF | Which do you mean, the royal pavilion or the brightly coloured | |||
CF | pavilion tents? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "royal" | |||
CF ] Elizabethan Festival (north) 7/125 | |||
CF | > | |||
CF | > ROYAL | |||
CF | | |||
CF | It's really just like a big version of the smaller pavilion tents | |||
CF | around the festival, except it's not so bright coloured and with | |||
CF | canopies to the front and rear. You can go round the other side of it | |||
CF | if you want (just go in its direction). | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, every one must go!" | |||
CF | | |||
CF | > | DavidW asks, "visit the back of the royal tent?" | ||
robryk says (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 7/126 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (west) | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the east (going | |||
CF | east will take you round to the front of it). A canopy extends out | |||
CF | from the tent at its rear providing shade for anyone who wishes to | |||
CF | lounge outside. | |||
CF | | |||
CF | No one is present right now, but you're pretty sure there'll be guards | |||
CF | just inside the tent in case you're thinking about barging your way | |||
CF | in. | |||
CF | | |||
CF | > | DavidW says, "I have no idea what to do here. Entering seems unmotivated and foolhardy." | ||
David says, (to ClubFloyd), "x canopy" | |||
CF ] Elizabethan Festival (west) 7/127 | |||
CF | > | |||
CF | > X CANOPY | |||
CF | | |||
CF | It's really just like a big version of the smaller pavilion tents | |||
CF | around the festival, except it's not so bright coloured and with | |||
CF | canopies to the front and rear. You can go round the other side of it | |||
CF | if you want (just go in its direction). | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, special offer today!" | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf4" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Elizabethan Festival (west) 7/127 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter tent" | |||
CF ] Elizabethan Festival (west) 7/127 | |||
CF | > | |||
CF | > ENTER TENT | |||
CF | | |||
CF | Which do you mean, the royal pavilion or the brightly coloured | |||
CF | pavilion tents? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "royal" | |||
CF ] Elizabethan Festival (west) 7/128 | |||
CF | > | |||
CF | > ROYAL | |||
CF | | |||
CF | There are guards just inside, barring your way (not all that politely, | |||
CF | it has to be said). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "listen to royal tent" | |||
CF ] Elizabethan Festival (west) 7/129 | |||
CF | > | |||
CF | > LISTEN TO ROYAL TENT | |||
CF | | |||
CF | Although you can still hear people milling around, it's quieter back | |||
CF | here. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "wear costume" | |||
CF ] Elizabethan Festival (west) 7/130 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You put on the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, vegan option available!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull string" | |||
CF ] Elizabethan Festival (west) 7/131 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, special offer today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter royal" | |||
CF ] Elizabethan Festival (west) 7/132 | |||
CF | > | |||
CF | > ENTER ROYAL | |||
CF | | |||
CF | (the royal pavilion) | |||
CF | There are guards just inside, barring your way (not all that politely, | |||
CF | it has to be said). | |||
CF | | |||
CF | > | DavidW says, "Costume doesn't help here." | ||
DavidW says, "I think we should explore elsewhere." | |||
David says, (to ClubFloyd), "x acorn" | |||
CF ] Elizabethan Festival (west) 7/133 | |||
CF | > | |||
CF | > X ACORN | |||
CF | | |||
CF | Massive oak trees grow from little acorns. | |||
CF | | |||
CF | > | |||
(Current channel set to #if/clubfloyd) | |||
robryk says (to ClubFloyd), "remove costume" | |||
CF ] Elizabethan Festival (west) 7/134 | |||
CF | > | |||
CF | > REMOVE COSTUME | |||
CF | | |||
CF | You take off the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (north) 7/135 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). Francis Drake stands in | |||
CF | front of the tent on his own, rubbing his bearded chin and gazing | |||
CF | thoughtfully at his potato. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, every one must go!" | |||
CF | | |||
CF | > | robryk asks, "arena?" | ||
DavidW says, "The yeoman's in the way." | |||
robryk says (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 7/136 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | The Yeoman bars your way; from what you've seen of other members of | |||
CF | the gentry going through you think you might need an invitation from | |||
CF | the queen herself to proceed (but he wasn't just going to tell you | |||
CF | that, was he?!). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask pirate for invitation" | |||
CF ] Elizabethan Festival (north) 7/136 | |||
CF | > | |||
CF | > ASK PIRATE FOR INVITATION | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | robryk says, "ah, he's inside now" | ||
robryk says (to ClubFloyd), "z" | |||
CF ] Elizabethan Festival (north) 7/137 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "z" | |||
CF ] Elizabethan Festival (north) 7/138 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | DavidW says, "I think we should go elsewhere." | ||
robryk says (to ClubFloyd), "x drake" | |||
CF ] Elizabethan Festival (north) 7/139 | |||
CF | > | |||
CF | > X DRAKE | |||
CF | | |||
CF | Unmistakeable in his dapper little moustache and a goatee beard, | |||
CF | Francis Drake is dressed in clothing which, though fine, fits around | |||
CF | him tightly enough so that he can fight at a moment's notice. A | |||
CF | notorious privateer, pirate, slave trader and explorer, he clearly | |||
CF | commands the respect of his queen. However, she seems to be a little | |||
CF | bit exasperated with him right now. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask drake for invitation" | |||
CF ] Elizabethan Festival (north) 7/139 | |||
CF | > | |||
CF | > ASK DRAKE FOR INVITATION | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "about, not for." | ||
robryk says (to ClubFloyd), "ask drake about invitation" | |||
CF ] Elizabethan Festival (north) 7/140 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT INVITATION | |||
CF | | |||
CF | You need to have it in your possession in order to be able to talk | |||
CF | about it. | |||
CF | | |||
CF | > | robryk asks, "don't people usually implement for?" | ||
DavidW says, "It's not standard." | |||
DavidW says, "Sometimes 'for' works." | |||
DavidW says, "But Drake is unlikely to have it anyway." | |||
robryk says, "but he's on speaking terms with the queen" | |||
DavidW says, "He is" | |||
DavidW says, "It was worth trying, but I wasn't expecting that to work." | |||
DavidW says, "It's more likely that there's a stack of invites in the tent." | |||
robryk says, "mhm, so what we haven't tried here is riding the horses" | |||
DavidW says, "And we sneak in there when the queen and her guard isn't in there." | |||
DavidW says, "The stallion will likely kill us, but sure." | |||
robryk says, "i wonder if we can take one of them to that plantation" | |||
robryk says, "ok, let's try then" | |||
robryk says (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (south) 7/141 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 5. Full performance tonight.". | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one half price!" | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 7/142 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | Two quite different-looking horses are grazing nearby. One, a large | |||
CF | stallion, chestnut, tall and muscular, looks at you levelly, while a | |||
CF | smaller filly, white and beautifully groomed, pointedly ignores you | |||
CF | while she carries on eating. | |||
CF | | |||
CF | You see the filly move around the oak tree and gaze down at the | |||
CF | festival. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "mount stallion" | |||
CF ] The Green Hills of England 7/143 | |||
CF | > | |||
CF | > MOUNT STALLION | |||
CF | | |||
CF | He respectfully moves away from you - you're going to have to make | |||
CF | friends with him first. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "mount filly" | |||
CF ] The Green Hills of England 7/144 | |||
CF | > | |||
CF | > MOUNT FILLY | |||
CF | | |||
CF | She respectfully moves away from you. | |||
CF | | |||
CF | You see the stallion snorting its head as if to shake away a fly. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x fly" | |||
CF ] The Green Hills of England 7/144 | |||
CF | > | |||
CF | > X FLY | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "I suspect the filly is more agreeable, but we'll need an apple or sugar or something." | ||
robryk says (to ClubFloyd), "x stallion" | |||
CF ] The Green Hills of England 7/145 | |||
CF | > | |||
CF | > X STALLION | |||
CF | | |||
CF | He's tall, elegant, chestnut (though he would have preferred black) | |||
CF | and impressively muscled. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "i" | |||
CF ] The Green Hills of England 7/146 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a toy monkey | |||
CF | a wooden African mask | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "pull string" | |||
CF ] The Green Hills of England 7/147 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride filly" | |||
CF ] The Green Hills of England 7/148 | |||
CF | > | |||
CF | > RIDE FILLY | |||
CF | | |||
CF | She respectfully moves away from you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pet filly" | |||
CF ] The Green Hills of England 7/149 | |||
CF | > | |||
CF | > PET FILLY | |||
CF | | |||
CF | How very "girly" of you; however, horses, even in Elizabethan times, | |||
CF | were not that easily won over (you could try a sugar cube, I suppose). | |||
CF | | |||
CF | You see the filly move around the oak tree and gaze down at the | |||
CF | festival. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "lead filly north" | |||
CF ] The Green Hills of England 7/149 | |||
CF | > | |||
CF | > LEAD FILLY NORTH | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | DavidW says, "right. They want sugar." | ||
robryk says, "was one of the locations supposed to be a sugar plantation? (one of the not-visited-yet ones)" | |||
DavidW says, "Not that I saw, no" | |||
robryk says (to ClubFloyd), "x gourd" | |||
CF ] The Green Hills of England 7/150 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | You see the stallion chew lazily at some grass near the caravans. | |||
CF | | |||
CF | > | DavidW says, "I expect we'll fine them at a cafe or something like that." | ||
DavidW says, "er find them" | |||
robryk asks, "so, next location?" | |||
DavidW says, "yes please" | |||
robryk says (to ClubFloyd), "l" | |||
CF ] The Green Hills of England 7/151 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | Two quite different-looking horses are grazing nearby. One, a large | |||
CF | stallion, chestnut, tall and muscular, looks at you levelly, while a | |||
CF | smaller filly, white and beautifully groomed, pointedly ignores you | |||
CF | while she carries on eating. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "se" | |||
CF ] Vast Forest 7/152 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "s" | |||
CF ] The Tallgrass Prairies of Missouri 7/153 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | Southern trees bear strange fruit. | |||
CF | - Abel Meeropol | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A noose hangs disturbingly from the poplar. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x noose" | |||
CF ] The Tallgrass Prairies of Missouri 7/154 | |||
CF | > | |||
CF | > X NOOSE | |||
CF | | |||
CF | You have an uneasy feeling about what this might be here for. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x poplar" | |||
CF ] The Tallgrass Prairies of Missouri 7/155 | |||
CF | > | |||
CF | > X POPLAR | |||
CF | | |||
CF | It's of a type known as a "tulip" poplar tree, with a long smooth | |||
CF | trunk which rises about ten feet before opening up into foliage. | |||
CF | | |||
CF | > | robryk asks, "check out the fire?" | ||
robryk says (to ClubFloyd), "x fire" | |||
CF ] The Tallgrass Prairies of Missouri 7/155 | |||
CF | > | |||
CF | > X FIRE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "I think we're near a lynching." | ||
robryk says, "probably before one" | |||
robryk says (to ClubFloyd), "take noose" | |||
CF ] The Tallgrass Prairies of Missouri 7/156 | |||
CF | > | |||
CF | > TAKE NOOSE | |||
CF | | |||
CF | You can't reach the knot from here. | |||
CF | | |||
CF | > | robryk asks, "so, maybe sabotage it?" | ||
DavidW says, "climb the tree" | |||
robryk says (to ClubFloyd), "climb poplar" | |||
CF ] The Tallgrass Prairies of Missouri 7/157 | |||
CF | > | |||
CF | > CLIMB POPLAR | |||
CF | | |||
CF | The trunk of the poplar tree itself is too smooth, and the | |||
CF | lowest branches are too high up. | |||
CF | | |||
CF | > | DavidW says, "so we need a ladder" | ||
robryk says, "mhm" | |||
robryk asks, "next?" | |||
DavidW asks, "hm. I guess?" | |||
robryk says (to ClubFloyd), "n" | |||
CF ] Vast Forest 7/158 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "sw" | |||
CF ] The Amazon Basin 7/159 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | An area the size of a football field is destroyed from the | |||
CF | rainforest every second. That's about 2000 trees per minute. | |||
CF | | |||
CF | 1 in 4 ingredients for our medicines come from rainforest plants. | |||
CF | We are probably not being very clever about this. | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | > | DavidW says, "Cute how it's night time in one location and daytime in another. Also different time periods of history." | ||
robryk nods | |||
robryk says (to ClubFloyd), "x bulldozer" | |||
CF ] The Amazon Basin 7/160 | |||
CF | > | |||
CF | > X BULLDOZER | |||
CF | | |||
CF | Almost obscene in its size, this machine has clearly been constructed | |||
CF | to tear down the amazon rainforest. Even the wheels of the bulldozer | |||
CF | are taller than you are (which, I suppose, allows people to easily | |||
CF | maintain it from underneath). Somewhere way at the top of it, the | |||
CF | driver sits in isolation, though he must be having his lunch or | |||
CF | something as the bulldozer doesn't seem to be going anywhere (even | |||
CF | though you can still hear the engine running). | |||
CF | | |||
CF | > | robryk asks, "crater or dozer first?" | ||
DavidW asks, "can we go under it?" | |||
robryk says (to ClubFloyd), "go under dozer" | |||
CF ] The Amazon Basin 7/160 | |||
CF | > | |||
CF | > GO UNDER DOZER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "go under bulldozer" | |||
CF ] Beneath the Bulldozer 7/161 | |||
CF | > | |||
CF | > GO UNDER BULLDOZER | |||
CF | | |||
CF | Beneath the Bulldozer | |||
CF | You stand beneath a huge metal monstrosity designed to rip apart | |||
CF | jungles, hoping the driver is not about to start it up again. From | |||
CF | this vantage point, you can see all the cables that hang underneath | |||
CF | it, and though some of them hum with power, you have no real idea what | |||
CF | they're for. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "unplug cables" | |||
CF ] Beneath the Bulldozer 7/161 | |||
CF | > | |||
CF | > UNPLUG CABLES | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | robryk says, "ah, maybe this is why we have the axe" | ||
robryk says (to ClubFloyd), "SAVE" | |||
robryk says (to ClubFloyd), "cf5" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Beneath the Bulldozer 7/161 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | DavidW says, "yeah. cut them." | ||
robryk says (to ClubFloyd), "cut cables with axe" | |||
CF ] Beneath the Bulldozer 7/161 | |||
CF | > | |||
CF | > CUT CABLES WITH AXE | |||
CF | | |||
CF | The axe is effective at cutting the cables. The high voltage passing | |||
CF | through the cables is equally effective at cutting short your life! | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 7 out of a possible 100, in 161 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
robryk says (to ClubFloyd), "undo" | |||
CF ] Beneath the Bulldozer 7/161 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Beneath the Bulldozer | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | DavidW asks, "So we need gloves to insulate ourself, maybe?" | ||
robryk says, "maybe? realistically we'd either be fine with a wooden-handled dry axe, or would need flash protection gear." | |||
DavidW says, "Still, that almost worked." | |||
robryk says, "let's try the crater then" | |||
DavidW says, "yeah, the wooden handle should've been enough." | |||
robryk says (to ClubFloyd), "down" | |||
CF ] Beneath the Bulldozer 7/162 | |||
CF | > | |||
CF | > DOWN | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | burrow into the ground. | |||
CF | | |||
CF | > | DavidW says, "okay" | ||
Jade goes home. | |||
DavidW asks, "west?" | |||
robryk says (to ClubFloyd), "out" | |||
CF ] The Amazon Basin 7/163 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "down" | |||
CF ] The Amazon Basin 7/163 | |||
CF | > | |||
CF | > DOWN | |||
CF | | |||
CF | Unfortunately, the driver of the bulldozer chooses this particular | |||
CF | moment to kick his machine into gear and trundles down into the | |||
CF | rainforest to bulldoze some more trees. Doubly unfortunately, he | |||
CF | doesn't notice you in his path as he rolls the bulldozer over you. | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 7 out of a possible 100, in 163 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
robryk says (to ClubFloyd), "undo" | |||
CF ] The Amazon Basin 7/163 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | The Amazon Basin | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "z" | |||
CF ] The Amazon Basin 7/164 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | robryk says, "so, we _need_ to stop it first" | ||
DavidW says, "looks like it." | |||
robryk asks, "next then? or do you have insulation ideas?" | |||
robryk says, "btw. we might have not been fine if cutting the cables created enough of an arc (well, at least we might have been blinded by the UV)" | |||
DavidW says, "It's almost always gloves." | |||
robryk says, "but then gloves wouldn't be enough" | |||
robryk says (to ClubFloyd), "se" | |||
CF ] The Amazon Basin 7/165 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | The rainforest is vast and full of bio-diversity, quite a lot of which | |||
CF | would most likely eat you, sting you or otherwise disease you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ne" | |||
CF ] Vast Forest 7/166 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 7/167 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | Mangroves are rich in steroids, triterpenes, saponins, tannins, | |||
CF | alkaloids and flavonoids. They are widely used as medicines and | |||
CF | pesticides to this day. | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | DavidW says, "Unless you think Falstaff's costume is insulation." | ||
robryk laughs | |||
robryk says (to ClubFloyd), "listen" | |||
CF ] An Island in the Caribbean 7/168 | |||
CF | > | |||
CF | > LISTEN | |||
CF | | |||
CF | You hear the sounds of the sea coming from the west, mixed in with the | |||
CF | sounds of insects from all around you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x pots" | |||
CF ] An Island in the Caribbean 7/169 | |||
CF | > | |||
CF | > X POTS | |||
CF | | |||
CF | It's interesting to see the mixture of life and death around the hut, | |||
CF | almost as if the owner believes that both are equally important. | |||
CF | | |||
CF | > | robryk asks, "inside?" | ||
DavidW asks, "I guess?" | |||
robryk says (to ClubFloyd), "enter hut" | |||
CF ] Medicine Hut 7/170 | |||
CF | > | |||
CF | > ENTER HUT | |||
CF | | |||
CF | Medicine Hut | |||
CF | This wooden hut is clearly the abode of someone who likes to "do | |||
CF | things" with plants. All around is the same collection of | |||
CF | paraphernalia you saw outside but in greater number and variety | |||
CF | (though it may just seem that way because of the cramped conditions | |||
CF | inside). | |||
CF | | |||
CF | A few sinister-looking potions stand on a trestle table to your left. | |||
CF | | |||
CF | A large black woman sits in a huge wicker chair near the back wall of | |||
CF | the hut, looking at you in a suspicious manner. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x woman" | |||
CF ] Medicine Hut 7/171 | |||
CF | > | |||
CF | > X WOMAN | |||
CF | | |||
CF | She seems strangely at her ease. You have to applaud the woman, given | |||
CF | that she must have arrived here as an African slave, and must have an | |||
CF | incredible story to tell. | |||
CF | | |||
CF | > | robryk asks, "huh, why the inference?" | ||
DavidW says, "okay. Try giving the mask to her." | |||
robryk says (to ClubFloyd), "talk to woman" | |||
CF ] Medicine Hut 7/172 | |||
CF | > | |||
CF | > TALK TO WOMAN | |||
CF | | |||
CF | She looks at you warily - perhaps you need to gain her trust in some | |||
CF | fashion first. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "give mask to woman" | |||
CF ] Medicine Hut 8/173 | |||
CF | > | |||
CF | > GIVE MASK TO WOMAN | |||
CF | | |||
CF | (the wooden African mask to the big, black woman) | |||
CF | She takes it off you with a sad look on her face, then looks back at | |||
CF | you, smiles and thanks you. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x woman" | |||
CF ] Medicine Hut 8/174 | |||
CF | > | |||
CF | > X WOMAN | |||
CF | | |||
CF | She seems strangely at her ease. You have to applaud the woman, given | |||
CF | that she must have arrived here as an African slave, and must have an | |||
CF | incredible story to tell. | |||
CF | | |||
CF | The woman pulls something odd from the folds of her clothing and | |||
CF | starts chewing on it for a bit; she offers you some but you decline | |||
CF | (probably best). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "talk to woman" | |||
CF ] Medicine Hut 8/175 | |||
CF | > | |||
CF | > TALK TO WOMAN | |||
CF | | |||
CF | She looks at you, shrugs and smiles - you're not sure she got what | |||
CF | you're getting at. | |||
CF | | |||
CF | > | robryk says, "good call" | ||
David says, (to ClubFloyd), "ask woman about herself" | |||
CF ] Medicine Hut 8/176 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT HERSELF | |||
CF | | |||
CF | "I came over here some years ago on a slaver ship. Got rescued by | |||
CF | pirates, funnily enough. Miss my home, though." | |||
CF | | |||
CF | The woman picks a small lizard from her hair that looks like it just | |||
CF | landed on her head, strokes it a bit then lets it scamper off and | |||
CF | disappear. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask woman about home" | |||
CF ] Medicine Hut 8/177 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT HOME | |||
CF | | |||
CF | She looks at you, shrugs and smiles - you're not sure she got what | |||
CF | you're getting at. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask woman about potions" | |||
CF ] Medicine Hut 8/178 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT POTIONS | |||
CF | | |||
CF | She looks at you, shrugs and smiles - you're not sure she got what | |||
CF | you're getting at. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x potions" | |||
CF ] Medicine Hut 8/179 | |||
CF | > | |||
CF | > X POTIONS | |||
CF | | |||
CF | The potions are labelled in some sort of code or language that you do | |||
CF | not understand, apart from one which you can take a guess at which is | |||
CF | labelled "zzzzzz". | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask woman about zzzzzz" | |||
CF ] Medicine Hut 8/180 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT ZZZZZZ | |||
CF | | |||
CF | "It's pretty potent - you only need a few drops. Got the recipe from | |||
CF | my mother." | |||
CF | | |||
CF | > | DavidW says, "Sleeping potion, I guess." | ||
robryk says, "ah" | |||
robryk says, "aaaaaah" | |||
robryk says, "I didn't get the name first" | |||
robryk says (to ClubFloyd), "ask woman for zzzzzz" | |||
CF ] Medicine Hut 8/181 | |||
CF | > | |||
CF | > ASK WOMAN FOR ZZZZZZ | |||
CF | | |||
CF | She looks at you, shrugs and smiles - you're not sure she got what | |||
CF | you're getting at. | |||
CF | | |||
CF | > | DavidW says, "We could put it on a dart and tranq the rhino or someone." | ||
robryk says, "probably" | |||
robryk says (to ClubFloyd), "get zzzzzz" | |||
CF ] Medicine Hut 8/182 | |||
CF | > | |||
CF | > GET ZZZZZZ | |||
CF | | |||
CF | The woman says to you: "You hardly need all of it; bring me a suitable | |||
CF | receptacle with some liquid in it, and we'll put a few drops in". | |||
CF | | |||
CF | > | robryk says, "or someone's coffee^Htea" | ||
robryk says (to ClubFloyd), "i" | |||
CF ] Medicine Hut 8/183 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | The woman pulls something odd from the folds of her clothing and | |||
CF | starts chewing on it for a bit; she offers you some but you decline | |||
CF | (probably best). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask woman about mangrove" | |||
CF ] Medicine Hut 8/184 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT MANGROVE | |||
CF | | |||
CF | "It's not exactly somewhere I would have come to on holiday, but it's | |||
CF | nice enough." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask woman about sea" | |||
CF ] Medicine Hut 8/185 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT SEA | |||
CF | | |||
CF | She looks at you, shrugs and smiles - you're not sure she got what | |||
CF | you're getting at. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask woman about pirates" | |||
CF ] Medicine Hut 8/186 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT PIRATES | |||
CF | | |||
CF | "There's a ship full of pirates just come in. Odd-looking bunch; | |||
CF | surprised they manage to make that ship go anywhere. Only that | |||
CF | overseer seems to know what she's doing." | |||
CF | | |||
CF | > | DavidW says, "I think we're done until we get a cup of coffee or coconut of milk or something." | ||
robryk asks, "maybe we can find the ship?" | |||
robryk says (to ClubFloyd), "out" | |||
CF ] An Island in the Caribbean 8/187 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | DavidW says, "yeah. try" | ||
robryk says (to ClubFloyd), "follow river" | |||
CF ] An Island in the Caribbean 8/187 | |||
CF | > | |||
CF | > FOLLOW RIVER | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | DavidW says, "west" | ||
robryk says (to ClubFloyd), "w" | |||
CF ] Pirate Shanty Town 8/188 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | There is also a tavern to the west but that also seems to be closed. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. Even from here, you can see that | |||
CF | there are pirates on the pirate ship. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "s" | |||
CF ] General Store 8/189 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | General Store | |||
CF | Shelves of assorted goods line the walls of this simple wooden | |||
CF | building. | |||
CF | | |||
CF | The store owner, a burly looking man who would probably be a pirate | |||
CF | himself were it not for the size of his girth, gazes at you unhappily. | |||
CF | | |||
CF | An equally burly looking woman, most likely his wife, stands near him | |||
CF | with her eyes more on him than on you, a stern expression on her face. | |||
CF | | |||
CF | A barrel of gunpowder rests in one corner of the store, perhaps the | |||
CF | only thing you might consider to be of any value here. | |||
CF | | |||
CF | The store manager clears his throat and looks across at you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x manager" | |||
CF ] General Store 8/190 | |||
CF | > | |||
CF | > X MANAGER | |||
CF | | |||
CF | You figure he owns the store, though looking at what might be his | |||
CF | wife, you wonder who might really be wearing the trousers. And | |||
CF | considering his trousers and the moth-eaten condition of his clothes | |||
CF | in general, you're not surprised he's looking unhappy. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x barrel" | |||
CF ] General Store 8/191 | |||
CF | > | |||
CF | > X BARREL | |||
CF | | |||
CF | The barrel is one foot diameter and two feet high, full of gunpowder | |||
CF | and pretty heavy. | |||
CF | | |||
CF | The store manager clears his throat and looks across at you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask manager about barrel" | |||
CF ] General Store 8/192 | |||
CF | > | |||
CF | > ASK MANAGER ABOUT BARREL | |||
CF | | |||
CF | "That's already been purchased, I'm afraid, by the lady and her | |||
CF | gentlemen on the ship. I think they're planning a firework party." | |||
CF | | |||
CF | > | DavidW says, "Sure they are." | ||
robryk says (to ClubFloyd), "x wife" | |||
CF ] General Store 8/193 | |||
CF | > | |||
CF | > X WIFE | |||
CF | | |||
CF | She doesn't look like a barrel of laughs (perhaps her laughs are in | |||
CF | that barrel). | |||
CF | | |||
CF | > | robryk nods | ||
robryk asks, "anything else in here?" | |||
David says, (to ClubFloyd), "l" | |||
CF ] General Store 8/194 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | General Store | |||
CF | Shelves of assorted goods line the walls of this simple wooden | |||
CF | building. | |||
CF | | |||
CF | The store owner, a burly looking man who would probably be a pirate | |||
CF | himself were it not for the size of his girth, gazes at you unhappily. | |||
CF | | |||
CF | An equally burly looking woman, most likely his wife, stands near him | |||
CF | with her eyes more on him than on you, a stern expression on her face. | |||
CF | | |||
CF | A barrel of gunpowder rests in one corner of the store, perhaps the | |||
CF | only thing you might consider to be of any value here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x goods" | |||
CF ] General Store 8/195 | |||
CF | > | |||
CF | > X GOODS | |||
CF | | |||
CF | The shelves are mostly empty and what there is on them is not of any | |||
CF | use to you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask man about pirates" | |||
CF ] General Store 8/196 | |||
CF | > | |||
CF | > ASK MAN ABOUT PIRATES | |||
CF | | |||
CF | "The lady and the gentlemen on the ship? They're my best customers, | |||
CF | sir." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask man about hut" | |||
CF ] General Store 8/197 | |||
CF | > | |||
CF | > ASK MAN ABOUT HUT | |||
CF | | |||
CF | He gazes at you carefully, watching for any sudden moves, but | |||
CF | otherwise doesn't react. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask man about medicine woman" | |||
CF ] General Store 8/198 | |||
CF | > | |||
CF | > ASK MAN ABOUT MEDICINE WOMAN | |||
CF | | |||
CF | "If you mean the lady that lives in the hut in the woods," he coughs a | |||
CF | little, looking embarrassed, "I barely speak to her, sir. Barely speak | |||
CF | to her." | |||
CF | | |||
CF | The store manager clears his throat and looks across at you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask woman about medicine woman" | |||
CF ] General Store 8/199 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT MEDICINE WOMAN | |||
CF | | |||
CF | "Don't know who you mean." | |||
CF | | |||
CF | > | robryk asks, "so, he buys something from her but is embarrassed?" | ||
DavidW says, "I guess so." | |||
DavidW says, "Only place to buy viagra around here." | |||
robryk asks, "so, tavern or ship?" | |||
DavidW says, "tavern is closed." | |||
DavidW says, "so ship" | |||
robryk says (to ClubFloyd), "n" | |||
CF ] Pirate Shanty Town 8/200 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | There is also a tavern to the west but that also seems to be closed. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. Even from here, you can see that | |||
CF | there are pirates on the pirate ship. | |||
CF | | |||
CF | You hear the crack of a whip coming from the ship. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "n" | |||
CF ] Pirate Ship 8/201 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Pirate Ship | |||
CF | Typical of the 17th century, this pirate ship is a "sloop", i.e. a | |||
CF | single-masted vessel built for speed and for its ability to sail | |||
CF | through shallow waters. The pirate shanty town is to the south. | |||
CF | | |||
CF | Several pirates are on board, swabbing the deck under the gaze of a | |||
CF | vicious-looking overseer. | |||
CF | | |||
CF | The overseer herself stands over them with a whip in her hand, cursing | |||
CF | them for their laziness. | |||
CF | | |||
CF | An impressive-looking cannon rests on the ship's deck, pointing out at | |||
CF | sea. | |||
CF | | |||
CF | The overseer cracks her whip. One of the pirates groans as a thin red | |||
CF | welt appears across the torn seat of his pantaloons (hope that's not | |||
CF | too risqué for you). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x overseer" | |||
CF ] Pirate Ship 8/202 | |||
CF | > | |||
CF | > X OVERSEER | |||
CF | | |||
CF | (the beautiful, but frightening, woman) | |||
CF | She (yes, it is a she) looks rather splendid in her red basque and | |||
CF | thigh-length leather boots. In one hand, she wields a whip, which she | |||
CF | regularly strikes over the posteriors of the male (yes, they're all | |||
CF | male) pirates in her "care". | |||
CF | | |||
CF | (Bit of a strange pirate ship, this one). | |||
CF | | |||
CF | The overseer cracks her whip. A seagull that had just strayed too | |||
CF | close loses some of its tail feathers as a result and flies away | |||
CF | muttering darkly about revenge, seaside and fish and chips. | |||
CF | | |||
CF | > | robryk says, "i'm confused why she's still their captain-of-sorts" | ||
robryk says (to ClubFloyd), "x pirates" | |||
CF ] Pirate Ship 8/203 | |||
CF | > | |||
CF | > X PIRATES | |||
CF | | |||
CF | The pirates look like the normal bunch of cut-throats with their | |||
CF | pantaloons, bandanas, assorted odd bits of jewellery and so on. | |||
CF | They're not looking too happy right now, but then, the ship is | |||
CF | pretty grubby. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x cannon" | |||
CF ] Pirate Ship 8/204 | |||
CF | > | |||
CF | > X CANNON | |||
CF | | |||
CF | The first recognisable weapon of mass destruction, the cannon does not | |||
CF | appear to be loaded though there is a fuse sticking out of the top. | |||
CF | | |||
CF | > | DavidW says, "sorry, had to take a bathroom break" | ||
robryk says, "mhm, tell me when you're caught up" | |||
DavidW says, "okay" | |||
robryk says (to ClubFloyd), "x fuse" | |||
CF ] Pirate Ship 8/205 | |||
CF | > | |||
CF | > X FUSE | |||
CF | | |||
CF | Pretty short - won't burn for long. | |||
CF | | |||
CF | > | DavidW asks, "Is that fuse take-able?" | ||
robryk says (to ClubFloyd), "get fuse" | |||
CF ] Pirate Ship 8/206 | |||
CF | > | |||
CF | > GET FUSE | |||
CF | | |||
CF | The overseer glances in your direction as you approach the cannon and | |||
CF | cracks her whip. You, not really being into that sort of thing, | |||
CF | respectfully walk away from it (the cannon, not the whip ... actually, | |||
CF | the cannon and the whip). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "l in cannon" | |||
CF ] Pirate Ship 8/207 | |||
CF | > | |||
CF | > L IN CANNON | |||
CF | | |||
CF | In the cannon is a fuse. | |||
CF | | |||
CF | The overseer cracks her whip. A sea lion comes pops its head out of | |||
CF | the water, looks at the overseer as if to say "were you trying to get | |||
CF | my attention?", and then disappears again. | |||
CF | | |||
CF | > | robryk says, "seems so" | ||
robryk says (to ClubFloyd), "talk to overseer" | |||
CF ] Pirate Ship 8/208 | |||
CF | > | |||
CF | > TALK TO OVERSEER | |||
CF | | |||
CF | (the beautiful, but frightening, woman) | |||
CF | She smiles at you and raises her whip. You feel lucky she hasn't | |||
CF | chosen to use it on you (unless, of course, you're into that sort of | |||
CF | thing), but otherwise it's clear she has no desire to interact with | |||
CF | you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x mast" | |||
CF ] Pirate Ship 8/208 | |||
CF | > | |||
CF | > X MAST | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | robryk says, "hmm" | ||
DavidW asks, "Is there a hold down from here?" | |||
robryk says (to ClubFloyd), "d" | |||
CF ] Pirate Ship 8/209 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | burrow into the ground. | |||
CF | | |||
CF | The overseer cracks her whip. A seagull that had just strayed too | |||
CF | close loses some of its tail feathers as a result and flies away | |||
CF | muttering darkly about revenge, seaside and fish and chips. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x hold" | |||
CF ] Pirate Ship 8/209 | |||
CF | > | |||
CF | > X HOLD | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x cargo" | |||
CF ] Pirate Ship 8/209 | |||
CF | > | |||
CF | > X CARGO | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | robryk says, "wasn't mentioned explicitly" | ||
robryk asks, "maybe we should try to find beer in the tavern?" | |||
DavidW says, "I'm not sure we can." | |||
DavidW says, "But sure. Try." | |||
robryk says (to ClubFloyd), "s" | |||
CF ] Pirate Shanty Town 8/210 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | There is also a tavern to the west but that also seems to be closed. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. Even from here, you can see that | |||
CF | there are pirates on the pirate ship. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "w" | |||
CF ] Pirate Shanty Town 8/211 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (first opening the pirate tavern door) | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "x door" | |||
CF ] Pirate Shanty Town 8/211 | |||
CF | > | |||
CF | > X DOOR | |||
CF | | |||
CF | Which do you mean, the general store door or the pirate tavern door? | |||
CF | | |||
CF | > | DavidW says, "I think we'll have to frighten the overseer or ask about her and find a weakness that way." | ||
robryk says (to ClubFloyd), "tavern" | |||
CF ] Pirate Shanty Town 8/212 | |||
CF | > | |||
CF | > TAVERN | |||
CF | | |||
CF | You see nothing special about the pirate tavern door. | |||
CF | | |||
CF | You hear the crack of a whip coming from the ship. | |||
CF | | |||
CF | > | robryk asks, "do you expect them to also be proprietors of the tavern?" | ||
DavidW says, "I don't know." | |||
DavidW says, "For all I know, Drake knows this woman." | |||
DavidW says, "They're both pirates." | |||
DavidW says, "I'd ask the medicine woman about the overseer first." | |||
robryk says (to ClubFloyd), "e" | |||
CF ] An Island in the Caribbean 8/213 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | DavidW says, "or the wife about the overseer" | ||
robryk says (to ClubFloyd), "in" | |||
CF ] Medicine Hut 8/214 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Medicine Hut | |||
CF | This wooden hut is clearly the abode of someone who likes to "do | |||
CF | things" with plants. All around is the same collection of | |||
CF | paraphernalia you saw outside but in greater number and variety | |||
CF | (though it may just seem that way because of the cramped conditions | |||
CF | inside). | |||
CF | | |||
CF | A few sinister-looking potions stand on a trestle table to your left. | |||
CF | | |||
CF | A large black woman sits in a huge wicker chair near the back wall of | |||
CF | the hut, looking at you in a friendly manner. | |||
CF | | |||
CF | The woman picks a small lizard from her hair that looks like it just | |||
CF | landed on her head, strokes it a bit then lets it scamper off and | |||
CF | disappear. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask woman about overseer" | |||
CF ] Medicine Hut 8/215 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT OVERSEER | |||
CF | | |||
CF | "She's alright, isn't she. Likes to keep her men in check." | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask woman about manager" | |||
CF ] Medicine Hut 8/216 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT MANAGER | |||
CF | | |||
CF | She looks at you, shrugs and smiles - you're not sure she got what | |||
CF | you're getting at. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "out. w." | |||
CF ] Pirate Shanty Town 8/218 | |||
CF | > | |||
CF | > OUT. W. | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | There is also a tavern to the west but that also seems to be closed. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. Even from here, you can see that | |||
CF | there are pirates on the pirate ship. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "s." | |||
CF ] General Store 8/219 | |||
CF | > | |||
CF | > S. | |||
CF | | |||
CF | | |||
CF | General Store | |||
CF | Shelves of assorted goods line the walls of this simple wooden | |||
CF | building. | |||
CF | | |||
CF | The store owner, a burly looking man who would probably be a pirate | |||
CF | himself were it not for the size of his girth, gazes at you unhappily. | |||
CF | | |||
CF | An equally burly looking woman, most likely his wife, stands near him | |||
CF | with her eyes more on him than on you, a stern expression on her face. | |||
CF | | |||
CF | A barrel of gunpowder rests in one corner of the store, perhaps the | |||
CF | only thing you might consider to be of any value here. | |||
CF | | |||
CF | The store manager clears his throat and looks across at you. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask wife about overseer" | |||
CF ] General Store 8/220 | |||
CF | > | |||
CF | > ASK WIFE ABOUT OVERSEER | |||
CF | | |||
CF | "I don't think she whips them hard enough." | |||
CF | | |||
CF | > | DavidW says, "wow" | ||
robryk says (to ClubFloyd), "ask husband about overseer" | |||
CF ] General Store 8/220 | |||
CF | > | |||
CF | > ASK HUSBAND ABOUT OVERSEER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ask manager about overseer" | |||
CF ] General Store 8/221 | |||
CF | > | |||
CF | > ASK MANAGER ABOUT OVERSEER | |||
CF | | |||
CF | "The lady and the gentlemen on the ship? They're my best customers, | |||
CF | sir." | |||
CF | | |||
CF | The store manager clears his throat and looks across at you. | |||
CF | | |||
CF | > | robryk says, "hmm" | ||
DavidW says, "so no gossip" | |||
robryk says, "yeah" | |||
robryk asks, "last location before we try to reexamine things to do?" | |||
DavidW says, "I suppose find that fig place and see what's there." | |||
robryk says (to ClubFloyd), "e" | |||
CF ] General Store 8/222 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | You can use "out" to leave where you are, if you cannot remember the | |||
CF | right direction. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "out" | |||
CF ] Pirate Shanty Town 8/223 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | There is also a tavern to the west but that also seems to be closed. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. Even from here, you can see that | |||
CF | there are pirates on the pirate ship. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "e.e." | |||
CF ] Vast Forest 8/225 | |||
CF | > | |||
CF | > E.E. | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 8/226 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | Two quite different-looking horses are grazing nearby. One, a large | |||
CF | stallion, chestnut, tall and muscular, looks at you levelly, while a | |||
CF | smaller filly, white and beautifully groomed, pointedly ignores you | |||
CF | while she carries on eating. | |||
CF | | |||
CF | > | DavidW says, "figs were NE" | ||
robryk says, "uh, wrong direction" | |||
robryk says (to ClubFloyd), "se" | |||
CF ] Vast Forest 8/227 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "ne" | |||
CF ] The Himalayan Mountains 8/227 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | Be like a tree. | |||
CF | Stay grounded. | |||
CF | Connect with your roots. | |||
CF | Turn over a new leaf. | |||
CF | Bend before you break. | |||
CF | Enjoy your unique natural beauty. | |||
CF | Keep growing. | |||
CF | - Buddha | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A small, emaciated man sits in the shade of a sizeable fig tree to the | |||
CF | side of the path. He appears to be selling tea. He also appears to be | |||
CF | blind. A crude trolley on wheels sits next to him. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | On the trolley are a sugar bowl and a teapot. | |||
CF | | |||
CF | The blind man glances in your direction. "Cha?" he asks. | robryk says, "tea" | ||
robryk says (to ClubFloyd), "read sign" | |||
CF ] The Himalayan Mountains 8/227 | |||
CF | The blind man glances in your direction. "Cha?" he asks. | |||
CF | > READ SIGN | |||
CF | | |||
CF | Please answer yes or no.> | robryk asks, "yes?" | ||
DavidW says, "yes" | |||
DavidW says, "Cha means tea" | |||
DavidW says, "This is how we can get sugar." | |||
robryk says (to ClubFloyd), "yes" | |||
CF ] The Himalayan Mountains 8/227 | |||
CF | Please answer yes or no.> | |||
CF | > YES | |||
CF | | |||
CF | The blind man hands you a cup and pours some tea into it. "Give me the | |||
CF | cup back when you're finished," he says. | |||
CF | "Sugar?" | |||
robryk says (to ClubFloyd), "yes" | |||
CF ] The Himalayan Mountains 8/228 | |||
CF | "Sugar?" | |||
CF | > YES | |||
CF | | |||
CF | The blind man drops a sugar cube into your tea, which quickly | |||
CF | dissolves. | |||
CF | | |||
CF | > | robryk says, "great" | ||
DavidW says, "hm." | |||
robryk asks, "so, next time we need to drinl the tea before answering about the sugar?" | |||
DavidW says, "This is also what the zzzzz drops go into, I think." | |||
robryk asks, "probably, but whom do we want to put to sleep? the pirate lady so that we can steal the fuse?" | |||
DavidW says, "Tea is an English sort of drink." | |||
DavidW says, "We might want to drug the yeoman." | |||
robryk asks, "hm.. shall we try with sweetened tea then?" | |||
David says, (to ClubFloyd), "take sugar" | |||
CF ] The Himalayan Mountains 8/229 | |||
CF | > | |||
CF | > TAKE SUGAR | |||
CF | | |||
CF | The sugar bowl doesn't belong to you. Messing about with it is likely | |||
CF | to upset someone. | |||
CF | | |||
CF | > | robryk says, "btw there're still two paths here" | ||
DavidW says, "hm. Confusing." | |||
robryk asks, "what's confusing?" | |||
DavidW says, "sorry, still wondering how to get the sugar from the blind man." | |||
DavidW says, "There doesn't seem to be anyway to cover the teacup so the sugar cube bounces off." | |||
DavidW says, "er any way" | |||
robryk asks, "maybe we can try simply emptying it?" | |||
DavidW says, "Or drink it." | |||
robryk says (to ClubFloyd), "drink tea" | |||
CF ] The Himalayan Mountains 8/230 | |||
CF | > | |||
CF | > DRINK TEA | |||
CF | | |||
CF | Sweetly revolting (wouldn't it be clever if you could just get the | |||
CF | sugar without the tea). | |||
CF | | |||
CF | > | DavidW says, "We don't have to give the cup back immediately." | ||
robryk asks, "are you thinking of drilling a hole?" | |||
robryk says (to ClubFloyd), "x cup" | |||
CF ] The Himalayan Mountains 8/231 | |||
CF | > | |||
CF | > X CUP | |||
CF | | |||
CF | It's a modest, and chipped, porcelain cup. | |||
CF | | |||
CF | > | DavidW says, "No. We might answer NO for Cha and YES for Sugar." | ||
robryk says, "doh" | |||
robryk says (to ClubFloyd), "give cup to man" | |||
CF ] The Himalayan Mountains 8/232 | |||
CF | > | |||
CF | > GIVE CUP TO MAN | |||
CF | | |||
CF | The blind man cheerfully accepts the cup back. | |||
CF | | |||
CF | > | DavidW says, "But we should also read the sign finally." | ||
robryk says (to ClubFloyd), "read sign" | |||
CF ] The Himalayan Mountains 8/232 | |||
CF | > | |||
CF | > READ SIGN | |||
CF | | |||
CF | The sign reads "Up to Enlightenment, Down to Darkness". | |||
CF | | |||
CF | The blind man glances in your direction. "Tea?" he asks. | robryk asks, "why did he switch languages?" | ||
robryk says, "ah, because we answered" | |||
robryk says (to ClubFloyd), "say no" | |||
CF ] The Himalayan Mountains 8/232 | |||
CF | The blind man glances in your direction. "Tea?" he asks. | |||
CF | > SAY NO | |||
CF | | |||
CF | Please answer yes or no.> | |||
robryk says (to ClubFloyd), "no" | |||
CF ] The Himalayan Mountains 8/233 | |||
CF | Please answer yes or no.> | |||
CF | > NO | |||
CF | | |||
CF | The man looks disappointed. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "undo" | |||
CF ] The Himalayan Mountains 8/232 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | robryk asks, "btw. do we know if this game is forgiving?" | ||
DavidW says, "We know we can die." | |||
DavidW says, "I don't know more about the game than you do." | |||
robryk says (to ClubFloyd), "yes" | |||
CF ] The Himalayan Mountains 8/233 | |||
CF | > | |||
CF | > YES | |||
CF | | |||
CF | That was a rhetorical question. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "z" | |||
CF ] The Himalayan Mountains 8/233 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | The blind man glances in your direction. "Tea?" he asks. | |||
robryk says (to ClubFloyd), "yes" | |||
CF ] The Himalayan Mountains 8/233 | |||
CF | The blind man glances in your direction. "Tea?" he asks. | |||
CF | > YES | |||
CF | | |||
CF | The blind man hands you a cup and pours some tea into it. "Give me the | |||
CF | cup back when you're finished," he says. | |||
CF | "Sugar?" | |||
robryk says (to ClubFloyd), "drink tea" | |||
CF ] The Himalayan Mountains 8/233 | |||
CF | "Sugar?" | |||
CF | > DRINK TEA | |||
CF | | |||
CF | Please answer yes or no.> | robryk says, "so, we need to give him something other than the cup" | ||
robryk says, "let's try putting the yeoman to sleep for now" | |||
DavidW says, "maybe" | |||
robryk says (to ClubFloyd), "no" | |||
CF ] The Himalayan Mountains 8/234 | |||
CF | Please answer yes or no.> | |||
CF | > NO | |||
CF | | |||
CF | The old man looks rather puzzled then shakes his head, almost as if he | |||
CF | doesn't quite believe that you've refused him. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "i" | |||
CF ] The Himalayan Mountains 8/234 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a cup of tea | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | "Sugar?" the man asks again, insistently. | robryk says, "or maybe we can just drink it now and answer" | ||
robryk says (to ClubFloyd), "drink tea" | |||
CF ] The Himalayan Mountains 8/234 | |||
CF | "Sugar?" the man asks again, insistently. | |||
CF | > DRINK TEA | |||
CF | | |||
CF | Please answer yes or no.> | |||
robryk says (to ClubFloyd), "no" | |||
CF ] The Himalayan Mountains 8/235 | |||
CF | Please answer yes or no.> | |||
CF | > NO | |||
CF | | |||
CF | "It's nicer with sugar", he says, "but suit yourself". | |||
CF | | |||
CF | > | DavidW says, "ah. You could have drank it when you took inventory." | ||
robryk says, "eh, i screwed up the timing" | |||
DavidW says, "It's a timing puzzle." | |||
robryk says (to ClubFloyd), "drink tea" | |||
CF ] The Himalayan Mountains 8/236 | |||
CF | > | |||
CF | > DRINK TEA | |||
CF | | |||
CF | Revolting (nicer with sugar). | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "give cup to man" | |||
CF ] The Himalayan Mountains 8/237 | |||
CF | > | |||
CF | > GIVE CUP TO MAN | |||
CF | | |||
CF | The blind man cheerfully accepts the cup back. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "z" | |||
CF ] The Himalayan Mountains 8/238 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "z" | |||
CF ] The Himalayan Mountains 8/238 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | The blind man glances in your direction. "Cha?" he asks. | |||
robryk says (to ClubFloyd), "yes" | |||
CF ] The Himalayan Mountains 8/238 | |||
CF | The blind man glances in your direction. "Cha?" he asks. | |||
CF | > YES | |||
CF | | |||
CF | The blind man hands you a cup and pours some tea into it. "Give me the | |||
CF | cup back when you're finished," he says. | |||
CF | "Sugar?" | |||
robryk says (to ClubFloyd), "no" | |||
CF ] The Himalayan Mountains 8/239 | |||
CF | "Sugar?" | |||
CF | > NO | |||
CF | | |||
CF | The old man looks rather puzzled then shakes his head, almost as if he | |||
CF | doesn't quite believe that you've refused him. | |||
CF | | |||
CF | > | |||
robryk says (to ClubFloyd), "drink tea" | |||
CF ] The Himalayan Mountains 8/239 | |||
CF | > | |||
CF | > DRINK TEA | |||
CF | | |||
CF | Revolting (nicer with sugar). | |||
CF | | |||
CF | "Sugar?" the man asks again, insistently. | |||
robryk says (to ClubFloyd), "yes" | |||
CF ] The Himalayan Mountains 8/240 | |||
CF | "Sugar?" the man asks again, insistently. | |||
CF | > YES | |||
CF | | |||
CF | The man drops a sugar cube into the teacup, which being devoid of tea, | |||
CF | makes a funny little clinking sound. This isn't lost on him, and he | |||
CF | looks (in a manner of speaking) curiously in your direction. | |||
CF | | |||
CF | > | robryk says, "hmm" | ||
DavidW says, "take the sugar" | |||
robryk says (to ClubFloyd), "get sugar" | |||
CF ] The Himalayan Mountains 9/241 | |||
CF | > | |||
CF | > GET SUGAR | |||
CF | | |||
CF | (the tooth-crunching sugar cube (in the cup)) | |||
CF | You take it just as the tea seller snatches the cup off your hand and | |||
CF | feels inside. "This time, the sugar dissolved the tea", he says to | |||
CF | himself, shaking his head. A moment later, he stands up, packs up his | |||
CF | things and wheels his trolley away into the mountains, presumably to | |||
CF | consider this important Zen-like conundrum. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | DavidW says, "oh drat. We no longer get the cup." | ||
robryk says, "so, either we screwed up or this wasn't the way to get the sleeping potion to someone" | |||
DavidW says, "Well, maybe he'll return or something.," | |||
robryk asks, " so, do we want to run with it?" | robryk says, "sorry" | ||
DavidW says, "for now. Also, we've been playing for more than 2 hours. We normally stop between 4 and 5." | |||
DavidW says, "We might want to stop here and continue this next week." | |||
robryk says, "as you wish, i'm fine with either" | |||
David says, (to ClubFloyd), "save" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
David says, (to ClubFloyd), "cfarborea" | |||
CF ] The Himalayan Mountains 9/241 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | robryk says, "so the first order of business will be giving sugar to a horse (but which one?)" | ||
DavidW says, "We can leave CF running too." | |||
robryk says, "i mean, i'll probably come next week so don't want to play this game any further now" | |||
Roger says, "That's our usual process, yeah" | |||
DavidW says, "I honestly don't know if the stallion or filly is the one that should get the sugar." | |||
robryk says, "ifdb doesn't say anything about cruelty rating for this game, sadly" | |||
DavidW says, "I wasn't expecting the tea guy to leave with the cup." | |||
DavidW says, "We might've screwed things up but I can't be sure of that." | |||
robryk says, "oh, this is an ifcomp game, so it's not supposed to be _much_ longer. that's surprising." | |||
robryk says, "well, "supposed"" | |||
DavidW says, "People enter too-long games all the time." | |||
DavidW says, "I'm enjoying this game well enough, though. It has a good feel to it." | |||
Roger says, "It remains a matter of some discussion" | |||
Roger says, "the length thing, I mean" | |||
Roger says, "technically, the requirement is only that the judges should play it no longer than two hours." | |||
robryk says, "i also enjoy it" | |||
DavidW says, "I don't intend to vote. I do long have the willpower to stop playing when I really want to." | |||
DavidW says, "er no longer" | |||
robryk says, "i technically would have enough time this year to usefully vote, but won't actually bother probably" | |||
DavidW says, "I also haven't had the time to play many of the games." | |||
DavidW says, "I think this is the last weekend before voting closes too." | |||
DavidW says, "I'm so tired now. I usually need to nap after ClubFloyd." | |||
DavidW says, "You'd think I actually walked all the distance our character walked." | |||
robryk says, "well, it's half past 10pm for me, so i'll be taking a longer nap soon too" | |||
DavidW asks, "I'm trying to guess how this game's gourd mechanics work. If there's a main task per forest, and the corresponding gourd marking disappears or something until they're all gone and the gourd opens?" | |||
DavidW says, "We haven't seen any of that, but that's my guess." | |||
robryk says, "it looks like a mcguffin to me" | |||
robryk says, "we are to collect _something_ ("kernels")" | |||
DavidW says, "well, the kernel is the main mcguffin, yes." | |||
robryk says, "so maybe it's a collection device for that" | |||
DavidW says, "Almost certainly inside the gourd." | |||
robryk says, "and a reminder of which ones are still to be collected" | |||
Roger disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | robryk says, "because it probably can't seal off the completed areas, given the cross-area dependencies" | ||
DavidW says, "anyway, we should wrap this up. Thanks to everyone for playing, especially robryk." | |||
DavidW says, "See you all next Sunday!" | |||
*** SESSION TWO *** | |||
DavidW says, "Arborea" | |||
DavidW says, "oh. if you guys can wait a bit longer, I can upload my notes/map of Arborea so we can continue that one." | |||
DavidW says, "It's on the other computer. I'll need a few minutes to boot and upload." | |||
DavidW says, "The link will be [LINK] when it's up." | |||
DavidW says, "When making the map, I did learn a couple new things in the game. Forgive me." | |||
DavidW says, "Partly, some NPCs can talk more than I realized, and more things can be climbed than I realized." | |||
Jade says, "ok, sounds good to me" | |||
DavidW says, "sorry, my old computer is so slow" | |||
DavidW says, "It acts like it's deaf, sometimes. I've told it to open WinSCP but I don't know if it 'heard' me." | |||
DavidW says, "oh there it is" | |||
MoyTravis asks, "huh. winscp? are you FTPing something?" | |||
DavidW says, "I've just uploaded my notes and maps for Arborea." | |||
Jade says, "I can see it" | |||
DavidW says, " [LINK] is visible now" | |||
Jade says, "It is a lot of stuff" | |||
DavidW says, "yeah. I'll try to summarize." | |||
DavidW says, "The PC is in a virtual reality simulation of various forests. They're looking for a kernel." | |||
DavidW says, "The PC has a gourd." | |||
DavidW says, "There's eight different forests in different time periods surrounding the central forest." | |||
DavidW says, "We have an Elizabethan festival with Queen Elizabeth the First in the northwest." | |||
DavidW says, "We have vikings in the north." | |||
DavidW says, "We have the Himalayan Mountains in the northeast where we got a sugar cube." | |||
DavidW says, "There's a caribbean island to the west with a pirate ship and a medicine woman and a surly shop keeper and his wife." | |||
DavidW says, "We have palm trees in Indonesia to the east where we got a toy monkey." | |||
DavidW says, "In the southwest, a bulldozer is in the Amazon Basin." | |||
DavidW says, "To the south, we thinking someone's about to by lynched in Missouri." | |||
DavidW says, "And we have somewwhere in Africa to the southeast, featuring poachers, their trunk, a rhino, and lions." | |||
DavidW says, "er truck" | |||
Jade says, "I remember most of the stuff" | |||
David says, (to ClubFloyd), "look" | |||
CF ] The Himalayan Mountains 9/242 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | Jade says, "the lighting trunk" | ||
Jade says, "truck" | |||
DavidW asks, "Remember that we were worried that we screwed up the teacup business because the old man took our cup when we got the tea? And we thought we needed the cup for the medicine woman to put sleeping potion drops in it?" | |||
Jade says, "yesm I remember" | |||
DavidW says, "Well, when making the map, I tried to leave here with the cup and the old man snatches it back, so I'm now sure that the cup isn't ever supposed to leave the mountains." | |||
DavidW says, "So I'm confident we can continue from here." | |||
Jade says, "ok, then seems to be not neccesary" | |||
DavidW says, "We never really explored the rest of this area, so I suggest doing that first." | |||
David says, (to ClubFloyd), "x fig tree" | |||
CF ] The Himalayan Mountains 9/243 | |||
CF | > | |||
CF | > X FIG TREE | |||
CF | | |||
CF | It's got figs in it. You also see a monkey peering at you suspiciously | |||
CF | from its branches. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x monkey" | |||
CF ] The Himalayan Mountains 9/244 | |||
CF | > | |||
CF | > X MONKEY | |||
CF | | |||
CF | (the toy monkey) | |||
CF | A small fluffy monkey carrying a pair of cymbals with a pull string on | |||
CF | the back. A label on its leg says "Made in Bangladesh". | |||
CF | | |||
CF | > | DavidW says, "hmph. I meant the real monkey." | ||
David says, (to ClubFloyd), "x figs" | |||
CF ] The Himalayan Mountains 9/245 | |||
CF | > | |||
CF | > X FIGS | |||
CF | | |||
CF | The distant figs are too far away to get a proper look - you'll have | |||
CF | to get closer. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x buddha" | |||
CF ] The Himalayan Mountains 9/246 | |||
CF | > | |||
CF | > X BUDDHA | |||
CF | | |||
CF | Reminds you a little bit of that Doctor Who story "The Abominable | |||
CF | Snowmen". The Buddha sits in his traditional pose, right hand on knee | |||
CF | with fingers pointed to the earth (pointing to the earth is also known | |||
CF | as "calling the earth to witness") left hand on lap with palm facing | |||
CF | upwards. | |||
CF | | |||
CF | > | Jade asks, "climb?" | ||
DavidW says, "I'll try that soon." | |||
David says, (to ClubFloyd), "x sign" | |||
CF ] The Himalayan Mountains 9/247 | |||
CF | > | |||
CF | > X SIGN | |||
CF | | |||
CF | The sign reads "Up to Enlightenment, Down to Darkness". | |||
CF | | |||
CF | > | DavidW says, "I wonder if we're meant to give something to the buddha's upward hand." | ||
David says, (to ClubFloyd), "climb fig tree" | |||
CF ] In a Fig Tree 9/248 | |||
CF | > | |||
CF | > CLIMB FIG TREE | |||
CF | | |||
CF | In a Fig Tree | |||
CF | The lowest branches of the fig tree are sufficiently strong to hold | |||
CF | your weight, but you can't climb up any further. The mountains look | |||
CF | even more impressive from up here. | |||
CF | | |||
CF | A single fig fruit lies within reach. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you curiously from a nearby branch. Something that you are carrying | |||
CF | seems to be the object of his attention. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull string" | |||
CF ] In a Fig Tree 9/249 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] In a Fig Tree 9/250 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a tooth-crunching sugar cube | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show toy to macaque" | |||
CF ] In a Fig Tree 9/251 | |||
CF | > | |||
CF | > SHOW TOY TO MACAQUE | |||
CF | | |||
CF | He's definitely interested. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to macaque" | |||
CF ] In a Fig Tree 9/252 | |||
CF | > | |||
CF | > GIVE TOY TO MACAQUE | |||
CF | | |||
CF | The monkey takes it off you with a happy screech and starts to play | |||
CF | with it. | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take fig" | |||
CF ] In a Fig Tree 10/253 | |||
CF | > | |||
CF | > TAKE FIG | |||
CF | | |||
CF | (the fruit from the fig tree) | |||
CF | You snatch the fig fruit before the monkey realises what's happening. | |||
CF | In its rage, it throws the toy at you, and it falls to the ground | |||
CF | below. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pet monkey" | |||
CF ] In a Fig Tree 10/254 | |||
CF | > | |||
CF | > PET MONKEY | |||
CF | | |||
CF | He dodges out of the way. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Himalayan Mountains 10/255 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | You can see the toy monkey that you found in Indonesia here. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take toy" | |||
CF ] The Himalayan Mountains 10/256 | |||
CF | > | |||
CF | > TAKE TOY | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put fig on buddha" | |||
CF ] The Himalayan Mountains 10/257 | |||
CF | > | |||
CF | > PUT FIG ON BUDDHA | |||
CF | | |||
CF | (the fruit from the fig tree on the statue of the Buddha) | |||
CF | Don't worry about the statue of the Buddha, it's effectively part of | |||
CF | the landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x hand" | |||
CF ] The Himalayan Mountains 10/258 | |||
CF | > | |||
CF | > X HAND | |||
CF | | |||
CF | Reminds you a little bit of that Doctor Who story "The Abominable | |||
CF | Snowmen". The Buddha sits in his traditional pose, right hand on knee | |||
CF | with fingers pointed to the earth (pointing to the earth is also known | |||
CF | as "calling the earth to witness") left hand on lap with palm facing | |||
CF | upwards. | |||
CF | | |||
CF | > | DavidW asks, "Shall we try going 'up' for enlightenment?" | ||
DavidW asks, "And will the monkey follow us?" | |||
Jade says, "it is part of landscape" | |||
David says, (to ClubFloyd), "u" | |||
CF ] Five Watches of the Night 10/259 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You take your first steps on the path to perfection. | |||
CF | | |||
CF | Five Watches of the Night | |||
CF | You are in the five watches of the night. Below you lies the mundane | |||
CF | world. | |||
CF | | |||
CF | To the north you see the six harmonies of the sangha, to the south are | |||
CF | the fivefold method of commentary on a sutra, to the east the fourfold | |||
CF | dharmadhatu of hua-yen and to the west the four modes of birth. | |||
CF | | |||
CF | A voice in your head whispers "108". | |||
CF | | |||
CF | > | |||
ASchultz has arrived. | Roger says, "that has some sort of Bhuddist significance but the exact details escape my mind at the moment" | ||
Roger exclaims, "Hi ASchultz!" | |||
DavidW says, "hi ASchultz" | |||
Jade says, "I have no idea of that" | |||
Jade says, "Hi Andrew" | |||
+if/clubfloyd (private): [LINK] | |||
Created: 02-Sep-07 13:38:09 Last message: 20-Nov-22 14:52:27 | |||
Users: Allen ASchultz Bishop +DavidW +inky +Jacqueline Jade +lpsmith Matthew MoyTravis olethros robryk +Roger two-star +vimes | |||
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There are no new messages on #if/clubfloyd. | ASchultz asks, "hello everybody. Arborea, looks like?" | ||
DavidW says (to ASchultz), "We're playing Arborea this week, continuing from last week." | |||
DavidW says, "yes" | |||
ASchultz says, "nice, I enjoyed it a lot. I may just be in the back seat, but I wanted to show up." | |||
DavidW says, "I have no idea what the numbers mean here, but I suggest visiting the rest of the rooms here." | |||
David says, (to ClubFloyd), "x sutra" | |||
CF ] Five Watches of the Night 10/259 | |||
CF | > | |||
CF | > X SUTRA | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Six Harmonies of the Sangha 10/260 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | You blink your eyes and look again as the doors of your perception | |||
CF | sway and change. | |||
CF | | |||
CF | Six Harmonies of the Sangha | |||
CF | You are in the six harmonies of the sangha. Below you lies the mundane | |||
CF | world. | |||
CF | | |||
CF | To the north you see the three sovereigns, to the south are the five | |||
CF | wisdoms of mahavairochana, to the east the six consciousnesses and to | |||
CF | the west the three seals. | |||
CF | | |||
CF | A voice in your head whispers "18". | |||
CF | | |||
CF | > | Jade says, "18=6*3" | ||
DavidW says, "This feels like a maze where we're doing math." | |||
DavidW asks, "What are the prime factors of 108?" | |||
Roger says, "3 * 3 * 3 * 2 * 2" | |||
David says, (to ClubFloyd), "e" | |||
CF ] Six Consciousnesses 10/261 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | You blink your eyes and look again as the doors of your perception | |||
CF | sway and change. | |||
CF | | |||
CF | Six Consciousnesses | |||
CF | You are in the six consciousnesses. Below you lies the mundane world. | |||
CF | | |||
CF | To the north you see the ten powers of a buddha, to the south are the | |||
CF | four perfect exertions, to the east the three stages on the path of | |||
CF | purification and to the west the four stages of the buddha's | |||
CF | enlightenment. | |||
CF | | |||
CF | A voice in your head whispers "3". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Himalayan Mountains 12/262 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | You have followed the path of enlightenment. Everything seems | |||
CF | so clear now. You shine with an inner light that some will envy | |||
CF | and others will hate you for. | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | DavidW asks, "Are we literally shining? Does that mean we can light up the darkness below?" | ||
DavidW asks, "Shall we see?" | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 12/263 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The blonde one slowly sits on the floor with her legs apart and her | |||
CF | knees raised and looks at you invitingly. | |||
CF | | |||
CF | The monkey follows you in, sniffing the air uneasily, its eyes fixed | |||
CF | on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "I don't think so" | ||
David says, (to ClubFloyd), "i" | |||
CF ] Dark Harem 12/264 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | a tooth-crunching sugar cube | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | The most voluptuous one comes over to you and removes a speck of dirt | |||
CF | from your face, taking her time to do so. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask women about women" | |||
CF ] Dark Harem 12/265 | |||
CF | > | |||
CF | > ASK WOMEN ABOUT WOMEN | |||
CF | | |||
CF | They seem to be more interested in you than in anything else - which | |||
CF | you find a little worrying. | |||
CF | | |||
CF | The tallest one stares you in the eyes with her lips slowly parting. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 12/265 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | The women get in your way, in a manner "most suggestive". You think | |||
CF | about barging past them, but the way one of them manoeuvres suggests | |||
CF | that they might be stronger than you are. | |||
CF | | |||
CF | You finally succumb to the seduction of the six women around you. | |||
CF | | |||
CF | It's nice for a bit. | |||
CF | | |||
CF | Then, when the nails and the teeth start to dig in, it gets pretty | |||
CF | awful! | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 12 out of a possible 100, in 265 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Dark Harem 12/265 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Dark Harem | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give fig to women" | |||
CF ] Dark Harem 12/265 | |||
CF | > | |||
CF | > GIVE FIG TO WOMEN | |||
CF | | |||
CF | They seem to be more interested in you than in anything else - which | |||
CF | you find a little worrying. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the fruit from | |||
CF | the fig tree, the demonic, but beautiful, but dangerous, but | |||
CF | voluptuous .... women didn't take it.) | |||
CF | | |||
CF | You finally succumb to the seduction of the six women around you. | |||
CF | | |||
CF | It's nice for a bit. | |||
CF | | |||
CF | Then, when the nails and the teeth start to dig in, it gets pretty | |||
CF | awful! | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 12 out of a possible 100, in 265 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Dark Harem 12/265 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Dark Harem | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 12/266 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "wow" | ||
DavidW says, "I wonder how we solve that one." | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 12/267 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The blonde one gives one of the others a slap on her thigh, which is | |||
CF | duly returned, then they both turn to you and laugh. | |||
CF | | |||
CF | The monkey follows you in, sniffing the air uneasily, its eyes fixed | |||
CF | on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to monkey" | |||
CF ] Dark Harem 12/268 | |||
CF | > | |||
CF | > GIVE TOY TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | The monkey is too interested in the fig fruit to take any notice. | |||
CF | | |||
CF | The brunette one caresses herself suggestively. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give fig to monkey" | |||
CF ] Dark Harem 12/269 | |||
CF | > | |||
CF | > GIVE FIG TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | The monkey quickly dashes over, snatches the fig fruit and disappears. | |||
CF | | |||
CF | The dark one grabs one of the others and kisses her full on the mouth, | |||
CF | before both of them turn to look at you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 12/269 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | The women get in your way, in a manner "most suggestive". You think | |||
CF | about barging past them, but the way one of them manoeuvres suggests | |||
CF | that they might be stronger than you are. | |||
CF | | |||
CF | You finally succumb to the seduction of the six women around you. | |||
CF | | |||
CF | It's nice for a bit. | |||
CF | | |||
CF | Then, when the nails and the teeth start to dig in, it gets pretty | |||
CF | awful! | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 12 out of a possible 100, in 269 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Dark Harem 12/269 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Dark Harem | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 12/270 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 12/271 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You're enlightened enough already (I'm surprised you're struggling | |||
CF | with this simulation). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb tree" | |||
CF ] In a Fig Tree 12/272 | |||
CF | > | |||
CF | > CLIMB TREE | |||
CF | | |||
CF | (the fig tree) | |||
CF | In a Fig Tree | |||
CF | The lowest branches of the fig tree are sufficiently strong to hold | |||
CF | your weight, but you can't climb up any further. The mountains look | |||
CF | even more impressive from up here. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you curiously from a nearby branch. Something that you are carrying | |||
CF | seems to be the object of his attention. | |||
CF | | |||
CF | A single fig fruit lies within reach. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take fig" | |||
CF ] In a Fig Tree 12/273 | |||
CF | > | |||
CF | > TAKE FIG | |||
CF | | |||
CF | (the fruit from the fig tree) | |||
CF | The monkey smacks your hand away. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to monkey" | |||
CF ] In a Fig Tree 12/274 | |||
CF | > | |||
CF | > GIVE TOY TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | The monkey takes it off you with a happy screech and starts to play | |||
CF | with it. | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take fig" | |||
CF ] In a Fig Tree 12/275 | |||
CF | > | |||
CF | > TAKE FIG | |||
CF | | |||
CF | (the fruit from the fig tree) | |||
CF | You snatch the fig fruit before the monkey realises what's happening. | |||
CF | In its rage, it throws the toy at you, and it falls to the ground | |||
CF | below (it's not a very clever monkey, this). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] In a Fig Tree 12/276 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | grow wings and fly up into the air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb tree" | |||
CF ] In a Fig Tree 12/277 | |||
CF | > | |||
CF | > CLIMB TREE | |||
CF | | |||
CF | (the fig tree) | |||
CF | You know the bit where I told you you can't climb up any further, well | |||
CF | you can't climb any further | |||
CF | > | |||
David says, (to ClubFloyd), "give fig to monkey" | |||
CF ] In a Fig Tree 12/278 | |||
CF | > | |||
CF | > GIVE FIG TO MONKEY | |||
CF | | |||
CF | (the fruit from the fig tree to the macaque (i.e. monkey)) | |||
CF | The monkey grunts as if to say "please don't do that again". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] In a Fig Tree 12/277 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | In a Fig Tree | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Himalayan Mountains 12/278 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | You can see the toy monkey that you found in Indonesia here. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take toy" | |||
CF ] The Himalayan Mountains 12/279 | |||
CF | > | |||
CF | > TAKE TOY | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 12/280 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The brunette one looks you squarely in the eyes and licks her lips. | |||
CF | | |||
CF | The monkey follows you in, sniffing the air uneasily, its eyes fixed | |||
CF | on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "throw fig" | |||
CF ] Dark Harem 12/281 | |||
CF | > | |||
CF | > THROW FIG | |||
CF | | |||
CF | The monkey quickly dashes over, snatches the fig fruit and disappears. | |||
CF | | |||
CF | The blonde one comes up to you as if to tell you a secret but then | |||
CF | gently licks your ear. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Dark Harem 12/280 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Dark Harem | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 12/281 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "eat fig fruit" | ||
DavidW says, "Daring. But okay." | |||
David says, (to ClubFloyd), "eat fig" | |||
CF ] The Himalayan Mountains 12/282 | |||
CF | > | |||
CF | > EAT FIG | |||
CF | | |||
CF | (the fruit from the fig tree) | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the fruit | |||
CF | from the fig tree, but not that. | |||
CF | | |||
CF | > | DavidW says, "Let's try to leave the mountains." | ||
David says, (to ClubFloyd), "sw" | |||
CF ] Vast Forest 12/283 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | DavidW says, "oh dear." | ||
Jade asks, "what we need the monkey for?" | |||
DavidW says, "I have no idea." | |||
DavidW says, "I'd like to do the other things I discovered when making the map, but I don't know if the monkey will interfere with those." | |||
David says, (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 12/284 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Grassland 12/285 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | Grassland | |||
CF | Where the Serengeti gets a little wetter, savannah gives way to | |||
CF | grassland, greener and in places as tall as your waist. Trees are a | |||
CF | little sparse apart from the baobab to the northwest. | |||
CF | | |||
CF | A single rhinoceros roams the grassland, moving peacefully here and | |||
CF | there. | |||
CF | | |||
CF | Several burlap sacks are scattered throughout the ground, tied closed | |||
CF | but definitely full of something. | |||
CF | | |||
CF | The monkey follows you warily, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "open sacks" | |||
CF ] Grassland 12/286 | |||
CF | > | |||
CF | > OPEN SACKS | |||
CF | | |||
CF | They're already open. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "search dung" | |||
CF ] Grassland 13/287 | |||
CF | > | |||
CF | > SEARCH DUNG | |||
CF | | |||
CF | Mucky business, but your rummaging around reveals a dirty plastic | |||
CF | card, which you take. | |||
CF | | |||
CF | The rhinoceros moves around the grassland, getting quite close for a | |||
CF | moment but then retreating. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Vast Plains of the Serengeti 13/288 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x card" | |||
CF ] The Vast Plains of the Serengeti 13/289 | |||
CF | > | |||
CF | > X CARD | |||
CF | | |||
CF | It's covered in rhino dung, which makes it rather hard to see what it | |||
CF | might be used for. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Vast Forest 13/290 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Pine Forests of Scandinavia 13/291 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Edge of Lake 13/292 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wash card" | |||
CF ] Edge of Lake 13/293 | |||
CF | > | |||
CF | > WASH CARD | |||
CF | | |||
CF | (in the lake) | |||
CF | Cleaning the card reveals it to be a membership card for an | |||
CF | organisation called "The Rhino Warriors". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x card" | |||
CF ] Edge of Lake 13/294 | |||
CF | > | |||
CF | > X CARD | |||
CF | | |||
CF | It's laminated, about the size of a playing card, has a cartoon | |||
CF | picture of a rhino's head next to the words "Rhino Warriors" on one | |||
CF | side, and a 12-digit membership number (they must have a lot of | |||
CF | members!) next to a picture of someone, who looks totally unlike you, | |||
CF | on the other. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Pine Forests of Scandinavia 13/295 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Vast Forest 13/296 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "sw" | |||
CF ] The Amazon Basin 13/297 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put suit on monkey" | |||
CF ] The Amazon Basin 13/297 | |||
CF | > | |||
CF | > PUT SUIT ON MONKEY | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put costume on monkey" | |||
CF ] The Amazon Basin 13/298 | |||
CF | > | |||
CF | > PUT COSTUME ON MONKEY | |||
CF | | |||
CF | (the toy monkey) | |||
CF | You don't think you need to use the toy monkey for anything else | |||
CF | anymore. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put costume on macaque" | |||
CF ] The Amazon Basin 13/299 | |||
CF | > | |||
CF | > PUT COSTUME ON MACAQUE | |||
CF | | |||
CF | Sorry, but strict rules in this simulation prohibit any sort of | |||
CF | mistreatment of animals, including that! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "anyway, I discovered I could climb the bulldozer as well as go under it." | |||
CF ] The Amazon Basin 13/299 | |||
CF | > | |||
CF | > ANYWAY, I DISCOVERED I COULD CLIMB THE BULLDOZER AS WELL AS GO UNDER | |||
CF | IT. | |||
CF | | |||
CF | You seem to want to talk to someone, but I can't see whom. | |||
CF | | |||
CF | > | Jade says, "launch fruit down the hole" | ||
David says, (to ClubFloyd), "climb bulldozer" | |||
CF ] At the top of the Bulldozer 13/300 | |||
CF | > | |||
CF | > CLIMB BULLDOZER | |||
CF | | |||
CF | It's a long way up, but you get there eventually. | |||
CF | | |||
CF | At the top of the Bulldozer | |||
CF | You are perched precariously on a few steel rungs just outside the | |||
CF | cockpit of the bulldozer. The cockpit is open to the elements - as are | |||
CF | you. Fortunately, it's a warm day. | |||
CF | | |||
CF | The driver of the bulldozer appears to be having a break. He sits with | |||
CF | his feet up on the dashboard listening to music through headphones | |||
CF | connected to some sort of music player by his side. The ignition key | |||
CF | to the bulldozer is attached by a long chain to his belt. | |||
CF | | |||
CF | From the sound coming out from all around the cockpit, the ignition | |||
CF | must be on. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x ignition" | |||
CF ] At the top of the Bulldozer 13/301 | |||
CF | > | |||
CF | > X IGNITION | |||
CF | | |||
CF | The key is attached by a long chain to the driver's belt. You're not | |||
CF | going to be able to take it, but you could turn it. The ignition is | |||
CF | currently on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x music player" | |||
CF ] At the top of the Bulldozer 13/302 | |||
CF | > | |||
CF | > X MUSIC PLAYER | |||
CF | | |||
CF | The music player is just a tidy little plastic box with a set of | |||
CF | headphones and a volume setting. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x volume" | |||
CF ] At the top of the Bulldozer 13/303 | |||
CF | > | |||
CF | > X VOLUME | |||
CF | | |||
CF | It can be set to any number between 1 and 5. It is currently set to 3. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "set volume to 4" | |||
CF ] At the top of the Bulldozer 13/304 | |||
CF | > | |||
CF | > SET VOLUME TO 4 | |||
CF | | |||
CF | You set the volume to 4. | |||
CF | | |||
CF | You faintly hear the sounds of "Metal Militia, by Metallica" coming | |||
CF | from the driver's headphones. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "set volume to 5" | |||
CF ] At the top of the Bulldozer 13/305 | |||
CF | > | |||
CF | > SET VOLUME TO 5 | |||
CF | | |||
CF | You set the volume to 5. | |||
CF | | |||
CF | You hear the sounds of "War Inside My Head, by Suicidal Tendencies" | |||
CF | coming from the driver's headphones. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "turn ignition off" | |||
CF ] At the top of the Bulldozer 15/306 | |||
CF | > | |||
CF | > TURN IGNITION OFF | |||
CF | | |||
CF | You turn the ignition, and the bulldozer powers down. | |||
CF | | |||
CF | You hear the sounds of "Death Squad, by Sacred Reich" coming from the | |||
CF | driver's headphones. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Amazon Basin 15/307 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | It's a long way down, but you get there, eventually, too. | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "go under bulldozer" | |||
CF ] Beneath the Bulldozer 16/308 | |||
CF | > | |||
CF | > GO UNDER BULLDOZER | |||
CF | | |||
CF | Beneath the Bulldozer | |||
CF | You stand beneath a huge metal monstrosity designed to rip apart | |||
CF | jungles, hoping the driver is not about to start it up again. From | |||
CF | this vantage point, you can see all the cables that hang underneath | |||
CF | it. | |||
CF | | |||
CF | The monkey follows you, somewhat nervously, under the bulldozer, its | |||
CF | eyes fixed on what you're carrying. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut wires" | |||
CF ] Beneath the Bulldozer 16/308 | |||
CF | > | |||
CF | > CUT WIRES | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut cable" | |||
CF ] Beneath the Bulldozer 16/308 | |||
CF | > | |||
CF | > CUT CABLE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut cables" | |||
CF ] Beneath the Bulldozer 17/309 | |||
CF | > | |||
CF | > CUT CABLES | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You cut through several very vital-looking cables with your axe | |||
CF | (Ragnar Lodbrok would have been proud of you, even if he hadn't | |||
CF | exactly understood what you were doing). | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "out" | |||
CF ] The Amazon Basin 17/310 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | The monkey follows you out from under the bulldozer, its eyes fixed on | |||
CF | what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] "Tree Quarry" 17/311 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | "Tree Quarry" | |||
CF | There is no better way to describe it: clearly, what was once a part | |||
CF | of the rainforest around you is now a desolate rocky landscape bereft | |||
CF | of fauna or vegetation. From here, you can go back up to where you | |||
CF | left the bulldozer or follow a path northwest. | |||
CF | | |||
CF | A young girl in a green parka is lying on the ground here, exactly at | |||
CF | the point where that huge yellow bulldozer that you so considerately | |||
CF | vandalised would rush down and crush her on its way to do more of its | |||
CF | dirty work. She must have been hoping that it wasn't going to happen, | |||
CF | though clearly now the point is moot. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | DavidW says, "This is new" | ||
David says, (to ClubFloyd), "x girl" | |||
CF ] "Tree Quarry" 17/312 | |||
CF | > | |||
CF | > X GIRL | |||
CF | | |||
CF | Covered in so many piercings you'd think she'd had a run-in with the | |||
CF | Marquis de Sade, this somewhat gaunt and intense girl seems to stare | |||
CF | out at the world rather than look at it, almost as if wanting to shame | |||
CF | it. Most of her clothing is of the "grim survival" kind, including a | |||
CF | green parka which seems to be some sort of badge of "clan-membership". | |||
CF | | |||
CF | The young girl stands up and paces around, looking up the path, then | |||
CF | lies down again. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x parka" | |||
CF ] "Tree Quarry" 17/313 | |||
CF | > | |||
CF | > X PARKA | |||
CF | | |||
CF | The parka is a green, hooded affair, robust and waterproof, with a | |||
CF | very stylised cartoon picture of a rhino's head on the back (a sort of | |||
CF | "Rambo" rhino) under the caption "Rhino Warriors". | |||
CF | | |||
CF | > | DavidW says, "That's the same group named on the card we found in the rhino dung sack." | ||
David says, (to ClubFloyd), "x card" | |||
CF ] "Tree Quarry" 17/314 | |||
CF | > | |||
CF | > X CARD | |||
CF | | |||
CF | It's laminated, about the size of a playing card, has a cartoon | |||
CF | picture of a rhino's head next to the words "Rhino Warriors" on one | |||
CF | side, and a 12-digit membership number (they must have a lot of | |||
CF | members!) next to a picture of someone, who looks totally unlike you, | |||
CF | on the other. | |||
CF | | |||
CF | > | Jade says, "yes, dino warriors" | ||
DavidW says, "hm. Doesn't say if the picture looks like her." | |||
DavidW says, "rhino not dino" | |||
Jade says, "give it to her" | |||
DavidW says, "Let me talk to her first." | |||
Jade says, "or show" | |||
David says, (to ClubFloyd), "ask girl about herself" | |||
CF ] "Tree Quarry" 17/315 | |||
CF | > | |||
CF | > ASK GIRL ABOUT HERSELF | |||
CF | | |||
CF | "Someone has to do something about what they're doing out here." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask girl about rainforest" | |||
CF ] "Tree Quarry" 17/316 | |||
CF | > | |||
CF | > ASK GIRL ABOUT RAINFOREST | |||
CF | | |||
CF | "The rainforest is beautiful and full of diversity; I just can't | |||
CF | understand why more people aren't interested in preserving it." | |||
CF | | |||
CF | The young girl stands up, stretches, looks around a bit then lies back | |||
CF | down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask girl about rhino warriors" | |||
CF ] "Tree Quarry" 17/317 | |||
CF | > | |||
CF | > ASK GIRL ABOUT RHINO WARRIORS | |||
CF | | |||
CF | "The rhino warriors are a great organisation; we fight against big | |||
CF | corporations trying to destroy our planet for profit. You'd be | |||
CF | surprised just how extensive our network is: Africa, Asia, America - | |||
CF | you name it, we're there." | |||
CF | | |||
CF | The young girl stands up and paces around, looking up the path, then | |||
CF | lies down again. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask girl about bulldozer" | |||
CF ] "Tree Quarry" 17/318 | |||
CF | > | |||
CF | > ASK GIRL ABOUT BULLDOZER | |||
CF | | |||
CF | "Funny, isn't it, how a tiny person like myself can stop that huge | |||
CF | bulldozer in its tracks - well, for a while, anyway." | |||
CF | | |||
CF | The young girl sits up for a bit and plays with the braids on her | |||
CF | hair. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tell girl about bulldozer" | |||
CF ] "Tree Quarry" 17/319 | |||
CF | > | |||
CF | > TELL GIRL ABOUT BULLDOZER | |||
CF | | |||
CF | "Funny, isn't it, how a tiny person like myself can stop that huge | |||
CF | bulldozer in its tracks - well, for a while, anyway." | |||
CF | | |||
CF | > | DavidW asks, "I guess she's doing an Arthur Dent stunt?" | ||
David says, (to ClubFloyd), "nw" | |||
CF ] Eco Camp 17/320 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Eco Camp | |||
CF | The path from the "quarry" ends here at a tree house built some way up | |||
CF | into the canopy of the rainforest. | |||
CF | You can go back to the quarry by following the path southeast. | |||
CF | | |||
CF | A young man, also in a green parka, watches you suspiciously from | |||
CF | above. | |||
CF | | |||
CF | A ladder descends from the tree-house. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "oh, the monkey again" | ||
DavidW says, "The monkey follows us everywhere." | |||
David says, (to ClubFloyd), "x man" | |||
CF ] Eco Camp 17/321 | |||
CF | > | |||
CF | > X MAN | |||
CF | | |||
CF | You can't see him too clearly from down here, but he almost seems like | |||
CF | the male equivalent of the girl eco warrior at the "quarry". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x tree house" | |||
CF ] Eco Camp 17/322 | |||
CF | > | |||
CF | > X TREE HOUSE | |||
CF | | |||
CF | It seems to have been well constructed, as befits people who are used | |||
CF | to living in such things. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Eco Camp 17/323 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | (you attempt to climb up the ladder). | |||
CF | | |||
CF | The male eco warrior pulls the ladder out of your way. "Sorry," he | |||
CF | calls down from above, "Rhino Warriors only". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show card to man" | |||
CF ] Eco Camp 17/324 | |||
CF | > | |||
CF | > SHOW CARD TO MAN | |||
CF | | |||
CF | He's too far away to see it. | |||
CF | | |||
CF | > | Jade says, "show card" | ||
DavidW says, "I did." | |||
DavidW says, "I think maybe we trade the card for the parka." | |||
David says, (to ClubFloyd), "ask man about rhino warriors" | |||
CF ] Eco Camp 17/325 | |||
CF | > | |||
CF | > ASK MAN ABOUT RHINO WARRIORS | |||
CF | | |||
CF | He's too far up to see or hear you clearly. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] "Tree Quarry" 17/326 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | "Tree Quarry" | |||
CF | There is no better way to describe it: clearly, what was once a part | |||
CF | of the rainforest around you is now a desolate rocky landscape bereft | |||
CF | of fauna or vegetation. From here, you can go back up to where you | |||
CF | left the bulldozer or follow a path northwest. | |||
CF | | |||
CF | A young girl in a green parka is lying on the ground here, exactly at | |||
CF | the point where that huge yellow bulldozer that you so considerately | |||
CF | vandalised would rush down and crush her on its way to do more of its | |||
CF | dirty work. She must have been hoping that it wasn't going to happen, | |||
CF | though clearly now the point is moot. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show card to girl" | |||
CF ] "Tree Quarry" 17/327 | |||
CF | > | |||
CF | > SHOW CARD TO GIRL | |||
CF | | |||
CF | She seems impressed. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask girl about parka" | |||
CF ] "Tree Quarry" 17/328 | |||
CF | > | |||
CF | > ASK GIRL ABOUT PARKA | |||
CF | | |||
CF | "The rhino warriors are a great organisation; we fight against big | |||
CF | corporations trying to destroy our planet for profit. You'd be | |||
CF | surprised just how extensive our network is: Africa, Asia, America - | |||
CF | you name it, we're there." | |||
CF | | |||
CF | The young girl stands up and paces around, looking up the path, then | |||
CF | lies down again. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give card to girl" | |||
CF ] "Tree Quarry" 19/329 | |||
CF | > | |||
CF | > GIVE CARD TO GIRL | |||
CF | | |||
CF | She looks briefly at the pass, without taking it off you and without | |||
CF | bothering to look at the picture on the back (they must be desperate | |||
CF | for members), gives you the thumbs-up and hands you her rhino warrior | |||
CF | parka: "That's how we recognise one another out here," she says, | |||
CF | "welcome to the cause". Then she goes back to lying in the mud | |||
CF | (presumably a principal part of "the cause" she's alluding to). | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear parka" | |||
CF ] "Tree Quarry" 19/330 | |||
CF | > | |||
CF | > WEAR PARKA | |||
CF | | |||
CF | You put on the green parka. | |||
CF | | |||
CF | The young girl sits up for a bit and plays with the braids on her | |||
CF | hair. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Eco Camp 19/331 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Eco Camp | |||
CF | The path from the "quarry" ends here at a tree house built some way up | |||
CF | into the canopy of the rainforest. | |||
CF | You can go back to the quarry by following the path southeast. | |||
CF | | |||
CF | A young man, also in a green parka, watches you from above. | |||
CF | | |||
CF | A ladder descends from the tree-house. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Tree House 22/332 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | (you attempt to climb up the ladder). | |||
CF | | |||
CF | The male eco warrior salutes you as you get up. "Welcome, brother," he | |||
CF | says, really quite genuinely. | |||
CF | | |||
CF | Tree House | |||
CF | Now that you're actually up here, you have to marvel at this thing's | |||
CF | construction. A lot of work has gone into ensuring that it is safe, | |||
CF | solid, comfortable, windproof and water-proof. Although not entirely | |||
CF | free of artificial materials, you can still appreciate the builder's | |||
CF | ingenuity. | |||
CF | | |||
CF | A ladder descends to the ground. | |||
CF | | |||
CF | A small green book lies discarded in the corner. | |||
CF | | |||
CF | The male eco warrior looks at you with a grin: "Ok", he says, "you | |||
CF | take over lookout duty for a while, and I'll catch up with you later". | |||
CF | That wasn't exactly what you had in mind but, anyway, with a cheeky | |||
CF | wink, he disappears down the ladder. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x gourd" | |||
CF ] Tree House 22/333 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The tree frog picture is cracked. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x frog" | |||
CF ] Tree House 22/334 | |||
CF | > | |||
CF | > X FROG | |||
CF | | |||
CF | The distinctive wide-eyed inhabitant of the Amazon rainforest. | |||
CF | | |||
CF | > | DavidW asks, "okay, I'm guessing if we can reach particularly tricky locations to reach in each section, that section is solved and the gourd cracks a bit more?" | ||
[celebrities] Gunther | John Leguizamo calls Steven Seagal a 'horrible human' and said he based his 'washed up' character in 'The Menu' on him | Jade says, "there is a book" | ||
DavidW says, "And maybe when all 8 pictures crack, the gourd opens and we find the kernal and win." | |||
David says, (to ClubFloyd), "l" | |||
CF ] Tree House 22/335 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Tree House | |||
CF | Now that you're actually up here, you have to marvel at this thing's | |||
CF | construction. A lot of work has gone into ensuring that it is safe, | |||
CF | solid, comfortable, windproof and water-proof. Although not entirely | |||
CF | free of artificial materials, you can still appreciate the builder's | |||
CF | ingenuity. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | A ladder descends to the ground. | |||
CF | | |||
CF | A small green book lies discarded in the corner. | |||
CF | | |||
CF | > | Jade says, "it seems possible to mw" | ||
David says, (to ClubFloyd), "x book" | |||
CF ] Tree House 22/336 | |||
CF | > | |||
CF | > X BOOK | |||
CF | | |||
CF | This crazy little book is full of information, including door codes, | |||
CF | access codes and passwords, for just about every organisation that | |||
CF | might be involved in polluting or ruining the planet (you can look | |||
CF | things up in it by typing "look up in book". Whoever these | |||
CF | Rhino Warriors are, they've got one hell of an intelligence | |||
CF | connection! | |||
CF | | |||
CF | > | Jade says, "me" | ||
David says, (to ClubFloyd), "take book" | |||
CF ] Tree House 22/337 | |||
CF | > | |||
CF | > TAKE BOOK | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | DavidW says, "thanks. I missed seeing the book." | ||
DavidW says, "I want to visit the lynching next." | |||
Jade says, "no problem" | |||
Jade says, "go" | |||
David says, (to ClubFloyd), "d" | |||
CF ] Eco Camp 22/338 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You climb down the ladder. | |||
CF | | |||
CF | Eco Camp | |||
CF | The path from the "quarry" ends here at a tree house built some way up | |||
CF | into the canopy of the rainforest. | |||
CF | You can go back to the quarry by following the path southeast. | |||
CF | | |||
CF | A ladder descends from the tree-house. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] "Tree Quarry" 22/339 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | "Tree Quarry" | |||
CF | There is no better way to describe it: clearly, what was once a part | |||
CF | of the rainforest around you is now a desolate rocky landscape bereft | |||
CF | of fauna or vegetation. From here, you can go back up to where you | |||
CF | left the bulldozer or follow a path northwest. | |||
CF | | |||
CF | A young girl is lying on the ground here, exactly at the point where | |||
CF | that huge yellow bulldozer that you so considerately vandalised would | |||
CF | rush down and crush her on its way to do more of its dirty work. She | |||
CF | must have been hoping that it wasn't going to happen, though clearly | |||
CF | now the point is moot. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Amazon Basin 22/340 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] Vast Forest 22/341 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Tallgrass Prairies of Missouri 22/342 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A noose hangs disturbingly from the poplar. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | DavidW says, "I learned that while the poplar tree itself is too slippery to climb, we can climb the noose instead." | ||
David says, (to ClubFloyd), "climb noose" | |||
CF ] Edge of Prairie (up a Poplar) 22/343 | |||
CF | > | |||
CF | > CLIMB NOOSE | |||
CF | | |||
CF | You climb the rope up into the branches of the poplar. | |||
CF | | |||
CF | Edge of Prairie (up a Poplar) | |||
CF | From up here, you can see that the flames to the south come from three | |||
CF | burning trees or pyres and that there is a large building to the east | |||
CF | of them and a smaller one to the west. | |||
CF | | |||
CF | A noose hangs down from the branch that you are standing on. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "untie noose" | |||
CF ] Edge of Prairie (up a Poplar) 22/344 | |||
CF | > | |||
CF | > UNTIE NOOSE | |||
CF | | |||
CF | You untie the rope from the branch. | |||
CF | | |||
CF | > | DavidW says, "The problem is that it's also a problem to climb down the tree." | ||
David says, (to ClubFloyd), "d" | |||
CF ] Edge of Prairie (up a Poplar) 22/345 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | It's too far down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb tree" | |||
CF ] Edge of Prairie (up a Poplar) 22/346 | |||
CF | > | |||
CF | > CLIMB TREE | |||
CF | | |||
CF | (the poplar tree) | |||
CF | The trunk of the poplar tree itself is too smooth to climb down | |||
CF | safely. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tie rope to tree" | |||
CF ] Edge of Prairie (up a Poplar) 22/347 | |||
CF | > | |||
CF | > TIE ROPE TO TREE | |||
CF | | |||
CF | (the poplar tree) | |||
CF | You replace the rope from where you took it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look" | |||
CF ] Edge of Prairie (up a Poplar) 22/348 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | Edge of Prairie (up a Poplar) | |||
CF | From up here, you can see that the flames to the south come from three | |||
CF | burning trees or pyres and that there is a large building to the east | |||
CF | of them and a smaller one to the west. | |||
CF | | |||
CF | A length of rope hangs down from the branch that you are standing on. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily from a nearby branch. Something that you are carrying | |||
CF | seems to be the object of his attention. | |||
CF | | |||
CF | > | Jade says, "I see" | ||
David says, (to ClubFloyd), "x fire" | |||
CF ] Edge of Prairie (up a Poplar) 22/348 | |||
CF | > | |||
CF | > X FIRE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x fires" | |||
CF ] Edge of Prairie (up a Poplar) 22/348 | |||
CF | > | |||
CF | > X FIRES | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x large building" | |||
CF ] Edge of Prairie (up a Poplar) 22/349 | |||
CF | > | |||
CF | > X LARGE BUILDING | |||
CF | | |||
CF | It looks like it might be a church. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x small building" | |||
CF ] Edge of Prairie (up a Poplar) 22/350 | |||
CF | > | |||
CF | > X SMALL BUILDING | |||
CF | | |||
CF | It looks like it might be some sort of prison. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tie fig to rope" | |||
CF ] Edge of Prairie (up a Poplar) 22/351 | |||
CF | > | |||
CF | > TIE FIG TO ROPE | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the fruit | |||
CF | from the fig tree, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb rope" | |||
CF ] The Tallgrass Prairies of Missouri 22/352 | |||
CF | > | |||
CF | > CLIMB ROPE | |||
CF | | |||
CF | You climb back down to the ground using the rope. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull rope" | |||
CF ] The Tallgrass Prairies of Missouri 22/353 | |||
CF | > | |||
CF | > PULL ROPE | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the rope that | |||
CF | was previously hanging from the tree, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "throw fig at branch" | |||
CF ] The Tallgrass Prairies of Missouri 22/353 | |||
CF | > | |||
CF | > THROW FIG AT BRANCH | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "monkey, untie rope" | |||
CF ] The Tallgrass Prairies of Missouri 22/354 | |||
CF | > | |||
CF | > MONKEY, UNTIE ROPE | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give fig to monkey" | |||
CF ] The Tallgrass Prairies of Missouri 22/355 | |||
CF | > | |||
CF | > GIVE FIG TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | The monkey quickly dashes over, snatches the fig fruit and disappears. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] The Tallgrass Prairies of Missouri 22/354 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | Jade asks, "do we need the rope?" | ||
DavidW says, "I was hoping the monkey could untie the rope for us. Somehow." | |||
DavidW says, "I'm not sure." | |||
DavidW says, "Perhaps we only needed to see the church and prison." | |||
David says, (to ClubFloyd), "sw" | |||
CF ] The Tallgrass Prairies of Missouri 22/355 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | The prairie is vast and endless. You see nothing of interest in that | |||
CF | direction except for tall grass ("uninteresting" tall grass at that). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Prairie: By Burning Crosses 22/356 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "x buildings" | ||
DavidW says, "I'm guessing there's a black man in the prison and a mob of white people in the church." | |||
Jade says, "go buildings" | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Church 22/357 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Church | |||
CF | A large structure clad in white slatted wood with a bell-tower is | |||
CF | undoubtedly the local church, though given its proximity to the | |||
CF | burning crosses to the west you wonder what sort of religion is | |||
CF | practised within. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "ok" | ||
David says, (to ClubFloyd), "x church" | |||
CF ] Prairie: By Church 22/358 | |||
CF | > | |||
CF | > X CHURCH | |||
CF | | |||
CF | (the church building) | |||
CF | The windows are barred (friendly!) and light pours out from within, | |||
CF | which added to the noise you hear suggests there's quite a crowd | |||
CF | inside. The doors to the church are closed. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x bell tower" | |||
CF ] Prairie: By Church 22/359 | |||
CF | > | |||
CF | > X BELL TOWER | |||
CF | | |||
CF | The tower rises over the front of the church, though it's too awkward | |||
CF | to climb up there. The bell looks pretty hefty - you'd hate it to land | |||
CF | on you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb church" | |||
CF ] Prairie: By Church 22/359 | |||
CF | > | |||
CF | > CLIMB CHURCH | |||
CF | | |||
CF | Which do you mean, the door handles of the church, the church doors, | |||
CF | the bell tower of the church or the church building? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "building" | |||
CF ] Prairie: By Church 22/360 | |||
CF | > | |||
CF | > BUILDING | |||
CF | | |||
CF | Climbing up the church might get you noticed by the people inside it - | |||
CF | and I can assure you, you don't want that! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb tower" | |||
CF ] Prairie: By Church 22/361 | |||
CF | > | |||
CF | > CLIMB TOWER | |||
CF | | |||
CF | You're no monkey. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "monkey, climb tower" | |||
CF ] Prairie: By Church 22/362 | |||
CF | > | |||
CF | > MONKEY, CLIMB TOWER | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "throw fig at tower" | |||
CF ] Prairie: By Church 22/363 | |||
CF | > | |||
CF | > THROW FIG AT TOWER | |||
CF | | |||
CF | Your therapist has repeatedly told you not to take out your | |||
CF | frustrations in this way and you think better of it. | |||
CF | | |||
CF | > | Jade says, "lol" | ||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Burning Crosses 22/364 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | A light breeze from across the prairie fans the flames for a few | |||
CF | seconds, and you hear their crackle and smell burnt wood. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Prison 22/365 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly a prison or cell given by the | |||
CF | style of the door, can be seen here west of the flaming crosses. Given | |||
CF | everything that you've seen so far, there can be little doubt in your | |||
CF | mind about what's going to happen here. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x prison" | |||
CF ] Prairie: By Prison 22/366 | |||
CF | > | |||
CF | > X PRISON | |||
CF | | |||
CF | (the prison) | |||
CF | The singular barred window on the side is almost at ground level, | |||
CF | suggesting that beyond this prison's door are steps leading down to a | |||
CF | dismal pit where prisoners are kept. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x window" | |||
CF ] Prairie: By Prison 22/367 | |||
CF | > | |||
CF | > X WINDOW | |||
CF | | |||
CF | It's dark beyond it, but the light of the moon behind you is enough to | |||
CF | briefly reflect against two pairs of fearful eyes staring back at you | |||
CF | from the darkness. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask eyes about himself" | |||
CF ] Prairie: By Prison 22/367 | |||
CF | > | |||
CF | > ASK EYES ABOUT HIMSELF | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x eyes" | |||
CF ] Prairie: By Prison 22/367 | |||
CF | > | |||
CF | > X EYES | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x door" | |||
CF ] Prairie: By Prison 22/368 | |||
CF | > | |||
CF | > X DOOR | |||
CF | | |||
CF | It looks pretty secure. You can see steps beyond leading into | |||
CF | darkness. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Prairie: By Prison 22/369 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | The prison door is locked (are you really that surprised?) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "unlock door" | |||
CF ] Prairie: By Prison 22/369 | |||
CF | > | |||
CF | > UNLOCK DOOR | |||
CF | | |||
CF | What do you want to unlock the prison door with? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "book" | |||
CF ] Prairie: By Prison 22/370 | |||
CF | > | |||
CF | > BOOK | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the prison | |||
CF | door, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up prison in book" | |||
CF ] Prairie: By Prison 22/371 | |||
CF | > | |||
CF | > LOOK UP PRISON IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "prison". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] Prairie: By Prison 22/372 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | a tooth-crunching sugar cube | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put fig in window" | |||
CF ] Prairie: By Prison 22/373 | |||
CF | > | |||
CF | > PUT FIG IN WINDOW | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the fruit | |||
CF | from the fig tree, but not that. | |||
CF | | |||
CF | > | DavidW says, "I'm not sure what else to try here." | ||
David says, (to ClubFloyd), "pull bars" | |||
CF ] Prairie: By Prison 22/373 | |||
CF | > | |||
CF | > PULL BARS | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull window" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > PULL WINDOW | |||
CF | | |||
CF | Don't worry about the window, it's effectively part of the landscape. | |||
CF | | |||
CF | > | Jade says, "call ptisoner" | ||
David says, (to ClubFloyd), "x prisoner" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > X PRISONER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | Jade says, "talk to prisoner" | ||
DavidW says, "He or she isn't really here." | |||
David says, (to ClubFloyd), "x man" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > X MAN | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x woman" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > X WOMAN | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask window about prison" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > ASK WINDOW ABOUT PRISON | |||
CF | | |||
CF | You can only do that to something animate. | |||
CF | | |||
CF | > | DavidW shrugs: Talking to a hole in the wall worked in Curses. | ||
Jade says, "talk to prisoner" | |||
DavidW says, "I can't." | |||
Jade says, "you have seen his eyes" | |||
DavidW says, "There's no way to do that." | |||
DavidW says, "I have no noun to refer to him." | |||
Jade says, "prisoner" | |||
David says, (to ClubFloyd), "x prisoner" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > X PRISONER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "talk to prisoner" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > TALK TO PRISONER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask prisoner about prisoner" | |||
CF ] Prairie: By Prison 22/374 | |||
CF | > | |||
CF | > ASK PRISONER ABOUT PRISONER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | Jade says, "no way" | ||
DavidW says, "We can't talk to him." | |||
DavidW says, "We need to do something else." | |||
Jade says, "drop fruit into prison" | |||
DavidW asks, "The church had handles on its doors. Maybe we can bar the doors by putting something into the handles and prevent anyone from leaving?" | |||
DavidW says, "I tried putting the fig into the window. That didn't work either." | |||
Jade says, "i" | |||
David says, (to ClubFloyd), "chop window" | |||
CF ] Prairie: By Prison 22/375 | |||
CF | > | |||
CF | > CHOP WINDOW | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | Don't worry about the window, it's effectively part of the landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Burning Crosses 22/376 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take cross" | |||
CF ] Prairie: By Burning Crosses 22/377 | |||
CF | > | |||
CF | > TAKE CROSS | |||
CF | | |||
CF | They're burning (crossly). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Church 22/378 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Church | |||
CF | A large structure clad in white slatted wood with a bell-tower is | |||
CF | undoubtedly the local church, though given its proximity to the | |||
CF | burning crosses to the west you wonder what sort of religion is | |||
CF | practised within. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x handles" | |||
CF ] Prairie: By Church 22/379 | |||
CF | > | |||
CF | > X HANDLES | |||
CF | | |||
CF | They're big metal loops. They seem pretty strong. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put axe in handles" | |||
CF ] Prairie: By Church 22/380 | |||
CF | > | |||
CF | > PUT AXE IN HANDLES | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the battle | |||
CF | axe, but not that. | |||
CF | | |||
CF | You hear voices raised in the church and the sound of people hitting | |||
CF | the pews with their prayer books in anger. A moment later, it goes | |||
CF | quiet again. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "bar door" | |||
CF ] Prairie: By Church 22/380 | |||
CF | > | |||
CF | > BAR DOOR | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | Jade says, "lock" | ||
DavidW says, "If we had the rope, maybe we could tie the handles together." | |||
Jade says, "perhaps" | |||
DavidW says, "We can still try using the sugar cube with one of the horses." | |||
Jade says, "it is a long shoot" | |||
DavidW says, "Or we can try to take the tree house's rope ladder." | |||
Jade says, "I don't think so" | |||
DavidW says, "I'm surprised the axe idea with the handles didn't work." | |||
Jade says, "let's try" | |||
DavidW says, "yeah, I don't think we can take the ladder either." | |||
DavidW asks, "Try which? The horses or the rope ladder?" | |||
Jade says, "you will not be able of climbing down" | |||
DavidW says, "Probably." | |||
David says, (to ClubFloyd), "n" | |||
CF ] Prairie: By Church 22/381 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | The prairie is vast and endless. You see nothing of interest in that | |||
CF | direction except for tall grass ("uninteresting" tall grass at that). | |||
CF | | |||
CF | > | Jade says, "horses" | ||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Burning Crosses 22/382 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | A light breeze from across the prairie fans the flames for a few | |||
CF | seconds, and you hear their crackle and smell burnt wood. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Tallgrass Prairies of Missouri 22/383 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Vast Forest 22/384 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 22/385 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | Two quite different-looking horses are grazing nearby. One, a large | |||
CF | stallion, chestnut, tall and muscular, looks at you levelly, while a | |||
CF | smaller filly, white and beautifully groomed, pointedly ignores you | |||
CF | while she carries on eating. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf6" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] The Green Hills of England 22/385 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give sugar to stallion" | |||
CF ] The Green Hills of England 23/386 | |||
CF | > | |||
CF | > GIVE SUGAR TO STALLION | |||
CF | | |||
CF | (you shouldn't give sugar to horses, you know) | |||
CF | | |||
CF | He accepts your gift gracefully and seems better disposed towards you | |||
CF | now. | |||
CF | | |||
CF | You blokes like to stick together, I suppose. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride stallion" | |||
CF ] The Green Hills of England 23/387 | |||
CF | > | |||
CF | > RIDE STALLION | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 23/388 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 23/389 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 24/390 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Processing) 24/391 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Palm Tree Plantation (Processing) 24/392 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (first opening the processing plant door) | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x door" | |||
CF ] Palm Tree Plantation (Processing) 24/393 | |||
CF | > | |||
CF | > X DOOR | |||
CF | | |||
CF | It has a keypad next to it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up plantation in book" | |||
CF ] Palm Tree Plantation (Processing) 24/394 | |||
CF | > | |||
CF | > LOOK UP PLANTATION IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for | |||
CF | "plantation". Since you're now a member, perhaps, later on, you can | |||
CF | send in a contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up keypad in book" | |||
CF ] Palm Tree Plantation (Processing) 24/395 | |||
CF | > | |||
CF | > LOOK UP KEYPAD IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "keypad". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/396 | |||
CF | > | |||
CF | > X KEYPAD | |||
CF | | |||
CF | It's a small electronic device, about the size of your hand. Along the | |||
CF | top are 4 green lights, below which are buttons corresponding to the | |||
CF | digits 0 to 9. | |||
CF | | |||
CF | To put a code into the keypad, type "enter on keypad", one | |||
CF | digit at a time. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "read book" | |||
CF ] Palm Tree Plantation (Processing) 24/397 | |||
CF | > | |||
CF | > READ BOOK | |||
CF | | |||
CF | This crazy little book is full of information, including door codes, | |||
CF | access codes and passwords, for just about every organisation that | |||
CF | might be involved in polluting or ruining the planet (you can look | |||
CF | things up in it by typing "look up in book". Whoever these | |||
CF | Rhino Warriors are, they've got one hell of an intelligence | |||
CF | connection! | |||
CF | | |||
CF | > | Jade says, "I supposed it would be in the book" | ||
David says, (to ClubFloyd), "look up processing in book" | |||
CF ] Palm Tree Plantation (Processing) 24/398 | |||
CF | > | |||
CF | > LOOK UP PROCESSING IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for | |||
CF | "processing". Since you're now a member, perhaps, later on, you can | |||
CF | send in a contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up code in book" | |||
CF ] Palm Tree Plantation (Processing) 24/399 | |||
CF | > | |||
CF | > LOOK UP CODE IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "code". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up palm in book" | |||
CF ] Palm Tree Plantation (Processing) 24/400 | |||
CF | > | |||
CF | > LOOK UP PALM IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "palm". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x door" | |||
CF ] Palm Tree Plantation (Processing) 24/401 | |||
CF | > | |||
CF | > X DOOR | |||
CF | | |||
CF | It has a keypad next to it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "l" | |||
CF ] Palm Tree Plantation (Processing) 24/402 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up processing plant in book" | |||
CF ] Palm Tree Plantation (Processing) 24/403 | |||
CF | > | |||
CF | > LOOK UP PROCESSING PLANT IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "processing | |||
CF | plant". Since you're now a member, perhaps, later on, you can send in | |||
CF | a contribution. | |||
CF | | |||
CF | > | DavidW asks, "Was there a name I missed?" | ||
David says, (to ClubFloyd), "x keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/404 | |||
CF | > | |||
CF | > X KEYPAD | |||
CF | | |||
CF | It's a small electronic device, about the size of your hand. Along the | |||
CF | top are 4 green lights, below which are buttons corresponding to the | |||
CF | digits 0 to 9. | |||
CF | | |||
CF | To put a code into the keypad, type "enter on keypad", one | |||
CF | digit at a time. | |||
CF | | |||
CF | > | Jade says, "I don't remember" | ||
David says, (to ClubFloyd), "enter 1 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/405 | |||
CF | > | |||
CF | > ENTER 1 ON KEYPAD | |||
CF | | |||
CF | There's a buzz, but nothing else happens. | |||
CF | | |||
CF | > | |||
Not a valid command. Try typing 'help'. | |||
David says, (to ClubFloyd), "enter 2 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/406 | |||
CF | > | |||
CF | > ENTER 2 ON KEYPAD | |||
CF | | |||
CF | There's a buzz, but nothing else happens. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 1234 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/407 | |||
CF | > | |||
CF | > ENTER 1234 ON KEYPAD | |||
CF | | |||
CF | There is no button for 1234 on the keypad for you to press. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 3 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/408 | |||
CF | > | |||
CF | > ENTER 3 ON KEYPAD | |||
CF | | |||
CF | There's a buzz, but nothing else happens. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 4 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/409 | |||
CF | > | |||
CF | > ENTER 4 ON KEYPAD | |||
CF | | |||
CF | There's a buzz, but nothing else happens. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/410 | |||
CF | > | |||
CF | > X KEYPAD | |||
CF | | |||
CF | It's a small electronic device, about the size of your hand. Along the | |||
CF | top are 4 green lights, below which are buttons corresponding to the | |||
CF | digits 0 to 9. | |||
CF | | |||
CF | To put a code into the keypad, type "enter on keypad", one | |||
CF | digit at a time. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x lights" | |||
CF ] Palm Tree Plantation (Processing) 24/410 | |||
CF | > | |||
CF | > X LIGHTS | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "search keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/411 | |||
CF | > | |||
CF | > SEARCH KEYPAD | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "read keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/412 | |||
CF | > | |||
CF | > READ KEYPAD | |||
CF | | |||
CF | It's a small electronic device, about the size of your hand. Along the | |||
CF | top are 4 green lights, below which are buttons corresponding to the | |||
CF | digits 0 to 9. | |||
CF | | |||
CF | To put a code into the keypad, type "enter on keypad", one | |||
CF | digit at a time. | |||
CF | | |||
CF | > | DavidW asks, "I'm sure the book must have the code, mustn't it?" | ||
David says, (to ClubFloyd), "look up palm tree plantation in book" | |||
CF ] Palm Tree Plantation (Processing) 24/413 | |||
CF | > | |||
CF | > LOOK UP PALM TREE PLANTATION IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "palm tree | |||
CF | plantation". Since you're now a member, perhaps, later on, you can | |||
CF | send in a contribution. | |||
CF | | |||
CF | > | Jade says, "I guess so" | ||
David says, (to ClubFloyd), "n" | |||
CF ] Palm Tree Plantation (Processing) 24/414 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (first opening the processing plant door) | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Processing) 24/415 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | The plantation is vast, and monotonous. Even the orangutans get lost | |||
CF | in there if they wander off by themselves (either that or they die of | |||
CF | boredom). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 24/416 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | That would take far too long by foot, and you'd probably die of | |||
CF | boredom. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Processing) 24/417 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Entrance) 24/418 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | Jade says, "palmface" | ||
David says, (to ClubFloyd), "look up palmface in book" | |||
CF ] Palm Tree Plantation (Entrance) 24/419 | |||
CF | > | |||
CF | > LOOK UP PALMFACE IN BOOK | |||
CF | | |||
CF | An unethical producer of beauty products made from palm-oil based in | |||
CF | Indonesia. The entry also has the following written at the end: 6 4 0 | |||
CF | 5 | |||
CF | | |||
CF | > | Jade says, "ok" | ||
David says, (to ClubFloyd), "x building" | |||
CF ] Palm Tree Plantation (Entrance) 24/420 | |||
CF | > | |||
CF | > X BUILDING | |||
CF | | |||
CF | It's quite a low building. You reckon that, with a ladder, you could | |||
CF | probably reach the roof. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Entrance) 24/421 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | You need to get off "Champion", the wonder horse first. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Entrance) 24/422 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Entrance) 24/423 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (first opening the outlet door) | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb building" | |||
CF ] Palm Tree Plantation (Entrance) 24/424 | |||
CF | > | |||
CF | > CLIMB BUILDING | |||
CF | | |||
CF | You need a ladder. | |||
CF | | |||
CF | > | DavidW says, "Let's go back to the keypad." | ||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Entrance) 24/425 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Palm Tree Plantation (Processing) 24/426 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Processing) 24/427 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | Jade says, "ywah" | ||
David says, (to ClubFloyd), "push 6" | |||
CF ] Palm Tree Plantation (Processing) 24/427 | |||
CF | > | |||
CF | > PUSH 6 | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 6 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/428 | |||
CF | > | |||
CF | > ENTER 6 ON KEYPAD | |||
CF | | |||
CF | There's a bleep, and the first light on the top of the keypad lights | |||
CF | up. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 4 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/429 | |||
CF | > | |||
CF | > ENTER 4 ON KEYPAD | |||
CF | | |||
CF | There's a bleep, and the second light on the top of the keypad lights | |||
CF | up. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ebter 0 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/429 | |||
CF | > | |||
CF | > EBTER 0 ON KEYPAD | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 0 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 24/430 | |||
CF | > | |||
CF | > ENTER 0 ON KEYPAD | |||
CF | | |||
CF | There's a bleep, and the third light on the top of the keypad lights | |||
CF | up (exciting, isn't this!). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter 5 on keypad" | |||
CF ] Palm Tree Plantation (Processing) 26/431 | |||
CF | > | |||
CF | > ENTER 5 ON KEYPAD | |||
CF | | |||
CF | There's a bleep, the fourth light on the top of the keypad lights up, | |||
CF | and there's a clunk as the door unlocks and opens. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Processing) 26/432 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | The plantation is vast, and monotonous. Even the orangutans get lost | |||
CF | in there if they wander off by themselves (either that or they die of | |||
CF | boredom). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Processing Plant 26/433 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Processing Plant | |||
CF | The inside of the processing plant is a vast workshop of tables, | |||
CF | benches, cupboards, and huge pieces of machinery used in producing | |||
CF | palm oil at an industrial scale. | |||
CF | | |||
CF | There's nobody about and, though the place doesn't look abandoned, | |||
CF | none of the machinery is in use, suggesting that perhaps it's a | |||
CF | holiday or, more likely, a break in production whilst the palm trees | |||
CF | are allowed to grow to the right level of maturity. | |||
CF | | |||
CF | A small oven ("small" relatively speaking), a small compressor and a | |||
CF | small washer, probably for working with samples, stand to one side, | |||
CF | whilst a cleaning cupboard is over on the other. | |||
CF | | |||
CF | The door you came through leads out to the south. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x machinery" | |||
CF ] Processing Plant 26/434 | |||
CF | > | |||
CF | > X MACHINERY | |||
CF | | |||
CF | It's functional and industrial (and very heavy). Some people find a | |||
CF | certain elegance in this. I'm not sure if you are, but I'm certainly | |||
CF | not one of them. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x oven" | |||
CF ] Processing Plant 26/435 | |||
CF | > | |||
CF | > X OVEN | |||
CF | | |||
CF | This thing will cook stuff in a fraction of the time that it might | |||
CF | take to, say, barbecue it instead. The oven controls are reasonably | |||
CF | easy to operate and, by way of shorthand, the oven will operate | |||
CF | automatically if you place something into it and close the door. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x compressor" | |||
CF ] Processing Plant 26/436 | |||
CF | > | |||
CF | > X COMPRESSOR | |||
CF | | |||
CF | Generally speaking, you have to crush things to get oil out of them, | |||
CF | so the presence of a compressor here is no surprise. Rather like the | |||
CF | oven, however, this seems to be more for processing samples than for a | |||
CF | fully-fledged industrial operation. It's quite easy to operate and, by | |||
CF | way of shorthand, will do so automatically if you place something into | |||
CF | it and close the door. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x washer" | |||
CF ] Processing Plant 26/437 | |||
CF | > | |||
CF | > X WASHER | |||
CF | | |||
CF | It's not surprising that washing is part of the process somehow. The | |||
CF | washer is quite easy to operate and, by way of shorthand, will do so | |||
CF | automatically if you place something into it and close the door. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x cupboard" | |||
CF ] Processing Plant 26/438 | |||
CF | > | |||
CF | > X CUPBOARD | |||
CF | | |||
CF | (the cleaning cupboard) | |||
CF | It's not something you're particularly acquainted with as "cleaning" | |||
CF | isn't something that you're particularly acquainted with. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "open cupboard" | |||
CF ] Processing Plant 26/439 | |||
CF | > | |||
CF | > OPEN CUPBOARD | |||
CF | | |||
CF | (the cleaning cupboard) | |||
CF | You open the cleaning cupboard, revealing a 5-litre plastic jerry can. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "can" | |||
CF ] Processing Plant 26/439 | |||
CF | > | |||
CF | > CAN | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x can" | |||
CF ] Processing Plant 26/440 | |||
CF | > | |||
CF | > X CAN | |||
CF | | |||
CF | It's a five-litre plastic jerry can, filled with an industrial | |||
CF | cleaner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take can" | |||
CF ] Processing Plant 26/441 | |||
CF | > | |||
CF | > TAKE CAN | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x door" | |||
CF ] Processing Plant 26/441 | |||
CF | > | |||
CF | > X DOOR | |||
CF | | |||
CF | Which do you mean, the processing plant door, the small industrial | |||
CF | oven, the small industrial compressor, the small industrial washer or | |||
CF | the cleaning cupboard? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "plant" | |||
CF ] Processing Plant 26/442 | |||
CF | > | |||
CF | > PLANT | |||
CF | | |||
CF | It has a keypad next to it. | |||
CF | | |||
CF | > | Roger says, "disbelieve: nothing comes in 5-L cans" | ||
DavidW says (to Roger), "Complain to Jerry." | |||
Jade says, "yes, it could be in industrial enviroment" | |||
DavidW says, "I don't know of anything that we need to cook, compress, or clean." | |||
Jade says, "the monkey, of course" | |||
DavidW says, "That would be very cruel and disallowed, I'm sure." | |||
DavidW says, "Also, he can probably grab the fig and leave before we can close any door." | |||
David says, (to ClubFloyd), "i" | |||
CF ] Processing Plant 26/443 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a 5-litre plastic jerry can | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | DavidW says, "I don't know what to do here." | ||
Jade says, "put fruit into parka" | |||
David says, (to ClubFloyd), "put fig in parka" | |||
CF ] Processing Plant 26/444 | |||
CF | > | |||
CF | > PUT FIG IN PARKA | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the fruit | |||
CF | from the fig tree, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take macaque" | |||
CF ] Processing Plant 26/445 | |||
CF | > | |||
CF | > TAKE MACAQUE | |||
CF | | |||
CF | He's too quick to catch. | |||
CF | | |||
CF | > | Roger asks, "press it?" | ||
DavidW asks, "Press the fig? To get fig juice?" | |||
Roger says, "maybe" | |||
David says, (to ClubFloyd), "put fig in compresser" | |||
CF ] Processing Plant 26/445 | |||
CF | > | |||
CF | > PUT FIG IN COMPRESSER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put fig in compressor" | |||
CF ] Processing Plant 26/446 | |||
CF | > | |||
CF | > PUT FIG IN COMPRESSOR | |||
CF | | |||
CF | The fruit from the fig tree doesn't need compressing. | |||
CF | | |||
CF | > | DavidW says, "For all I know we can make a baked potato here." | ||
Jade says, "let's explore" | |||
DavidW says, "well, we've been to all the obvious easy places." | |||
DavidW says, "We could try getting in the viking boat and launching, but almost certainly, the archer will shoot a fire arrow at the boat." | |||
DavidW says, "But we haven't TRIED it yet." | |||
DavidW says, "We can also turn on the floodlight to the African escarpment and head down to where the angry poachers are likely to kill us." | |||
DavidW says, "We haven't actually seen if they do kill us." | |||
DavidW says, "Also we can try to take the rope ladder." | |||
DavidW asks, "And maybe wearing the Falstaff costume is good for something?" | |||
Jade says, "that is a big amount of questions" | |||
DavidW says, "Maybe we can cut *some* of the rope. Maybe we don't need the whole thing." | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Processing) 26/447 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "get on horse" | |||
CF ] Palm Tree Plantation (Processing) 26/448 | |||
CF | > | |||
CF | > GET ON HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 26/449 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Palm Tree Plantations of Indonesia 26/450 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | The plantation is vast, and monotonous. Even the orangutans get lost | |||
CF | in there if they wander off by themselves (either that or they die of | |||
CF | boredom). | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | Roger says, "I like how that makes it sarcastic. Well okay, "Champion"" | ||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 26/451 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Vast Forest 26/452 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, scratching himself on a tree | |||
CF | trunk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x trees" | |||
CF ] Vast Forest 26/453 | |||
CF | > | |||
CF | > X TREES | |||
CF | | |||
CF | The following table summarises what you have discovered so far: | |||
CF | | |||
CF | Direction Tree Destination | |||
CF | --------- ---- ----------- | |||
CF | North Pine The Pine Forests of Scandinavia | |||
CF | South Poplar The Tallgrass Prairies of Missouri | |||
CF | East Palm The Palm Tree Plantations of Indonesia | |||
CF | West Mangrove An Island in the Caribbean | |||
CF | Northeast Fig The Himalayan Mountains | |||
CF | Northwest Oak The Green Hills of England | |||
CF | Southeast Baobab The Vast Plains of the Serengeti | |||
CF | Southwest Rainforest The Amazon Basin | |||
CF | | |||
CF | > | DavidW asks, "Isn't that a delightful summary?" | ||
Roger says, "yeah pretty great" | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Tallgrass Prairies of Missouri 26/454 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | (first mounting "Champion", the wonder horse - if you left the poor | |||
CF | creature behind in this huge forest you'd never ever find him again) | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri (on "Champion", the wonder | |||
CF | horse) | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut rope" | |||
CF ] The Tallgrass Prairies of Missouri 26/455 | |||
CF | > | |||
CF | > CUT ROPE | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | It would make more sense to untie it, if you can figure out how to do | |||
CF | that. | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb rope" | |||
CF ] The Tallgrass Prairies of Missouri 26/456 | |||
CF | > | |||
CF | > CLIMB ROPE | |||
CF | | |||
CF | You need to get off "Champion", the wonder horse first. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Tallgrass Prairies of Missouri 26/457 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb rope" | |||
CF ] Edge of Prairie (up a Poplar) 26/458 | |||
CF | > | |||
CF | > CLIMB ROPE | |||
CF | | |||
CF | You climb the rope up into the branches of the poplar. | |||
CF | | |||
CF | Edge of Prairie (up a Poplar) | |||
CF | From up here, you can see that the flames to the south come from three | |||
CF | burning trees or pyres and that there is a large building to the east | |||
CF | of them and a smaller one to the west. | |||
CF | | |||
CF | A length of rope hangs down from the branch that you are standing on. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "untie rope" | |||
CF ] Edge of Prairie (up a Poplar) 26/459 | |||
CF | > | |||
CF | > UNTIE ROPE | |||
CF | | |||
CF | You untie the rope from the branch. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut rope" | |||
CF ] Edge of Prairie (up a Poplar) 26/460 | |||
CF | > | |||
CF | > CUT ROPE | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | That would just make smaller rope, and you figure the rope would be | |||
CF | most useful to you if you leave it as long as it is. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "jump" | |||
CF ] Edge of Prairie (up a Poplar) 26/461 | |||
CF | > | |||
CF | > JUMP | |||
CF | | |||
CF | It's too far down (ok, I know, it's not that far down, but the | |||
CF | other day you dropped down from a chair that you were using to reach a | |||
CF | book on a high shelf and you twisted your ankle and you were in agony | |||
CF | for days and that was barely a couple of feet. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "throw rope" | |||
CF ] Edge of Prairie (up a Poplar) 26/462 | |||
CF | > | |||
CF | > THROW ROPE | |||
CF | | |||
CF | You can't drop things when you're up in the sky like this. They'll | |||
CF | fall to the ground and break. | |||
CF | | |||
CF | > | Jade says, "ja ja , a moron" | ||
David says, (to ClubFloyd), "swing rope" | |||
CF ] Edge of Prairie (up a Poplar) 26/463 | |||
CF | > | |||
CF | > SWING ROPE | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the length of | |||
CF | rope, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "shimmy tree" | |||
CF ] Edge of Prairie (up a Poplar) 26/463 | |||
CF | > | |||
CF | > SHIMMY TREE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "shimmey tree" | |||
CF ] Edge of Prairie (up a Poplar) 26/463 | |||
CF | > | |||
CF | > SHIMMEY TREE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tie rope to tree" | |||
CF ] Edge of Prairie (up a Poplar) 26/464 | |||
CF | > | |||
CF | > TIE ROPE TO TREE | |||
CF | | |||
CF | (the poplar tree) | |||
CF | You replace the rope from where you took it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb rope" | |||
CF ] The Tallgrass Prairies of Missouri 26/465 | |||
CF | > | |||
CF | > CLIMB ROPE | |||
CF | | |||
CF | You climb back down to the ground using the rope. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | Jade says, "cut the tree down with axe" | ||
David says, (to ClubFloyd), "chop tree" | |||
CF ] The Tallgrass Prairies of Missouri 26/466 | |||
CF | > | |||
CF | > CHOP TREE | |||
CF | | |||
CF | (the poplar tree) | |||
CF | (with the axe) | |||
CF | | |||
CF | Don't blame the tree, and they can always find another one. | |||
CF | | |||
CF | > | DavidW says, "We could try to enter the church, I guess. Hyper-dangerous, I bet." | ||
David says, (to ClubFloyd), "s" | |||
CF ] Prairie: By Burning Crosses 26/467 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "chop cross" | |||
CF ] Prairie: By Burning Crosses 26/468 | |||
CF | > | |||
CF | > CHOP CROSS | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You may be able to destroy the symbols, but the hatred will continue. | |||
CF | Still, if you could, I dare say you would, but the fire from the | |||
CF | crosses makes it impossible. | |||
CF | | |||
CF | > | Jade says, "I 5hink we won't be able..." | ||
David says, (to ClubFloyd), "put out fire" | |||
CF ] Prairie: By Burning Crosses 26/469 | |||
CF | > | |||
CF | > PUT OUT FIRE | |||
CF | | |||
CF | You've nothing to do that with. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Church 26/470 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Church | |||
CF | A large structure clad in white slatted wood with a bell-tower is | |||
CF | undoubtedly the local church, though given its proximity to the | |||
CF | burning crosses to the west you wonder what sort of religion is | |||
CF | practised within. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "in" | |||
CF ] Prairie: By Church 26/471 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | The church is barred from the inside, and there's no way you can climb | |||
CF | in via the bell tower. | |||
CF | | |||
CF | > | Jade exclaims, "dislexic tablet keyboard!" | ||
Jade says, "call door" | |||
Roger says (to floyd), "knock on church" | |||
CF ] Prairie: By Church 26/472 | |||
CF | > | |||
CF | > KNOCK ON CHURCH | |||
CF | | |||
CF | (the church doors) | |||
CF | Going by the amount of noise in there, they probably can't hear you. | |||
CF | | |||
CF | > | DavidW says, "The cell door is locked." | ||
Jade says, "knock on,door" | |||
David says, (to ClubFloyd), "knock on door" | |||
CF ] Prairie: By Church 26/473 | |||
CF | > | |||
CF | > KNOCK ON DOOR | |||
CF | | |||
CF | (the church doors) | |||
CF | Going by the amount of noise in there, they probably can't hear you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Burning Crosses 26/474 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Prison 26/475 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly a prison or cell given by the | |||
CF | style of the door, can be seen here west of the flaming crosses. Given | |||
CF | everything that you've seen so far, there can be little doubt in your | |||
CF | mind about what's going to happen here. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "knock on door" | |||
CF ] Prairie: By Prison 26/476 | |||
CF | > | |||
CF | > KNOCK ON DOOR | |||
CF | | |||
CF | No answer. Then again, it's not as if whoever is in there is likely to | |||
CF | be able to come to the door and open it. | |||
CF | | |||
CF | > | Jade says, "nop" | ||
David says, (to ClubFloyd), "open door" | |||
CF ] Prairie: By Prison 26/477 | |||
CF | > | |||
CF | > OPEN DOOR | |||
CF | | |||
CF | The prison door is locked (are you really that surprised?) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "chop door" | |||
CF ] Prairie: By Prison 26/478 | |||
CF | > | |||
CF | > CHOP DOOR | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the prison | |||
CF | door, but not that. | |||
CF | | |||
CF | > | Jade says, "knoxk on door" | ||
DavidW says, "Did that two moves ago." | |||
Roger says, "It's a new door" | |||
Jade says, "lag" | |||
Roger says, "maybe it's an anchorite" | |||
DavidW asks, "A what?" | |||
Roger says, "hermits who wall themselves into little cells adjoining churches" | |||
Jade says, "anacoreta" | |||
DavidW says, "This is the prison door." | |||
Jade says, "I don't think so" | |||
Jade says, "barred door..." | |||
DavidW says, "I'm going to try for the rope ladder next." | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Burning Crosses 26/479 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Tallgrass Prairies of Missouri 26/480 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Vast Forest 26/481 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "sw" | |||
CF ] The Amazon Basin 26/482 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] "Tree Quarry" 26/483 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | "Tree Quarry" | |||
CF | There is no better way to describe it: clearly, what was once a part | |||
CF | of the rainforest around you is now a desolate rocky landscape bereft | |||
CF | of fauna or vegetation. From here, you can go back up to where you | |||
CF | left the bulldozer or follow a path northwest. | |||
CF | | |||
CF | A young girl is lying on the ground here, exactly at the point where | |||
CF | that huge yellow bulldozer that you so considerately vandalised would | |||
CF | rush down and crush her on its way to do more of its dirty work. She | |||
CF | must have been hoping that it wasn't going to happen, though clearly | |||
CF | now the point is moot. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Eco Camp 26/484 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Eco Camp | |||
CF | The path from the "quarry" ends here at a tree house built some way up | |||
CF | into the canopy of the rainforest. | |||
CF | You can go back to the quarry by following the path southeast. | |||
CF | | |||
CF | A ladder descends from the tree-house. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Tree House 26/485 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | (you attempt to climb up the ladder). | |||
CF | | |||
CF | You climb up without a problem. | |||
CF | | |||
CF | Tree House | |||
CF | Now that you're actually up here, you have to marvel at this thing's | |||
CF | construction. A lot of work has gone into ensuring that it is safe, | |||
CF | solid, comfortable, windproof and water-proof. Although not entirely | |||
CF | free of artificial materials, you can still appreciate the builder's | |||
CF | ingenuity. | |||
CF | | |||
CF | A ladder descends to the ground. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take ladder" | |||
CF ] Tree House 26/486 | |||
CF | > | |||
CF | > TAKE LADDER | |||
CF | | |||
CF | Pick it up when you get down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Eco Camp 26/487 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You climb down the ladder. | |||
CF | | |||
CF | Eco Camp | |||
CF | The path from the "quarry" ends here at a tree house built some way up | |||
CF | into the canopy of the rainforest. | |||
CF | You can go back to the quarry by following the path southeast. | |||
CF | | |||
CF | A ladder descends from the tree-house. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take ladder" | |||
CF ] Eco Camp 27/488 | |||
CF | > | |||
CF | > TAKE LADDER | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | DavidW says, "The rope ladder IS takeable!" | ||
Jade exclaims, "great!" | |||
David says, (to ClubFloyd), "se" | |||
CF ] "Tree Quarry" 27/489 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | "Tree Quarry" | |||
CF | There is no better way to describe it: clearly, what was once a part | |||
CF | of the rainforest around you is now a desolate rocky landscape bereft | |||
CF | of fauna or vegetation. From here, you can go back up to where you | |||
CF | left the bulldozer or follow a path northwest. | |||
CF | | |||
CF | A young girl is lying on the ground here, exactly at the point where | |||
CF | that huge yellow bulldozer that you so considerately vandalised would | |||
CF | rush down and crush her on its way to do more of its dirty work. She | |||
CF | must have been hoping that it wasn't going to happen, though clearly | |||
CF | now the point is moot. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Amazon Basin 27/490 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] Vast Forest 27/491 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Tallgrass Prairies of Missouri 27/492 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb rope" | |||
CF ] Edge of Prairie (up a Poplar) 27/493 | |||
CF | > | |||
CF | > CLIMB ROPE | |||
CF | | |||
CF | You climb the rope up into the branches of the poplar. | |||
CF | | |||
CF | Edge of Prairie (up a Poplar) | |||
CF | From up here, you can see that the flames to the south come from three | |||
CF | burning trees or pyres and that there is a large building to the east | |||
CF | of them and a smaller one to the west. | |||
CF | | |||
CF | A length of rope hangs down from the branch that you are standing on. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tie rope ladder to tree" | |||
CF ] Edge of Prairie (up a Poplar) 27/493 | |||
CF | > | |||
CF | > TIE ROPE LADDER TO TREE | |||
CF | | |||
CF | I didn't understand that sentence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put rope ladder on tree" | |||
CF ] Edge of Prairie (up a Poplar) 27/493 | |||
CF | > | |||
CF | > PUT ROPE LADDER ON TREE | |||
CF | | |||
CF | I didn't understand that sentence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] Edge of Prairie (up a Poplar) 27/494 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a ladder (over your shoulder) | |||
CF | a 5-litre plastic jerry can | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Tallgrass Prairies of Missouri 27/495 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You climb back down to the ground using the rope. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A length of rope hangs from the poplar. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put ladder on tree" | |||
CF ] The Tallgrass Prairies of Missouri 27/496 | |||
CF | > | |||
CF | > PUT LADDER ON TREE | |||
CF | | |||
CF | (the poplar tree) | |||
CF | The poplar tree is just part of the general landscape of the | |||
CF | simulation. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] The Tallgrass Prairies of Missouri 27/497 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | The ladder isn't leaning against anything. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "lean ladder on tree" | |||
CF ] The Tallgrass Prairies of Missouri 27/497 | |||
CF | > | |||
CF | > LEAN LADDER ON TREE | |||
CF | | |||
CF | I didn't understand that sentence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "drop ladder" | |||
CF ] The Tallgrass Prairies of Missouri 27/498 | |||
CF | > | |||
CF | > DROP LADDER | |||
CF | | |||
CF | Dropped. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] The Tallgrass Prairies of Missouri 27/499 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | The ladder isn't leaning against anything. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take ladder" | |||
CF ] The Tallgrass Prairies of Missouri 27/500 | |||
CF | > | |||
CF | > TAKE LADDER | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | Roger asks, "did we try laddering our way into the church already?" | ||
DavidW says, "no. We just got this." | |||
Jade says, "perhaps in the church tower" | |||
DavidW says, "Also the palmfale store needs a ladder" | |||
David says, (to ClubFloyd), "put ladder on tree" | |||
CF ] The Tallgrass Prairies of Missouri 27/501 | |||
CF | > | |||
CF | > PUT LADDER ON TREE | |||
CF | | |||
CF | (the poplar tree) | |||
CF | The poplar tree is just part of the general landscape of the | |||
CF | simulation. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "lean ladder" | |||
CF ] The Tallgrass Prairies of Missouri 28/502 | |||
CF | > | |||
CF | > LEAN LADDER | |||
CF | | |||
CF | (against the poplar tree) | |||
CF | Ok, you lean the ladder against the poplar tree. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Edge of Prairie (up a Poplar) 28/503 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | (you climb up the ladder). | |||
CF | | |||
CF | You climb the ladder up into the branches of the poplar. | |||
CF | | |||
CF | Edge of Prairie (up a Poplar) | |||
CF | From up here, you can see that the flames to the south come from three | |||
CF | burning trees or pyres and that there is a large building to the east | |||
CF | of them and a smaller one to the west. | |||
CF | | |||
CF | A length of rope hangs down from the branch that you are standing on. | |||
CF | | |||
CF | A ladder descends from the branch that you are standing on. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "untie rope" | |||
CF ] Edge of Prairie (up a Poplar) 28/504 | |||
CF | > | |||
CF | > UNTIE ROPE | |||
CF | | |||
CF | You untie the rope from the branch. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Tallgrass Prairies of Missouri 28/505 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You climb back down to the ground using the ladder. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | A ladder leans against the poplar. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take ladder" | |||
CF ] The Tallgrass Prairies of Missouri 28/506 | |||
CF | > | |||
CF | > TAKE LADDER | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Prairie: By Burning Crosses 28/507 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | A light breeze from across the prairie fans the flames for a few | |||
CF | seconds, and you hear their crackle and smell burnt wood. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Church 28/508 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Church | |||
CF | A large structure clad in white slatted wood with a bell-tower is | |||
CF | undoubtedly the local church, though given its proximity to the | |||
CF | burning crosses to the west you wonder what sort of religion is | |||
CF | practised within. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tie rope to handles" | |||
CF ] Prairie: By Church 30/509 | |||
CF | > | |||
CF | > TIE ROPE TO HANDLES | |||
CF | | |||
CF | You wrap the rope tightly around the handles of the church doors, | |||
CF | sealing them shut. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "lean ladder" | |||
CF ] Prairie: By Church 30/509 | |||
CF | > | |||
CF | > LEAN LADDER | |||
CF | | |||
CF | What do you want to lean ladder against? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "church" | |||
CF ] Prairie: By Church 30/509 | |||
CF | > | |||
CF | > CHURCH | |||
CF | | |||
CF | Which do you mean, the door handles of the church, the church doors, | |||
CF | the bell tower of the church or the church building? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "building" | |||
CF ] Prairie: By Church 30/510 | |||
CF | > | |||
CF | > BUILDING | |||
CF | | |||
CF | Climbing up the church might get you noticed by the people inside it - | |||
CF | and I can assure you, you don't want that! | |||
CF | | |||
CF | > | Jade says, "good" | ||
David says, (to ClubFloyd), "lean ladder against tower" | |||
CF ] Prairie: By Church 30/511 | |||
CF | > | |||
CF | > LEAN LADDER AGAINST TOWER | |||
CF | | |||
CF | Climbing up the church might get you noticed by the people inside it - | |||
CF | and I can assure you, you don't want that! | |||
CF | | |||
CF | > | DavidW says, "I guess tying the handles is just part of the solution here." | ||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Burning Crosses 30/512 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Prison 30/513 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly a prison or cell given by the | |||
CF | style of the door, can be seen here west of the flaming crosses. Given | |||
CF | everything that you've seen so far, there can be little doubt in your | |||
CF | mind about what's going to happen here. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "lean ladder" | |||
CF ] Prairie: By Prison 30/513 | |||
CF | > | |||
CF | > LEAN LADDER | |||
CF | | |||
CF | What do you want to lean ladder against? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "prison" | |||
CF ] Prairie: By Prison 30/513 | |||
CF | > | |||
CF | > PRISON | |||
CF | | |||
CF | Which do you mean, the prison door or the prison? | |||
CF | | |||
CF | > | Jade asks, "are we going to kill all of them?" | ||
David says, (to ClubFloyd), "building" | |||
CF ] Prairie: By Prison 30/514 | |||
CF | > | |||
CF | > BUILDING | |||
CF | | |||
CF | You could probably climb up it without using a ladder, but you see no | |||
CF | need to do that | |||
CF | > | DavidW says (to Jade), "I honestly don't know." | ||
DavidW says, "We're trying to free the prisoner and stop the mob from stopping us." | |||
DavidW says, "Let's take the ladder to the palmface store." | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Burning Crosses 30/515 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Tallgrass Prairies of Missouri 30/516 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] The Tallgrass Prairies of Missouri 30/517 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | (hard work with that ladder, but you manage it) | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Vast Forest 30/518 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "f e" | |||
CF ] Vast Forest 30/518 | |||
CF | > | |||
CF | > F E | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 30/519 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 30/520 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Processing) 30/521 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "lean ladder" | |||
CF ] Palm Tree Plantation (Processing) 30/521 | |||
CF | > | |||
CF | > LEAN LADDER | |||
CF | | |||
CF | What do you want to lean ladder against? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "store" | |||
CF ] Palm Tree Plantation (Processing) 30/521 | |||
CF | > | |||
CF | > STORE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "oh. Didn't go east enough." | ||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Processing) 30/522 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | (hard work with that ladder, but you manage it) | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Entrance) 30/523 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Entrance) 30/524 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "lean ladder" | |||
CF ] Palm Tree Plantation (Entrance) 30/524 | |||
CF | > | |||
CF | > LEAN LADDER | |||
CF | | |||
CF | What do you want to lean ladder against? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "store" | |||
CF ] Palm Tree Plantation (Entrance) 31/525 | |||
CF | > | |||
CF | > STORE | |||
CF | | |||
CF | Ok, you lean the ladder against the small outlet building. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Palm Tree Plantation (Entrance) 31/526 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | grow wings and fly up into the air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/527 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb up the ladder onto the roof. | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | A big sad bag of orange fur which you recognise as an orangutan gazes | |||
CF | at you morosely from atop the skylight. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | The monkey scrambles up after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | Jade says, "electrified" | ||
David says, (to ClubFloyd), "x orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/528 | |||
CF | > | |||
CF | > X ORANGUTAN | |||
CF | | |||
CF | Sitting on top of a skylight on a concrete building is not what an | |||
CF | orangutan would consider its natural habitat. From what you know of | |||
CF | the activities of the palm oil industry, especially in Indonesia, you | |||
CF | reckon the poor creature has little choice left. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x skylight" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/529 | |||
CF | > | |||
CF | > X SKYLIGHT | |||
CF | | |||
CF | It's open enough to allow you to climb down and up, if only the | |||
CF | orangutan wasn't in the way. | |||
CF | | |||
CF | The orangutan wanders over to the edge of the roof and looks around, | |||
CF | then goes back to where it was. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull string" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/530 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | > | Jade says, "tie rope to skylight" | ||
DavidW says, "The rope is at the church now." | |||
David says, (to ClubFloyd), "give toy to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/531 | |||
CF | > | |||
CF | > GIVE TOY TO ORANGUTAN | |||
CF | | |||
CF | The orangutan respectfully takes it off your hands and plays with it | |||
CF | for a second, then gives it back to you, if anything even more | |||
CF | depressed than before. | |||
CF | | |||
CF | > | Jade says, "put the ladder into" | ||
DavidW says, "There's an orangutan to deal with." | |||
DavidW says, "I can't really do anything with the skylight until the creature moves." | |||
David says, (to ClubFloyd), "give fig to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/532 | |||
CF | > | |||
CF | > GIVE FIG TO ORANGUTAN | |||
CF | | |||
CF | The orangutan grabs the fig fruit off you as soon as you call | |||
CF | attention to it, gives it to the macaque, who promptly snatches it and | |||
CF | disappears through the plantation (it's a long way home - but it'll | |||
CF | get there). | |||
CF | | |||
CF | The orangutan shifts about on the skylight. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/531 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/532 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a 5-litre plastic jerry can | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | The orangutan scratches itself absently. | |||
CF | | |||
CF | > | Jade says, "lol" | ||
David says, (to ClubFloyd), "give costume to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/533 | |||
CF | > | |||
CF | > GIVE COSTUME TO ORANGUTAN | |||
CF | | |||
CF | The orangutan refuses your offer with a dismissive wave of its hand. | |||
CF | | |||
CF | The orangutan yawns and looks about wistfully. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x can" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/534 | |||
CF | > | |||
CF | > X CAN | |||
CF | | |||
CF | It's a five-litre plastic jerry can, filled with an industrial | |||
CF | cleaner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "read can" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/535 | |||
CF | > | |||
CF | > READ CAN | |||
CF | | |||
CF | It's a five-litre plastic jerry can, filled with an industrial | |||
CF | cleaner. | |||
CF | | |||
CF | The orangutan looks at you and sighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tickle orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/535 | |||
CF | > | |||
CF | > TICKLE ORANGUTAN | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pet orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/536 | |||
CF | > | |||
CF | > PET ORANGUTAN | |||
CF | | |||
CF | The orangutan looks at you with a doleful expression as if to say | |||
CF | "don't you think I have troubles enough?" | |||
CF | | |||
CF | The orangutan scratches itself absently. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "play with orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/536 | |||
CF | > | |||
CF | > PLAY WITH ORANGUTAN | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear costume" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/537 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You can't wear the Falstaff costume over the parka. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove parka" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/538 | |||
CF | > | |||
CF | > REMOVE PARKA | |||
CF | | |||
CF | You take off the green parka. | |||
CF | | |||
CF | The orangutan looks at you and sighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear costume" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/539 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You put on the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | The orangutan scratches itself absently. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dance" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/540 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | You fail to cheer the orangutan up. | |||
CF | | |||
CF | > | DavidW asks, "What do you get for a depressed orangutan?" | ||
David says, (to ClubFloyd), "act" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/540 | |||
CF | > | |||
CF | > ACT | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "sing" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/541 | |||
CF | > | |||
CF | > SING | |||
CF | | |||
CF | You sound good, if only to your own ears. | |||
CF | | |||
CF | > | Roger says, "All I know are bananas" | ||
David says, (to ClubFloyd), "remove costume" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/542 | |||
CF | > | |||
CF | > REMOVE COSTUME | |||
CF | | |||
CF | You take off the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear parka" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/543 | |||
CF | > | |||
CF | > WEAR PARKA | |||
CF | | |||
CF | You put on the green parka. | |||
CF | | |||
CF | > | DavidW says, "I don't remember seeing any bananas." | ||
David says, (to ClubFloyd), "x fence" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/543 | |||
CF | > | |||
CF | > X FENCE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "l" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/544 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | A big sad bag of orange fur which you recognise as an orangutan gazes | |||
CF | at you morosely from atop the skylight. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | > | Jade says, "I have no clue, no idea here" | ||
David says, (to ClubFloyd), "enter skylight" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/545 | |||
CF | > | |||
CF | > ENTER SKYLIGHT | |||
CF | | |||
CF | The orangutan is in the way. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "push orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/546 | |||
CF | > | |||
CF | > PUSH ORANGUTAN | |||
CF | | |||
CF | The orangutan looks at you with a doleful expression as if to say | |||
CF | "don't you think I have troubles enough?" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "kiss orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/547 | |||
CF | > | |||
CF | > KISS ORANGUTAN | |||
CF | | |||
CF | The orangutan looks at you with a doleful expression as if to say | |||
CF | "don't you think I have troubles enough?" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask orangutan about mother" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/548 | |||
CF | > | |||
CF | > ASK ORANGUTAN ABOUT MOTHER | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask orangutan about itself" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/549 | |||
CF | > | |||
CF | > ASK ORANGUTAN ABOUT ITSELF | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | The orangutan yawns and looks about wistfully. | |||
CF | | |||
CF | > | |||
Roger says (to f), "show ladder to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/550 | |||
CF | > | |||
CF | > SHOW LADDER TO ORANGUTAN | |||
CF | | |||
CF | You can only show things which are in your possession. | |||
CF | | |||
CF | > | |||
Roger says (to f), "take ladder" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/551 | |||
CF | > | |||
CF | > TAKE LADDER | |||
CF | | |||
CF | Pick it up when you get down. | |||
CF | | |||
CF | > | Jade asks, "does the orangutan fits through the skylight?" | ||
DavidW says, "No idea." | |||
David says, (to ClubFloyd), "put fig in skylight" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/552 | |||
CF | > | |||
CF | > PUT FIG IN SKYLIGHT | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the fruit | |||
CF | from the fig tree, but not that. | |||
CF | | |||
CF | > | DavidW says, "I think we need to cheer the guy up somehow." | ||
David says, (to ClubFloyd), "look up orangutan in book" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/553 | |||
CF | > | |||
CF | > LOOK UP ORANGUTAN IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "orangutan". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | Jade says, "I thik hebreach the skylight but can't go through it" | ||
Jade says, "* he reachs" | |||
DavidW says, "He's just in the way. I don't think he has any interest in going inside." | |||
DavidW says, "If we had any makeup, we could give him a makeover and tell him he looks pretty." | |||
DavidW says, "(actually, I don't know what gender the orangutan is)" | |||
DavidW says, "I dunno. Also it's late. It's almost 5 now." | |||
Jade says, "no clue of the gender" | |||
DavidW says, "I think we need to stop here for now." | |||
DavidW says, "sorry I didn't get us that much further. We make some progress, at least." | |||
David says, (to ClubFloyd), "save" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | Jade says, "ok, I am just going to bed here" | ||
David says, (to ClubFloyd), "cfarborea2" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/553 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | Jade says, "thanks for driving" | ||
DavidW says, "Thanks for playing and helping" | |||
DavidW says, "Have a good night" | |||
DavidW says, "Thanks to everyone else too, of course." | |||
Jade says, "have a safe week" | |||
DavidW says, "I'll try" | |||
DavidW says, "okay, I'm going back to the lounge now. Thanks again, all. See you next week." | |||
*** SESSION THREE *** | |||
DavidW says, "Arborea is still running. I'm hoping we'll continue it today." | |||
Jade says, "her we are again" | |||
Jade says, "I just seeArborea is still running" | |||
Jade says, "I expectwe will go on playing" | |||
DavidW says, "I updated my notes and uploaded it." | |||
DavidW says, "I also have one good idea to try." | |||
Jade asks, "the link?" | |||
Jade says, "we can try this idea today" | |||
DavidW says, " [LINK] " | |||
DavidW says, "It's not quite 2 pm yet. We should wait for others to arrive." | |||
DavidW says, "The idea is to give the jerry can of cleaning product to the pirates cleaning their ship." | |||
DavidW says, "My guess is that they'll finish cleaning the ship then open the tavern." | |||
DavidW says, "I've been waiting all week to see if my idea is correct." | |||
Jade says, "John it is a lot of time" | |||
Jade says, "* gosh" | |||
DavidW says (to Moy), "I uploaded my updated notes for Arborea to [LINK] " | |||
David says, (to ClubFloyd), "look" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 31/556 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | A big sad bag of orange fur which you recognise as an orangutan gazes | |||
CF | at you morosely from atop the skylight. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | > | Jade says, "and comment our few advances" | ||
DavidW says, "I still have no idea what to do about the orangutan but let's try my idea for the jerry can." | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (Entrance) 31/557 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb down the ladder back to the ground again. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | The monkey scrambles down after you, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | DavidW says, "I'll leave the ladder here for now." | ||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Entrance) 31/558 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | Jade says, "let's try your idea" | ||
David says, (to ClubFloyd), "w" | |||
CF ] Palm Tree Plantation (Processing) 31/559 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 31/560 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 31/561 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Vast Forest 31/562 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, scratching himself on a tree | |||
CF | trunk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 31/563 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | (first mounting "Champion", the wonder horse - if you left the poor | |||
CF | creature behind in this huge forest you'd never ever find him again) | |||
CF | | |||
CF | An Island in the Caribbean (on "Champion", the wonder horse) | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | DavidW says, "oh. We can't leave the horse behind in the start location. That's interesting." | ||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 31/564 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | "Champion", the wonder horse is not too happy walking on this rickety | |||
CF | walkway and, after one or two precarious slides and trips, steadfastly | |||
CF | refuses to move. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] An Island in the Caribbean 31/565 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Pirate Shanty Town 31/566 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | There is also a tavern to the west but that also seems to be closed. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. Even from here, you can see that | |||
CF | there are pirates on the pirate ship. | |||
CF | | |||
CF | You hear the crack of a whip coming from the ship. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Pirate Ship 31/567 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Pirate Ship | |||
CF | Typical of the 17th century, this pirate ship is a "sloop", i.e. a | |||
CF | single-masted vessel built for speed and for its ability to sail | |||
CF | through shallow waters. The pirate shanty town is to the south. | |||
CF | | |||
CF | Several pirates are on board, swabbing the deck under the gaze of a | |||
CF | vicious-looking overseer. | |||
CF | | |||
CF | The overseer herself stands over them with a whip in her hand, cursing | |||
CF | them for their laziness. | |||
CF | | |||
CF | An impressive-looking cannon rests on the ship's deck, pointing out at | |||
CF | sea. | |||
CF | | |||
CF | The overseer cracks her whip. One of the pirates groans as a thin red | |||
CF | welt appears across the torn seat of his pantaloons (hope that's not | |||
CF | too risqué for you). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] Pirate Ship 31/568 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a 5-litre plastic jerry can | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | The overseer cracks her whip. A sea lion comes pops its head out of | |||
CF | the water, looks at the overseer as if to say "were you trying to get | |||
CF | my attention?", and then disappears again. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give can to overseer" | |||
CF ] Pirate Ship 31/569 | |||
CF | > | |||
CF | > GIVE CAN TO OVERSEER | |||
CF | | |||
CF | (the beautiful, but frightening, woman) | |||
CF | She smiles at you and raises her whip. You feel lucky she hasn't | |||
CF | chosen to use it on you (unless, of course, you're into that sort of | |||
CF | thing), but otherwise it's clear she has no desire to interact with | |||
CF | you. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the 5-litre | |||
CF | plastic jerry can, the beautiful, but frightening, woman didn't take | |||
CF | it.) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give can to pirates" | |||
CF ] Pirate Ship 31/570 | |||
CF | > | |||
CF | > GIVE CAN TO PIRATES | |||
CF | | |||
CF | They're too busy or too scared of the overseer, to take any notice of | |||
CF | you. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the 5-litre | |||
CF | plastic jerry can, the (potentially) savage looking pirates didn't | |||
CF | take it.) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "use can on ship" | |||
CF ] Pirate Ship 31/570 | |||
CF | > | |||
CF | > USE CAN ON SHIP | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pour can" | |||
CF ] Pirate Ship 31/570 | |||
CF | > | |||
CF | > POUR CAN | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x can" | |||
CF ] Pirate Ship 31/571 | |||
CF | > | |||
CF | > X CAN | |||
CF | | |||
CF | It's a five-litre plastic jerry can, filled with an industrial | |||
CF | cleaner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "clean ship" | |||
CF ] Pirate Ship 33/572 | |||
CF | > | |||
CF | > CLEAN SHIP | |||
CF | | |||
CF | (the deck of the pirate ship) | |||
CF | You pour the industrial cleaner onto the ship's deck and throw the | |||
CF | plastic jerry can overboard (God will punish you for that last part). | |||
CF | | |||
CF | About 30 seconds later, the pirates and the overseer gaze in | |||
CF | stupefaction at the state of the deck, and about 30 seconds after | |||
CF | that, they rush off to the tavern to get drunk. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | Jade says, "we have to take away the overseer" | ||
Roger says, "huzzah" | |||
Jade says, "oh! Well done" | |||
DavidW says, "I had the right idea, but the wrong way of doing it." | |||
DavidW asks, "Who wants to see drunk pirates?" | |||
Jade says, "let's go to that tavern" | |||
David says, (to ClubFloyd), "s" | |||
CF ] Pirate Shanty Town 33/573 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | You hear the sound of someone being hit coming from the tavern. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Tavern. 36/574 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Tavern. | |||
CF | Pirates spill about in here in various states of inebriation, | |||
CF | including the overseer you saw earlier, who obviously is everyone's | |||
CF | best friend now. | |||
CF | | |||
CF | The general store owner is busy pouring out the drinks. | |||
CF | | |||
CF | The store manager's wife lies underneath one of the tables, drinking | |||
CF | herself stupid on a bottle of rum (which just goes to show ... well | |||
CF | ... something). | |||
CF | | |||
CF | If it's all too much for you, the way out is to the east. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | Jade says, "another crack" | ||
DavidW asks, "I guess this means the store is unattended?" | |||
DavidW says, "oh yeah, crack from the gourd" | |||
David says, (to ClubFloyd), "x gourd" | |||
CF ] Tavern. 36/575 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The crab and tree frog pictures are cracked. | |||
CF | | |||
CF | Someone breaks into song, someone else then smacks him in the face and | |||
CF | he stops. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x overseer" | |||
CF ] Tavern. 36/576 | |||
CF | > | |||
CF | > X OVERSEER | |||
CF | | |||
CF | (the beautiful, but frightening, woman) | |||
CF | It seems that whatever goes on in the pirate ship is forgotten when | |||
CF | they all get together for a drink. "What happens on the pirate ship | |||
CF | stays on the pirate ship". She's no different to the others now. | |||
CF | | |||
CF | Everybody suddenly starts laughing, perhaps at you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x whip" | |||
CF ] Tavern. 36/577 | |||
CF | > | |||
CF | > X WHIP | |||
CF | | |||
CF | If you get close enough, she won't just let you look at it, she'll | |||
CF | show you what it does! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take whip" | |||
CF ] Tavern. 36/578 | |||
CF | > | |||
CF | > TAKE WHIP | |||
CF | | |||
CF | There doesn't seem to be anything sensible that you can do with the | |||
CF | whip. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x wife" | |||
CF ] Tavern. 36/579 | |||
CF | > | |||
CF | > X WIFE | |||
CF | | |||
CF | She looks like she's almost drunk herself unconscious; you have to | |||
CF | wonder about people like this. | |||
CF | | |||
CF | A pirate slips over on the wet floor and almost brains himself. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask wife about herself" | |||
CF ] Tavern. 36/580 | |||
CF | > | |||
CF | > ASK WIFE ABOUT HERSELF | |||
CF | | |||
CF | She gazes at you stupidly, burps loudly and carries on drinking. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x owner" | |||
CF ] Tavern. 36/581 | |||
CF | > | |||
CF | > X OWNER | |||
CF | | |||
CF | He's busy pouring out drinks for the pirates, in a better mood now | |||
CF | that his wife's out of the way but still not all that happy in his | |||
CF | raggy clothes. A large key hangs at his belt. | |||
CF | | |||
CF | Everybody suddenly starts laughing, perhaps at you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x key" | |||
CF ] Tavern. 36/582 | |||
CF | > | |||
CF | > X KEY | |||
CF | | |||
CF | It looks like it opens a pretty heavy clunky door. | |||
CF | | |||
CF | You hear the sound of a bottle breaking somewhere. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take key" | |||
CF ] Tavern. 36/583 | |||
CF | > | |||
CF | > TAKE KEY | |||
CF | | |||
CF | It's attached to the store manager's clothes. | |||
CF | | |||
CF | > | Jade says, "a key" | ||
David says, (to ClubFloyd), "ask owner about key" | |||
CF ] Tavern. 36/584 | |||
CF | > | |||
CF | > ASK OWNER ABOUT KEY | |||
CF | | |||
CF | Best to have it in your possession if you want to talk about it - even | |||
CF | if it is actually here. | |||
CF | | |||
CF | Someone breaks into song, someone else then smacks him in the face and | |||
CF | he stops. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut key" | |||
CF ] Tavern. 36/585 | |||
CF | > | |||
CF | > CUT KEY | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the large | |||
CF | key, but not that. | |||
CF | | |||
CF | > | Jade says, "x clothes" | ||
David says, (to ClubFloyd), "x clothes" | |||
CF ] Tavern. 36/586 | |||
CF | > | |||
CF | > X CLOTHES | |||
CF | | |||
CF | (the mouldy, and very unfashionable, set of clothes belonging to the | |||
CF | store manager) | |||
CF | You see nothing special in the clothes - apart from a few drunken lice | |||
CF | which quickly scamper away. | |||
CF | | |||
CF | A pirate slips over on the wet floor and almost brains himself. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask manager about drink" | |||
CF ] Tavern. 36/587 | |||
CF | > | |||
CF | > ASK MANAGER ABOUT DRINK | |||
CF | | |||
CF | He's too busy pouring drinks to take any notice of you. | |||
CF | | |||
CF | One of the pirates throws up in front of you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take drink" | |||
CF ] Tavern. 36/588 | |||
CF | > | |||
CF | > TAKE DRINK | |||
CF | | |||
CF | You would, but then you'd probably be too drunk to do anything else. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x drink" | |||
CF ] Tavern. 36/589 | |||
CF | > | |||
CF | > X DRINK | |||
CF | | |||
CF | The rum is flowing freely. | |||
CF | | |||
CF | A pirate slips over on the wet floor and almost brains himself. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x pirates" | |||
CF ] Tavern. 36/590 | |||
CF | > | |||
CF | > X PIRATES | |||
CF | | |||
CF | The pirates look like the normal bunch of cut-throats with their | |||
CF | pantaloons, bandanas, assorted odd bits of jewellery and so on. | |||
CF | They're busy getting out of their heads on rum now. | |||
CF | | |||
CF | Everybody suddenly starts laughing, perhaps at you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look" | |||
CF ] Tavern. 36/591 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | Tavern. | |||
CF | Pirates spill about in here in various states of inebriation, | |||
CF | including the overseer you saw earlier, who obviously is everyone's | |||
CF | best friend now. | |||
CF | | |||
CF | The general store owner is busy pouring out the drinks. | |||
CF | | |||
CF | The store manager's wife lies underneath one of the tables, drinking | |||
CF | herself stupid on a bottle of rum (which just goes to show ... well | |||
CF | ... something). | |||
CF | | |||
CF | If it's all too much for you, the way out is to the east. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x tables" | |||
CF ] Tavern. 36/591 | |||
CF | > | |||
CF | > X TABLES | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "I guess the key is for the store." | ||
Jade says, "surely you are right" | |||
DavidW says, "We should check that the store is indeed locked up now and if anything was left behind on the ship." | |||
David says, (to ClubFloyd), "e" | |||
CF ] Pirate Shanty Town 36/592 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | You hear the sound of something breaking coming from the tavern. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Pirate Shanty Town 36/593 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (first opening the general store door) | |||
CF | It seems to be locked. | |||
CF | | |||
CF | You hear the sound of laughter coming from the tavern. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Pirate Ship 36/594 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Pirate Ship | |||
CF | Typical of the 17th century, this pirate ship is a "sloop", i.e. a | |||
CF | single-masted vessel built for speed and for its ability to sail | |||
CF | through shallow waters. The pirate shanty town is to the south. | |||
CF | | |||
CF | An impressive-looking cannon rests on the ship's deck, pointing out at | |||
CF | sea. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x cannon" | |||
CF ] Pirate Ship 36/595 | |||
CF | > | |||
CF | > X CANNON | |||
CF | | |||
CF | The first recognisable weapon of mass destruction, the cannon does not | |||
CF | appear to be loaded though there is a fuse sticking out of the top. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take fuse" | |||
CF ] Pirate Ship 36/596 | |||
CF | > | |||
CF | > TAKE FUSE | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x fuse" | |||
CF ] Pirate Ship 36/597 | |||
CF | > | |||
CF | > X FUSE | |||
CF | | |||
CF | Pretty short - won't burn for long. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look in cannon" | |||
CF ] Pirate Ship 36/598 | |||
CF | > | |||
CF | > LOOK IN CANNON | |||
CF | | |||
CF | The cannon is empty. | |||
CF | | |||
CF | > | DavidW asks, "What the heck do we do with a short fuse?" | ||
David says, (to ClubFloyd), "d" | |||
CF ] Pirate Ship 36/599 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | burrow into the ground. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Pirate Ship 36/600 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | grow wings and fly up into the air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x mast" | |||
CF ] Pirate Ship 36/600 | |||
CF | > | |||
CF | > X MAST | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "The ship seems to be a single location." | ||
David says, (to ClubFloyd), "i" | |||
CF ] Pirate Ship 36/601 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a fuse | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a fruit from the fig tree | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | Jade says, "yes" | ||
Jade says, "landscape" | |||
David says, (to ClubFloyd), "x landscape" | |||
CF ] Pirate Ship 36/602 | |||
CF | > | |||
CF | > X LANDSCAPE | |||
CF | | |||
CF | The ground is beneath you, just where you'd expect it to be. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x sea" | |||
CF ] Pirate Ship 36/603 | |||
CF | > | |||
CF | > X SEA | |||
CF | | |||
CF | Depending on your outlook and swimming ability the Caribbean sea is | |||
CF | either deadly or beautiful. | |||
CF | | |||
CF | > | DavidW says, "We don't have a source of fire anyway." | ||
DavidW says, "The fires we've seen are the viking archer's and the burning crosses." | |||
David says, (to ClubFloyd), "s" | |||
CF ] Pirate Shanty Town 36/604 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "yes, you're right" | ||
David says, (to ClubFloyd), "w" | |||
CF ] Tavern. 36/605 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Tavern. | |||
CF | Pirates spill about in here in various states of inebriation, | |||
CF | including the overseer you saw earlier, who obviously is everyone's | |||
CF | best friend now. | |||
CF | | |||
CF | The general store owner is busy pouring out the drinks. | |||
CF | | |||
CF | The store manager's wife lies underneath one of the tables, drinking | |||
CF | herself stupid on a bottle of rum (which just goes to show ... well | |||
CF | ... something). | |||
CF | | |||
CF | If it's all too much for you, the way out is to the east. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "search wife" | |||
CF ] Tavern. 36/606 | |||
CF | > | |||
CF | > SEARCH WIFE | |||
CF | | |||
CF | Something makes you imagine that if you do anything physical to her, | |||
CF | even in her current state, then someday, one day, she'll trace you | |||
CF | down, drag you back to the Caribbean and drown you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask wife about owner" | |||
CF ] Tavern. 36/607 | |||
CF | > | |||
CF | > ASK WIFE ABOUT OWNER | |||
CF | | |||
CF | She gazes at you stupidly, burps loudly and carries on drinking. | |||
CF | | |||
CF | A pirate slips over on the wet floor and almost brains himself. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask owner about wife" | |||
CF ] Tavern. 36/608 | |||
CF | > | |||
CF | > ASK OWNER ABOUT WIFE | |||
CF | | |||
CF | He's too busy pouring drinks to take any notice of you. | |||
CF | | |||
CF | Someone breaks into song, someone else then smacks him in the face and | |||
CF | he stops. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask wife about pirates" | |||
CF ] Tavern. 36/609 | |||
CF | > | |||
CF | > ASK WIFE ABOUT PIRATES | |||
CF | | |||
CF | She gazes at you stupidly, burps loudly and carries on drinking. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask wife about rum" | |||
CF ] Tavern. 36/610 | |||
CF | > | |||
CF | > ASK WIFE ABOUT RUM | |||
CF | | |||
CF | She gazes at you stupidly, burps loudly and carries on drinking. | |||
CF | | |||
CF | Everybody suddenly starts laughing, perhaps at you. | |||
CF | | |||
CF | > | DavidW says, "Perhaps we have to do something else somewhere else first before progressing here." | ||
Jade says, "this game are some cross puzzles through the map" | |||
DavidW says, "We could try entering the viking funeral ship and launching it, but I still think it's a mistake, but I don't know what else to try right now." | |||
David says, (to ClubFloyd), "look up tavern in book" | |||
CF ] Tavern. 36/611 | |||
CF | > | |||
CF | > LOOK UP TAVERN IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "tavern". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | One of the pirates throws up in front of you. | |||
CF | | |||
CF | > | Jade says, "ok" | ||
David says, (to ClubFloyd), "e" | |||
CF ] Pirate Shanty Town 36/612 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | You hear the sound of something breaking coming from the tavern. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] An Island in the Caribbean 36/613 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] An Island in the Caribbean 36/614 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Vast Forest 36/615 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Pine Forests of Scandinavia 36/616 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Pine Forests of Scandinavia (on "Champion", the wonder | |||
CF | horse) | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Pine Forests of Scandinavia 36/617 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Edge of Lake 36/618 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter ship" | |||
CF ] Funeral Ship 36/619 | |||
CF | > | |||
CF | > ENTER SHIP | |||
CF | | |||
CF | (the Viking funeral ship) | |||
CF | Funeral Ship | |||
CF | You are standing inside a Viking funeral ship, which is basically a | |||
CF | longship, such as sensible, living, Vikings might use, but stacked up | |||
CF | with a pyre of logs on which rests the body of a dead Viking | |||
CF | chieftain. You feel the ship might also have been drenched in petrol, | |||
CF | or something similar, for there's an uncomfortably "flammable" smell | |||
CF | about it. | |||
CF | | |||
CF | Outside the ship is the edge of the lake, where you arrived. You can | |||
CF | just say "launch" if you want to push the ship away towards the | |||
CF | distant island. | |||
CF | | |||
CF | The monkey follows you on to the boat, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf7" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Funeral Ship 36/619 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "launch" | |||
CF ] Funeral Ship 36/619 | |||
CF | > | |||
CF | > LAUNCH | |||
CF | | |||
CF | You push off from the edge of the lake, en route to the small misty | |||
CF | island in its centre. About halfway across, a flaming arrow arcs | |||
CF | across from somewhere up in the pine trees above from where you | |||
CF | launched, and the Viking funeral ship goes up in flames... | |||
CF | | |||
CF | ...unfortunately far too rapidly for you to get out alive. The last | |||
CF | thing you remember as oblivion overtakes you is the smell of cooked | |||
CF | monkey. | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 36 out of a possible 100, in 619 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | Jade exclaims, "wow!" | ||
DavidW says, "yeah, that was mostly what I expected to happen." | |||
MoyTravis asks, "hoo...ray...?" | |||
DavidW says, "The smell of dead monkey was the part I didn't expect." | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Funeral Ship 36/619 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Funeral Ship | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | Jade says, "this monkey is as a zit" | ||
DavidW says, "He's following us for the fig fruit." | |||
David says, (to ClubFloyd), "out" | |||
CF ] Edge of Lake 36/620 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | The monkey follows you off the boat, its eyes fixed on what you're | |||
CF | carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put fig in boat" | |||
CF ] Edge of Lake 36/621 | |||
CF | > | |||
CF | > PUT FIG IN BOAT | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the fruit | |||
CF | from the fig tree, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Pine Forests of Scandinavia 36/622 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 36/623 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | Above the pine forest clearing, this small viewpoint overlooks the | |||
CF | lake, which you can now regard below you in all of its glory. | |||
CF | | |||
CF | The lake waters are calm and peaceful, and a deep shade of blue. The | |||
CF | pine forest itself surrounds the lake on all sides, mostly all the way | |||
CF | down to the water's edge. However, there is a spot just below you | |||
CF | which is clear and which you can probably get to if you keep going | |||
CF | down, and next to it is a Viking funeral ship, floating on the water. | |||
CF | Off towards the centre of the lake is a small island shrouded in mist. | |||
CF | | |||
CF | A tall Viking, evidently an archer, stands here next to a small | |||
CF | campfire, looking out towards the lake. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about boat" | |||
CF ] Lake Viewpoint 36/624 | |||
CF | > | |||
CF | > ASK VIKING ABOUT BOAT | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "That's a sacred burial ship; please don't go near it." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about island" | |||
CF ] Lake Viewpoint 36/625 | |||
CF | > | |||
CF | > ASK VIKING ABOUT ISLAND | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "A sacred place; it is said that Yggdrasil himself has taken root | |||
CF | there." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about yggdrasil" | |||
CF ] Lake Viewpoint 36/626 | |||
CF | > | |||
CF | > ASK VIKING ABOUT YGGDRASIL | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "A tree sacred to Odin." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about odin" | |||
CF ] Lake Viewpoint 36/627 | |||
CF | > | |||
CF | > ASK VIKING ABOUT ODIN | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "One eye'd leader of all the gods, we honour him above all others." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about himself" | |||
CF ] Lake Viewpoint 36/628 | |||
CF | > | |||
CF | > ASK VIKING ABOUT HIMSELF | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "I have an important duty to perform when the time is right - please | |||
CF | do not distract me." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about fire" | |||
CF ] Lake Viewpoint 36/629 | |||
CF | > | |||
CF | > ASK VIKING ABOUT FIRE | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "Sacred to Loki, who it is generally wise to keep on good terms with." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about arrows" | |||
CF ] Lake Viewpoint 36/630 | |||
CF | > | |||
CF | > ASK VIKING ABOUT ARROWS | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "I am as one with my weapons." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about mead hall" | |||
CF ] Lake Viewpoint 36/631 | |||
CF | > | |||
CF | > ASK VIKING ABOUT MEAD HALL | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "Ragnar Lodbrok and his wife Lagertha are celebrating the life of one | |||
CF | of their fellow chieftains and friends." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about ragnar" | |||
CF ] Lake Viewpoint 36/632 | |||
CF | > | |||
CF | > ASK VIKING ABOUT RAGNAR | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | He seems too distracted (or perhaps you're just too boring) for him to | |||
CF | take much notice of you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about lagertha" | |||
CF ] Lake Viewpoint 36/633 | |||
CF | > | |||
CF | > ASK VIKING ABOUT LAGERTHA | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | He seems too distracted (or perhaps you're just too boring) for him to | |||
CF | take much notice of you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about chieftain" | |||
CF ] Lake Viewpoint 36/634 | |||
CF | > | |||
CF | > ASK VIKING ABOUT CHIEFTAIN | |||
CF | | |||
CF | (the Viking archer about that) | |||
CF | "A fine warrior, won every hand-to-hand battle he was ever in, except | |||
CF | the last." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "kill viking" | |||
CF ] Lake Viewpoint 36/635 | |||
CF | > | |||
CF | > KILL VIKING | |||
CF | | |||
CF | (the Viking archer) | |||
CF | He points his bow in your direction, just momentarily, and you think | |||
CF | better of it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Lake Viewpoint 36/634 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show axe to viking" | |||
CF ] Lake Viewpoint 36/635 | |||
CF | > | |||
CF | > SHOW AXE TO VIKING | |||
CF | | |||
CF | (the Viking archer) | |||
CF | You better not call attention to that thing around here. Someone might | |||
CF | recognise where you got it from. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "chop gourd" | |||
CF ] Lake Viewpoint 36/636 | |||
CF | > | |||
CF | > CHOP GOURD | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | Breaking it that way is likely to smash whatever's inside, assuming | |||
CF | that the reason you want to break it is to get at whatever's inside. | |||
CF | | |||
CF | > | Jade says, "je, je, he has work to do" | ||
David says, (to ClubFloyd), "d" | |||
CF ] The Pine Forests of Scandinavia 36/637 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about himself" | |||
CF ] The Pine Forests of Scandinavia 36/638 | |||
CF | > | |||
CF | > ASK VIKING ABOUT HIMSELF | |||
CF | | |||
CF | "I'm here to prevent unwelcome guests from barging their way into the | |||
CF | hall." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about hall" | |||
CF ] The Pine Forests of Scandinavia 36/639 | |||
CF | > | |||
CF | > ASK VIKING ABOUT HALL | |||
CF | | |||
CF | "Ragnar Lodbrok and his wife Lagertha are celebrating the life of one | |||
CF | of their fellow chieftains and friends." | |||
CF | | |||
CF | You hear loud banging on tables coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking aobut ragnar" | |||
CF ] The Pine Forests of Scandinavia 36/639 | |||
CF | > | |||
CF | > ASK VIKING AOBUT RAGNAR | |||
CF | | |||
CF | I didn't understand that sentence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about ragnar" | |||
CF ] The Pine Forests of Scandinavia 36/640 | |||
CF | > | |||
CF | > ASK VIKING ABOUT RAGNAR | |||
CF | | |||
CF | He looks briefly in your direction but otherwise ignores you. You get | |||
CF | the feeling that he's here to guard the door, and until he's relieved | |||
CF | of duty he's not going to be interested in anything else. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "relieve viking" | |||
CF ] The Pine Forests of Scandinavia 36/640 | |||
CF | > | |||
CF | > RELIEVE VIKING | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about archer" | |||
CF ] The Pine Forests of Scandinavia 36/641 | |||
CF | > | |||
CF | > ASK VIKING ABOUT ARCHER | |||
CF | | |||
CF | He looks briefly in your direction but otherwise ignores you. You get | |||
CF | the feeling that he's here to guard the door, and until he's relieved | |||
CF | of duty he's not going to be interested in anything else. | |||
CF | | |||
CF | You hear the sound of a horn being blown coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about chieftain" | |||
CF ] The Pine Forests of Scandinavia 36/642 | |||
CF | > | |||
CF | > ASK VIKING ABOUT CHIEFTAIN | |||
CF | | |||
CF | "A fine warrior, won every hand-to-hand battle he was ever in, except | |||
CF | the last." | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about boat" | |||
CF ] The Pine Forests of Scandinavia 36/643 | |||
CF | > | |||
CF | > ASK VIKING ABOUT BOAT | |||
CF | | |||
CF | "That's a sacred burial ship; please don't go near it." | |||
CF | | |||
CF | > | DavidW says, "hm. Identical responses to what the archer said." | ||
Jade says, "yes" | |||
David says, (to ClubFloyd), "ask viking about drink" | |||
CF ] The Pine Forests of Scandinavia 36/644 | |||
CF | > | |||
CF | > ASK VIKING ABOUT DRINK | |||
CF | | |||
CF | He looks briefly in your direction but otherwise ignores you. You get | |||
CF | the feeling that he's here to guard the door, and until he's relieved | |||
CF | of duty he's not going to be interested in anything else. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about mead" | |||
CF ] The Pine Forests of Scandinavia 36/645 | |||
CF | > | |||
CF | > ASK VIKING ABOUT MEAD | |||
CF | | |||
CF | You need to have it in your possession in order to be able to talk | |||
CF | about it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] The Pine Forests of Scandinavia 36/646 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Vast Forest 36/647 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 36/648 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England (on "Champion", the wonder horse) | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The pretty little filly is still here, grazing. Your stallion seems | |||
CF | quite interested in going back to her. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying (you | |||
CF | can't even outrun the poor thing on your horse). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Green Hills of England 36/649 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | A small but long-tailed, brownish monkey, probably a macaque, looks at | |||
CF | you angrily. Something that you are carrying seems to be the object of | |||
CF | his attention. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear costume" | |||
CF ] The Green Hills of England 36/650 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You can't wear the Falstaff costume over the parka. | |||
CF | | |||
CF | You see "Champion", the wonder horse snorting its head as if to shake | |||
CF | away a fly. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove parka" | |||
CF ] The Green Hills of England 36/651 | |||
CF | > | |||
CF | > REMOVE PARKA | |||
CF | | |||
CF | You take off the green parka. | |||
CF | | |||
CF | You see the filly chew lazily at some grass near the caravans. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear costume" | |||
CF ] The Green Hills of England 36/652 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You put on the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | You see "Champion", the wonder horse looking quizzically at you. | |||
CF | | |||
CF | > | |||
There's no obvious exit in that direction. | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 36/653 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | The parkland all around is great for a stroll, a picnic, and all that | |||
CF | sort of thing; but not today. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 36/654 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 5. Full performance tonight.". | |||
CF | | |||
CF | Acting comes to a sudden close as you realise the actors are getting | |||
CF | ready to rehearse this act again. The two husbands and one of the | |||
CF | young ladies retire, and Falstaff comes back on stage. | |||
CF | There seems to be something funny about Falstaff! | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x falstaff" | |||
CF ] Elizabethan Festival (south) 36/655 | |||
CF | > | |||
CF | > X FALSTAFF | |||
CF | | |||
CF | (Falstaff) | |||
CF | Central to the play, and a favourite of Queen Elizabeth I, Falstaff | |||
CF | was originally only in Henry IV parts 1 and 2, but the Queen liked the | |||
CF | character so much she ordered Shakespeare to write a "sit com" for him | |||
CF | which is how "The Merry Wives of Windsor" came about. He is currently | |||
CF | missing his costume, but is carrying on anyway in his underwear. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dance" | |||
CF ] Elizabethan Festival (south) 36/656 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | The monkey watches you in bewilderment. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one free!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull string" | |||
CF ] Elizabethan Festival (south) 36/657 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | A second "young lady" arrives from backstage and informs the first | |||
CF | young lady that her husband is on his way. Falstaff hides by leaping | |||
CF | into a laundry basket just as she arrives. | |||
CF | There seems to be something funny about Falstaff! | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, every one must go!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "sing" | |||
CF ] Elizabethan Festival (south) 36/658 | |||
CF | > | |||
CF | > SING | |||
CF | | |||
CF | You continue to sound good, if only to your own ears. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "get on stage" | |||
CF ] Elizabethan Festival (south) 36/659 | |||
CF | > | |||
CF | > GET ON STAGE | |||
CF | | |||
CF | "All the world's a stage," so there's no point climbing onto this one! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (east) 36/660 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the stage) | |||
CF | | |||
CF | Elizabethan Festival (east) | |||
CF | The Elizabethan festival continues behind the theatre, which is now to | |||
CF | the west (going west will take you front of stage). | |||
CF | | |||
CF | Several actors are backstage, waiting for their cue. | |||
CF | | |||
CF | Some actors come backstage, others go to the front. Falstaff stays | |||
CF | where he is on stage - clearly the most important character in the | |||
CF | play. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, top quality!" | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | Jade says, "buy one, get other for free" | ||
DavidW says, "I was hoping I could somehow get a coin if I danced about." | |||
David says, (to ClubFloyd), "dance" | |||
CF ] Elizabethan Festival (east) 36/661 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | The monkey watches you in bewilderment. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, British Beef only!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (south) 36/662 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the stage) | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 3. Full performance tonight.". | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 36/663 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). Francis Drake stands in | |||
CF | front of the tent on his own, rubbing his bearded chin and gazing | |||
CF | thoughtfully at his potato. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dance" | |||
CF ] Elizabethan Festival (north) 36/664 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | The monkey watches you in bewilderment. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask drake about potato" | |||
CF ] Elizabethan Festival (north) 36/665 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT POTATO | |||
CF | | |||
CF | "I'm sorry to say that Her Majesty completely fails to appreciate the | |||
CF | importance of this humble vegetable. Tobacco is even more important." | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, fantastic prices, today | |||
CF | only!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask drake about coin" | |||
CF ] Elizabethan Festival (north) 36/666 | |||
CF | > | |||
CF | > ASK DRAKE ABOUT COIN | |||
CF | | |||
CF | You need to have it in your possession in order to be able to talk | |||
CF | about it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 36/667 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (west) | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the east (going | |||
CF | east will take you round to the front of it). A canopy extends out | |||
CF | from the tent at its rear providing shade for anyone who wishes to | |||
CF | lounge outside. | |||
CF | | |||
CF | No one is present right now, but you're pretty sure there'll be guards | |||
CF | just inside the tent in case you're thinking about barging your way | |||
CF | in. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, special offer today!" | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x canopy" | |||
CF ] Elizabethan Festival (west) 36/668 | |||
CF | > | |||
CF | > X CANOPY | |||
CF | | |||
CF | It's really just like a big version of the smaller pavilion tents | |||
CF | around the festival, except it's not so bright coloured and with | |||
CF | canopies to the front and rear. You can go round the other side of it | |||
CF | if you want (just go in its direction). | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, piping hot!" | |||
CF | | |||
CF | > | DavidW says, "hm. That's describing the entire tent." | ||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 36/669 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | You wander around the Elizabethan festival for a bit, trying not to | |||
CF | look too conspicuous, eventually ending up where you started. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (west) 36/670 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | You wander around the Elizabethan festival for a bit, trying not to | |||
CF | look too conspicuous, eventually ending up where you started. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter tent" | |||
CF ] Elizabethan Festival (west) 36/670 | |||
CF | > | |||
CF | > ENTER TENT | |||
CF | | |||
CF | Which do you mean, the royal pavilion or the brightly coloured | |||
CF | pavilion tents? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "royal" | |||
CF ] Elizabethan Festival (west) 36/671 | |||
CF | > | |||
CF | > ROYAL | |||
CF | | |||
CF | There are guards just inside, barring your way (not all that politely, | |||
CF | it has to be said). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up royal pavilion in book" | |||
CF ] Elizabethan Festival (west) 36/672 | |||
CF | > | |||
CF | > LOOK UP ROYAL PAVILION IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "royal | |||
CF | pavilion". Since you're now a member, perhaps, later on, you can send | |||
CF | in a contribution. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one half price!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look in royal" | |||
CF ] Elizabethan Festival (west) 36/673 | |||
CF | > | |||
CF | > LOOK IN ROYAL | |||
CF | | |||
CF | (the royal pavilion) | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (north) 36/674 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). Francis Drake stands in | |||
CF | front of the tent on his own, rubbing his bearded chin and gazing | |||
CF | thoughtfully at his potato. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | The monkey follows you, its eyes fixed on what you're carrying. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take potato" | |||
CF ] Elizabethan Festival (north) 36/675 | |||
CF | > | |||
CF | > TAKE POTATO | |||
CF | | |||
CF | The potato doesn't belong to you. Messing about with it is likely to | |||
CF | upset someone. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give fig to drake" | |||
CF ] Elizabethan Festival (north) 38/676 | |||
CF | > | |||
CF | > GIVE FIG TO DRAKE | |||
CF | | |||
CF | He takes the fig off you and gazes at it thoughtfully. "We do have | |||
CF | some in the country," he says, "but I don't believe I've seen this | |||
CF | particular strain before". He turns it around in his hand, then comes | |||
CF | to a sudden conclusion: "Thank you very much," he says, "that was very | |||
CF | kind of you" (it was - wasn't it). Then he hands you a small piece of | |||
CF | paper by way of "reward" and heads off into the tent, presumably to | |||
CF | try his new fruit on the queen (and best of luck with that one). | |||
CF | | |||
CF | The monkey, who has watched all of this with mouth agape, follows | |||
CF | Drake into the tent. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, vegan option available!" | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | DavidW says, "huh. That worked!" | ||
David says, (to ClubFloyd), "x paper" | |||
CF ] Elizabethan Festival (north) 38/677 | |||
CF | > | |||
CF | > X PAPER | |||
CF | | |||
CF | Signed by Elizabeth I herself, this invitation allows you to enter the | |||
CF | jousting arena. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Jousting Arena 41/678 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | The Yeoman of the Guard takes the invitation off you without comment. | |||
CF | It would seem you're free to go in now. | |||
CF | | |||
CF | Jousting Arena | |||
CF | A huge area to the north of the main Elizabethan festival has been | |||
CF | given over to "jousting", that charming pastime whereby armoured | |||
CF | knights on huge warhorses attempt to prove their masculinity by | |||
CF | knocking each others' blocks off. | |||
CF | | |||
CF | The main jousting area is ring-fenced to prevent any idiotic | |||
CF | spectators from getting killed. At regular intervals, two knights are | |||
CF | announced by a nearby "crier", and the carnage begins. | |||
CF | | |||
CF | The arena is surrounded by stands which rise up to several tiers. | |||
CF | Various well-to-do Elizabethan types are sitting or wandering around, | |||
CF | cheering when something particularly gory happens. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | Jade exclaims, "Well done!" | ||
DavidW says, "thanks" | |||
DavidW says, "I wonder what we're meant to do in here, though." | |||
David says, (to ClubFloyd), "x knights" | |||
CF ] Jousting Arena 41/679 | |||
CF | > | |||
CF | > X KNIGHTS | |||
CF | | |||
CF | The knights are big hefty guys in armour mounted on big hefty horses | |||
CF | in armour. | |||
CF | | |||
CF | The crier cries out: Sir Lawrence of Shrewsbury will take on Sir | |||
CF | Martin of Sutton, to the cheering of the crowd, and two great big | |||
CF | hefty blokes in full armour get winched up onto their warhorses. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x stands" | |||
CF ] Jousting Arena 41/680 | |||
CF | > | |||
CF | > X STANDS | |||
CF | | |||
CF | There's nothing exciting about them. A royal box is in the middle, | |||
CF | currently unoccupied. | |||
CF | | |||
CF | There's a pounding of hooves, a clash of metal, and some random piece | |||
CF | of armour-clad anatomy comes flying through the air and lands at your | |||
CF | feet. The crowd cheers. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look" | |||
CF ] Jousting Arena 41/681 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | Jousting Arena | |||
CF | A huge area to the north of the main Elizabethan festival has been | |||
CF | given over to "jousting", that charming pastime whereby armoured | |||
CF | knights on huge warhorses attempt to prove their masculinity by | |||
CF | knocking each others' blocks off. | |||
CF | | |||
CF | The main jousting area is ring-fenced to prevent any idiotic | |||
CF | spectators from getting killed. At regular intervals, two knights are | |||
CF | announced by a nearby "crier", and the carnage begins. | |||
CF | | |||
CF | The arena is surrounded by stands which rise up to several tiers. | |||
CF | Various well-to-do Elizabethan types are sitting or wandering around, | |||
CF | cheering when something particularly gory happens. | |||
CF | | |||
CF | A squire quickly runs along and picks up whatever flew off the knight, | |||
CF | probably an arm or leg, and hurries back to get the thing glued back | |||
CF | on. Lucky it wasn't worse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x royal box" | |||
CF ] Jousting Arena 41/682 | |||
CF | > | |||
CF | > X ROYAL BOX | |||
CF | | |||
CF | "E.R." is written on the front. It's empty, so the queen must be | |||
CF | elsewhere right now. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look in royal box" | |||
CF ] Jousting Arena 41/683 | |||
CF | > | |||
CF | > LOOK IN ROYAL BOX | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter royal box" | |||
CF ] Jousting Arena 41/684 | |||
CF | > | |||
CF | > ENTER ROYAL BOX | |||
CF | | |||
CF | You need an even "better" invitation to get in there! | |||
CF | | |||
CF | The crier cries out: Sir Stephen of Tamworth will take on Sir Charles | |||
CF | of Farnham, to the cheering of the crowd, and two great big hefty | |||
CF | blokes in full armour get winched up onto their warhorses. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x spectators" | |||
CF ] Jousting Arena 41/685 | |||
CF | > | |||
CF | > X SPECTATORS | |||
CF | | |||
CF | Obviously well connected, since the tournament is by invitation only, | |||
CF | they look just like the standard over-preened, rich layabouts of your | |||
CF | own time, but in Elizabethan clothing. | |||
CF | | |||
CF | There's a pounding of hooves, a clash of metal, and some random piece | |||
CF | of armour-clad anatomy comes flying through the air and lands at your | |||
CF | feet. The crowd cheers. | |||
CF | | |||
CF | > | Jade says, "there is no piece around" | ||
David says, (to ClubFloyd), "take piece" | |||
CF ] Jousting Arena 41/685 | |||
CF | > | |||
CF | > TAKE PIECE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x anatomy" | |||
CF ] Jousting Arena 41/685 | |||
CF | > | |||
CF | > X ANATOMY | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x horses" | |||
CF ] Jousting Arena 41/686 | |||
CF | > | |||
CF | > X HORSES | |||
CF | | |||
CF | The knights are big hefty guys in armour mounted on big hefty horses | |||
CF | in armour. | |||
CF | | |||
CF | A squire quickly runs along to pick up whatever it was that flew off | |||
CF | his knight, but gives a little scream and runs back to where he came | |||
CF | from when he realises it's his head! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x head" | |||
CF ] Jousting Arena 41/687 | |||
CF | > | |||
CF | > X HEAD | |||
CF | | |||
CF | Still clad in its helmet, though without the visor so that the head's | |||
CF | face can be seen in all its gruesome grey glory, this head once | |||
CF | belonged to Sir Stephen of Tamworth. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take head" | |||
CF ] Jousting Arena 43/688 | |||
CF | > | |||
CF | > TAKE HEAD | |||
CF | | |||
CF | Might as well - Sir Stephen of Tamworth isn't going to need it | |||
CF | anymore. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | Jade says, "gore" | ||
DavidW says, "what the heck." | |||
Roger says, "It's hard to get a head in life" | |||
Jade says, "x head" | |||
David says, (to ClubFloyd), "i" | |||
CF ] Jousting Arena 43/689 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a fuse | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" (being | |||
CF | worn) | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | The crier cries out: Sir Titus of Tutbury will take on Sir Gilbert of | |||
CF | Shrewsbury, to the cheering of the crowd, and two great big hefty | |||
CF | blokes in full armour get winched up onto their warhorses. | |||
CF | | |||
CF | > | DavidW says, "I assume this is all we need from this location, but geez." | ||
DavidW asks, "Do we show this to the vikings? To the oranguatn? To the medicine woman?" | |||
Roger says, "The vikings would probably be impressed" | |||
DavidW says, "perhaps" | |||
David says, (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (north) 43/690 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | > | Jade says, "let's try, I don't guess anymore" | ||
David says, (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (south) 43/691 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 3. Full performance tonight.". | |||
CF | | |||
CF | Falstaff and the man go back stage, then the young ladies come back on | |||
CF | with Falstaff dressed up as an old woman (wonder what he did with his | |||
CF | costume). A few moments later, the husband comes back in again | |||
CF | together with numerous other actors, including one dressed as a | |||
CF | priest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Elizabethan Festival (south) 43/692 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | You wander around the Elizabethan festival for a bit, trying not to | |||
CF | look too conspicuous, eventually ending up where you started. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, fantastic prices, today | |||
CF | only!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 43/693 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | > | DavidW says, "I still want a meat pie." | ||
David says, (to ClubFloyd), "ride stallion" | |||
CF ] The Green Hills of England 43/694 | |||
CF | > | |||
CF | > RIDE STALLION | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | You see the filly move around the oak tree and gaze down at the | |||
CF | festival. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 43/695 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Pine Forests of Scandinavia 43/696 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Pine Forests of Scandinavia (on "Champion", the wonder | |||
CF | horse) | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Pine Forests of Scandinavia 43/697 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to viking" | |||
CF ] The Pine Forests of Scandinavia 43/698 | |||
CF | > | |||
CF | > SHOW HEAD TO VIKING | |||
CF | | |||
CF | "No thanks," he says. "I do not think the Jarl would appreciate such a | |||
CF | thing at his table". | |||
CF | | |||
CF | You hear loud banging on tables coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask viking about jarl" | |||
CF ] The Pine Forests of Scandinavia 43/699 | |||
CF | > | |||
CF | > ASK VIKING ABOUT JARL | |||
CF | | |||
CF | He looks briefly in your direction but otherwise ignores you. You get | |||
CF | the feeling that he's here to guard the door, and until he's relieved | |||
CF | of duty he's not going to be interested in anything else. | |||
CF | | |||
CF | You hear cheering coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 43/700 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | Above the pine forest clearing, this small viewpoint overlooks the | |||
CF | lake, which you can now regard below you in all of its glory. | |||
CF | | |||
CF | The lake waters are calm and peaceful, and a deep shade of blue. The | |||
CF | pine forest itself surrounds the lake on all sides, mostly all the way | |||
CF | down to the water's edge. However, there is a spot just below you | |||
CF | which is clear and which you can probably get to if you keep going | |||
CF | down, and next to it is a Viking funeral ship, floating on the water. | |||
CF | Off towards the centre of the lake is a small island shrouded in mist. | |||
CF | | |||
CF | A tall Viking, evidently an archer, stands here next to a small | |||
CF | campfire, looking out towards the lake. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to viking" | |||
CF ] Lake Viewpoint 43/701 | |||
CF | > | |||
CF | > SHOW HEAD TO VIKING | |||
CF | | |||
CF | (the Viking archer) | |||
CF | He seems too distracted (or perhaps you're just too boring) for him to | |||
CF | take much notice of you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "kiss head" | |||
CF ] Lake Viewpoint 43/702 | |||
CF | > | |||
CF | > KISS HEAD | |||
CF | | |||
CF | The head is dead. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove helmet" | |||
CF ] Lake Viewpoint 43/703 | |||
CF | > | |||
CF | > REMOVE HELMET | |||
CF | | |||
CF | There doesn't seem to be anything sensible that you can do with the | |||
CF | helmet. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Pine Forests of Scandinavia 43/704 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | You hear the sound of a horn being blown coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] The Pine Forests of Scandinavia 43/705 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | You hear thunderous laughter coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Vast Forest 43/706 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 43/707 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | An Island in the Caribbean (on "Champion", the wonder horse) | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] An Island in the Caribbean 43/708 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "in" | |||
CF ] Medicine Hut 43/709 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Medicine Hut | |||
CF | This wooden hut is clearly the abode of someone who likes to "do | |||
CF | things" with plants. All around is the same collection of | |||
CF | paraphernalia you saw outside but in greater number and variety | |||
CF | (though it may just seem that way because of the cramped conditions | |||
CF | inside). | |||
CF | | |||
CF | A few sinister-looking potions stand on a trestle table to your left. | |||
CF | | |||
CF | A large black woman sits in a huge wicker chair near the back wall of | |||
CF | the hut, looking at you in a friendly manner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to woman" | |||
CF ] Medicine Hut 43/710 | |||
CF | > | |||
CF | > SHOW HEAD TO WOMAN | |||
CF | | |||
CF | "Don't recognise him, sorry," she says. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "out" | |||
CF ] An Island in the Caribbean 43/711 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] An Island in the Caribbean 43/712 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a fuse | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" (being | |||
CF | worn) | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up stephen in book" | |||
CF ] An Island in the Caribbean 43/713 | |||
CF | > | |||
CF | > LOOK UP STEPHEN IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "stephen". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up tamworth in book" | |||
CF ] An Island in the Caribbean 43/714 | |||
CF | > | |||
CF | > LOOK UP TAMWORTH IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "tamworth". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Pirate Shanty Town 43/715 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Tavern. 43/716 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Tavern. | |||
CF | Pirates spill about in here in various states of inebriation, | |||
CF | including the overseer you saw earlier, who obviously is everyone's | |||
CF | best friend now. | |||
CF | | |||
CF | The general store owner is busy pouring out the drinks. | |||
CF | | |||
CF | The store manager's wife lies underneath one of the tables, drinking | |||
CF | herself stupid on a bottle of rum (which just goes to show ... well | |||
CF | ... something). | |||
CF | | |||
CF | If it's all too much for you, the way out is to the east. | |||
CF | | |||
CF | Someone breaks into song, someone else then smacks him in the face and | |||
CF | he stops. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to owner" | |||
CF ] Tavern. 43/717 | |||
CF | > | |||
CF | > SHOW HEAD TO OWNER | |||
CF | | |||
CF | He's too busy pouring drinks to take any notice of you. | |||
CF | | |||
CF | One of the pirates throws up in front of you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to wife" | |||
CF ] Tavern. 43/718 | |||
CF | > | |||
CF | > SHOW HEAD TO WIFE | |||
CF | | |||
CF | She gazes at you stupidly, burps loudly and carries on drinking. | |||
CF | | |||
CF | > | DavidW says, "I suppose if the orangutan doesn't want it, we could try giving it to the harem." | ||
Jade says, "You are a nasty head vendor" | |||
DavidW says, "There's also the processing plant where we could cook, compress, or clean it." | |||
Jade says, "or the three at once." | |||
David says, (to ClubFloyd), "out" | |||
CF ] Pirate Shanty Town 43/719 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] An Island in the Caribbean 43/720 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] An Island in the Caribbean 43/721 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Vast Forest 43/722 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 43/723 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 43/724 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | > | |||
Not a valid command. Try typing 'help'. | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Entrance) 43/725 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (Entrance) 43/726 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You need to get off "Champion", the wonder horse first. | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] Palm Tree Plantation (Entrance) 43/727 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/728 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb up the ladder onto the roof. | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | A big sad bag of orange fur which you recognise as an orangutan gazes | |||
CF | at you morosely from atop the skylight. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/729 | |||
CF | > | |||
CF | > SHOW HEAD TO ORANGUTAN | |||
CF | | |||
CF | The orangutan looks at you sadly, then looks away. | |||
CF | | |||
CF | The orangutan wanders over to the edge of the roof and looks around, | |||
CF | then goes back to where it was. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/730 | |||
CF | > | |||
CF | > GIVE HEAD TO ORANGUTAN | |||
CF | | |||
CF | The orangutan refuses your offer with a dismissive wave of its hand. | |||
CF | | |||
CF | > | DavidW says, "gee. Even an offer of head doesn't cheer this guy up." | ||
Jade says, "no point" | |||
DavidW says, "I'll try the harem next" | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (Entrance) 43/731 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb down the ladder back to the ground again. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Entrance) 43/732 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Palm Tree Plantation (Processing) 43/733 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 43/734 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 43/735 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] The Himalayan Mountains 43/736 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Himalayan Mountains (on "Champion", the wonder horse) | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] The Himalayan Mountains 43/737 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 43/738 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The blonde one comes up to you as if to tell you a secret but then | |||
CF | gently licks your ear. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to women" | |||
CF ] Dark Harem 43/739 | |||
CF | > | |||
CF | > GIVE HEAD TO WOMEN | |||
CF | | |||
CF | You think they have perfectly good heads already. | |||
CF | | |||
CF | The brunette one goes behind you then you feel her hands come around | |||
CF | and briefly claw at your chest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 43/740 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 43/741 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The red-haired one lifts the straps of her top off her shoulders and | |||
CF | onto the upper part of her arms. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "drop head" | |||
CF ] Dark Harem 43/742 | |||
CF | > | |||
CF | > DROP HEAD | |||
CF | | |||
CF | You put the severed head down gently. | |||
CF | | |||
CF | The tallest one caresses one of the others suggestively. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Dark Harem 43/741 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Dark Harem | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 43/742 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | DavidW says, "They don't seem interested." | ||
David says, (to ClubFloyd), "w" | |||
CF ] The Himalayan Mountains 43/743 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | The mountains are far too steep and Sherpa Tenzing you ain't. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Himalayan Mountains 43/744 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | Jade says, "No they don't" | ||
David says, (to ClubFloyd), "sw" | |||
CF ] Vast Forest 43/745 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 43/746 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 43/747 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Processing) 43/748 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Processing Plant 43/749 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Processing Plant | |||
CF | The inside of the processing plant is a vast workshop of tables, | |||
CF | benches, cupboards, and huge pieces of machinery used in producing | |||
CF | palm oil at an industrial scale. | |||
CF | | |||
CF | There's nobody about and, though the place doesn't look abandoned, | |||
CF | none of the machinery is in use, suggesting that perhaps it's a | |||
CF | holiday or, more likely, a break in production whilst the palm trees | |||
CF | are allowed to grow to the right level of maturity. | |||
CF | | |||
CF | A small oven ("small" relatively speaking), a small compressor and a | |||
CF | small washer, probably for working with samples, stand to one side, | |||
CF | whilst a cleaning cupboard is over on the other. | |||
CF | | |||
CF | The door you came through leads out to the south. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put head in oven" | |||
CF ] Processing Plant 43/750 | |||
CF | > | |||
CF | > PUT HEAD IN OVEN | |||
CF | | |||
CF | That's a bit macabre, if you don't mind me saying. | |||
CF | | |||
CF | > | DavidW says, "yes it is" | ||
DavidW says, "This whole situation is macabre." | |||
DavidW says, "Where's Wednesday Addams when we need her." | |||
Jade asks, "what can I do with a cutoff head?" | |||
DavidW says, "Make a scarecrow." | |||
David says, (to ClubFloyd), "x head" | |||
CF ] Processing Plant 43/751 | |||
CF | > | |||
CF | > X HEAD | |||
CF | | |||
CF | Still clad in its helmet, though without the visor so that the head's | |||
CF | face can be seen in all its gruesome grey glory, this head once | |||
CF | belonged to Sir Stephen of Tamworth. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "open head" | |||
CF ] Processing Plant 43/752 | |||
CF | > | |||
CF | > OPEN HEAD | |||
CF | | |||
CF | That would be somewhat disrespectful to Sir Stephen of Tamworth, or, | |||
CF | at least, to what's left of him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x helmet" | |||
CF ] Processing Plant 43/753 | |||
CF | > | |||
CF | > X HELMET | |||
CF | | |||
CF | It's pretty much attached to the head now. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x visor" | |||
CF ] Processing Plant 43/754 | |||
CF | > | |||
CF | > X VISOR | |||
CF | | |||
CF | It's pretty much attached to the head now. | |||
CF | | |||
CF | > | Jade says, "x face" | ||
David says, (to ClubFloyd), "x face" | |||
CF ] Processing Plant 43/754 | |||
CF | > | |||
CF | > X FACE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "no hints that way." | ||
DavidW says, "Like, maybe we just want the helmet." | |||
DavidW says, "But the head and helmet seem to be inseperable." | |||
Jade says, "But we can't detach the helmet" | |||
David says, (to ClubFloyd), "detach helmet" | |||
CF ] Processing Plant 43/754 | |||
CF | > | |||
CF | > DETACH HELMET | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove helmet" | |||
CF ] Processing Plant 43/755 | |||
CF | > | |||
CF | > REMOVE HELMET | |||
CF | | |||
CF | There doesn't seem to be anything sensible that you can do with the | |||
CF | helmet. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "shake head" | |||
CF ] Processing Plant 43/756 | |||
CF | > | |||
CF | > SHAKE HEAD | |||
CF | | |||
CF | The head is dead. | |||
CF | | |||
CF | > | DavidW asks, "Well, who's left? The lions? The rhino? The poachers? The sco girl? The bulldozer guy? The actors? The meat vendors?" | ||
DavidW says, "I can't think of any way to use it at the church or prison." | |||
Jade says, "perhaps we need a clue" | |||
Jade says, "a hint" | |||
David says, (to ClubFloyd), "i" | |||
CF ] Processing Plant 43/757 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a fuse | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" (being | |||
CF | worn) | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | DavidW asks, "Does this game have hints?" | ||
Jade says, "I think in some spoilers review" | |||
DavidW says, "hm" | |||
David says, (to ClubFloyd), "put head in compressor" | |||
CF ] Processing Plant 43/758 | |||
CF | > | |||
CF | > PUT HEAD IN COMPRESSOR | |||
CF | | |||
CF | Into head-shrinking are you? You should see a shrink for yourself. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put head in cleaner" | |||
CF ] Processing Plant 43/758 | |||
CF | > | |||
CF | > PUT HEAD IN CLEANER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "l" | |||
CF ] Processing Plant 43/759 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Processing Plant | |||
CF | The inside of the processing plant is a vast workshop of tables, | |||
CF | benches, cupboards, and huge pieces of machinery used in producing | |||
CF | palm oil at an industrial scale. | |||
CF | | |||
CF | There's nobody about and, though the place doesn't look abandoned, | |||
CF | none of the machinery is in use, suggesting that perhaps it's a | |||
CF | holiday or, more likely, a break in production whilst the palm trees | |||
CF | are allowed to grow to the right level of maturity. | |||
CF | | |||
CF | A small oven ("small" relatively speaking), a small compressor and a | |||
CF | small washer, probably for working with samples, stand to one side, | |||
CF | whilst a cleaning cupboard is over on the other. | |||
CF | | |||
CF | The door you came through leads out to the south. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put head in washer" | |||
CF ] Processing Plant 43/760 | |||
CF | > | |||
CF | > PUT HEAD IN WASHER | |||
CF | | |||
CF | You don't think boiling the head would achieve much. | |||
CF | | |||
CF | > | Jade says, "clean it" | ||
David says, (to ClubFloyd), "clean head" | |||
CF ] Processing Plant 43/761 | |||
CF | > | |||
CF | > CLEAN HEAD | |||
CF | | |||
CF | The head is dead. | |||
CF | | |||
CF | > | DavidW says, "I'm sure we need to use at least one of these machines eventually, but not for this head." | ||
Jade says, "are the author expanding the game without purpose? I don't think so." | |||
DavidW says, "I'm trying to remember all the places where we might make progress, but there's a lot of loose ends." | |||
DavidW says, "Let's try the African area." | |||
Jade says, "ok" | |||
DavidW says, "Maybe the poachers will be scared if they see a head." | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Processing) 43/762 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Processing) 43/763 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 43/764 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 43/765 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 43/766 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Vast Plains of the Serengeti (on "Champion", the wonder | |||
CF | horse) | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Vast Plains of the Serengeti 43/767 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to vultures" | |||
CF ] The Vast Plains of the Serengeti 43/768 | |||
CF | > | |||
CF | > GIVE HEAD TO VULTURES | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the severed head | |||
CF | of Sir Stephen of Tamworth, the vultures didn't take it.) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to lions" | |||
CF ] The Vast Plains of the Serengeti 43/768 | |||
CF | > | |||
CF | > GIVE HEAD TO LIONS | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Vast Plains of the Serengeti 43/769 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | You gingerly head your way towards the lions, but as soon as one of | |||
CF | them turns to look at you, you think better of it and scamper back to | |||
CF | the safety of the baobab tree (the Masai seem to manage it, maybe they | |||
CF | just do it bravely). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Plateau 43/770 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | > | Jade says, "and the rhinos' club" | ||
David says, (to ClubFloyd), "remove costume" | |||
CF ] Plateau 43/771 | |||
CF | > | |||
CF | > REMOVE COSTUME | |||
CF | | |||
CF | You take off the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear parka" | |||
CF ] Plateau 43/772 | |||
CF | > | |||
CF | > WEAR PARKA | |||
CF | | |||
CF | You put on the green parka. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "turn on floodlight" | |||
CF ] Plateau 43/773 | |||
CF | > | |||
CF | > TURN ON FLOODLIGHT | |||
CF | | |||
CF | You switch the floodlight on, revealing a grisly scene over the | |||
CF | escarpment where an elephant, in its majestic prime, lies motionless | |||
CF | on its side by a watering hole, doubtlessly shot dead by the two | |||
CF | poachers who are sitting on top of it, and who are looking back at you | |||
CF | and the floodlight with cold-blooded hostility. | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | Moths cluster briefly against the lit floodlight. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Plateau 43/774 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | Those two poachers coming your way don't look particularly friendly! | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Plateau 43/773 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Plateau | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "throw head at poachers" | |||
CF ] Plateau 43/774 | |||
CF | > | |||
CF | > THROW HEAD AT POACHERS | |||
CF | | |||
CF | Your therapist has repeatedly told you not to take out your | |||
CF | frustrations in this way and you think better of it. | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Plateau 43/773 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Plateau | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "turn off light" | |||
CF ] Plateau 43/774 | |||
CF | > | |||
CF | > TURN OFF LIGHT | |||
CF | | |||
CF | You switch the floodlight off, but you can still hear the poachers | |||
CF | coming towards you. | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 43/775 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | You disappear into the darkness before the poachers can find you. | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | Jade exclaims, "nah!" | ||
David says, (to ClubFloyd), "e" | |||
CF ] Plateau 43/776 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look under truck" | |||
CF ] Plateau 43/777 | |||
CF | > | |||
CF | > LOOK UNDER TRUCK | |||
CF | | |||
CF | Don't worry about the pickup truck, it's effectively part of the | |||
CF | landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "go under truck" | |||
CF ] Plateau 43/778 | |||
CF | > | |||
CF | > GO UNDER TRUCK | |||
CF | | |||
CF | Don't worry about the pickup truck, it's effectively part of the | |||
CF | landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "hide" | |||
CF ] Plateau 43/778 | |||
CF | > | |||
CF | > HIDE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take fireflies" | |||
CF ] Plateau 43/779 | |||
CF | > | |||
CF | > TAKE FIREFLIES | |||
CF | | |||
CF | If the insects are bothering you, try using a fly swat. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up poetry in book" | |||
CF ] Plateau 43/780 | |||
CF | > | |||
CF | > LOOK UP POETRY IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "poetry". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf8" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Plateau 43/780 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "turn on floodlight" | |||
CF ] Plateau 43/781 | |||
CF | > | |||
CF | > TURN ON FLOODLIGHT | |||
CF | | |||
CF | You switch the floodlight on, revealing a grisly scene over the | |||
CF | escarpment where an elephant, in its majestic prime, lies motionless | |||
CF | on its side by a watering hole, doubtlessly shot dead by the two | |||
CF | poachers who are sitting on top of it, and who are looking back at you | |||
CF | and the floodlight with cold-blooded hostility. | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x elephant" | |||
CF ] Plateau 43/782 | |||
CF | > | |||
CF | > X ELEPHANT | |||
CF | | |||
CF | Even from this distance, it's a tragic sight. | |||
CF | | |||
CF | You hear the poachers climbing up the escarpment towards you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x poachers" | |||
CF ] Plateau 43/782 | |||
CF | > | |||
CF | > X POACHERS | |||
CF | | |||
CF | They don't look friendly, they've got guns, they're coming towards | |||
CF | you, and any second now you'll be qualifying for the Darwin Awards. | |||
CF | | |||
CF | The poachers arrive where you are and shoot you dead (I suppose you | |||
CF | could say they "poach" you). | |||
CF | | |||
CF | The soft female voice speaks out: | |||
CF | | |||
CF | Program Arborea aborted. Subject deceased. Kernel not retrieved. | |||
CF | Please UNDO and try to be a little cleverer next time. | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 43 out of a possible 100, in 782 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Plateau 43/782 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Plateau | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 43/783 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | You disappear into the darkness before the poachers can find you. | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Plateau 43/784 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | > | Jade says, "no way" | ||
DavidW asks, "hm?" | |||
Jade says, "we die" | |||
DavidW says, "yeah. I'm not sure what to do there, but I'd never tested just staying since it seemed dangerous." | |||
Jade says, "actually it is dangerous" | |||
DavidW says, "It's odd that the game gives us a few turns to do something before the poachers arrive." | |||
DavidW says, "Like, we do have the high ground. If we had a boulder or tree log to push, we could potentially crush them or knock them over like bowling pins." | |||
David says, (to ClubFloyd), "push truck" | |||
CF ] Plateau 43/785 | |||
CF | > | |||
CF | > PUSH TRUCK | |||
CF | | |||
CF | Don't worry about the pickup truck, it's effectively part of the | |||
CF | landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear head" | |||
CF ] Plateau 43/786 | |||
CF | > | |||
CF | > WEAR HEAD | |||
CF | | |||
CF | That would be somewhat disrespectful to Sir Stephen of Tamworth, or, | |||
CF | at least, to what's left of him. | |||
CF | | |||
CF | > | DavidW says, "We should check the back of the royal pavilion. Maybe something changed since Drake and the monkey entered there." | ||
David says, (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 43/787 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | Jade says, "good idea" | ||
David says, (to ClubFloyd), "mount horse" | |||
CF ] The Vast Plains of the Serengeti 43/788 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Vast Forest 43/789 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 43/790 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England (on "Champion", the wonder horse) | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The pretty little filly is still here, grazing. Your stallion seems | |||
CF | quite interested in going back to her. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Green Hills of England 43/791 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 43/792 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 4. Full performance tonight.". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 43/793 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, top quality!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 43/794 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (west) | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the east (going | |||
CF | east will take you round to the front of it). A canopy extends out | |||
CF | from the tent at its rear providing shade for anyone who wishes to | |||
CF | lounge outside. | |||
CF | | |||
CF | Queen Elizabeth's ladies in waiting are here, along with your monkey. | |||
CF | The poor creature has been dressed in child-sized clothing, including | |||
CF | a red waistcoat and a red fez held on to his head by string. There's | |||
CF | also a chain attached to a collar round his neck which the ladies are | |||
CF | using to guide him here and there. The ladies aren't being altogether | |||
CF | unkind to the monkey, but you get the strong impression that he's | |||
CF | pretty miserable about his condition. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x monkey" | |||
CF ] Elizabethan Festival (west) 43/795 | |||
CF | > | |||
CF | > X MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | He is dressed in an Arabian-style outfit which looks cute, you | |||
CF | suppose, if he was destined to spend the rest of his life among | |||
CF | people. For a wild animal, however, it is totally inappropriate. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to monkey" | |||
CF ] Elizabethan Festival (west) 43/796 | |||
CF | > | |||
CF | > GIVE TOY TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | The monkey seems to have lost all interest in the toy monkey. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask ladies about monkey" | |||
CF ] Elizabethan Festival (west) 43/797 | |||
CF | > | |||
CF | > ASK LADIES ABOUT MONKEY | |||
CF | | |||
CF | They're too busy playing with the monkey to take any notice of you. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, closing down sale!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x ladies" | |||
CF ] Elizabethan Festival (west) 43/798 | |||
CF | > | |||
CF | > X LADIES | |||
CF | | |||
CF | A twittering bunch of Elizabethan sloane rangers, they're currently | |||
CF | tormenting that poor monkey that you brought into their midst. | |||
CF | | |||
CF | One of the ladies beckons the monkey over with a sweet whilst another | |||
CF | just keeps it from reaching her by holding on tight to his chain. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, special offer today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x chain" | |||
CF ] Elizabethan Festival (west) 43/799 | |||
CF | > | |||
CF | > X CHAIN | |||
CF | | |||
CF | Red waistcoat, red fez and a collar around his neck with a small chain | |||
CF | on it, which the ladies in waiting are passing between them. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, extra pepper today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut chain" | |||
CF ] Elizabethan Festival (west) 43/800 | |||
CF | > | |||
CF | > CUT CHAIN | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | The ladies in waiting won't let you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take monkey" | |||
CF ] Elizabethan Festival (west) 43/801 | |||
CF | > | |||
CF | > TAKE MONKEY | |||
CF | | |||
CF | (the toy monkey) | |||
CF | You already have that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take macacque" | |||
CF ] Elizabethan Festival (west) 43/801 | |||
CF | > | |||
CF | > TAKE MACACQUE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take macaque" | |||
CF ] Elizabethan Festival (west) 43/802 | |||
CF | > | |||
CF | > TAKE MACAQUE | |||
CF | | |||
CF | The ladies in waiting won't let you. | |||
CF | | |||
CF | One of the ladies pinches the monkey from behind then when the monkey | |||
CF | turns towards her another lady does the same. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dance" | |||
CF ] Elizabethan Festival (west) 43/803 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | The monkey watches you in bewilderment. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, piping hot!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to vendors" | |||
CF ] Elizabethan Festival (west) 43/804 | |||
CF | > | |||
CF | > GIVE HEAD TO VENDORS | |||
CF | | |||
CF | You think the Elizabethan vendors has a perfectly good head already. | |||
CF | | |||
CF | One of the ladies beckons the monkey over with a sweet whilst another | |||
CF | just keeps it from reaching her by holding on tight to his chain. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, vegan option available!" | |||
CF | | |||
CF | > | Jade says, "It is odd the monkey sequence" | ||
David says, (to ClubFloyd), "give head to monkey" | |||
CF ] Elizabethan Festival (west) 43/805 | |||
CF | > | |||
CF | > GIVE HEAD TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the severed head | |||
CF | of Sir Stephen of Tamworth, the macaque (i.e. monkey) didn't take it.) | |||
CF | | |||
CF | One of the ladies pinches the monkey from behind then when the monkey | |||
CF | turns towards her another lady does the same. | |||
CF | | |||
CF | > | DavidW says, "I assume we need to free the monkey somehow." | ||
David says, (to ClubFloyd), "give toy to ladies" | |||
CF ] Elizabethan Festival (west) 43/806 | |||
CF | > | |||
CF | > GIVE TOY TO LADIES | |||
CF | | |||
CF | They're too busy playing with the monkey to take any notice of you. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the toy monkey, | |||
CF | the ladies in waiting didn't take it.) | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, special offer today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pull string" | |||
CF ] Elizabethan Festival (west) 43/807 | |||
CF | > | |||
CF | > PULL STRING | |||
CF | | |||
CF | Pinq! Pinq! Pinq! | |||
CF | | |||
CF | One of the ladies beckons the monkey over with a sweet whilst another | |||
CF | just keeps it from reaching her by holding on tight to his chain. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "hi" | |||
CF ] Elizabethan Festival (west) 43/807 | |||
CF | > | |||
CF | > HI | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "in" | |||
CF ] Elizabethan Festival (west) 43/808 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | There are guards just inside, barring your way (not all that politely, | |||
CF | it has to be said). | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one free!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "buy pie" | |||
CF ] Elizabethan Festival (west) 43/809 | |||
CF | > | |||
CF | > BUY PIE | |||
CF | | |||
CF | You've no cash or anything to barter with. | |||
CF | | |||
CF | Two of the ladies take turns prodding the monkey with sticks and | |||
CF | laughing when he squeals. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, hand made this morning!" | |||
CF | | |||
CF | > | DavidW says, "I kinda want to tell the orangutan about the monkey and give the costume for the orangutan to wear and bring it back here." | ||
Jade says, "too compicated" | |||
Roger says, "The heart wants what it wants. Especially when it comes to monkeys." | |||
DavidW says, "yes, but I'm having trouble thinking of better ideas." | |||
DavidW says, "Maybe a new fig has grown on the fig tree." | |||
David says, (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (north) 43/810 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, extra pepper today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x pies" | |||
CF ] Elizabethan Festival (north) 43/811 | |||
CF | > | |||
CF | > X PIES | |||
CF | | |||
CF | They look nice enough on the outside, but then again, it's not | |||
CF | difficult to make pies look nice on the outside. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter royal" | |||
CF ] Elizabethan Festival (north) 43/812 | |||
CF | > | |||
CF | > ENTER ROYAL | |||
CF | | |||
CF | (the royal pavilion) | |||
CF | There are guards just inside, barring your way (not all that politely, | |||
CF | it has to be said). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (south) 43/813 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 4. Full performance tonight.". | |||
CF | | |||
CF | Falstaff is chased off stage followed by all the other actors. A | |||
CF | moment later the two ladies come back on with their respective | |||
CF | husbands. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 43/814 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | You see "Champion", the wonder horse chew lazily at some grass near | |||
CF | the caravans. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride stallion" | |||
CF ] The Green Hills of England 43/815 | |||
CF | > | |||
CF | > RIDE STALLION | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | You see the filly looking quizzically at you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 43/816 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 43/817 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 43/818 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Entrance) 43/819 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] Palm Tree Plantation (Entrance) 43/820 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/821 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb up the ladder onto the roof. | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | A big sad bag of orange fur which you recognise as an orangutan gazes | |||
CF | at you morosely from atop the skylight. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove costume" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/822 | |||
CF | > | |||
CF | > REMOVE COSTUME | |||
CF | | |||
CF | You aren't wearing the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "tell orangutan about macaque" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/823 | |||
CF | > | |||
CF | > TELL ORANGUTAN ABOUT MACAQUE | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give costume to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/824 | |||
CF | > | |||
CF | > GIVE COSTUME TO ORANGUTAN | |||
CF | | |||
CF | The orangutan refuses your offer with a dismissive wave of its hand. | |||
CF | | |||
CF | The orangutan looks at you and sighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/825 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a fuse | |||
CF | a little green book | |||
CF | a green parka (being worn) | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give gourd to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/826 | |||
CF | > | |||
CF | > GIVE GOURD TO ORANGUTAN | |||
CF | | |||
CF | The orangutan takes it from you respectfully, shakes it a bit, looks | |||
CF | puzzled and hands it back to you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/827 | |||
CF | > | |||
CF | > GIVE TOY | |||
CF | | |||
CF | (to the severed head of Sir Stephen of Tamworth) | |||
CF | Sir Stephen of Tamworth is gone, I'm afraid - you'll just have to get | |||
CF | over it. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the toy monkey, | |||
CF | the severed head of Sir Stephen of Tamworth didn't take it.) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/828 | |||
CF | > | |||
CF | > GIVE TOY TO ORANGUTAN | |||
CF | | |||
CF | The orangutan respectfully takes it off your hands and plays with it | |||
CF | for a second, then gives it back to you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give axe to orangutan" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 43/829 | |||
CF | > | |||
CF | > GIVE AXE TO ORANGUTAN | |||
CF | | |||
CF | The orangutan refuses your offer with a dismissive wave of its hand. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (Entrance) 43/830 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb down the ladder back to the ground again. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put costume on fence" | |||
CF ] Palm Tree Plantation (Entrance) 43/831 | |||
CF | > | |||
CF | > PUT COSTUME ON FENCE | |||
CF | | |||
CF | Don't worry about the huge metal gate, it's effectively part of the | |||
CF | landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "touch fence" | |||
CF ] Palm Tree Plantation (Entrance) 43/832 | |||
CF | > | |||
CF | > TOUCH FENCE | |||
CF | | |||
CF | Don't worry about the huge metal gate, it's effectively part of the | |||
CF | landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb fence" | |||
CF ] Palm Tree Plantation (Entrance) 43/833 | |||
CF | > | |||
CF | > CLIMB FENCE | |||
CF | | |||
CF | You get a shock! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut fence" | |||
CF ] Palm Tree Plantation (Entrance) 43/834 | |||
CF | > | |||
CF | > CUT FENCE | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You get another shock! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Palm Tree Plantation (Entrance) 43/833 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x costume" | |||
CF ] Palm Tree Plantation (Entrance) 43/834 | |||
CF | > | |||
CF | > X COSTUME | |||
CF | | |||
CF | It's a sort of foppish affair, made for someone who clearly loves his | |||
CF | ale, though it can be worn by anyone of a smaller size as "baggy" is | |||
CF | always in. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear costume" | |||
CF ] Palm Tree Plantation (Entrance) 43/835 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You can't wear the Falstaff costume over the parka. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove parka" | |||
CF ] Palm Tree Plantation (Entrance) 43/836 | |||
CF | > | |||
CF | > REMOVE PARKA | |||
CF | | |||
CF | You take off the green parka. | |||
CF | | |||
CF | > | Jade says, "we would need some isolated tool" | ||
David says, (to ClubFloyd), "wear costume" | |||
CF ] Palm Tree Plantation (Entrance) 43/837 | |||
CF | > | |||
CF | > WEAR COSTUME | |||
CF | | |||
CF | You put on the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut fence" | |||
CF ] Palm Tree Plantation (Entrance) 43/838 | |||
CF | > | |||
CF | > CUT FENCE | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You get another shock! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "undo" | |||
CF ] Palm Tree Plantation (Entrance) 43/837 | |||
CF | | |||
CF | > UNDO | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | [Previous turn undone.] | |||
CF | | |||
CF | > | DavidW says, "yeah. I was hoping the costume was insulated." | ||
Roger asks, "would the vultures be interested in the head?" | |||
DavidW says, "I haven't seen any gloves that I remember." | |||
DavidW says (to Roger), "I did try to give it to them." | |||
Roger says, "ah, ok" | |||
DavidW says, "I could just drop it near them and leave and return." | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Entrance) 43/838 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Palm Tree Plantation (Processing) 43/839 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 43/840 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 43/841 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 43/842 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Vast Plains of the Serengeti (on "Champion", the wonder | |||
CF | horse) | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Vast Plains of the Serengeti 43/843 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x vultures" | |||
CF ] The Vast Plains of the Serengeti 43/844 | |||
CF | > | |||
CF | > X VULTURES | |||
CF | | |||
CF | They look like characters out of a novel by Dickens. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "drop head" | |||
CF ] The Vast Plains of the Serengeti 43/845 | |||
CF | > | |||
CF | > DROP HEAD | |||
CF | | |||
CF | You put the severed head down gently. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Plateau 43/846 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "z" | |||
CF ] Plateau 43/847 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 43/848 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | You can also see the severed head of Sir Stephen of Tamworth here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x head" | |||
CF ] The Vast Plains of the Serengeti 43/849 | |||
CF | > | |||
CF | > X HEAD | |||
CF | | |||
CF | Still clad in its helmet, though without the visor so that the head's | |||
CF | face can be seen in all its gruesome grey glory, this head once | |||
CF | belonged to Sir Stephen of Tamworth. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take it" | |||
CF ] The Vast Plains of the Serengeti 43/849 | |||
CF | > | |||
CF | > TAKE IT | |||
CF | | |||
CF | You can't see 'it' (nothing) at the moment. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take him" | |||
CF ] The Vast Plains of the Serengeti 43/850 | |||
CF | > | |||
CF | > TAKE HIM | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask him about himself" | |||
CF ] The Vast Plains of the Serengeti 43/851 | |||
CF | > | |||
CF | > ASK HIM ABOUT HIMSELF | |||
CF | | |||
CF | Sir Stephen of Tamworth is gone, I'm afraid - you'll just have to get | |||
CF | over it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 43/852 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | The African plain extends in all directions for miles and miles and | |||
CF | miles; people who get lost out there rarely survive. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Vast Forest 43/853 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 43/854 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] The Vast Plains of the Serengeti 43/855 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Vast Forest 43/856 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] The Himalayan Mountains 43/857 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Himalayan Mountains (on "Champion", the wonder horse) | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Himalayan Mountains 43/858 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb tree" | |||
CF ] In a Fig Tree 43/859 | |||
CF | > | |||
CF | > CLIMB TREE | |||
CF | | |||
CF | (the fig tree) | |||
CF | In a Fig Tree | |||
CF | The lowest branches of the fig tree are sufficiently strong to hold | |||
CF | your weight, but you can't climb up any further. The mountains look | |||
CF | even more impressive from up here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x fig" | |||
CF ] In a Fig Tree 43/859 | |||
CF | > | |||
CF | > X FIG | |||
CF | | |||
CF | Which do you mean, the fig tree or the figs? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "figs" | |||
CF ] In a Fig Tree 43/860 | |||
CF | > | |||
CF | > FIGS | |||
CF | | |||
CF | The rest of the figs are out of reach. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x mountains" | |||
CF ] In a Fig Tree 43/861 | |||
CF | > | |||
CF | > X MOUNTAINS | |||
CF | | |||
CF | (the mountain) | |||
CF | The Himalayan mountains are the Himalayan mountains - it's difficult | |||
CF | to know how else to convey their impressiveness. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Himalayan Mountains 43/862 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "pray" | |||
CF ] The Himalayan Mountains 43/862 | |||
CF | > | |||
CF | > PRAY | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x buddha" | |||
CF ] The Himalayan Mountains 43/863 | |||
CF | > | |||
CF | > X BUDDHA | |||
CF | | |||
CF | Reminds you a little bit of that Doctor Who story "The Abominable | |||
CF | Snowmen". The Buddha sits in his traditional pose, right hand on knee | |||
CF | with fingers pointed to the earth (pointing to the earth is also known | |||
CF | as "calling the earth to witness") left hand on lap with palm facing | |||
CF | upwards. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "meditate" | |||
CF ] The Himalayan Mountains 43/863 | |||
CF | > | |||
CF | > MEDITATE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "kiss buddha" | |||
CF ] The Himalayan Mountains 43/863 | |||
CF | > | |||
CF | > KISS BUDDHA | |||
CF | | |||
CF | You can only do that to something animate. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put head on buddha" | |||
CF ] The Himalayan Mountains 43/864 | |||
CF | > | |||
CF | > PUT HEAD ON BUDDHA | |||
CF | | |||
CF | Don't worry about the statue of the Buddha, it's effectively part of | |||
CF | the landscape. | |||
CF | | |||
CF | > | DavidW says, "We have this gruesome trophy and no idea what to do with it." | ||
David says, (to ClubFloyd), "mount horse" | |||
CF ] The Himalayan Mountains 43/865 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "sw" | |||
CF ] Vast Forest 43/866 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Tallgrass Prairies of Missouri 43/867 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri (on "Champion", the wonder | |||
CF | horse) | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Tallgrass Prairies of Missouri 43/868 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Prairie: By Burning Crosses 43/869 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "burn head" | |||
CF ] Prairie: By Burning Crosses 43/870 | |||
CF | > | |||
CF | > BURN HEAD | |||
CF | | |||
CF | That would be somewhat disrespectful to Sir Stephen of Tamworth, or, | |||
CF | at least, to what's left of him. | |||
CF | | |||
CF | > | DavidW asks (of game), "Should I put the head into the pirate's cannon? Would that be more respectful?" | ||
Roger asks, "to go easter-egg hunting: have we tried kicking the head?" | |||
DavidW says, "I have not tried that." | |||
David says, (to ClubFloyd), "kick head" | |||
CF ] Prairie: By Burning Crosses 43/870 | |||
CF | > | |||
CF | > KICK HEAD | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | Roger says, "booo but fair" | ||
DavidW asks, "no, Terry, no?" | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Tallgrass Prairies of Missouri 43/871 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Tallgrass Prairies of Missouri 43/872 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Vast Forest 43/873 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "sw" | |||
CF ] The Amazon Basin 43/874 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Amazon Basin (on "Champion", the wonder horse) | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Amazon Basin 43/875 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking pretty incongruous next | |||
CF | to that huge bulldozer. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] "Tree Quarry" 43/876 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | "Tree Quarry" | |||
CF | There is no better way to describe it: clearly, what was once a part | |||
CF | of the rainforest around you is now a desolate rocky landscape bereft | |||
CF | of fauna or vegetation. From here, you can go back up to where you | |||
CF | left the bulldozer or follow a path northwest. | |||
CF | | |||
CF | A young girl is lying on the ground here, exactly at the point where | |||
CF | that huge yellow bulldozer that you so considerately vandalised would | |||
CF | rush down and crush her on its way to do more of its dirty work. She | |||
CF | must have been hoping that it wasn't going to happen, though clearly | |||
CF | now the point is moot. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to girl" | |||
CF ] "Tree Quarry" 43/877 | |||
CF | > | |||
CF | > SHOW HEAD TO GIRL | |||
CF | | |||
CF | "I agree with shock tactics, but I think that's going a bit too far," | |||
CF | she says. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show fuse to girl" | |||
CF ] "Tree Quarry" 43/878 | |||
CF | > | |||
CF | > SHOW FUSE TO GIRL | |||
CF | | |||
CF | She makes some sort of strange sign in reply which you think means | |||
CF | "right on, man" but could equally mean "get lost". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show book to girl" | |||
CF ] "Tree Quarry" 43/879 | |||
CF | > | |||
CF | > SHOW BOOK TO GIRL | |||
CF | | |||
CF | Better not draw attention to the fact that you've just stolen that. | |||
CF | | |||
CF | The young girl stands up and paces around, looking up the path, then | |||
CF | lies down again. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show costume to girl" | |||
CF ] "Tree Quarry" 43/880 | |||
CF | > | |||
CF | > SHOW COSTUME TO GIRL | |||
CF | | |||
CF | You can only show things which are in your possession. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] "Tree Quarry" 43/881 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a fuse | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | the costume worn by Falstaff in "The Merry Wives of Windsor" (being | |||
CF | worn) | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "remove costume" | |||
CF ] "Tree Quarry" 43/882 | |||
CF | > | |||
CF | > REMOVE COSTUME | |||
CF | | |||
CF | You take off the costume worn by Falstaff in "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | The young girl sits up for a bit and plays with the braids on her | |||
CF | hair. | |||
CF | | |||
CF | > | Roger asks, "maybe we need to somehow combine the head and the costume to make a... scarecrow or something?" | ||
David says, (to ClubFloyd), "show costume to girl" | |||
CF ] "Tree Quarry" 43/883 | |||
CF | > | |||
CF | > SHOW COSTUME TO GIRL | |||
CF | | |||
CF | She looks at it, then back at you, as if to say "Really?" | |||
CF | . | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "attach head to costume" | |||
CF ] "Tree Quarry" 43/884 | |||
CF | > | |||
CF | > ATTACH HEAD TO COSTUME | |||
CF | | |||
CF | That would be somewhat disrespectful to Sir Stephen of Tamworth, or, | |||
CF | at least, to what's left of him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stuff costume" | |||
CF ] "Tree Quarry" 43/884 | |||
CF | > | |||
CF | > STUFF COSTUME | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "fill costume" | |||
CF ] "Tree Quarry" 43/885 | |||
CF | > | |||
CF | > FILL COSTUME | |||
CF | | |||
CF | Perhaps somewhere else? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Amazon Basin 43/886 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Amazon Basin | |||
CF | You have reached the edge of a huge rainforest stretching out as far | |||
CF | as the eye can see, except for the (less rainy) part that you emerged | |||
CF | from to the northeast. | |||
CF | | |||
CF | An enormous yellow bulldozer stands at the edge of a dirt track which | |||
CF | plummets down into a crater below, a crater so devastated of trees | |||
CF | that it looks like it belongs to a quarry rather than to a section of | |||
CF | the rainforest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking pretty incongruous next | |||
CF | to that huge bulldozer. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Amazon Basin 43/887 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] Vast Forest 43/888 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 43/889 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] The Palm Tree Plantations of Indonesia 43/890 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "fill costume" | |||
CF ] The Palm Tree Plantations of Indonesia 43/891 | |||
CF | > | |||
CF | > FILL COSTUME | |||
CF | | |||
CF | Perhaps somewhere else? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put kernels in costume" | |||
CF ] The Palm Tree Plantations of Indonesia 43/892 | |||
CF | > | |||
CF | > PUT KERNELS IN COSTUME | |||
CF | | |||
CF | These aren't the kernels you're looking for. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "fill axe" | |||
CF ] The Palm Tree Plantations of Indonesia 43/893 | |||
CF | > | |||
CF | > FILL AXE | |||
CF | | |||
CF | Perhaps somewhere else? | |||
CF | | |||
CF | > | DavidW says, "hm. It's a standard response to 'fill'. The costume isn't special in that regard." | ||
Roger says, "mmhmm" | |||
DavidW says, "I'm out of ideas and it's now after 4." | |||
David says, (to ClubFloyd), "save" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
David says, (to ClubFloyd), "cfarboreahead" | |||
CF ] The Palm Tree Plantations of Indonesia 43/893 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | DavidW says, "Not quite Anchorhead." | ||
Jade says, "there is a walkthrough in the zip file of the game, more a hint sheet" | |||
Jade says, "rather a hint sheet of each landscape" | |||
DavidW says, "maybe next week we'll look at it then if we can't think of anything in the meantime." | |||
DavidW says, "We made some progress. Just not as much as I'd hoped to make." | |||
Roger says, "good times" | |||
Jade says, "ok" | |||
Jade says, "So, we will see next week" | |||
DavidW says, "I suspect the gunpowder from the store plus the fuse is for making a bomb to free whoever is in the jail. We can light the fuse from the burning crosses." | |||
Jade says, "As usual, stay safe" | |||
DavidW says, "But we need the store owner's key first." | |||
DavidW says (to Jade), "thanks" | |||
DavidW says, "Thanks all for playing." | |||
Jade says, "I can see the monkey should have gone with the orangutan" | |||
Roger exclaims, "thanks for driving DW!" | |||
Jade says, "thanks for driving" | |||
DavidW says, "thanks" | |||
*** SESSION FOUR *** | |||
DavidW says, "I assume we all want to continue with Arborea, if we can." | |||
Jade says, "ok, ok. I have been drowned by a problem with Caad server today and haven't been able to see the arborea's walkthrough" | |||
DavidW says, "I've updated my notes from last week's session and did discover one tiny bit of progress we can start with today." | |||
Roger has arrived. | |||
Pinkunz has arrived. | Jade says, "hi Robert" | ||
DavidW says, "To update my notes, I replay the game with all the stuff we figured out and I noticed a detail I overlooked." | |||
Jade says, "Hi, Pinkunz" | |||
DavidW says, "hi Pinkunz and Roger" | |||
Pinkunz says, "Hello" | |||
Jade asks, "what detail?" | |||
DavidW says, "When we start, I'll go to it and show it and ask if you can deduce what I deduced." | |||
Jade says, "roger that" | |||
DavidW says, "Just want to wait until 2pm to see if Knight or Moy show up." | |||
Pinkunz says, "heh" | |||
DavidW asks, "hm. Looks like they'll either be late or not coming? Should we wait longer?" | |||
DavidW says, "The detail I noticed was back at the tavern." | |||
Jade says, "..." | |||
DavidW says, "I suppose we could recap what we discovered last week first." | |||
DavidW says, "We cleaned the pirate ship with the jerry can of cleaning product, which resulted in the pirates and overseer going to the tavern." | |||
Pinkunz says, "I'm walking in blind, so that wouldn't be unwelcome." | |||
DavidW says, "The tavern is now open. The general store is now closed and locked. The store owner is acting as the bartender and his wife is all but passed out drunk." | |||
DavidW says, "We gave the fig fruit to Sir Drake who entered Queen Elizabeth's tent to show her. The monkey/macaque followed him inside. Drake gave us an invitation to see the jousting." | |||
DavidW says, "We saw the jousting and picked up a knight's head that was cut clean off, still wearing his helmet." | |||
DavidW says, "Behind the queen's tent, the poor monkey is being treated as a doll by the ladies in waiting." | |||
DavidW says, "We failed to do anything interesting with the head." | |||
DavidW says, "We have no idea yet how to cheer up a depressed orangutan." | |||
Jade says, "I readed something about joining monkey and orangutan. It is odd indeed." | |||
DavidW says, "We learned that if we launch the viking ship, the archer sets it on fire with an arrow." | |||
Pinkunz asks, "Apparently Arborea is a fever dream?" | |||
DavidW says, "We failed to do anything interesting with the cooker, compresser, or washer." | |||
DavidW says (to Pinkunz), "It's a holodeck situation. A simulation of various forests quilted together." | |||
DavidW says, "Each forest is from a different part of the planet and different times, yet there's some interconnection sometimes." | |||
Pinkunz says, "Just looked up the ifdb." | |||
DavidW says, "The goal is to find the 'kernel' which is almost certainly inside a gourd we have." | |||
Pinkunz says, "Thank you." | |||
Jade says, "The difficulty is to guess how to use the objects and where." | |||
DavidW says, "Exploring every location in a forest cracks the gourd just a little bit more." | |||
DavidW says, "Anyway, I think that's everything from last week." | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Palm Tree Plantations of Indonesia 43/896 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 43/897 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 43/898 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | An Island in the Caribbean (on "Champion", the wonder horse) | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] An Island in the Caribbean 43/899 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | Jade exclaims, "896!" | ||
[**CE**] danyadsmith just entered the orange door. | DavidW asks (of Jade), "hm?" | ||
DavidW asks, "What's 896? The code for the door we left?" | |||
Jade says, "900 turns" | |||
DavidW says, "oh" | |||
David says, (to ClubFloyd), "w" | |||
CF ] Pirate Shanty Town 43/900 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | You hear the sound of someone being hit coming from the tavern. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Tavern. 43/901 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Tavern. | |||
CF | Pirates spill about in here in various states of inebriation, | |||
CF | including the overseer you saw earlier, who obviously is everyone's | |||
CF | best friend now. | |||
CF | | |||
CF | The general store owner is busy pouring out the drinks. | |||
CF | | |||
CF | The store manager's wife lies underneath one of the tables, drinking | |||
CF | herself stupid on a bottle of rum (which just goes to show ... well | |||
CF | ... something). | |||
CF | | |||
CF | If it's all too much for you, the way out is to the east. | |||
CF | | |||
CF | Someone breaks into song, someone else then smacks him in the face and | |||
CF | he stops. | |||
CF | | |||
CF | > | Jade says, "that is a lot" | ||
DavidW says, "Here's the bit of detail:" | |||
David says, (to ClubFloyd), "x owner" | |||
CF ] Tavern. 43/902 | |||
CF | > | |||
CF | > X OWNER | |||
CF | | |||
CF | He's busy pouring out drinks for the pirates, in a better mood now | |||
CF | that his wife's out of the way but still not all that happy in his | |||
CF | raggy clothes. A large key hangs at his belt. | |||
CF | | |||
CF | You hear the sound of a bottle breaking somewhere. | |||
CF | | |||
CF | > | DavidW says, "Or to be more explicit:" | ||
David says, (to ClubFloyd), "x clothes" | |||
CF ] Tavern. 43/903 | |||
CF | > | |||
CF | > X CLOTHES | |||
CF | | |||
CF | (the mouldy, and very unfashionable, set of clothes belonging to the | |||
CF | store manager) | |||
CF | You see nothing special in the clothes. | |||
CF | | |||
CF | Everybody suddenly starts laughing, perhaps at you. | |||
CF | | |||
CF | > | DavidW asks, "Any idea what that told me?" | ||
Pinkunz asks, "Maybe just a quid pro quo? New clothes and he offers us the key?" | |||
DavidW says, "very close." | |||
Jade says, "x belt" | |||
DavidW says, "He could use new clothes." | |||
DavidW says, "And, in fact, we have new clothes we can offer him." | |||
David says, (to ClubFloyd), "x costume" | |||
CF ] Tavern. 43/904 | |||
CF | > | |||
CF | > X COSTUME | |||
CF | | |||
CF | It's a sort of foppish affair, made for someone who clearly loves his | |||
CF | ale, though it can be worn by anyone of a smaller size as "baggy" is | |||
CF | always in. | |||
CF | | |||
CF | > | Jade says, "yes, we have" | ||
David says, (to ClubFloyd), "give costume to owner" | |||
CF ] Tavern. 45/905 | |||
CF | > | |||
CF | > GIVE COSTUME TO OWNER | |||
CF | | |||
CF | He takes the costume off you greedily and, to the amusement of all the | |||
CF | pirates in the tavern, proceeds to change out of his raggedy old | |||
CF | clothes into a perfect depiction of Falstaff from "The Merry Wives of | |||
CF | Windsor". | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x clothes" | |||
CF ] Tavern. 45/906 | |||
CF | > | |||
CF | > X CLOTHES | |||
CF | | |||
CF | (the mouldy, and very unfashionable, set of clothes belonging to the | |||
CF | store manager) | |||
CF | You find a large key among the clothes. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take key" | |||
CF ] Tavern. 45/907 | |||
CF | > | |||
CF | > TAKE KEY | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | DavidW asks, "I do believe this key unlocks his store. Shall we?" | ||
Jade says, "you are superb" | |||
DavidW says, "thanks" | |||
David says, (to ClubFloyd), "e" | |||
CF ] Pirate Shanty Town 45/908 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed including the general store that had | |||
CF | been the sole bit of evidence that anyone did any trading here over to | |||
CF | the south. Maybe everyone is in the tavern to the west, which seems to | |||
CF | be doing a roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | > | Pinkunz says, "Gentlemen first." | ||
David says, (to ClubFloyd), "unlock store door with key" | |||
CF ] Pirate Shanty Town 45/909 | |||
CF | > | |||
CF | > UNLOCK STORE DOOR WITH KEY | |||
CF | | |||
CF | You unlock the general store door. | |||
CF | | |||
CF | You hear the sound of something breaking coming from the tavern. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] General Store 45/910 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (first opening the general store door) | |||
CF | | |||
CF | General Store | |||
CF | Shelves of assorted goods line the walls of this simple wooden | |||
CF | building. | |||
CF | | |||
CF | A barrel of gunpowder rests in one corner of the store, perhaps the | |||
CF | only thing you might consider to be of any value here. | |||
CF | | |||
CF | > | Jade says, "of course, go" | ||
DavidW says, "Here's where I'm unsure what to do." | |||
DavidW says, "There's nothing here but the barrel of gunpowder." | |||
David says, (to ClubFloyd), "take gunpowder" | |||
CF ] General Store 45/911 | |||
CF | > | |||
CF | > TAKE GUNPOWDER | |||
CF | | |||
CF | It's far too heavy to lift. However, you can push it around the place | |||
CF | by saying "push barrel north". | |||
CF | | |||
CF | > | Pinkunz says, "huh" | ||
DavidW asks, "Okay, so where do we push this thing to?" | |||
David says, (to ClubFloyd), "x fuse" | |||
CF ] General Store 45/912 | |||
CF | > | |||
CF | > X FUSE | |||
CF | | |||
CF | Pretty short - won't burn for long. | |||
CF | | |||
CF | > | DavidW says, "Put fuse in barrel" | ||
David says, (to ClubFloyd), "put fuse in barrel" | |||
CF ] General Store 46/913 | |||
CF | > | |||
CF | > PUT FUSE IN BARREL | |||
CF | | |||
CF | You put the fuse into the gunpowder barrel. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | Jade says, "ah, I know whatto do, but I will let you try" | ||
DavidW says, "The fuse came from the cannon on the pirate ship." | |||
DavidW says, "Well, there's only two known sources of fire for the fuse: the viking archer's fire and the burning crosses near the prison." | |||
DavidW says, "I think that the barrel might blast the prison open." | |||
DavidW asks, "Shall I try that?" | |||
Jade says, "right" | |||
David says, (to ClubFloyd), "push barrel n" | |||
CF ] Pirate Shanty Town 46/914 | |||
CF | > | |||
CF | > PUSH BARREL N | |||
CF | | |||
CF | You roll the gunpowder barrel ahead of you. | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | Maybe everyone is in the tavern to the west, which seems to be doing a | |||
CF | roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | The gunpowder barrel that you stole from the general store is here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "push barrel e" | |||
CF ] An Island in the Caribbean 46/915 | |||
CF | > | |||
CF | > PUSH BARREL E | |||
CF | | |||
CF | You roll the gunpowder barrel ahead of you. | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | The gunpowder barrel that you stole from the general store is here. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "push barrel e" | |||
CF ] Vast Forest 46/916 | |||
CF | > | |||
CF | > PUSH BARREL E | |||
CF | | |||
CF | You roll the gunpowder barrel ahead of you. | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | The gunpowder barrel that you've rolled all the way over from the | |||
CF | general store in the Caribbean is here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "push barrel s" | |||
CF ] The Tallgrass Prairies of Missouri 46/917 | |||
CF | > | |||
CF | > PUSH BARREL S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | (rolling the gunpowder barrel with you - you don't want to lose it | |||
CF | after all!) | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | The gunpowder barrel that you've rolled all the way over from the | |||
CF | general store in the Caribbean is here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "push barrel s" | |||
CF ] Prairie: By Burning Crosses 46/918 | |||
CF | > | |||
CF | > PUSH BARREL S | |||
CF | | |||
CF | You roll the gunpowder barrel ahead of you. | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | The gunpowder barrel that you've rolled all the way over from the | |||
CF | general store in the Caribbean is here. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf9" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Prairie: By Burning Crosses 46/918 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "light fuse" | |||
CF ] Prairie: By Burning Crosses 47/919 | |||
CF | > | |||
CF | > LIGHT FUSE | |||
CF | | |||
CF | With a great deal of care you manoeuver the barrel close to the | |||
CF | burning crosses and light the fuse without setting the whole thing | |||
CF | off. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "push barrel w" | |||
CF ] Prairie: By Prison 47/920 | |||
CF | > | |||
CF | > PUSH BARREL W | |||
CF | | |||
CF | The barrel rolls naturally down a slight slope and comes to rest in | |||
CF | front of the cell door. | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly a prison or cell given by the | |||
CF | style of the door, can be seen here west of the flaming crosses. Given | |||
CF | everything that you've seen so far, there can be little doubt in your | |||
CF | mind about what's going to happen here. | |||
CF | | |||
CF | A barrel of gunpowder (its fuse hissing alarmingly) rests in front of | |||
CF | the cell door. | |||
CF | | |||
CF | The fuse on the gunpowder barrel burns down a little further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Burning Crosses 47/921 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "z" | |||
CF ] Prairie: By Burning Crosses 47/922 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "z" | |||
CF ] Prairie: By Burning Crosses 50/923 | |||
CF | > | |||
CF | > Z | |||
CF | | |||
CF | Time passes. | |||
CF | | |||
CF | You hear an explosion to the west. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Prairie: By Prison 50/924 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly once a prison or cell, though | |||
CF | given that its door has been blown to pieces unlikely to be much use | |||
CF | in that function any more, stands here. | |||
CF | | |||
CF | Two terrified young black men scramble out of prison, gaze at you | |||
CF | incredulously, then run off into the darkness. | |||
CF | | |||
CF | > | DavidW says, "okay, so we don't talk to the prisoners." | ||
Pinkunz asks, "Regular menace, aren't we?" | |||
DavidW asks, "I guess we go inside for some reason?" | |||
Jade says, "we locked the church door" | |||
DavidW says, "We tried the church doors shut with rope, yes." | |||
DavidW says, "er tied" | |||
Pinkunz says, "Probably non-violent offenders anyway." | |||
David says, (to ClubFloyd), "in" | |||
CF ] Prison 53/925 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Prison | |||
CF | This cramped, damp, smelly, stone-walled cell reminds you of your | |||
CF | student days. | |||
CF | | |||
CF | A withered old black man stands in here, gazing thoughtfully out of | |||
CF | the window. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | Jade says, "otherwise..." | ||
David says, (to ClubFloyd), "x man" | |||
CF ] Prison 53/926 | |||
CF | > | |||
CF | > X MAN | |||
CF | | |||
CF | He looks at you with interest, and even kindness. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "talk to man" | |||
CF ] Prison 53/927 | |||
CF | > | |||
CF | > TALK TO MAN | |||
CF | | |||
CF | The old man seems to be quite interested in something you might be | |||
CF | carrying, but not in anything else. He makes a sign with his hands | |||
CF | like he was holding a large egg. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give gourd to man" | |||
CF ] Prison 53/928 | |||
CF | > | |||
CF | > GIVE GOURD TO MAN | |||
CF | | |||
CF | The old man takes the gourd and looks at it, then points at the | |||
CF | pictures on it which aren't cracked and gives it back to you. You get | |||
CF | the impression you've more to do here to finish your quest. | |||
CF | | |||
CF | > | Jade says, "x gourd" | ||
David says, (to ClubFloyd), "x gourd" | |||
CF ] Prison 53/929 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The acorn, crab, fluff and tree frog pictures are cracked. | |||
CF | | |||
CF | > | |||
DavidW says, "Each symbol represents a forest in the game." | |||
Pinkunz says, "4/8" | |||
Jade asks, "4/8?" | |||
DavidW says, "Unfortunately, this seems to be a dead end until the gourd opens, I guess." | |||
Jade says, "ok" | |||
DavidW says, "4 cracks out of 8 symbols." | |||
David says, (to ClubFloyd), "i" | |||
CF ] Prison 53/930 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a large key | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | Pinkunz says, "Halfway there." | ||
Jade says, "also 4 out of 8 zones cleared" | |||
DavidW says, "So there's the monkey and meat pies in England; the boat, island, and mead hall of the Vikings, the dark harem in the Himalayans,..." | |||
DavidW says, "A sleeping potion in the Caribbean that we need a container for; the orangutan, electrified fence, and machinery of the palm tree plantation; ..." | |||
DavidW asks, "the poachers in Africa, ... and is that it now?" | |||
David says, (to ClubFloyd), "ask man about gourd" | |||
CF ] Prison 53/931 | |||
CF | > | |||
CF | > ASK MAN ABOUT GOURD | |||
CF | | |||
CF | The old man looks interested. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask man about head" | |||
CF ] Prison 53/932 | |||
CF | > | |||
CF | > ASK MAN ABOUT HEAD | |||
CF | | |||
CF | The old man seems to be quite interested in something else that you | |||
CF | might be carrying. He makes a sign with his hands like he was holding | |||
CF | a large egg. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask man about church" | |||
CF ] Prison 53/933 | |||
CF | > | |||
CF | > ASK MAN ABOUT CHURCH | |||
CF | | |||
CF | The old man seems to be quite interested in something you might be | |||
CF | carrying, but not in anything else. He makes a sign with his hands | |||
CF | like he was holding a large egg. | |||
CF | | |||
CF | > | Pinkunz says, "give head to man" | ||
Pinkunz says, "lol" | |||
DavidW says, "doesn't look we can talk to this guy" | |||
David says, (to ClubFloyd), "give head to man" | |||
CF ] Prison 53/934 | |||
CF | > | |||
CF | > GIVE HEAD TO MAN | |||
CF | | |||
CF | The old man seems to be quite interested in something else that you | |||
CF | might be carrying. He makes a sign with his hands like he was holding | |||
CF | a large egg. | |||
CF | | |||
CF | > | Jade asks, "the head?" | ||
Pinkunz says, "Missed opportunities." | |||
DavidW says, "well, no BJ for you, dear" | |||
DavidW says (to Jade), "the 'egg' is the gourd." | |||
Pinkunz says, "I mean, we just robbed a store, did a prison breakout, and blow up a building, all the while casually carrying around a severed head." | |||
Jade says, "there is a big lag today, enormeous" | |||
DavidW says, "Earlier in the game, we stole an actor's costume so he had to go on stage in his underwear." | |||
DavidW says, "And we also searched a sack of rhino dung." | |||
Pinkunz says, "If this were a graphics game, this'd be like Postal or Grand Theft Auto." | |||
DavidW says, "Fortunately, these are simulated people and things. None of it is really real. Unless there's a weird twist at story's end." | |||
Pinkunz asks, "I mean, isn't that always true?" | |||
Pinkunz asks, "Ostensibly?" | |||
DavidW says, "Anyway, I need a suggestion on where to go next. We have all these problems and no solutions to them." | |||
Pinkunz asks, "have we tried offering the head to the queen?" | |||
DavidW says, "I like Jade's idea of bringing the monkey back to the orangutan. Perhaps the monkey, dressed up, would cheer the orangutan." | |||
DavidW says, "The queen is in her tent where we cannot go." | |||
DavidW says, "Also, we cannot put the head in her box in the jousting arena." | |||
DavidW says, "The head might scare off the ladies in waiting though." | |||
DavidW says, "I think we should try that." | |||
DavidW says, "We could also try throwing the head into the tent, I guess." | |||
Jade says, "when I am without ideas, I examine again everything..." | |||
DavidW says, "sure, but there's a lot of everything in this game." | |||
DavidW says, "We could examine our entire inventory first, I guess." | |||
David says, (to ClubFloyd), "i" | |||
CF ] Prison 53/935 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a large key | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | Pinkunz says, "I vote upset the ladies in waiting or toss the head in the tent." | ||
David says, (to ClubFloyd), "x large key" | |||
CF ] Prison 53/936 | |||
CF | > | |||
CF | > X LARGE KEY | |||
CF | | |||
CF | It looks like it opens a pretty heavy clunky door. | |||
CF | | |||
CF | > | DavidW says, "By the way, I tried to lock the tavern door with the key, but the same wouldn't let me close the door and rob the pirates of fresh air." | ||
David says, (to ClubFloyd), "x head" | |||
CF ] Prison 53/937 | |||
CF | > | |||
CF | > X HEAD | |||
CF | | |||
CF | Still clad in its helmet, though without the visor so that the head's | |||
CF | face can be seen in all its gruesome grey glory, this head once | |||
CF | belonged to Sir Stephen of Tamworth. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x book" | |||
CF ] Prison 53/938 | |||
CF | > | |||
CF | > X BOOK | |||
CF | | |||
CF | This crazy little book is full of information, including door codes, | |||
CF | access codes and passwords, for just about every organisation that | |||
CF | might be involved in polluting or ruining the planet (you can look | |||
CF | things up in it by typing "look up in book". Whoever these | |||
CF | Rhino Warriors are, they've got one hell of an intelligence | |||
CF | connection! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x parka" | |||
CF ] Prison 53/939 | |||
CF | > | |||
CF | > X PARKA | |||
CF | | |||
CF | The parka is a green, hooded affair, robust and waterproof, with a | |||
CF | very stylised cartoon picture of a rhino's head on the back (a sort of | |||
CF | "Rambo" rhino) under the caption "Rhino Warriors". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x pass" | |||
CF ] Prison 53/940 | |||
CF | > | |||
CF | > X PASS | |||
CF | | |||
CF | It's laminated, about the size of a playing card, has a cartoon | |||
CF | picture of a rhino's head next to the words "Rhino Warriors" on one | |||
CF | side, and a 12-digit membership number (they must have a lot of | |||
CF | members!) next to a picture of someone, who looks totally unlike you, | |||
CF | on the other. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x toy" | |||
CF ] Prison 53/941 | |||
CF | > | |||
CF | > X TOY | |||
CF | | |||
CF | A small fluffy monkey carrying a pair of cymbals with a pull string on | |||
CF | the back. A label on its leg says "Made in Bangladesh". | |||
CF | | |||
CF | > | Pinkunz says, ";I'm assuming we" | ||
DavidW says, "Bangladesh is not a place we can visit." | |||
Pinkunz says, "...already searched the parka" | |||
David says, (to ClubFloyd), "search parka" | |||
CF ] Prison 53/942 | |||
CF | > | |||
CF | > SEARCH PARKA | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look in pockets" | |||
CF ] Prison 53/942 | |||
CF | > | |||
CF | > LOOK IN POCKETS | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | Pinkunz says, "Worth a try" | ||
David says, (to ClubFloyd), "x axe" | |||
CF ] Prison 53/943 | |||
CF | > | |||
CF | > X AXE | |||
CF | | |||
CF | It's an axe made for chopping people, though I guess you could chop | |||
CF | other things with it if the idea of chopping people doesn't appeal. | |||
CF | | |||
CF | > | DavidW says, "and we examined the gourd already." | ||
Pinkunz asks, "Is that the axe used to decapitate Sir Stephen?" | |||
DavidW says, "The gourd markings told us what trees to look for so we could find the 8 forests in the first place." | |||
Jade asks, "what for the game leave us the previously use key?" | |||
DavidW says, "No, Sir Stephen was decapitated by another knight when jousting." | |||
Pinkunz says, "Might just be a red herring at this point." | |||
DavidW says (to Jade), "I didn't understand your question." | |||
Jade says, "we haven't chopped anything" | |||
DavidW says, "We did chop one thing: the cable underneath the bulldozer in the Amazon." | |||
Pinkunz asks, "Why do we still have the key; is it still useful?" | |||
Jade says, "we have used the key and we retained it in the inventory" | |||
DavidW says, "We just got the key." | |||
DavidW says, "From the tavern. To open the store." | |||
DavidW says, "I have no idea if it's still useful or not. Probably not, but it doesn't just evaporate on use." | |||
Jade says, "So we presume that the key or the axe will be of no use" | |||
Pinkunz asks, "Have objects typically been 'used up' when no longer useful thus far?" | |||
DavidW says, "No, I don't presume that." | |||
Jade says, "I was trying to discard some possibilities" | |||
Pinkunz says, ".Jade So, unknown. They could be useful yet or not." | |||
DavidW says, "I can't think of any example. The toy monkey is probably not useful, but there just aren't that many inventory items to discard them." | |||
Pinkunz says, "Check the coffee. ;-)" | |||
DavidW says, "No coffee." | |||
Jade says, "discard possibilities, not items" | |||
DavidW asks, "anyway, shall we upset some ladies now?" | |||
Pinkunz says, "Sorry, I jest. Let's go upset ladies." | |||
DavidW says, "The head might be useful with the dark harem if the Englishwomen don't react to it." | |||
David says, (to ClubFloyd), "out" | |||
CF ] Prairie: By Prison 53/944 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly once a prison or cell, though | |||
CF | given that its door has been blown to pieces unlikely to be much use | |||
CF | in that function any more, stands here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Prairie: By Prison 53/945 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | The prairie is vast and endless. You see nothing of interest in that | |||
CF | direction except for tall grass ("uninteresting" tall grass at that). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Prairie: By Burning Crosses 53/946 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Tallgrass Prairies of Missouri 53/947 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Vast Forest 53/948 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | Jade says, "I think that the orangutan will be pleased to meet the dressed monkey" | ||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 53/949 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | That pretty white filly is here, looking both at you and behind you, | |||
CF | perhaps wondering whether you're going to bring back her boyfriend. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 53/950 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 5. Full performance tonight.". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 53/951 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 53/952 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (west) | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the east (going | |||
CF | east will take you round to the front of it). A canopy extends out | |||
CF | from the tent at its rear providing shade for anyone who wishes to | |||
CF | lounge outside. | |||
CF | | |||
CF | Queen Elizabeth's ladies in waiting are here, along with your monkey. | |||
CF | The poor creature has been dressed in child-sized clothing, including | |||
CF | a red waistcoat and a red fez held on to his head by string. There's | |||
CF | also a chain attached to a collar round his neck which the ladies are | |||
CF | using to guide him here and there. The ladies aren't being altogether | |||
CF | unkind to the monkey, but you get the strong impression that he's | |||
CF | pretty miserable about his condition. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, closing down sale!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to ladies" | |||
CF ] Elizabethan Festival (west) 53/953 | |||
CF | > | |||
CF | > SHOW HEAD TO LADIES | |||
CF | | |||
CF | One of them takes a look at it and says to another: "I say, isn't that | |||
CF | Sir Stephen of Tamworth?" The one being spoken to looks rather | |||
CF | embarrassed, and the other ladies in waiting giggle. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to monkey" | |||
CF ] Elizabethan Festival (west) 53/954 | |||
CF | > | |||
CF | > GIVE HEAD TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the severed head | |||
CF | of Sir Stephen of Tamworth, the macaque (i.e. monkey) didn't take it.) | |||
CF | | |||
CF | One of the ladies pinches the monkey from behind then when the monkey | |||
CF | turns towards her another lady does the same. | |||
CF | | |||
CF | > | Jade says, "we are money off" | ||
David says, (to ClubFloyd), "take monkey" | |||
CF ] Elizabethan Festival (west) 53/955 | |||
CF | > | |||
CF | > TAKE MONKEY | |||
CF | | |||
CF | (the toy monkey) | |||
CF | You already have that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take macaque" | |||
CF ] Elizabethan Festival (west) 53/956 | |||
CF | > | |||
CF | > TAKE MACAQUE | |||
CF | | |||
CF | The ladies in waiting won't let you. | |||
CF | | |||
CF | Two of the ladies take turns prodding the monkey with sticks and | |||
CF | laughing when he squeals. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, extra pepper today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put head in tent" | |||
CF ] Elizabethan Festival (west) 53/956 | |||
CF | > | |||
CF | > PUT HEAD IN TENT | |||
CF | | |||
CF | Which do you mean, the royal pavilion or the brightly coloured | |||
CF | pavilion tents? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "royal" | |||
CF ] Elizabethan Festival (west) 53/957 | |||
CF | > | |||
CF | > ROYAL | |||
CF | | |||
CF | That would be somewhat disrespectful to Sir Stephen of Tamworth, or, | |||
CF | at least, to what's left of him. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one half price!" | |||
CF | | |||
CF | > | Jade says, "drop head" | ||
David says, (to ClubFloyd), "drop head" | |||
CF ] Elizabethan Festival (west) 53/958 | |||
CF | > | |||
CF | > DROP HEAD | |||
CF | | |||
CF | The severed head slowly rolls down in front of the ladies in waiting. | |||
CF | | |||
CF | One of them takes a look at it and says to another: "I say, isn't that | |||
CF | Sir Stephen of Tamworth?" The one being spoken to looks rather | |||
CF | embarrassed, and the other ladies in waiting giggle (they can't get | |||
CF | enough of this particular little joke). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take macaque" | |||
CF ] Elizabethan Festival (west) 53/959 | |||
CF | > | |||
CF | > TAKE MACAQUE | |||
CF | | |||
CF | The ladies in waiting won't let you. | |||
CF | | |||
CF | > | Pinkunz says, "No dice." | ||
David says, (to ClubFloyd), "take chain" | |||
CF ] Elizabethan Festival (west) 53/960 | |||
CF | > | |||
CF | > TAKE CHAIN | |||
CF | | |||
CF | The monkey-sized, "cute", arabian outfit doesn't belong to you. | |||
CF | Messing about with it is likely to upset someone. | |||
CF | | |||
CF | One of the ladies beckons the monkey over with a sweet whilst another | |||
CF | just keeps it from reaching her by holding on tight to his chain. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take head" | |||
CF ] Elizabethan Festival (west) 53/961 | |||
CF | > | |||
CF | > TAKE HEAD | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | One of the ladies pinches the monkey from behind then when the monkey | |||
CF | turns towards her another lady does the same. | |||
CF | | |||
CF | > | DavidW says, "This idea has failed." | ||
Pinkunz asks, "Meat pie?" | |||
DavidW says, "We have no money to buy a pie." | |||
Pinkunz says, "Got it. Also, yes, my idea failed." | |||
David says, (to ClubFloyd), "buy pie" | |||
CF ] Elizabethan Festival (west) 53/962 | |||
CF | > | |||
CF | > BUY PIE | |||
CF | | |||
CF | You've no cash or anything to barter with. | |||
CF | | |||
CF | > | DavidW says, "I'll try the dark harem next." | ||
David says, (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (north) 53/963 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, closing down sale!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (south) 53/964 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 5. Full performance tonight.". | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, hand made this morning!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 53/965 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | That pretty white filly is here, looking both at you and behind you, | |||
CF | perhaps wondering whether you're going to bring back her boyfriend. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 53/966 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] The Himalayan Mountains 53/967 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 53/968 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The most voluptuous one caresses one of the others suggestively. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "drop head" | |||
CF ] Dark Harem 53/969 | |||
CF | > | |||
CF | > DROP HEAD | |||
CF | | |||
CF | You put the severed head down gently. | |||
CF | | |||
CF | The tallest one stares fixatedly between your legs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 53/970 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | The women get in your way, in a manner "most suggestive". You think | |||
CF | about barging past them, but the way one of them manoeuvres suggests | |||
CF | that they might be stronger than you are. | |||
CF | | |||
CF | The dark one slowly licks her fingers, her eyes fixed on yours. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 53/971 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 53/972 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | You can see the severed head of Sir Stephen of Tamworth here. | |||
CF | | |||
CF | The red-haired one casually walks past you and brushes her body | |||
CF | against your arm. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take head" | |||
CF ] Dark Harem 53/973 | |||
CF | > | |||
CF | > TAKE HEAD | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | The dark one playfully pulls away at your clothing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 53/974 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 53/975 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The tallest one play-fights briefly with one of the others, almost | |||
CF | removing her clothes. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to women" | |||
CF ] Dark Harem 53/976 | |||
CF | > | |||
CF | > GIVE HEAD TO WOMEN | |||
CF | | |||
CF | You think they have perfectly good heads already. | |||
CF | | |||
CF | The dark one walks slowly around you, her hand casually following the | |||
CF | countour of your leg. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 53/977 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | DavidW says, "okay, that didn't work either." | ||
Pinkunz says, "Nope." | |||
DavidW says, "They kill you if you spend too many consecutive turns with them." | |||
Pinkunz says, "Ah" | |||
DavidW says, "Possibly the sleep potion is for them or we need to bring someone else for them to play with." | |||
DavidW says, "I thought the head might act like a t-bone steak for a hungry dog." | |||
DavidW says, "hm. This is morbid, but I'd like to try asking the medicine woman to put the sleeping potion in the severed head." | |||
DavidW says, "yes to see if that's somehow the right track." | |||
DavidW says, "er just to see" | |||
DavidW says, "unless anyone has a better idea." | |||
Jade says, "anyone hasn't a better idea" | |||
DavidW says, "that's a shame" | |||
David says, (to ClubFloyd), "sw" | |||
CF ] Vast Forest 53/978 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 53/979 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "in" | |||
CF ] Medicine Hut 53/980 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Medicine Hut | |||
CF | This wooden hut is clearly the abode of someone who likes to "do | |||
CF | things" with plants. All around is the same collection of | |||
CF | paraphernalia you saw outside but in greater number and variety | |||
CF | (though it may just seem that way because of the cramped conditions | |||
CF | inside). | |||
CF | | |||
CF | A few sinister-looking potions stand on a trestle table to your left. | |||
CF | | |||
CF | A large black woman sits in a huge wicker chair near the back wall of | |||
CF | the hut, looking at you in a friendly manner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to woman" | |||
CF ] Medicine Hut 53/981 | |||
CF | > | |||
CF | > GIVE HEAD TO WOMAN | |||
CF | | |||
CF | You think the big, black woman has a perfectly good head already. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take zzzzzz" | |||
CF ] Medicine Hut 53/982 | |||
CF | > | |||
CF | > TAKE ZZZZZZ | |||
CF | | |||
CF | The woman says to you: "You hardly need all of it; bring me a suitable | |||
CF | receptacle with some liquid in it, and we'll put a few drops in". | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show head to woman" | |||
CF ] Medicine Hut 53/983 | |||
CF | > | |||
CF | > SHOW HEAD TO WOMAN | |||
CF | | |||
CF | "Don't recognise him, sorry," she says. | |||
CF | | |||
CF | The woman pulls something odd from the folds of her clothing and | |||
CF | starts chewing on it for a bit; she offers you some but you decline | |||
CF | (probably best). | |||
CF | | |||
CF | > | DavidW says, "The head is not suitable as a potion container." | ||
DavidW asks, "sigh. Give the toy monkey to the ladies in waiting?" | |||
Jade asks, "with some liquid inside... the tavern?" | |||
DavidW says, "There might be a bottle of rum in there, but I wasn't sure." | |||
David says, (to ClubFloyd), "out" | |||
CF ] An Island in the Caribbean 53/984 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Pirate Shanty Town 53/985 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | Maybe everyone is in the tavern to the west, which seems to be doing a | |||
CF | roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Tavern. 53/986 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Tavern. | |||
CF | Pirates spill about in here in various states of inebriation, | |||
CF | including the overseer you saw earlier, who obviously is everyone's | |||
CF | best friend now. | |||
CF | | |||
CF | The general store owner is busy pouring out the drinks. | |||
CF | | |||
CF | The store manager's wife lies underneath one of the tables, drinking | |||
CF | herself stupid on a bottle of rum (which just goes to show ... well | |||
CF | ... something). | |||
CF | | |||
CF | If it's all too much for you, the way out is to the east. | |||
CF | | |||
CF | You can see a mouldy, and very unfashionable, set of clothes belonging | |||
CF | to the store manager here. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x bottle" | |||
CF ] Tavern. 53/986 | |||
CF | > | |||
CF | > X BOTTLE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x rum" | |||
CF ] Tavern. 53/987 | |||
CF | > | |||
CF | > X RUM | |||
CF | | |||
CF | The rum is flowing freely. | |||
CF | | |||
CF | Someone breaks into song, someone else then smacks him in the face and | |||
CF | he stops. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask owner for rum" | |||
CF ] Tavern. 53/988 | |||
CF | > | |||
CF | > ASK OWNER FOR RUM | |||
CF | | |||
CF | He's too busy having a good time with the pirates to take any notice | |||
CF | of you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ask owner about rum" | |||
CF ] Tavern. 53/989 | |||
CF | > | |||
CF | > ASK OWNER ABOUT RUM | |||
CF | | |||
CF | He's too busy having a good time with the pirates to take any notice | |||
CF | of you. | |||
CF | | |||
CF | A pirate slips over on the wet floor and almost brains himself. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take rum" | |||
CF ] Tavern. 53/990 | |||
CF | > | |||
CF | > TAKE RUM | |||
CF | | |||
CF | You would, but then you'd probably be too drunk to do anything else. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x mug" | |||
CF ] Tavern. 53/990 | |||
CF | > | |||
CF | > X MUG | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | Jade says, "take drink" | ||
David says, (to ClubFloyd), "take drink" | |||
CF ] Tavern. 53/991 | |||
CF | > | |||
CF | > TAKE DRINK | |||
CF | | |||
CF | You would, but then you'd probably be too drunk to do anything else. | |||
CF | | |||
CF | Everybody suddenly starts laughing, perhaps at you. | |||
CF | | |||
CF | > | DavidW says, "There ought to be something suitable, but there just isn't." | ||
Pinkunz says, "I wish I had a good suggestion, but I'm drawing blanks, David." | |||
David says, (to ClubFloyd), "e" | |||
CF ] Pirate Shanty Town 53/992 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | Maybe everyone is in the tavern to the west, which seems to be doing a | |||
CF | roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] General Store 53/993 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | General Store | |||
CF | Shelves of assorted goods line the walls of this simple wooden | |||
CF | building. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x goods" | |||
CF ] General Store 53/994 | |||
CF | > | |||
CF | > X GOODS | |||
CF | | |||
CF | The shelves are mostly empty and what there is on them is not of any | |||
CF | use to you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x counter" | |||
CF ] General Store 53/994 | |||
CF | > | |||
CF | > X COUNTER | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look under shelves" | |||
CF ] General Store 53/995 | |||
CF | > | |||
CF | > LOOK UNDER SHELVES | |||
CF | | |||
CF | Don't worry about the general store furnishings, they're effectively | |||
CF | part of the landscape. | |||
CF | | |||
CF | > | Jade says, "take vase" | ||
David says, (to ClubFloyd), "what vase?" | |||
CF ] General Store 53/995 | |||
CF | > | |||
CF | > WHAT VASE? | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x vase" | |||
CF ] General Store 53/995 | |||
CF | > | |||
CF | > X VASE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW asks (of Jade), "Did you see a vase somewhere?" | ||
Jade says, "some games has some magic shelve" | |||
DavidW says, "not these shelves" | |||
Jade says, "possible locations: tree house," | |||
Jade says, "..." | |||
DavidW says, "I'd need to bring the ladder back to check the tree house." | |||
DavidW says, "And all we found there before was a book and an eco warrior." | |||
Jade says, "It would be odd to find a vase somewhere now" | |||
Jade says, "may be we have to trade some item" | |||
DavidW says, "I don't know why you're suggesting a vase when we haven't seen one." | |||
DavidW asks, "Who drinks from a vase?" | |||
DavidW says, "flower water is nasty." | |||
Jade says, "that is the question, we haven't seen a vase, bottle..." | |||
DavidW asks, "Have you ever used a vase in real life?" | |||
Jade says, "ok, a cup" | |||
DavidW says, "We saw a cup but it's gone forever." | |||
Jade says, "Spanish word is vaso" | |||
Jade says, "English is glass" | |||
DavidW says, "I'm gonna try giving the toy and any other inventory to the ladies." | |||
David says, (to ClubFloyd), "n" | |||
CF ] Pirate Shanty Town 53/996 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Pirate Shanty Town | |||
CF | The wooden walkway from the east comes free from the mangrove swamp as | |||
CF | it enters a pirate shanty town built just a few feet over the shallow | |||
CF | waters of the Caribbean sea below. | |||
CF | | |||
CF | Perhaps it's the time of day (i.e. high noon), but pretty much | |||
CF | everything seems to be closed apart from a general store to the south. | |||
CF | Maybe everyone is in the tavern to the west, which seems to be doing a | |||
CF | roaring trade. | |||
CF | | |||
CF | At the far end of the shantytown to the north, a boarding plank can be | |||
CF | seen leading onto a pirate ship. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] An Island in the Caribbean 53/997 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] An Island in the Caribbean 53/998 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Vast Forest 53/999 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 53/1000 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England (on "Champion", the wonder horse) | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The pretty little filly is still here, grazing. Your stallion seems | |||
CF | quite interested in going back to her. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] The Green Hills of England 53/1001 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | You see the filly snorting its head as if to shake away a fly. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 53/1002 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 5. Full performance tonight.". | |||
CF | | |||
CF | Acting comes to a sudden close as you realise the actors are getting | |||
CF | ready to rehearse this act again. The two husbands and one of the | |||
CF | young ladies retire, and Falstaff comes back on stage. | |||
CF | There seems to be something funny about Falstaff! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put head on stage" | |||
CF ] Elizabethan Festival (south) 53/1003 | |||
CF | > | |||
CF | > PUT HEAD ON STAGE | |||
CF | | |||
CF | Don't worry about the Elizabethan theatre, it's effectively part of | |||
CF | the landscape. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 53/1004 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, fantastic prices, today | |||
CF | only!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to vendor" | |||
CF ] Elizabethan Festival (north) 53/1005 | |||
CF | > | |||
CF | > GIVE HEAD TO VENDOR | |||
CF | | |||
CF | You think the Elizabethan vendors has a perfectly good head already. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 53/1006 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (west) | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the east (going | |||
CF | east will take you round to the front of it). A canopy extends out | |||
CF | from the tent at its rear providing shade for anyone who wishes to | |||
CF | lounge outside. | |||
CF | | |||
CF | Queen Elizabeth's ladies in waiting are here, along with your monkey. | |||
CF | The poor creature has been dressed in child-sized clothing, including | |||
CF | a red waistcoat and a red fez held on to his head by string. There's | |||
CF | also a chain attached to a collar round his neck which the ladies are | |||
CF | using to guide him here and there. The ladies aren't being altogether | |||
CF | unkind to the monkey, but you get the strong impression that he's | |||
CF | pretty miserable about his condition. | |||
CF | | |||
CF | Two of the ladies take turns prodding the monkey with sticks and | |||
CF | laughing when he squeals. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, buy one get one half price!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to ladies" | |||
CF ] Elizabethan Festival (west) 53/1008 | |||
CF | > | |||
CF | > GIVE TOY TO LADIES | |||
CF | | |||
CF | They're too busy playing with the monkey to take any notice of you. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the toy monkey, | |||
CF | the ladies in waiting didn't take it.) | |||
CF | | |||
CF | > | Pinkunz says, "No worries" | ||
David says, (to ClubFloyd), "kiss ladies" | |||
CF ] Elizabethan Festival (west) 53/1009 | |||
CF | > | |||
CF | > KISS LADIES | |||
CF | | |||
CF | Much though you might like to, you won't get away with doing anything | |||
CF | even vaguely physical to these women. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, closing down sale!" | |||
CF | | |||
CF | > | Pinkunz asks, "Would you show inv again?" | ||
David says, (to ClubFloyd), "i" | |||
CF ] Elizabethan Festival (west) 53/1010 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a large key | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | Pinkunz says, "Thank you." | ||
DavidW says, "It's not a long list." | |||
DavidW asks, "Should I try bringing the horse here?" | |||
David says, (to ClubFloyd), "cut chain with axe" | |||
CF ] Elizabethan Festival (west) 53/1011 | |||
CF | > | |||
CF | > CUT CHAIN WITH AXE | |||
CF | | |||
CF | The ladies in waiting won't let you. | |||
CF | | |||
CF | One of the ladies pinches the monkey from behind then when the monkey | |||
CF | turns towards her another lady does the same. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give toy to monkey" | |||
CF ] Elizabethan Festival (west) 53/1012 | |||
CF | > | |||
CF | > GIVE TOY TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | The monkey seems to have lost all interest in the toy monkey. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give axe to monkey" | |||
CF ] Elizabethan Festival (west) 53/1013 | |||
CF | > | |||
CF | > GIVE AXE TO MONKEY | |||
CF | | |||
CF | (the macaque (i.e. monkey)) | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the battle axe, | |||
CF | the macaque (i.e. monkey) didn't take it.) | |||
CF | | |||
CF | Two of the ladies take turns prodding the monkey with sticks and | |||
CF | laughing when he squeals. | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, vegan option available!" | |||
CF | | |||
CF | > | Jade asks, "where can we show the card we already used in the tree house?" | ||
Pinkunz asks, "Can we go back to the Rhino Dung? I'm assuming that's Africa, yes?" | |||
DavidW says, "The card was shown to the girl in the Amazon to get the parka." | |||
DavidW says, "Yes, the rhino is in Africa." | |||
Jade says, "show it to the guards" | |||
DavidW asks, "What guards?" | |||
Pinkunz says, "Same question." | |||
Jade says, "the ones by the royal tent" | |||
DavidW says, "There's no actual guards to show anything to." | |||
DavidW says, "Just the yeoman at the jousting gate, and the invitation was our pass there." | |||
Jade says, "ok then" | |||
DavidW says, "I suppose I can show the pass to him. I doubt he'd recognize a laminated card in the 1600's." | |||
David says, (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (north) 53/1014 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show pass to guard" | |||
CF ] Elizabethan Festival (north) 53/1015 | |||
CF | > | |||
CF | > SHOW PASS TO GUARD | |||
CF | | |||
CF | He completely, totally and utterly ignores you. It's almost as if you | |||
CF | weren't there. | |||
CF | | |||
CF | > | Pinkunz asks, "Unless you have another idea, are you keen to visit Africa again?" | ||
DavidW says, "I'm not keen on Africa. I think the escarpment, trunk, floodlight, poachers are the problem to solve there." | |||
DavidW says, "The rhino is just a way to die." | |||
Pinkunz says, "Okay, nvm then." | |||
DavidW asks, "What did you want to try there?" | |||
Pinkunz says, "I don���t know yet, because I've only seen what we've seen this session." | |||
DavidW asks, "Did you want to see if I missed something?" | |||
Pinkunz says, "I'm just trying to see more of the world in case something occurs to me." | |||
DavidW says, "I suppose at the very least we can see if a crude Caribbean key can unlock a truck's door in Africa." | |||
Pinkunz says, "Playing with a self-imposed handicap here." | |||
David says, (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (south) 53/1016 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 1. Full performance tonight.". | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, hand made this morning!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 53/1017 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride filly" | |||
CF ] The Green Hills of England 53/1018 | |||
CF | > | |||
CF | > RIDE FILLY | |||
CF | | |||
CF | She respectfully moves away from you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 53/1019 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 53/1020 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | Pinkunz says, "Thank you." | ||
DavidW says, "We can enter the tree. We found a mask that we gave to the medicine woman." | |||
DavidW says, "That's why she's friendly to us." | |||
Pinkunz asks, "I'm assuming the lions kill you?" | |||
DavidW says, "No, actually. We won't go near the lions." | |||
Pinkunz asks, "Really?" | |||
DavidW says, "Also, we can't seem to interact with the vultures either." | |||
DavidW says, "Lions are dangerous." | |||
Jade asks, "what happens if we fight the rhinos with the rhino dress?" | |||
Pinkunz says, "What's the failure message." | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Vast Plains of the Serengeti 53/1021 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | You gingerly head your way towards the lions, but as soon as one of | |||
CF | them turns to look at you, you think better of it and scamper back to | |||
CF | the safety of the baobab tree (the Masai seem to manage it, maybe they | |||
CF | just do it bravely). | |||
CF | | |||
CF | > | DavidW says, "Perhaps we could ask the medicine woman about lions." | ||
Pinkunz says, "There's a hint there." | |||
Jade asks, "what happens if we feed lions with the head?" | |||
David says, (to ClubFloyd), "look up Masai in book" | |||
CF ] The Vast Plains of the Serengeti 53/1022 | |||
CF | > | |||
CF | > LOOK UP MASAI IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for "Masai". | |||
CF | Since you're now a member, perhaps, later on, you can send in a | |||
CF | contribution. | |||
CF | | |||
CF | > | Pinkunz says, ""Do it bravely"" | ||
David says, (to ClubFloyd), "give head to lions" | |||
CF ] The Vast Plains of the Serengeti 53/1022 | |||
CF | > | |||
CF | > GIVE HEAD TO LIONS | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x lions" | |||
CF ] The Vast Plains of the Serengeti 53/1023 | |||
CF | > | |||
CF | > X LIONS | |||
CF | | |||
CF | You're glad they're distant! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x head" | |||
CF ] The Vast Plains of the Serengeti 53/1024 | |||
CF | > | |||
CF | > X HEAD | |||
CF | | |||
CF | Still clad in its helmet, though without the visor so that the head's | |||
CF | face can be seen in all its gruesome grey glory, this head once | |||
CF | belonged to Sir Stephen of Tamworth. | |||
CF | | |||
CF | > | Pinkunz asks, "go south bravely?" | ||
David says, (to ClubFloyd), "go south bravely" | |||
CF ] The Vast Plains of the Serengeti 53/1024 | |||
CF | > | |||
CF | > GO SOUTH BRAVELY | |||
CF | | |||
CF | I only understood you as far as wanting to go south. | |||
CF | | |||
CF | > | DavidW says, "If this was a game that recognized adverbs, it should have said so eons ago." | ||
Pinkunz asks, "go bravely south? or go boldly south?" | |||
David says, (to ClubFloyd), "go bravely south" | |||
CF ] The Vast Plains of the Serengeti 53/1024 | |||
CF | > | |||
CF | > GO BRAVELY SOUTH | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | Pinkunz says, "Sorry, just the wording bothers me." | ||
David says, (to ClubFloyd), "go boldly south" | |||
CF ] The Vast Plains of the Serengeti 53/1024 | |||
CF | > | |||
CF | > GO BOLDLY SOUTH | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | DavidW says, "I don't think we can do anything with the lions ever." | ||
DavidW asks, "Sometimes the game hints at a larger world, y'know?" | |||
Pinkunz says (to Floyd), "Bravely go south" | |||
CF ] Savannah 53/1025 | |||
CF | > | |||
CF | > BRAVELY GO SOUTH | |||
CF | | |||
CF | Like the bravest of African tribesmen, you make yourself big and | |||
CF | menacing and stride towards the lions and their kill with a confident | |||
CF | air. Amazingly, they scamper away, but you'd better not hang around | |||
CF | for long. | |||
CF | | |||
CF | Savannah | |||
CF | The savannah of the Serengeti is a broad area of dry grass and sparse | |||
CF | trees, the most notable being the baobab to the north. | |||
CF | | |||
CF | A half-chewed carcass of an antelope lies open to the elements here, | |||
CF | doubtlessly soon to be devoured by the surrounding lions if they don't | |||
CF | choose to devour you first. | |||
CF | | |||
CF | And talking of which, those friendly little felines with the big claws | |||
CF | and teeth are now watching you cautiously from a distance. | |||
CF | | |||
CF | The lions look at you and at one another; you wonder what might be | |||
CF | going on in their heads. | |||
CF | | |||
CF | > | DavidW asks, "the hell?" | ||
Pinkunz says, "Didn't expect that to work, tbh." | |||
Jade exclaims, "great!" | |||
Pinkunz asks, "uh.. what now?" | |||
David says, (to ClubFloyd), "give head to lions" | |||
CF ] Savannah 53/1026 | |||
CF | > | |||
CF | > GIVE HEAD TO LIONS | |||
CF | | |||
CF | Animal eyes gaze back at you, which seem to betray a surprising amount | |||
CF | of intelligence - or perhaps it's only surprising relative to your own | |||
CF | intelligence. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the severed head | |||
CF | of Sir Stephen of Tamworth, the lions prowling around you didn't take | |||
CF | it.) | |||
CF | | |||
CF | The lions close the distance to you a little, still looking a little | |||
CF | nervous but obviously gaining in confidence. | |||
CF | | |||
CF | > | Pinkunz asks, "The kill?" | ||
Jade says, "dress rhino" | |||
Pinkunz asks, "Search it or take it?" | |||
DavidW says, "I have no idea what either of you mean." | |||
Pinkunz asks, "Aren't the lions eating some dead animal?" | |||
DavidW says, "I didn't notice." | |||
DavidW says, "antelope" | |||
Jade says, "wear the rhino thing" | |||
DavidW says (to Jade), "the parka? Bit late for that." | |||
Pinkunz says, "I don���t know what Jade means by that, though" | |||
Jade says, "lions are afraid of rhinos" | |||
Pinkunz says, "Ahh" | |||
DavidW says, "It's not a rhino skin. It's a parka." | |||
Roger says, "oh I thought you meant 'dress' in the 'prepare animal carcass' sense" | |||
Pinkunz says, "I feel like we have a timer as the lions close in." | |||
Jade says, "yes, sry" | |||
DavidW says, "oh yes, The lions are about to kill us." | |||
Pinkunz says, "No worries." | |||
DavidW asks, "who is driving now?" | |||
Pinkunz says, "The only other object in the scene is the antelope, so we need to do something with it." | |||
Pinkunz says, "I can't reliably drive; on my phone atm." | |||
David says, (to ClubFloyd), "take antelope" | |||
CF ] Savannah 53/1027 | |||
CF | > | |||
CF | > TAKE ANTELOPE | |||
CF | | |||
CF | Ambitious, but, no, you can't shift it. | |||
CF | | |||
CF | The lions circle around you, watching you carefully, the lionesses, in | |||
CF | particular, seeming indignant that an uppity ape is getting close to | |||
CF | their dinner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Vast Plains of the Serengeti 53/1028 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (good idea) | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "boldly go south" | |||
CF ] Savannah 53/1029 | |||
CF | > | |||
CF | > BOLDLY GO SOUTH | |||
CF | | |||
CF | Like the bravest of African tribesmen, you make yourself big and | |||
CF | menacing and stride towards the lions and their kill with a confident | |||
CF | air. Amazingly, they scamper away (lions have pretty short memories), | |||
CF | but you'd better not hang around for long. | |||
CF | | |||
CF | Savannah | |||
CF | The savannah of the Serengeti is a broad area of dry grass and sparse | |||
CF | trees, the most notable being the baobab to the north. | |||
CF | | |||
CF | A half-chewed carcass of an antelope lies open to the elements here, | |||
CF | doubtlessly soon to be devoured by the surrounding lions if they don't | |||
CF | choose to devour you first. | |||
CF | | |||
CF | And talking of which, those friendly little felines with the big claws | |||
CF | and teeth are now watching you cautiously from a distance. | |||
CF | | |||
CF | The lions look at you and at one another; you wonder what might be | |||
CF | going on in their heads. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x antelope" | |||
CF ] Savannah 53/1030 | |||
CF | > | |||
CF | > X ANTELOPE | |||
CF | | |||
CF | Makes a good roast if you're not a lion. | |||
CF | | |||
CF | The lions close the distance to you a little, still looking a little | |||
CF | nervous but obviously gaining in confidence. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "search antelope" | |||
CF ] Savannah 53/1031 | |||
CF | > | |||
CF | > SEARCH ANTELOPE | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | The lions circle around you, watching you carefully, the lionesses, in | |||
CF | particular, seeming indignant that an uppity ape is getting close to | |||
CF | their dinner. | |||
CF | | |||
CF | > | Pinkunz asks, "Can't take the whole thing; can we take a piece of it?" | ||
David says, (to ClubFloyd), "n" | |||
CF ] The Vast Plains of the Serengeti 53/1032 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (good idea) | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | DavidW asks, "like what?" | ||
Pinkunz says, "I dunno." | |||
David says, (to ClubFloyd), "boldly go south" | |||
CF ] Savannah 53/1033 | |||
CF | > | |||
CF | > BOLDLY GO SOUTH | |||
CF | | |||
CF | Like the bravest of African tribesmen, you make yourself big and | |||
CF | menacing and stride towards the lions and their kill with a confident | |||
CF | air. Amazingly, they scamper away (lions have pretty short memories), | |||
CF | but you'd better not hang around for long. | |||
CF | | |||
CF | Savannah | |||
CF | The savannah of the Serengeti is a broad area of dry grass and sparse | |||
CF | trees, the most notable being the baobab to the north. | |||
CF | | |||
CF | A half-chewed carcass of an antelope lies open to the elements here, | |||
CF | doubtlessly soon to be devoured by the surrounding lions if they don't | |||
CF | choose to devour you first. | |||
CF | | |||
CF | And talking of which, those friendly little felines with the big claws | |||
CF | and teeth are now watching you cautiously from a distance. | |||
CF | | |||
CF | The lions look at you and at one another; you wonder what might be | |||
CF | going on in their heads. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cut antelope" | |||
CF ] Savannah 55/1034 | |||
CF | > | |||
CF | > CUT ANTELOPE | |||
CF | | |||
CF | (with the axe) | |||
CF | | |||
CF | You carve off a piece of venison from the antelope. | |||
CF | | |||
CF | The lions close the distance to you a little, still looking a little | |||
CF | nervous but obviously gaining in confidence. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take venison" | |||
CF ] Savannah 55/1035 | |||
CF | > | |||
CF | > TAKE VENISON | |||
CF | | |||
CF | You already have that. | |||
CF | | |||
CF | The lions circle around you, watching you carefully, the lionesses, in | |||
CF | particular, seeming indignant that an uppity ape is getting close to | |||
CF | their dinner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Vast Plains of the Serengeti 55/1036 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (good idea) | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | Pinkunz asks, "Success?" | ||
DavidW says, "there. That's our prize." | |||
David says, (to ClubFloyd), "x venison" | |||
CF ] The Vast Plains of the Serengeti 55/1037 | |||
CF | > | |||
CF | > X VENISON | |||
CF | | |||
CF | A piece of antelope which, apart from a few lion-chew marks, looks | |||
CF | like it could make a nice dinner. | |||
CF | | |||
CF | > | Jade exclaims, "ooh!" | ||
Pinkunz says, "No idea what to do with it." | |||
Jade says, "we can exchange this with the pies vendor" | |||
DavidW says, "Two ideas: meat vendor or viking archer with a fire." | |||
Jade says, "or perhaps we can sell it to him" | |||
Pinkunz asks, "What does the archer do?" | |||
DavidW says, "The archer waits for the funereal boat to launch so he can shoot a fire arrow at it." | |||
Pinkunz asks, "So we need to prevent that to use the boat, correct?" | |||
DavidW says, "But the boat is a way to get to an island that we've yet to reach." | |||
DavidW says, "right. We need to stop that arrow." | |||
Pinkunz says, "Got it. So kill or bribe the archer." | |||
Pinkunz says (to f), "u" | |||
CF ] The Vast Plains of the Serengeti 55/1038 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | grow wings and fly up into the air. | |||
CF | | |||
CF | > | DavidW says, "I dunno if we can bribe him." | ||
Pinkunz says (to f), "i" | |||
CF ] The Vast Plains of the Serengeti 55/1039 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a haunch of venison | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a large key | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | Jade says, "if we go to the boat we die burning in flames" | ||
DavidW says, "We can try to see if the *venison* is a sleepy potion container." | |||
Pinkunz asks, "The archer is a viking, right?" | |||
DavidW says, "yes" | |||
Pinkunz says, "So, they'll want beer or meat or a woman." | |||
DavidW says, "well, one out of three isn't bad." | |||
Pinkunz says, "We could try the meat, or if we can get a mug of ale, we could try that. plain or spiked in either case." | |||
DavidW says, "Lemme stop by the medicine woman." | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Vast Plains of the Serengeti 55/1039 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "l" | |||
CF ] The Vast Plains of the Serengeti 55/1040 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] Vast Forest 55/1041 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 55/1042 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "in" | |||
CF ] Medicine Hut 55/1043 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Medicine Hut | |||
CF | This wooden hut is clearly the abode of someone who likes to "do | |||
CF | things" with plants. All around is the same collection of | |||
CF | paraphernalia you saw outside but in greater number and variety | |||
CF | (though it may just seem that way because of the cramped conditions | |||
CF | inside). | |||
CF | | |||
CF | A few sinister-looking potions stand on a trestle table to your left. | |||
CF | | |||
CF | A large black woman sits in a huge wicker chair near the back wall of | |||
CF | the hut, looking at you in a friendly manner. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "show venison to woman" | |||
CF ] Medicine Hut 55/1044 | |||
CF | > | |||
CF | > SHOW VENISON TO WOMAN | |||
CF | | |||
CF | "I sort my own food and drink out," she says, indicating all the stuff | |||
CF | around her. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take zzzzzz" | |||
CF ] Medicine Hut 55/1045 | |||
CF | > | |||
CF | > TAKE ZZZZZZ | |||
CF | | |||
CF | The woman says to you: "You hardly need all of it; bring me a suitable | |||
CF | receptacle with some liquid in it, and we'll put a few drops in". | |||
CF | | |||
CF | > | DavidW says, "okay, the venison doesn't get spiked." | ||
David says, (to ClubFloyd), "out" | |||
CF ] An Island in the Caribbean 55/1046 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Vast Forest 55/1047 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Pine Forests of Scandinavia 55/1048 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 55/1049 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | Above the pine forest clearing, this small viewpoint overlooks the | |||
CF | lake, which you can now regard below you in all of its glory. | |||
CF | | |||
CF | The lake waters are calm and peaceful, and a deep shade of blue. The | |||
CF | pine forest itself surrounds the lake on all sides, mostly all the way | |||
CF | down to the water's edge. However, there is a spot just below you | |||
CF | which is clear and which you can probably get to if you keep going | |||
CF | down, and next to it is a Viking funeral ship, floating on the water. | |||
CF | Off towards the centre of the lake is a small island shrouded in mist. | |||
CF | | |||
CF | A tall Viking, evidently an archer, stands here next to a small | |||
CF | campfire, looking out towards the lake. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give venison to archer" | |||
CF ] Lake Viewpoint 55/1050 | |||
CF | > | |||
CF | > GIVE VENISON TO ARCHER | |||
CF | | |||
CF | The archer points in the direction of the mead hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Lake Viewpoint 55/1051 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | The pine forest is vast, dark and full of trolls (allegedly). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 55/1052 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | You'll have to be a bit more specific unless you literally intend to | |||
CF | grow wings and fly up into the air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Pine Forests of Scandinavia 55/1053 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give venison to viking" | |||
CF ] The Pine Forests of Scandinavia 55/1054 | |||
CF | > | |||
CF | > GIVE VENISON TO VIKING | |||
CF | | |||
CF | "The Jarl's feast is well underway," he says, "there's no time to | |||
CF | roast this. Come back with something ready to eat now!" | |||
CF | | |||
CF | > | DavidW says, "so meat pie vendor then? Unless we can cook it ourselves." | ||
David says, (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 55/1055 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | Above the pine forest clearing, this small viewpoint overlooks the | |||
CF | lake, which you can now regard below you in all of its glory. | |||
CF | | |||
CF | The lake waters are calm and peaceful, and a deep shade of blue. The | |||
CF | pine forest itself surrounds the lake on all sides, mostly all the way | |||
CF | down to the water's edge. However, there is a spot just below you | |||
CF | which is clear and which you can probably get to if you keep going | |||
CF | down, and next to it is a Viking funeral ship, floating on the water. | |||
CF | Off towards the centre of the lake is a small island shrouded in mist. | |||
CF | | |||
CF | A tall Viking, evidently an archer, stands here next to a small | |||
CF | campfire, looking out towards the lake. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "cook venison" | |||
CF ] Lake Viewpoint 55/1056 | |||
CF | > | |||
CF | > COOK VENISON | |||
CF | | |||
CF | The flames on the campfire are burning too low to allow any sort of | |||
CF | barbecuing to take place. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Pine Forests of Scandinavia 55/1057 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Vast Forest 55/1058 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 55/1059 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | You see "Champion", the wonder horse chew lazily at some grass near | |||
CF | the caravans. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 55/1060 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 1. Full performance tonight.". | |||
CF | | |||
CF | A second "young lady" arrives from backstage and informs the first | |||
CF | young lady that her husband is on his way. Falstaff hides by leaping | |||
CF | into a laundry basket just as she arrives. | |||
CF | There seems to be something funny about Falstaff! | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, fantastic prices, today | |||
CF | only!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "buy pie" | |||
CF ] Elizabethan Festival (south) 55/1061 | |||
CF | > | |||
CF | > BUY PIE | |||
CF | | |||
CF | You've no cash or anything to barter with. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "barter venison" | |||
CF ] Elizabethan Festival (south) 55/1061 | |||
CF | > | |||
CF | > BARTER VENISON | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | DavidW says, "There's an oven in the palm plantation." | ||
Pinkunz asks, "Cook the meat?" | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 55/1062 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride stallion" | |||
CF ] The Green Hills of England 55/1063 | |||
CF | > | |||
CF | > RIDE STALLION | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 55/1064 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 55/1065 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 55/1066 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Processing) 55/1067 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Processing Plant 55/1068 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Processing Plant | |||
CF | The inside of the processing plant is a vast workshop of tables, | |||
CF | benches, cupboards, and huge pieces of machinery used in producing | |||
CF | palm oil at an industrial scale. | |||
CF | | |||
CF | There's nobody about and, though the place doesn't look abandoned, | |||
CF | none of the machinery is in use, suggesting that perhaps it's a | |||
CF | holiday or, more likely, a break in production whilst the palm trees | |||
CF | are allowed to grow to the right level of maturity. | |||
CF | | |||
CF | A small oven ("small" relatively speaking), a small compressor and a | |||
CF | small washer, probably for working with samples, stand to one side, | |||
CF | whilst a cleaning cupboard is over on the other. | |||
CF | | |||
CF | The door you came through leads out to the south. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "put venison in oven" | |||
CF ] Processing Plant 55/1069 | |||
CF | > | |||
CF | > PUT VENISON IN OVEN | |||
CF | | |||
CF | You put the haunch of venison into the small industrial oven. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "close oven" | |||
CF ] Processing Plant 56/1070 | |||
CF | > | |||
CF | > CLOSE OVEN | |||
CF | | |||
CF | The door locks shut, and the temperature inside rises. A few minutes | |||
CF | later (these things are surprisingly fast), the door pops open again, | |||
CF | revealing a nicely cooked piece of venison. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take venison" | |||
CF ] Processing Plant 56/1071 | |||
CF | > | |||
CF | > TAKE VENISON | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Palm Tree Plantation (Processing) 56/1072 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Processing) 56/1073 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 56/1074 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 56/1075 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Pine Forests of Scandinavia 56/1076 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Pine Forests of Scandinavia (on "Champion", the wonder | |||
CF | horse) | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "dismount" | |||
CF ] The Pine Forests of Scandinavia 56/1077 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | You hear cheering coming from inside the hall. | |||
CF | | |||
CF | > | Pinkunz asks, "Alright, cooked venison has to be for a viking. are there any more problematic vikings besides the archer? Guards?" | ||
Jade exclaims, "; well done!" | |||
David says, (to ClubFloyd), "give venison to viking" | |||
CF ] Temple of Uppsala 57/1078 | |||
CF | > | |||
CF | > GIVE VENISON TO VIKING | |||
CF | | |||
CF | The Viking nods in appreciation, opens the door to let you in and | |||
CF | passes the venison to one of the servants inside. | |||
CF | | |||
CF | Temple of Uppsala | |||
CF | The fabled Temple of Uppsala is an enormous and magnificent structure | |||
CF | whose walls and ceiling are made from pine-tree logs bound and nailed | |||
CF | together. | |||
CF | | |||
CF | A huge feast is clearly underway, and must have been so for some time | |||
CF | as quite a large proportion of the hundred or so male and female | |||
CF | Vikings in here are beginning to look a little the worse for wear. | |||
CF | | |||
CF | All of the dining tables are laden with food plus the remains of food | |||
CF | (i.e. carcasses). Nobody is bothered about clearing up though | |||
CF | occasionally something gets knocked off to the floor where it is | |||
CF | quickly eaten by dogs. | |||
CF | | |||
CF | At the far end of the hall, a very important-looking woman sits behind | |||
CF | the head table, surrounded by a host of Viking shield maidens. | |||
CF | | |||
CF | Over to the side are several barrels of mead, from which the Vikings | |||
CF | regularly fill their drinking horns. | |||
CF | | |||
CF | From what you can pick up that the Vikings are saying (you never knew | |||
CF | you could understand so much Viking), they are here to celebrate the | |||
CF | death of one of their leaders. (They also appear to be highly amused | |||
CF | about something they're talking about that happened at the head table, | |||
CF | in case you want to listen some more). | |||
CF | | |||
CF | That big woman at the head table shouts out "Has anyone seen my fool | |||
CF | of a husband!" and everyone laughs. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | Pinkunz says, "(" | ||
David says, (to ClubFloyd), "listen" | |||
CF ] Temple of Uppsala 57/1079 | |||
CF | > | |||
CF | > LISTEN | |||
CF | | |||
CF | Apparently, Ragnar Lodbrok boasted that he could drink his wife | |||
CF | Lagertha under the (head) table. She took up the challenge, and he | |||
CF | lost! | |||
CF | | |||
CF | > | Pinkunz asks, "look under table?" | ||
David says, (to ClubFloyd), "look under table" | |||
CF ] Temple of Uppsala 57/1079 | |||
CF | > | |||
CF | > LOOK UNDER TABLE | |||
CF | | |||
CF | Which do you mean, the table at the head of the feast or the dining | |||
CF | tables? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look under head table" | |||
CF ] Temple of Uppsala 58/1080 | |||
CF | > | |||
CF | > LOOK UNDER HEAD TABLE | |||
CF | | |||
CF | You find Ragnar Lodbrok under the head table, fast asleep, his | |||
CF | drinking horn at his side. | |||
CF | | |||
CF | Someone replaces one of the barrels of mead with a fresh one, which is | |||
CF | immediately opened to the sound of loud cheering. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take horn" | |||
CF ] Temple of Uppsala 58/1081 | |||
CF | > | |||
CF | > TAKE HORN | |||
CF | | |||
CF | In his state, he can't do much to stop you. | |||
CF | | |||
CF | That big woman at the head table shouts out "Has anyone seen my fool | |||
CF | of a husband!" and everyone laughs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x horn" | |||
CF ] Temple of Uppsala 58/1082 | |||
CF | > | |||
CF | > X HORN | |||
CF | | |||
CF | Hollowed out of the horn of a bison or auroch, this drinking vessel | |||
CF | holds about a pint (half a litre) of whatever you want to put into it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "fill horn" | |||
CF ] Temple of Uppsala 58/1083 | |||
CF | > | |||
CF | > FILL HORN | |||
CF | | |||
CF | You fill the horn from the mead barrels. | |||
CF | | |||
CF | > | Pinkunz says, "There's your beer." | ||
Jade says, "our glass" | |||
Pinkunz asks, "Archer?" | |||
DavidW says, "yeah" | |||
DavidW says, "maybe after spiking it give it to archer, yeah." | |||
DavidW asks, "what else is here?" | |||
David says, (to ClubFloyd), "look" | |||
CF ] Temple of Uppsala 58/1084 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | Temple of Uppsala | |||
CF | The fabled Temple of Uppsala is an enormous and magnificent structure | |||
CF | whose walls and ceiling are made from pine-tree logs bound and nailed | |||
CF | together. | |||
CF | | |||
CF | A huge feast is clearly underway, and must have been so for some time | |||
CF | as quite a large proportion of the hundred or so male and female | |||
CF | Vikings in here are beginning to look a little the worse for wear. | |||
CF | | |||
CF | All of the dining tables are laden with food plus the remains of food | |||
CF | (i.e. carcasses). Nobody is bothered about clearing up though | |||
CF | occasionally something gets knocked off to the floor where it is | |||
CF | quickly eaten by dogs. | |||
CF | | |||
CF | At the far end of the hall, a very important-looking woman sits behind | |||
CF | the head table, surrounded by a host of Viking shield maidens. | |||
CF | | |||
CF | Ragnar Lodbrok is fast asleep under the main table. | |||
CF | | |||
CF | Over to the side are several barrels of mead, from which the Vikings | |||
CF | regularly fill their drinking horns. | |||
CF | | |||
CF | From what you can pick up that the Vikings are saying (you never knew | |||
CF | you could understand so much Viking), they are here to celebrate the | |||
CF | death of one of their leaders. (They also appear to be highly amused | |||
CF | about something they're talking about that happened at the head table, | |||
CF | in case you want to listen some more). | |||
CF | | |||
CF | One of the Vikings throws a chicken carcass in your direction, barely | |||
CF | missing your head. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x vikings" | |||
CF ] Temple of Uppsala 58/1085 | |||
CF | > | |||
CF | > X VIKINGS | |||
CF | | |||
CF | They're Scandinavians, having fun. If you've ever come across | |||
CF | Scandinavians having fun before, you'll know just how loud they can | |||
CF | get! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x woman" | |||
CF ] Temple of Uppsala 58/1086 | |||
CF | > | |||
CF | > X WOMAN | |||
CF | | |||
CF | A big polar bear of a woman, Lagertha is famous as being the one time | |||
CF | (and current) wife of one of the most notorious Viking leaders of his | |||
CF | time. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x food" | |||
CF ] Temple of Uppsala 58/1087 | |||
CF | > | |||
CF | > X FOOD | |||
CF | | |||
CF | Not much here for any vegans or vegetarians. Venison seems to be | |||
CF | pretty popular, and you reckon every Viking consumed a whole chicken | |||
CF | as a starter. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x chicken" | |||
CF ] Temple of Uppsala 58/1088 | |||
CF | > | |||
CF | > X CHICKEN | |||
CF | | |||
CF | Not much here for any vegans or vegetarians. Venison seems to be | |||
CF | pretty popular, and you reckon every Viking consumed a whole chicken | |||
CF | as a starter. | |||
CF | | |||
CF | One of the dogs takes its life in its hands and jumps onto the table, | |||
CF | and nearly ends up skewered by one of the shield maidens. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x dogs" | |||
CF ] Temple of Uppsala 58/1089 | |||
CF | > | |||
CF | > X DOGS | |||
CF | | |||
CF | It is generally believed these days that mankind would not have | |||
CF | progressed beyond the hunter-gatherer stage without the aid of dogs. | |||
CF | There are no breeds here that you could possibly identify and, though | |||
CF | not exactly house pets either, they seem tame enough with all of this | |||
CF | food around. | |||
CF | | |||
CF | That big woman at the head table shouts out "Has anyone seen my fool | |||
CF | of a husband!" and everyone laughs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take chicken" | |||
CF ] Temple of Uppsala 58/1090 | |||
CF | > | |||
CF | > TAKE CHICKEN | |||
CF | | |||
CF | You cautiously pick at a piece of food off the table and are about to | |||
CF | put it in your mouth when you spot a piece of hair on it, probably | |||
CF | from a Viking's beard. | |||
CF | | |||
CF | One of the Vikings throws a chicken carcass in your direction, barely | |||
CF | missing your head. | |||
CF | | |||
CF | > | DavidW says, "No feasting for us,." | ||
Pinkunz exclaims, "Get yer own!" | |||
DavidW says, "let's get the drink spiked" | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Pine Forests of Scandinavia 58/1091 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Pine Forests of Scandinavia 58/1092 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Vast Forest 58/1093 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] An Island in the Caribbean 58/1094 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | An Island in the Caribbean (on "Champion", the wonder horse) | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] An Island in the Caribbean 58/1095 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "in" | |||
CF ] Medicine Hut 58/1096 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Medicine Hut | |||
CF | This wooden hut is clearly the abode of someone who likes to "do | |||
CF | things" with plants. All around is the same collection of | |||
CF | paraphernalia you saw outside but in greater number and variety | |||
CF | (though it may just seem that way because of the cramped conditions | |||
CF | inside). | |||
CF | | |||
CF | A few sinister-looking potions stand on a trestle table to your left. | |||
CF | | |||
CF | A large black woman sits in a huge wicker chair near the back wall of | |||
CF | the hut, looking at you in a friendly manner. | |||
CF | | |||
CF | The woman picks a small lizard from her hair that looks like it just | |||
CF | landed on her head, strokes it a bit then lets it scamper off and | |||
CF | disappear. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take zzzzzz" | |||
CF ] Medicine Hut 59/1097 | |||
CF | > | |||
CF | > TAKE ZZZZZZ | |||
CF | | |||
CF | You slip a few drops of the stuff into your horn full of mead. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "out" | |||
CF ] An Island in the Caribbean 59/1098 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | An Island in the Caribbean | |||
CF | A rickety wooden walkway winds its way through a mangrove swamp, | |||
CF | following the course of a river which empties into the Caribbean Sea, | |||
CF | towards the west. The sun is shining brightly overhead, and there is a | |||
CF | level of humidity here which is typical of the equator. Less lush | |||
CF | vegetation lies back to the east. | |||
CF | | |||
CF | A large wooden hut, roughly made from what you assume to be mangrove | |||
CF | wood, balances here on small stilts. Various fetishes decorate the | |||
CF | outside of the hut, including some rather alarming ones made out of | |||
CF | bone, and others made to resemble skulls and skeletal masks. There are | |||
CF | also clay pots and receptacles full of tropical plants and flowers | |||
CF | amongst all of this rather necrotic stuff. A doorway covered by a | |||
CF | simple cloth curtain leads inside. | |||
CF | | |||
CF | "Champion", the wonder horse is here, balancing rather precariously on | |||
CF | the walkway. You don't think you're going to be able to persuade him | |||
CF | to go much further. | |||
CF | | |||
CF | > | Pinkunz says, "Awesome." | ||
David says, (to ClubFloyd), "ride horse" | |||
CF ] An Island in the Caribbean 59/1099 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Vast Forest 59/1100 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] The Pine Forests of Scandinavia 59/1101 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Pine Forests of Scandinavia (on "Champion", the wonder | |||
CF | horse) | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] The Pine Forests of Scandinavia 59/1102 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "u" | |||
CF ] Lake Viewpoint 59/1103 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Lake Viewpoint | |||
CF | Above the pine forest clearing, this small viewpoint overlooks the | |||
CF | lake, which you can now regard below you in all of its glory. | |||
CF | | |||
CF | The lake waters are calm and peaceful, and a deep shade of blue. The | |||
CF | pine forest itself surrounds the lake on all sides, mostly all the way | |||
CF | down to the water's edge. However, there is a spot just below you | |||
CF | which is clear and which you can probably get to if you keep going | |||
CF | down, and next to it is a Viking funeral ship, floating on the water. | |||
CF | Off towards the centre of the lake is a small island shrouded in mist. | |||
CF | | |||
CF | A tall Viking, evidently an archer, stands here next to a small | |||
CF | campfire, looking out towards the lake. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give horn to archer" | |||
CF ] Lake Viewpoint 60/1104 | |||
CF | > | |||
CF | > GIVE HORN TO ARCHER | |||
CF | | |||
CF | He takes the horn off you and drinks the mead down greedily, then | |||
CF | wipes his mouth and hands the drinking horn back to you. A moment | |||
CF | later, his eyes roll up into his head and with a clatter he | |||
CF | (literally) falls down fast asleep. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | Pinkunz asks, "Take his bow?" | ||
DavidW says, "we get to keep the horn" | |||
David says, (to ClubFloyd), "take bow" | |||
CF ] Lake Viewpoint 60/1105 | |||
CF | > | |||
CF | > TAKE BOW | |||
CF | | |||
CF | The bow doesn't belong to you. Messing about with it is likely to | |||
CF | upset someone. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "search archer" | |||
CF ] Lake Viewpoint 60/1106 | |||
CF | > | |||
CF | > SEARCH ARCHER | |||
CF | | |||
CF | Don't wake him up now that you've gone to so much bother to send him | |||
CF | to sleep! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Pine Forests of Scandinavia 60/1107 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | You hear thunderous laughter coming from inside the hall. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Edge of Lake 60/1108 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | > | Roger says, "That should really make our rhino disguise look good" | ||
Pinkunz says, "No one cares about the gigantic barrel of gunpowder, game." | |||
David says, (to ClubFloyd), "enter boat" | |||
CF ] Funeral Ship 60/1109 | |||
CF | > | |||
CF | > ENTER BOAT | |||
CF | | |||
CF | Funeral Ship | |||
CF | You are standing inside a Viking funeral ship, which is basically a | |||
CF | longship, such as sensible, living, Vikings might use, but stacked up | |||
CF | with a pyre of logs on which rests the body of a dead Viking | |||
CF | chieftain. You feel the ship might also have been drenched in petrol, | |||
CF | or something similar, for there's an uncomfortably "flammable" smell | |||
CF | about it. | |||
CF | | |||
CF | Outside the ship is the edge of the lake, where you arrived. You can | |||
CF | just say "launch" if you want to push the ship away towards the | |||
CF | distant island. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "SAVE" | |||
DavidW says (to ClubFloyd), "cf10" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | |||
CF ] Funeral Ship 60/1109 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "launch" | |||
CF ] Funeral Ship 62/1110 | |||
CF | > | |||
CF | > LAUNCH | |||
CF | | |||
CF | You push off from the edge of the lake and drift across to the small | |||
CF | misty island which you saw in its centre. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "out" | |||
CF ] Mist-shrouded Island 65/1111 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Mist-shrouded Island | |||
CF | This relatively small island lies at the centre of a vast northern | |||
CF | lake. Mist rises up from the shore nearby and rests at about ankle to | |||
CF | knee height, giving the place an eerie, quiet feeling. The Viking | |||
CF | funeral ship that you came in is just offshore. | |||
CF | | |||
CF | A huge ash tree rises up out of the mist, strangely invisible until | |||
CF | you set foot on the island. The tree's trunk must be a good ten feet | |||
CF | across, with roots sticking in and out of the soil below for a good | |||
CF | ten feet further around it. The tree's bough and its lower branches | |||
CF | are covered in pagan carvings of Viking gods such as Thor, Odin, Tyr, | |||
CF | Freyr, Freyja and so on, amongst which are several skulls (real, not | |||
CF | carvings). Although you're not exactly a forensic anthropologist, you | |||
CF | reckon the skulls were severed from their owners whilst their owners | |||
CF | were still making use of them, rather than being separated from their | |||
CF | respective skeletons afterwards. | |||
CF | | |||
CF | The tree seems to rise up forever. Around its roots are offerings of | |||
CF | fruits, nuts and flowers, carefully packed into shallow wicker | |||
CF | baskets. | |||
CF | | |||
CF | A large black raven, perched on a branch, watches you with one beady | |||
CF | eye. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x tree" | |||
CF ] Mist-shrouded Island 65/1112 | |||
CF | > | |||
CF | > X TREE | |||
CF | | |||
CF | (the huge, majestic ash tree) | |||
CF | The tree could be Yggdrasil - you suppose. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x raven" | |||
CF ] Mist-shrouded Island 65/1113 | |||
CF | > | |||
CF | > X RAVEN | |||
CF | | |||
CF | Black and greasy, it seems to watch you with only one eye, and however | |||
CF | much you chase around the ash tree, it's always the same eye. | |||
CF | | |||
CF | > | Pinkunz says, "Old decapitated heads... we have one of those." | ||
DavidW says, "That's Odin, the raven." | |||
DavidW says, "We need to be careful." | |||
David says, (to ClubFloyd), "x skulls" | |||
CF ] Mist-shrouded Island 65/1114 | |||
CF | > | |||
CF | > X SKULLS | |||
CF | | |||
CF | It's not actually part of the general landscape of the simulation, but | |||
CF | it's effectively part of it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x carvings" | |||
CF ] Mist-shrouded Island 65/1115 | |||
CF | > | |||
CF | > X CARVINGS | |||
CF | | |||
CF | It's not actually part of the general landscape of the simulation, but | |||
CF | it's effectively part of it. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give head to raven" | |||
CF ] Mist-shrouded Island 65/1116 | |||
CF | > | |||
CF | > GIVE HEAD TO RAVEN | |||
CF | | |||
CF | It looks at you very "wisely" out of its one eye but otherwise there's | |||
CF | little you seem to be able to do by way of communicating with it. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the severed head | |||
CF | of Sir Stephen of Tamworth, the sinister, one-eyed, black raven didn't | |||
CF | take it.) | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "talk to raven" | |||
CF ] Mist-shrouded Island 65/1117 | |||
CF | > | |||
CF | > TALK TO RAVEN | |||
CF | | |||
CF | It looks at you very "wisely" out of its one eye but otherwise there's | |||
CF | little you seem to be able to do by way of communicating with it. | |||
CF | | |||
CF | > | Pinkunz asks, "Umm.. drop it?" | ||
[clubhouse] Roger says, "more traditionally, Odin has two ravens, Hugin and Munin, who are Thought and Memory" | |||
David says, (to ClubFloyd), "drop head" | |||
CF ] Mist-shrouded Island 67/1118 | |||
CF | > | |||
CF | > DROP HEAD | |||
CF | | |||
CF | The head of Sir Stephen of Tamworth slowly rolls towards the tree and | |||
CF | stops just under the raven, which then flies down onto it and pecks | |||
CF | out one of its eyes! | |||
CF | | |||
CF | Everything goes quiet for a moment, and then the head's remaining eye | |||
CF | blinks open, its mouth coughs once or twice, and a grey tongue emerges | |||
CF | to lick dry lips. | |||
CF | | |||
CF | "Your sacrifice has been accepted," it says. "Thanks! by the way". | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
[clubhouse] Roger says, "skulls for the skull god" | DavidW says, "He's obviously shapeshifted into raven form for this game." | ||
Pinkunz says, "I was thinking the raven was going to take it." | |||
Roger asks, "It may well be. How many eyes does it have?" | |||
DavidW says, "The raven has one eye." | |||
Jade says, "It is odd but it is a great plot" | |||
Roger says, "good clue" | |||
Pinkunz asks, "What now?" | |||
DavidW says, "I'm unsure what the head bought us other then our life." | |||
Roger says, "yeah these sorts of kitchen-sink games are pretty tricky to pull off" | |||
Pinkunz asks, "Can we take it back?" | |||
Jade says, "one in his head and another in his stomach" | |||
DavidW says, "Perhaps if we had no sacrifice, we'd die when we left." | |||
Pinkunz says, "Unsure if the eye or the head was the sacrificial offering." | |||
DavidW says, "I have no wish to take the head back." | |||
DavidW says, "Also, we're nearing 4pm again." | |||
Pinkunz says, "Your hang-up. I would imagine an animated severed head might be useful." | |||
David says, (to ClubFloyd), "take head" | |||
CF ] Mist-shrouded Island 67/1119 | |||
CF | > | |||
CF | > TAKE HEAD | |||
CF | | |||
CF | Sir Stephen of Tamworth turns towards you and bites at your fingers, | |||
CF | but you grab him anyway. | |||
CF | | |||
CF | > | DavidW says, "oh." | ||
DavidW says, "He's animated now." | |||
Pinkunz asks, "The animal cruelty ladies with the monkey slave?" | |||
Jade exclaims, "what a surprise!" | |||
Pinkunz says, "They might not be so stoic this time." | |||
DavidW says, "yeah. Let's see if the ladies like the head as much now." | |||
David says, (to ClubFloyd), "ebter boat" | |||
CF ] Mist-shrouded Island 67/1119 | |||
CF | > | |||
CF | > EBTER BOAT | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "enter boat" | |||
CF ] Funeral Ship 67/1120 | |||
CF | > | |||
CF | > ENTER BOAT | |||
CF | | |||
CF | Funeral Ship | |||
CF | You are standing inside a Viking funeral ship, which is basically a | |||
CF | longship, such as sensible, living, Vikings might use, but stacked up | |||
CF | with a pyre of logs on which rests the body of a dead Viking | |||
CF | chieftain. You feel the ship might also have been drenched in petrol, | |||
CF | or something similar, for there's an uncomfortably "flammable" smell | |||
CF | about it. | |||
CF | | |||
CF | Outside the ship is a mist-shrouded island. You can just say "launch" | |||
CF | if you want to push the ship away towards the edge of the lake that | |||
CF | you arrived at. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "launch" | |||
CF ] Funeral Ship 67/1121 | |||
CF | > | |||
CF | > LAUNCH | |||
CF | | |||
CF | You push off from the island soon arriving at the edge of the lake | |||
CF | where you started. | |||
CF | | |||
CF | > | Pinkunz asks, "Why do we need the monkey again?" | ||
David says, (to ClubFloyd), "out" | |||
CF ] Edge of Lake 67/1122 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Edge of Lake | |||
CF | A funeral ship rests peacefully on the shore of a beautiful pale-blue | |||
CF | lake. Out in the distance, in the middle of the lake, you can just | |||
CF | about make out a small island, shrouded in mist. A steep path that | |||
CF | leads back up the way you came into the pine forest behind you. | |||
CF | | |||
CF | > | DavidW says, "Orangutan, we think." | ||
David says, (to ClubFloyd), "s" | |||
CF ] Edge of Lake 67/1123 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | You can just go up from here to go back the way you came or enter the | |||
CF | funeral ship. | |||
CF | | |||
CF | > | Pinkunz says, "Oh, right." | ||
David says, (to ClubFloyd), "u" | |||
CF ] The Pine Forests of Scandinavia 67/1124 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Pine Forests of Scandinavia | |||
CF | The pine forest has been cleared here not far from the edge of a lake, | |||
CF | which is accessible via a path leading down. A second path leads up to | |||
CF | a lookout over the lake, and you can also go back the way you came | |||
CF | into the forest to the south. | |||
CF | | |||
CF | A large mead hall normally associated with Vikings or Saxons lies to | |||
CF | the east. The sounds of merriment can be heard from within. | |||
CF | | |||
CF | A man in Viking clothing (alright - let's just call him a Viking) | |||
CF | stands in front of the hall's double doors. | |||
CF | | |||
CF | "Champion", the wonder horse is here, snorting visibly in the cold | |||
CF | alpine air. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Pine Forests of Scandinavia 67/1125 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Vast Forest 67/1126 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "nw" | |||
CF ] The Green Hills of England 67/1127 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Green Hills of England (on "Champion", the wonder horse) | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The pretty little filly is still here, grazing. Your stallion seems | |||
CF | quite interested in going back to her. | |||
CF | | |||
CF | You see the filly move around the oak tree and gaze down at the | |||
CF | festival. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] The Green Hills of England 67/1128 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (south) 67/1129 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 2. Full performance tonight.". | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, special offer today!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "n" | |||
CF ] Elizabethan Festival (north) 67/1130 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Elizabethan Festival (west) 67/1131 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (west) | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the east (going | |||
CF | east will take you round to the front of it). A canopy extends out | |||
CF | from the tent at its rear providing shade for anyone who wishes to | |||
CF | lounge outside. | |||
CF | | |||
CF | Queen Elizabeth's ladies in waiting are here, along with your monkey. | |||
CF | The poor creature has been dressed in child-sized clothing, including | |||
CF | a red waistcoat and a red fez held on to his head by string. There's | |||
CF | also a chain attached to a collar round his neck which the ladies are | |||
CF | using to guide him here and there. The ladies aren't being altogether | |||
CF | unkind to the monkey, but you get the strong impression that he's | |||
CF | pretty miserable about his condition. | |||
CF | | |||
CF | One of the ladies pinches the monkey from behind then when the monkey | |||
CF | turns towards her another lady does the same. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "drop head" | |||
CF ] Elizabethan Festival (west) 69/1132 | |||
CF | > | |||
CF | > DROP HEAD | |||
CF | | |||
CF | The severed head slowly rolls down in front of the ladies in waiting. | |||
CF | | |||
CF | One of them takes a look at it and says to another: "I say, isn't that | |||
CF | Sir Stephen of Tamworth?" The one being spoken to looks rather | |||
CF | embarrassed, and the other ladies in waiting giggle, but then Sir | |||
CF | Stephen of Tamworth opens its one eye, puckers its pale lips and says | |||
CF | "Give us a kiss, darling!", and the whole lot of them shriek in horror | |||
CF | and run away, leaving the monkey behind them. | |||
CF | | |||
CF | The monkey watches them go, an unreadable expression on its face, then | |||
CF | gathers up its chain and jumps up onto your shoulder. | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take head" | |||
CF ] Elizabethan Festival (west) 69/1133 | |||
CF | > | |||
CF | > TAKE HEAD | |||
CF | | |||
CF | Sir Stephen of Tamworth turns towards you and bites at your fingers, | |||
CF | but you grab him anyway. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x macaque" | |||
CF ] Elizabethan Festival (west) 69/1134 | |||
CF | > | |||
CF | > X MACAQUE | |||
CF | | |||
CF | He is dressed in an Arabian-style outfit which looks cute, you | |||
CF | suppose, if he was destined to spend the rest of his life among | |||
CF | people. For a wild animal, however, it is totally inappropriate, and | |||
CF | sitting on your shoulder, you sense the creature oozes depression. | |||
CF | | |||
CF | > | Pinkunz says, "This game is almost gleefully sinister." | ||
David says, (to ClubFloyd), "e" | |||
CF ] Elizabethan Festival (north) 69/1135 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (dodging around the royal pavilion) | |||
CF | | |||
CF | Elizabethan Festival (north) | |||
CF | The festival continues in this direction, though in so doing starts to | |||
CF | cater for the more wealthy, almost like this was "uptown Elizabethan | |||
CF | festival" and the south was "downtown". | |||
CF | | |||
CF | A huge white tent flying the royal standard of England (let's call | |||
CF | this tent the "royal pavilion") has been erected to the west (going | |||
CF | west will take you round to the back of it). There's no one in front | |||
CF | of the tent now, but you're pretty sure there are guards just inside | |||
CF | in case you want to barge your way in. | |||
CF | | |||
CF | An enclosed jousting arena lies to the north, and jousting is | |||
CF | obviously in full swing (or full prod) going by the sounds of charging | |||
CF | horses, clashes of metal and cheering coming from that direction. The | |||
CF | way into the jousting arena is guarded by a Yeoman of the Guard. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] Elizabethan Festival (south) 69/1136 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Elizabethan Festival (south) | |||
CF | A riot of brightly coloured pavilion tents extends over an acre of | |||
CF | parkland. Elizabethan folk mill around laughing, buying stuff and | |||
CF | generally larking about. It's a sunny day, and although Elizabethan | |||
CF | England was not the best period of the world to live in, they seem to | |||
CF | be quite happy going about their business. A collection of caravans up | |||
CF | a hill to the south leads back to the vast forest you emerged from and | |||
CF | the festival continues to the north. | |||
CF | | |||
CF | A stage has been set up to the east (going east will take you to the | |||
CF | back of it), and a play is in progress upon it. | |||
CF | | |||
CF | A sign on the stage says "The Merry Wives of Windsor, Rehearsal, Act | |||
CF | IV, Scene 2. Full performance tonight.". | |||
CF | | |||
CF | Two men come in and carry the laundry basket, with Falstaff in it, | |||
CF | back stage. The angry young man and the two ladies follow, through | |||
CF | different exits. Then Falstaff returns with another actor, who you | |||
CF | think might be one of the husbands in disguise. | |||
CF | There seems to be something funny about Falstaff! | |||
CF | | |||
CF | One of the vendors cries out "Meat pies, closing down sale!" | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "s" | |||
CF ] The Green Hills of England 69/1137 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | The Green Hills of England | |||
CF | A small collection of Romany gypsy caravans clusters around a large | |||
CF | oak tree at the top of a hill. The forest you emerged from is to the | |||
CF | southeast, whilst to the north, the landscape below has been, | |||
CF | well, landscaped into well-manicured woodland and parkland. An | |||
CF | Elizabethan festival is taking place down there. Even from this | |||
CF | distance, you can see a theatre, a jousting arena and a whole | |||
CF | collection of colourful pavilion tents. | |||
CF | | |||
CF | The two horses are here, happy to be reunited. | |||
CF | | |||
CF | You see "Champion", the wonder horse chew lazily at some grass near | |||
CF | the caravans. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ride horse" | |||
CF ] The Green Hills of England 69/1137 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | Who do you mean, "Champion", the wonder horse or the filly? | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stallion" | |||
CF ] The Green Hills of England 69/1138 | |||
CF | > | |||
CF | > STALLION | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | Roger asks, "was that meat pie vendor message new?" | ||
David says, (to ClubFloyd), "se" | |||
CF ] Vast Forest 69/1139 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 69/1140 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 69/1141 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Entrance) 69/1142 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] Palm Tree Plantation (Entrance) 69/1143 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 71/1144 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb up the ladder onto the roof. | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | A big sad bag of orange fur which you recognise as an orangutan gazes | |||
CF | at you morosely from atop the skylight. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | The depressed macaque jumps off your shoulder and goes over to the | |||
CF | depressed orangutan. A minute or so later, they wander off into the | |||
CF | plantation together to figure out what to do with the rest of the | |||
CF | wreckage of their miserable lives (this is called "pathos", by the | |||
CF | way). | |||
CF | | |||
CF | [Your score has just gone up by two points.] | |||
CF | | |||
CF | > | DavidW says, "wow" | ||
Jade says, "wow" | |||
Pinkunz says, "wow" | |||
DavidW asks, "misery loves company, eh?" | |||
Pinkunz says, "Ryan George would be proud." | |||
Pinkunz says, "wow" | |||
DavidW says, "anyway, we can now enter the store!" | |||
David says, (to ClubFloyd), "enter skylight" | |||
CF ] "Palmface" Outlet 74/1145 | |||
CF | > | |||
CF | > ENTER SKYLIGHT | |||
CF | | |||
CF | | |||
CF | "Palmface" Outlet | |||
CF | Typical of the sort of shops you get next to factories and | |||
CF | manufacturing outlets, this building is full of cupboards, shelves and | |||
CF | tables though none of the stock is on display. | |||
CF | | |||
CF | The main door out of here is to the north, though that is closed and | |||
CF | locked. Happily, there's enough furniture here for you to climb up to | |||
CF | the skylight when you need to get out. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | Jade says, "two depressed apes" | ||
David says, (to ClubFloyd), "x cupboards" | |||
CF ] "Palmface" Outlet 74/1146 | |||
CF | > | |||
CF | > X CUPBOARDS | |||
CF | | |||
CF | All the cupboards seem to be firmly locked - apart from one which you | |||
CF | notice is slightly ajar (perhaps broken). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "open cupboard" | Jade says, "only two more cracks left" | ||
CF ] "Palmface" Outlet 74/1147 | |||
CF | > | |||
CF | > OPEN CUPBOARD | |||
CF | | |||
CF | You open the broken cupboard, revealing a selection of samples of | |||
CF | shampoo and other beauty products. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x shampoo" | |||
CF ] "Palmface" Outlet 74/1148 | |||
CF | > | |||
CF | > X SHAMPOO | |||
CF | | |||
CF | They're all made from palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take shampoo" | |||
CF ] "Palmface" Outlet 74/1149 | |||
CF | > | |||
CF | > TAKE SHAMPOO | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x products" | |||
CF ] "Palmface" Outlet 74/1150 | |||
CF | > | |||
CF | > X PRODUCTS | |||
CF | | |||
CF | They're all made from palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "search products" | |||
CF ] "Palmface" Outlet 74/1151 | |||
CF | > | |||
CF | > SEARCH PRODUCTS | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x shelves" | |||
CF ] "Palmface" Outlet 74/1152 | |||
CF | > | |||
CF | > X SHELVES | |||
CF | | |||
CF | There's nothing on the tables. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look" | |||
CF ] "Palmface" Outlet 74/1153 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | "Palmface" Outlet | |||
CF | Typical of the sort of shops you get next to factories and | |||
CF | manufacturing outlets, this building is full of cupboards, shelves and | |||
CF | tables though none of the stock is on display. | |||
CF | | |||
CF | The main door out of here is to the north, though that is closed and | |||
CF | locked. Happily, there's enough furniture here for you to climb up to | |||
CF | the skylight when you need to get out. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "x tables" | |||
CF ] "Palmface" Outlet 74/1154 | |||
CF | > | |||
CF | > X TABLES | |||
CF | | |||
CF | There's nothing on the tables. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look under tables" | |||
CF ] "Palmface" Outlet 74/1155 | |||
CF | > | |||
CF | > LOOK UNDER TABLES | |||
CF | | |||
CF | Don't worry about the empty display tables, they're effectively part | |||
CF | of the landscape. | |||
CF | | |||
CF | > | |||
Pinkunz says, "So, all of this just to get shampoo? One hell of an extended fetch quest." | |||
DavidW asks, "So we broke in here to get shampoo?" | |||
Pinkunz says, "Apparently." | |||
Pinkunz asks, "Maybe we stink?" | |||
Pinkunz says, "Smell me" | |||
David says, (to ClubFloyd), "smell me" | |||
CF ] "Palmface" Outlet 74/1156 | |||
CF | > | |||
CF | > SMELL ME | |||
CF | | |||
CF | You pick out the faint smell of cosmetics. | |||
CF | | |||
CF | > | Jade asks, "now, who needs shampoo?" | ||
David says, (to ClubFloyd), "smell shampoo" | |||
CF ] "Palmface" Outlet 74/1157 | |||
CF | > | |||
CF | > SMELL SHAMPOO | |||
CF | | |||
CF | You pick out the faint smell of cosmetics. | |||
CF | | |||
CF | > | Pinkunz says, "huh" | ||
DavidW says, "Maybe the dark harem women? I dunno." | |||
Pinkunz says, "I'm out of ideas atm." | |||
DavidW asks, "There's not much left, is there?" | |||
David says, (to ClubFloyd), "x gourd" | |||
CF ] "Palmface" Outlet 74/1158 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The acorn, crab, fluff, palm leaf, pine cone and tree frog pictures | |||
CF | are cracked. | |||
CF | | |||
CF | > | Pinkunz asks, "Maybe a good place to leave it?" | ||
Jade says, "I think any npc could need shampoo" | |||
Roger asks, "maybe it's supposed to still be mostly oil? Do we need to fill a lamp or lubricate anything?" | |||
Pinkunz says, "6/8" | |||
DavidW says, "Africa and Himalayans are all that's left." | |||
DavidW says, "If shampoo is slippery, maybe we coat our body with it so the women can't stop us." | |||
David says, (to ClubFloyd), "u" | |||
CF ] Palm Tree Plantation (on the roof of the Outlet) 74/1159 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (on the roof of the Outlet) | |||
CF | The plantation doesn't look that much more interesting from atop the | |||
CF | outlet building than it did from ground level. | |||
CF | | |||
CF | An open skylight leads inside. | |||
CF | | |||
CF | The top of the ladder that you leant against the building just | |||
CF | protrudes over the roof's edge. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "climb ladder" | |||
CF ] Palm Tree Plantation (Entrance) 74/1160 | |||
CF | > | |||
CF | > CLIMB LADDER | |||
CF | | |||
CF | You climb down the ladder back to the ground again. | |||
CF | | |||
CF | Palm Tree Plantation (Entrance) | |||
CF | The long road cutting through the plantation finally comes to an end | |||
CF | at its easternmost boundary. | |||
CF | | |||
CF | A small building, with a flat roof, lies to the south, apparently an | |||
CF | outlet store. The door into the building is closed and, you assume, | |||
CF | locked, since the whole place looks rather dead. | |||
CF | | |||
CF | A huge metal gate leads out, but it is closed, locked, barred, and | |||
CF | apparently electrified. A sign above the gate reads "Palmface", which | |||
CF | presumably must be the name of this plantation/business. | |||
CF | | |||
CF | A ladder leans against the outlet building. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "mount horse" | |||
CF ] Palm Tree Plantation (Entrance) 74/1161 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Palm Tree Plantation (Processing) 74/1162 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] The Palm Tree Plantations of Indonesia 74/1163 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "w" | |||
CF ] Vast Forest 74/1164 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ne" | |||
CF ] The Himalayan Mountains 74/1165 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Himalayan Mountains (on "Champion", the wonder horse) | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "stand" | |||
CF ] The Himalayan Mountains 74/1166 | |||
CF | > | |||
CF | > STAND | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "wear shampoo" | |||
CF ] The Himalayan Mountains 74/1167 | |||
CF | > | |||
CF | > WEAR SHAMPOO | |||
CF | | |||
CF | You get the feeling that you're on the right track, i.e. there's | |||
CF | something else that you might be able to do to, or with, the selection | |||
CF | of samples of shampoo and other beauty products, but not that. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "i" | |||
CF ] The Himalayan Mountains 74/1168 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a selection of samples of shampoo and other beauty products | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a drinking horn | |||
CF | a large key | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Dark Harem 74/1169 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | Half a dozen scantily dressed young women are here. They're very | |||
CF | beautiful, particularly if you're into long nails, protruding canines | |||
CF | and, well, horns. Otherwise, they're probably more frightening than | |||
CF | beautiful. | |||
CF | | |||
CF | The path down into the mountain continues beyond them. | |||
CF | | |||
CF | The most voluptuous one drops onto her hands and knees and crawls | |||
CF | slowly towards you. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give shampoo to women" | |||
CF ] Dark Harem 75/1170 | |||
CF | > | |||
CF | > GIVE SHAMPOO TO WOMEN | |||
CF | | |||
CF | One of them snatches the collection of samples from your hands and the | |||
CF | rest then crowd around her to see what she's got. Pretty soon, they | |||
CF | are all wholly obsessed by the cosmetics and completely oblivious to | |||
CF | your presence. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] The Elephant in the Cavern 75/1171 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Elephant in the Cavern | |||
CF | The tunnel down the mountain passes through a large cavern made from | |||
CF | that same glistening stone as the one above. A cylindrical lantern | |||
CF | lights up the cavern. | |||
CF | | |||
CF | A monstrous elephant bars the way down. Its eyes blaze with demonic | |||
CF | hatred as it stares at you from at least twice your height. The | |||
CF | creature has clearly been dressed for battle with its tusks sharpened | |||
CF | and its ornate blue armour covered in spikes and decorated with "very | |||
CF | relevant" depictions of men impaled on tusks and trampled underfoot. | |||
CF | | |||
CF | It's difficult to ignore. | |||
CF | | |||
CF | On the cylindrical lantern is an ornate Indian cloth. | |||
CF | | |||
CF | > | Jade says, "give shampoo to woman" | ||
Pinkunz asks, "That delay is a pain, isn't it?" | |||
Jade exclaims, "oh, what an enoreous lag!" | |||
DavidW says (to Jade), "sorry Jade." | |||
David says, (to ClubFloyd), "take cloth" | |||
CF ] The Elephant in the Cavern 75/1172 | |||
CF | > | |||
CF | > TAKE CLOTH | |||
CF | | |||
CF | You'd have to walk through that monstrous elephant to get it and you | |||
CF | feel uncomfortable about doing anything like that. | |||
CF | | |||
CF | The monstrous elephant raises up onto its hind legs then descends with | |||
CF | a huge stomp. | |||
CF | | |||
CF | > | Pinkunz says, "You had the right idea, though." | ||
David says, (to ClubFloyd), "x cloth" | |||
CF ] The Elephant in the Cavern 75/1173 | |||
CF | > | |||
CF | > X CLOTH | |||
CF | | |||
CF | Made of fire-resistant but translucent material, this ornamental cloth | |||
CF | shows Girimekhala: the war elephant that carried the buddhist demon | |||
CF | Mara into battle. | |||
CF | | |||
CF | > | DavidW asks, "huh. Fire resistant?" | ||
David says, (to ClubFloyd), "x elephant" | |||
CF ] The Elephant in the Cavern 75/1174 | |||
CF | > | |||
CF | > X ELEPHANT | |||
CF | | |||
CF | (Girimekhala) | |||
CF | You recognise Girimekhala from your studies of Buddhist literature | |||
CF | (you must tell me all about that sometime). | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "look up Girimekhala in book" | |||
CF ] The Elephant in the Cavern 75/1175 | |||
CF | > | |||
CF | > LOOK UP GIRIMEKHALA IN BOOK | |||
CF | | |||
CF | There doesn't appear to be an entry in the green book for | |||
CF | "Girimekhala". Since you're now a member, perhaps, later on, you can | |||
CF | send in a contribution. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "give horn to elephant" | |||
CF ] The Elephant in the Cavern 75/1176 | |||
CF | > | |||
CF | > GIVE HORN TO ELEPHANT | |||
CF | | |||
CF | (Girimekhala) | |||
CF | You're not sure, but you think that might be dangerous, and the | |||
CF | vicious way Girimekhala is behaving is hard to ignore. | |||
CF | | |||
CF | (And just to be clear, you're still in possession of the drinking | |||
CF | horn, Girimekhala didn't take it.) | |||
CF | | |||
CF | > | |||
Pinkunz says (to f), "look" | |||
CF ] The Elephant in the Cavern 75/1177 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | The Elephant in the Cavern | |||
CF | The tunnel down the mountain passes through a large cavern made from | |||
CF | that same glistening stone as the one above. A cylindrical lantern | |||
CF | lights up the cavern. | |||
CF | | |||
CF | A monstrous elephant bars the way down. Its eyes blaze with demonic | |||
CF | hatred as it stares at you from at least twice your height. The | |||
CF | creature has clearly been dressed for battle with its tusks sharpened | |||
CF | and its ornate blue armour covered in spikes and decorated with "very | |||
CF | relevant" depictions of men impaled on tusks and trampled underfoot. | |||
CF | | |||
CF | It's difficult to ignore. | |||
CF | | |||
CF | On the cylindrical lantern is an ornate Indian cloth. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "ignore elephant" | |||
CF ] The Elephant in the Cavern 76/1178 | |||
CF | > | |||
CF | > IGNORE ELEPHANT | |||
CF | | |||
CF | (Girimekhala) | |||
CF | You ignore the elephant in the room (doesn't everyone). | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take cloth" | |||
CF ] The Elephant in the Cavern 76/1179 | |||
CF | > | |||
CF | > TAKE CLOTH | |||
CF | | |||
CF | As you remove the cloth, the huge, frightening elephant, which you | |||
CF | were ignoring anyway, disappears. | |||
CF | | |||
CF | > | DavidW says, "ha ha ha ha ha ha ha" | ||
Pinkunz says, "I was thinking similarly. The hint reminded me of the lions hint." | |||
David says, (to ClubFloyd), "x lantern" | |||
CF ] The Elephant in the Cavern 76/1180 | |||
CF | > | |||
CF | > X LANTERN | |||
CF | | |||
CF | It's about half your height but looks a little bare right now. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "take lantern" | |||
CF ] The Elephant in the Cavern 76/1181 | |||
CF | > | |||
CF | > TAKE LANTERN | |||
CF | | |||
CF | It's true, you can think of several nice places at home which it would | |||
CF | brighten up considerably, but unfortunately it's too heavy to carry, | |||
CF | and you'd probably drop it scrambling up and down these passageways. | |||
CF | | |||
CF | > | |||
David says, (to ClubFloyd), "d" | |||
CF ] Cavern of the Demon 76/1182 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Cavern of the Demon | |||
CF | The polished stone of the caves above gradually roughens as you plunge | |||
CF | further into the mountain, eventually emerging into a cathedral-style | |||
CF | cavern covered in stalactites and stalagmites. The tunnel you've been | |||
CF | following continues on downwards but now a large, demonic creature | |||
CF | bars your path. | |||
CF | | |||
CF | The creature is twenty-foot tall and blue-skinned. Its mouth is wide, | |||
CF | and its teeth protruding. It has a third eye in the middle of its | |||
CF | forehead, and it wears a beaded headdress decorated with tiny skulls. | |||
CF | Its muscular body is naked save for a yellow loincloth and a profusion | |||
CF | of jewels. Its fingers end in wicked claws, and poisonous fumes emerge | |||
CF | from its nostrils. | |||
CF | | |||
CF | (You can go back up if you want). | |||
CF | | |||
CF | > | DavidW asks, "um. Shall we stop here?" | ||
DavidW says, "It's after 4 and there's still the African poachers to figure out." | |||
Pinkunz says, "I'm fine with that. I feel like we're approaching the end anyway." | |||
DavidW says, "I have no idea how to deal with this demon." | |||
Pinkunz says, "Thank you for driving, David." | |||
DavidW says, "you're welocme. This was a fun session." | |||
Pinkunz says, "Would be difficult via thumb." | |||
Jade says, "ok, it is fine for me. We are accomplished some tasks" | |||
Jade says, "the for driving" | |||
DavidW says, "Thank you so much for the 'bravely go south' command. I would NEVER have guessed that." | |||
Jade says, "thx" | |||
Jade says, "that was a long shoot" | |||
David says, (to ClubFloyd), "save" | |||
CF | > | |||
CF | > SAVE | |||
CF | %% Enter a save filename to write: | Pinkunz says, "It was the wording that struck me weird." | ||
David says, (to ClubFloyd), "cfarboreademon" | |||
CF ] Cavern of the Demon 76/1182 | |||
CF | > SAVEOk. | |||
CF | | |||
CF | > | Roger says, "good work, everyone" | ||
Pinkunz says, "Broken clock's right 2x/day." | |||
Jade says, "be safe" | |||
Jade says, "have a nice week" | |||
Pinkunz says, "See y'all next week." | |||
DavidW says, "thanks all. See you all in a week, I hope." | |||
*** SESSION FIVE *** | |||
DavidW says, "I am eager to finish Arborea. I'm curious to see how it concludes." | |||
Jade says, "yes, ther has been a long way" | |||
DavidW says, "I'm guessing that when all the markings on the gourd are cracked, we go back to the prison cell and give the gourd to the old man in there and I assume he opens the gourd safely, somehow." | |||
DavidW asks, "And maybe we have to plant the 'kernel' to start a new forest?" | |||
DavidW says, "Except that I don't remember any obvious places for planting anything." | |||
Jade says, "humm that seems a long shoot" | |||
DavidW says, "oh yes, I'm totally guessing." | |||
DavidW says, "It's possible we don't have to do anything once the kernel is revealed and the game will textdump something appropriate." | |||
DavidW says, "I do have some ideas what to do next in the current game." | |||
Jade says, "we will see" | |||
Jade says, "it is odd indeed that Jacqueline and Moy doesn't appear" | |||
DavidW says, "I, uh, updated my notes once again, and I found out the next step by Googling the name of the demon and reading his Wikipedia page." | |||
DavidW says, "Jacqueline was traveling last week. Her job keeps her busy." | |||
Jade exclaims, "well done!" | |||
DavidW says, "I do wonder where Moy and Knight are." | |||
DavidW says, "Normal life stuff can interfere." | |||
DavidW asks, "Anyway, shall we start?" | |||
Jade says, "as you often says " life happens"" | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] Cavern of the Demon 76/1183 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Cavern of the Demon | |||
CF | The polished stone of the caves above gradually roughens as you plunge | |||
CF | further into the mountain, eventually emerging into a cathedral-style | |||
CF | cavern covered in stalactites and stalagmites. The tunnel you've been | |||
CF | following continues on downwards but now a large, demonic creature | |||
CF | bars your path. | |||
CF | | |||
CF | The creature is twenty-foot tall and blue-skinned. Its mouth is wide, | |||
CF | and its teeth protruding. It has a third eye in the middle of its | |||
CF | forehead, and it wears a beaded headdress decorated with tiny skulls. | |||
CF | Its muscular body is naked save for a yellow loincloth and a profusion | |||
CF | of jewels. Its fingers end in wicked claws, and poisonous fumes emerge | |||
CF | from its nostrils. | |||
CF | | |||
CF | (You can go back up if you want). | |||
CF | | |||
CF | The demon swipes at you with a clawed hand, missing your head by | |||
CF | inches. You really can go back up if you want to! | |||
CF | | |||
CF | > | Jade says, "ok, let's go" | ||
DavidW says, "The action needed here is clued in-game by the Buddha statue back where we drank tea." | |||
DavidW says, "I'll go back up and look at it and see if you can guess what we need to do here." | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] The Elephant in the Cavern 76/1184 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Elephant in the Cavern | |||
CF | The tunnel down the mountain passes through a large cavern made from | |||
CF | that same glistening stone as the one above. A cylindrical lantern | |||
CF | lights up the cavern. | |||
CF | | |||
CF | > | Jade says, "I remember buddha" | ||
DavidW says (to ClubFloyd), "u" | |||
CF ] Dark Harem 76/1185 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | The rather feral bunch of young women you saw earlier are now arguing | |||
CF | over the selection of beauty product samples that you fetched from | |||
CF | another part of the simulation. They're no longer interested in you - | |||
CF | if they ever were anyway. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] The Himalayan Mountains 76/1186 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x buddha" | |||
CF ] The Himalayan Mountains 76/1187 | |||
CF | > | |||
CF | > X BUDDHA | |||
CF | | |||
CF | Reminds you a little bit of that Doctor Who story "The Abominable | |||
CF | Snowmen". The Buddha sits in his traditional pose, right hand on knee | |||
CF | with fingers pointed to the earth (pointing to the earth is also known | |||
CF | as "calling the earth to witness") left hand on lap with palm facing | |||
CF | upwards. | |||
CF | | |||
CF | > | DavidW says, "I thought the left hand was the important one, but it's actually the right hand to emulate." | ||
DavidW says (to ClubFloyd), "d" | |||
CF ] Dark Harem 76/1188 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Dark Harem | |||
CF | A twisting and precarious scramble into darkness passes through this | |||
CF | small, natural cavern on its route down into the mountain's depths. | |||
CF | The stone surrounding you is smooth and glistening with moisture, | |||
CF | probably due to rain slowly soaking its way through the rock. | |||
CF | | |||
CF | The rather feral bunch of young women you saw earlier are now arguing | |||
CF | over the selection of beauty product samples that you fetched from | |||
CF | another part of the simulation. They're no longer interested in you - | |||
CF | if they ever were anyway. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] The Elephant in the Cavern 76/1189 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | The Elephant in the Cavern | |||
CF | The tunnel down the mountain passes through a large cavern made from | |||
CF | that same glistening stone as the one above. A cylindrical lantern | |||
CF | lights up the cavern. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Cavern of the Demon 76/1190 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Cavern of the Demon | |||
CF | The polished stone of the caves above gradually roughens as you plunge | |||
CF | further into the mountain, eventually emerging into a cathedral-style | |||
CF | cavern covered in stalactites and stalagmites. The tunnel you've been | |||
CF | following continues on downwards but now a large, demonic creature | |||
CF | bars your path. | |||
CF | | |||
CF | The creature is twenty-foot tall and blue-skinned. Its mouth is wide, | |||
CF | and its teeth protruding. It has a third eye in the middle of its | |||
CF | forehead, and it wears a beaded headdress decorated with tiny skulls. | |||
CF | Its muscular body is naked save for a yellow loincloth and a profusion | |||
CF | of jewels. Its fingers end in wicked claws, and poisonous fumes emerge | |||
CF | from its nostrils. | |||
CF | | |||
CF | (You can go back up if you want). | |||
CF | | |||
CF | The demon stamps in feet in rage - you can almost feel the whole | |||
CF | cavern shake. You really can go back up if you want to! | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "point to earth" | |||
CF ] Cavern of the Demon 76/1190 | |||
CF | > | |||
CF | > POINT TO EARTH | |||
CF | | |||
CF | The creature pauses in its tracks and says "Ah, yes, now I remember", | |||
CF | and disappears. Wonder what that was all about? | |||
CF | | |||
CF | > | DavidW says, "Touching the ground also works." | ||
Jade exclaims, "very well!" | |||
DavidW says, "The Wikipedia page also mentioned the harem upstairs as this demon's lust daughters." | |||
Jade asks, "what is his name?" | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] The Himalayan Mountains 79/1191 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | "Every morning, we are born again". You emerge by a strange and | |||
CF | circuitous route back to where you started. | |||
CF | | |||
CF | The Himalayan Mountains | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | "Champion", the wonder horse is here, pretty much parked where you | |||
CF | left him. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "i" | |||
CF ] The Himalayan Mountains 79/1192 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | an ornate Indian cloth | |||
CF | the severed head of Sir Stephen of Tamworth | |||
CF | a drinking horn | |||
CF | a large key | |||
CF | a little green book | |||
CF | a green parka | |||
CF | a rhino warrior pass | |||
CF | a toy monkey | |||
CF | a battle axe | |||
CF | a gourd (with markings on) | |||
CF | | |||
CF | You shine with an inner light! | |||
CF | | |||
CF | > | Jade asks, "is only a crack left?" | ||
DavidW says, "The only thing we haven't used at all is the cloth. The only puzzle left is the poachers, I think." | |||
DavidW says, "Yes, just one crack to go." | |||
DavidW says, "We found the cloth on a lantern." | |||
DavidW says (to ClubFloyd), "x cloth" | |||
CF ] The Himalayan Mountains 79/1193 | |||
CF | > | |||
CF | > X CLOTH | |||
CF | | |||
CF | Made of fire-resistant but translucent material, this ornamental cloth | |||
CF | shows Girimekhala: the war elephant that carried the buddhist demon | |||
CF | Mara into battle. | |||
CF | | |||
CF | > | Jade says, "one crack / 21 points" | ||
DavidW says, "I think we need to put the cloth on the truck's floodlight. I don't exactly know what that will do, though." | |||
DavidW asks, "But if it projects a war elephant, maybe that'll scare the poachers who are killing elephants?" | |||
Jade says, "perhaps that things will be afraid of the elephant" | |||
Jade says, "the poachers" | |||
DavidW says, "Or maybe it'll summon the war elephant the same way the batsignal summons Batman." | |||
DavidW says, "So we might get either an image or the real thing." | |||
DavidW says, "Let's fine out which." | |||
DavidW says, "er find out" | |||
Jade says, "it seems possible to me" | |||
DavidW says (to ClubFloyd), "ride horse" | |||
CF ] The Himalayan Mountains 79/1194 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head up and down. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "sw" | |||
CF ] Vast Forest 79/1195 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "se" | |||
CF ] The Vast Plains of the Serengeti 79/1196 | |||
CF | > | |||
CF | > SE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Vast Plains of the Serengeti (on "Champion", the wonder | |||
CF | horse) | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "dismount" | |||
CF ] The Vast Plains of the Serengeti 79/1197 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Plateau 79/1198 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put cloth on floodlight" | |||
CF ] Plateau 79/1199 | |||
CF | > | |||
CF | > PUT CLOTH ON FLOODLIGHT | |||
CF | | |||
CF | Ok - you put the Indian cloth on the floodlight. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "turn on floodlight" | |||
CF ] Plateau 82/1200 | |||
CF | > | |||
CF | > TURN ON FLOODLIGHT | |||
CF | | |||
CF | A huge frightening elephant (which you're ignoring) appears by the | |||
CF | side of the watering hole now revealed to be over the edge of the | |||
CF | escarpment. An ordinary (i.e. not supernatural) elephant lies on its | |||
CF | side, doubtlessly shot dead by the two poachers who can be seen, | |||
CF | briefly, to the side. The effect on the poachers of this manifestation | |||
CF | is remarkable and satisfying as you watch them scream and run off in | |||
CF | the direction of the lions. Clearly a superstitious bunch, you hope | |||
CF | the lions aren't too full from eating the kill that they made earlier | |||
CF | in order to have "poacher" for desert. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | Jade says, "ok" | ||
DavidW says (to ClubFloyd), "e" | |||
CF ] Watering Hole 85/1201 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | Watering Hole | |||
CF | The escarpment from the west drops down to muddy ground next to a | |||
CF | large watering hole. A large dead elephant lies on its side, clearly | |||
CF | shot as it was going for a drink. | |||
CF | | |||
CF | Girimekhala stands next to the watering hole, almost seeming to rise | |||
CF | from the elephant lying dead beneath it. You're ignoring it, of course | |||
CF | (aren't you brave), but nothing else is. | |||
CF | | |||
CF | You hear a small crack coming from the gourd. | |||
CF | | |||
CF | "When that churl Death my bones with dust shall cover," says Sir | |||
CF | Stephen of Tamworth, dramatically. | |||
CF | | |||
CF | [Your score has just gone up by three points.] | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x dead elephant" | |||
CF ] Watering Hole 85/1202 | |||
CF | > | |||
CF | > X DEAD ELEPHANT | |||
CF | | |||
CF | It's been shot dead, probably for its ivory. Not that the poachers | |||
CF | will have much use for its ivory now as they're hopefully being | |||
CF | devoured by lions. | |||
CF | | |||
CF | The monstrous elephant bellows a challenge to the heavens (but you | |||
CF | ignore it). | |||
CF | | |||
CF | "Thou ominous and fearful owl of death," says Sir Stephen of Tamworth, | |||
CF | dramatically. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x gourd" | |||
CF ] Watering Hole 85/1203 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The acorn, crab, cross-legged mystic, fluff, palm leaf, pine cone, | |||
CF | tree frog and upside-down tree pictures are cracked. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open gourd" | |||
CF ] Watering Hole 85/1204 | |||
CF | > | |||
CF | > OPEN GOURD | |||
CF | | |||
CF | You can't see any obvious way to open it. | |||
CF | | |||
CF | The monstrous elephant raises up onto its hind legs then descends with | |||
CF | a huge stomp (but you ignore it). | |||
CF | | |||
CF | "Death lies on her like an untimely frost," says Sir Stephen of | |||
CF | Tamworth, dramatically. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x water" | |||
CF ] Watering Hole 85/1205 | |||
CF | > | |||
CF | > X WATER | |||
CF | | |||
CF | It's wide and shallow, doubtlessly used by much of the wildlife - for | |||
CF | all that it's not overly generous. | |||
CF | | |||
CF | The monstrous elephant bellows a challenge to the heavens (but you | |||
CF | ignore it). | |||
CF | | |||
CF | > | DavidW says, "I don't think there's anything to pick up here. Just getting here was the goal." | ||
DavidW says (to ClubFloyd), "x monstrous elephant" | |||
CF ] Watering Hole 85/1206 | |||
CF | > | |||
CF | > X MONSTROUS ELEPHANT | |||
CF | | |||
CF | (Girimekhala) | |||
CF | You recognise Girimekhala from your studies of Buddhist literature | |||
CF | (you must tell me all about that sometime), but anyway, you're | |||
CF | choosing to ignore it. | |||
CF | | |||
CF | The monstrous elephant raises up onto its hind legs then descends with | |||
CF | a huge stomp (but you ignore it). | |||
CF | | |||
CF | "Thou detestable maw, thou womb of death," says Sir Stephen of | |||
CF | Tamworth, dramatically. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Plateau 85/1207 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Plateau | |||
CF | The dry African plains flatten out here before dropping over an | |||
CF | escarpment below and to the east, bathed in shadow since the setting | |||
CF | sun now lies behind you towards "your" baobab to the west. | |||
CF | | |||
CF | A white pickup truck is parked at the edge of the escarpment, its nose | |||
CF | almost pointing down over it, suggesting that whoever was in it was | |||
CF | watching what was happening there before they finally got out. A | |||
CF | powerful-looking floodlight sits atop the cabin. | |||
CF | | |||
CF | The floodlight is currently covered by an ornate Indian cloth and the | |||
CF | light shining through the cloth is causing a manifestation of | |||
CF | Girimekhala to appear down in the watering hole. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "turn off floodlight" | |||
CF ] Plateau 85/1208 | |||
CF | > | |||
CF | > TURN OFF FLOODLIGHT | |||
CF | | |||
CF | The huge, frightening elephant, which you were ignoring anyway, though | |||
CF | the poachers didn't, disappears. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take cloth" | |||
CF ] Plateau 85/1209 | |||
CF | > | |||
CF | > TAKE CLOTH | |||
CF | | |||
CF | Ok - you take the cloth off the floodlight. | |||
CF | | |||
CF | Fireflies swirl around for a while in the twilight of the warm African | |||
CF | night. It inspires you to create a verse of poetry in your head | |||
CF | (please share this with your friends). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take fireflies" | |||
CF ] Plateau 85/1210 | |||
CF | > | |||
CF | > TAKE FIREFLIES | |||
CF | | |||
CF | If the insects are bothering you, try using a fly swat. | |||
CF | | |||
CF | > | DavidW says, "So, back to the prison." | ||
DavidW says (to ClubFloyd), "w" | |||
CF ] The Vast Plains of the Serengeti 85/1211 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | The Vast Plains of the Serengeti | |||
CF | A huge red sun, low in the African sky, bathes the featureless plains | |||
CF | of the Serengeti with a heat-shimmering light. The ground beneath you | |||
CF | rises slowly towards the distant forest you emerged from to the | |||
CF | northwest and sinks more sharply towards the southeast. | |||
CF | | |||
CF | A single baobab tree, tall but broken in two, provides the only break | |||
CF | in the landscape. Vultures gaze at you from its branches, their | |||
CF | expressions unreadable. | |||
CF | | |||
CF | Over to the east, a pickup truck can be seen on a plateau overlooking | |||
CF | a watering hole. Grassland opens up to the southeast, and a pride of | |||
CF | lions can be seen feeding on a recent kill in an area of savannah to | |||
CF | the south. | |||
CF | | |||
CF | "Champion", the wonder horse is here, obviously a bit jittery given | |||
CF | all of the alarming smells and noises that are present in this part of | |||
CF | the world. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ride horse" | |||
CF ] The Vast Plains of the Serengeti 85/1212 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "nw" | |||
CF ] Vast Forest 85/1213 | |||
CF | > | |||
CF | > NW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] The Tallgrass Prairies of Missouri 85/1214 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri (on "Champion", the wonder | |||
CF | horse) | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "dismount" | |||
CF ] The Tallgrass Prairies of Missouri 85/1215 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Prairie: By Burning Crosses 85/1216 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Prairie: By Prison 85/1217 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly once a prison or cell, though | |||
CF | given that its door has been blown to pieces unlikely to be much use | |||
CF | in that function any more, stands here. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "in" | |||
CF ] Prison 85/1218 | |||
CF | > | |||
CF | > IN | |||
CF | | |||
CF | Prison | |||
CF | This cramped, damp, smelly, stone-walled cell reminds you of your | |||
CF | student days. | |||
CF | | |||
CF | A withered old black man stands in here, gazing thoughtfully out of | |||
CF | the window. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "give gourd to man" | |||
CF ] Prison 85/1219 | |||
CF | > | |||
CF | > GIVE GOURD TO MAN | |||
CF | | |||
CF | The old man takes the gourd off your hands, then makes as if to crush | |||
CF | it with his hands, though obviously he can't, then gives it back to | |||
CF | you. Then he smiles and walks out of prison, almost with a little | |||
CF | spring in his step. | |||
CF | | |||
CF | > | Jade says, "give the gourd to the old man" | ||
DavidW says, "hm. I didn't expect him to leave." | |||
DavidW says (to ClubFloyd), "look" | |||
CF ] Prison 85/1220 | |||
CF | > | |||
CF | > LOOK | |||
CF | | |||
CF | Prison | |||
CF | This cramped, damp, smelly, stone-walled cell reminds you of your | |||
CF | student days. | |||
CF | | |||
CF | > | Jade exclaims, "oh, this works!" | ||
DavidW says (to ClubFloyd), "x gourd" | |||
CF ] Prison 85/1221 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The acorn, crab, cross-legged mystic, fluff, palm leaf, pine cone, | |||
CF | tree frog and upside-down tree pictures are cracked. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "crush gourd" | |||
CF ] Prison 85/1221 | |||
CF | > | |||
CF | > CRUSH GOURD | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | Jade says, "no points" | ||
DavidW says (to ClubFloyd), "out" | |||
CF ] Prairie: By Prison 85/1222 | |||
CF | > | |||
CF | > OUT | |||
CF | | |||
CF | | |||
CF | Prairie: By Prison | |||
CF | A dismal stone building, undoubtedly once a prison or cell, though | |||
CF | given that its door has been blown to pieces unlikely to be much use | |||
CF | in that function any more, stands here. | |||
CF | | |||
CF | > | Jade says, "for this act" | ||
DavidW asks, "well, now what?" | |||
DavidW says (to ClubFloyd), "break gourd" | |||
CF ] Prairie: By Prison 85/1223 | |||
CF | > | |||
CF | > BREAK GOURD | |||
CF | | |||
CF | This is a tough nut to crack. | |||
CF | | |||
CF | > | Jade says, "we have to put this in some location, I guess" | ||
DavidW asks, "okay, but where?" | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Prairie: By Burning Crosses 85/1224 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Prairie: By Burning Crosses | |||
CF | Three big crosses, easily twenty feet high and about eight feet | |||
CF | across, light up the prairie with their bright, dancing flames. A | |||
CF | large building is visible off to the east and a smaller one to the | |||
CF | west. The forest you emerged from is some way to the north. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] The Tallgrass Prairies of Missouri 85/1225 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | The Tallgrass Prairies of Missouri | |||
CF | A vast prairie extends in all directions, apart from to the | |||
CF | north where the forest you emerged from begins. It's the middle | |||
CF | of the night, but there's a full moon providing enough light to see | |||
CF | by. Flames can be seen burning to the south. | |||
CF | | |||
CF | One particular poplar stands apart from the rest. | |||
CF | | |||
CF | "Champion", the wonder horse is here, looking spooky in the light of | |||
CF | the moon. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ride horse" | |||
CF ] The Tallgrass Prairies of Missouri 85/1226 | |||
CF | > | |||
CF | > RIDE HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Vast Forest 85/1227 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "dismount" | |||
CF ] Vast Forest 85/1228 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Vast Forest | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse is here, scratching himself on a tree | |||
CF | trunk. | |||
CF | | |||
CF | > | Jade asks, "the hand of buddha?" | ||
DavidW says, "oh maybe." | |||
DavidW says (to ClubFloyd), "plant gourd" | |||
CF ] Vast Forest 85/1228 | |||
CF | > | |||
CF | > PLANT GOURD | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "drop gourd" | |||
CF ] Vast Forest 85/1229 | |||
CF | > | |||
CF | > DROP GOURD | |||
CF | | |||
CF | Not a good idea: you'll never find it again in this endless forest and | |||
CF | you might need it one day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "mount horse" | |||
CF ] Vast Forest 85/1230 | |||
CF | > | |||
CF | > MOUNT HORSE | |||
CF | | |||
CF | You mount "Champion", the wonder horse. | |||
CF | | |||
CF | "Champion", the wonder horse neighs. | |||
CF | | |||
CF | > | Jade says, "x gourd" | ||
DavidW says (to ClubFloyd), "x gourd" | |||
CF ] Vast Forest 85/1231 | |||
CF | > | |||
CF | > X GOURD | |||
CF | | |||
CF | About the size of your fist, this light brown fruit has several small | |||
CF | pictures engraved or carved upon it. The pictures show an acorn, a | |||
CF | crab, a mystic of some sort, something that looks like fluff (?!), a | |||
CF | palm leaf, a pine cone, one of those big-eyed Amazonian frogs and a | |||
CF | tree which appears to have been drawn upside-down. | |||
CF | | |||
CF | The acorn, crab, cross-legged mystic, fluff, palm leaf, pine cone, | |||
CF | tree frog and upside-down tree pictures are cracked. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "shake gourd" | |||
CF ] Vast Forest 85/1232 | |||
CF | > | |||
CF | > SHAKE GOURD | |||
CF | | |||
CF | You hear a little rattling sound from inside. | |||
CF | | |||
CF | > | DavidW says, "There's also the compressor in the palm seed factory" | ||
DavidW says (to ClubFloyd), "ne" | |||
CF ] The Himalayan Mountains 85/1233 | |||
CF | > | |||
CF | > NE | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Himalayan Mountains (on "Champion", the wonder horse) | |||
CF | The path from the forest to the southwest, which has been | |||
CF | winding up into the mountains, forks here, climbing up towards the top | |||
CF | of a mountain to the right and down towards the heart of that same | |||
CF | mountain to the left. A rough wooden sign stands at the fork. | |||
CF | | |||
CF | A fig tree grows to the side of the path. | |||
CF | | |||
CF | A huge statue of the Buddha is underneath the tree. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put gourd on hand" | |||
CF ] The Himalayan Mountains 85/1234 | |||
CF | > | |||
CF | > PUT GOURD ON HAND | |||
CF | | |||
CF | Don't worry about the statue of the Buddha, it's effectively part of | |||
CF | the landscape. | |||
CF | | |||
CF | "Champion", the wonder horse shakes his head from side to side. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "sw" | |||
CF ] Vast Forest 85/1235 | |||
CF | > | |||
CF | > SW | |||
CF | | |||
CF | | |||
CF | Vast Forest (on "Champion", the wonder horse) | |||
CF | You are in a forest with trees all around you. (Examine the trees for | |||
CF | more details). | |||
CF | | |||
CF | "Champion", the wonder horse drops his head down, looking for | |||
CF | something to graze on. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] The Palm Tree Plantations of Indonesia 85/1236 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | (now that you know the way) | |||
CF | | |||
CF | The Palm Tree Plantations of Indonesia (on "Champion", the | |||
CF | wonder horse) | |||
CF | The forest, full of bio-diversity, to the west, gives way to a | |||
CF | plantation of mind-boggling uniformity all around you. Rows and rows | |||
CF | of palm trees stretch out as far as the eye can see. A dirt track | |||
CF | ploughs east into the distance. | |||
CF | | |||
CF | Numerous wooden tables and chairs lie in semi-neat rows next to stacks | |||
CF | of wicker baskets. A few palm kernels scattered here and there show | |||
CF | that this is where kernels get extracted, by human labour, before | |||
CF | being processed into palm oil. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Palm Tree Plantation (Processing) 85/1237 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Palm Tree Plantation (Processing) (on "Champion", the wonder | |||
CF | horse) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "dismount" | |||
CF ] Palm Tree Plantation (Processing) 85/1238 | |||
CF | > | |||
CF | > DISMOUNT | |||
CF | | |||
CF | You dismount "Champion", the wonder horse. | |||
CF | | |||
CF | Palm Tree Plantation (Processing) | |||
CF | The long road running east-west through the palm tree plantation | |||
CF | pauses here by the side of several connected buildings which look like | |||
CF | they might be the main processing plant of the plantation. | |||
CF | | |||
CF | Palm trees continue to surround you in rows and rows of monotonous | |||
CF | uniformity. | |||
CF | | |||
CF | A door leads into the processing plant to the north. | |||
CF | | |||
CF | "Champion", the wonder horse is here, ready to take you through the | |||
CF | plantation if that is your desire. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Processing Plant 85/1239 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Processing Plant | |||
CF | The inside of the processing plant is a vast workshop of tables, | |||
CF | benches, cupboards, and huge pieces of machinery used in producing | |||
CF | palm oil at an industrial scale. | |||
CF | | |||
CF | There's nobody about and, though the place doesn't look abandoned, | |||
CF | none of the machinery is in use, suggesting that perhaps it's a | |||
CF | holiday or, more likely, a break in production whilst the palm trees | |||
CF | are allowed to grow to the right level of maturity. | |||
CF | | |||
CF | A small oven ("small" relatively speaking), a small compressor and a | |||
CF | small washer, probably for working with samples, stand to one side, | |||
CF | whilst a cleaning cupboard is over on the other. | |||
CF | | |||
CF | The door you came through leads out to the south. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put gourd in compressor" | |||
CF ] Processing Plant 85/1240 | |||
CF | > | |||
CF | > PUT GOURD IN COMPRESSOR | |||
CF | | |||
CF | (Interesting idea ...) | |||
CF | | |||
CF | You put the gourd (with markings on) into the small industrial | |||
CF | compressor. | |||
CF | | |||
CF | > | Jade asks, "the tree upside down?" | ||
DavidW says (to ClubFloyd), "close compressor" | |||
CF ] Processing Plant 85/1241 | |||
CF | > | |||
CF | > CLOSE COMPRESSOR | |||
CF | | |||
CF | The door locks shut, and you hear the sound of the compressor | |||
CF | compressing. A few minutes later, the door pops open again. Nothing is | |||
CF | left of the gourd save a small nut (its kernel?) which presumably was | |||
CF | inside the thing before you crushed it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x nut" | |||
CF ] Processing Plant 85/1242 | |||
CF | > | |||
CF | > X NUT | |||
CF | | |||
CF | It looks like a nut, though you're not sure what it's the nut of. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take nut" | |||
CF ] Indonesian Simulation Room 90/1243 | |||
CF | > | |||
CF | > TAKE NUT | |||
CF | | |||
CF | The walls of the processing plant swim before your eyes as you reach | |||
CF | towards the kernel, and a moment later, your surroundings markedly | |||
CF | change. As you slowly regain your bearings, you notice that you are no | |||
CF | longer carrying anything and that the kernel that you were just about | |||
CF | to pick up has disappeared (damn it!). | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | [Your score has just gone up by five points.] | |||
CF | | |||
CF | > | DavidW says, "oh weird. This is like being backstage from a theatre play." | ||
DavidW says (to ClubFloyd), "x monkey" | |||
CF ] Indonesian Simulation Room 90/1244 | |||
CF | > | |||
CF | > X MONKEY | |||
CF | | |||
CF | He's back to his normal state of undress. You can't be sure but you | |||
CF | think he's winning at table-football. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x orangutan" | |||
CF ] Indonesian Simulation Room 90/1245 | |||
CF | > | |||
CF | > X ORANGUTAN | |||
CF | | |||
CF | He looks like a big happy bag of orange fur. | |||
CF | | |||
CF | The macaque cheers. You think the creature just scored (in the | |||
CF | table-football sense). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x washer" | |||
CF ] Indonesian Simulation Room 90/1246 | |||
CF | > | |||
CF | > X WASHER | |||
CF | | |||
CF | You didn't realise when you saw it before that it could be used to | |||
CF | wash clothing. It seems like quite a serious beast, but then it's got | |||
CF | its work on with those clothes that the store manager was wearing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x basket" | |||
CF ] Indonesian Simulation Room 90/1247 | |||
CF | > | |||
CF | > X BASKET | |||
CF | | |||
CF | The laundry basket is a big wicker thing with a lid. Currently, the | |||
CF | laundry basket is closed. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open basket" | |||
CF ] Indonesian Simulation Room 90/1248 | |||
CF | > | |||
CF | > OPEN BASKET | |||
CF | | |||
CF | You open the laundry basket, revealing a tatty white robe. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x robe" | |||
CF ] Indonesian Simulation Room 90/1249 | |||
CF | > | |||
CF | > X ROBE | |||
CF | | |||
CF | It's a white, non-descript, robe, very similar to the one that used to | |||
CF | belong to the blind monk under the fig tree. | |||
CF | | |||
CF | The orangutan jumps up and down. You think the creature just scored | |||
CF | (in the table-football sense). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take robe" | |||
CF ] Indonesian Simulation Room 90/1250 | |||
CF | > | |||
CF | > TAKE ROBE | |||
CF | | |||
CF | Good idea, and you put it on - you've only just realised you were | |||
CF | naked! The clothes you were wearing before must have been part of the | |||
CF | simulation. | |||
CF | | |||
CF | The macaque claps his hands. You think the creature just scored (in | |||
CF | the table-football sense). | |||
CF | | |||
CF | Three of Queen Elizabeth I's ladies-in-waiting swish through the room | |||
CF | in their long Elizabethan dresses, laughing almost uncontrollably | |||
CF | though heaven only knows what about. As they pass, one of them spots | |||
CF | you and says to the others: "He kept fiddling about with all the | |||
CF | scenery; I mean, didn't they brief the guy about what was background | |||
CF | and what was up for grabs, so to speak? | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x cupboard" | |||
CF ] Indonesian Simulation Room 90/1250 | |||
CF | > | |||
CF | > X CUPBOARD | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] Indonesian Simulation Room 90/1251 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open compressor" | |||
CF ] Indonesian Simulation Room 90/1252 | |||
CF | > | |||
CF | > OPEN COMPRESSOR | |||
CF | | |||
CF | You'd rather not upset the people who run this simulation. | |||
CF | | |||
CF | The bulldozer driver walks by next to a similarly dressed man who, you | |||
CF | imagine, by the amount of grease on his clothing, must be an engineer. | |||
CF | As they pass, the driver says to the engineer: "One of the overseers | |||
CF | of the simulation was telling me that they were worried the orangutan | |||
CF | would need therapy after all the bother he gave it! Turns out, it | |||
CF | found the whole thing more amusing than anything else." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x oven" | |||
CF ] Indonesian Simulation Room 90/1253 | |||
CF | > | |||
CF | > X OVEN | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | The orangutan cheers. You think the creature just scored (in the | |||
CF | table-football sense). | |||
CF | | |||
CF | The bulldozer driver walks by next to a similarly dressed man who, you | |||
CF | imagine, by the amount of grease on his clothing, must be an engineer. | |||
CF | As they pass, the driver says to the engineer: Why do you suppose he | |||
CF | kept trying to talk to all the animals in the simulation? Must fancy | |||
CF | himself a bit of a Doctor Dolittle." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Amazonian Simulation Room 90/1254 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x box" | |||
CF ] Amazonian Simulation Room 90/1255 | |||
CF | > | |||
CF | > X BOX | |||
CF | | |||
CF | There's a slot in the top for dropping money in, in case you're | |||
CF | feeling generous. | |||
CF | | |||
CF | The actor who was playing Falstaff and a second actor whom you don't | |||
CF | recognise, both now dressed in very Noel Coward style dressing gowns, | |||
CF | glide across the room with their noses up in the air. Falstaff turns | |||
CF | to the other actor as they spot you and says: "Curiosity killed the | |||
CF | cat, you know - I'm surprised curiosity didn't kill him the way he | |||
CF | kept trying to break into places where he didn't belong". | |||
CF | | |||
CF | > | DavidW says, "I wasn't expecting anything like this." | ||
DavidW says (to ClubFloyd), "talk to girl" | |||
CF ] Amazonian Simulation Room 90/1256 | |||
CF | > | |||
CF | > TALK TO GIRL | |||
CF | | |||
CF | She glances up, sort of looks through you then looks away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x posters" | |||
CF ] Amazonian Simulation Room 90/1257 | |||
CF | > | |||
CF | > X POSTERS | |||
CF | | |||
CF | The Rhino Warriors" desk is the normal sort of thing you see when | |||
CF | people are trying to raise money for causes such as these: pictures of | |||
CF | distressed rhinos, distressed orangutans, distressed lions, distressed | |||
CF | vultures - in fact, everything except distressed people. | |||
CF | | |||
CF | The female eco warrior waves the cylindrical charity box and looks | |||
CF | meaningfully in your direction. | |||
CF | | |||
CF | > | DavidW says, "I suppose if we get money, we can put it into the box." | ||
DavidW says (to ClubFloyd), "n" | |||
CF ] Scandinavian Simulation Room 90/1258 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x bearded man" | |||
CF ] Scandinavian Simulation Room 90/1258 | |||
CF | > | |||
CF | > X BEARDED MAN | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x bible" | |||
CF ] Scandinavian Simulation Room 90/1259 | |||
CF | > | |||
CF | > X BIBLE | |||
CF | | |||
CF | It's just stuff that belongs to the preacher. | |||
CF | | |||
CF | Two gorgeous looking women with horns (still?!) on their heads and | |||
CF | very little anywhere else on their bodies glide through. One of them | |||
CF | gives you an appraising look as she passes, blows you a kiss, laughs, | |||
CF | turns to the other one and says: "I reckon he fancies that medicine | |||
CF | woman. She seems to think so, anyway, because she was talking quite a | |||
CF | lot about him to the monk earlier." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "talk to preacher" | |||
CF ] Scandinavian Simulation Room 90/1260 | |||
CF | > | |||
CF | > TALK TO PREACHER | |||
CF | | |||
CF | (the preacher) | |||
CF | He flicks around in his bible for a suitable passage to read to you. | |||
CF | You're not entirely sure what's suitable about it, but after he | |||
CF | finishes reading it he closes his bible with such a slam as if to | |||
CF | imply that he has just imparted to you all the wisdom you will ever | |||
CF | need in the whole of your miserable life. | |||
CF | | |||
CF | The preacher raises his bible and shouts "Behold, I will corrupt your | |||
CF | seed, and spread dung upon your faces, even the dung of your solemn | |||
CF | feasts." A few of the Vikings look impressed. You hear one of them say | |||
CF | to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x crates" | |||
CF ] Scandinavian Simulation Room 90/1261 | |||
CF | > | |||
CF | > X CRATES | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open crates" | |||
CF ] Scandinavian Simulation Room 90/1262 | |||
CF | > | |||
CF | > OPEN CRATES | |||
CF | | |||
CF | You'd rather not upset the people who run this simulation. | |||
CF | | |||
CF | The preacher raises his bible and shouts "And thou shalt eat the fruit | |||
CF | of thine own body, the flesh of thy sons and of thy daughters." A few | |||
CF | of the Vikings look impressed. You hear one of them say to another: | |||
CF | "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Missouri Simulation Room 90/1263 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | One of the black guys you remember running away from the prison and a | |||
CF | white guy you reckon was probably one of the blokes in the church are | |||
CF | "apparently" trying to put out the three burning crosses you saw | |||
CF | earlier, using a fire extinguisher they take it in turns to use. You | |||
CF | guess they must be maintenance men as well as playing a part in the | |||
CF | simulation, as they both have pagers in their back pockets. They don't | |||
CF | seem to be having much success, but then again, they are larking about | |||
CF | rather more than trying to make a serious job of it. | |||
CF | | |||
CF | The guy still in the clan costume pauses with the extinguisher, nudges | |||
CF | the black guy whilst looking in your direction and says: "You know | |||
CF | that guard outside the temple of Uppsala? The poor bloke got so fed up | |||
CF | of him that he told me, in the end, he was almost ready to let him go | |||
CF | in without that piece of venison!" | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | DavidW asks, "uh, do we need to put out that fire for some reason?" | ||
DavidW says (to ClubFloyd), "x extinguisher" | |||
CF ] Missouri Simulation Room 90/1264 | |||
CF | > | |||
CF | > X EXTINGUISHER | |||
CF | | |||
CF | It's marked with some strange chemical symbols that you understand to | |||
CF | represent the most efficient way of putting out fires in this day and | |||
CF | age without harming the environment, the ozone layer, or even the fire | |||
CF | itself (apart from putting it out). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take it" | |||
CF ] Missouri Simulation Room 90/1265 | |||
CF | > | |||
CF | > TAKE IT | |||
CF | | |||
CF | They're not going to let you have it, I'm afraid, even if you were | |||
CF | offering to do the work for them - regulations is regulations, and all | |||
CF | that. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x fire" | |||
CF ] Missouri Simulation Room 90/1266 | |||
CF | > | |||
CF | > X FIRE | |||
CF | | |||
CF | (the fire extinguisher) | |||
CF | It's marked with some strange chemical symbols that you understand to | |||
CF | represent the most efficient way of putting out fires in this day and | |||
CF | age without harming the environment, the ozone layer, or even the fire | |||
CF | itself (apart from putting it out). | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x crosses" | |||
CF ] Missouri Simulation Room 90/1267 | |||
CF | > | |||
CF | > X CROSSES | |||
CF | | |||
CF | The crosses seem determined to burn forever, and going by the way | |||
CF | those two are "working" that's quite likely to be the case. | |||
CF | | |||
CF | The general store owner and his wife walk past you arm in arm | |||
CF | (interestingly!). You hear her turn to him and say: "I'll be coming | |||
CF | back to talk to him later. If he"d carried bother you much more, I'd | |||
CF | have hit him!" | |||
CF | | |||
CF | > | Jade says, "I am reading and can't find any clue..." | ||
DavidW says (to ClubFloyd), "take to men" | |||
CF ] Missouri Simulation Room 90/1267 | |||
CF | > | |||
CF | > TAKE TO MEN | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "talk to men" | |||
CF ] Missouri Simulation Room 90/1267 | |||
CF | > | |||
CF | > TALK TO MEN | |||
CF | | |||
CF | You can't use multiple objects with that verb. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "talk to black man" | |||
CF ] Missouri Simulation Room 90/1268 | |||
CF | > | |||
CF | > TALK TO BLACK MAN | |||
CF | | |||
CF | He looks at you for a second, smiles a bright white smile, then goes | |||
CF | back to what he's (pretending to be) doing. | |||
CF | | |||
CF | Two knights in full armour clank across the floor. As they pass you, | |||
CF | one opens his visor and says: "Did you notice he had a tendency to | |||
CF | mess about with things that didn't belong to him." | |||
CF | | |||
CF | > | DavidW asks, "What if this is a simulation as well?" | ||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 90/1269 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | The preacher raises his bible and shouts "Behold, the Lord came with | |||
CF | many thousands of His holy ones, to execute judgment upon all, and to | |||
CF | convict all the ungodly of all their ungodly deeds which they have | |||
CF | done in an ungodly way." A few of the Vikings look impressed. You hear | |||
CF | one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 90/1270 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | Jade says, "It could be" | ||
DavidW says (to ClubFloyd), "s" | |||
CF ] English Simulation Room 90/1271 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | English Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads north. | |||
CF | | |||
CF | All of the tents from the Elizabethan festival, including the huge | |||
CF | pavillion, have been broken down, wrapped up into canvas bags and | |||
CF | piled up against the south wall, whist the remains of the stage and | |||
CF | the stands for the jousting area are up against the west. | |||
CF | | |||
CF | A party is in full swing here. | |||
CF | | |||
CF | Some of the people from the Elizabethan festival, still in their | |||
CF | Elizabethan clothes, are playing Elizabethan music on Elizabethan | |||
CF | instruments, whilst many others, wearing rather fewer clothes, though | |||
CF | not completely naked, dance around a huge maypole that has been | |||
CF | erected in the centre of the room. | |||
CF | | |||
CF | Queen Elizabeth is now the May Queen, judging by her change in dress. | |||
CF | | |||
CF | You can see visitors from the other simulation areas here as well, | |||
CF | including all of the demonic girls (you might fancy a dance) from the | |||
CF | cave in the Himalayas and even the occasional pirate or Viking doing a | |||
CF | bit of dad-dancing. | |||
CF | | |||
CF | The musicians start playing I Wanna Dance with Somebody, by Whitney | |||
CF | Houston on their Elizabethan instruments, which sounds slightly odd | |||
CF | but anyway the dancers all go with it. | |||
CF | | |||
CF | > | Jade says, "I readed some about seeds and poopoo" | ||
Jade asks, "dung?" | |||
Jade says, "Inventary" | |||
Roger says, "loooooool" | |||
DavidW says, "well, dung could be used as fertilizer." | |||
DavidW says, "If we find the bags of rhino dung." | |||
DavidW says (to ClubFloyd), "dance" | |||
CF ] English Simulation Room 90/1272 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | One of the demonic girls comes out of the crowd and looks at you | |||
CF | appraisingly. Perhaps she remembers you from earlier. She takes a | |||
CF | garland of leaves (and thorns) off her head and pins it onto yours | |||
CF | (slightly painfully), then starts dancing with you. | |||
CF | | |||
CF | Two gorgeous looking women with horns (still?!) on their heads and | |||
CF | very little anywhere else on their bodies glide through. One of them | |||
CF | gives you an appraising look as she passes, blows you a kiss, laughs, | |||
CF | turns to the other one and says: "I wonder why he kept trying to go up | |||
CF | when there was no up." | |||
CF | | |||
CF | The demonic dancer does a happy little jig in front of you. | |||
CF | | |||
CF | > | Jade says, "I readed here in the conversations" | ||
DavidW says, "That was the preacher talking, but yeah, what he's saying could be hints." | |||
DavidW says (to ClubFloyd), "x tents" | |||
CF ] English Simulation Room 90/1273 | |||
CF | > | |||
CF | > X TENTS | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | The demonic dancer briefly holds on to your neck and sways in front of | |||
CF | you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "search tents" | |||
CF ] English Simulation Room 90/1274 | |||
CF | > | |||
CF | > SEARCH TENTS | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | The demonic dancer swishes her skirt around like a Spanish flamenco | |||
CF | dancer. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] English Simulation Room 90/1275 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | English Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads north. | |||
CF | | |||
CF | All of the tents from the Elizabethan festival, including the huge | |||
CF | pavillion, have been broken down, wrapped up into canvas bags and | |||
CF | piled up against the south wall, whist the remains of the stage and | |||
CF | the stands for the jousting area are up against the west. | |||
CF | | |||
CF | A party is in full swing here. | |||
CF | | |||
CF | Some of the people from the Elizabethan festival, still in their | |||
CF | Elizabethan clothes, are playing Elizabethan music on Elizabethan | |||
CF | instruments, whilst many others, wearing rather fewer clothes, though | |||
CF | not completely naked, dance around a huge maypole that has been | |||
CF | erected in the centre of the room. | |||
CF | | |||
CF | Queen Elizabeth is now the May Queen, judging by her change in dress. | |||
CF | | |||
CF | You can see visitors from the other simulation areas here as well, | |||
CF | including all of the demonic girls (you might fancy a dance) from the | |||
CF | cave in the Himalayas and even the occasional pirate or Viking doing a | |||
CF | bit of dad-dancing. | |||
CF | | |||
CF | The demonic dancer does the "robot" in front of you, which looks | |||
CF | really odd. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x queen" | |||
CF ] English Simulation Room 90/1276 | |||
CF | > | |||
CF | > X QUEEN | |||
CF | | |||
CF | You wonder how long it'll be before they bring out a Wicker Man. | |||
CF | | |||
CF | The actor who was playing Falstaff and a second actor whom you don't | |||
CF | recognise, both now dressed in very Noel Coward style dressing gowns, | |||
CF | glide across the room with their noses up in the air. Falstaff turns | |||
CF | to the other actor as they spot you and says: "Would you have messed | |||
CF | about with that severed head as much as he did, do you think? A bit | |||
CF | macabre!" | |||
CF | | |||
CF | The demonic dancer waves her arms in the air like she's welcoming the | |||
CF | "age of Aquarius". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "talk to queen" | |||
CF ] English Simulation Room 90/1277 | |||
CF | > | |||
CF | > TALK TO QUEEN | |||
CF | | |||
CF | You're not going to get much sense of any of the people here right | |||
CF | now. | |||
CF | | |||
CF | The demonic dancer does some really odd moves which you haven't seen | |||
CF | since you watched that rather strange film about grease. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x maypole" | |||
CF ] English Simulation Room 90/1278 | |||
CF | > | |||
CF | > X MAYPOLE | |||
CF | | |||
CF | It's part of the festivities. | |||
CF | | |||
CF | One of the "Vikings" slaps one of the dancing girls on the backside | |||
CF | (yes, I know, very sexist, but anyway), then when she turns around, | |||
CF | grabs her by the waist, points at you and says: "At least he gave all | |||
CF | those English girls a laugh." | |||
CF | | |||
CF | The demonic dancer waves her arms in the air like she's welcoming the | |||
CF | "age of Aquarius". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Amazonian Simulation Room 90/1279 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | The male eco warrior waves the cylindrical charity box and looks | |||
CF | meaningfully in your direction. | |||
CF | | |||
CF | The dancer follows you, laughing, pirouetting around you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 90/1280 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | The dancer follows you, laughing, pirouetting around you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "i" | |||
CF ] Indonesian Simulation Room 90/1281 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a prickly garland (being worn) | |||
CF | a tatty white robe (being worn) | |||
CF | | |||
CF | The Yeoman of the Guard and the Crier at the jousting tournament hurry | |||
CF | across the room. As they depart, you hear one of them say: "He must | |||
CF | have been hungry; I wouldn't have gone anywhere near those meat pies!" | |||
CF | | |||
CF | The demonic dancer does some really odd moves which you haven't seen | |||
CF | since you watched that rather strange film about grease. | |||
CF | | |||
CF | > | DavidW asks, "oh, when did we get the garland?" | ||
DavidW asks, "and the dancer is FOLLOWING us?" | |||
DavidW says (to ClubFloyd), "x garland" | |||
CF ] Indonesian Simulation Room 90/1282 | |||
CF | > | |||
CF | > X GARLAND | |||
CF | | |||
CF | It's a little bit prickly, but pretty enough, you suppose. | |||
CF | | |||
CF | The demonic dancer does a happy little jig in front of you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Himalayan Simulation Room 91/1283 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | The big, blue, frightening demon who was in the cave in the Himalayas | |||
CF | and who now looks, actually, just as frightening as before, though | |||
CF | he's shrunk a little, is standing in front of the coffee machine, | |||
CF | banging it and shouting at it with some anger. You feel glad right now | |||
CF | that you're not a coffee machine. | |||
CF | | |||
CF | That emaciated monk puts down his coffee, looks at you thoughtfully, | |||
CF | then turns to the medicine woman and says: "They say that to a man | |||
CF | with a hammer, everything looks like a nail. Obviously, to a man with | |||
CF | an axe, everything obviously looks like something that you should hit | |||
CF | with an axe!" | |||
CF | | |||
CF | The dancer follows you in, spots the demon still banging away at the | |||
CF | coffee machine and pauses. | |||
CF | | |||
CF | Their eyes meet, and you could cut the air with a knife (luckily, | |||
CF | neither of them has one). | |||
CF | | |||
CF | The next minute, the demon runs off to the east, and she runs after | |||
CF | him. By the way she's glaring at him and almost snarling, you don't | |||
CF | fancy his chances very much if she catches him (perhaps harems aren't | |||
CF | all they're cut out to be). | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | Jade says, "I barely understand that kind of humour just now" | ||
DavidW says, "We got a point for getting rid of the demon here." | |||
DavidW says (to ClubFloyd), "x coffee machine" | |||
CF ] Himalayan Simulation Room 91/1284 | |||
CF | > | |||
CF | > X COFFEE MACHINE | |||
CF | | |||
CF | It's a straightforward device: it has a slot that accepts money and a | |||
CF | dispenser that dispenses coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x slot" | |||
CF ] Himalayan Simulation Room 91/1285 | |||
CF | > | |||
CF | > X SLOT | |||
CF | | |||
CF | The slot accepts coins. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x coin return" | |||
CF ] Himalayan Simulation Room 91/1285 | |||
CF | > | |||
CF | > X COIN RETURN | |||
CF | | |||
CF | I only understood you as far as wanting to examine the vending-machine | |||
CF | coin slot. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "hit machine" | |||
CF ] Himalayan Simulation Room 92/1286 | |||
CF | > | |||
CF | > HIT MACHINE | |||
CF | | |||
CF | With the lightest touch, you tap the vending machine, and a coin drops | |||
CF | out of the slot and lands on the floor. | |||
CF | | |||
CF | A moment later, a sign lights up across the front of the machine: | |||
CF | "Fault detected!" it says. "But," it continues, and you figure the | |||
CF | thing is almost staring at you now. "Maintenance crew is far too busy | |||
CF | doing something much more important than fixing a coffee machine! Try | |||
CF | again later, if you really must." (That's told you, hasn't it). | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | Jade says, "ok, ok" | ||
DavidW says (to ClubFloyd), "take coin" | |||
CF ] Himalayan Simulation Room 92/1287 | |||
CF | > | |||
CF | > TAKE COIN | |||
CF | | |||
CF | (the foreign coin) | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x coin" | |||
CF ] Himalayan Simulation Room 92/1288 | |||
CF | > | |||
CF | > X COIN | |||
CF | | |||
CF | (the foreign coin) | |||
CF | It doesn't come from any country you recognise. The "head" on one side | |||
CF | has a load of tentacles growing out from around its mouth, and the | |||
CF | "tail" on the other is literally a tail with a barbed end. | |||
CF | | |||
CF | The Yeoman of the Guard and the Crier at the jousting tournament hurry | |||
CF | across the room. As they depart, you hear one of them say: "Did you | |||
CF | notice how he kept trying to manipulate the landscape. Maybe he's one | |||
CF | of the programmers of the simulation and nobody bothered telling us." | |||
CF | | |||
CF | > | Jade says, "there is a slot..." | ||
DavidW says, "I suppose we can put this coin in the eco warriors's box." | |||
Jade says, "that is" | |||
DavidW says, "I don't think we want coffee and the machine is out of order now." | |||
DavidW says, "There must be at least three more room of this nonsense." | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Caribbean Simulation Room 92/1289 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Caribbean Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads west. | |||
CF | | |||
CF | Numerous bits of paraphernalia from the witch doctor's house lie piled | |||
CF | up on shelves rescued from the general store next to various bits from | |||
CF | the bar that you saw in the pirate shantytown. There doesn't appear to | |||
CF | be any barrels of alcohol around, though: you suspect that they | |||
CF | probably get cleared away pretty quickly as soon as the simulation | |||
CF | ends. | |||
CF | | |||
CF | Along the east wall is a series of lockers, such as you might find in | |||
CF | any sports hall or fitness salon. The lockers are all closed and, | |||
CF | presumably, locked, apart from one at the end which has carelessly | |||
CF | been left ajar. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open locker" | |||
CF ] Caribbean Simulation Room 92/1290 | |||
CF | > | |||
CF | > OPEN LOCKER | |||
CF | | |||
CF | That's already open. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "look in locker" | |||
CF ] Caribbean Simulation Room 92/1291 | |||
CF | > | |||
CF | > LOOK IN LOCKER | |||
CF | | |||
CF | In the jammed open locker is a whip. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take whip" | |||
CF ] Caribbean Simulation Room 92/1292 | |||
CF | > | |||
CF | > TAKE WHIP | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x whip" | |||
CF ] Caribbean Simulation Room 92/1293 | |||
CF | > | |||
CF | > X WHIP | |||
CF | | |||
CF | Looks familiar; glad the "young lady" who was using it earlier isn't | |||
CF | around to use it now. | |||
CF | | |||
CF | > | DavidW says, "oh right, the overseer on the pirate ship had a whip." | ||
DavidW says (to ClubFloyd), "whip locker" | |||
CF ] Caribbean Simulation Room 92/1294 | |||
CF | > | |||
CF | > WHIP LOCKER | |||
CF | | |||
CF | You release your frustrations (or should that be your dominatrix | |||
CF | tendencies?). | |||
CF | | |||
CF | The general store owner and his wife walk past you arm in arm | |||
CF | (interestingly!). You hear her turn to him and say: "It's odd the way | |||
CF | he kept trying to burrow into the ground - must have thought the | |||
CF | simulation had some sort of dungeon in it." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Himalayan Simulation Room 92/1295 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | Two gorgeous looking women with horns (still?!) on their heads and | |||
CF | very little anywhere else on their bodies glide through. One of them | |||
CF | gives you an appraising look as she passes, blows you a kiss, laughs, | |||
CF | turns to the other one and says: "Funny the way he kept trying to | |||
CF | clean everything. OCD, I reckon." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "talk to woman" | |||
CF ] Himalayan Simulation Room 92/1296 | |||
CF | > | |||
CF | > TALK TO WOMAN | |||
CF | | |||
CF | She looks at you briefly, then goes back to her coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask woman about coffee" | |||
CF ] Himalayan Simulation Room 92/1297 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT COFFEE | |||
CF | | |||
CF | "The coffee's allright, for something that's come out of a machine." | |||
CF | | |||
CF | Two gorgeous looking women with horns (still?!) on their heads and | |||
CF | very little anywhere else on their bodies glide through. One of them | |||
CF | gives you an appraising look as she passes, blows you a kiss, laughs, | |||
CF | turns to the other one and says: "You know, people have these romantic | |||
CF | notions about the prairies. Wild west, and all that, I suppose. | |||
CF | Personally, I find them rather boring, can't understand why he kept | |||
CF | trying to wander off into them all the time." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about coffee" | |||
CF ] Himalayan Simulation Room 92/1298 | |||
CF | > | |||
CF | > ASK MAN ABOUT COFFEE | |||
CF | | |||
CF | "The coffee here is sheer heaven." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about tea" | |||
CF ] Himalayan Simulation Room 92/1299 | |||
CF | > | |||
CF | > ASK MAN ABOUT TEA | |||
CF | | |||
CF | The best this side of Kathmandu. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Woodlands Simulation Room 92/1300 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Woodlands Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads south. | |||
CF | | |||
CF | A closed door is just about visible to the north. A small receptacle | |||
CF | next to it appears to be just the right size to accommodate the kernel | |||
CF | that you almost got your hands on. | |||
CF | | |||
CF | In the centre of the room, a huge plastic tree has been partially | |||
CF | dismantled into several sections, though you can see that there's | |||
CF | still a lot of work left to complete the job. Assembled, it would | |||
CF | probably reach the ceiling - and you do recognise it from before. | |||
CF | | |||
CF | An elderly maintenance man (witness the pager in his back pocket) is | |||
CF | trying to complete dismantling the tree. He's armed with a set of | |||
CF | Allen keys, which must number at least fifty. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x keys" | |||
CF ] Woodlands Simulation Room 92/1301 | |||
CF | > | |||
CF | > X KEYS | |||
CF | | |||
CF | There must be about fifty different sizes and shapes, including | |||
CF | hexagonal, octagonal, square, heptagonal, triangular, ten-sided and | |||
CF | even two-sided (though we tend to call those "screwdrivers"). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x tree" | |||
CF ] Woodlands Simulation Room 92/1302 | |||
CF | > | |||
CF | > X TREE | |||
CF | | |||
CF | The tree has clearly been made with concealed footholds and handholds | |||
CF | in order to make the thing easy to climb. Dismantling it, however, is | |||
CF | a work of art, as the various pieces are held together by Allen | |||
CF | sockets of a ridiculous different number of shapes and sizes. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about door" | |||
CF ] Woodlands Simulation Room 92/1303 | |||
CF | > | |||
CF | > ASK MAN ABOUT DOOR | |||
CF | | |||
CF | "I don't know how any of that stuff works - stupid modern rubbish," he | |||
CF | says (and from his breath, this is obviously a man who likes his | |||
CF | drink). | |||
CF | | |||
CF | The maintenance man succeeds in disassembling some small part of the | |||
CF | tree, but theres's still loads more left to do. | |||
CF | | |||
CF | That rather alarming lady from the pirate ship comes through the room, | |||
CF | leading one of the pirates by a chain attached to a collar around his | |||
CF | neck. You wonder what they're about to get up to. As she pulls him | |||
CF | along with a nasty jerk, she looks over at you and says to him: "There | |||
CF | wasn't a lot to see in the plantation, was there? I mean, that's the | |||
CF | point, really." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x door" | |||
CF ] Woodlands Simulation Room 92/1304 | |||
CF | > | |||
CF | > X DOOR | |||
CF | | |||
CF | It's most likely the way out of here. | |||
CF | | |||
CF | The actor who was playing Falstaff and a second actor whom you don't | |||
CF | recognise, both now dressed in very Noel Coward style dressing gowns, | |||
CF | glide across the room with their noses up in the air. Falstaff turns | |||
CF | to the other actor as they spot you and says: "The old Viking archer | |||
CF | was getting pretty sick of his life waiting for him to give him the | |||
CF | drugged mead, but then that one likes his sleep, I think." | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about keys" | |||
CF ] Woodlands Simulation Room 92/1305 | |||
CF | > | |||
CF | > ASK MAN ABOUT KEYS | |||
CF | | |||
CF | "I'm sure one of these fits one of those, and of those fits one of | |||
CF | these, and that one fits this but this one, for some reason, doesn't | |||
CF | fit that ... I think," he says (yup, definitely likes drinking). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about pager" | |||
CF ] Woodlands Simulation Room 92/1306 | |||
CF | > | |||
CF | > ASK MAN ABOUT PAGER | |||
CF | | |||
CF | "When it calls, you answer," he says (yup, definitely likes drinking). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about beer" | |||
CF ] Woodlands Simulation Room 92/1307 | |||
CF | > | |||
CF | > ASK MAN ABOUT BEER | |||
CF | | |||
CF | He's too busy trying to make sense out of the mad muddle of Allen | |||
CF | sockets and keys to be able to take any notice of you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask man about kernel" | |||
CF ] Woodlands Simulation Room 92/1308 | |||
CF | > | |||
CF | > ASK MAN ABOUT KERNEL | |||
CF | | |||
CF | He's too busy trying to make sense out of the mad muddle of Allen | |||
CF | sockets and keys to be able to take any notice of you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Himalayan Simulation Room 92/1309 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | That emaciated monk puts down his coffee, looks at you thoughtfully, | |||
CF | then turns to the medicine woman and says: "I think he wanted to go | |||
CF | shopping in that Elizabethan festival - not sure what for, though". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Himalayan Simulation Room 92/1310 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | You can't go that way. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Indonesian Simulation Room 92/1311 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | The macaque jumps up and down. You think the creature just scored (in | |||
CF | the table-football sense). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Serengeti Simulation Room 92/1312 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Serengeti Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead back up the way you came. | |||
CF | | |||
CF | Small wooden boxes with breathing holes, probably accomodating | |||
CF | vultures, are stacked on top of a large wooden crate about the size of | |||
CF | a rhinoceros labelled "Neal", next to some smelly sacks of rhino dung, | |||
CF | all piled up against the south wall. | |||
CF | | |||
CF | In the centre of the room is a lion cage. Well, you know it's a lion | |||
CF | cage because it's got three lions in it; otherwise, I suppose, it | |||
CF | could have been an aardvark cage or something. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x dung" | |||
CF ] Serengeti Simulation Room 92/1313 | |||
CF | > | |||
CF | > X DUNG | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "search dung" | |||
CF ] Serengeti Simulation Room 92/1314 | |||
CF | > | |||
CF | > SEARCH DUNG | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | The Yeoman of the Guard and the Crier at the jousting tournament hurry | |||
CF | across the room. As they depart, you hear one of them say: "On, off, | |||
CF | on, off - I thought he would never stop playing with that floodlight!" | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take dung" | |||
CF ] Serengeti Simulation Room 92/1315 | |||
CF | > | |||
CF | > TAKE DUNG | |||
CF | | |||
CF | Ambitious, but, no, you can't shift it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x lions" | |||
CF ] Serengeti Simulation Room 92/1316 | |||
CF | > | |||
CF | > X LIONS | |||
CF | | |||
CF | You reckon they might be English, though you're not sure why. They | |||
CF | look just like the ones devouring the antelope earlier, though perhaps | |||
CF | a little tamer, then again perhaps not. | |||
CF | | |||
CF | The bulldozer driver walks by next to a similarly dressed man who, you | |||
CF | imagine, by the amount of grease on his clothing, must be an engineer. | |||
CF | As they pass, the driver says to the engineer "Never seen someone | |||
CF | spend so much time looking at themselves. It did make us laugh! | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x vultures" | |||
CF ] Serengeti Simulation Room 92/1317 | |||
CF | > | |||
CF | > X VULTURES | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x rhino" | |||
CF ] Serengeti Simulation Room 92/1318 | |||
CF | > | |||
CF | > X RHINO | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] Serengeti Simulation Room 92/1319 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Serengeti Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead back up the way you came. | |||
CF | | |||
CF | Small wooden boxes with breathing holes, probably accomodating | |||
CF | vultures, are stacked on top of a large wooden crate about the size of | |||
CF | a rhinoceros labelled "Neal", next to some smelly sacks of rhino dung, | |||
CF | all piled up against the south wall. | |||
CF | | |||
CF | In the centre of the room is a lion cage. Well, you know it's a lion | |||
CF | cage because it's got three lions in it; otherwise, I suppose, it | |||
CF | could have been an aardvark cage or something. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "talk to neal" | |||
CF ] Serengeti Simulation Room 92/1319 | |||
CF | > | |||
CF | > TALK TO NEAL | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Indonesian Simulation Room 92/1320 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x football" | |||
CF ] Indonesian Simulation Room 92/1321 | |||
CF | > | |||
CF | > X FOOTBALL | |||
CF | | |||
CF | It looks like the normal sort of primitive game that you've seen | |||
CF | before - a version presumably made for clubs and bars since it is | |||
CF | fully enclosed with a glass top and its legs are on wheels. Some sort | |||
CF | of Allen key can be used to open the top. | |||
CF | | |||
CF | Then you notice that the kernel you were looking for is being used as | |||
CF | the ball! | |||
CF | | |||
CF | The actor who was playing Falstaff and a second actor whom you don't | |||
CF | recognise, both now dressed in very Noel Coward style dressing gowns, | |||
CF | glide across the room with their noses up in the air. Falstaff turns | |||
CF | to the other actor as they spot you and says: "He kept shaking that | |||
CF | gourd like it was part of a pair of maracas!" | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Amazonian Simulation Room 92/1322 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put coin in box" | |||
CF ] Amazonian Simulation Room 92/1323 | |||
CF | > | |||
CF | > PUT COIN IN BOX | |||
CF | | |||
CF | The coin makes a satisfyingly hollow sound in the box. This seems to | |||
CF | surprise the couple behind the desk. One of them looks at the other, | |||
CF | then the girl reaches into her pocket, pulls out a "rhino warriors" | |||
CF | pin and affixes it to your robe. | |||
CF | | |||
CF | > | Jade asks, "what have we got in our inventory right now?" | ||
DavidW says (to ClubFloyd), "i" | |||
CF ] Amazonian Simulation Room 92/1324 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a clothes' pin with a rhino warriors motif (being worn) | |||
CF | a whip | |||
CF | a prickly garland (being worn) | |||
CF | a tatty white robe (being worn) | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x pin" | |||
CF ] Amazonian Simulation Room 92/1325 | |||
CF | > | |||
CF | > X PIN | |||
CF | | |||
CF | The pin has a picture of a very "Rambo" like rhino's head on the | |||
CF | front. It's also quite long and strong - probably helps the rhino | |||
CF | warriors get in to places that they shouldn't. | |||
CF | | |||
CF | > | DavidW says, "I'm quite confused." | ||
Jade says, "we got a pin" | |||
DavidW says (to ClubFloyd), "ask girl about pin" | |||
CF ] Amazonian Simulation Room 92/1326 | |||
CF | > | |||
CF | > ASK GIRL ABOUT PIN | |||
CF | | |||
CF | Best to have it in your possession if you want to talk about it - even | |||
CF | if it is actually here. | |||
CF | | |||
CF | Two gorgeous looking women with horns (still?!) on their heads and | |||
CF | very little anywhere else on their bodies glide through. One of them | |||
CF | gives you an appraising look as she passes, blows you a kiss, laughs, | |||
CF | turns to the other one and says: "He kept trying to steal everything - | |||
CF | makes you wonder where he comes from!" | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "read posters" | |||
CF ] Amazonian Simulation Room 92/1327 | |||
CF | > | |||
CF | > READ POSTERS | |||
CF | | |||
CF | The Rhino Warriors" desk is the normal sort of thing you see when | |||
CF | people are trying to raise money for causes such as these: pictures of | |||
CF | distressed rhinos, distressed orangutans, distressed lions, distressed | |||
CF | vultures - in fact, everything except distressed people. | |||
CF | | |||
CF | > | Jade says, "it seems rather a new game with the same actors" | ||
DavidW says, "sorta, yeah" | |||
DavidW says, "I need a brief bathroom break. Be back very soon." | |||
Jade asks, "where simulation starts? Where is the computer?" | |||
DavidW says, "back" | |||
DavidW says, "I don't know." | |||
DavidW says, "There seems to be just the nine simulation rooms, plus whatever's on the other side of that door we found." | |||
DavidW says, "Let's visit the Vikings. Maybe the preacher will hint something or we can get booze for the guy with the Allen keys." | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Scandinavian Simulation Room 92/1328 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | The preacher raises his bible and shouts "Hath he not sent me to the | |||
CF | men which sit on the wall, that they may eat their own dung, and drink | |||
CF | their own piss with you." A few of the Vikings look impressed. You | |||
CF | hear one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x bittke" | |||
CF ] Scandinavian Simulation Room 92/1328 | |||
CF | > | |||
CF | > X BITTKE | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "bottle" | |||
CF ] Scandinavian Simulation Room 92/1328 | |||
CF | > | |||
CF | > BOTTLE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x bottle" | |||
CF ] Scandinavian Simulation Room 92/1329 | |||
CF | > | |||
CF | > X BOTTLE | |||
CF | | |||
CF | It's just stuff that belongs to the preacher. | |||
CF | | |||
CF | The bulldozer driver walks by next to a similarly dressed man who, you | |||
CF | imagine, by the amount of grease on his clothing, must be an engineer. | |||
CF | As they pass, the driver says to the engineer: "I think the lass with | |||
CF | the whip on the pirate ship fancies a quiet word with him after | |||
CF | everything that was going on!" | |||
CF | | |||
CF | The preacher raises his bible and shouts "They shall fall by the | |||
CF | sword: their infants shall be dashed in pieces, and their women with | |||
CF | child shall be ripped up." A few of the Vikings look impressed. You | |||
CF | hear one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip preacher" | |||
CF ] Scandinavian Simulation Room 92/1330 | |||
CF | > | |||
CF | > WHIP PREACHER | |||
CF | | |||
CF | (the preacher) | |||
CF | He waves his bible at you to see if that will convert you, or at least | |||
CF | make you go away. | |||
CF | | |||
CF | Three of Queen Elizabeth I's ladies-in-waiting swish through the room | |||
CF | in their long Elizabethan dresses, laughing almost uncontrollably | |||
CF | though heaven only knows what about. As they pass, one of them spots | |||
CF | you and says to the others "Honestly, that poor monkey! Still, I guess | |||
CF | he was only trying to figure out what to do with the animal." | |||
CF | | |||
CF | The preacher raises his bible and shouts "Behold, the Lord came with | |||
CF | many thousands of His holy ones, to execute judgment upon all, and to | |||
CF | convict all the ungodly of all their ungodly deeds which they have | |||
CF | done in an ungodly way." A few of the Vikings look impressed. You hear | |||
CF | one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take mead" | |||
CF ] Scandinavian Simulation Room 92/1331 | |||
CF | > | |||
CF | > TAKE MEAD | |||
CF | | |||
CF | Ambitious, but, no, you can't shift them. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x horn" | |||
CF ] Scandinavian Simulation Room 92/1331 | |||
CF | > | |||
CF | > X HORN | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask preacher about jill daniels" | |||
CF ] Scandinavian Simulation Room 92/1332 | |||
CF | > | |||
CF | > ASK PREACHER ABOUT JILL DANIELS | |||
CF | | |||
CF | (the preacher about that) | |||
CF | You need to have it in your possession in order to be able to talk | |||
CF | about it. | |||
CF | | |||
CF | Suddenly Ragnar Lodbrok appears in the crowd, recognisable just for a | |||
CF | moment, as he laughs, points in your direction, and says: "I was | |||
CF | talking to Meredith earlier - you know, the old guy in prison - and he | |||
CF | was telling me how he kept trying to mime what the guy was supposed to | |||
CF | be doing but he just didn't get it!" | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "show pin to preacher" | |||
CF ] Scandinavian Simulation Room 92/1333 | |||
CF | > | |||
CF | > SHOW PIN TO PREACHER | |||
CF | | |||
CF | (the preacher) | |||
CF | You can only show things which are in your possession. | |||
CF | | |||
CF | The preacher raises his bible and shouts "They shall fall by the | |||
CF | sword: their infants shall be dashed in pieces, and their women with | |||
CF | child shall be ripped up." A few of the Vikings look impressed. You | |||
CF | hear one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "hit preacher" | |||
CF ] Scandinavian Simulation Room 92/1334 | |||
CF | > | |||
CF | > HIT PREACHER | |||
CF | | |||
CF | (the preacher) | |||
CF | He waves his bible at you to see if that will convert you, or at least | |||
CF | make you go away. | |||
CF | | |||
CF | The actor who was playing Falstaff and a second actor whom you don't | |||
CF | recognise, both now dressed in very Noel Coward style dressing gowns, | |||
CF | glide across the room with their noses up in the air. Falstaff turns | |||
CF | to the other actor as they spot you and says: "Do you think he wanted | |||
CF | to go troll-hunting out in the Scandinavian pine forests?" | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take bible" | |||
CF ] Scandinavian Simulation Room 92/1335 | |||
CF | > | |||
CF | > TAKE BIBLE | |||
CF | | |||
CF | The stuff that belongs to the preacher don't belong to you. Messing | |||
CF | about with them is likely to upset someone. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x garland" | |||
CF ] Scandinavian Simulation Room 92/1336 | |||
CF | > | |||
CF | > X GARLAND | |||
CF | | |||
CF | It's a little bit prickly, but pretty enough, you suppose. | |||
CF | | |||
CF | The preacher raises his bible and shouts "And ye shall overthrow their | |||
CF | altars, and break their pillars, and burn their groves with fire." A | |||
CF | few of the Vikings look impressed. You hear one of them say to | |||
CF | another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] Scandinavian Simulation Room 92/1337 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x barrels" | |||
CF ] Scandinavian Simulation Room 92/1338 | |||
CF | > | |||
CF | > X BARRELS | |||
CF | | |||
CF | You just can't trust these Vikings to behave themselves; all this | |||
CF | stuff should have been put away ages ago! | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take barrel" | |||
CF ] Scandinavian Simulation Room 92/1338 | |||
CF | > | |||
CF | > TAKE BARREL | |||
CF | | |||
CF | You can't see any such thing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "search barrels" | |||
CF ] Scandinavian Simulation Room 92/1339 | |||
CF | > | |||
CF | > SEARCH BARRELS | |||
CF | | |||
CF | You find nothing of interest. | |||
CF | | |||
CF | The preacher raises his bible and shouts "They shall fall by the | |||
CF | sword: their infants shall be dashed in pieces, and their women with | |||
CF | child shall be ripped up." A few of the Vikings look impressed. You | |||
CF | hear one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask vikings about mead" | |||
CF ] Scandinavian Simulation Room 92/1340 | |||
CF | > | |||
CF | > ASK VIKINGS ABOUT MEAD | |||
CF | | |||
CF | You need to have it in your possession in order to be able to talk | |||
CF | about it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "i" | |||
CF ] Scandinavian Simulation Room 92/1341 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a clothes' pin with a rhino warriors motif (being worn) | |||
CF | a whip | |||
CF | a prickly garland (being worn) | |||
CF | a tatty white robe (being worn) | |||
CF | | |||
CF | The preacher raises his bible and shouts "Behold, the Lord came with | |||
CF | many thousands of His holy ones, to execute judgment upon all, and to | |||
CF | convict all the ungodly of all their ungodly deeds which they have | |||
CF | done in an ungodly way." A few of the Vikings look impressed. You hear | |||
CF | one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask vikings about whip" | |||
CF ] Scandinavian Simulation Room 92/1342 | |||
CF | > | |||
CF | > ASK VIKINGS ABOUT WHIP | |||
CF | | |||
CF | One of them laughs and gives you a slap on the back which pretty much | |||
CF | sends you flying across the room. | |||
CF | When you look back, you realise it was one of the shield maidens | |||
CF | (Viking women are built like blonde buffalos). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Missouri Simulation Room 92/1343 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | One of the black guys you remember running away from the prison and a | |||
CF | white guy you reckon was probably one of the blokes in the church are | |||
CF | "apparently" trying to put out the three burning crosses you saw | |||
CF | earlier, using a fire extinguisher they take it in turns to use. You | |||
CF | guess they must be maintenance men as well as playing a part in the | |||
CF | simulation, as they both have pagers in their back pockets. They don't | |||
CF | seem to be having much success, but then again, they are larking about | |||
CF | rather more than trying to make a serious job of it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take pager" | |||
CF ] Missouri Simulation Room 92/1344 | |||
CF | > | |||
CF | > TAKE PAGER | |||
CF | | |||
CF | The pagers belong to the maintenance men. | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask black man about whip" | |||
CF ] Missouri Simulation Room 92/1345 | |||
CF | > | |||
CF | > ASK BLACK MAN ABOUT WHIP | |||
CF | | |||
CF | He looks at you for a second, smiles a bright white smile, then goes | |||
CF | back to what he's (pretending to be) doing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask white man about whip" | |||
CF ] Missouri Simulation Room 92/1346 | |||
CF | > | |||
CF | > ASK WHITE MAN ABOUT WHIP | |||
CF | | |||
CF | He looks at you for a second, smiles a bright white smile, then goes | |||
CF | back to what he's (pretending to be) doing (they've got more in common | |||
CF | than you might think - i.e. they're both idiots). | |||
CF | | |||
CF | > | Jade says, "punish balck man, lol" | ||
DavidW says (to ClubFloyd), "whip white man" | |||
CF ] Missouri Simulation Room 92/1347 | |||
CF | > | |||
CF | > WHIP WHITE MAN | |||
CF | | |||
CF | He sprays the fire extinguisher in your direction for a second, | |||
CF | bathing you in CO2, then they both laugh. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip black man" | |||
CF ] Missouri Simulation Room 92/1348 | |||
CF | > | |||
CF | > WHIP BLACK MAN | |||
CF | | |||
CF | He sprays the fire extinguisher in your direction for a second, | |||
CF | bathing you in CO2 (they never seem to tire of this sort of thing) | |||
CF | then they both laugh (they've got more in common than you might think | |||
CF | - i.e. they're both idiots). | |||
CF | | |||
CF | > | DavidW asks, "Is there anyone or anything that obviously ought to be whipped?" | ||
Jade says, "..." | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 92/1349 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | The preacher raises his bible and shouts "Behold, I will corrupt your | |||
CF | seed, and spread dung upon your faces, even the dung of your solemn | |||
CF | feasts." A few of the Vikings look impressed. You hear one of them say | |||
CF | to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Scandinavian Simulation Room 92/1350 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | You can't go that way. | |||
CF | | |||
CF | The preacher raises his bible and shouts "And thou shalt eat the fruit | |||
CF | of thine own body, the flesh of thy sons and of thy daughters." A few | |||
CF | of the Vikings look impressed. You hear one of them say to another: | |||
CF | "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 92/1351 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x bulldozer" | |||
CF ] Amazonian Simulation Room 92/1352 | |||
CF | > | |||
CF | > X BULLDOZER | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x logs" | |||
CF ] Amazonian Simulation Room 92/1353 | |||
CF | > | |||
CF | > X LOGS | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "remove pin" | |||
CF ] Amazonian Simulation Room 92/1354 | |||
CF | > | |||
CF | > REMOVE PIN | |||
CF | | |||
CF | You take off the clothes' pin with a rhino warriors motif. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask girl about pin" | |||
CF ] Amazonian Simulation Room 92/1355 | |||
CF | > | |||
CF | > ASK GIRL ABOUT PIN | |||
CF | | |||
CF | She glances up, sort of looks through you then looks away - you don't | |||
CF | think you'll ever get a better reaction than that! | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "wear pin" | |||
CF ] Amazonian Simulation Room 92/1356 | |||
CF | > | |||
CF | > WEAR PIN | |||
CF | | |||
CF | You put on the clothes' pin with a rhino warriors motif. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "i" | |||
CF ] Amazonian Simulation Room 92/1357 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a clothes' pin with a rhino warriors motif (being worn) | |||
CF | a whip | |||
CF | a prickly garland (being worn) | |||
CF | a tatty white robe (being worn) | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 92/1358 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take kernel" | |||
CF ] Indonesian Simulation Room 92/1359 | |||
CF | > | |||
CF | > TAKE KERNEL | |||
CF | | |||
CF | The table-football game isn't open. | |||
CF | | |||
CF | The orangutan cheers. You think the creature just scored (in the | |||
CF | table-football sense). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip orangutan" | |||
CF ] Indonesian Simulation Room 92/1360 | |||
CF | > | |||
CF | > WHIP ORANGUTAN | |||
CF | | |||
CF | He gently pushes you away with a huge orange arm. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip monkey" | |||
CF ] Indonesian Simulation Room 92/1361 | |||
CF | > | |||
CF | > WHIP MONKEY | |||
CF | | |||
CF | He snaps at you with his teeth and you jump back. These little | |||
CF | creatures can be quite vicious, you know. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Amazonian Simulation Room 92/1362 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] English Simulation Room 92/1363 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | English Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads north. | |||
CF | | |||
CF | All of the tents from the Elizabethan festival, including the huge | |||
CF | pavillion, have been broken down, wrapped up into canvas bags and | |||
CF | piled up against the south wall, whist the remains of the stage and | |||
CF | the stands for the jousting area are up against the west. | |||
CF | | |||
CF | A party is in full swing here. | |||
CF | | |||
CF | Some of the people from the Elizabethan festival, still in their | |||
CF | Elizabethan clothes, are playing Elizabethan music on Elizabethan | |||
CF | instruments, whilst many others, wearing rather fewer clothes, though | |||
CF | not completely naked, dance around a huge maypole that has been | |||
CF | erected in the centre of the room. | |||
CF | | |||
CF | Queen Elizabeth is now the May Queen, judging by her change in dress. | |||
CF | | |||
CF | You can see visitors from the other simulation areas here as well, | |||
CF | including all of the demonic girls from the cave in the Himalayas and | |||
CF | even the occasional pirate or Viking doing a bit of dad-dancing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "climb pole" | |||
CF ] English Simulation Room 92/1364 | |||
CF | > | |||
CF | > CLIMB POLE | |||
CF | | |||
CF | The thing getting used in the party doesn't belong to you. Messing | |||
CF | around with it is likely to upset someone. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask queen about whip" | |||
CF ] English Simulation Room 92/1365 | |||
CF | > | |||
CF | > ASK QUEEN ABOUT WHIP | |||
CF | | |||
CF | You're not going to get much sense of any of the people here right | |||
CF | now. | |||
CF | | |||
CF | The musicians start playing Single Ladies (put a ring on it), by | |||
CF | Beyoncé on their Elizabethan instruments, which sounds slightly odd | |||
CF | but anyway the dancers all go with it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x musicians" | |||
CF ] English Simulation Room 92/1366 | |||
CF | > | |||
CF | > X MUSICIANS | |||
CF | | |||
CF | You wonder how long it'll be before they bring out a Wicker Man. | |||
CF | | |||
CF | > | Jade says, "whip the lions" | ||
DavidW says, "okay" | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Amazonian Simulation Room 92/1367 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 92/1368 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The orangutan and the macaque are busy playing a game of | |||
CF | table-football in the centre of the room. They seem totally absorbed. | |||
CF | Every now and then, one of them punches the air and laughs in monkey | |||
CF | fashion. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Serengeti Simulation Room 92/1369 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Serengeti Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead back up the way you came. | |||
CF | | |||
CF | Small wooden boxes with breathing holes, probably accomodating | |||
CF | vultures, are stacked on top of a large wooden crate about the size of | |||
CF | a rhinoceros labelled "Neal", next to some smelly sacks of rhino dung, | |||
CF | all piled up against the south wall. | |||
CF | | |||
CF | In the centre of the room is a lion cage. Well, you know it's a lion | |||
CF | cage because it's got three lions in it; otherwise, I suppose, it | |||
CF | could have been an aardvark cage or something. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip lions" | |||
CF ] Serengeti Simulation Room 92/1370 | |||
CF | > | |||
CF | > WHIP LIONS | |||
CF | | |||
CF | Your whip snags on the bars of the cage. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open cage" | |||
CF ] Serengeti Simulation Room 92/1371 | |||
CF | > | |||
CF | > OPEN CAGE | |||
CF | | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | Jade says, "; x lock" | ||
DavidW says (to ClubFloyd), "x lock" | |||
CF ] Serengeti Simulation Room 92/1372 | |||
CF | > | |||
CF | > X LOCK | |||
CF | | |||
CF | You see nothing special about the lock on the lion's cage. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x crate" | |||
CF ] Serengeti Simulation Room 92/1373 | |||
CF | > | |||
CF | > X CRATE | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] Serengeti Simulation Room 92/1374 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Serengeti Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead back up the way you came. | |||
CF | | |||
CF | Small wooden boxes with breathing holes, probably accomodating | |||
CF | vultures, are stacked on top of a large wooden crate about the size of | |||
CF | a rhinoceros labelled "Neal", next to some smelly sacks of rhino dung, | |||
CF | all piled up against the south wall. | |||
CF | | |||
CF | In the centre of the room is a lion cage. Well, you know it's a lion | |||
CF | cage because it's got three lions in it; otherwise, I suppose, it | |||
CF | could have been an aardvark cage or something. | |||
CF | | |||
CF | > | Jade says, "x cage" | ||
DavidW says (to ClubFloyd), "x cage" | |||
CF ] Serengeti Simulation Room 92/1375 | |||
CF | > | |||
CF | > X CAGE | |||
CF | | |||
CF | Like the sort you used to get in zoos before zoos stopped using | |||
CF | animals, this one has a large lock on it (which perhaps is just as | |||
CF | well). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "unlock cage with pin" | |||
CF ] Serengeti Simulation Room 92/1376 | |||
CF | > | |||
CF | > UNLOCK CAGE WITH PIN | |||
CF | | |||
CF | (You've done this sort of thing before, haven't you, although | |||
CF | unfortunately you lose the pin inside the lock just as you manage to | |||
CF | get it open.) | |||
CF | | |||
CF | You unlock the cage. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open cage" | |||
CF ] Serengeti Simulation Room 92/1377 | |||
CF | > | |||
CF | > OPEN CAGE | |||
CF | | |||
CF | The lions come out. Hope you know what you're doing! | |||
CF | | |||
CF | One of the lions licks your hand, pretty much removing a layer of | |||
CF | skin. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip lions" | |||
CF ] Serengeti Simulation Room 92/1378 | |||
CF | > | |||
CF | > WHIP LIONS | |||
CF | | |||
CF | The lions look at you resentfully and skulk off up the stairs (you do | |||
CF | realise what you've done, don't you?) | |||
CF | | |||
CF | > | Jade exclaims, "oh!, well done!" | ||
DavidW says (to ClubFloyd), "look in cage" | |||
CF ] Serengeti Simulation Room 92/1379 | |||
CF | > | |||
CF | > LOOK IN CAGE | |||
CF | | |||
CF | The cage is empty. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Indonesian Simulation Room 92/1380 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The three lions, the orangutan, and the macaque are playing a game of | |||
CF | cat and mouse (monkey?) around the table-football game, the washing | |||
CF | machine and the other bits of scenery. You think the cats have the | |||
CF | upper hand, and the macaque pretty soon seems to realise this and | |||
CF | scarpers up the stairs. One of the lions follows, then the orangutan | |||
CF | chases after the lion, then the other two lions chase after the | |||
CF | orangutan. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Himalayan Simulation Room 92/1381 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | (No sign of lions, macaque or orangutan, btw ... they must have | |||
CF | disappeared through one of the other exits). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "ask woman about lions" | |||
CF ] Himalayan Simulation Room 92/1382 | |||
CF | > | |||
CF | > ASK WOMAN ABOUT LIONS | |||
CF | | |||
CF | She glances in your direction but little more than that. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Woodlands Simulation Room 92/1383 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Woodlands Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads south. | |||
CF | | |||
CF | A closed door is just about visible to the north. A small receptacle | |||
CF | next to it appears to be just the right size to accommodate the kernel | |||
CF | that you almost got your hands on. | |||
CF | | |||
CF | In the centre of the room, a huge plastic tree has been partially | |||
CF | dismantled into several sections, though you can see that there's | |||
CF | still a lot of work left to complete the job. Assembled, it would | |||
CF | probably reach the ceiling - and you do recognise it from before. | |||
CF | | |||
CF | An elderly maintenance man (witness the pager in his back pocket) is | |||
CF | trying to complete dismantling the tree. He's armed with a set of | |||
CF | Allen keys, which must number at least fifty. | |||
CF | | |||
CF | > | Jade asks, "what about football game?" | ||
DavidW says, "We need an Allen key to unlock it." | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Himalayan Simulation Room 92/1384 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Caribbean Simulation Room 92/1385 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Caribbean Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads west. | |||
CF | | |||
CF | Numerous bits of paraphernalia from the witch doctor's house lie piled | |||
CF | up on shelves rescued from the general store next to various bits from | |||
CF | the bar that you saw in the pirate shantytown. There doesn't appear to | |||
CF | be any barrels of alcohol around, though: you suspect that they | |||
CF | probably get cleared away pretty quickly as soon as the simulation | |||
CF | ends. | |||
CF | | |||
CF | Along the east wall is a series of lockers, such as you might find in | |||
CF | any sports hall or fitness salon. The lockers are all closed and, | |||
CF | presumably, locked, apart from one at the end which has carelessly | |||
CF | been left ajar. | |||
CF | | |||
CF | > | Jade says, "ok, I missed it" | ||
DavidW says (to ClubFloyd), "x shelves" | |||
CF ] Caribbean Simulation Room 92/1386 | |||
CF | > | |||
CF | > X SHELVES | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "search lockers" | |||
CF ] Caribbean Simulation Room 92/1387 | |||
CF | > | |||
CF | > SEARCH LOCKERS | |||
CF | | |||
CF | You can't see inside, since the changing room lockers are closed. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open lockers" | |||
CF ] Caribbean Simulation Room 92/1388 | |||
CF | > | |||
CF | > OPEN LOCKERS | |||
CF | | |||
CF | They're locked - apart from the one at the end. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Himalayan Simulation Room 92/1389 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x tree" | |||
CF ] Himalayan Simulation Room 92/1390 | |||
CF | > | |||
CF | > X TREE | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x trolley" | |||
CF ] Himalayan Simulation Room 92/1391 | |||
CF | > | |||
CF | > X TROLLEY | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x statue" | |||
CF ] Himalayan Simulation Room 92/1392 | |||
CF | > | |||
CF | > X STATUE | |||
CF | | |||
CF | It all looks familiar. Amazing how quickly all the stuff gets put | |||
CF | away. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take coffee" | |||
CF ] Himalayan Simulation Room 92/1393 | |||
CF | > | |||
CF | > TAKE COFFEE | |||
CF | | |||
CF | (the vending-machine coffee dispenser) | |||
CF | The dispenser dispenses coffee - and that's it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Indonesian Simulation Room 92/1394 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The table-football game stands abandoned in the centre of the room. | |||
CF | | |||
CF | > | DavidW says, "all the animals are gone" | ||
DavidW says (to ClubFloyd), "d" | |||
CF ] Serengeti Simulation Room 92/1395 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Serengeti Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead back up the way you came. | |||
CF | | |||
CF | Small wooden boxes with breathing holes, probably accomodating | |||
CF | vultures, are stacked on top of a large wooden crate about the size of | |||
CF | a rhinoceros labelled "Neal", next to some smelly sacks of rhino dung, | |||
CF | all piled up against the south wall. | |||
CF | | |||
CF | In the centre of the room is a lion cage. There used to be lions in it | |||
CF | (rather than aardvarks), but not anymore. | |||
CF | | |||
CF | > | Jade says, "if we get a cross we well look as Jesuchrist in the holy week" | ||
DavidW says (to ClubFloyd), "u" | |||
CF ] Indonesian Simulation Room 92/1396 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The table-football game stands abandoned in the centre of the room. | |||
CF | | |||
CF | > | Jade says, "in a white rob with this crown..." | ||
DavidW says, "sure, we can try to get a cross." | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Amazonian Simulation Room 92/1397 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Scandinavian Simulation Room 92/1398 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Missouri Simulation Room 92/1399 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | One of the black guys you remember running away from the prison and a | |||
CF | white guy you reckon was probably one of the blokes in the church are | |||
CF | "apparently" trying to put out the three burning crosses you saw | |||
CF | earlier, using a fire extinguisher they take it in turns to use. You | |||
CF | guess they must be maintenance men as well as playing a part in the | |||
CF | simulation, as they both have pagers in their back pockets. They don't | |||
CF | seem to be having much success, but then again, they are larking about | |||
CF | rather more than trying to make a serious job of it. | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take cross" | |||
CF ] Missouri Simulation Room 92/1400 | |||
CF | > | |||
CF | > TAKE CROSS | |||
CF | | |||
CF | You can't do anything with it while it's on fire! | |||
CF | | |||
CF | > | Jade says, "we would try to extinguish the fire before" | ||
Jade says, "take extinguisher" | |||
DavidW says (to ClubFloyd), "tell black man about lions" | |||
CF ] Missouri Simulation Room 92/1401 | |||
CF | > | |||
CF | > TELL BLACK MAN ABOUT LIONS | |||
CF | | |||
CF | He looks at you for a second, smiles a bright white smile, then goes | |||
CF | back to what he's (pretending to be) doing (they've got more in common | |||
CF | than you might think - i.e. they're both idiots). | |||
CF | | |||
CF | > | DavidW says, "They won't let me take it. I tried a long time ago." | ||
Jade says, "we need to distrach him..." | |||
Jade says, "distract" | |||
DavidW says, "I'm thinking that if I can get the tree guy drunk, I can get his pager and call these two." | |||
DavidW says (to ClubFloyd), "i" | |||
CF ] Missouri Simulation Room 92/1402 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a whip | |||
CF | a prickly garland (being worn) | |||
CF | a tatty white robe (being worn) | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put garland on white guy" | |||
CF ] Missouri Simulation Room 92/1403 | |||
CF | > | |||
CF | > PUT GARLAND ON WHITE GUY | |||
CF | | |||
CF | That's not very polite. | |||
CF | | |||
CF | > | Jade says, "mmm, we have free lions, they have go against monkeys, monkeys have let the football game alone..." | ||
DavidW says (to ClubFloyd), "smell garland" | |||
CF ] Missouri Simulation Room 92/1404 | |||
CF | > | |||
CF | > SMELL GARLAND | |||
CF | | |||
CF | You can smell smoke from the burning crosses. | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | Jade says, "and even we have got the coin to get the pin and used the wip to wip lions" | ||
DavidW says, "The cross is probably for the preacher, if we can douse the fire somehow." | |||
Jade says, "all things to let the game free" | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 92/1405 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | The preacher raises his bible and shouts "Behold, the Lord came with | |||
CF | many thousands of His holy ones, to execute judgment upon all, and to | |||
CF | convict all the ungodly of all their ungodly deeds which they have | |||
CF | done in an ungodly way." A few of the Vikings look impressed. You hear | |||
CF | one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | Jade says, "all seems very linear to me" | ||
DavidW says (to ClubFloyd), "put garland on preacher" | |||
CF ] Scandinavian Simulation Room 92/1406 | |||
CF | > | |||
CF | > PUT GARLAND ON PREACHER | |||
CF | | |||
CF | (the preacher) | |||
CF | That's not very polite. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 92/1407 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put garland on girl" | |||
CF ] Amazonian Simulation Room 92/1408 | |||
CF | > | |||
CF | > PUT GARLAND ON GIRL | |||
CF | | |||
CF | That's not very polite. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] English Simulation Room 92/1409 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | English Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads north. | |||
CF | | |||
CF | All of the tents from the Elizabethan festival, including the huge | |||
CF | pavillion, have been broken down, wrapped up into canvas bags and | |||
CF | piled up against the south wall, whist the remains of the stage and | |||
CF | the stands for the jousting area are up against the west. | |||
CF | | |||
CF | A party is in full swing here. | |||
CF | | |||
CF | Some of the people from the Elizabethan festival, still in their | |||
CF | Elizabethan clothes, are playing Elizabethan music on Elizabethan | |||
CF | instruments, whilst many others, wearing rather fewer clothes, though | |||
CF | not completely naked, dance around a huge maypole that has been | |||
CF | erected in the centre of the room. | |||
CF | | |||
CF | Queen Elizabeth is now the May Queen, judging by her change in dress. | |||
CF | | |||
CF | You can see visitors from the other simulation areas here as well, | |||
CF | including all of the demonic girls from the cave in the Himalayas and | |||
CF | even the occasional pirate or Viking doing a bit of dad-dancing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put garland on queen" | |||
CF ] English Simulation Room 92/1410 | |||
CF | > | |||
CF | > PUT GARLAND ON QUEEN | |||
CF | | |||
CF | That's not very polite. | |||
CF | | |||
CF | The musicians start playing Let's Dance, by David Bowie on their | |||
CF | Elizabethan instruments, which sounds slightly odd but anyway the | |||
CF | dancers all go with it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "dance" | |||
CF ] English Simulation Room 92/1411 | |||
CF | > | |||
CF | > DANCE | |||
CF | | |||
CF | Doesn't look like anyone else wants to dance with you, I'm afraid. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "remove robe" | |||
CF ] English Simulation Room 92/1412 | |||
CF | > | |||
CF | > REMOVE ROBE | |||
CF | | |||
CF | Streaker! Anyway, decency prohibits. | |||
CF | | |||
CF | The musicians start playing You can call me Al, by Paul Simon on their | |||
CF | Elizabethan instruments, which sounds slightly odd but anyway the | |||
CF | dancers all go with it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "call me Al" | |||
CF ] English Simulation Room 92/1412 | |||
CF | > | |||
CF | > CALL ME AL | |||
CF | | |||
CF | I didn't understand that sentence. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "call al" | |||
CF ] English Simulation Room 92/1412 | |||
CF | > | |||
CF | > CALL AL | |||
CF | | |||
CF | I didn't understand that sentence. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "kiss queen" | |||
CF ] English Simulation Room 92/1413 | |||
CF | > | |||
CF | > KISS QUEEN | |||
CF | | |||
CF | If you want to dance, dance - otherwise, just leave them alone. | |||
CF | | |||
CF | The musicians start playing Gold Digger, by Kanye West on their | |||
CF | Elizabethan instruments, which sounds slightly odd but anyway the | |||
CF | dancers all go with it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "smell garland" | |||
CF ] English Simulation Room 92/1414 | |||
CF | > | |||
CF | > SMELL GARLAND | |||
CF | | |||
CF | You smell people dancing. It's probably a bit pheromonal, though your | |||
CF | brain's not clever enough to pick that out. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Amazonian Simulation Room 92/1415 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Scandinavian Simulation Room 92/1416 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Missouri Simulation Room 92/1417 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | One of the black guys you remember running away from the prison and a | |||
CF | white guy you reckon was probably one of the blokes in the church are | |||
CF | "apparently" trying to put out the three burning crosses you saw | |||
CF | earlier, using a fire extinguisher they take it in turns to use. You | |||
CF | guess they must be maintenance men as well as playing a part in the | |||
CF | simulation, as they both have pagers in their back pockets. They don't | |||
CF | seem to be having much success, but then again, they are larking about | |||
CF | rather more than trying to make a serious job of it. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take pager" | |||
CF ] Missouri Simulation Room 92/1418 | |||
CF | > | |||
CF | > TAKE PAGER | |||
CF | | |||
CF | The pagers belong to the maintenance men. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "burn garland" | |||
CF ] Missouri Simulation Room 92/1419 | |||
CF | > | |||
CF | > BURN GARLAND | |||
CF | | |||
CF | Apart from it looking pretty on you there's not much you can do with | |||
CF | the garland. | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | DavidW says, "I have no idea where the loose animals disappeared to." | ||
DavidW says, "perhaps it doesn't matter." | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Missouri Simulation Room 92/1420 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | You can't go that way. | |||
CF | | |||
CF | One of them sprays the crosses with the fire extinguisher for about | |||
CF | 1/3 of a second, looking rather surprised when this fails to have any | |||
CF | effect. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 92/1421 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | > | Jade says, "I think so" | ||
DavidW says (to ClubFloyd), "read bible" | |||
CF ] Scandinavian Simulation Room 92/1422 | |||
CF | > | |||
CF | > READ BIBLE | |||
CF | | |||
CF | It's just stuff that belongs to the preacher. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x hat" | |||
CF ] Scandinavian Simulation Room 92/1423 | |||
CF | > | |||
CF | > X HAT | |||
CF | | |||
CF | It's just stuff that belongs to the preacher. | |||
CF | | |||
CF | The preacher raises his bible and shouts "Hath he not sent me to the | |||
CF | men which sit on the wall, that they may eat their own dung, and drink | |||
CF | their own piss with you." A few of the Vikings look impressed. You | |||
CF | hear one of them say to another: "We should try that out". | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "pee" | |||
CF ] Scandinavian Simulation Room 92/1423 | |||
CF | > | |||
CF | > PEE | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 92/1424 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 92/1425 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The table-football game stands abandoned in the centre of the room. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open washing machine" | |||
CF ] Indonesian Simulation Room 92/1426 | |||
CF | > | |||
CF | > OPEN WASHING MACHINE | |||
CF | | |||
CF | The washing machine is busy doing the washing, which is what washing | |||
CF | machines should be allowed to get on with unless you want to wash your | |||
CF | clothes by hand. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open oven" | |||
CF ] Indonesian Simulation Room 92/1427 | |||
CF | > | |||
CF | > OPEN OVEN | |||
CF | | |||
CF | You'd rather not upset the people who run this simulation. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open cupboards" | |||
CF ] Indonesian Simulation Room 92/1428 | |||
CF | > | |||
CF | > OPEN CUPBOARDS | |||
CF | | |||
CF | You'd rather not upset the people who run this simulation. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "l" | |||
CF ] Indonesian Simulation Room 92/1429 | |||
CF | > | |||
CF | > L | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | The table-football game stands abandoned in the centre of the room. | |||
CF | | |||
CF | > | Jade says, "...that game machine..." | ||
DavidW says (to ClubFloyd), "take football" | |||
CF ] Indonesian Simulation Room 92/1430 | |||
CF | > | |||
CF | > TAKE FOOTBALL | |||
CF | | |||
CF | It's too heavy to lift, but you could try pushing it around. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "push football e" | |||
CF ] Indonesian Simulation Room 92/1431 | |||
CF | > | |||
CF | > PUSH FOOTBALL E | |||
CF | | |||
CF | You can't go that way. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "push football up" | |||
CF ] Indonesian Simulation Room 92/1432 | |||
CF | > | |||
CF | > PUSH FOOTBALL UP | |||
CF | | |||
CF | The table-football game cannot be pushed up or down. | |||
CF | | |||
CF | > | Jade exclaims, "oohh, lol!" | ||
Jade asks, "where?" | |||
DavidW says, "The extinquish guys, I guess." | |||
DavidW says (to ClubFloyd), "push football w" | |||
CF ] Amazonian Simulation Room 92/1433 | |||
CF | > | |||
CF | > PUSH FOOTBALL W | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | The table-football game is here. | |||
CF | | |||
CF | The female eco warrior waves the cylindrical charity box and looks | |||
CF | meaningfully in your direction. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "push game n" | |||
CF ] Scandinavian Simulation Room 92/1434 | |||
CF | > | |||
CF | > PUSH GAME N | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | The table-football game is here. | |||
CF | | |||
CF | > | Jade says, "it will be nixe" | ||
Jade says, "nice" | |||
DavidW says (to ClubFloyd), "push game w" | |||
CF ] Missouri Simulation Room 92/1435 | |||
CF | > | |||
CF | > PUSH GAME W | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | One of the black guys you remember running away from the prison and a | |||
CF | white guy you reckon was probably one of the blokes in the church are | |||
CF | "apparently" trying to put out the three burning crosses you saw | |||
CF | earlier, using a fire extinguisher they take it in turns to use. You | |||
CF | guess they must be maintenance men as well as playing a part in the | |||
CF | simulation, as they both have pagers in their back pockets. They don't | |||
CF | seem to be having much success, but then again, they are larking about | |||
CF | rather more than trying to make a serious job of it. | |||
CF | | |||
CF | You know how some people need minimal persuasion to stop doing | |||
CF | something boring (like work, for instance) and start doing something | |||
CF | fun (like playing table-football, for equal instance), well those two | |||
CF | guys kind of pretending to put out the burning crosses fit firmly and | |||
CF | squarely into that category, as you've barely pushed the game into the | |||
CF | room when one of them says to other "best of 3?", and before you know | |||
CF | where you are they've appropriated the game, and it's "best of 5", | |||
CF | then "best of 7", etc, etc. | |||
CF | | |||
CF | The fire extinguisher that the two guys were using now stands on the | |||
CF | floor next to the burning crosses. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take fire" | |||
CF ] Missouri Simulation Room 92/1436 | |||
CF | > | |||
CF | > TAKE FIRE | |||
CF | | |||
CF | (the fire extinguisher) | |||
CF | Taken. | |||
CF | | |||
CF | > | Jade says, "so, linear" | ||
DavidW says (to ClubFloyd), "spray crosses" | |||
CF ] Missouri Simulation Room 92/1436 | |||
CF | > | |||
CF | > SPRAY CROSSES | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "extinguish crosses" | |||
CF ] Missouri Simulation Room 92/1437 | |||
CF | > | |||
CF | > EXTINGUISH CROSSES | |||
CF | | |||
CF | You put out the fire (you should work as a maintenance-man). | |||
CF | | |||
CF | The black guy jumps up and down. You think he just scored (in the | |||
CF | table-football sense). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take cross" | |||
CF ] Missouri Simulation Room 92/1438 | |||
CF | > | |||
CF | > TAKE CROSS | |||
CF | | |||
CF | You lift the thing onto your shoulder. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 93/1439 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | Amongst all this pagan mayhem, a sole man, bearded, in a long black | |||
CF | coat with a strange wide-brimmed black hat, waves a bible that he | |||
CF | holds in one hand, shouting warnings of hellfire and damnation, | |||
CF | interspersed with swigs from a bottle of Jill Daniels that he holds in | |||
CF | the other. The Vikings all seem to find this very amusing. | |||
CF | | |||
CF | The preacher stops what he's doing with a start and gazes at you in | |||
CF | astonishment. You see him look at his bottle of whisky, then at you | |||
CF | (in your tatty white robe, thorny crown, carrying a large cross over | |||
CF | your shoulder), then at the bible, then back at the bottle of whisky, | |||
CF | then back at you. A moment later, he puts down the bottle and | |||
CF | disappears towards the east, a strange look on his face. | |||
CF | | |||
CF | The Vikings around you literally wet themselves with laughter! | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | Jade says, "take this to preacher" | ||
DavidW says, "Just did." | |||
DavidW says (to ClubFloyd), "He thought I was Jesus!" | |||
CF ] Scandinavian Simulation Room 93/1439 | |||
CF | > | |||
CF | > HE THOUGHT I WAS JESUS! | |||
CF | | |||
CF | That's not a verb I recognise. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take bottle" | |||
CF ] Scandinavian Simulation Room 93/1440 | |||
CF | > | |||
CF | > TAKE BOTTLE | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 93/1441 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | Jade says, "I thought that" | ||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 93/1442 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Himalayan Simulation Room 93/1443 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Woodlands Simulation Room 93/1444 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Woodlands Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads south. | |||
CF | | |||
CF | A closed door is just about visible to the north. A small receptacle | |||
CF | next to it appears to be just the right size to accommodate the kernel | |||
CF | that you almost got your hands on. | |||
CF | | |||
CF | In the centre of the room, a huge plastic tree has been partially | |||
CF | dismantled into several sections, though you can see that there's | |||
CF | still a lot of work left to complete the job. Assembled, it would | |||
CF | probably reach the ceiling - and you do recognise it from before. | |||
CF | | |||
CF | An elderly maintenance man (witness the pager in his back pocket) is | |||
CF | trying to complete dismantling the tree. He's armed with a set of | |||
CF | Allen keys, which must number at least fifty. | |||
CF | | |||
CF | > | Jade says, "there is a lot of lag" | ||
DavidW says (to ClubFloyd), "give bottle to man" | |||
CF ] Woodlands Simulation Room 94/1445 | |||
CF | > | |||
CF | > GIVE BOTTLE TO MAN | |||
CF | | |||
CF | The maintenance man takes it off your hands with a brief touch to his | |||
CF | forelock, then tucks it into his clothing. Then he thinks about it, | |||
CF | takes it out again and has a swig, tucks it back in, looks at all the | |||
CF | Allen keys and sockets, looks over to you, smiles, takes the bottle | |||
CF | out and has another swig, and then another, and then .... falls | |||
CF | asleep. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take keys" | |||
CF ] Woodlands Simulation Room 94/1446 | |||
CF | > | |||
CF | > TAKE KEYS | |||
CF | | |||
CF | Taken. He won't be needing them now. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take pager" | |||
CF ] Woodlands Simulation Room 94/1447 | |||
CF | > | |||
CF | > TAKE PAGER | |||
CF | | |||
CF | The pagers belong to the maintenance men. | |||
CF | | |||
CF | > | DavidW says, "I have the keys now, but the game is controlled by the other maintenance guys now." | ||
DavidW says (to ClubFloyd), "i" | |||
CF ] Woodlands Simulation Room 94/1448 | |||
CF | > | |||
CF | > I | |||
CF | | |||
CF | You are carrying: | |||
CF | a set of allen keys | |||
CF | a large cross, carried over your shoulder | |||
CF | a fire extinguisher | |||
CF | a whip | |||
CF | a prickly garland (being worn) | |||
CF | a tatty white robe (being worn) | |||
CF | | |||
CF | > | Jade says, "Let's try oppening" | ||
DavidW says (to ClubFloyd), "s" | |||
CF ] Himalayan Simulation Room 94/1449 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Indonesian Simulation Room 94/1450 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Amazonian Simulation Room 94/1451 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | The male eco warrior waves the cylindrical charity box and looks | |||
CF | meaningfully in your direction. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Scandinavian Simulation Room 94/1452 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Missouri Simulation Room 94/1453 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | Two of the three crosses that were burning earlier, the larger and | |||
CF | heavier ones, rest against the wall. | |||
CF | | |||
CF | The two guys that were supposed to be working putting out the burning | |||
CF | crosses are hunched over the table-football game and playing it with | |||
CF | enthusiasm. From the sounds and gestures they're making, you reckon | |||
CF | there probably isn't anything that anybody could be doing anywhere in | |||
CF | the world which is more interesting than this. | |||
CF | | |||
CF | > | Jade says, "or hit the coffee machine again" | ||
DavidW says (to ClubFloyd), "open game" | |||
CF ] Missouri Simulation Room 94/1454 | |||
CF | > | |||
CF | > OPEN GAME | |||
CF | | |||
CF | One of the two guys snarls at you, and you back off. They seem to be | |||
CF | quite into their game, and you know what blokes are like about | |||
CF | football. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip guys" | |||
CF ] Missouri Simulation Room 94/1454 | |||
CF | > | |||
CF | > WHIP GUYS | |||
CF | | |||
CF | Who do you mean, the black guy or the white guy? | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "white" | |||
CF ] Missouri Simulation Room 94/1455 | |||
CF | > | |||
CF | > WHITE | |||
CF | | |||
CF | He kicks you away and continues with his game. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "whip black" | |||
CF ] Missouri Simulation Room 94/1456 | |||
CF | > | |||
CF | > WHIP BLACK | |||
CF | | |||
CF | He kicks you away again and continues with his game (they've got more | |||
CF | in common than you might think - i.e. they're both idiots). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "extinguish white" | |||
CF ] Missouri Simulation Room 94/1457 | |||
CF | > | |||
CF | > EXTINGUISH WHITE | |||
CF | | |||
CF | (the tatty white robe) | |||
CF | There's no fire to put out. | |||
CF | | |||
CF | The white guy claps his hands. You think he just scored (in the | |||
CF | table-football sense). | |||
CF | | |||
CF | > | DavidW asks, "Where are those lions now?" | ||
Jade says, "kick the coffee machine, it call for maintance" | |||
DavidW says (to ClubFloyd), "tell black about coffee machine" | |||
CF ] Missouri Simulation Room 94/1458 | |||
CF | > | |||
CF | > TELL BLACK ABOUT COFFEE MACHINE | |||
CF | | |||
CF | He waves you away impatiently. | |||
CF | | |||
CF | The black guy jumps up and down. You think he just scored (in the | |||
CF | table-football sense). | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 94/1459 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 94/1460 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | The female eco warrior waves the cylindrical charity box and looks | |||
CF | meaningfully in your direction. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 94/1461 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Himalayan Simulation Room 94/1462 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The big black woman who used to be a medicine woman in the Caribbean | |||
CF | and now looks, well, rather ordinary, and the small elderly man who | |||
CF | was pretending (you can see now) to be blind and selling you tea in | |||
CF | the Himalayas and now looks, well, equally ordinary, are sitting on a | |||
CF | bench next to a coffee vending machine drinking coffee. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "push machine" | |||
CF ] Himalayan Simulation Room 94/1463 | |||
CF | > | |||
CF | > PUSH MACHINE | |||
CF | | |||
CF | There's not much more you can do with the coffee machine. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "break machine" | |||
CF ] Himalayan Simulation Room 95/1464 | |||
CF | > | |||
CF | > BREAK MACHINE | |||
CF | | |||
CF | A sign lights up across the front of the machine: "Fault Detected!" it | |||
CF | says. "Maintenance Crew Available. Please stand by" (it's being a bit | |||
CF | more polite now). A few minutes later the two guys from the Missouri | |||
CF | Room appear and start working on the vending machine after giving you | |||
CF | an irritated look. | |||
CF | | |||
CF | The medicine woman and the old guy on the bench look at each other, | |||
CF | compare empty cups, look at the vending machine, shrug and disappear | |||
CF | down the stairs. | |||
CF | | |||
CF | [Your score has just gone up by one point.] | |||
CF | | |||
CF | > | DavidW says, "ah! You were right!" | ||
Jade says, "they were busy before" | |||
DavidW says, "Thank you!" | |||
DavidW says (to ClubFloyd), "d" | |||
CF ] Indonesian Simulation Room 95/1465 | |||
CF | > | |||
CF | > D | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Amazonian Simulation Room 95/1466 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "n" | |||
CF ] Scandinavian Simulation Room 95/1467 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "w" | |||
CF ] Missouri Simulation Room 95/1468 | |||
CF | > | |||
CF | > W | |||
CF | | |||
CF | | |||
CF | Missouri Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads east. | |||
CF | | |||
CF | Two of the three crosses that were burning earlier, the larger and | |||
CF | heavier ones, rest against the wall. | |||
CF | | |||
CF | Once again, the table-football game stands abandoned in the centre of | |||
CF | the room; you're beginning to feel sorry for it. | |||
CF | | |||
CF | > | Jade says, "it feels very linear to me" | ||
DavidW says, "ha ha: 'sorry' for the game machine." | |||
DavidW says (to ClubFloyd), "open game" | |||
CF ] Missouri Simulation Room 95/1469 | |||
CF | > | |||
CF | > OPEN GAME | |||
CF | | |||
CF | It seems to be locked. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "unlock game with keys" | |||
CF ] Missouri Simulation Room 95/1470 | |||
CF | > | |||
CF | > UNLOCK GAME WITH KEYS | |||
CF | | |||
CF | You eventually manage to find the right Allen key. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "open game" | |||
CF ] Missouri Simulation Room 95/1471 | |||
CF | > | |||
CF | > OPEN GAME | |||
CF | | |||
CF | You open the table-football game. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "take kernel" | |||
CF ] Missouri Simulation Room 95/1472 | |||
CF | > | |||
CF | > TAKE KERNEL | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "look in game" | |||
CF ] Missouri Simulation Room 95/1473 | |||
CF | > | |||
CF | > LOOK IN GAME | |||
CF | | |||
CF | The table-football game is empty. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "x kernel" | |||
CF ] Missouri Simulation Room 95/1474 | |||
CF | > | |||
CF | > X KERNEL | |||
CF | | |||
CF | It looks like a nut, though you're not sure what it's the nut of. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Scandinavian Simulation Room 95/1475 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Scandinavian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead south and west. | |||
CF | | |||
CF | The northern wall is crowded with all the furnishings of the Temple of | |||
CF | Uppsala, mixed in with a couple of crates with the offerings and what | |||
CF | have you that were on the island next to that huge tree. | |||
CF | | |||
CF | The festivities from the temple that you saw earlier seemed to have | |||
CF | continued after the "stage was struck" so to speak. Perhaps the | |||
CF | Vikings really were drunk rather than just pretending to be for the | |||
CF | sake of the simulation. Anyway, they're all lounging around on the | |||
CF | floor here on various bits of scenery, drinking mead from horns out of | |||
CF | barrels that mysteriously haven't been put away yet. Somewhere around | |||
CF | them, Ragnar Lodbrok and Lagertha are mixed in - but drunken | |||
CF | Scandinavians all look the same to you. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "s" | |||
CF ] Amazonian Simulation Room 95/1476 | |||
CF | > | |||
CF | > S | |||
CF | | |||
CF | | |||
CF | Amazonian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north, south and east. | |||
CF | | |||
CF | Against the west wall are various parts of a dismantled bulldozer next | |||
CF | to a collection of logs and canvas that must have been used to | |||
CF | construct the treehouse. | |||
CF | | |||
CF | The two eco warriors you met earlier are sitting behind a desk | |||
CF | decorated with posters advertising and raising money for the Rhino | |||
CF | Warriors. On top of the desk is one of those blue cylindrical charity | |||
CF | money boxes that people still use even to this day. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "e" | |||
CF ] Indonesian Simulation Room 95/1477 | |||
CF | > | |||
CF | > E | |||
CF | | |||
CF | | |||
CF | Indonesian Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Broad stairs lead up and down whilst a flat | |||
CF | passageway heads towards the west. | |||
CF | | |||
CF | Against the southern wall is a collection of tables and chairs all | |||
CF | stacked neatly next to the huge oven and compressor from the | |||
CF | processing plant, the cupboards from the shop, and the iron gates you | |||
CF | previously saw at the entrance to the plantation. | |||
CF | | |||
CF | In front of all of that paraphernalia is the washing machine from the | |||
CF | plant, which, though you thought was meant to be used to wash palm | |||
CF | tree kernels, is now busy washing the smelly old clothes you remember | |||
CF | seeing on the general store owner back in the Caribbean. A laundry | |||
CF | basket (from the Elizabethan area?) sits in front of the washing | |||
CF | machine. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "u" | |||
CF ] Himalayan Simulation Room 95/1478 | |||
CF | > | |||
CF | > U | |||
CF | | |||
CF | | |||
CF | Himalayan Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. Passageways lead north and east and a broad | |||
CF | set of stairs lead down. | |||
CF | | |||
CF | A fig tree stands in a huge earthenware pot against the south wall, | |||
CF | next to the blind man's trolley with its teapot, sugar bowl and little | |||
CF | Buddha statue that you remember from before. | |||
CF | | |||
CF | The two maintenance guys who were doing a poor job of putting out the | |||
CF | burning crosses earlier are now making an equally poor job of | |||
CF | repairing the coffee machine. | |||
CF | | |||
CF | > | Jade asks, "what is the kernel?" | ||
DavidW says (to ClubFloyd), "n" | |||
CF ] Woodlands Simulation Room 95/1479 | |||
CF | > | |||
CF | > N | |||
CF | | |||
CF | | |||
CF | Woodlands Simulation Room | |||
CF | You are in a simulation room. The walls, floor and ceiling are a | |||
CF | featureless warship-grey. A passageway leads south. | |||
CF | | |||
CF | A closed door is just about visible to the north. A small receptacle | |||
CF | next to it appears to be just the right size to accommodate the kernel | |||
CF | you've got on you. | |||
CF | | |||
CF | In the centre of the room, a huge plastic tree has been partially | |||
CF | dismantled into several sections, though you can see that there's | |||
CF | still a lot of work left to complete the job. Assembled, it would | |||
CF | probably reach the ceiling - and you do recognise it from before. | |||
CF | | |||
CF | Thanks to your timely intervention, the maintenance man has been saved | |||
CF | from the nervous breakdown he would surely have suffered had he | |||
CF | continued trying to complete the job of dismantling the tree, and now | |||
CF | lies snoring peacefully to the side. | |||
CF | | |||
CF | You can see a semi-full bottle of Jill Daniels here. | |||
CF | | |||
CF | > | DavidW says, "It's a nut" | ||
DavidW says (to ClubFloyd), "take bottle" | |||
CF ] Woodlands Simulation Room 95/1480 | |||
CF | > | |||
CF | > TAKE BOTTLE | |||
CF | | |||
CF | Taken. | |||
CF | | |||
CF | > | |||
DavidW says (to ClubFloyd), "put kernel in receptacle" | |||
CF ] Woodlands Simulation Room 100/1480 | |||
CF | > | |||
CF | > PUT KERNEL IN RECEPTACLE | |||
CF | | |||
CF | The walls of the simulation room swim before your eyes again (perhaps | |||
CF | you were still in the simulation all along), and as you regain your | |||
CF | bearings for a second time you find yourself in a simulation room as | |||
CF | before but with no exits save the door which now lies open in front of | |||
CF | you, leading back to the life that you love in all of its artificial | |||
CF | splendour. The soft female voice speaks out again: | |||
CF | | |||
CF | Program Arborea completed successfully. Congratulations. Please | |||
CF | take time to re-orient yourself and observe all normal safety | |||
CF | precautions when exiting the building. We hope you have enjoyed this | |||
CF | excursion into our wild and verdant past. | |||
CF | | |||
CF | --oOo--- | |||
CF | | |||
CF | Thank you for playing Arborea. | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | When all the trees have been cut down, | |||
CF | when all the animals have been hunted, | |||
CF | when all the waters are polluted, | |||
CF | when all the air is unsafe to breathe, | |||
CF | only then will you discover you cannot eat money. | |||
CF | | |||
CF | Native American saying | |||
CF | | |||
CF | ---oOo--- | |||
CF | | |||
CF | A few notes from me (the author). | |||
CF | | |||
CF | I love trees. When I was young I used to like climbing them, now I | |||
CF | just enjoy being amongst them, listening to them and enjoying their | |||
CF | "air". When I decided I wanted to write an adventure (my only one to | |||
CF | date, actually) about trees, I set about thinking of all the different | |||
CF | ways that mankind has interacted with them through history. Of course, | |||
CF | we've hanged people from them, but we have also worshipped them, lived | |||
CF | in harmony with them when we've used what they freely gave us, rather | |||
CF | less in harmony with them when we've chopped them down for wood, and, | |||
CF | most recently, almost treated them as an enemy with the deforestation | |||
CF | in the Amazon and the way we're farming them in Indonesia. | |||
CF | | |||
CF | There are many quotes that I could have chosen to end this adventure | |||
CF | (just google tree quotes), however that Native American one probably | |||
CF | best describes much of our attitude towards trees these days, and to | |||
CF | nature in general. I just hope that it doesn't come to pass that we | |||
CF | end up having to eat money. | |||
CF | | |||
CF | If you want to go back and try some fun things, take the awakened head | |||
CF | around with you - it generally has a lot to say. This adventure is | |||
CF | about the size of a novel now, so there's probably lots more you could | |||
CF | play around with if you like. If you have any feedback or | |||
CF | recommendations, please don't hesitate to get in touch: the command | |||
CF | "feedback" has all the details that you need, and I would love to hear | |||
CF | from you. | |||
CF | | |||
CF | Richard Develyn. | |||
CF | | |||
CF | | |||
CF | | |||
CF | *** The End *** | |||
CF | | |||
CF | | |||
CF | In that game you scored 100 out of a possible 100, in 1480 turns. | |||
CF | | |||
CF | | |||
CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | |||
CF | command? | |||
CF | > | Jade exclaims, "congratulations, 1500 turns!" | ||
Jade says, "100 out of 100" | |||
DavidW says, "hooray we are victorious" | |||
Jade says, "this is a great, big game" | |||
DavidW asks, "I liked that game a lot but it is a bit strange, isn't it?" | |||
Jade says, "yes it is a bit strange becouse this is a simulation and the author can reclaim some rights to do whatever he things" | |||
DavidW says, "And we're finishing at the right time too. It's almost but not quite 4pm." | |||
Jade says, "22:00 here" | |||
DavidW says, "I'm trying to think what part I liked best." | |||
Jade says, "nevertheless, the game says there are more stuff to try..." | |||
DavidW says, "There's no AMUSING command to suggest anything." | |||
Jade says, "the poachers part, we discovered at the really beggining and finished the last one." | |||
DavidW says, "It says we can carry the awakened head around, but we were doing that already." | |||
Jade says, "yes we carry around the head untill the simulation ended up" | |||
DavidW says, "I think, if we gave the sugar cube to the filly instead of the stallion, we'd have to ride her instead." | |||
Jade says, "perhaps so" | |||
DavidW says, "I just realized that we never got any meat pies." | |||
Jade says, "no, we didin't, we were money left" | |||
Jade says, "we didin't find a coin" | |||
DavidW says, "Not until the second sim." | |||
DavidW says, "Maybe there could be a sequel: Carborea, where you visit restaurants all over the world and eat carbs." | |||
Jade says, "it sounds to me as an interesting idea for sending to seedcom" | |||
Jade says, "seedcomp" | |||
DavidW asks, "oh, I think I maybe heard of that. Drop in ideas for authors to pick and choose from?" | |||
Roger says, "mmhmm" | |||
Jade says, "seeding and growing" | |||
DavidW says, "I should probably be an author and writing something instead." | |||
DavidW says, "I have problems coming up with anything on my own except for parodies or variations on other people's stuff." | |||
Jade exclaims, "you are welcome!" | |||
DavidW says, "anyway, let's wrap this up. Thank you, Jade and Roger and others who were here in previous weeks." | |||
DavidW says, "This was a fun game and I'm very glad I played it." | |||
Jade says, "ok, I am going to bed. Stay safe, See you next week" | |||
DavidW says, "bye Jade. Take care!" | |||
DavidW says, "I'm heading back to the lounge for a bit." | |||
DavidW says, "See you next week!" | |||
DavidW disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | Jade says, "bye bye" | ||
DavidW says, "hi again" | |||
DavidW says, "ack" | |||
Jade goes home. | |||
Roger goes home. | |||
Roger has disconnected. | |||