ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
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ToyShop & Floyditorium
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#ClubFloyd Discussion
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*** SESSION ONE *** | ||
Jacqueline asks, "Looks like According to Cain is uploaded. Shall we?" | ||
DavidW says, "sure. Candy Cain me." | ||
Jacqueline says, "I don't think it's that sort of game, David." | ||
Jacqueline says (to ClubFloyd), "load sleepmask accordingtocain" | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | | ||
CF | | ||
CF | | ||
CF | And the LORD had respect unto Abel and to his | ||
CF | offering: | ||
CF | But unto Cain and to his offering He had not respect. | ||
CF | -Genesis 4:4-5, King James Version | ||
CF | | ||
CF | | ||
CF | Then ALLAH sent a crow searching in the ground | ||
CF | to show [Cain] how to hide the disgrace of his | ||
CF | brother. | ||
CF | -Quran 5:31, Sahih International | ||
CF | | ||
CF | | ||
CF | "From this time forth?thou shalt be called | ||
CF | Perdition." | ||
CF | -Moses 5:24, Pearl of Great Price | ||
CF | | ||
CF | | ||
CF | And Cain said unto the LORD, | ||
CF | "My punishment is greater than I can bear?" | ||
CF | -Genesis 4:13 KJV | ||
CF | | ||
CF | | ||
CF | | ||
CF | [More] | Roger says, "it's probably some good old WWF fanfic game" | |
DavidW asks, "What Would Floyd Do?" | ||
Jacqueline says, "ha" | ||
Jacqueline pushes the green 'space' button. | ||
CF | [More] | ||
CF | An inquiry | ||
CF | by Jim Nelson | ||
CF | | ||
Jacqueline pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | THE PROVOST TOPS off your brandy and invites you to sit. "The | ||
CF | question has | ||
CF | bedeviled the Academy's Scholastics since this institution was | ||
CF | founded," he | ||
CF | says with a weary sigh. "What is the Mark of Cain?" | ||
CF | | ||
CF | The Provost is a gray man, whiskered and immobile. He administers the | ||
CF | Academy | ||
CF | from his padded chair--ratty blanket thrown over his lap--by | ||
CF | scratching | ||
CF | messages on parchment and throwing them out the window to his | ||
CF | secretaries in | ||
CF | the courtyard below. | ||
CF | | ||
CF | "The Academy has already sent two of our best," he says. "They failed | ||
CF | to | ||
CF | return. We consider them lost. You must do better." | ||
CF | | ||
CF | You, a novitiate Indagator, investigate for the Academy all | ||
CF | manner of | ||
CF | esoterica. Usually the questions revolve around the finer points of | ||
CF | philosophy | ||
CF | and science debated by the Scholastics. This riddle, though--the Mark | ||
CF | of | ||
CF | Cain--is monumental. It is the oldest mystery in known history. | ||
CF | | ||
CF | The Provost breaks the silence with a deep and gravelly voice. | ||
CF | "Indagator, you | ||
CF | are charged with resolving this ancient question. Stand and prepare | ||
CF | yourself!" | ||
CF | | ||
CF | [More] | Roger says, "Cain cannot be justified" | |
Jacqueline asks, "Ugh the linebreaks. Why??" | ||
Jacqueline says (to Roger), "HA" | ||
Roger asks, "Indagator is pretty weird. Do I solve problems by eating clues?" | ||
Jacqueline says, "nom nom nom" | ||
Jacqueline pushes the green 'space' button. | ||
CF | [More] | ||
CF | instant, you are sent | ||
CF | back in time?to the beginning? | DavidW says, "I assumed the mark of Cain was like when the Good Witch of the North kissed Dorothy's forehead. A sigil of protection so no one would kill Cain." | |
Roger says, "finally, a good chance that >GIRD LOINS is implemented" | ||
Jacqueline pushes the green 'space' button. | ||
CF | back in time?to the beginning? | ||
CF | | ||
CF | I. A YOUNG EARTH | ||
CF | | ||
CF | East of Eden | ||
CF | A fine hazy mist shrouds the sky, making the sun little more than a | ||
CF | smeary | ||
CF | torch in a smoke-filled room. The air is redolent with a sour aroma. | ||
CF | The | ||
CF | world feels fresh and new. | ||
CF | | ||
CF | On your wrist is the orbis bracelet given to you by the Provost before | ||
CF | you were | ||
CF | sent to this time. You must not lose the bracelet; it's your only way | ||
CF | back to | ||
CF | the Academy. | ||
CF | | ||
CF | Before you, a circuitous path plunges eastward into the windswept | ||
CF | wilderness. | ||
CF | It is this direction you will need to travel to begin your inquiry. | ||
CF | | ||
CF | Behind you, to the distant west, lies Eden. | ||
CF | | ||
CF | [Type ABOUT for more information on this game.] | ||
CF | | ||
CF | > | Jacqueline asks, "Why do I feel like we're going to lose the bracelet?" | |
Roger says, "okay I can get behind a time-travelling Bible game" | ||
Jacqueline asks, "About?" | ||
DavidW says, "yes, ABOUT please" | ||
Jacqueline says (to ClubFloyd), "about" | ||
CF | > | ||
CF | > ABOUT | ||
CF | | ||
CF | According to Cain was written for the 2022 Interactive | ||
CF | Fiction Competition. | ||
CF | It's coded in TADS 3 using the adv3Lite library. | ||
CF | | ||
CF | As with most interactive fictions, I recommend examining places | ||
CF | thoroughly and | ||
CF | visiting every location at least once. Many things are useful in more | ||
CF | than one | ||
CF | situation. Pay close attention to story details. Noticing slight | ||
CF | changes | ||
CF | around you will pay dividends. This is a detective story, and you are | ||
CF | the | ||
CF | detective. | ||
CF | | ||
CF | This game ranks Polite on the cruelty scale, meaning there are a small | ||
CF | number | ||
CF | of ways you can wind up in an unwinnable situation, but it's | ||
CF | immediately | ||
CF | obvious when this happens. You may always UNDO your last command. | ||
CF | | ||
CF | I especially thank the beta testers who patiently shook out so many of | ||
CF | my bugs | ||
CF | and offered such invaluable feedback: StJohn Limbo, Mathbrush, | ||
CF | Christopher | ||
CF | Merriner, Rovarsson, and Mike Russo. | ||
CF | | ||
CF | Type CREDITS for a listing of everyone who has contributed to this | ||
CF | game, and | ||
CF | HELP for more assistance. The SOURCES command offers details on the | ||
CF | game's | ||
CF | source material (with some mild spoilers). A content WARNING is | ||
CF | offered. | ||
CF | | ||
CF | Type MEDIA for information on playing this game with graphics and | ||
CF | music. | ||
CF | | ||
CF | [More] | ||
Jade has arrived. | Jacqueline says, "ugh. Detective? Ugh." | |
Jade says, "Hi all" | ||
Jacqueline says (to Jade), "Hi." | ||
Jacqueline says, "We're playing According to Cain." | ||
Roger says, "Hi Jade -- we've barely started" | ||
DavidW asks (of Jacqueline), "You don't like the genre?" | ||
Jacqueline says, "Yeah. You should be able to @recap #Clubhouse I think..." | ||
Jade exclaims, "Oh, Jacq is here today!" | ||
Jacqueline exclaims, "Jacq is!" | ||
DavidW says, "hi Jade" | ||
DavidW says (to Jacqueline), "btw, we're low on clubhouse passes." | ||
Jacqueline says, "Wow. He had a Saint as a beta tester on this game. I guess that's a good idea for a Bible game." | ||
DavidW asks, "I think I gave one to murtaughk?" | ||
Jacqueline says, "mmkay" | ||
Roger says, "let us examine our self and our belongings" | ||
DavidW says, "please do" | ||
Jacqueline pushes the green 'space' button. | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | | ||
CF | ([LINK]) and the Interactive | ||
CF | Fiction | ||
CF | Community Forum ([LINK]). | ||
CF | | ||
CF | -Jim Nelson | ||
CF | September 2022 | ||
CF | j-nelson.net | ||
CF | | ||
CF | > | ||
Jacqueline pushes the green 'space' button. | ||
CF | East of Eden 1 | ||
CF | Exits: east | ||
CF | | ||
CF | > | ||
CF | | ||
CF | East of Eden | ||
CF | Before you, a circuitous path plunges eastward into the windswept | ||
CF | wilderness. | ||
CF | It is this direction you will need to travel to begin your inquiry. | ||
CF | | ||
CF | Behind you, to the distant west, lies Eden. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | East of Eden 2 | ||
CF | Exits: east | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * an orbis bracelet | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x bracelet" | ||
CF | East of Eden 3 | ||
CF | Exits: east | ||
CF | | ||
CF | > X BRACELET | ||
CF | | ||
CF | It's an orbis bracelet, in principle a simple enough device: Once your | ||
CF | inquiry | ||
CF | is completed, you will be delivered back to the safety and comforts of | ||
CF | the | ||
CF | Academy?provided, of course, that the bracelet is in your possession. | ||
CF | | ||
CF | > | Jade asks, "what is this game?" | |
DavidW says, "According to Cain" | ||
Jacqueline says (to ClubFloyd), "x me" | ||
CF | East of Eden 4 | ||
CF | Exits: east | ||
CF | | ||
CF | > X ME | ||
CF | | ||
CF | You are a novitiate Indagator, an Academy investigator | ||
CF | trained by Hester IV of | ||
CF | Minscip. You are to determine the exact nature of the Mark of Cain. | ||
CF | | ||
CF | You feel refreshed, alive, and ready to get to work. | ||
CF | | ||
CF | > | Roger says, "two thoughts in quick succession: What, we're naked?? Oh yeah, I guess that isn't a problem yet." | |
Jade says, "thx" | ||
Jacqueline says, "Well, we just came out of Eden, so yeah." | ||
DavidW says, "I guess we need to find Cain in the Land of Nod." | ||
Jacqueline asks, "E?" | ||
DavidW says, "yes, east" | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | A tree 5 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | A tree | ||
CF | In a break from the rugged and stark terrain, a magnificent tree rises | ||
CF | alongside the path. A crow descends from high above and alights upon | ||
CF | its | ||
CF | lowest branch. | ||
CF | | ||
CF | Nestled against the roots of the tree sits a leather rucksack. | ||
CF | | ||
CF | In the rucksack you see some arsenic, some lymph, some black bile, | ||
CF | some phlegm, | ||
CF | and some yellow bile. | ||
CF | | ||
CF | The Academy has provided well. This rucksack will you help you with | ||
CF | your | ||
CF | inquiry. As you travel, you should discover more of the tools you | ||
CF | will require | ||
CF | to complete your inquiry and prepare your report for the Provost. | ||
CF | | ||
CF | The way continues east. | ||
CF | | ||
CF | > | Roger says, "So in walks this dame with legs up to here and candy-apple lips." | |
DavidW says, "I don't know much about Cain after Eden, except I think he founded the Enochians, or his son did." | ||
DavidW says, "hm, the four humours." | ||
Jacqueline says (to ClubFloyd), "take rucksack" | ||
CF | A tree 6 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE RUCKSACK | ||
CF | | ||
CF | You heave up the weighty rucksack and sling it over your shoulder. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x crow" | ||
CF | A tree 7 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X CROW | ||
CF | | ||
CF | The crow stares down upon you with passive, observant eyes. | ||
CF | | ||
CF | > | DavidW asks, "Weren't the humours something Aristotle came up with? Or was it someone else?" | |
Jacqueline shrugs. | ||
Jacqueline says, "I'm married to the well-read person. I am not the well-read person." | ||
Roger says, "It's of that era, but anyways" | ||
Jacqueline asks, "East again?" | ||
DavidW says, "We should examine the lymph etc. We might use them to influence others." | ||
Jacqueline says, "Fair." | ||
Jacqueline says, "I will drive if someone maps, btw." | ||
DavidW says, "Also talk to the raven. Animals talked in Eden, or at least the snake did." | ||
DavidW says, "er crow." | ||
Jacqueline exclaims, "Oh, true!" | ||
Jacqueline says (to ClubFloyd), "crow, hello" | ||
CF | A tree 8 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CROW, HELLO | ||
CF | | ||
CF | The crow stretches its neck and shakes its feathers. | ||
CF | | ||
CF | > | Jade says, "I am on it" | |
Jacqueline says (to Jade), "Thanks." | ||
Jacqueline says (to ClubFloyd), "x arsenic." | ||
CF | A tree 9 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X ARSENIC. | ||
CF | | ||
CF | There's a quantity of the arsenic in the rucksack. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x lymph" | ||
CF | A tree 10 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X LYMPH | ||
CF | | ||
CF | You can see the ripe lymph in the rucksack. | ||
CF | | ||
CF | > | DavidW says, "oh, that doesn't help" | |
Jacqueline says, "No, not really." | ||
Jacqueline says (to ClubFloyd), "x bile" | ||
CF | A tree 10 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X BILE | ||
CF | | ||
CF | Which do you mean, the black bile or the yellow bile? | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x phlegm" | ||
CF | A tree 11 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X PHLEGM | ||
CF | | ||
CF | There's a quantity of the whitish phlegm in the rucksack. | ||
CF | | ||
CF | > | Jacqueline says, "Well, I examined them." | |
DavidW says, "thanks" | ||
Roger says (to floyd), "taste black bile" | ||
CF | A tree 12 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TASTE BLACK BILE | ||
CF | | ||
CF | Consuming essences only wastes them. They must be applied to surfaces | ||
CF | to | ||
CF | create an effect. | ||
CF | | ||
CF | > | DavidW says, "I was hoping for a clue on their usage. They are uncommon tools, after all." | |
Jacqueline says, "Well, you got one." | ||
DavidW says, "ah, thanks again" | ||
Jacqueline says, "Apply them to surfaces to create an effect." | ||
DavidW says, "Got it." | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | A Young Earth 13 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | As you travel, your thoughts wander to the plight of Adam and Eve, the | ||
CF | first | ||
CF | humans created and parents of all Mankind. | ||
CF | | ||
CF | They were brought forth in the paradise Eden. They lived a life of | ||
CF | pure ease, | ||
CF | only to be banished to the wilderness for a single weakness. This | ||
CF | path you | ||
CF | walk would have been the one they followed as they searched for a new | ||
CF | home? | ||
CF | | ||
CF | A Young Earth | ||
CF | Your journey brings you to the mouth of a turbulent valley and a | ||
CF | terrible | ||
CF | sight: The valley walls and floor have broken open, allowing foul | ||
CF | steam and | ||
CF | gases from the underworld to escape high into the air. | ||
CF | | ||
CF | Here lies yet another provision from the Academy for your inquiry: On | ||
CF | the | ||
CF | ground near the magma flow is a pulverulent cloth. | ||
CF | | ||
CF | The way continues east and west. Any travel south through the valley | ||
CF | is | ||
CF | blocked by the magma flow. | ||
CF | | ||
CF | > | Jacqueline says, "Adam and Eve were the first humans created. Got it. Thank you for the backstory." | |
Jacqueline says (to ClubFloyd), "x cloth" | ||
CF | A Young Earth 14 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X CLOTH | ||
CF | | ||
CF | This pulverulent cloth is sewn for chemists and doctors to carry | ||
CF | powders and | ||
CF | herbals. It's woven to wick away moisture and keep its contents dry | ||
CF | under | ||
CF | normal conditions. Submerged, however, the powders will be ruined. | ||
CF | | ||
CF | > | Roger | consisting of fine particles; powdery or crumbly. | |
Jacqueline says (to ClubFloyd), "take cloth" | ||
CF | A Young Earth 15 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE CLOTH | ||
CF | | ||
CF | You pick up the pulverulent cloth. | ||
CF | | ||
CF | A great grumbling announces itself beneath the ground, and you find | ||
CF | yourself | ||
CF | swaying about as though on a ship deck. A moment later, the | ||
CF | disturbance | ||
CF | ceases. | ||
CF | | ||
CF | > | ||
Roger says (to floyd), "pray" | ||
CF | A Young Earth 16 | ||
CF | Exits: east west | ||
CF | | ||
CF | > PRAY | ||
CF | | ||
CF | You collect your thoughts and make a quick prayer. | ||
CF | | ||
CF | > | DavidW asks, "I wasn't expecting magma, but who does?" | |
Roger says, "the mark of Cain is MAGMA, people" | ||
DavidW asks, "Remember the lava in Wales in the game Augustine?" | ||
Roger says, "I sure don't" | ||
Jacqueline says, "heh" | ||
DavidW says (to ClubFloyd), "x magma" | ||
CF | A Young Earth 17 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X MAGMA | ||
CF | | ||
CF | The hellacious sight makes for a stunning, if oppressive, landscape. | ||
CF | | ||
CF | > | Jacqueline asks, "E again? Or something first?" | |
DavidW says, "No floating bottle out there." | ||
DavidW says, "sure, east is fine." | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Your thoughts return to the Provost's words in his quarters: | ||
CF | | ||
CF | "Recall that Eve birthed two sons," the Provost told you. "Cain, the | ||
CF | eldest, | ||
CF | tilled the fields. Younger brother Abel tended the flocks. Until?" | ||
CF | He trails | ||
CF | off. | ||
CF | | ||
CF | "Cain murdered Abel," you said to complete his thought. | ||
CF | | ||
CF | "The first murder in all of history. As punishment, the Creator | ||
CF | cursed Cain to | ||
CF | wander the Earth to the end of his days. Cain was marked to prove he | ||
CF | introduced murder into our world. The mark served to protect Cain | ||
CF | from others | ||
CF | taking vengeance upon him." | ||
CF | | ||
CF | "Why do that? Why protect such evil?" | ||
CF | | ||
CF | The Provost emitted a gravelly murmur. "Vengeance was the Creator's." | ||
CF | | ||
CF | Approaching the river | ||
CF | The steady rushing of a river comes from the east. A turbulent valley | ||
CF | of magma | ||
CF | and steam roils to the west. | ||
CF | | ||
CF | Lying here is a thick tome bound in calf-skin. It's the | ||
CF | Pharmakon, a formulary | ||
CF | and another provision made by the Academy for your inquiry. | ||
CF | [More] | Jacqueline says, "SPOILERS" | |
DavidW says, "There was a 3rd son. Seth, I think? But that was later." | ||
Roger says, "good thing we have the mud's resident magma expert among us" | ||
Jacqueline says (to ClubFloyd), "take pharmakon" | Jacqueline says, "oh. space." | |
Jacqueline says, "I freaked there for a second." | ||
Jacqueline pushes the green 'space' button. | ||
CF | Approaching the river 18 | ||
CF | Exits: east west | ||
CF | | ||
CF | This book may be the most valuable possession they delivered for your | ||
CF | work. | ||
CF | | ||
CF | > | Roger says, "hmmm I'm not per se opposed to this method of doling out gear, but it's sort of weird" | |
DavidW says, "Perhaps we look up stuff in this book." | ||
Jacqueline says, "Hello, BIG PHARMAkon." | ||
Jacqueline says (to ClubFloyd), "take pharmakon" | ||
CF | Approaching the river 19 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE PHARMAKON | ||
CF | | ||
CF | With a grunt, you pick up the cumbersome and dusty tome. | ||
CF | | ||
CF | > | Roger says, "like we just got Mr.-Bean beamed into the past with a spotlight and a thump" | |
Jacqueline says (to ClubFloyd), "x pharmakon" | ||
CF | Approaching the river 20 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X PHARMAKON | ||
CF | | ||
CF | The Pharmakon is a formulary compiled over the ages, from the | ||
CF | ancients to the | ||
CF | modern Scholastics of the Academy. It's a massive, unwieldy reference | ||
CF | of fine- | ||
CF | print, formulae, cross-references, and paper dust. | ||
CF | | ||
CF | It's also a compendium of history, knowledge, insight: Wisdom earned | ||
CF | and | ||
CF | expressed. | ||
CF | | ||
CF | Entries are poorly organized, as the Pharmakon is revised | ||
CF | continuously as | ||
CF | discoveries are made and old knowledge found undependable. | ||
CF | | ||
CF | It's not intended to be read cover-to-cover. Rather, it should be | ||
CF | consulted by | ||
CF | topic. | ||
CF | | ||
CF | While the formulary is organized in haphazard fashion, its initial | ||
CF | entry is | ||
CF | worthy of your attention: First Principles. | ||
CF | | ||
CF | [To use this resource, try CONSULT BOOK ABOUT FIRST PRINCIPLES or LOOK | ||
CF | UP | ||
CF | INDAGATOR.] | ||
CF | | ||
CF | > | DavidW asks, "Why is it a tome?" | |
DavidW says, "It could be an iPad thingy." | ||
Jacqueline says, "Nah. Less impressive." | ||
Roger says, "Apple got us into this mess" | ||
Jacqueline says (to ClubFloyd), "consult book about first principles" | ||
CF | Approaching the river 21 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT FIRST PRINCIPLES | ||
CF | | ||
CF | "First Principles" acts as a kind of introduction for this edition of | ||
CF | the | ||
CF | Pharmakon. It was penned by Hester IV of Minscip, an old cur | ||
CF | and one of the | ||
CF | original Indagatores the Academy produced. He was also your | ||
CF | mentor, and a | ||
CF | trusted one at that. | ||
CF | | ||
CF | He uses the opportunity of an introduction to produce a screed on the | ||
CF | loose | ||
CF | ethics of your chosen profession: | ||
CF | | ||
CF | "More than the what, the Indagator determines the | ||
CF | why: the motivations; the | ||
CF | reasoning; the rationalizations; the madness. | ||
CF | | ||
CF | "The greatest tool available to the investigator is combining essences | ||
CF | to form | ||
CF | compounds, which unlock old memories, reveal hidden details, and even | ||
CF | reshape | ||
CF | physical matter. Researching the Pharmakon is | ||
CF | vital to the success of your | ||
CF | inquiry! | ||
CF | | ||
CF | "Good luck, Indagator," Hester IV of Minscip writes in his | ||
CF | hasty but flowing | ||
CF | penmanship. "TRUTH is our shared pursuit. It is ignorance we fight, | ||
CF | to light | ||
CF | the way toward a more complete understanding of our fellow man and | ||
CF | woman!" | ||
CF | | ||
CF | c.f., Indagator, essence | ||
CF | | ||
CF | > | DavidW says, "I bet TRUTH is another topic." | |
Jacqueline says (to ClubFloyd), "consult book about indagator" | ||
CF | Approaching the river 22 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT INDAGATOR | ||
CF | | ||
CF | Indagator: The investigator; the observer; the questioner & | ||
CF | the doubter. | ||
CF | | ||
CF | An Indagator examines all, determines the significance, and | ||
CF | forgets nothing. | ||
CF | MEMORIES and RECALL are two of your most important powers. | ||
CF | | ||
CF | "SACRIFICE is--alas!--also a necessity of our chosen profession," | ||
CF | Hester IV of | ||
CF | Minscip adds. | ||
CF | | ||
CF | c.f., essence, alchemy, sacrifice | ||
CF | | ||
CF | > | Jacqueline says, "ha" | |
Jacqueline says (to ClubFloyd), "consult book about truth" | ||
CF | Approaching the river 23 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT TRUTH | ||
CF | | ||
CF | "The pursuit of TRUTH is the only footrace worth running," Hester IV | ||
CF | of Minscip | ||
CF | writes. "Do not block the way of inquiry! | ||
CF | | ||
CF | "And that is all I have to say on the subject." | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about sacrifice" | ||
CF | Approaching the river 24 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT SACRIFICE | ||
CF | | ||
CF | Hester IV of Miscip writes: | ||
CF | | ||
CF | "Sacrifice is the defining characteristic of the Indagator's | ||
CF | excipient essence, | ||
CF | of which no other profession uses in quite the same manner or to the | ||
CF | same | ||
CF | effect. | ||
CF | | ||
CF | "Sacrifice is the defining characteristic of the Indagator as | ||
CF | well, for every | ||
CF | inquiry requires sacrifice--in the name of TRUTH! Onward!" | ||
CF | | ||
CF | c.f., Indagator, Truth, excipient | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about bile" | ||
CF | Approaching the river 25 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT BILE | ||
CF | | ||
CF | Try as you might, you could not locate an entry for "bile." | ||
CF | | ||
CF | > | DavidW says, "there's two biles" | |
Jacqueline says (to ClubFloyd), "consult book about black bile" | ||
CF | Approaching the river 26 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT BLACK BILE | ||
CF | | ||
CF | Black bile is a remedy promoting a melancholy nature: depression, | ||
CF | withdrawal, | ||
CF | sadness, ennui. It is countered by the arsenic poison. | ||
CF | | ||
CF | c.f., arsenic, remedy, melancholic | ||
CF | | ||
CF | > | DavidW says, "combine one bile with another bile and get a bibile." | |
Jacqueline says (to ClubFloyd), "consult book about arsenic" | ||
CF | Approaching the river 27 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT ARSENIC | ||
CF | | ||
CF | A poison repelling a melancholic nature. Counters the black bile | ||
CF | remedy. | ||
CF | | ||
CF | c.f., black bile, poison, melancholic | ||
CF | | ||
CF | Your training at the Academy informs you that you should concentrate | ||
CF | on | ||
CF | completing your inquiry, not searching the Pharmakon round | ||
CF | and round. | ||
CF | | ||
CF | [Don't worry about learning everything the Pharmakon has to | ||
CF | offer right away. | ||
CF | You'll have plenty of chances to consult it later.] | ||
CF | | ||
CF | > | Jade says, "memories abnd recall" | |
Jacqueline says (to Game), "Leave me alone. I'll read if I want to." | ||
Jacqueline says (to ClubFloyd), "consult book about memories" | ||
CF | Approaching the river 28 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT MEMORIES | ||
CF | | ||
CF | You find no entry for "memories" in the formulary. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about memory" | ||
CF | Approaching the river 29 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT MEMORY | ||
CF | | ||
CF | There is no entry for "memory." | ||
CF | | ||
CF | You sense you are not making good use of your time by rifling through | ||
CF | the | ||
CF | Pharmakon for answers. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about recall" | ||
CF | Approaching the river 30 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT RECALL | ||
CF | | ||
CF | Try as you might, you could not locate an entry for "recall." | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "recall black bile" | ||
CF | Approaching the river 31 | ||
CF | Exits: east west | ||
CF | | ||
CF | > RECALL BLACK BILE | ||
CF | | ||
CF | You search your mind, but you can recall nothing of the sort. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about phlegm" | ||
CF | Approaching the river 32 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT PHLEGM | ||
CF | | ||
CF | Phlegm is a remedy promoting a phlegmatic nature: reserved, quiet, | ||
CF | thoughtful, | ||
CF | introspective. It is countered by the sage poison. | ||
CF | | ||
CF | Hester IV of Minscip makes a handwritten addition: "Not to be confused | ||
CF | with the | ||
CF | phlegm from a runny nose! What organ secretes this vital fluid | ||
CF | remains unknown | ||
CF | to medical science." | ||
CF | | ||
CF | c.f., sage, remedy, phlegmatic | ||
CF | | ||
CF | > | Jacqueline says, "hee" | |
Jacqueline says (to ClubFloyd), "consult book about lymph" | ||
CF | Approaching the river 33 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT LYMPH | ||
CF | | ||
CF | A poison repelling a sanguine nature. Counters the blood remedy. | ||
CF | | ||
CF | c.f., blood, poison, sanguine | ||
CF | | ||
CF | > | Jacqueline asks, "hm. Okay. Keep walking?" | |
DavidW says, "sure" | ||
Jacqueline says, "Can we keep walking? Let's see." | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Crossing 34 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You recall the Provost throwing up his liver-spotted hands when you | ||
CF | last spoke | ||
CF | to him: | ||
CF | | ||
CF | "The historical record offers no clue to the form of Cain's rude | ||
CF | mark!" he | ||
CF | said. "Is it a scar on his face, or the color of his hair, or a horn | ||
CF | sprouting | ||
CF | from his forehead? To know this is to better understand the true | ||
CF | nature of | ||
CF | evil, for Cain was Perdition itself!" | ||
CF | | ||
CF | This is the question you must answer. It is why you've been sent back | ||
CF | to this | ||
CF | time, the beginning of mankind's existence on Earth. | ||
CF | | ||
CF | Crossing | ||
CF | A roaring river of whitewater and coursing rapids terminates your path | ||
CF | through | ||
CF | the wilderness. A lean, frayed rope bridge crosses east to the | ||
CF | opposite bank. | ||
CF | Otherwise, your only other path is west, the way you came. | ||
CF | | ||
CF | With a showy beating of its wings, the crow swoops down and settles | ||
CF | among the | ||
CF | topmost branches of a nearby eucalyptus. | ||
CF | | ||
CF | Lying on the river's bank is an oversized vellum envelope with a | ||
CF | prominent blue | ||
CF | seal. You will need it to issue your final report to the Academy. | ||
CF | | ||
CF | > | Jacqueline says, "I'm afrayed to go across that bridge." | |
DavidW says, "Don't worry. We'll cross that bridge when we come to it." | ||
Jacqueline says (to ClubFloyd), "take envelope" | ||
CF | Crossing 35 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE ENVELOPE | ||
CF | | ||
CF | You take the envelope. The stiffness of the vellum reminds you of the | ||
CF | Academy's formality. You think of the elderly and wise Provost, of | ||
CF | your | ||
CF | teacher Hester IV of Minscip, and of the steady purpose of the | ||
CF | Academy's | ||
CF | Scholastics. You do not want to let them down. | ||
CF | | ||
CF | The crow pecks at its resting place with its beak. | ||
CF | | ||
CF | > | Jacqueline says (to DW), "hee" | |
DavidW says, "And there might be a troll to pay." | ||
Jacqueline says (to ClubFloyd), "x envelope" | ||
CF | Crossing 36 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X ENVELOPE | ||
CF | | ||
CF | The envelope is of stiff vellum folded into shape and held fast with | ||
CF | an | ||
CF | embossed seal. | ||
CF | | ||
CF | The Provost expects you to break the seal when you're prepared to | ||
CF | report your | ||
CF | findings to the Academy. | ||
CF | | ||
CF | Choose your time wisely. You are the final Indagator the | ||
CF | Academy can afford to | ||
CF | send for this investigation. Breaking the seal is tantamount to | ||
CF | declaring your | ||
CF | inquiry is completed. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x seal" | ||
CF | Crossing 37 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X SEAL | ||
CF | | ||
CF | The blue seal on the envelope was produced by boiling down the Four | ||
CF | Humours and | ||
CF | the Three Primes to a pasty mash. It's embossed with the Great Seal | ||
CF | of the | ||
CF | Provost of the Academy. | ||
CF | | ||
CF | Breaking the seal indicates you've learned the nature of the Mark of | ||
CF | Cain. | ||
CF | Breaking it prematurely jeopardizes your investigation. | ||
CF | | ||
CF | > | Jacqueline says, "mmkay. No pressure." | |
Jade exclaims, "uf!" | ||
DavidW says, "I wonder what the three primes are." | ||
Jacqueline says (to ClubFloyd), "consult book about primes" | ||
CF | Crossing 38 | ||
CF | Exits: east west | ||
CF | | ||
CF | > CONSULT BOOK ABOUT PRIMES | ||
CF | | ||
CF | The Three Primes (tria prima) represent the fullness of Life, | ||
CF | the potential of | ||
CF | the human spirit, and the unity of Mankind. The primes are located in | ||
CF | salt, | ||
CF | sulfur, and mercury. | ||
CF | | ||
CF | As all three are excipients, they are sacrificed when formulating | ||
CF | compounds. | ||
CF | Their very nature represents the nature of the Indagator: | ||
CF | SACRIFICE. | ||
CF | | ||
CF | The significance of the Three Primes versus the balance of the Four | ||
CF | Humours | ||
CF | have been hotly debated since the earliest stirrings of Scholasticism. | ||
CF | | ||
CF | c.f., excipient, Four Humours, sacrifice | ||
CF | | ||
CF | > | DavidW says, "fullness of Life bae" | |
DavidW says (to ClubFloyd), "x bridge" | ||
CF | Crossing 39 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X BRIDGE | ||
CF | | ||
CF | While it may have been sturdy when first erected, this shaky rope | ||
CF | bridge | ||
CF | appears near the end of its usefulness. | ||
CF | | ||
CF | You should be certain you're ready before crossing it. The river here | ||
CF | is | ||
CF | torrential. It's possible you will not be able to return, assuming | ||
CF | you make it | ||
CF | across. | ||
CF | | ||
CF | > | Jacqueline asks, "Why would we need to return?" | |
DavidW says, "if we left something we need on this side" | ||
Jacqueline asks, "We've picked up every grabbable thing, no?" | ||
Jade says, "no idea" | ||
DavidW says, "We picked up the obvious things." | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF | Crossing 40 | ||
CF | Exits: east west | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Crossing | ||
CF | A roaring river of whitewater and coursing rapids terminates your path | ||
CF | through | ||
CF | the wilderness. A lean, frayed rope bridge crosses east to the | ||
CF | opposite bank. | ||
CF | Otherwise, your only other path is west, the way you came. | ||
CF | | ||
CF | The crow sits in the top branches of a eucalyptus tree. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | Approaching the river 41 | ||
CF | Exits: east west | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Approaching the river | ||
CF | The steady rushing of a river comes from the east. A turbulent valley | ||
CF | of magma | ||
CF | and steam roils to the west. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | A Young Earth 42 | ||
CF | Exits: east west | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | A Young Earth | ||
CF | The sight is terrible indeed. The young Earth, still a toddler, has | ||
CF | broken | ||
CF | open and released a torrent of magma down the valley floor. The heat | ||
CF | and steam | ||
CF | coming off of it is oppressive. | ||
CF | | ||
CF | The way continues east and west. Any travel south through the valley | ||
CF | is | ||
CF | blocked by the magma flow. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | A tree 43 | ||
CF | Exits: east west | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | A tree | ||
CF | In a break from the rugged and stark terrain, a magnificent tree rises | ||
CF | alongside the path. The crow rests on its lowest branch. | ||
CF | | ||
CF | The way continues east. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | East of Eden 44 | ||
CF | Exits: east | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | East of Eden | ||
CF | Before you, a circuitous path plunges eastward into the windswept | ||
CF | wilderness. | ||
CF | It is this direction you will need to travel to begin your inquiry. | ||
CF | | ||
CF | Behind you, to the distant west, lies Eden. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | East of Eden 45 | ||
CF | Exits: east | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Your inquiry does not extend to the west. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | A tree 46 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | A tree | ||
CF | In a break from the rugged and stark terrain, a magnificent tree rises | ||
CF | alongside the path. The crow rests on its lowest branch. | ||
CF | | ||
CF | The way continues east. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | A Young Earth 47 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | A Young Earth | ||
CF | The sight is terrible indeed. The young Earth, still a toddler, has | ||
CF | broken | ||
CF | open and released a torrent of magma down the valley floor. The heat | ||
CF | and steam | ||
CF | coming off of it is oppressive. | ||
CF | | ||
CF | The way continues east and west. Any travel south through the valley | ||
CF | is | ||
CF | blocked by the magma flow. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Approaching the river 48 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Approaching the river | ||
CF | The steady rushing of a river comes from the east. A turbulent valley | ||
CF | of magma | ||
CF | and steam roils to the west. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Crossing 49 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Crossing | ||
CF | A roaring river of whitewater and coursing rapids terminates your path | ||
CF | through | ||
CF | the wilderness. A lean, frayed rope bridge crosses east to the | ||
CF | opposite bank. | ||
CF | Otherwise, your only other path is west, the way you came. | ||
CF | | ||
CF | The crow sits in the top branches of a eucalyptus tree. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Bearing some trepidation, you plant a foot on the rope bridge, then | ||
CF | the other. | ||
CF | Your crossing begins with careful, mindful steps. | ||
CF | | ||
CF | Three-quarters of the way across, your fears fade. Perhaps your time | ||
CF | at the | ||
CF | Academy among its soft scholars has left you suspicious of rural | ||
CF | craftsmanship. | ||
CF | After all, you made it this far without-- | ||
CF | | ||
CF | Strands of the rope start unwinding beneath your feet. You | ||
CF | impulsively grapple | ||
CF | for the hand-hold, but it too buckles. Madly you scramble to hold | ||
CF | onto your | ||
CF | possessions as the rope gives way. You tumble into the ice-cold | ||
CF | river? | DavidW says, "But maybe we need a eucalyptus branch or a crow's feather or a chunk of magma for the sulfur." | |
Jacqueline says (to ClubFloyd), "undo" | ||
CF | river? | ||
CF | | ||
CF | II. A FRAGILE EARTH | ||
CF | | ||
CF | You're washed far downstream before you manage to grasp solid rock and | ||
CF | pull | ||
CF | yourself from the river. You trudge up the eastern bank drenched to | ||
CF | the bone | ||
CF | and grouching about "rural craftsmanship." | ||
CF | | ||
CF | After some time in the sun, your equipment and essences are dry and | ||
CF | intact. | ||
CF | The frigid river has left you shivering uncontrollably, however. | ||
CF | | ||
CF | Worse: You lost your orbis bracelet in the water. Without it, you | ||
CF | have no way | ||
CF | to return to the Academy. | ||
CF | | ||
CF | You struggle to recall why you accepted this task from the Provost. | ||
CF | You | ||
CF | struggle equally to grasp why he would select you, a novitiate so | ||
CF | green in the | ||
CF | science of investigation. Perhaps after losing two | ||
CF | Indagatores to the inquiry, | ||
CF | he found himself facing a dearth of volunteers. | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | [More] | Jacqueline sighs. | |
Jacqueline says, "True." | ||
Jacqueline says (to ClubFloyd), "x tree" | ||
Jacqueline pushes the green 'space' button. | ||
CF | Plain 50 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x tree" | ||
CF | Plain 51 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X TREE | ||
CF | | ||
CF | A scattered settlement surrounds an enormous cedar tree. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x settlement" | ||
CF | Plain 52 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X SETTLEMENT | ||
CF | | ||
CF | A scattered settlement surrounds an enormous cedar tree. | ||
CF | | ||
CF | > | DavidW asks, "how much did we lose?" | |
Jacqueline says, "Ok, the undo didn't work." | ||
Jacqueline says, "Dammit, game." | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | Plain 51 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | One turn undone: x settlement | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | Plain 50 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | One turn undone: x tree | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | Crossing 49 | ||
CF | Exits: east west | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | One turn undone: e | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "undo" | ||
CF | Approaching the river 48 | ||
CF | Exits: east west | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | One turn undone: e | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF | Approaching the river 49 | ||
CF | Exits: east west | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Approaching the river | ||
CF | The steady rushing of a river comes from the east. A turbulent valley | ||
CF | of magma | ||
CF | and steam roils to the west. | ||
CF | | ||
CF | > | DavidW says, "It's didn't undo because of the [more] breaks." | |
Jacqueline says, "Yeah" | ||
Jacqueline says, "Those are hard for me to spot, apparently." | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Crossing 50 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Crossing | ||
CF | A roaring river of whitewater and coursing rapids terminates your path | ||
CF | through | ||
CF | the wilderness. A lean, frayed rope bridge crosses east to the | ||
CF | opposite bank. | ||
CF | Otherwise, your only other path is west, the way you came. | ||
CF | | ||
CF | The crow sits in the top branches of a eucalyptus tree. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x eucalyptus" | ||
CF | Crossing 51 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X EUCALYPTUS | ||
CF | | ||
CF | The eucalytus is large and leafy, slumped over with droopy branches as | ||
CF | though | ||
CF | suffering some unnamed defeat. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take eucalyptus" | ||
CF | Crossing 52 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE EUCALYPTUS | ||
CF | | ||
CF | The eucalyptus tree is not something that can be moved or picked up. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | Crossing 53 | ||
CF | Exits: east west | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a rucksack (in which are some arsenic, some lymph, some black | ||
CF | bile, some | ||
CF | phlegm, and some yellow bile) | ||
CF | * an orbis bracelet | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | * a pulverulent cloth | ||
CF | | ||
CF | > | DavidW asks, "can we get a leaf from the euc?" | |
Jacqueline says (to ClubFloyd), "put vellum in rucksack" | ||
CF | Crossing 54 | ||
CF | Exits: east west | ||
CF | | ||
CF | > PUT VELLUM IN RUCKSACK | ||
CF | | ||
CF | The rucksack wasn't designed to carry that. | ||
CF | | ||
CF | > | Jacqueline says (to DW), "I don't think so, but..." | |
Jacqueline says (to ClubFloyd), "take leaf" | ||
CF | Crossing 55 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE LEAF | ||
CF | | ||
CF | The eucalyptus tree is not something that can be moved or picked up. | ||
CF | | ||
CF | > | Jacqueline says, "no" | |
DavidW says, "ok" | ||
DavidW says (to ClubFloyd), "talk to crow" | ||
CF | Crossing 56 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TALK TO CROW | ||
CF | | ||
CF | The crow stretches its neck and shakes its feathers. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "put cloth in rucksack" | ||
CF | Crossing 57 | ||
CF | Exits: east west | ||
CF | | ||
CF | > PUT CLOTH IN RUCKSACK | ||
CF | | ||
CF | The rucksack wasn't designed to carry that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take feather" | ||
CF | Crossing 57 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE FEATHER | ||
CF | | ||
CF | You see no feather here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take ice cream" | ||
CF | Crossing 57 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE ICE CREAM | ||
CF | | ||
CF | You see no ice cream here. | ||
CF | | ||
CF | > | Jacqueline says, "So, we lose the bracelet in the river." | |
Jacqueline says, "But that may be a requirement of the plot, and unavoidable." | ||
DavidW asks, "were we wearing it?" | ||
Jacqueline says, "Yes" | ||
DavidW says, "hmph. That ought to be secure enough." | ||
Jacqueline says, "That is why I think it's just a plot device." | ||
DavidW says, "Good job guessing we'd lose it." | ||
Jacqueline says, "It was foreshadowed and stuff." | ||
Jacqueline says, "yeah" | ||
Jacqueline says (to ClubFloyd), "x bracelet" | ||
CF | Crossing 58 | ||
CF | Exits: east west | ||
CF | | ||
CF | > X BRACELET | ||
CF | | ||
CF | It's an orbis bracelet, in principle a simple enough device: Once your | ||
CF | inquiry | ||
CF | is completed, you will be delivered back to the safety and comforts of | ||
CF | the | ||
CF | Academy?provided, of course, that the bracelet is in your possession. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "remove bracelet" | ||
CF | Crossing 59 | ||
CF | Exits: east west | ||
CF | | ||
CF | > REMOVE BRACELET | ||
CF | | ||
CF | You remove the orbis bracelet from about your wrist. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "put bracelet in mouth" | ||
CF | Crossing 60 | ||
CF | Exits: east west | ||
CF | | ||
CF | > PUT BRACELET IN MOUTH | ||
CF | | ||
CF | Generally speaking, there is no need to refer to your body parts | ||
CF | individually | ||
CF | in interactive fiction. WEAR SHOES ON FEET will not necessarily be | ||
CF | implemented, for instance; WEAR SHOES is enough. And unless you get | ||
CF | some hint | ||
CF | to the contrary, you probably cannot OPEN DOOR WITH FOOT or PUT THE | ||
CF | SAPPHIRE | ||
CF | RING IN MY MOUTH. | ||
CF | | ||
CF | > | DavidW asks, "You're not planning to throw it across the rive?" | |
Jacqueline says (to ClubFloyd), "put bracelet in rucksack" | ||
CF | Crossing 61 | ||
CF | Exits: east west | ||
CF | | ||
CF | > PUT BRACELET IN RUCKSACK | ||
CF | | ||
CF | The rucksack wasn't designed to carry that. | ||
CF | | ||
CF | > | Jacqueline says (to Game), "BUT IT COULD CARRY IT ANYWAY" | |
Jacqueline says (to ClubFloyd), "put bracelet in pants" | ||
CF | Crossing 61 | ||
CF | Exits: east west | ||
CF | | ||
CF | > PUT BRACELET IN PANTS | ||
CF | | ||
CF | You see no pants here. | ||
CF | | ||
CF | > | DavidW says, "rucksack is like a keyring. Only accepts specialized items." | |
Jacqueline says (to Game), "Thanks. That was worth the price of admission." | ||
Jacqueline clears the save counter. | ||
Jacqueline says (to ClubFloyd), "SAVE" | ||
Jacqueline says (to ClubFloyd), "cf1" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | Crossing 61 | ||
CF | Exits: east west | ||
CF | Saved. | ||
CF | | ||
CF | > | Jacqueline says, "I think we just have to lose it." | |
DavidW says, "yup" | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Bearing some trepidation, you plant a foot on the rope bridge, then | ||
CF | the other. | ||
CF | Your crossing begins with careful, mindful steps. | ||
CF | | ||
CF | Three-quarters of the way across, your fears fade. Perhaps your time | ||
CF | at the | ||
CF | Academy among its soft scholars has left you suspicious of rural | ||
CF | craftsmanship. | ||
CF | After all, you made it this far without-- | ||
CF | | ||
CF | Strands of the rope start unwinding beneath your feet. You | ||
CF | impulsively grapple | ||
CF | for the hand-hold, but it too buckles. Madly you scramble to hold | ||
CF | onto your | ||
CF | possessions as the rope gives way. You tumble into the ice-cold | ||
CF | river? | ||
Jacqueline pushes the green 'space' button. | ||
CF | river? | ||
CF | | ||
CF | II. A FRAGILE EARTH | ||
CF | | ||
CF | You're washed far downstream before you manage to grasp solid rock and | ||
CF | pull | ||
CF | yourself from the river. You trudge up the eastern bank drenched to | ||
CF | the bone | ||
CF | and grouching about "rural craftsmanship." | ||
CF | | ||
CF | After some time in the sun, your equipment and essences are dry and | ||
CF | intact. | ||
CF | The frigid river has left you shivering uncontrollably, however. | ||
CF | | ||
CF | Worse: You lost your orbis bracelet in the water. Without it, you | ||
CF | have no way | ||
CF | to return to the Academy. | ||
CF | | ||
CF | You struggle to recall why you accepted this task from the Provost. | ||
CF | You | ||
CF | struggle equally to grasp why he would select you, a novitiate so | ||
CF | green in the | ||
CF | science of investigation. Perhaps after losing two | ||
CF | Indagatores to the inquiry, | ||
CF | he found himself facing a dearth of volunteers. | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | [More] | ||
Jacqueline pushes the green 'space' button. | ||
CF | Plain 62 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | > | Roger says, "as many sins as SCORE has, it does help particularly in situations like this" | |
Roger says, "and the game is allegedly polite, so" | ||
Jacqueline says, "snrk" | Jacqueline says, "er, snrk" | |
Jacqueline says, "I guess there is a score, though." | ||
Jacqueline asks, "I mean, the bracelet may wash up downstream?" | ||
DavidW asks, "To show positive progress?" | ||
Jacqueline says (to DW), "Well, and to show when losing a thing is legit bad." | ||
DavidW says, "ack, I didn't scroll down" | ||
Roger says, "I feel like there's about a 95% chance that we are the Cain" | ||
Jacqueline says (to Roger), "Daaaaaamn." | ||
Jacqueline says, "I mean, yeah. Possibly." | ||
Roger says, "it's the usual time-travel jerkery thing to pull" | ||
DavidW says, "That sluice gate seems like something that may catch debris." | ||
Jacqueline says, "Possibly the Mark of Cain is that they lose bracelets. Should I crack the seal? (Kidding.)" | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF | Plain 63 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | the valley floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | > | Roger says, "The sluice gate was built by aliens" | |
DavidW says, "x gate" | ||
DavidW says (to ClubFloyd), "x gate" | ||
CF | Plain 64 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X GATE | ||
CF | | ||
CF | A sluice gate with a wood lever controls whether the river water can | ||
CF | enter the | ||
CF | irrigation ditch. The gate's closed, causing the swollen river to | ||
CF | flood the | ||
CF | plain. | ||
CF | | ||
CF | > | Jade says, "we are in part 2" | |
Jacqueline asks (of DW), "Hm. Do we get in the river?" | ||
Jacqueline says (to ClubFloyd), "swim" | ||
CF | Plain 64 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > SWIM | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | DavidW says, "I don't want to resoak our stuff." | |
Jade says, "fragile earth" | ||
Roger says, "we got that anti-wetness cloth or something, don't we" | ||
Roger says, "wetness, the essence of Cainness" | ||
Jacqueline asks, "So, where to start?" | ||
Roger says, "I would fiddle with the lever, maybe" | ||
Jacqueline says (to ClubFloyd), "x lever" | ||
CF | Plain 65 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X LEVER | ||
CF | | ||
CF | You surmise it opens and closes the gate, to control river water | ||
CF | entering the | ||
CF | irrigation ditch. | ||
CF | | ||
CF | > | DavidW says, "I dunno. Cave, maybe? Might find another tool or Lilith." | |
Jacqueline says, "heh" | ||
Jacqueline says (to ClubFloyd), "ne" | ||
CF | Salt bed 66 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Salt bed | ||
CF | This squat cave entrance is actually nothing more than a dry grotto | ||
CF | shaped | ||
CF | convex by the river. | ||
CF | | ||
CF | A gash up the side of the grotto reveals a bed of crystal salt | ||
CF | embedded in the | ||
CF | rock face. | ||
CF | | ||
CF | The sluice gate is to the southwest. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take salt" | ||
CF | Salt bed 67 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > TAKE SALT | ||
CF | | ||
CF | You collect all the salt you can find, prepare it for use, and add it | ||
CF | to the | ||
CF | pulverulent cloth. | ||
CF | | ||
CF | You notice you're slightly warm, and feeling an unexpected soreness in | ||
CF | your jaw | ||
CF | and neck muscles. That dunk in the ice-cold river must have impaired | ||
CF | your | ||
CF | constitution more than you first thought. | ||
CF | | ||
CF | > | Jacqueline makes an annoyed face. | |
DavidW says, "oh no. We won't be able to talk to anyone!" | ||
Jacqueline says (to ClubFloyd), "sw" | ||
CF | Plain 68 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | the valley floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "x pond" | ||
CF | Plain 69 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X POND | ||
CF | | ||
CF | With the sluice closed, the swollen river is backed up and flooding | ||
CF | the plain. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "SAVE" | ||
Jacqueline says (to ClubFloyd), "cf2" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | Plain 69 | ||
CF | Exits: north northeast southeast | ||
CF | Saved. | ||
CF | | ||
CF | > | DavidW asks, "probably have to close the gate before we can go north?" | |
Jacqueline says (to ClubFloyd), "close gate" | ||
CF | Plain 70 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > CLOSE GATE | ||
CF | | ||
CF | The sluice cannot be moved directly. The lever looks promising, | ||
CF | however. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "move lever" | ||
CF | Plain 71 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > MOVE LEVER | ||
CF | | ||
CF | The lever is jammed tight and refuses to budge. | ||
CF | | ||
CF | > | Jacqueline says, "Of course." | |
Jacqueline says (to ClubFloyd), "x lever" | ||
CF | Plain 72 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X LEVER | ||
CF | | ||
CF | You surmise it opens and closes the gate, to control river water | ||
CF | entering the | ||
CF | irrigation ditch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search lever" | ||
CF | Plain 73 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > SEARCH LEVER | ||
CF | | ||
CF | You see nothing interesting in the lever. | ||
CF | | ||
CF | > | Roger says, "this looks like a job for make-believe alchemy" | |
Jacqueline says, "Yeah. Sigh." | ||
Jacqueline says (to ClubFloyd), "consult book about lubricant" | ||
CF | Plain 74 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > CONSULT BOOK ABOUT LUBRICANT | ||
CF | | ||
CF | The formulary has no obvious information on "lubricant." | ||
CF | | ||
CF | > | DavidW asks, "so one of our humours might unjam the lever?" | |
Roger says, "it probably needs, what, like fire and air stuff, or something" | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | Plain 75 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a rucksack (in which are some arsenic, some lymph, some black | ||
CF | bile, some | ||
CF | phlegm, and some yellow bile) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | * a pulverulent cloth (in which is some salt) | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about yellow bile" | ||
CF | Plain 76 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > CONSULT BOOK ABOUT YELLOW BILE | ||
CF | | ||
CF | Yellow bile is a remedy promoting a choleric nature: Ambitious, | ||
CF | aggressive, | ||
CF | short of temper. It is countered by the chamomile poison. | ||
CF | | ||
CF | c.f., chamomile, remedy, choleric | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "consult book about oil" | ||
CF | Plain 77 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > CONSULT BOOK ABOUT OIL | ||
CF | | ||
CF | Try as you might, you could not locate an entry for "oil." | ||
CF | | ||
CF | > | Roger says, "phlegm is pretty lubricaty" | |
Jacqueline says, "It's not that sort of phlegm, though." | ||
DavidW asks, "yeah, maybe the phlegm works?" | ||
Jacqueline exclaims, "But sure!" | ||
DavidW says, "It's worth a try." | ||
Jacqueline says (to ClubFloyd), "put phlegm on lever" | ||
CF | Plain 78 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PUT PHLEGM ON LEVER | ||
CF | | ||
CF | You can't put anything on the lever. | ||
CF | | ||
CF | > | Roger says, "well alright then" | |
Jacqueline says (to ClubFloyd), "hit lever" | ||
CF | Plain 79 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > HIT LEVER | ||
CF | | ||
CF | It's best to avoid pointless violence. | ||
CF | | ||
CF | > | Roger says, "maybe we need to find the pre-sacrificed ass" | |
DavidW asks, "What's southeast of here?" | ||
DavidW says (to ClubFloyd), "jiggle lever" | ||
CF | Plain 79 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > JIGGLE LEVER | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | Jacqueline says (to Game), "Please, you need to understand the difference between pointless voilence and purposeful violence." | |
Jacqueline says (to David), "There's a toilet joke in there somewhere." | ||
DavidW says, "Sometimes smiting is the answer." | ||
Jacqueline says (to ClubFloyd), "l" | ||
CF | Plain 80 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | the valley floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | > | Jade says, "push/ pull" | |
Jacqueline says (to ClubFloyd), "push lever" | ||
CF | Plain 81 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PUSH LEVER | ||
CF | | ||
CF | The lever is jammed tight and refuses to budge. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "pull lever" | ||
CF | Plain 82 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | The lever is jammed tight and refuses to budge. | ||
CF | | ||
CF | A sharp jolt shakes you to and fro, causing you to check your balance. | ||
CF | It's | ||
CF | another reminder of a young Earth finding its legs. | ||
CF | | ||
CF | > | Jacqueline says, "The earthquakes are a nice touch." | |
Jacqueline says, "I want to go se." | ||
Jade says, "yes" | ||
Jade says, "up" | ||
DavidW says, "go to se se se to se what we can se se se" | ||
Jacqueline says (to ClubFloyd), "se" | ||
CF | A Fragile Earth 83 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | A Fragile Earth | ||
CF | Peering down from atop an incline, you behold yet another awesome | ||
CF | spectacle in | ||
CF | the distance: The earth ripped open and the underworld's molten rivers | ||
CF | and | ||
CF | miasma escaping to the surface. This young Earth suffers teething | ||
CF | pains, and | ||
CF | its tantrum is most awful. | ||
CF | | ||
CF | The narrow footpath continues down the hill into a chasm, or northwest | ||
CF | back to | ||
CF | the sluice gate. | ||
CF | | ||
CF | A deep blue gem strung on a loop of leather cord lies on the ground. | ||
CF | It's | ||
CF | another provision from the Academy. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take gem" | ||
CF | A Fragile Earth 84 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > TAKE GEM | ||
CF | | ||
CF | You pick up the lumens gem with care, aware of its value to your | ||
CF | inquiry. | ||
CF | | ||
CF | The breeze carries up from the chasm below the stench of rotten eggs. | ||
CF | | ||
CF | > | Roger says, "alright now we can build our lightsaber" | |
Jacqueline says (to ClubFloyd), "x gem" | ||
CF | A Fragile Earth 85 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > X GEM | ||
CF | | ||
CF | The blue lumens gem is strung to a loop of leather cord. | ||
CF | | ||
CF | The gem has a singular property: When worn, it will reveal surfaces | ||
CF | laden with | ||
CF | strong memories from the past. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "wear gem" | ||
CF | A Fragile Earth 86 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > WEAR GEM | ||
CF | | ||
CF | You put the leather cord around your neck. The lumens gem hangs at | ||
CF | your | ||
CF | sternum. | ||
CF | | ||
CF | > | Roger says, "oh man this game has THAT going on too" | |
Jacqueline says, "We suck at holding on to jewelry, but let's wear this necklace." | ||
Jacqueline says (to ClubFloyd), "d" | ||
CF | Sulfur deposits 87 | ||
CF | Exits: up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Sulfur deposits | ||
CF | In this wide and arid chasm you spy the telltale yellow chalk of | ||
CF | sulfur | ||
CF | spilling down the slope. | ||
CF | | ||
CF | A winding path leads up out of the chasm. | ||
CF | | ||
CF | > | DavidW says, "I wonder if there'll be blue glows ala Babel." | |
Jacqueline says (to ClubFloyd), "take sulphur" | ||
CF | Sulfur deposits 87 | ||
CF | Exits: up | ||
CF | | ||
CF | > TAKE SULPHUR | ||
CF | | ||
CF | You see no sulphur here. | ||
CF | | ||
CF | > | Roger says, "now that Gorn is going to pay" | |
DavidW says, "sulfur" | ||
Jacqueline says (to ClubFloyd), "take sulfur" | ||
CF | Sulfur deposits 88 | ||
CF | Exits: up | ||
CF | | ||
CF | > TAKE SULFUR | ||
CF | | ||
CF | You collect all the sulfur you can find, prepare it for use, and add | ||
CF | it to the | ||
CF | pulverulent cloth. | ||
CF | | ||
CF | > | DavidW says, "different spelling" | |
Jacqueline says, "Thanks" | ||
Jacqueline says (to ClubFloyd), "u" | ||
CF | A Fragile Earth 89 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | A Fragile Earth | ||
CF | Peering down from atop an incline, you behold yet another awesome | ||
CF | spectacle in | ||
CF | the distance: The earth ripped open and the underworld's molten rivers | ||
CF | and | ||
CF | miasma escaping to the surface. This young Earth suffers teething | ||
CF | pains, and | ||
CF | its tantrum is most awful. | ||
CF | | ||
CF | The narrow footpath continues down the hill into a chasm, or northwest | ||
CF | back to | ||
CF | the sluice gate. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "nw" | ||
CF | Plain 90 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | the valley floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | The sluice glows a clear blue hue. The lumens gem is telling you to | ||
CF | examine | ||
CF | the sluice closer. | ||
CF | | ||
CF | > | DavidW says, "I wonder where we'll find mercury." | |
Roger says, "maybe we'll have to crack it ourselves out of cinnabar" | ||
Jade says, "x sluice" | ||
Roger says, "tell it to the bot" | ||
Jacqueline says (to ClubFloyd), "x sluice" | ||
CF | Plain 91 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X SLUICE | ||
CF | | ||
CF | A sluice gate with a wood lever controls whether the river water can | ||
CF | enter the | ||
CF | irrigation ditch. The gate's closed, causing the swollen river to | ||
CF | flood the | ||
CF | plain. | ||
CF | | ||
CF | The sluice glows a clear blue hue. The lumens gem has detected | ||
CF | powerful | ||
CF | memories stored within this surface. You should apply an ostendo | ||
CF | compound to | ||
CF | learn how to unlock them. They may potentially help you with your | ||
CF | inquiry. | ||
CF | | ||
CF | [Use LOOK UP OSTENDO to learn what substances you'll need to unlock | ||
CF | the | ||
CF | memories stored in the sluice.] | ||
CF | | ||
CF | > | Jacqueline says, "Oh. It glows" | |
Jacqueline says (to ClubFloyd), "look up ostendo" | ||
CF | Plain 92 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > LOOK UP OSTENDO | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Strong emotional reactions are embedded in surfaces near the source of | ||
CF | the | ||
CF | psychic disturbance. | ||
CF | | ||
CF | Once an ostendo compound is applied to such a surface, the | ||
CF | Indagator will | ||
CF | receive an Inspiration for unlocking the revelation embedded within | ||
CF | it. | ||
CF | | ||
CF | Note that ostendo, as with all compounds, should only be applied once. | ||
CF | Applying the same compound to the same surface more than once only | ||
CF | serves to | ||
CF | waste essences. | ||
CF | | ||
CF | Hester IV of Minscip adds a footnote in his peculiar scrawl: | ||
CF | | ||
CF | "While detailing the ingredients ostendo requires should be | ||
CF | unnecessary for any | ||
CF | Indagator worth his salt, I will transcribe them here to | ||
CF | quiet the countless | ||
CF | students who bang on my door at all hours pleading for its | ||
CF | formulation: salt & | ||
CF | sulfur. Now let me sleep!" | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | [You should APPLY SALT TO SLUICE and APPLY SULFUR TO SLUICE to | ||
CF | activate an | ||
CF | ostendo compound.] | ||
CF | | ||
CF | > | Jacqueline says, "Convenient." | |
Jacqueline says (to ClubFloyd), "i" | ||
CF | Plain 93 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a lumens gem | ||
CF | * a rucksack (in which are some arsenic, some lymph, some black | ||
CF | bile, some | ||
CF | phlegm, and some yellow bile) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | * a pulverulent cloth (in which are some sulfur and some salt) | ||
CF | | ||
CF | > | Roger says, "this game is aggressively obsequious" | |
Jacqueline says (to ClubFloyd), "apply salt to sluice" | ||
CF | Plain 94 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY SALT TO SLUICE | ||
CF | | ||
CF | You spread some of the salt on the sluice. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply sulfur to sluice" | ||
CF | Plain 95 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY SULFUR TO SLUICE | ||
CF | | ||
CF | You spread some of the sulfur on the sluice. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the sluice? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "Phlegm and sulfur." | ||
CF | | ||
CF | Applying these two essences to the sluice will unlock the memories | ||
CF | embedded | ||
CF | within it. | ||
CF | | ||
CF | [You may now refer to the ostendo compound by name. Using it | ||
CF | has seared its | ||
CF | list of essences into your memory. For example, you may APPLY OSTENDO | ||
CF | TO | ||
CF | SHOVEL if the need arises.] | ||
CF | | ||
CF | > | Jacqueline says, "This mechanic was cooler in 1983." | |
Jacqueline says, "Sorry if that is cruel. It's just... yeah, these things are not my jam." | ||
Jacqueline says (to ClubFloyd), "apply phlegm to lever" | ||
CF | Plain 96 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY PHLEGM TO LEVER | ||
CF | | ||
CF | You cannot apply anything to the lever. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply phlegm to sluice" | ||
CF | Plain 97 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY PHLEGM TO SLUICE | ||
CF | | ||
CF | You spread some of the phlegm on the sluice. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply sulfur to sluice" | ||
CF | > | ||
CF | > APPLY SULFUR TO SLUICE | ||
CF | | ||
CF | You spread some of the sulfur on the sluice. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The ethereal voice of a young man appears in your mind. It is a voice | ||
CF | recorded | ||
CF | in the past: | ||
CF | | ||
CF | After Father and I dug this trench to irrigate my wheat and | ||
CF | vegetables, brother | ||
CF | Abel made a discovery: When the sluice is closed, the field floods | ||
CF | deep enough | ||
CF | for his flock to drink from. This saves him half a day of | ||
CF | shepherding them | ||
CF | down to the river and back. My crops suffer for his laziness. I | ||
CF | have | ||
CF | repeatedly warned him not to lock the sluice closed without my | ||
CF | permission. | ||
CF | | ||
CF | Mother and Father will not intervene. He is the youngest son. | ||
CF | They are | ||
CF | intoxicated by his charms and soothed by his assurances that he | ||
CF | bears no ill | ||
CF | will. | ||
CF | | ||
CF | And yet here I find my field dry as dust and the sluice gate | ||
CF | closed. He has | ||
CF | managed to jam it shut with a wedge, to prevent me from undoing | ||
CF | his handiwork. | ||
CF | He is without shame! | ||
CF | | ||
CF | The voice fades off, leaving you with an electric charge of scholarly | ||
CF | excitement. The young man speaks of his brother Abel. "Mother" is | ||
CF | Eve, the | ||
CF | [More] | Roger says, "this wedge has driven a wedge between us" | |
Jacqueline pushes the green 'space' button. | ||
CF | Plain 98 | ||
CF | Exits: north northeast southeast | ||
CF | first Woman to walk the Earth. "Father" is Adam, the first | ||
CF | Man. This is | ||
CF | Cain's voice! | ||
CF | | ||
CF | [Use MEMORIES to list all revelations you've surfaced in your | ||
CF | inquiry.] | ||
CF | | ||
CF | > | DavidW asks, "So we can't see the wedge until this vision?!?" | |
Jacqueline asks, "Oh! Mother is EVE??" | ||
Jacqueline says, "Sorry. I'm sorry." | ||
Jacqueline says, "I'm just... yeah." | ||
Roger says, "We might not really be the target audience for this sort of thing, although I'm not sure who is" | ||
Jacqueline says, "I guess it's fair that we would get the PC's inner thoughts, but yeah." | ||
DavidW says, "Now if his mom was Rachel, you'd be interested." | ||
Jacqueline says (to ClubFloyd), "get wedge" | ||
CF | Plain 99 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > GET WEDGE | ||
CF | | ||
CF | You manage to remove the wedge from the gate's jamb, but you lose the | ||
CF | slippery | ||
CF | thing in the murky water. The gate should be free to move now, | ||
CF | though. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "push lever" | ||
CF | Plain 100 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PUSH LEVER | ||
CF | | ||
CF | The sluice is already closed. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "pull lever" | ||
CF | Plain 101 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a great deal of effort, you succeed in pulling the sluice lever | ||
CF | back. The | ||
CF | gate opens and water rushes into the irrigation ditch. | ||
CF | | ||
CF | Within a few minutes, the pond has drained enough for you to move | ||
CF | north across | ||
CF | the plain. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "look for my damn bracelet in the water" | ||
CF | Plain 102 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > LOOK FOR MY DAMN BRACELET IN THE WATER | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find no entry for "my damn bracelet in the water" in the | ||
CF | formulary. | ||
CF | | ||
CF | > | Jacqueline says, "heh" | |
Jacqueline says (to ClubFloyd), "search river" | ||
CF | Plain 103 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > SEARCH RIVER | ||
CF | | ||
CF | You see nothing interesting in the river water. | ||
CF | | ||
CF | > | Jacqueline says, "Darn" | |
DavidW says, "look, we'll ask a mermaid later" | ||
Roger says, "I suspect being a parser game is doing this one no favours" | ||
DavidW says, "or Aquaman." | ||
Jade says, "ok children, go north" | ||
Jacqueline says, "Well, I think it's the weird disconnect between a game that expects a player to have a fairly impressive vocabulary, then condescends by connect very easy dots." | ||
Jacqueline says, "*connecting, rather." | ||
Jacqueline says, "It's a sort of cognitive dissonance." | ||
Jacqueline says, "Anyway, yeah. North." | ||
Jacqueline says (to ClubFloyd), "n" | ||
CF | River bank 104 | ||
CF | Exits: north south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | River bank | ||
CF | You recognize this to be the opposite bank of the river crossing you | ||
CF | attempted. | ||
CF | The rope bridge unraveled entirely and was swept downstream with you. | ||
CF | | ||
CF | North of here stands a small settlement. No fence or markings, only a | ||
CF | few | ||
CF | buildings around a grand cedar tree. To the south is a sluice gate. | ||
CF | | ||
CF | Down the rushing river flows ice-cold water. | ||
CF | | ||
CF | As though demonstrating the ease of fording a river, the crow launches | ||
CF | from the | ||
CF | far bank, soars over the river in a geometric arc, and lands | ||
CF | gracefully a few | ||
CF | feet from you. | ||
CF | | ||
CF | Without a glance, it emits a berating caaaw at you. | ||
CF | | ||
CF | It makes another showy beating of its wings, lifts off, and flies | ||
CF | away. | ||
CF | | ||
CF | > | Jade says, "I missed it" | |
Jacqueline asks, "Missed what?" | ||
Jade says, "I dont understand your comments" | ||
Jacqueline says, "Ah. Well, I just mean that the game seems to be both very dense in terms of language as if trying to impress us, while simultaneously calling out obvious things that it could show without telling." | ||
Jade says, "oh! Yes, I think the same" | ||
Jade says, "or feel" | ||
Roger says, "kind of that mansplaining vibe" | ||
DavidW says, "I wonder what role the crow is playing in this game." | ||
Jacqueline says, "So as a player, I feel simultaneously acknowledged as an educated adult and belittled like some sort of small child." | ||
Jacqueline says (to Roger), "In a fashion, yeah." | ||
Roger says, "He had some super-legit beta-testers which makes me really wonder what the feedback was like. Anyway. Let's plow (heh) through this in the next 40 minutes" | ||
DavidW says, "I think the crow is also the main feature of the cover art? if I remember correctly" | ||
Jacqueline exclaims, "To the author, when they read my honest thoughts in this transcript: I do rather like some of the writing!" | ||
Jade says, "that crow again" | ||
Jacqueline says (to DW), "Yeah." | ||
Roger says, "yeah there's some good ideas well-implemented here" | ||
Jacqueline says (to ClubFloyd), "x buildings" | ||
CF | River bank 105 | ||
CF | Exits: north south | ||
CF | | ||
CF | > X BUILDINGS | ||
CF | | ||
CF | It's difficult to discern from here, but the buildings appear | ||
CF | ramshackle and | ||
CF | unmaintained. The specter of abandonment hangs over it. | ||
CF | | ||
CF | > | DavidW asks, "oh no. We time travelled too late?" | |
Jacqueline says (to ClubFloyd), "n" | ||
CF | Well 106 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | As you approach the settlement, you surmise it was abandoned some time | ||
CF | ago. | ||
CF | Time has worn down everything left behind? | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | The well glows a clear blue hue. | ||
CF | | ||
CF | It would be wise to examine the well closer, in case it may yield any | ||
CF | insights | ||
CF | into your inquiry. | ||
CF | | ||
CF | > | Roger says, "well well well" | |
Jacqueline laughs. | ||
DavidW says, "A well actually." | ||
Roger asks, "There isn't some sort of SUPER-EASY mode we accidentally turned or left on, is there?" | ||
Jacqueline says (to ClubFloyd), "mode" | ||
CF | Well 106 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > MODE | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | Jacqueline says, "By putting on the gem, maybe." | |
Jacqueline says (to ClubFloyd), "x well" | ||
CF | Well 107 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > X WELL | ||
CF | | ||
CF | The stones surrounding the perimeter of the well are mostly egg-shaped | ||
CF | river | ||
CF | rock smoothed by erosion. Judging by the shovel marks cut into the | ||
CF | inner walls | ||
CF | of the well, the well was dug by hand, and is not a natural formation | ||
CF | the | ||
CF | settlers here took advantage of. | ||
CF | | ||
CF | A thick wood crossbeam is mounted over the well. | ||
CF | | ||
CF | The well glows a clear blue hue. An ostendo compound would reveal if | ||
CF | memories | ||
CF | are embedded in the well. | ||
CF | | ||
CF | [You may APPLY OSTENDO TO WELL to learn the next steps here.] | ||
CF | | ||
CF | > | DavidW says, "so apply the whatever to this well" | |
DavidW says, "ostendo, yes" | ||
Jacqueline says (to ClubFloyd), "apply ostendo to well" | ||
CF | Well 108 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > APPLY OSTENDO TO WELL | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the well. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the well? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "Yellow bile and ash." | ||
CF | | ||
CF | Applying this mixture to the well will unlock the memories embedded | ||
CF | within. | ||
CF | Now, if you could only find some ash? | ||
CF | | ||
CF | > | DavidW says, "well, firepits and fireplaces tend to have ash." | |
Jacqueline says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 109 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | The crow alights upon one of the lower branches. It caws | ||
CF | twice at you and | ||
CF | ruffles its wings with a satisfied shrug. You reckon you could climb | ||
CF | to the | ||
CF | tree's lower branches, if you so desired, if only to give the crow a | ||
CF | piece of | ||
CF | your mind. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. | ||
CF | | ||
CF | The Academy has provided once more. A string of wood cups braided | ||
CF | together by | ||
CF | a strand of twine is piled on the ground at the foot of the tree. | ||
CF | | ||
CF | > | Roger says, "a good puzzle for a different game would exploit the same-wordiness of the burnt substance and the tree species" | |
Jacqueline says (to ClubFloyd), "x cups" | ||
CF | Foot of the great cedar tree 110 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > X CUPS | ||
CF | | ||
CF | Four walnut wood cups are strung together by a braided twine. These | ||
CF | cups are | ||
CF | capable of holding oils, greases, and ointments. | ||
CF | | ||
CF | The crow high in the tree preens its feathers and shakes itself. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take cups" | ||
CF | Foot of the great cedar tree 111 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > TAKE CUPS | ||
CF | | ||
CF | You pick up the braid of cups. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "wear cups" | ||
CF | Foot of the great cedar tree 112 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > WEAR CUPS | ||
CF | | ||
CF | You're now wearing the braid of cups. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Fire pit 113 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. The middle is scorched out from much use, but the pit is | ||
CF | cold. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | The fire pit stones glow a clear blue hue. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | Roger says, "4 cups what are we a cow" | |
Jacqueline says (to ClubFloyd), "get ash" | ||
CF | Fire pit 114 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > GET ASH | ||
CF | | ||
CF | You collect all the ash you can find, prepare it for use, and add it | ||
CF | to the | ||
CF | pulverulent cloth. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply ostendo to pit" | ||
CF | Fire pit 115 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY OSTENDO TO PIT | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the fire pit. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply ostendo to stones" | ||
CF | Fire pit 116 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY OSTENDO TO STONES | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the fire pit stones. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the fire pit stones? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "Arsenic, sulfur, and | ||
CF | Adam's Humour." | ||
CF | | ||
CF | Stones will speak the truth, but you must coax it from them. | ||
CF | | ||
CF | Besides arsenic and sulfur, you must determine which of the Four | ||
CF | Humours | ||
CF | dominated Adam's temperament. Studying the Pharmakon may be | ||
CF | of help. Good | ||
CF | places to start would be the entries on Adam and the Four Humours. | ||
CF | | ||
CF | Unlocking other revelations around the settlement may shine a light on | ||
CF | the | ||
CF | matter as well. | ||
CF | | ||
CF | > | Roger says, "oh maybe it'll work itself out of tutorial mode itself" | |
Jacqueline says, "heh" | ||
Jacqueline says, "I hope there are enough of these substances to deal with my typos" | ||
Jacqueline says, "Also, I have to go in about 20." | ||
DavidW says, "Doesn't look like we'll finish this today regardless." | ||
Jacqueline says, "Also, I'm sorry game. I know that I said that I don't want you telling me basic things, and that is true here: I don't want to know what Adam's Mumour is." | ||
Jacqueline says (to DW), "I didn't suspect we would from the outset." | ||
Roger says, "his arm bone is quite humerus" | ||
Jacqueline says, "You're such a dad, Roger. I am here for it." | ||
Jacqueline says (to ClubFloyd), "look up adam" | ||
CF | Fire pit 117 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > LOOK UP ADAM | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The first Man to walk the Earth; the Father of Mankind. Adam's sin, | ||
CF | along with | ||
CF | Eve's, led to their expulsion from paradise. | ||
CF | | ||
CF | Sired sons Cain and Abel, and eldest daughter Awan, among other | ||
CF | children. | ||
CF | | ||
CF | The first four family members--Adam, Eve, Cain, & Abel--each represent | ||
CF | a | ||
CF | Humour, and their temperaments, moods, and emotions are defined as | ||
CF | such. None | ||
CF | of the family members share a Humour. | ||
CF | | ||
CF | Scholastics speculate Adam was phlegmatic: Reserved, thoughtful, and | ||
CF | patient. | ||
CF | The matter remains unknown at the moment, however. | ||
CF | | ||
CF | c.f., Four Humours, Eden, Eve | ||
CF | | ||
CF | > | Roger says, "you know who else was a dad? Adam. Let me explain:" | |
DavidW asks, "And his rib bone is evasious?" | ||
Jacqueline says (to Roger), "hahahahaha" | ||
Jacqueline says, "Oh god, I had just taken a sip of my drink and I nearly choked." | ||
Roger says, "oh I guess it'll just tell us straight out what his Humour is. Convenient." | ||
Roger says, "I was still expecting a bit of process of elimination or something, but ope" | ||
Jacqueline says (to ClubFloyd), "apply arsenic to stones" | ||
CF | Fire pit 118 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY ARSENIC TO STONES | ||
CF | | ||
CF | You spread some of the arsenic on the fire pit stones. | ||
CF | | ||
CF | > | DavidW says, "I don't think the book was certain." | |
Jacqueline says (to ClubFloyd), "apply sulfur to stones" | ||
CF | Fire pit 119 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY SULFUR TO STONES | ||
CF | | ||
CF | You spread some of the sulfur on the fire pit stones. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply phlegm to stones" | ||
CF | Fire pit 119 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY PHLEGM TO STONES | ||
CF | | ||
CF | You spread some of the phlegm on the fire pit stones. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | The Pharmakon cannot be relied upon for perfect wisdom, | ||
CF | especially regarding | ||
CF | the temperaments of the ancients. More searching around the | ||
CF | settlement could | ||
CF | be useful. | ||
CF | | ||
CF | > | Jacqueline says, "Oh. Or not." | |
DavidW says, "yeah, they were guessing and got it wrong." | ||
Roger says, "Or we could just brute force it" | ||
Roger says, "it's the Cain way" | ||
Jacqueline says, "heh" | ||
Jade says, "we could put ashes and yellow in the well" | ||
DavidW asks, "shouldn't we use the ash on the well first?" | ||
Jacqueline says, "Or we could go back and do the ash at the well" | ||
Jacqueline says, "Timing" | ||
Roger says, "yeah that sounds good" | ||
Jacqueline asks, "Which way is the well?" | ||
DavidW asks, "west I think?" | ||
Jacqueline says, "Yeah" | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 120 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "w" | ||
CF | Well 121 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | The well glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the well has a revelation locked | ||
CF | within it. | ||
CF | | ||
CF | > | Jade says, "e" | |
Jade says, "w" | ||
Jade says, "west" | ||
DavidW says, "I stopped mapping when we left the sluice gate behind." | ||
Jacqueline says (to ClubFloyd), "apply yellow bile to well" | ||
CF | Well 122 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > APPLY YELLOW BILE TO WELL | ||
CF | | ||
CF | You spread some of the yellow bile on the well. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply ash to well" | ||
CF | > | ||
CF | > APPLY ASH TO WELL | ||
CF | | ||
CF | You spread some of the ash on the well. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The young man's voice--Cain--begins speaking in your mind about his | ||
CF | father, | ||
CF | Adam: | ||
CF | | ||
CF | Father believes with enough contrition, the Creator will permit us | ||
CF | to return to | ||
CF | the paradise Eden. He has begun a hard fast, consuming only sips | ||
CF | of rainwater | ||
CF | and nibbles of honeycomb. It has made him weak. His ribs press | ||
CF | into his skin | ||
CF | and reveal the cage encasing his heart. | ||
CF | | ||
CF | Fasting, hard work, and daily exhortations to the Creator have | ||
CF | driven Father to | ||
CF | the precipice. His eyes bulge egg-like from their sockets. White | ||
CF | foam flecks | ||
CF | the corners of his mouth. He rarely speaks, but when he does, he | ||
CF | rants and | ||
CF | raves, permitting none of us to get in so much as two words. | ||
CF | | ||
CF | Unlike Mother, he refuses to discuss his time in the garden | ||
CF | paradise before | ||
CF | their sins drove them out. Hard work is his silent contrition for | ||
CF | his error-- | ||
CF | daily, grinding, maddening hard work. | ||
CF | | ||
CF | This suggests much about Adam's temperament--and his Humour. | ||
CF | Obsession driven | ||
CF | to madness is a well-established behavior of an overly choleric | ||
CF | person. The | ||
CF | [More] | Roger says, "I would totally play a sequel to this game, in which you, a villager, is tasked with cleaning up all this disgusting goo that some time traveller has smeared on everything" | |
Jacqueline pushes the green 'space' button. | ||
CF | Well 123 | ||
CF | Exits: east south down | ||
CF | | ||
CF | | ||
CF | [You've unlocked another revelation. Use MEMORIES for all revelations | ||
CF | you may | ||
CF | recall.] | ||
CF | | ||
CF | > | Jacqueline says, "That was a weird break." | |
Jacqueline asks, "The --- the what?" | ||
DavidW says, "yeah, that was weird" | ||
Jacqueline says (to Roger), "haha" | ||
Jade asks, "obsession?" | ||
Jacqueline says, "Not sure" | ||
DavidW says, "a cologne for men" | ||
Jacqueline smiles and laughs. | ||
Jacqueline says, "I'd missed you guys." | ||
Jacqueline says (to ClubFloyd), "look up choleric" | ||
CF | Well 124 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > LOOK UP CHOLERIC | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The humour yellow bile makes one choleric. It is countered by the | ||
CF | chamomile | ||
CF | poison. | ||
CF | | ||
CF | The choleric are characterized as decisive, analytic, and "quick on | ||
CF | their | ||
CF | feet." They prefer action over contemplation. Unlike | ||
CF | melancholics, they live | ||
CF | in the moment rather than the past. | ||
CF | | ||
CF | An excess of cholera leads to a depletion of the choleric's admirable | ||
CF | qualities. Decisiveness becomes quick-tempered; analytics are | ||
CF | surrendered to | ||
CF | instinct. Anger and snap decisions become their norm. Madness | ||
CF | is common. | ||
CF | | ||
CF | c.f., yellow bile, chamomile, melancholic, Four Humours, madness | ||
CF | | ||
CF | A distant screech from the crow sounds like a rebuke carried to you in | ||
CF | the | ||
CF | wind. | ||
CF | | ||
CF | > | DavidW says, "we missed you too, Jacqueline" | |
Jacqueline hugs everyone! | ||
DavidW says, "awww" | ||
DavidW says, "I think we can unlock the fire stones now." | ||
Jacqueline asks, "So, do I apply sulfer and yellow bile to the stones of the fire?" | ||
DavidW asks, "and something else, arsenic, maybe?" | ||
DavidW says, "I don't remember what the ostendo said." | ||
Jacqueline says, "Yeah" | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 125 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "e" | ||
CF | Fire pit 126 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. The middle is scorched out from much use, but the pit is | ||
CF | cold. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | The fire pit stones glow a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the fire pit stones have a revelation | ||
CF | locked | ||
CF | within them. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply sulfer to stones" | ||
CF | Fire pit 126 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY SULFER TO STONES | ||
CF | | ||
CF | You see no sulfer here. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply sulfur to stones" | ||
CF | Fire pit 127 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY SULFUR TO STONES | ||
CF | | ||
CF | You spread some of the sulfur on the fire pit stones. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply arsenic to stones" | ||
CF | Fire pit 128 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY ARSENIC TO STONES | ||
CF | | ||
CF | You spread some of the arsenic on the fire pit stones. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply yellow bile to stones" | ||
CF | > | ||
CF | > APPLY YELLOW BILE TO STONES | ||
CF | | ||
CF | You spread some of the yellow bile on the fire pit stones. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice appears in your thoughts, a message from the past: | ||
CF | | ||
CF | Each night, Father ignites the Great Fire. On haunches before the | ||
CF | crackling | ||
CF | flames, he supplicates himself to the Creator. His cries for | ||
CF | forgiveness echo | ||
CF | off the mountains to the south. | ||
CF | | ||
CF | Some mornings, I find him passed out before the Fire's dying | ||
CF | embers. He lies | ||
CF | naked and uncovered, having worked himself into a froth before | ||
CF | losing | ||
CF | consciousness. | ||
CF | | ||
CF | Once, in a raving lather, Adam cried out to the dancing Fire: "The | ||
CF | world was | ||
CF | created in goodness! So it must be governed according to the | ||
CF | fruit of good | ||
CF | works!" | ||
CF | | ||
CF | Father throws salt into the Fire to divine our family's future. | ||
CF | He wishes to | ||
CF | foresee if we will be permitted to return to the garden paradise. | ||
CF | And Adam has | ||
CF | divined a magick: He applies salt and ash to the pit to ignite the | ||
CF | Fire. | ||
CF | | ||
CF | In his mania he ignores the Crow, who trills down at him from the | ||
CF | Great Tree. | ||
CF | [More] | Roger says, "a turn towards the heretical. hrm" | |
Jacqueline asks, "Put some damn clothes on, Adam. Did you learn nothing before being cast out??" | ||
Jacqueline asks, "Hrm. What do we want to go before I wrap up? Anything?" | ||
Roger says, "ennhh" | ||
DavidW asks, "I think there's a hut to the south?" | ||
Jacqueline says (to ClubFloyd), "l" | ||
Jacqueline says (to ClubFloyd), "press space" | ||
Jacqueline pushes the green 'space' button. | ||
CF | Fire pit 129 | ||
CF | Exits: east south west northeast | ||
CF | The Crow is scolding Adam for resorting to the black | ||
CF | arts. | ||
CF | | ||
CF | I know this: Ignore the Crow at your own peril. | ||
CF | | ||
CF | When Cain's voice fades off, you realize the "magick" Adam learned is, | ||
CF | in fact, | ||
CF | established science. It is known as encyp, and it is recorded in the | ||
CF | Pharmakon. | ||
CF | | ||
CF | [You've unlocked another revelation. Use MEMORIES for all revelations | ||
CF | you may | ||
CF | recall.] | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "look up encyp" | ||
CF | Fire pit 130 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > LOOK UP ENCYP | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Producing fire is a remedial skill explained by any proficient | ||
CF | woodsman or | ||
CF | soldier. However, restoring an extinguished fire without the | ||
CF | aid of flint or | ||
CF | spark is a trick most rare. | ||
CF | | ||
CF | The alchemical encyp compound is trivial: salt & ash. | ||
CF | The compound is only | ||
CF | effective for restoring fire in a location where a previous fire | ||
CF | burned, such | ||
CF | as a hearth or a scorched field. | ||
CF | | ||
CF | As is his wont, Hester IV of Minscip cannot help but add in the | ||
CF | margin: | ||
CF | "Alomancy--salt divination--has an ancient provenance. It is often | ||
CF | coupled | ||
CF | with pyromancy, that is, fire divination. Restoring a fire regularly | ||
CF | used for | ||
CF | alomancy can reveal much about the alomancer and his or her flock." | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | Jacqueline says, "I feel like I should be taking a lot of notes." | |
DavidW says, "sounds like we'll eventually need to relight this fire and do more to it." | ||
Jade says, "I am" | ||
Jacqueline says (to Jade), "okay, yay." | ||
Jade says, "start the fire" | ||
DavidW says, "I'll write up notes for next week too." | ||
Jacqueline asks, "Are we meeting next week?" | ||
Jacqueline says, "I mean, I'm down, but it is the day of the Baby Jesus." | ||
Jade says, "in the pit with salt and ash" | ||
DavidW says, "oh. Well, the week after then." | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | Fire pit 131 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a lumens gem | ||
CF | * a braid of cups | ||
CF | * a rucksack (in which are some arsenic, some lymph, some black | ||
CF | bile, some | ||
CF | phlegm, and some yellow bile) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | * a pulverulent cloth (in which are some sulfur, some ash, and some | ||
CF | salt) | ||
CF | | ||
CF | > | Jade says, "nop, next Friday is 23, not 24" | |
Jacqueline asks, "Is there a need to restart the fire yet?" | ||
DavidW says, "no, I don't think so" | ||
DavidW says, "Explore more" | ||
Jade says, "restart the fire to see the evocation" | ||
Jacqueline asks (of Jade), "Next Sunday, a week from today, is the 25th, right?" | ||
DavidW says, "There's even that branch the crow likes." | ||
Jacqueline says (to ClubFloyd), "toss salt and ash in pit" | ||
CF | Fire pit 132 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TOSS SALT AND ASH IN PIT | ||
CF | | ||
CF | There's no need to remove the salt from the pulverulent cloth, but you | ||
CF | may | ||
CF | apply a portion of it to a surface when formulating a compound. | ||
CF | There's no need to remove the ash from the pulverulent cloth, but you | ||
CF | may apply | ||
CF | a portion of it to a surface when formulating a compound. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "put salt in pit" | ||
CF | Fire pit 133 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > PUT SALT IN PIT | ||
CF | | ||
CF | There's no need to remove the salt from the pulverulent cloth, but you | ||
CF | may | ||
CF | apply a portion of it to a surface when formulating a compound. | ||
CF | | ||
CF | > | Jade says, "oh, yes, this is sunday" | |
Jacqueline says (to ClubFloyd), "apply salt to pit" | ||
CF | Fire pit 134 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY SALT TO PIT | ||
CF | | ||
CF | You spread some of the salt on the fire pit. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply ash in pit" | ||
CF | Fire pit 134 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY ASH IN PIT | ||
CF | | ||
CF | You see no ash in pit here. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "apply ash to pit" | ||
CF | > | ||
CF | > APPLY ASH TO PIT | ||
CF | | ||
CF | You spread some of the ash on the fire pit. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Again, Cain's voice appears in your thoughts: | ||
CF | | ||
CF | "The Fire has forsaken me," Adam proclaims. He has broken his | ||
CF | fast, and his | ||
CF | health is much improved. "Both of you are to begin a ritual of | ||
CF | sacrifice. | ||
CF | Cain, gather your best grain and vegetables. Abel, slaughter the | ||
CF | first of your | ||
CF | flock. Submit your yield to the Creator for judgment." | ||
CF | | ||
CF | "I shall do as you wish," I tell Father and Mother. | ||
CF | | ||
CF | "I will not," Abel says. "Such waste does not honor my | ||
CF | labor." | ||
CF | | ||
CF | "Listen to your father," Eve says. "The one who provides the best | ||
CF | sacrifice | ||
CF | will be rewarded." | ||
CF | | ||
CF | Far to the northeast, The Crow perches among the rocks. It caws | ||
CF | twice for our | ||
CF | attention. | ||
CF | | ||
CF | "Establish your shrine where the Crow calls from," Father | ||
CF | says. | ||
CF | | ||
CF | [More] | Jacqueline says, "Cain thinks to himself, 'I know a better sacrifice than a silly lamb.'" | |
DavidW says, "God likes roasted meat more than veggies. Sorry." | ||
Jacqueline says, "Okay. I gotta run." | ||
Jacqueline says, "You all can continue if you'd like." | ||
DavidW says, "no, I'm okay with stopping here." | ||
Roger says, "I'm happy enough to wrap this for today too" | ||
Jacqueline says, "okay." | ||
Jacqueline asks, "So... next week or in two weeks?" | ||
Roger says, "surely" | ||
DavidW says, "2 weeks, I guess." | ||
Jacqueline says, "Okay." | ||
Jacqueline says, "Two weeks hence." | ||
Jacqueline says, "That is what is called a fortnight." | ||
DavidW says, "thanks all. This was interesting." | ||
Jacqueline says, "Or a demimonth." | ||
Jacqueline says, "(Just kidding. I made that last bit up.)" | ||
Roger says, "I guess save or whatever" | ||
Jacqueline says, "See you all soon. Have a wonderful holiday." | ||
Roger says, "in case mud crashes again" | ||
Jacqueline says (to ClubFloyd), "save" | ||
Jacqueline says (to ClubFloyd), "cfcain" | Jade says, "yes, it is fine for me too" | |
Jacqueline says, "oh god darn it" | ||
Jacqueline pushes the green 'space' button. | ||
CF | Fire pit 135 | ||
CF | Exits: east south west northeast | ||
CF | With a great whooom, a massive and intense fire | ||
CF | springs up in the pit. So | ||
CF | sudden, and igniting with such force, you stumble backwards in | ||
CF | retreat, heart | ||
CF | palpitating and the whiff of singed hair all about you. | ||
CF | | ||
CF | A pile of cold charcoal you previously overlooked now smolders. Its | ||
CF | coals glow | ||
CF | a soft orange color. | ||
CF | | ||
CF | [You may now refer to the encyp compound by name.] | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
Jacqueline says (to ClubFloyd), "cfcain" | ||
CF | Fire pit 135 | ||
CF | Exits: east south west northeast | ||
CF | Saved. | ||
CF | | ||
CF | > | Jade says, "thank for this great session" | |
Jacqueline says, "You're welcome! Thanks for taking notes." | ||
Roger disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | Jade says, "be happy, stay safe" | |
DavidW says, "thanks Jacqueline" | ||
*** SESSION TWO *** | ||
Jacqueline asks, "Wait. CF is here, is it not responding?" | ||
Jacqueline pushes the green 'space' button. | ||
CF | [More] | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "wait" | ||
CF | Fire pit 137 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > WAIT | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | DavidW says, "oh heck." | |
Jacqueline says, "That was the deal. This game has a ton of >PRESS SPACE" | ||
Jacqueline says, "It kept throwing me off when I was driving." | ||
Jacqueline says, "When in doubt, press space." | ||
DavidW says, "When making the notes, I learned this charcoal is hot, but we can take it if we really need to." | ||
Jacqueline asks, "Take it and put it in something?" | ||
Jacqueline asks, "Or take it and burn ourselves horribly?" | ||
DavidW says, "I think it can stay where it is for now." | ||
DavidW says (to ClubFloyd), "look up charcoal in book" | ||
CF | Fire pit 138 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > LOOK UP CHARCOAL IN BOOK | ||
CF | | ||
CF | The formulary has no obvious information on "charcoal." | ||
CF | | ||
CF | > | DavidW says, "So it's not a reagent or spell ingredient." | |
DavidW says, "But I think it'll have a more mundane use." | ||
DavidW says, "I'd like to go northeast where the sacrifices were supposed to be." | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Landslide 139 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Landslide | ||
CF | Loose shale and rock covers the foothill of a mountain range. You | ||
CF | suspect the | ||
CF | event was recent, and perhaps triggered by the groundshaking activity | ||
CF | you've | ||
CF | endured since arriving here. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | Jacqueline says, "Mudane use like writing or something..." | |
DavidW says, "Not sure yet. Maybe to light a fire." | ||
DavidW says (to ClubFloyd), "x shale" | ||
CF | Landslide 140 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X SHALE | ||
CF | | ||
CF | A veritable blanket of loose shale and chipped rock covers the slope. | ||
CF | The | ||
CF | smaller pieces surround a massive boulder lodged into the base of the | ||
CF | mountain. | ||
CF | | ||
CF | You're clammy and perspiring slightly. All the walking around has | ||
CF | made you | ||
CF | feel more winded than you would expect. | ||
CF | | ||
CF | > | DavidW asks, "I think we need to find a bed and lie down?" | |
DavidW says, "I'll return here later." | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 141 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | DavidW says, "oh, right, bees. The smoke is probably to smoke out a beehive for its honey and wax." | |
Jacqueline says, "Hm, yeah." | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Outside a slaughterhouse 142 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | From far off comes the rumbling of moving earth. You prepare youself | ||
CF | for the | ||
CF | inevitable quaking of the earth--and it arrives, if only for a few | ||
CF | moments. | ||
CF | The shack creaks and groans in complaint. | ||
CF | | ||
CF | > | Jacqueline says, "I wonder if that 'you are clammy and perspiring and clumsy' is just for window dressing." | |
Jade says, "I remember that we were able of doing a couple more actions with the items we carry on." | ||
DavidW says, "I doubt we'll find a bed in the slaughterhouse." | ||
Jade says, "Something about light on fire and climbing uo the tree." | ||
DavidW says, "I don't want to climb the tree yet." | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 143 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You can't go that way. From here you could go north, west or in. | ||
CF | | ||
CF | From this distance, the crow's blackness perched in the tree limbs | ||
CF | makes an | ||
CF | oval hole in this serene, if ominous, place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 144 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Fire pit 145 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You can't go that way. From here you could go east, south, west or | ||
CF | northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 146 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | A white cotton roll sits on the ground, another provision from the | ||
CF | Academy for | ||
CF | your inquiry. It appears to be a bandage. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take roll" | ||
CF | Outside the hovel 147 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > TAKE ROLL | ||
CF | | ||
CF | As you pick it up, a sudden lightheadedness comes over you. Your skin | ||
CF | is | ||
CF | clammy and waxy. A flushed prickliness swarms about your neck and | ||
CF | temples. | ||
CF | | ||
CF | > | DavidW says, "yeah, we're either sick somehow or we just need to sleep." | |
DavidW says (to ClubFloyd), "enter hovel" | ||
CF | Hovel 148 | ||
CF | Exits: out | ||
CF | | ||
CF | > ENTER HOVEL | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor, as | ||
CF | though | ||
CF | pushed over and set aside in the hurry to abandon this place. | ||
CF | | ||
CF | These sparse accomodations can only remind you of life on your | ||
CF | grandfather's | ||
CF | farm, and the drafty cottage you both sought shelter in during | ||
CF | snowstorms and | ||
CF | torrential rains. | ||
CF | | ||
CF | How long has it been since you last shivered inside that cottage? Not | ||
CF | long | ||
CF | enough. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "lie on straw" | ||
CF | Hovel 149 | ||
CF | Exits: out | ||
CF | | ||
CF | > LIE ON STRAW | ||
CF | | ||
CF | The straw isn't something you can lie on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sleep" | ||
CF | Hovel 150 | ||
CF | Exits: out | ||
CF | | ||
CF | > SLEEP | ||
CF | | ||
CF | This is no time for sleeping. | ||
CF | | ||
CF | > | Jacqueline says, "Might have not been long enough since we shivered in there but gotta sleep somewhere." | |
Jacqueline asks, "IT ISN'T A TIME FOR SLEEPING?" | ||
DavidW says, "hm. Game doesn't want us to sleep." | ||
Jacqueline says, "Okay, maybe it *is* just window dressing." | ||
DavidW says, "Maybe. Or we're ill with some prehistoric germ." | ||
DavidW says (to ClubFloyd), "x basket" | ||
CF | Hovel 151 | ||
CF | Exits: out | ||
CF | | ||
CF | > X BASKET | ||
CF | | ||
CF | This excessively large woven basket appears to have been designated | ||
CF | for wash | ||
CF | day, or some other chore requiring bulky quantities be moved about. | ||
CF | It was | ||
CF | well-crafted originally, but years and use have rendered it floppy and | ||
CF | limp. | ||
CF | | ||
CF | It's turned upside-down on the dirt floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take it" | ||
CF | Hovel 152 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE IT | ||
CF | | ||
CF | The oversized, overturned basket, as large as a dinghy, flops around | ||
CF | as you | ||
CF | attempt to pick it up. Eventually you give up trying. | ||
CF | | ||
CF | You're clammy and perspiring slightly. All the walking around has | ||
CF | made you | ||
CF | feel more winded than you would expect. | ||
CF | | ||
CF | > | Jacqueline says, "As large as a dinghy? wowsa" | |
Jacqueline says, "We must be sick, as you said. Annoying." | ||
DavidW says, "preparing for Moses early, I guess." | ||
DavidW says (to ClubFloyd), "look under basket" | ||
CF | Hovel 153 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UNDER BASKET | ||
CF | | ||
CF | The meager sunlight from the entry catches something nestled among the | ||
CF | rags | ||
CF | under the basket. It's a gleaming slab of obsidian sparkling in the | ||
CF | gray | ||
CF | sunlight coming through the entryway. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take obsidian" | ||
CF | Hovel 154 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE OBSIDIAN | ||
CF | | ||
CF | On your knees and stretching as far as you can reach, your fingertips | ||
CF | get | ||
CF | enough of a hold to slide the obsidian slab close and pick it up. It | ||
CF | fits | ||
CF | nicely in your hand. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x it" | ||
CF | Hovel 155 | ||
CF | Exits: out | ||
CF | | ||
CF | > X IT | ||
CF | | ||
CF | The oval slab of obsidian is small, about the size of a woman's palm, | ||
CF | with one | ||
CF | of its sides smooth and polished. | ||
CF | | ||
CF | In the polished face of the mirror gleams a reflection. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x reflection" | ||
CF | Hovel 156 | ||
CF | Exits: out | ||
CF | | ||
CF | > X REFLECTION | ||
CF | | ||
CF | In the black sheen of the polished surface, you spy a faint | ||
CF | representation of | ||
CF | yourself: Your nose, the perspiration across your brow, the corners of | ||
CF | your | ||
CF | mouth drooping, and especially your twin piercing eyes glancing back | ||
CF | at you. | ||
CF | | ||
CF | Most of all, you appear?beleaguered. | ||
CF | | ||
CF | > | DavidW says, "l" | |
DavidW says (to ClubFloyd), "l" | ||
CF | Hovel 157 | ||
CF | Exits: out | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x straw" | ||
CF | Hovel 158 | ||
CF | Exits: out | ||
CF | | ||
CF | > X STRAW | ||
CF | | ||
CF | Stalks of straw and dead grass are strewn across the ground. | ||
CF | | ||
CF | You notice a strand of yellow silk caught in the mud and thatch of the | ||
CF | rear | ||
CF | wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x silk" | ||
CF | Hovel 159 | ||
CF | Exits: out | ||
CF | | ||
CF | > X SILK | ||
CF | | ||
CF | Upon closer examination, you see the silk is actually a strand of | ||
CF | blond hair. | ||
CF | It's long with a slight wave in it. From the length and various | ||
CF | qualities of | ||
CF | the hair, you believe this to be from the head of a girl or a young | ||
CF | woman. | ||
CF | | ||
CF | The strand of blond hair glows a clear blue hue. The hair is so | ||
CF | slight, the | ||
CF | hue is barely noticeable. | ||
CF | | ||
CF | > | Jacqueline says, "I kinda figured back then everyone had the same hair style." | |
DavidW says, "okay, that's something we can coax a memory from." | ||
Jacqueline says, "Like, stylists hadn't been invented yet." | ||
Jacqueline says (to DW), "Hm, yeah." | ||
DavidW says, "apply ostendo to hair" | ||
DavidW says (to ClubFloyd), "apply ostendo to hair" | ||
CF | Hovel 160 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OSTENDO TO HAIR | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the strand of blond | ||
CF | hair. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the strand of blond hair? | ||
CF | | ||
CF | A disembodied voice whispers nearby: "Eve's Humour, poison of | ||
CF | Adam's Humour, | ||
CF | and wax." | ||
CF | | ||
CF | The Pharmakon will be of service here in determining which | ||
CF | essences correspond | ||
CF | to Adam's and Eve's Humours. In particular, you must add the | ||
CF | poison of Adam's | ||
CF | Humour. | ||
CF | | ||
CF | It's also possible the information may be gleaned by coaxing visions | ||
CF | and | ||
CF | revelations from other surfaces in the settlement. Keep searching! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF | Outside the hovel 161 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > OUT | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tent" | ||
CF | Outside the hovel 162 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > X TENT | ||
CF | | ||
CF | A broad tent is to the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Inside the tent 163 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inside the tent | ||
CF | Inside this spacious tent is smashed and overturned equipment, as | ||
CF | though | ||
CF | destroyed in a fit of rage. You gather from the loose bits strewn | ||
CF | about that | ||
CF | this was once a craft workshop. | ||
CF | | ||
CF | The only undisturbed piece of equipment is a length of rope tied to | ||
CF | the tent's | ||
CF | center post. | ||
CF | | ||
CF | > | DavidW says, "That rope might help with the well." | |
DavidW says (to ClubFloyd), "take rope" | ||
CF | Inside the tent 164 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE ROPE | ||
CF | | ||
CF | The rope is tied to the center post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "untie rope" | ||
CF | Inside the tent 165 | ||
CF | Exits: out | ||
CF | | ||
CF | > UNTIE ROPE | ||
CF | | ||
CF | The knot's damnably tight. Whoever tied it off has--or had--a mastery | ||
CF | of them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rope" | ||
CF | Inside the tent 166 | ||
CF | Exits: out | ||
CF | | ||
CF | > X ROPE | ||
CF | | ||
CF | You find the rope in disheveled but fair condition. One end is | ||
CF | securely | ||
CF | knotted to the tent's center post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut rope" | ||
CF | Inside the tent 166 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ROPE | ||
CF | | ||
CF | What do you want to cut it with? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF | Inside the tent 167 | ||
CF | Exits: out | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a lumens gem | ||
CF | * a braid of cups | ||
CF | * a rucksack (in which are some arsenic, some lymph, some black | ||
CF | bile, some | ||
CF | phlegm, and some yellow bile) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * a vellum envelope | ||
CF | * a bandage | ||
CF | * an obsidian slab | ||
CF | * the Pharmakon | ||
CF | * a pulverulent cloth (in which are some sulfur, some ash, and some | ||
CF | salt) | ||
CF | | ||
CF | > | Jacqueline asks, "Can the obsidian cut?" | |
DavidW says, "let's see." | ||
DavidW says (to ClubFloyd), "cut rope with slab" | ||
CF | Inside the tent 168 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ROPE WITH SLAB | ||
CF | | ||
CF | You can't cut anything with that. | ||
CF | | ||
CF | > | Jacqueline says, "Ah well" | |
Jacqueline says, "I never think of obsidian as a mirror. I always think of it as a knife." | ||
DavidW says (to ClubFloyd), "x post" | ||
CF | Inside the tent 169 | ||
CF | Exits: out | ||
CF | | ||
CF | > X POST | ||
CF | | ||
CF | The center post is of cypress wood cut and shaved down. You see a | ||
CF | rope tied to | ||
CF | the post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull post" | ||
CF | Inside the tent 170 | ||
CF | Exits: out | ||
CF | | ||
CF | > PULL POST | ||
CF | | ||
CF | Pulling the post has no effect. | ||
CF | | ||
CF | > | Roger says, "an obsidian darkly" | |
DavidW says (to ClubFloyd), "break post" | ||
CF | Inside the tent 171 | ||
CF | Exits: out | ||
CF | | ||
CF | > BREAK POST | ||
CF | | ||
CF | You see no point in breaking that. | ||
CF | | ||
CF | > | Jacqueline says, "heh. Yes." | |
DavidW says (to ClubFloyd), "x bits" | ||
CF | Inside the tent 172 | ||
CF | Exits: out | ||
CF | | ||
CF | > X BITS | ||
CF | | ||
CF | Among the detritus you make out the remains of a spinning wheel and a | ||
CF | table for | ||
CF | weaving coarse fibers into linen, such as to produce the canvas for | ||
CF | this tent. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wheel" | ||
CF | Inside the tent 173 | ||
CF | Exits: out | ||
CF | | ||
CF | > X WHEEL | ||
CF | | ||
CF | It's broken to bits. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x table" | ||
CF | Inside the tent 174 | ||
CF | Exits: out | ||
CF | | ||
CF | > X TABLE | ||
CF | | ||
CF | It's smashed up. | ||
CF | | ||
CF | > | Jacqueline says, "I think I am beginning to appreciate reasons why this won the comp for authors, but not for non-author judges." | |
DavidW says, "I'm a little surprised to see a spinning wheel this early in civilization." | ||
Jacqueline nods. | ||
DavidW says, "I think before the spinning wheel, there was a quern? which you'd spin in mid-air from the yarn that you wanted to twist." | ||
Roger | Remember your Creator before the silver cord is loosed, Or the golden bowl is broken, Or the pitcher shattered at the fountain, Or the wheel broken at the well. | ||
DavidW says (to ClubFloyd), "move table" | ||
CF | Inside the tent 175 | ||
CF | Exits: out | ||
CF | | ||
CF | > MOVE TABLE | ||
CF | | ||
CF | It's smashed up. | ||
CF | | ||
CF | > | Jacqueline says, "huh. I have never heard of a quern." | |
DavidW says (to ClubFloyd), "search bits" | ||
CF | Inside the tent 176 | ||
CF | Exits: out | ||
CF | | ||
CF | > SEARCH BITS | ||
CF | | ||
CF | You see nothing interesting in the equipment. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 177 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | The crow launches from the tree, flies a roundabout loop in the hazy | ||
CF | sky, and | ||
CF | returns to its perch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 178 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Landslide 179 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Landslide | ||
CF | Loose shale and rock covers the foothill of a mountain range. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x boulder" | ||
CF | Landslide 180 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > X BOULDER | ||
CF | | ||
CF | A boulder the shape of an enormous egg has come to rest at the foot of | ||
CF | the | ||
CF | mountain. Peering around its edges, you realize it's blocking the | ||
CF | entrance to | ||
CF | a cavern beyond. | ||
CF | | ||
CF | You also detect streaks and flecks of iron ore shot throughout the | ||
CF | great rock. | ||
CF | | ||
CF | > | Roger says, "quern is mostly a dwarf-fortress thing these days, I think" | |
Jacqueline asks, "I feel like it hasn't talked about us sweating for a bit - maybe we really were just winded?" | ||
DavidW says, "maybe" | ||
DavidW asks, "A boulder with iron? Meteorite, perhaps?" | ||
DavidW says (to ClubFloyd), "push boulder" | ||
CF | Landslide 181 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > PUSH BOULDER | ||
CF | | ||
CF | Pushing the boulder has no effect. | ||
CF | | ||
CF | > | Roger says, "there's no reason the Mark of Cain couldn't be excessive sweating" | |
DavidW says (to ClubFloyd), "climb boulder" | ||
CF | Landslide 182 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > CLIMB BOULDER | ||
CF | | ||
CF | Your hands and feet find no purchase on the boulder's smooth surface, | ||
CF | and you | ||
CF | slip back down. | ||
CF | | ||
CF | > | DavidW says, "hm. It let me try, though." | |
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 183 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 184 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb tree" | ||
CF | In the branches of the great cedar 185 | ||
CF | Exits: down up | ||
CF | | ||
CF | > CLIMB TREE | ||
CF | | ||
CF | In the branches of the great cedar | ||
CF | From this vantage you overlook much of the settlement below, and have | ||
CF | a good | ||
CF | view of the mountains to the south. | ||
CF | | ||
CF | The crow sits on the branch with you. It regards you with an | ||
CF | inquisitive | ||
CF | angling of its head. | ||
CF | | ||
CF | > | ||
Jade says, " put the magic podwer on it" | ||
DavidW says (to ClubFloyd), "x crow" | ||
CF | In the branches of the great cedar 186 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X CROW | ||
CF | | ||
CF | Its blackness, so pure and undiluted, and its stoic observation of you | ||
CF | in its | ||
CF | natural terrain?you are mesmerized by the creature. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask crow about cain" | ||
CF | In the branches of the great cedar 187 | ||
CF | Exits: down up | ||
CF | | ||
CF | > ASK CROW ABOUT CAIN | ||
CF | | ||
CF | It peers off into the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x settlement" | ||
CF | In the branches of the great cedar 188 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X SETTLEMENT | ||
CF | | ||
CF | This bird's-eye view of the settlement affords a chance to survey it | ||
CF | in its | ||
CF | entirety. A hovel and tent, a dilapidated shack, a fire pit, and a | ||
CF | wheat field | ||
CF | to the south are all visible. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x nest" | ||
CF | In the branches of the great cedar 188 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X NEST | ||
CF | | ||
CF | You see no nest here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tere" | ||
CF | In the branches of the great cedar 188 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X TERE | ||
CF | | ||
CF | You see no tere here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tree" | ||
CF | In the branches of the great cedar 189 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X TREE | ||
CF | | ||
CF | To be in the ancient cedar's canopy is comforting and awe-inspiring. | ||
CF | | ||
CF | > | Jade says, "this crow seems to be as the arborea's monkey, lol" | |
DavidW says (to ClubFloyd), "u" | ||
CF | In the branches of the great cedar 190 | ||
CF | Exits: down up | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | You dare not climb any higher. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x branches" | ||
CF | In the branches of the great cedar 191 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X BRANCHES | ||
CF | | ||
CF | The branch is sturdy enough for you near the tree of the trunk. It | ||
CF | tapers off | ||
CF | quickly. You doubt it could support your weight out where the crow | ||
CF | lingers. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Foot of the great cedar tree 192 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 193 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | You recognize this to be a field of domesticated grain. That | ||
CF | knowledge comes | ||
CF | not from your time at the Academy, but rather of an unremarkable youth | ||
CF | spent | ||
CF | harvesting wheat and sorghum on your grandfather's farm. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | Jacqueline asks, "So, like, I hate to ask this, but what's our overall goal, again?" | |
DavidW says, "We need to learn what the mark of Cain actually is/was." | ||
Jacqueline says, "Right." | ||
DavidW says, "Our secondary goal is to find the bracelet we lost in the river; it's our only way back home." | ||
Jacqueline says, "We are not Cain. I had forgotten this literally until just now when they mentioned the Academy." | ||
Jacqueline says, "I feel like Celine Dion. It's all coming back to me now." | ||
Jacqueline says, "Thank you." | ||
DavidW says, "Also, our ranking within the Academy is poor, because of our profession of researcher or whatever they can it." | ||
DavidW says, "er they call it" | ||
DavidW says (to ClubFloyd), "x scarecrow" | ||
CF | In the wheat field 194 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > X SCARECROW | ||
CF | | ||
CF | This crude dummy is little more than willow and straw fashioned into a | ||
CF | human- | ||
CF | like form and tied to a post. Its lifeless eyes stare off toward a | ||
CF | clearing to | ||
CF | the south. | ||
CF | | ||
CF | Not that this scarecrow has earned its keep--from what you've seen so | ||
CF | far, the | ||
CF | crows around here seem to feel they rule the roost. | ||
CF | | ||
CF | You snap your fingers: An ocu compound may give this | ||
CF | scarecrow a voice to the | ||
CF | events it's witnessed in this field. The Pharmakon should be | ||
CF | of help here. | ||
CF | | ||
CF | > | DavidW says, "weird" | |
Jacqueline asks, "On your map, DW, do you put a ? as a way of saying 'there may be stuff beyond this on the map but I haven't explored that yet'?" | ||
DavidW says, "yes" | ||
Jacqueline says, "Great. Thanks." | ||
Jacqueline asks, "Holy crap. We're going to make the scarecrow *talk*?" | ||
DavidW says, "Looks like. I was playing a game called Uninvited where I had that ability." | ||
DavidW says, "I could make dolls, statues, and masks talk." | ||
Jade says, "The idea of this game is that you are part of an alchemical society that possesses the ability to travel back in time. It is your job to go to the very beginning and discover the truth about Cain and his Mark." | ||
Jacqueline says, "This is all pretty creepy." | ||
Jacqueline says, "Just sayin'" | ||
DavidW says (to ClubFloyd), "look up ocu in book" | ||
CF | In the wheat field 195 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > LOOK UP OCU IN BOOK | ||
CF | | ||
CF | Dummies, portraits, and any other lifeless mimicry possessing human | ||
CF | eyes may | ||
CF | retain a memory of the past they've witnessed. Ocu provides a | ||
CF | way to hear | ||
CF | these mimics' tales. | ||
CF | | ||
CF | Arsenic & phlegm grants a voice to these mute witnesses. | ||
CF | Merely apply the | ||
CF | compound to the form bearing the eyes, and one will re-envision what | ||
CF | the | ||
CF | mimicked eyes witnessed. | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | Roger says, "I've got an endless supply of phelgm right here" | |
DavidW says (to ClubFloyd), "look up phelgm in book" | ||
CF | In the wheat field 196 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > LOOK UP PHELGM IN BOOK | ||
CF | | ||
CF | Try as you might, you could not locate an entry for "phelgm." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up phlegm in book" | ||
CF | In the wheat field 197 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > LOOK UP PHLEGM IN BOOK | ||
CF | | ||
CF | Phlegm is a remedy promoting a phlegmatic nature: reserved, quiet, | ||
CF | thoughtful, | ||
CF | introspective. It is countered by the sage poison. | ||
CF | | ||
CF | Hester IV of Minscip makes a handwritten addition: "Not to be confused | ||
CF | with the | ||
CF | phlegm from a runny nose! What organ secretes this vital fluid | ||
CF | remains unknown | ||
CF | to medical science." | ||
CF | | ||
CF | c.f., sage, remedy, phlegmatic | ||
CF | | ||
CF | > | DavidW says (to Roger), "Your phlems isn't pure enough. Sorry." | |
DavidW says (to ClubFloyd), "apply ocu to scarecrow" | ||
CF | In the wheat field 197 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > APPLY OCU TO SCARECROW | ||
CF | | ||
CF | You see no ocu here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply arsenic to scarecrow" | ||
CF | In the wheat field 198 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > APPLY ARSENIC TO SCARECROW | ||
CF | | ||
CF | You spread some of the arsenic on the scarecrow. | ||
CF | | ||
CF | > | Jacqueline laughs. | |
DavidW says (to ClubFloyd), "apply phlegm to scarecrow" | ||
CF | > | ||
CF | > APPLY PHLEGM TO SCARECROW | ||
CF | | ||
CF | You spread some of the phlegm on the scarecrow. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Your eyes become the scarecrow's eyes. Through them, you witness an | ||
CF | age-old | ||
CF | altercation: A brotherly spat. | ||
CF | | ||
CF | Cain toils in the field for hours exposed to the stark white sun. | ||
CF | Abel passes | ||
CF | by on several occasions, cool and refreshed, with a puckish smirk and | ||
CF | a | ||
CF | mischievous air about him. | ||
CF | | ||
CF | "Have you not your flock to attend to?" Cain snaps. He has labored | ||
CF | all morning | ||
CF | with a shovel to dig an enormous egg-shaped rock out from the field. | ||
CF | | ||
CF | "You are the keeper of your field," Abel says. "My flock is my | ||
CF | business." | ||
CF | | ||
CF | Throughout the sweltering day, Abel passes by several more times, | ||
CF | never | ||
CF | offering assistance. Cain toils against the stubborn rock. The | ||
CF | egg-shaped | ||
CF | rock does not budge. | ||
CF | | ||
CF | Abel taunts him. "The river is cool today. I swam while my flock | ||
CF | quenched | ||
CF | their thirst. What have you been doing with your time?" | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | In the wheat field 199 | ||
CF | Exits: north east south | ||
CF | Temper sapped, Cain throws aside the shovel and storms off. | ||
CF | The rock in the | ||
CF | field remains embedded in the ground. Abel grins, shakes his head, | ||
CF | and | ||
CF | saunters off. | ||
CF | | ||
CF | The crow cries out twice?and you return to the present moment, with | ||
CF | only the | ||
CF | memory of the scarecrow's vision as a memento. | ||
CF | | ||
CF | [You may now refer to the ocu compound by name.] | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | Jacqueline says, "So, um, Abel had it coming. That is my take-away." | |
DavidW says, "oh, I'm sure." | ||
DavidW says (to ClubFloyd), "x wheat" | ||
CF | In the wheat field 200 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > X WHEAT | ||
CF | | ||
CF | A lack of water and care have left the grain and stalks withered and | ||
CF | fragile. | ||
CF | There might be a few worthwhile ears to gather here and there, if you | ||
CF | were to | ||
CF | take some. | ||
CF | | ||
CF | > | Jacqueline says, "Cain really can't be blamed. There weren't murder laws at the time." | |
DavidW says (to ClubFloyd), "take wheat" | ||
CF | In the wheat field 201 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE WHEAT | ||
CF | | ||
CF | You select the best of the remaining wheat from a meager selection. | ||
CF | | ||
CF | > | DavidW says, "odd it let me do that." | |
DavidW says, "Maybe I can make pancakes in the shape of Mickey Mouse and make that talk." | ||
DavidW says (to ClubFloyd), "l" | ||
CF | In the wheat field 202 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | DavidW asks, "Slaughterhouse or whatever's south of here?" | |
Jade says, "lol, Jacqueline, the natural law was born as the world itself exist. Unwritten, yes, but clear as the daylight." | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 203 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | A steady, diligent droning comes from the southeast. | ||
CF | | ||
CF | > | Jacqueline settles in for the Mickey Mouse animated memory pancakes puzzle. | |
DavidW says, "SeedComp is running. I could write that puzzle, I bet." | ||
Jacqueline says, "You could." | ||
DavidW says, "sage is one of the things we need." | ||
DavidW says (to ClubFloyd), "apply ostendo to rock" | ||
CF | Clearing 204 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY OSTENDO TO ROCK | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the russet-brown rock. | ||
CF | | ||
CF | The ostendo mixture sizzles and smokes. Something is wrong--the | ||
CF | noxious fumes | ||
CF | smell raw and sour-- | ||
CF | | ||
CF | Anguished screams come at you like banshees from all directions. They | ||
CF | send you | ||
CF | reeling left and right in confusion. | ||
CF | | ||
CF | When the effect fades and you recover your wits, you realize how | ||
CF | potent and | ||
CF | deep-seated the memory within this rock must be. | ||
CF | | ||
CF | To understand what it holds, you'll need to unlock more revelations in | ||
CF | and | ||
CF | around the settlement. | ||
CF | | ||
CF | You should also be certain of the Humour corresponding to each family | ||
CF | member: | ||
CF | Adam, Eve, Cain, and Abel. (Use MEMORIES to track what you've | ||
CF | learned.) | ||
CF | | ||
CF | > | Jacqueline says, "Humours are just gross." | |
DavidW says, "huh. Big bad memory here." | ||
Jacqueline says, "Yeah." | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 205 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | The industrious bees are so intent on harvesting every drop of sage | ||
CF | nectar, the | ||
CF | path to the field is smothered by their humming waves. You dare not | ||
CF | attempt to | ||
CF | pass through their numbers. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Beehive 206 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Beehive | ||
CF | Tucked between the lowest branches of this elderly and stooped almond | ||
CF | tree is a | ||
CF | mud-covered beehive swarming with its diligent occupants. The mud | ||
CF | hive has | ||
CF | grown too weighty for its perch. Portions have broken away. The bees | ||
CF | are | ||
CF | frantic and steadfast in their concerted efforts to shore it up. | ||
CF | | ||
CF | A loose honeycomb shard hangs from the wall of the hive. | ||
CF | | ||
CF | You can retrace your footsteps through the wheat field by going | ||
CF | northwest. To | ||
CF | the west opens up a field of sage. | ||
CF | | ||
CF | > | Jacqueline says, "The charcoal." | |
DavidW says (to ClubFloyd), "take shard" | ||
CF | Beehive 207 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > TAKE SHARD | ||
CF | | ||
CF | Gently, so not to disturb the hive or its occupants, you remove the | ||
CF | brittle | ||
CF | chunk of wax and set it in one of the cups in the braid. | ||
CF | | ||
CF | The bees notice the loss. For a moment their numbers and intensity | ||
CF | are | ||
CF | changed. You feel threatened, and sense they will turn on you en | ||
CF | masse, but | ||
CF | they soon settle and continue their labors. | ||
CF | | ||
CF | With the honeycomb removed, the fat mud hive is partially opened, like | ||
CF | a | ||
CF | grievous belly wound exposing the innards of a suffering man. You spy | ||
CF | within | ||
CF | the hive several pockets of the highly-desired royal jelly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hive" | ||
CF | Beehive 208 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > X HIVE | ||
CF | | ||
CF | The bulbous hive of packed dry mud has several pores where bees crawl | ||
CF | in and | ||
CF | out of. It sags from the branches of the almond tree like a tumorous | ||
CF | mass, | ||
CF | making the tree appear in profile like a spent and bloated old man. | ||
CF | Hundreds | ||
CF | of bees crawl about the interior walls of the hive. More | ||
CF | significantly, | ||
CF | several pockets of royal jelly are within reach. | ||
CF | | ||
CF | The droning of the bees is markedly more intense now. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tree" | ||
CF | Beehive 209 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > X TREE | ||
CF | | ||
CF | The almond tree appears quite old, and stopped producing long ago. | ||
CF | The | ||
CF | thriving bees have made good use of the tree in its advanced age. | ||
CF | | ||
CF | > | DavidW says, "aw. No almonds." | |
Jacqueline says, "There's a lot of eww-enducing writing in this game." | ||
DavidW says, "(pause for Alex to comment)" | ||
Jacqueline says, "ha" | ||
Jade says, "but honey. Need smoke" | ||
Jacqueline says, "I think I banned him from this channel." | ||
DavidW says, "yeah, smoke seems necessary" | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Clearing 210 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | > | Jacqueline says, "I mean, the 'ew-inducing'(sp) is not a negative critique, just an observation." | |
DavidW says (to ClubFloyd), "sw" | ||
CF | Clearing 211 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | You find yourself lost in the trail of broken stalks, unable to | ||
CF | discern which | ||
CF | direction the tracks lead. Eventually you give up and return to the | ||
CF | clearing. | ||
CF | | ||
CF | > | DavidW says, "hm. I wonder what that means." | |
DavidW says, "Maybe the big bad memory unlocks where to go southwest from here." | ||
Jade says, "perhaps we need to fix that" | ||
DavidW asks (of Jade), "How do you mean?" | ||
Jade says, "stalks" | ||
DavidW says, "I don't think applying first aid to corn stalks will help." | ||
DavidW says, "Let's get the charcoal for the bees" | ||
Jade says, "sew or burn these ones" | ||
Jacqueline says, "Charcoal. Yes." | ||
DavidW says, "hm. I'll keep the burning the corn in mind." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 212 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | DavidW says, "We might get popcorn instead of pancakes." | |
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 213 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | From the branches, the crow cocks its head and studies you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 214 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take charcoal" | ||
CF | Fire pit 215 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE CHARCOAL | ||
CF | | ||
CF | With tender fingers and quick moves, you take the topmost chunk of | ||
CF | charcoal. | ||
CF | Plenty more remains on the pile. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 216 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 217 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | The crow from somewhere in the distance cries out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 218 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 219 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | The river of bees swarming the sage field detest the charcoal smoke. | ||
CF | Most move | ||
CF | off toward the mud hive to the east? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take sage" | ||
CF | Sage field 219 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE SAGE | ||
CF | | ||
CF | You can't do that while juggling the chunk of hot charcoal between | ||
CF | your hands. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop charcoal" | ||
CF | Sage field 220 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > DROP CHARCOAL | ||
CF | | ||
CF | With great relief, you release the charcoal. It breaks into brittle | ||
CF | pieces and | ||
CF | scatters. | ||
CF | | ||
CF | > | Jacqueline says, "We are hot-potato-ing the charcoal." | |
DavidW says (to ClubFloyd), "take sage" | ||
CF | Sage field 221 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE SAGE | ||
CF | | ||
CF | You pick all the flowering sage available to you. | ||
CF | | ||
CF | > | Jade says, "bye bye" | |
DavidW says, "Looks like we need another coal for the jelly" | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 222 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 223 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 224 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 225 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take charcoal" | ||
CF | Fire pit 226 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE CHARCOAL | ||
CF | | ||
CF | With tender fingers and quick moves, you take the topmost chunk of | ||
CF | charcoal. | ||
CF | Plenty more remains on the pile. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | Jade says, "that means my bye bye" | |
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 227 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 228 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 229 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Beehive 230 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Beehive | ||
CF | Tucked between the lowest branches of this elderly and stooped almond | ||
CF | tree is a | ||
CF | mud-covered beehive swarming with its diligent occupants. The mud | ||
CF | hive has | ||
CF | grown too weighty for its perch. Portions have broken away. The bees | ||
CF | are | ||
CF | frantic and steadfast in their concerted efforts to shore it up. | ||
CF | | ||
CF | The bees don't care for the charcoal smoke. They give you a wide | ||
CF | berth as you | ||
CF | move, forming a constantly-agitating shell in the air about you. | ||
CF | | ||
CF | Hundreds of bees crawl about the interior walls of the hive. More | ||
CF | significantly, several pockets of royal jelly are within reach. | ||
CF | | ||
CF | You can retrace your footsteps through the wheat field by going | ||
CF | northwest. To | ||
CF | the west opens up a field of sage. | ||
CF | | ||
CF | > | Jacqueline says, "ILAC" | |
Jacqueline says, "IDNLAC" | ||
Jacqueline asks, "Take?" | ||
DavidW says, "Now what? If I drop the charcoal to get the jelly, the charcoal will break and the bees will be back immediately." | ||
DavidW says (to ClubFloyd), "take jelly" | ||
CF | > | ||
CF | > TAKE JELLY | ||
CF | | ||
CF | If you take the royal jelly, you may not be able to return to this | ||
CF | area. Are | ||
CF | you certain you're ready? | ||
DavidW says (to ClubFloyd), "no" | ||
CF | Beehive 231 | ||
CF | Exits: west northwest | ||
CF | no | ||
CF | | ||
CF | You back away, leaving the royal jelly where you found it. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "SAVE" | ||
Jacqueline says (to ClubFloyd), "cf3" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | Beehive 231 | ||
CF | Exits: west northwest | ||
CF | Saved. | ||
CF | | ||
CF | > | Jacqueline says, "Save." | |
Jacqueline says, "er, saved." | ||
Jade says, "we need some large pool to hit down the bees" | ||
Jade says, "oh, we couldn't be back..." | ||
DavidW says, "If this is our only source of wax and honey, taking jelly might be a mistake until we actually need it." | ||
Jade says, "there is an enormeous lag today" | ||
DavidW says, "We don't actually need jelly yet." | ||
Jacqueline says, "mmkay" | ||
DavidW says (to ClubFloyd), "drop charcoal" | ||
CF | Beehive 232 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > DROP CHARCOAL | ||
CF | | ||
CF | With great relief, you release the charcoal. It breaks into brittle | ||
CF | pieces and | ||
CF | scatters. Its copious smoke lingers, and the bees momentarily remain | ||
CF | wary and | ||
CF | distant of you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Clearing 233 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Clearing 234 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You can't go that way. From here you could go north, south, southeast | ||
CF | or | ||
CF | southwest. | ||
CF | | ||
CF | > | Jacqueline says, "Hm. So it isn't instantaneous." | |
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 235 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | DavidW says, "I guess it wasn't." | |
DavidW says, "Although we have wax for the hair, Adam's poison I think would be chamomile, according to my notes." | ||
DavidW says, "And we haven't seen that yet." | ||
DavidW asks, "That's just a flower, isn't it?" | ||
Jade says, "let's explore a bit furthermore" | ||
DavidW says (to ClubFloyd), "search scarecrow" | ||
CF | In the wheat field 236 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > SEARCH SCARECROW | ||
CF | | ||
CF | You see nothing interesting in the scarecrow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 237 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | Jade says, "camomila is a flower at the beggining" | |
Roger says, "this kind of structure is properly called a 'shambles'" | ||
DavidW asks, "You mean we have seen it?" | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Slaughterhouse 238 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | A short stout knife lies on the tree stump. | ||
CF | | ||
CF | The tree stump glows a clear blue hue. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to stump" | ||
CF | Slaughterhouse 239 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OSTENDO TO STUMP | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the tree stump. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the tree stump? | ||
CF | | ||
CF | A voice whispers in your ear: "Abel's Humour, the poison of | ||
CF | phlegm--which is | ||
CF | Cain's Humour--and salt." | ||
CF | | ||
CF | Excellent--ostendo has revealed phlegm to be Cain's Humour. But note | ||
CF | you must | ||
CF | apply phlegm's corresponding poison. | ||
CF | | ||
CF | The Pharmakon and further searching of the settlement may | ||
CF | help in deducing | ||
CF | which essences are to be used on the stump. | ||
CF | | ||
CF | > | Jacqueline says, "Stuff" | |
Jacqueline says, "Knife, bones." | ||
DavidW says (to ClubFloyd), "x bones" | ||
CF | Slaughterhouse 240 | ||
CF | Exits: out | ||
CF | | ||
CF | > X BONES | ||
CF | | ||
CF | The stack of old animal bones is fairly grisly, even considering its | ||
CF | surroundings. The bones are stripped clean and piled in a loose | ||
CF | discarded | ||
CF | fashion. | ||
CF | | ||
CF | The earth rocks once, but mightily. The planks shiver and creak all | ||
CF | around | ||
CF | you, and you have to wonder if another mighty jolt might bring down | ||
CF | the shack. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search bones" | ||
CF | Slaughterhouse 241 | ||
CF | Exits: out | ||
CF | | ||
CF | > SEARCH BONES | ||
CF | | ||
CF | You see nothing interesting in the pile of bones. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x knife" | ||
CF | Slaughterhouse 242 | ||
CF | Exits: out | ||
CF | | ||
CF | > X KNIFE | ||
CF | | ||
CF | This short knife is little more than a strip of iron beaten down to a | ||
CF | blade and | ||
CF | a rough handle. The blade is a little longer than your smallest | ||
CF | finger and | ||
CF | pocked with rust. You imagine it has been used to slaughter many | ||
CF | animals. | ||
CF | | ||
CF | > | Roger says, "grisly but not gristly" | |
DavidW says, "take knife" | ||
DavidW says (to ClubFloyd), "take knife" | ||
CF | Slaughterhouse 243 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE KNIFE | ||
CF | | ||
CF | You pick up the knife. | ||
CF | | ||
CF | > | DavidW says, "We can now get the rope." | |
Jacqueline says (to ClubFloyd), "take bones" | ||
CF | Slaughterhouse 244 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE BONES | ||
CF | | ||
CF | You take one of the bones off the pile. | ||
CF | | ||
CF | > | DavidW asks, "Maybe we can make a torch from a bone. Remember doing that once?" | |
Jacqueline says, "vaguely" | ||
DavidW says, "Down the Serpent and the Sun, I think it was called." | ||
Jacqueline says, "oh yeah" | ||
Jade says, "some strips of lathe and oil" | ||
DavidW says, "Bones, of course, are also the favoured chew toy for doggies." | ||
DavidW says, "We saw strips of blanket in the hovel." | ||
DavidW says, "No oil yet, though." | ||
Roger says, "a bone could also be used as an ember-carrier (but so could other things)" | ||
DavidW says (to Roger), "oh maybe." | ||
DavidW says (to ClubFloyd), "x corn" | ||
CF | Slaughterhouse 244 | ||
CF | Exits: out | ||
CF | | ||
CF | > X CORN | ||
CF | | ||
CF | You see no corn here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF | Slaughterhouse 245 | ||
CF | Exits: out | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a lumens gem | ||
CF | * a braid of cups (in which is some wax) | ||
CF | * a rucksack (in which are some arsenic, some lymph, some black | ||
CF | bile, some | ||
CF | phlegm, and some yellow bile) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * some wheat | ||
CF | * an obsidian slab | ||
CF | * a knife | ||
CF | * an animal bone | ||
CF | * a pulverulent cloth (in which are some ash, some sage, some | ||
CF | sulfur, and | ||
CF | some salt) | ||
CF | * a bandage | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x wheat" | ||
CF | Slaughterhouse 246 | ||
CF | Exits: out | ||
CF | | ||
CF | > X WHEAT | ||
CF | | ||
CF | You picked a spray of the best wheat stalks from the field. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Slaughterhouse 247 | ||
CF | Exits: out | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | The tree stump glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the tree stump has a revelation | ||
CF | locked within | ||
CF | it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up phlegm in book" | ||
CF | Slaughterhouse 248 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP PHLEGM IN BOOK | ||
CF | | ||
CF | Phlegm is a remedy promoting a phlegmatic nature: reserved, quiet, | ||
CF | thoughtful, | ||
CF | introspective. It is countered by the sage poison. | ||
CF | | ||
CF | Hester IV of Minscip makes a handwritten addition: "Not to be confused | ||
CF | with the | ||
CF | phlegm from a runny nose! What organ secretes this vital fluid | ||
CF | remains unknown | ||
CF | to medical science." | ||
CF | | ||
CF | c.f., sage, remedy, phlegmatic | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up humours in book" | ||
CF | Slaughterhouse 249 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP HUMOURS IN BOOK | ||
CF | | ||
CF | The Four Humours represent the balancing fluids intrinsic to the human | ||
CF | body. | ||
CF | Every living being contains all four; it is when the Humours are | ||
CF | unbalanced | ||
CF | that one may overtake the others, leading to excessive behavior and | ||
CF | damaging | ||
CF | thoughts. | ||
CF | | ||
CF | The Four Humours are: | ||
CF | | ||
CF | * blood which makes one sanguine | ||
CF | * yellow bile which makes one choleric | ||
CF | * black bile which makes one melancholic | ||
CF | * phlegm which makes one phlegmatic | ||
CF | | ||
CF | Note that all four are remedies in the Indagator tool kit. | ||
CF | | ||
CF | Hester IV of Minscip adds in the margin: "Early inquiries into Adam, | ||
CF | Eve, Cain, | ||
CF | & Abel indicates each is associated with a different Humour. Learning | ||
CF | each | ||
CF | family member's Humour would be a tour de force for any | ||
CF | Indagator!" | ||
CF | | ||
CF | c.f., remedy, Three Primes | ||
CF | | ||
CF | > | Roger says, "oh maybe we need to get essence of blood somehow" | |
Roger says, "if we've not already got that one" | ||
DavidW says, "So either Eve is blood and Abel is black bile, or it's the other way around." | ||
DavidW says, "We have a knife. We use our own blood if we need any.," | ||
DavidW says, "Let's get the rope and see if we can explore the well's interior or not." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside a slaughterhouse 250 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | From this distance, the crow's blackness perched in the tree limbs | ||
CF | makes an | ||
CF | oval hole in this serene, if ominous, place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 251 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Fire pit 252 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You can't go that way. From here you could go east, south, west or | ||
CF | northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 253 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Inside the tent 254 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inside the tent | ||
CF | Inside this spacious tent is smashed and overturned equipment, as | ||
CF | though | ||
CF | destroyed in a fit of rage. You gather from the loose bits strewn | ||
CF | about that | ||
CF | this was once a craft workshop. | ||
CF | | ||
CF | The only undisturbed piece of equipment is a length of rope tied to | ||
CF | the tent's | ||
CF | center post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut rope" | ||
CF | Inside the tent 255 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ROPE | ||
CF | | ||
CF | (with the knife) | ||
CF | The rusted knife is far too dull to cut anything. | ||
CF | | ||
CF | You vaguely recall an alchemical compound that makes anew the old and | ||
CF | worn. | ||
CF | The Pharmakon may be of assistance with that. | ||
CF | | ||
CF | > | Jacqueline says, "I love how you jumped straight to 'we can use our own blood'" | |
DavidW says, "oh, when I made up these notes, I looked up blood in this book." | ||
DavidW says (to ClubFloyd), "look up blood in book" | ||
CF | Inside the tent 256 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP BLOOD IN BOOK | ||
CF | | ||
CF | Blood is a remedy promoting a sanguine nature: active, enthusiastic, | ||
CF | social. | ||
CF | It is countered by the lymph poison. | ||
CF | | ||
CF | Only fluid blood makes an acceptable essence. The dried variety is of | ||
CF | no use | ||
CF | to producing compounds. | ||
CF | | ||
CF | Hester IV of Minscip adds: "If an Indagator is unable to | ||
CF | procure a quantity of | ||
CF | blood, he or she often needs to provide it from their own body. This | ||
CF | is the | ||
CF | SACRIFICE of our chosen profession!" | ||
CF | | ||
CF | c.f., lymph, remedy, sanguine | ||
CF | | ||
CF | > | DavidW says, "See. It's explicit." | |
Jacqueline says, "Ah" | ||
Roger says, "jolly good" | ||
Jacqueline says, "I was like, whoah whoah whoah let's look for a goat or something, but yeah. I guess it is foreshadowed / hinted." | ||
Jade says, "clear enough" | ||
DavidW says (to ClubFloyd), "look up compound in book" | ||
CF | Inside the tent 257 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP COMPOUND IN BOOK | ||
CF | | ||
CF | Essences are the backbone of the Indagator's compounds, and | ||
CF | thereby his or her | ||
CF | inquiry. | ||
CF | | ||
CF | While a constellation of essences exist for medicinal, soothsaying, | ||
CF | and other | ||
CF | scientific pursuits, for the Indagator only three varieties | ||
CF | are pertinent: | ||
CF | | ||
CF | * remedy | ||
CF | * poison | ||
CF | * excipient | ||
CF | | ||
CF | Compounds are formed by applying two or more of these essences to an | ||
CF | object or | ||
CF | a surface. When the correct combination is applied, the mixture will | ||
CF | trigger | ||
CF | the desired effect. | ||
CF | | ||
CF | If the wrong compound is applied, the mixture will dissolve, | ||
CF | leaving nothing | ||
CF | but a sense of waste. | ||
CF | | ||
CF | c.f., remedy, poison, excipient | ||
CF | | ||
CF | > | Jacqueline says, "So about that black bile..." | |
DavidW says (to ClubFloyd), "look up black bile" | ||
CF | Inside the tent 258 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP BLACK BILE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Black bile is a remedy promoting a melancholy nature: depression, | ||
CF | withdrawal, | ||
CF | sadness, ennui. It is countered by the arsenic poison. | ||
CF | | ||
CF | c.f., arsenic, remedy, melancholic | ||
CF | | ||
CF | > | DavidW says, "I suspect that's Eve." | |
Jacqueline asks, "Does it come from our liver? Must we stab ourselves?" | ||
Jacqueline says, "Kidding." | ||
Jacqueline says, "Hopefully." | ||
DavidW says (to ClubFloyd), "look up eve in book" | ||
CF | Inside the tent 259 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP EVE IN BOOK | ||
CF | | ||
CF | The first Woman to walk the Earth; the Mother of Mankind. Eve's sin, | ||
CF | along | ||
CF | with Adam's, led to their expulsion from paradise. | ||
CF | | ||
CF | Bore sons Cain and Abel, and eldest daughter Awan, among other | ||
CF | children. | ||
CF | | ||
CF | The first four family members--Adam, Eve, Cain, & Abel--each represent | ||
CF | a | ||
CF | Humour, and their temperaments, moods, and emotions are defined as | ||
CF | such. None | ||
CF | of the family members share a Humour. | ||
CF | | ||
CF | Scholastics are uncertain which Humour represents Eve. | ||
CF | | ||
CF | c.f., Four Humours, Eden, Adam | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x reflection" | ||
CF | Inside the tent 260 | ||
CF | Exits: out | ||
CF | | ||
CF | > X REFLECTION | ||
CF | | ||
CF | In the black sheen of the polished surface, you spy a faint | ||
CF | representation of | ||
CF | yourself: Your nose, the perspiration across your brow, the corners of | ||
CF | your | ||
CF | mouth drooping, and especially your twin piercing eyes glancing back | ||
CF | at you. | ||
CF | | ||
CF | Most of all, you appear?beleaguered. | ||
CF | | ||
CF | > | Jade says, "no, we have itin the inventory" | |
DavidW says (to ClubFloyd), "apply ocu to reflection" | ||
CF | Inside the tent 261 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OCU TO REFLECTION | ||
CF | | ||
CF | You can't do that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ocu to obsidian" | ||
CF | > | ||
CF | > APPLY OCU TO OBSIDIAN | ||
CF | | ||
CF | You spread some of the arsenic and the phlegm on the obsidian slab. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Your eyes reflecting back at you become the eyes of all who've gazed | ||
CF | into the | ||
CF | obsidian's polished surface. It is Eve who has peered into it the | ||
CF | most. | ||
CF | | ||
CF | A beauty when she was first created, her grace was ground down by her | ||
CF | exile to | ||
CF | the wilderness. Deadened eyes and a lifeless expression have replaced | ||
CF | the | ||
CF | charms of her youth. | ||
CF | | ||
CF | While studying herself in the obsidian mirror, she tells her children | ||
CF | long and | ||
CF | loving stories of life in Eden. Every plant bore succulent fruit and | ||
CF | aromatic | ||
CF | blossoms. The waterfalls provided endless fresh water. Never a storm | ||
CF | to flood | ||
CF | the garden. Never a drought to parch the soil. | ||
CF | | ||
CF | "It was a place of no tomorrows," she tells her children. "It was a | ||
CF | time of no | ||
CF | yesterdays." | ||
CF | | ||
CF | Adam tells her to quit lulling the children with tales of that which | ||
CF | has | ||
CF | passed. "There are stones to turn and lambs to slaughter." | ||
CF | | ||
CF | Eve lives her days in a waking half-dream peering back in time through | ||
CF | the | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Inside the tent 262 | ||
CF | Exits: out | ||
CF | | ||
CF | | ||
CF | When the vision ceases, there is no doubt in your mind: Eve is | ||
CF | afflicted with | ||
CF | melancholy. The Pharmakon has more information. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | DavidW says, "So, the hair vision requires black bile, chamomile, and wax. We have two of those, I think." | |
DavidW says (to ClubFloyd), "x chamomile" | ||
CF | Inside the tent 262 | ||
CF | Exits: out | ||
CF | | ||
CF | > X CHAMOMILE | ||
CF | | ||
CF | You see no chamomile here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up chamomile in book" | ||
CF | Inside the tent 263 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP CHAMOMILE IN BOOK | ||
CF | | ||
CF | A poison repelling a choleric nature. Counters the yellow bile | ||
CF | remedy. | ||
CF | | ||
CF | c.f., yellow bile, poison, choleric | ||
CF | | ||
CF | > | Jade says, "chamomile is a flower. With camomila we do some tea" | |
DavidW says, "But we could do the stump now. Blood + sage + salt, if I'm not mistaken." | ||
Jacqueline says, "mmm... tea" | ||
DavidW says (to ClubFloyd), "look up renewal in book" | ||
CF | Inside the tent 264 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP RENEWAL IN BOOK | ||
CF | | ||
CF | Although reversing the ravages of human age remains well-beyond the | ||
CF | current | ||
CF | limits of medical science, our understanding of the physical world | ||
CF | does permit | ||
CF | the more modest ability of restoring a simple man-made object to its | ||
CF | earlier | ||
CF | form. | ||
CF | | ||
CF | The alchemical compound novo may be concocted by applying the | ||
CF | following | ||
CF | essences to the article in need of restoration: sulfur & black | ||
CF | bile. | ||
CF | | ||
CF | Note the limits of novo: Complex machinery and intricate work are | ||
CF | unaffected by | ||
CF | the compound. Only the most simplest of creations are within its | ||
CF | powers. | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | Jade says, "let's try" | |
DavidW says (to ClubFloyd), "apply sulfur to knife" | ||
CF | Inside the tent 265 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY SULFUR TO KNIFE | ||
CF | | ||
CF | You spread some of the sulfur on the knife. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply black bile to knife" | ||
CF | Inside the tent 266 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLACK BILE TO KNIFE | ||
CF | | ||
CF | You spread some of the black bile on the knife. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The rust sizzles and burns off, producing a noxious smoke. Within | ||
CF | moments, the | ||
CF | years of age and use are wound back, leaving you with a a bright blade | ||
CF | of oiled | ||
CF | iron and a threatening edge. | ||
CF | | ||
CF | [You may now refer to the novo compound by name.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut rope" | ||
CF | Inside the tent 267 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ROPE | ||
CF | | ||
CF | (with the knife) | ||
CF | After some sawing with the knife, you succeed in cutting the knot, | ||
CF | leaving a | ||
CF | good length of sturdy rope on the ground before you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take rope" | ||
CF | Inside the tent 268 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE ROPE | ||
CF | | ||
CF | You coil up the rope and sling it over your shoulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 269 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 270 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Outside the hovel 271 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 272 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Outside a slaughterhouse 273 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | Jade says, "welldone" | |
DavidW says (to ClubFloyd), "s" | ||
CF | Slaughterhouse 274 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | The tree stump glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the tree stump has a revelation | ||
CF | locked within | ||
CF | it. | ||
CF | | ||
CF | > | DavidW says, "thanks" | |
DavidW says (to ClubFloyd), "apply blood to stump" | ||
CF | Slaughterhouse 275 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLOOD TO STUMP | ||
CF | | ||
CF | You cannot apply the blood stains to anything. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut me" | ||
CF | Slaughterhouse 276 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ME | ||
CF | | ||
CF | (with the knife) | ||
CF | After steeling yourself, you open a bit of flesh. Blood flows into | ||
CF | one of the | ||
CF | rucksack's glass phials. | ||
CF | | ||
CF | After drawing a sufficient quantity, you wrap your wound with the | ||
CF | bandage. A | ||
CF | vertigo comes over you; a moment later, the dizziness recedes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply blood to stump" | ||
CF | Slaughterhouse 277 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLOOD TO STUMP | ||
CF | | ||
CF | You spread some of the blood on the tree stump. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sage to stump" | ||
CF | Slaughterhouse 278 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY SAGE TO STUMP | ||
CF | | ||
CF | You spread some of the sage on the tree stump. | ||
CF | | ||
CF | > | Jacqueline leans in. | |
DavidW says (to ClubFloyd), "apply salt to stump" | ||
CF | Abel's slaughterhouse 279 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY SALT TO STUMP | ||
CF | | ||
CF | You spread some of the salt on the tree stump. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | In your ear comes a familiar voice, the grim voice of Cain: | ||
CF | | ||
CF | At the close of Slaughter, the blood of forty animals coats my | ||
CF | brother from | ||
CF | neck to knee. His skin is slick and painted dark red from the | ||
CF | umber of his | ||
CF | flock. | ||
CF | | ||
CF | Abel is never happier than during Slaughter. With his | ||
CF | throat-knife's iron | ||
CF | between his teeth, he takes the beast in both hands. In one | ||
CF | confident motion | ||
CF | he wrangles the animal onto the tree stump. The animals stand | ||
CF | wide-eyed with | ||
CF | terror, but they do not resist. For the entirety of their short | ||
CF | lives, he has | ||
CF | been as a father to them. | ||
CF | | ||
CF | When he flicks the fine edge across the beast's neck, only a nick | ||
CF | appears, a | ||
CF | spot of black blood under its jaw. A moment later, a thread | ||
CF | thickens across | ||
CF | its neckline, then begins coursing like a stream. It is my knife, | ||
CF | I forged it | ||
CF | for Abel, and their blood will be reckoned when my time of | ||
CF | accounting comes. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | DavidW says, "good lord" | |
Jacqueline says, "good Lord" | ||
DavidW says, "That was gruesome AF." | ||
Jacqueline says, "A lot in this game is." | ||
Jade says, "that Abel... rude man" | ||
DavidW says, "I'm wondering if novo can restore the spinning wheel." | ||
DavidW says, "I'd like to try that." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside a slaughterhouse 280 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 281 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Fire pit 282 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You can't go that way. From here you could go east, south, west or | ||
CF | northeast. | ||
CF | | ||
CF | You're clammy and perspiring slightly. All the walking around has | ||
CF | made you | ||
CF | feel more winded than you would expect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 283 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Inside the tent 284 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inside the tent | ||
CF | Inside this spacious tent is smashed and overturned equipment, as | ||
CF | though | ||
CF | destroyed in a fit of rage. You gather from the loose bits strewn | ||
CF | about that | ||
CF | this was once a craft workshop. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply novo to wheel" | ||
CF | Inside the tent 285 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY NOVO TO WHEEL | ||
CF | | ||
CF | You spread some of the sulfur and the black bile on the spinning | ||
CF | wheel. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | The damage to the equipment appears beyond the reach of novo's | ||
CF | capabilities. | ||
CF | | ||
CF | > | Jade says, "I don't think so" | |
DavidW says, "agreed" | ||
DavidW says, "Let's tie the rope to the well next." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 286 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | In the distance the crow cries out three times. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 287 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Outside the hovel 288 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | > | Jade says, "it should be simpler" | |
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 289 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 290 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow launches from the tree, flies a roundabout loop in the hazy | ||
CF | sky, and | ||
CF | returns to its perch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 291 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x well" | ||
CF | Well 292 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > X WELL | ||
CF | | ||
CF | The stones surrounding the perimeter of the well are mostly egg-shaped | ||
CF | river | ||
CF | rock smoothed by erosion. Judging by the shovel marks cut into the | ||
CF | inner walls | ||
CF | of the well, the well was dug by hand, and is not a natural formation | ||
CF | the | ||
CF | settlers here took advantage of. | ||
CF | | ||
CF | A thick wood crossbeam is mounted over the well. | ||
CF | | ||
CF | [Use RECALL THE WELL to recall the revelation unlocked from the well.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tie rope to crossbeam" | ||
CF | Well 293 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > TIE ROPE TO CROSSBEAM | ||
CF | | ||
CF | You tie the rope to the crossbeam and throw the other end down to the | ||
CF | bottom of | ||
CF | the well. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb rope" | ||
CF | Bottom of well 294 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > CLIMB ROPE | ||
CF | | ||
CF | Ponderously, and with a streak of self-doubt eating at you, you take | ||
CF | hold of | ||
CF | the rope and rappel down the throat of the well? | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The climb down winded you. Your arms feel doughy and your ribs ache. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | DavidW says, "huh. a choice of passages." | |
Jacqueline says, "HUH" | ||
DavidW says, "Hope we don't need a flashlight." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Corpse 295 | ||
CF | Exits: south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Corpse | ||
CF | Crumpled before you in an undignified heap is a corpse. From his | ||
CF | attire, you | ||
CF | can tell he was an Indagator from the Academy. | ||
CF | | ||
CF | You spy a jagged crevice cut in the tunnel high above revealing a scar | ||
CF | of sky | ||
CF | and some scattered sunlight. | ||
CF | | ||
CF | A narrow passage runs south. | ||
CF | | ||
CF | A raucous flapping of wings echoes down the cave walls, followed by an | ||
CF | ear- | ||
CF | piercing caaaw. The crow's stark silhouette forms a distinct | ||
CF | outline in the | ||
CF | white light of the crevice above. | ||
CF | | ||
CF | > | Jacqueline says, "...or a bone torch." | |
Jade asks, "the possible torch?" | ||
Jade says, "save" | ||
Jacqueline says (to ClubFloyd), "SAVE" | ||
Jacqueline says (to ClubFloyd), "cf4" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | Corpse 295 | ||
CF | Exits: south | ||
CF | Saved. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x corpse" | ||
CF | Crado's corpse 296 | ||
CF | Exits: south | ||
CF | | ||
CF | > X CORPSE | ||
CF | | ||
CF | It is Crado, a highly experienced Indagator. He was sent by | ||
CF | the Academy before | ||
CF | you. | ||
CF | | ||
CF | Both his legs are broken. He must have suffered the injury climbing | ||
CF | down the | ||
CF | well, crawled here, and expired. Such are the risks of your chosen | ||
CF | profession?but still. To die in this manner is a waste. | ||
CF | | ||
CF | You discover a band partially hidden by the body. | ||
CF | | ||
CF | A single gentle caw from the crow comes down to you as though | ||
CF | reminding you of | ||
CF | your task at hand. | ||
CF | | ||
CF | > | Jacqueline asks, "search 'em?" | |
Jacqueline says, "Alas, poor Crado. I knew him well." | ||
DavidW says (to ClubFloyd), "take band" | ||
CF | Crado's corpse 297 | ||
CF | Exits: south | ||
CF | | ||
CF | > TAKE BAND | ||
CF | | ||
CF | You take the band. | ||
CF | | ||
CF | It's an orbis bracelet! | ||
CF | | ||
CF | > | Jacqueline says, "Oh, does he have a - YEAH BAYBEE" | |
Jade asks, "a replacement for the bracelet?" | ||
Jacqueline says, "Indeed" | ||
DavidW says (to ClubFloyd), "wear bracelet" | ||
CF | Crado's corpse 298 | ||
CF | Exits: south | ||
CF | | ||
CF | > WEAR BRACELET | ||
CF | | ||
CF | You set Crado's orbis bracelet about your wrist. | ||
CF | | ||
CF | You're definitely feverish, and grower sicker by the minute, but you | ||
CF | must press | ||
CF | on. Once this inquiry is over, you can take a long, well-deserved | ||
CF | rest. | ||
CF | | ||
CF | > | Jacqueline says, "Heck yeah." | |
Jacqueline asks, "Hm. Still sick, huh?" | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Bottom of well 299 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | A dark tunnel 300 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You trudge through the dank darkness for a while? | ||
CF | | ||
CF | A dark tunnel | ||
CF | A bend in the tunnel runs northwest toward a feebly-lit clearing in | ||
CF | the cave, | ||
CF | and south toward a bright exit. | ||
CF | | ||
CF | A small unadorned clay jug lies on its side on the cave floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jug" | ||
CF | A dark tunnel 301 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > X JUG | ||
CF | | ||
CF | The clay jug, only a few inches high, appears worthy for holding a few | ||
CF | ounces | ||
CF | of water or other liquid. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take jug" | ||
CF | A dark tunnel 302 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > TAKE JUG | ||
CF | | ||
CF | You pick up the clay jug. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open it" | ||
CF | A dark tunnel 303 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > OPEN IT | ||
CF | | ||
CF | The clay jug is not something you can open. | ||
CF | | ||
CF | > | Jacqueline says, "These occasional question marks?are weird." | |
DavidW says, "I think they're em-dashes that the mud can't display." | ||
Jacqueline says, "Ah." | ||
Jacqueline says, "They may come out okay in the transcript." | ||
DavidW says (to ClubFloyd), "s" | ||
CF | An Uncertain Earth 304 | ||
CF | Exits: north | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | You trudge down the dark corridor toward a blindingly bright light, | ||
CF | and emerge | ||
CF | into daylight? | ||
CF | | ||
CF | An Uncertain Earth | ||
CF | Swaying in the breeze is a modest array of flowering chamomile. | ||
CF | | ||
CF | A massive crevice has torn open the earth beside the field. Steaming | ||
CF | effluence | ||
CF | emerges from its depths. Across the chasm to the west blooms a robust | ||
CF | field of | ||
CF | sage. | ||
CF | | ||
CF | A dank cave is to the north. | ||
CF | | ||
CF | A few bees fly off from the chamomile and meander across the chasm to | ||
CF | the sage. | ||
CF | | ||
CF | > | Jade says, "the chamomile" | |
DavidW says (to ClubFloyd), "take chamomile" | ||
CF | An Uncertain Earth 305 | ||
CF | Exits: north | ||
CF | | ||
CF | > TAKE CHAMOMILE | ||
CF | | ||
CF | You pick all the flowering chamomile, as only the yellow pistil is | ||
CF | suitable for | ||
CF | mixing compounds. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chasm" | ||
CF | An Uncertain Earth 306 | ||
CF | Exits: north | ||
CF | | ||
CF | > X CHASM | ||
CF | | ||
CF | The gaping forked chasm cuts several jagged cracks across the earth | ||
CF | like | ||
CF | lightning in the sky. They're wide and deep enough to block your | ||
CF | path. | ||
CF | | ||
CF | Noxious steam emerges from below and billows into the air. | ||
CF | | ||
CF | > | DavidW says, "I guess we can only return the way we came." | |
DavidW says (to ClubFloyd), "n" | ||
CF | A dark tunnel 307 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You plunge into the cave and its dim dankness? | ||
CF | | ||
CF | A dark tunnel | ||
CF | A bend in the tunnel runs northwest toward a feebly-lit clearing in | ||
CF | the cave, | ||
CF | and south toward a bright exit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Bottom of well 308 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You trudge through the darkness toward a dim opening in the caves lit | ||
CF | from | ||
CF | above? | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Well 309 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | With careful but determined progress, you haul yourself up the shaft | ||
CF | of the | ||
CF | well? | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 310 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow in the branches stares down at you with its beady left eye. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 311 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Fire pit 312 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You can't go that way. From here you could go east, south, west or | ||
CF | northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Outside a slaughterhouse 313 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 314 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 315 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Hovel 316 | ||
CF | Exits: out | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | You notice a strand of blond hair caught in the mud and thatch of the | ||
CF | rear | ||
CF | wall. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor. | ||
CF | | ||
CF | The strand of blond hair glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the strand of blond hair has a | ||
CF | revelation | ||
CF | locked within it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply black bile to hair" | ||
CF | Hovel 317 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLACK BILE TO HAIR | ||
CF | | ||
CF | You spread some of the black bile on the strand of blond hair. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply chamomile to hair" | ||
CF | Hovel 318 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY CHAMOMILE TO HAIR | ||
CF | | ||
CF | You spread some of the chamomile on the strand of blond hair. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to hair" | ||
CF | > | ||
CF | > APPLY WAX TO HAIR | ||
CF | | ||
CF | You spread some of the wax on the strand of blond hair. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice, once more: | ||
CF | | ||
CF | Mother commands me to marry my sister, Awan, as well as Second | ||
CF | Daughter when | ||
CF | she is of age. | ||
CF | | ||
CF | To me, she says: "As the eldest, you are responsible for Abel and | ||
CF | your sisters. | ||
CF | When your father and I are no longer of this world, you will be | ||
CF | patriarch." | ||
CF | | ||
CF | To my brother, she says: "Abel, you will serve your brother, to | ||
CF | ensure the | ||
CF | family of Mankind prospers and spreads." | ||
CF | | ||
CF | Our sisters gather in a tight brood far from the Fire. The | ||
CF | dancing flames | ||
CF | illuminate their horrified expressions. | ||
CF | | ||
CF | "Cain, you and your sisters will produce twelve children," she | ||
CF | says. | ||
CF | | ||
CF | I plead with her. The sheep and swine do not breed brother with | ||
CF | sister. "Eve | ||
CF | is in charge of family matters," is all Father will say. | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Hovel 319 | ||
CF | Exits: out | ||
CF | Abel announces: "If Cain discards Awan, I will marry her." | ||
CF | But Mother will | ||
CF | have none of it. | ||
CF | | ||
CF | That night, Mother drapes over the bed a veil of muslin and linen. | ||
CF | She | ||
CF | perfumes the bed with rare oils and essences. Awan and I are led | ||
CF | to this bower | ||
CF | and instructed to lay together. We are left alone in the | ||
CF | hovel. | ||
CF | | ||
CF | Pressed together for warmth, my sister's thick mane pillows both | ||
CF | our faces. | ||
CF | She whispers to me: "Please?no?please do not?" | ||
CF | | ||
CF | The uncomfortable reckonings of the Earth's first inhabitants fades | ||
CF | off. | ||
CF | | ||
CF | The hair sizzles away into a sour wispy smoke. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | Jacqueline says, "Yeah, I'm having the reaction that the game wants me to have. Well done, game." | |
DavidW says, "I prefer to believe that Adam, if he existed at all, was the First Man of his tribe, not the first man ever, and his children mated outside his tribe." | ||
DavidW says, "otherwise, you can't avoid the incest problem." | ||
Roger says, "Adam, the first Targaryen" | ||
Jade says, "God take some living creatures and pushed his spirit, aka intelligence, etc into them." | ||
DavidW says, "I think the pain in my leg is where it joins to my pelvis. Walking in painful." | ||
Jacqueline laughs at Roger. | ||
Jade asks, "are you alright?" | ||
DavidW says, "not completely." | ||
DavidW says, "It's okay-ish while sitting, but I just got up to get the last two slices of pizza from the kitchen and ow ow ow." | ||
Jade exclaims, "if, what a nightmare new year!" | ||
Jade says, "uf" | ||
Jacqueline says, "brb" | ||
Jade exclaims, "pizza party!" | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed eight of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The slaughterhouse | ||
CF | * The strand of hair | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * novo: Restore a manmade invention to its original purpose | ||
CF | * ocu: Make a human-like yield an eyewitness revelation | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | | ||
CF | You've learned the following about the family members: | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Hovel 319 | ||
CF | Exits: out | ||
CF | | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | DavidW asks, "Should we try the broken rock again?" | |
Jade says, "so eve is ..." | ||
Jade says, "melancholic" | ||
DavidW says, "Eve is melancholic." | ||
DavidW says, "The mirror told us that ." | ||
DavidW says, "I'm not sure why MEMORIES omitted that." | ||
DavidW says (to ClubFloyd), "look in jug" | ||
CF | Hovel 320 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK IN JUG | ||
CF | | ||
CF | You see nothing interesting in the clay jug. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up awan in book" | ||
CF | Hovel 321 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP AWAN IN BOOK | ||
CF | | ||
CF | First daughter of Adam and Eve. | ||
CF | | ||
CF | Awan was the sister, and later wife, of Cain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF | Outside the hovel 322 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > OUT | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | Jacqueline asks, "omg we've only seen 8 of 16?" | |
DavidW says, "yes. Sorry." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 323 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Outside the hovel 324 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 325 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 326 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 327 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 328 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to rock" | ||
CF | Clearing 329 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY OSTENDO TO ROCK | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the russet-brown rock. | ||
CF | | ||
CF | The ostendo mixture sizzles and smokes. Something is wrong--the | ||
CF | noxious fumes | ||
CF | smell raw and sour-- | ||
CF | | ||
CF | Anguished screams come at you like banshees from all directions. They | ||
CF | send you | ||
CF | reeling left and right in confusion. | ||
CF | | ||
CF | Sapped and exhausted from the experience, you reckon you need to learn | ||
CF | more | ||
CF | revelations before you can unlock the event recorded with the rock. | ||
CF | | ||
CF | You should also be certain of the Humour corresponding to each family | ||
CF | member: | ||
CF | Adam, Eve, Cain, and Abel. (Use MEMORIES to track what you've | ||
CF | learned.) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jug" | ||
CF | Clearing 330 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > X JUG | ||
CF | | ||
CF | The clay jug, only a few inches high, appears worthy for holding a few | ||
CF | ounces | ||
CF | of water or other liquid. | ||
CF | | ||
CF | > | Jacqueline says, "Belatedly, no need to apologize - I just felt like you were rockin' it (boom boom boom) and that we must be close." | |
Jade says, "we need to learn about eye's humour" | ||
Jade says, "eve" | ||
DavidW says (to Jade), "We learned it. I don't know why the game didn't record it." | ||
Jade says, "it is odd indeed" | ||
DavidW says, "It's Abel's that hasn't been explicitly revealed." | ||
DavidW says, "I'm not sure what to try next." | ||
Jade says, "you don't need to aplogize" | ||
Jade asks, "camomila?" | ||
DavidW says, "I assume we need to move the boulder somehow." | ||
Jacqueline says, "Hm, yeah." | ||
DavidW says, "What about the chamomile" | ||
Jacqueline says, "Don't ask Abel for help with that. He's not into moving rocks." | ||
Jade asks, "have we used camomila yet?" | ||
DavidW says, "yes." | ||
DavidW says, "We used it on the hair." | ||
Jade says, "ok, turn on." | ||
Jade says, "ok then" | ||
DavidW says, "We haven't used the jug for anything." | ||
Jade says, "it seems we could catch the crow in the tree" | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 331 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 332 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | A flapping of wings and feathers comes from the crow above. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 333 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x well" | ||
CF | Well 334 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > X WELL | ||
CF | | ||
CF | The stones surrounding the perimeter of the well are mostly egg-shaped | ||
CF | river | ||
CF | rock smoothed by erosion. Judging by the shovel marks cut into the | ||
CF | inner walls | ||
CF | of the well, the well was dug by hand, and is not a natural formation | ||
CF | the | ||
CF | settlers here took advantage of. | ||
CF | | ||
CF | A thick wood crossbeam is mounted over the well. | ||
CF | | ||
CF | [Use RECALL THE WELL to recall the revelation unlocked from the well.] | ||
CF | | ||
CF | > | DavidW says, "If we had a shovel, we might pry the boulder loose." | |
Jacqueline asks (of Jade), "How do you propose we catch the crow?" | ||
Jacqueline says, "(I am not sure we're supposed to catch the crow, but I'm all for it.)" | ||
DavidW says, "I think catching the crow would be a grave mistake." | ||
DavidW says, "I think the crow is basically God's eyes and ears." | ||
Jacqueline nods appreciatively. | ||
DavidW says (to ClubFloyd), "look up crow in book" | ||
CF | Well 335 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > LOOK UP CROW IN BOOK | ||
CF | | ||
CF | These flying pests pillage sown fields of their farmers' labors and | ||
CF | steal table | ||
CF | scraps when the homemaker is unaware or away. They are a nuisance, | ||
CF | and little | ||
CF | more. | ||
CF | | ||
CF | They have but one flaw: They are entranced by all that shines, | ||
CF | glitters, or | ||
CF | gleams. They especially enjoy their own reflection. Their vanity is | ||
CF | peerless | ||
CF | in the animal kingdom. | ||
CF | | ||
CF | Hester IV of Minscip adds a brief note: "Crows are most useful allies | ||
CF | in an | ||
CF | Indagator's inquiry! Given the right tool or implement, they | ||
CF | may be able to | ||
CF | perform small tasks beyond your capabilities!" | ||
CF | | ||
CF | > | Jacqueline says, "Obsidian." | |
DavidW asks, "yeah, but what task does one give to a crow?" | ||
Jacqueline says, "He could move the boulder for -- never mind." | ||
DavidW says, "well, I'll try it." | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 336 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | In the branches of the great cedar 337 | ||
CF | Exits: down up | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | In the branches of the great cedar | ||
CF | From this vantage you overlook much of the settlement below, and have | ||
CF | a good | ||
CF | view of the mountains to the south. | ||
CF | | ||
CF | The crow sits on the branch with you. It regards you with an | ||
CF | inquisitive | ||
CF | angling of its head. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf5" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | In the branches of the great cedar 337 | ||
CF | Exits: down up | ||
CF | Saved. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "show slab to crow" | ||
CF | In the branches of the great cedar 338 | ||
CF | Exits: down up | ||
CF | | ||
CF | > SHOW SLAB TO CROW | ||
CF | | ||
CF | The cagey crow sneaks a peek of itself in the polished obsidian | ||
CF | reflection. It | ||
CF | dances around a bit and admires its moves. It tries taking the slab | ||
CF | between | ||
CF | its beak, but the rock is simply too heavy for it to carry. | ||
CF | | ||
CF | Once satisfied, it jitters back down the tree limb and out of your | ||
CF | reach. | ||
CF | | ||
CF | > | Jacqueline says, "huh" | |
DavidW says (to ClubFloyd), "crow, move boulder" | ||
CF | In the branches of the great cedar 338 | ||
CF | Exits: down up | ||
CF | | ||
CF | > CROW, MOVE BOULDER | ||
CF | | ||
CF | You see no boulder here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "crow, follow me" | ||
CF | In the branches of the great cedar 339 | ||
CF | Exits: down up | ||
CF | | ||
CF | > CROW, FOLLOW ME | ||
CF | | ||
CF | The crow ignores you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ocu to crow" | ||
CF | In the branches of the great cedar 340 | ||
CF | Exits: down up | ||
CF | | ||
CF | > APPLY OCU TO CROW | ||
CF | | ||
CF | The crow remains well out of your reach. The branch you share tapers | ||
CF | rapidly, | ||
CF | and would not support your weight if you were to venture further out | ||
CF | upon it. | ||
CF | | ||
CF | > | DavidW asks, "Should we search the corpse? Fill the jug with water?" | |
Jade says, "the crow seems to be part of landscape, lol" | ||
DavidW says (to ClubFloyd), "x knife" | ||
CF | In the branches of the great cedar 341 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X KNIFE | ||
CF | | ||
CF | This short knife is little more than a strip of iron beaten down to a | ||
CF | blade and | ||
CF | a rough handle. The blade is a little longer than your smallest | ||
CF | finger and | ||
CF | shiny and quite sharp. | ||
CF | | ||
CF | Another rocking jolt strikes, upsetting your balance to and fro. It's | ||
CF | all you | ||
CF | can do to keep yourself upright. The tree leaves shiver and rattle | ||
CF | with the | ||
CF | motion. | ||
CF | | ||
CF | The crow seems unbothered, as though quite accustomed to it. | ||
CF | | ||
CF | > | Jacqueline asks, "I had suggested that we search the corpse. Did we not get the bracelet that way?" | |
DavidW says, "no, I just took the band that was visible." | ||
DavidW says (to ClubFloyd), "show knife to crow" | ||
CF | In the branches of the great cedar 342 | ||
CF | Exits: down up | ||
CF | | ||
CF | > SHOW KNIFE TO CROW | ||
CF | | ||
CF | It's?unimpressed. | ||
CF | | ||
CF | > | DavidW says, "The knife is shiny, crow." | |
DavidW says (to ClubFloyd), "d" | ||
CF | Foot of the great cedar tree 343 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tree" | ||
CF | Foot of the great cedar tree 344 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > X TREE | ||
CF | | ||
CF | The leafy branches of the elderly cedar tree spread high above with a | ||
CF | protective reach. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 345 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Bottom of well 346 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | You take hold of the rope and rappel down the well? | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Crado's corpse 347 | ||
CF | Exits: south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Crado's corpse | ||
CF | Crado's corpse lays before you in an undignified heap. | ||
CF | | ||
CF | You spy a jagged crevice cut in the tunnel high above revealing a scar | ||
CF | of sky | ||
CF | and some scattered sunlight. The crow peers down at you with a | ||
CF | curious tilt of | ||
CF | its head. | ||
CF | | ||
CF | A narrow passage runs south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search corpse" | ||
CF | Crado's corpse 348 | ||
CF | Exits: south | ||
CF | | ||
CF | > SEARCH CORPSE | ||
CF | | ||
CF | Alas, you find no equipment or essences Crado may have been carrying | ||
CF | at the | ||
CF | time of his demise. Perhaps they were washed away. Perhaps he'd not | ||
CF | located | ||
CF | any before he perished. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Bottom of well 349 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "fill jug" | ||
CF | Bottom of well 350 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > FILL JUG | ||
CF | | ||
CF | (with the underground stream) | ||
CF | You fill the jug with water. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Well 351 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | With careful but determined progress, you haul yourself up the shaft | ||
CF | of the | ||
CF | well? | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jug" | ||
CF | Well 352 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > X JUG | ||
CF | | ||
CF | It stands only a few inches high. In the clay jug you see some cold | ||
CF | water. | ||
CF | | ||
CF | > | Jade says, "ok" | |
DavidW says (to ClubFloyd), "x water" | ||
CF | Well 353 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > X WATER | ||
CF | | ||
CF | It's clear and cold. | ||
CF | | ||
CF | > | Jade asks, "what can we mi here?" | |
Jade says, "mix" | ||
DavidW says, "we know four compounds, I think." | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed eight of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The slaughterhouse | ||
CF | * The strand of hair | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * novo: Restore a manmade invention to its original purpose | ||
CF | * ocu: Make a human-like yield an eyewitness revelation | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | | ||
CF | You've learned the following about the family members: | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | [More] | DavidW says, "I don't remember any other extinquished fires to re-light." | |
DavidW says, "We used ocu on part the scarecrow and the mirror." | ||
DavidW says, "I don't remember anything else glowing blue for a memory to unlock." | ||
DavidW says (to ClubFloyd), "x bracelet" | ||
DavidW says (to ClubFloyd), "x bracelet" | ||
Jacqueline pushes the green 'space' button. | ||
CF | Well 353 | ||
CF | Exits: east south down | ||
CF | | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | DavidW says, "thanks" | |
Jacqueline says, "Yep" | ||
DavidW says (to ClubFloyd), "x bracelet" | ||
CF | Well 354 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > X BRACELET | ||
CF | | ||
CF | Once your inquiry is completed, it can deliver you back to the safety | ||
CF | and | ||
CF | comforts of the Academy. | ||
CF | | ||
CF | This is Crado's orbis, though. If you were to place it on his body, | ||
CF | he would | ||
CF | be sent back to the Academy for a proper burial. The orbis bracelet | ||
CF | would | ||
CF | travel with him. | ||
CF | | ||
CF | > | Jacqueline says, "Oh dang. Don't drop that on us, game." | |
DavidW says, "too late" | ||
Jacqueline asks, "Can we give him a proper burial here and, y'know, not die here?" | ||
DavidW says, "Still haven't found a shovel." | ||
DavidW says, "Let's return to the boulder and see if that reveals anything." | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 355 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow launches from the tree, flies a roundabout loop in the hazy | ||
CF | sky, and | ||
CF | returns to its perch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 356 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | Jade exclaims, "what a dilemma!" | |
DavidW says (to ClubFloyd), "ne" | ||
CF | Landslide 357 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Landslide | ||
CF | Loose shale and rock covers the foothill of a mountain range. A huge | ||
CF | boulder | ||
CF | stands against the side of the mountain, surrounded by the loose rock. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | Landslide 358 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a braid of cups (in which is some wax) | ||
CF | * a bandage | ||
CF | * Crado's orbis bracelet | ||
CF | * a lumens gem | ||
CF | * a rucksack (in which are some lymph, some black bile, some blood, | ||
CF | some | ||
CF | yellow bile, some arsenic, and some phlegm) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * a knife | ||
CF | * some wheat | ||
CF | * an animal bone | ||
CF | * a clay jug (in which is some cold water) | ||
CF | * a pulverulent cloth (in which are some ash, some sage, some | ||
CF | chamomile, | ||
CF | some sulfur, and some salt) | ||
CF | * an obsidian slab | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | | ||
CF | > | DavidW says, "We've done nothing with the wheat." | |
DavidW says, "or the bone" | ||
Jacqueline says, "no" | ||
Jade asks, "some bread?" | ||
DavidW says (to ClubFloyd), "drink water" | ||
CF | Landslide 359 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > DRINK WATER | ||
CF | | ||
CF | You drink it all down. It's delicious. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheat in jug" | ||
CF | Landslide 360 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > PUT WHEAT IN JUG | ||
CF | | ||
CF | That won't fit in the jug. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone in jug" | ||
CF | Landslide 361 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > PUT BONE IN JUG | ||
CF | | ||
CF | That won't fit in the jug. | ||
CF | | ||
CF | > | DavidW says, "So it's not a mortar and pestle." | |
DavidW says (to ClubFloyd), "look up wheat in book" | ||
CF | Landslide 362 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP WHEAT IN BOOK | ||
CF | | ||
CF | The formulary has no obvious information on "wheat." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up bone in book" | ||
CF | Landslide 363 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP BONE IN BOOK | ||
CF | | ||
CF | There is no entry for "bone." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up water in book" | ||
CF | Landslide 364 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP WATER IN BOOK | ||
CF | | ||
CF | The formulary has no obvious information on "water." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up iron in book" | ||
CF | Landslide 365 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP IRON IN BOOK | ||
CF | | ||
CF | You find nothing specific on "iron" or "ore," but the formulary is | ||
CF | poorly | ||
CF | organized. Perhaps searching for other terms would bear fruit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up magnet in book" | ||
CF | Landslide 366 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP MAGNET IN BOOK | ||
CF | | ||
CF | Try as you might, you could not locate an entry for "magnet." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up meteorite in book" | ||
CF | Landslide 367 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP METEORITE IN BOOK | ||
CF | | ||
CF | You find no entry for "meteorite" in the formulary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up boulder in book" | ||
CF | Landslide 368 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP BOULDER IN BOOK | ||
CF | | ||
CF | There is no entry for "boulder." | ||
CF | | ||
CF | The scolding voice of Hester IV of Minscip rings out across your | ||
CF | thoughts: "Do | ||
CF | not waste precious time lost in the pages of the Pharmakon! | ||
CF | Your inquiry | ||
CF | awaits! ONWARD!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up steel in book" | ||
CF | Landslide 369 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP STEEL IN BOOK | ||
CF | | ||
CF | You find no entry for "steel" in the formulary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x boulder" | ||
CF | Landslide 370 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > X BOULDER | ||
CF | | ||
CF | A boulder the shape of an enormous egg has come to rest at the foot of | ||
CF | the | ||
CF | mountain. Peering around its edges, you realize it's blocking the | ||
CF | entrance to | ||
CF | a cavern beyond. | ||
CF | | ||
CF | You also detect streaks and flecks of iron ore shot throughout the | ||
CF | great rock. | ||
CF | | ||
CF | > | Jade exclaims, "the big brother!" | |
Jacqueline says, "Oh. Cavern. I'd missed that bit." | ||
DavidW says (to ClubFloyd), "hatch egg" | ||
CF | Landslide 370 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > HATCH EGG | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x egg" | ||
CF | Landslide 370 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > X EGG | ||
CF | | ||
CF | You see no egg here. | ||
CF | | ||
CF | > | Jade asks, "is the obsidian a key?" | |
DavidW says (to ClubFloyd), "sit on boulder" | ||
CF | Landslide 371 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > SIT ON BOULDER | ||
CF | | ||
CF | The boulder isn't something you can sit on. | ||
CF | | ||
CF | > | DavidW says, "no the obsidian is a mirror" | |
DavidW says (to ClubFloyd), "search shale" | ||
CF | Landslide 372 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > SEARCH SHALE | ||
CF | | ||
CF | You see nothing interesting in the shale. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig shale" | ||
CF | Landslide 373 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > DIG SHALE | ||
CF | | ||
CF | You can't dig there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig boulder" | ||
CF | Landslide 374 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > DIG BOULDER | ||
CF | | ||
CF | You can't dig there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig ground" | ||
CF | Landslide 375 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > DIG GROUND | ||
CF | | ||
CF | The ground is not important. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull boulder" | ||
CF | Landslide 376 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > PULL BOULDER | ||
CF | | ||
CF | Pulling the boulder has no effect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "listen to boulder" | ||
CF | Landslide 377 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LISTEN TO BOULDER | ||
CF | | ||
CF | You hear nothing out of the ordinary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "touch boulder" | ||
CF | Landslide 378 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > TOUCH BOULDER | ||
CF | | ||
CF | You feel nothing unexpected. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put knife on boulder" | ||
CF | Landslide 379 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > PUT KNIFE ON BOULDER | ||
CF | | ||
CF | You can't put that on the boulder, but you might be able to apply some | ||
CF | of your | ||
CF | essentia to produce a compound. | ||
CF | | ||
CF | > | DavidW says, "That may be a default message." | |
Jade asks, "restore?" | ||
DavidW says, "The boulder isn't manmade." | ||
Jade says, "yes, yes" | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 380 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Outside a slaughterhouse 381 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | From this distance, the crow's blackness perched in the tree limbs | ||
CF | makes an | ||
CF | oval hole in this serene, if ominous, place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 382 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 383 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Inside the tent 384 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inside the tent | ||
CF | Inside this spacious tent is smashed and overturned equipment, as | ||
CF | though | ||
CF | destroyed in a fit of rage. You gather from the loose bits strewn | ||
CF | about that | ||
CF | this was once a craft workshop. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply novo to table" | ||
CF | Inside the tent 385 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY NOVO TO TABLE | ||
CF | | ||
CF | You spread some of the sulfur and the black bile on the weaving table. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | The damage to the equipment appears beyond the reach of novo's | ||
CF | capabilities. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 386 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Hovel 387 | ||
CF | Exits: out | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take strips" | ||
CF | Hovel 388 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE STRIPS | ||
CF | | ||
CF | The ragged strips of unsanitary linen are useless. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply novo to strips" | ||
CF | Hovel 389 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY NOVO TO STRIPS | ||
CF | | ||
CF | You cannot apply anything to the linen. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search strips" | ||
CF | Hovel 390 | ||
CF | Exits: out | ||
CF | | ||
CF | > SEARCH STRIPS | ||
CF | | ||
CF | Just handling the linen sends dust motes up into the meager light | ||
CF | admitted | ||
CF | through the entryway. | ||
CF | | ||
CF | > | Jade says, "x basket" | |
DavidW says, "hm. It's past 4 pm and I haven't a clue what to do next." | ||
DavidW says (to ClubFloyd), "x basket" | ||
CF | Hovel 391 | ||
CF | Exits: out | ||
CF | | ||
CF | > X BASKET | ||
CF | | ||
CF | This excessively large woven basket appears to have been designated | ||
CF | for wash | ||
CF | day, or some other chore requiring bulky quantities be moved about. | ||
CF | It was | ||
CF | well-crafted originally, but years and use have rendered it floppy and | ||
CF | limp. | ||
CF | | ||
CF | It's turned upside-down on the dirt floor. | ||
CF | | ||
CF | > | Jade says, "turn it" | |
DavidW says (to ClubFloyd), "turn basket" | ||
CF | Hovel 392 | ||
CF | Exits: out | ||
CF | | ||
CF | > TURN BASKET | ||
CF | | ||
CF | The oversized upside-down basket is simply too cumbersome to turn | ||
CF | over. | ||
CF | | ||
CF | > | Jacqueline says, "We can let it go for a week." | |
DavidW says (to ClubFloyd), "apply novo to basket" | ||
CF | Hovel 393 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY NOVO TO BASKET | ||
CF | | ||
CF | You spread some of the sulfur and the black bile on the woven basket. | ||
CF | | ||
CF | The basket's weave tightens and grows a bit less limp. | ||
CF | | ||
CF | > | Jacqueline says, "Though again, I can only do 1.5 hrs next time." | |
DavidW says (to ClubFloyd), "take basket" | ||
CF | Hovel 394 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE BASKET | ||
CF | | ||
CF | The oversized, overturned basket, as large as a dinghy, flops around | ||
CF | as you | ||
CF | attempt to pick it up. Eventually you give up trying. | ||
CF | | ||
CF | > | Jade says, "ok. Here it is 22:17 pm and I work tomorrow." | |
DavidW says (to ClubFloyd), "turn basket" | ||
CF | Hovel 395 | ||
CF | Exits: out | ||
CF | | ||
CF | > TURN BASKET | ||
CF | | ||
CF | The oversized upside-down basket is simply too cumbersome to turn | ||
CF | over. | ||
CF | | ||
CF | > | Jacqueline says, "Sleep well, Jade." | |
Jade says, "thanks for the session and the leading" | ||
DavidW says, "thanks" | ||
Jade says, "be safe and take care of yourselves" | ||
Jacqueline exclaims, "Yes. Thank you, DW!" | ||
DavidW says, "thanks to both of you for your help" | ||
DavidW says (to Jacqueline), "sorry I didn't finish it. I know you'd like this one to be done." | ||
Jade says, "I like this game so much" | ||
DavidW says, "It's an unusual game, certainly." | ||
Jade says, "then we will enjoy it another week" | ||
DavidW says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
DavidW says (to ClubFloyd), "cfcain23" | ||
CF | Hovel 395 | ||
CF | Exits: out | ||
CF | Saved. | ||
CF | | ||
CF | > | ||
Roger goes home. | ||
Jacqueline departs. A clowder of cats chatters in the distance. | Jade says, "let's enjoy the positive side" | |
DavidW says, "yes" | ||
DavidW says, "I do like the alchemy, cumbersome as it is." | ||
DavidW disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | Jade says, "I will follow your improvements in the walkthrough" | |
DavidW says, "I'll update the notes as soon as I can. Tonight or tomorrow." | ||
DavidW says, "Looks like since I wasn't mapping properly, I missed two exits." | ||
*** SESSION THREE *** | ||
DavidW says, "The plan is to continue with According to Cain. I've updated my notes." | ||
DavidW says, "When playing last week, we overlooked a south exit from the sage field, so I recommend finding out what's there." | ||
DavidW says, "There's also a southwest trail that we can't use because it's too confusing or something like that." | ||
DavidW says, "hi Roger" | ||
Jade says, " hello" | Jade says, "hello Roger" | |
Roger says, "hi hi. Multitasking but I'll try to contribute" | ||
DavidW says, "okay." | ||
DavidW asks, "Should we start or wait longer?" | ||
Jade says, "As you command" | ||
DavidW says, "well, I want to start. I'm curious to see what was missed." | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Hovel 396 | ||
CF | Exits: out | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF | Outside the hovel 397 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > OUT | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | A distant screech from the crow sounds like a rebuke carried to you in | ||
CF | the | ||
CF | wind. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 398 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 399 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow pecks at its resting place with its beak. | ||
CF | | ||
CF | > | Jade says, "let's see" | |
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 400 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 401 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 402 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | The earth rolls beneath you. A rumbling under the soil accompanies | ||
CF | the | ||
CF | movement before it all tapers off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Base of mountain 403 | ||
CF | Exits: north up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | After a taxing journey across the valley plain, you reach the foot of | ||
CF | a | ||
CF | mountain range? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | DavidW asks, "obsidian block? Like in 2001: A Space Odyssey?" | |
DavidW says (to ClubFloyd), "x block" | ||
CF | Base of mountain 404 | ||
CF | Exits: north up | ||
CF | | ||
CF | > X BLOCK | ||
CF | | ||
CF | This stout and abused obsidian block sits stolid and frog-like. Deep | ||
CF | scratches | ||
CF | are cut down its north-facing side. | ||
CF | | ||
CF | An oval scar on its top marks where a small slab of the black rock has | ||
CF | been cut | ||
CF | away. | ||
CF | | ||
CF | > | DavidW says, "oh, the mirror was cut from this." | |
DavidW says (to ClubFloyd), "x scratches" | ||
CF | Base of mountain 405 | ||
CF | Exits: north up | ||
CF | | ||
CF | > X SCRATCHES | ||
CF | | ||
CF | A mess of deep scratches run down one side of the obsidian block. It | ||
CF | all | ||
CF | appears chaotic, as though some mighty antediluvian creature sharpened | ||
CF | his | ||
CF | claws here. (Pray you do not run into such a beast!) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x scar" | ||
CF | Base of mountain 406 | ||
CF | Exits: north up | ||
CF | | ||
CF | > X SCAR | ||
CF | | ||
CF | The oval scar on the top of the obsidian marks where a palm-sized slab | ||
CF | has been | ||
CF | cut away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put slab in scar" | ||
CF | Base of mountain 407 | ||
CF | Exits: north up | ||
CF | | ||
CF | > PUT SLAB IN SCAR | ||
CF | | ||
CF | The obsidian mirror fits the obsidian block's oval scar perfectly. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | > | DavidW says, "oh. blue hue means a memory is locked in it." | |
DavidW says (to ClubFloyd), "apply ostendo to block" | ||
CF | Base of mountain 408 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY OSTENDO TO BLOCK | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the obsidian block. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the obsidian block? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "A melancholic remedy, a | ||
CF | phlegmatic | ||
CF | poison, a binding excipient, and the Body of the Three Primes." | ||
CF | | ||
CF | > | DavidW says, "ok, gonna look at my notes to decode that." | |
Jade says, "we see that lately last day" | ||
DavidW says, "I think it wants black bile, sage, grease, and salt. And we don't have any grease yet." | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Base of mountain 409 | ||
CF | Exits: north up | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the obsidian block has a revelation | ||
CF | locked | ||
CF | within it. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | DavidW asks, "okay to continue up the mountain?" | |
DavidW says, "I have no idea if there's grease up there, unless a bear died." | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Animal trails 410 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | Animal trails | ||
CF | You find yourself in a patchwork of ill-defined animal trails among | ||
CF | the | ||
CF | thickets and underbrush of the mountain side. The thick mountain mist | ||
CF | not only | ||
CF | dampens your spirits, but it also impedes travel. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | Jade says, "lol" | |
DavidW says, "oh dear." | ||
DavidW says, "Is this the entrance to a maze? I hope not." | ||
DavidW says (to ClubFloyd), "smell" | ||
CF | Animal trails 411 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SMELL | ||
CF | | ||
CF | You smell nothing out of the ordinary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x mist" | ||
CF | Animal trails 412 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > X MIST | ||
CF | | ||
CF | The perpetual haze dominating the sky masks the sun and disperses its | ||
CF | light. | ||
CF | | ||
CF | > | Jade says, "yes" | |
DavidW asks, "well, start with north, I guess?" | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Animal trails 413 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Animal trails | ||
CF | In a moment of quiet desperation, you find yourself wishing the crow | ||
CF | was here, | ||
CF | if even for the simple pleasure of the company. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Animal trails 414 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Animal trails | ||
CF | You press on with optimism fading into despair. You sense you are | ||
CF | quite lost. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | DavidW asks, "This isn't getting us anywhere, is it?" | |
DavidW says (to ClubFloyd), "e" | ||
CF | Animal trails 415 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Animal trails | ||
CF | You continue through the underbrush, unsure if you're making progress | ||
CF | to the | ||
CF | summit. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Animal trails 416 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Animal trails | ||
CF | Have you been here before? Are you traveling in circles? | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Animal trails 417 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Animal trails | ||
CF | You wander the tangle of trails feeling turned around and lost with | ||
CF | every other | ||
CF | step. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Animal trails 418 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Animal trails | ||
CF | You curse the animals that made these trails--you curse yourself for | ||
CF | thinking | ||
CF | they would lead to a point of human interest. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Animal trails 419 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Animal trails | ||
CF | With the sun in the sky so ill-defined, your progress up the mountain | ||
CF | feels?aimless. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Animal trails 420 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Animal trails | ||
CF | Have you been here before? Are you traveling in circles? | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | DavidW says, "yeah, I think we either need to bring the crow here as a guide, or disperse the mist somehow." | |
DavidW says (to ClubFloyd), "look up mist" | ||
CF | Animal trails 421 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > LOOK UP MIST | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The formulary has no obvious information on "mist." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up sun" | ||
CF | Animal trails 422 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > LOOK UP SUN | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find no entry for "sun" in the formulary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up crow" | ||
CF | Animal trails 423 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > LOOK UP CROW | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | These flying pests pillage sown fields of their farmers' labors and | ||
CF | steal table | ||
CF | scraps when the homemaker is unaware or away. They are a nuisance, | ||
CF | and little | ||
CF | more. | ||
CF | | ||
CF | They have but one flaw: They are entranced by all that shines, | ||
CF | glitters, or | ||
CF | gleams. They especially enjoy their own reflection. Their vanity is | ||
CF | peerless | ||
CF | in the animal kingdom. | ||
CF | | ||
CF | Hester IV of Minscip adds a brief note: "Crows are most useful allies | ||
CF | in an | ||
CF | Indagator's inquiry! Given the right tool or implement, they | ||
CF | may be able to | ||
CF | perform small tasks beyond your capabilities!" | ||
CF | | ||
CF | > | Roger says, "oh yeah" | |
DavidW says, "It admired itself in the mirror but didn't take it." | ||
Roger says, "there's a scarecrow too, isn't there? Seems like a bit of a coincidence" | ||
DavidW says, "yes, there's a scarecrow" | ||
DavidW says, "The knife is 'shiny' but it doesn't interest the crow at all." | ||
DavidW says (to ClubFloyd), "i" | ||
CF | Animal trails 424 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a braid of cups (in which is some wax) | ||
CF | * a bandage | ||
CF | * Crado's orbis bracelet | ||
CF | * a lumens gem | ||
CF | * a rucksack (in which are some lymph, some black bile, some blood, | ||
CF | some | ||
CF | yellow bile, some arsenic, and some phlegm) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * a knife | ||
CF | * some wheat | ||
CF | * an animal bone | ||
CF | * a clay jug | ||
CF | * a pulverulent cloth (in which are some ash, some sage, some | ||
CF | chamomile, | ||
CF | some sulfur, and some salt) | ||
CF | * a vellum envelope | ||
CF | * the Pharmakon | ||
CF | | ||
CF | > | DavidW says, "I'd hate to get up the gem. It's what let's us see the blue glows." | |
DavidW says, "er give up the gem" | ||
Roger says, "the game seems unusually uncruel, so it might be okay" | ||
DavidW says (to ClubFloyd), "x gem" | ||
CF | Animal trails 425 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > X GEM | ||
CF | | ||
CF | The blue lumens gem is strung to a loop of leather cord. | ||
CF | | ||
CF | The gem has a singular property: When worn, it will reveal surfaces | ||
CF | laden with | ||
CF | strong memories from the past. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Base of mountain 426 | ||
CF | Exits: north up | ||
CF | | Jade says, "the crow can do some tasks" | |
CF | > D | ||
CF | | ||
CF | You practically gallop down, jarring yourself and rattling your knees | ||
CF | in the | ||
CF | process, but you reach the base of the mountain in one piece? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the obsidian block has a revelation | ||
CF | locked | ||
CF | within it. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Sage field 427 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | After a trek across the valley floor, you reach the edge of the | ||
CF | settlement? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | The disturbed bees' drone from the east has a distinct intensity to | ||
CF | it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 428 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 429 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 430 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | From the branches, the crow cocks its head and studies you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | In the branches of the great cedar 431 | ||
CF | Exits: down up | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | In the branches of the great cedar | ||
CF | From this vantage you overlook much of the settlement below, and have | ||
CF | a good | ||
CF | view of the mountains to the south. | ||
CF | | ||
CF | The crow sits on the branch with you. It regards you with an | ||
CF | inquisitive | ||
CF | angling of its head. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give gem to crow" | ||
CF | In the branches of the great cedar 432 | ||
CF | Exits: down up | ||
CF | | ||
CF | > GIVE GEM TO CROW | ||
CF | | ||
CF | (first taking off the lumens gem) | ||
CF | | ||
CF | The bird finds the gleam of the gem's faces interesting, but not | ||
CF | interesting | ||
CF | enough to hold its attention. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear gem" | ||
CF | In the branches of the great cedar 433 | ||
CF | Exits: down up | ||
CF | | ||
CF | > WEAR GEM | ||
CF | | ||
CF | You put the leather cord around your neck. The lumens gem hangs at | ||
CF | your | ||
CF | sternum. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give bracelet to crow" | ||
CF | In the branches of the great cedar 434 | ||
CF | Exits: down up | ||
CF | | ||
CF | > GIVE BRACELET TO CROW | ||
CF | | ||
CF | The crow skitters back to remain out of your reach. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear bracelet" | ||
CF | In the branches of the great cedar 435 | ||
CF | Exits: down up | ||
CF | | ||
CF | > WEAR BRACELET | ||
CF | | ||
CF | You set Crado's orbis bracelet about your wrist. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give jug to crow" | ||
CF | In the branches of the great cedar 436 | ||
CF | Exits: down up | ||
CF | | ||
CF | > GIVE JUG TO CROW | ||
CF | | ||
CF | Your proffered item is uninteresting, apparently, as the crow ignores | ||
CF | it. | ||
CF | | ||
CF | > | DavidW says, "Maybe we missed something somewhere." | |
Jade says, "I have no idea" | ||
DavidW says, "I'll try cutting up the scarecrow. Maybe there's something inside." | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Foot of the great cedar tree 437 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 438 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut scarecrow" | ||
CF | In the wheat field 439 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > CUT SCARECROW | ||
CF | | ||
CF | You can't cut the scarecrow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 440 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "eat wheat" | ||
CF | Foot of the great cedar tree 440 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > EAT WHEAT | ||
CF | | ||
CF | Which do you mean, the tilled field or the wheat? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "my wheat" | ||
CF | Foot of the great cedar tree 441 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > MY WHEAT | ||
CF | | ||
CF | You would need to husk, mill, and grind them down first?but you're an | ||
CF | Indagator, not a baker. | ||
CF | | ||
CF | > | Jade says, "register, take, search scarecrow" | |
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 442 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take scarecrow" | ||
CF | In the wheat field 443 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE SCARECROW | ||
CF | | ||
CF | The scarecrow is firmly attached to the post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search it" | ||
CF | In the wheat field 444 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > SEARCH IT | ||
CF | | ||
CF | You see nothing interesting in the scarecrow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb it" | ||
CF | In the wheat field 445 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > CLIMB IT | ||
CF | | ||
CF | The scarecrow is not something you can climb. | ||
CF | | ||
CF | > | DavidW asks (of Jade), "What do you mean by 'register'?" | |
Jade says, "search" | ||
DavidW says, "Unfortunately, the scarecrow seems to have no hidden treasures." | ||
Roger asks, "maybe burn it up when we're carrying around the ember?" | ||
DavidW asks, "um, sure?" | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 446 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 447 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take charcoal" | ||
CF | Fire pit 448 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE CHARCOAL | ||
CF | | ||
CF | With tender fingers and quick moves, you take the topmost chunk of | ||
CF | charcoal. | ||
CF | Plenty more remains on the pile. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 449 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow launches from the tree, flies a roundabout loop in the hazy | ||
CF | sky, and | ||
CF | returns to its perch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 450 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "burn scarecrow" | ||
CF | In the wheat field 451 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > BURN SCARECROW | ||
CF | | ||
CF | You cannot burn the scarecrow. | ||
CF | | ||
CF | > | Jade says, "I thought about burning the scarecrow..." | |
Roger says, "I guess not! Oh well" | ||
DavidW says, "Looks like the charcoal is just a smoke maker." | ||
DavidW says (to ClubFloyd), "drop charcoal" | ||
CF | In the wheat field 452 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > DROP CHARCOAL | ||
CF | | ||
CF | With great relief, you release the charcoal. It breaks into brittle | ||
CF | pieces and | ||
CF | scatters. | ||
CF | | ||
CF | > | DavidW says, "If we were Superman, we could crush some coal into a diamond and give *that* to the crow." | |
Jade says, "the charcoal is needed to take the honey" | ||
DavidW says, "royal jelly." | ||
DavidW says, "There didn't seem to be any honey." | ||
DavidW says, "I want to revisit the way we entered the settlement." | ||
DavidW says, "Maybe our bracelet has washed up on shore." | ||
Roger says, "sounds good to me" | ||
Jade asks, "isn't honey in beehouse?" | ||
DavidW says, "Should be, yes, but I didn't see any coded up." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 453 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Foot of the great cedar tree 454 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | You can't go that way. From here you could go east, south, west or | ||
CF | up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 455 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | River bank 456 | ||
CF | Exits: north south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | River bank | ||
CF | You recognize this to be the opposite bank of the river crossing you | ||
CF | attempted. | ||
CF | The rope bridge unraveled entirely and was swept downstream with you. | ||
CF | | ||
CF | North of here stands a small settlement. No fence or markings, only a | ||
CF | few | ||
CF | buildings around a grand cedar tree. To the south is a sluice gate. | ||
CF | | ||
CF | Down the rushing river flows ice-cold water. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bridge" | ||
CF | River bank 456 | ||
CF | Exits: north south | ||
CF | | ||
CF | > X BRIDGE | ||
CF | | ||
CF | You see no bridge here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s river" | ||
CF | River bank 456 | ||
CF | Exits: north south | ||
CF | | ||
CF | > S RIVER | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x river" | ||
CF | River bank 457 | ||
CF | Exits: north south | ||
CF | | ||
CF | > X RIVER | ||
CF | | ||
CF | The river is rushing hard through the valley. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "fill jug" | ||
CF | River bank 458 | ||
CF | Exits: north south | ||
CF | | ||
CF | > FILL JUG | ||
CF | | ||
CF | (with the river) | ||
CF | You fill the jug with water. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jug" | ||
CF | River bank 459 | ||
CF | Exits: north south | ||
CF | | ||
CF | > X JUG | ||
CF | | ||
CF | It stands only a few inches high. In the clay jug you see some cold | ||
CF | water. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Plain 460 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a broad plain. An irrigation ditch | ||
CF | controlled | ||
CF | by a sluice gate leads to a distant field of wheat covering much of | ||
CF | the valley | ||
CF | floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x gate" | ||
CF | Plain 461 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X GATE | ||
CF | | ||
CF | A sluice gate with a wood lever controls whether the river water can | ||
CF | enter the | ||
CF | irrigation ditch. The gate's open and river water is flowing down the | ||
CF | irrigation ditch toward the wheat field. | ||
CF | | ||
CF | [Use RECALL THE SLUICE GATE to recall the revelation unlocked from the | ||
CF | sluice.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close gate" | ||
CF | Plain 462 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > CLOSE GATE | ||
CF | | ||
CF | The sluice cannot be moved directly. The lever looks promising, | ||
CF | however. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Plain 463 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | The sluice is already open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push lever" | ||
CF | Plain 464 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PUSH LEVER | ||
CF | | ||
CF | Using all of your strength against the rushing river water, you push | ||
CF | the lever | ||
CF | and close the sluice gate. The irrigation ditch gradually drains. | ||
CF | | ||
CF | A few minutes later, the low-lying areas of the plain fill, and a pond | ||
CF | forms. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Plain 465 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | The pond flooding the plain blocks your way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Plain 466 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a great deal of effort, you succeed in pulling the sluice lever | ||
CF | back. The | ||
CF | gate opens and water rushes into the irrigation ditch. | ||
CF | | ||
CF | Within a few minutes, the pond has drained enough for you to move | ||
CF | north across | ||
CF | the plain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Salt bed 467 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Salt bed | ||
CF | This squat cave entrance is actually nothing more than a dry grotto | ||
CF | shaped | ||
CF | convex by the river. | ||
CF | | ||
CF | A gash up the side of the grotto reveals a bed of crystal salt | ||
CF | embedded in the | ||
CF | rock face. | ||
CF | | ||
CF | The sluice gate is to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Salt bed 468 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You can't go that way. From here you could go southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Plain 469 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a broad plain. An irrigation ditch | ||
CF | controlled | ||
CF | by a sluice gate leads to a distant field of wheat covering much of | ||
CF | the valley | ||
CF | floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. | ||
CF | | ||
CF | > | Jade says, "N, dig" | |
DavidW says (to ClubFloyd), "n" | ||
CF | River bank 470 | ||
CF | Exits: north south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | River bank | ||
CF | You recognize this to be the opposite bank of the river crossing you | ||
CF | attempted. | ||
CF | The rope bridge unraveled entirely and was swept downstream with you. | ||
CF | | ||
CF | North of here stands a small settlement. No fence or markings, only a | ||
CF | few | ||
CF | buildings around a grand cedar tree. To the south is a sluice gate. | ||
CF | | ||
CF | Down the rushing river flows ice-cold water. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig" | ||
CF | River bank 470 | ||
CF | Exits: north south | ||
CF | | ||
CF | > DIG | ||
CF | | ||
CF | What do you want to dig in? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ground" | ||
CF | River bank 471 | ||
CF | Exits: north south | ||
CF | | ||
CF | > GROUND | ||
CF | | ||
CF | The ground is not important. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig in ground" | ||
CF | River bank 472 | ||
CF | Exits: north south | ||
CF | | ||
CF | > DIG IN GROUND | ||
CF | | ||
CF | The ground is not important. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Plain 473 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a broad plain. An irrigation ditch | ||
CF | controlled | ||
CF | by a sluice gate leads to a distant field of wheat covering much of | ||
CF | the valley | ||
CF | floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | A Fragile Earth 474 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | A Fragile Earth | ||
CF | Peering down from atop an incline, you behold yet another awesome | ||
CF | spectacle in | ||
CF | the distance: The earth ripped open and the underworld's molten rivers | ||
CF | and | ||
CF | miasma escaping to the surface. This young Earth suffers teething | ||
CF | pains, and | ||
CF | its tantrum is most awful. | ||
CF | | ||
CF | The narrow footpath continues down the hill into a chasm, or northwest | ||
CF | back to | ||
CF | the sluice gate. | ||
CF | | ||
CF | The breeze carries up from the chasm below the stench of rotten eggs. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Sulfur deposits 475 | ||
CF | Exits: up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Sulfur deposits | ||
CF | In this wide and arid chasm you spy the telltale yellow chalk of | ||
CF | sulfur | ||
CF | spilling down the slope. | ||
CF | | ||
CF | A winding path leads up out of the chasm. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | A Fragile Earth 476 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | A Fragile Earth | ||
CF | Peering down from atop an incline, you behold yet another awesome | ||
CF | spectacle in | ||
CF | the distance: The earth ripped open and the underworld's molten rivers | ||
CF | and | ||
CF | miasma escaping to the surface. This young Earth suffers teething | ||
CF | pains, and | ||
CF | its tantrum is most awful. | ||
CF | | ||
CF | The narrow footpath continues down the hill into a chasm, or northwest | ||
CF | back to | ||
CF | the sluice gate. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | A Fragile Earth 477 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | You can't go that way. From here you could go northwest or down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Plain 478 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a broad plain. An irrigation ditch | ||
CF | controlled | ||
CF | by a sluice gate leads to a distant field of wheat covering much of | ||
CF | the valley | ||
CF | floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | River bank 479 | ||
CF | Exits: north south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | River bank | ||
CF | You recognize this to be the opposite bank of the river crossing you | ||
CF | attempted. | ||
CF | The rope bridge unraveled entirely and was swept downstream with you. | ||
CF | | ||
CF | North of here stands a small settlement. No fence or markings, only a | ||
CF | few | ||
CF | buildings around a grand cedar tree. To the south is a sluice gate. | ||
CF | | ||
CF | Down the rushing river flows ice-cold water. | ||
CF | | ||
CF | The crow from somewhere in the distance cries out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Well 480 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Bottom of well 481 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | You take hold of the rope and rappel down the well? | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Crado's corpse 482 | ||
CF | Exits: south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Crado's corpse | ||
CF | Crado's corpse lays before you in an undignified heap. | ||
CF | | ||
CF | You spy a jagged crevice cut in the tunnel high above revealing a scar | ||
CF | of sky | ||
CF | and some scattered sunlight. The crow peers down at you with a | ||
CF | curious tilt of | ||
CF | its head. | ||
CF | | ||
CF | A narrow passage runs south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf6" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | Crado's corpse 482 | ||
CF | Exits: south | ||
CF | Saved. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bracelet on corpse" | ||
CF | Crado's last breath 483 | ||
CF | Exits: south | ||
CF | | ||
CF | > PUT BRACELET ON CORPSE | ||
CF | | ||
CF | (first taking off Crado's orbis bracelet) | ||
CF | | ||
CF | You put Crado's orbis bracelet on Crado. | ||
CF | | ||
CF | Crado shimmers away, sent back to the Academy for mourning, | ||
CF | exaltation, and | ||
CF | burial. | ||
CF | | ||
CF | You take a moment to tell yourself that you did the right thing. | ||
CF | | ||
CF | A single gentle caw from the crow comes down to you as though | ||
CF | reminding you of | ||
CF | your task at hand. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Crado's last breath 484 | ||
CF | Exits: south | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Crado's last breath | ||
CF | You spy a jagged crevice cut in the tunnel high above revealing a scar | ||
CF | of sky | ||
CF | and some scattered sunlight. The crow peers down at you with a | ||
CF | curious tilt of | ||
CF | its head. | ||
CF | | ||
CF | A narrow passage runs south. | ||
CF | | ||
CF | > | DavidW says, "huh. Room name changed." | |
DavidW says (to ClubFloyd), "s" | ||
CF | Bottom of well 485 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Well 486 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | With careful but determined progress, you haul yourself up the shaft | ||
CF | of the | ||
CF | well? | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 487 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | A flapping of wings and feathers comes from the crow above. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask crow about trails" | ||
CF | Foot of the great cedar tree 488 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > ASK CROW ABOUT TRAILS | ||
CF | | ||
CF | It cocks its head, but otherwise does not respond. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 489 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 490 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push shack" | ||
CF | Outside a slaughterhouse 491 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > PUSH SHACK | ||
CF | | ||
CF | Pushing the cypress shack has no effect. | ||
CF | | ||
CF | From this distance, the crow's blackness perched in the tree limbs | ||
CF | makes an | ||
CF | oval hole in this serene, if ominous, place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x planks" | ||
CF | Outside a slaughterhouse 492 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > X PLANKS | ||
CF | | ||
CF | Tannin-colored stains coat the slaughterhouse's inner walls. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take planks" | ||
CF | Outside a slaughterhouse 493 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > TAKE PLANKS | ||
CF | | ||
CF | The spatters are not something that can be moved or picked up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb shack" | ||
CF | Outside a slaughterhouse 494 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > CLIMB SHACK | ||
CF | | ||
CF | The cypress shack is not something you can climb. | ||
CF | | ||
CF | The ground shakes and dips for a moment, leaving you unnerved. The | ||
CF | shack | ||
CF | creaks and groans in complaint. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Abel's slaughterhouse 495 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Abel's slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "grind wheat" | ||
CF | Abel's slaughterhouse 495 | ||
CF | Exits: out | ||
CF | | ||
CF | > GRIND WHEAT | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF | Outside a slaughterhouse 496 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > OUT | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 497 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Landslide 498 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Landslide | ||
CF | Loose shale and rock covers the foothill of a mountain range. A huge | ||
CF | boulder | ||
CF | stands against the side of the mountain, surrounded by the loose rock. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | DavidW says, "This is another possible entrance to somewhere." | |
Roger says, "hmm yeah" | ||
DavidW says (to ClubFloyd), "move loose rock" | ||
CF | Landslide 499 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > MOVE LOOSE ROCK | ||
CF | | ||
CF | You couldn't move much of the loose rock without risking another | ||
CF | landslide | ||
CF | coming down upon you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move boulder" | ||
CF | Landslide 500 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > MOVE BOULDER | ||
CF | | ||
CF | The boulder is too heavy to move. | ||
CF | | ||
CF | > | Jade says, "yes, another new trail" | |
DavidW says (to ClubFloyd), "x boulder" | ||
CF | Landslide 501 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > X BOULDER | ||
CF | | ||
CF | A boulder the shape of an enormous egg has come to rest at the foot of | ||
CF | the | ||
CF | mountain. Peering around its edges, you realize it's blocking the | ||
CF | entrance to | ||
CF | a cavern beyond. | ||
CF | | ||
CF | You also detect streaks and flecks of iron ore shot throughout the | ||
CF | great rock. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up iron" | ||
CF | Landslide 502 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP IRON | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find nothing specific on "iron" or "ore," but the formulary is | ||
CF | poorly | ||
CF | organized. Perhaps searching for other terms would bear fruit. | ||
CF | | ||
CF | > | DavidW asks, "So... what should we be looking up instead?" | |
DavidW says (to ClubFloyd), "look up boulder" | ||
CF | Landslide 503 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP BOULDER | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | There is no entry for "boulder." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up steel" | ||
CF | Landslide 504 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP STEEL | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find no entry for "steel" in the formulary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up rock" | ||
CF | Landslide 505 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP ROCK | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Try as you might, you could not locate an entry for "rock." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up stone" | ||
CF | Landslide 506 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP STONE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find no entry for "stone" in the formulary. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up earth" | ||
CF | Landslide 507 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP EARTH | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The formulary has no obvious information on "earth." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up meteor" | ||
CF | Landslide 508 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP METEOR | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find no entry for "meteor" in the formulary. | ||
CF | | ||
CF | You sense you are not making good use of your time by rifling through | ||
CF | the | ||
CF | Pharmakon for answers. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up mining" | ||
CF | Landslide 509 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP MINING | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | There is no entry for "mining." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up moving" | ||
CF | Landslide 510 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP MOVING | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The formulary has no obvious information on "moving." | ||
CF | | ||
CF | Your training at the Academy informs you that you should concentrate | ||
CF | on | ||
CF | completing your inquiry, not searching the Pharmakon round | ||
CF | and round. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up meteorite" | ||
CF | Landslide 511 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP METEORITE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | There is no entry for "meteorite." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up tin" | ||
CF | Landslide 512 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP TIN | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Try as you might, you could not locate an entry for "tin." | ||
CF | | ||
CF | The scolding voice of Hester IV of Minscip rings out across your | ||
CF | thoughts: "Do | ||
CF | not waste precious time lost in the pages of the Pharmakon! | ||
CF | Your inquiry | ||
CF | awaits! ONWARD!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "break boulder" | ||
CF | Landslide 513 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > BREAK BOULDER | ||
CF | | ||
CF | You see no point in breaking that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "roll boulder" | ||
CF | Landslide 513 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > ROLL BOULDER | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb boulder" | ||
CF | Landslide 514 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > CLIMB BOULDER | ||
CF | | ||
CF | Your hands and feet find no purchase on the boulder's smooth surface, | ||
CF | and you | ||
CF | slip back down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "climb mountain" | ||
CF | Landslide 515 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > CLIMB MOUNTAIN | ||
CF | | ||
CF | It's too steep, and the field of rocks and shale would make it | ||
CF | impossible to | ||
CF | find holds. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take rock" | ||
CF | Landslide 516 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > TAKE ROCK | ||
CF | | ||
CF | You couldn't move much of the loose rock without risking another | ||
CF | landslide | ||
CF | coming down upon you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search rock" | ||
CF | Landslide 517 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > SEARCH ROCK | ||
CF | | ||
CF | You see nothing interesting in the shale. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search boulder" | ||
CF | Landslide 518 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > SEARCH BOULDER | ||
CF | | ||
CF | You see nothing interesting in the boulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x mountain" | ||
CF | Landslide 519 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > X MOUNTAIN | ||
CF | | ||
CF | Mountains ring the floor of the settlement's valley. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Landslide 520 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Landslide | ||
CF | Loose shale and rock covers the foothill of a mountain range. A huge | ||
CF | boulder | ||
CF | stands against the side of the mountain, surrounded by the loose rock. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | DavidW asks, "no ideas?" | |
DavidW says (to ClubFloyd), "cut boulder" | ||
CF | Landslide 521 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > CUT BOULDER | ||
CF | | ||
CF | You can't cut the boulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to boulder" | ||
CF | Landslide 522 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY OSTENDO TO BOULDER | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the boulder. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed eight of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The slaughterhouse | ||
CF | * The strand of hair | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've detected a revelation within the obsidian block that's not been | ||
CF | unlocked. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * novo: Restore a manmade invention to its original purpose | ||
CF | * ocu: Make a human-like yield an eyewitness revelation | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | | ||
CF | [More] | Jade says, "oops! Thak didin't work" | |
DavidW says, "I didn't expect it to. It wasn't glowing blue." | ||
DavidW says, "But I'm seriously low on ideas here." | ||
DavidW says (to ClubFloyd), "hint" | ||
DavidW pushes the green 'space' button. | ||
CF | Landslide 522 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | * Eve is melancholic. Her Humour is black bile. | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "hint" | ||
CF | Landslide 522 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > HINT | ||
CF | | ||
CF | [Warning: Some people don't like built-in hints, since the temptation | ||
CF | to ask | ||
CF | for help prematurely can become overwhelming when hints are so close | ||
CF | at hand. | ||
CF | If you're worried that your willpower won't hold up, you can disable | ||
CF | hints for | ||
CF | the rest of this session by typing HINTS OFF. If you still want to | ||
CF | see the | ||
CF | hints now, type HINT.] | ||
CF | | ||
CF | > | DavidW asks, "I would like a hint. Okay?" | |
Jade says, "ok for sure" | ||
DavidW says (to ClubFloyd), "hint" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
CF | | ||
CF | > HINT | ||
DavidW says (to ClubFloyd), "u" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "p" | ||
CF | Landslide 522 | ||
CF | Exits: southwest in | ||
CF | Done. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "hint" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
CF | | ||
CF | > HINT | ||
DavidW presses the yellow enter button. | ||
CF | >Help! I need an ingredient for a compound, but I'm not carrying it. | ||
CF | >Help! I want to review one of the visions I've already | ||
CF | seen. | ||
CF | >How can I get a list of the compounds I know by name? | ||
CF | >How can I get a list of the family members and their | ||
CF | Humours? | ||
CF | >What are all these mysterious substances for? | ||
CF | >What is my objective (or mission)? | ||
CF | >Where do I look for more help on something not listed here? | ||
CF | >Why are things around me glowing? | ||
CF | General Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "p" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | >What is the Pharmakon? | ||
CF | >What is the sealed envelope for? | ||
CF | >What should I do with the pulverulent cloth? | ||
CF | >What should I do with the rucksack? | ||
CF | A Young Earth: Preparations Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "o" | ||
DavidW says (to ClubFloyd), "p" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | >How do I get past the boulder blocking the cavern entrance? | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What are the animal bones for? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | Look closer at the boulder. There's an important detail in its | ||
CF | composition. [1/5] | ||
CF | How do I get past the boulder blocking the cavern | ||
CF | entrance?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | Look closer at the boulder. There's an important detail in its | ||
CF | composition. [1/5] | ||
CF | The Pharmakon might have something to say about the iron ore | ||
CF | embedded in the boulder. [2/5] | ||
CF | How do I get past the boulder blocking the cavern | ||
CF | entrance?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | Look closer at the boulder. There's an important detail in its | ||
CF | composition. [1/5] | ||
CF | The Pharmakon might have something to say about the iron ore | ||
CF | embedded in the boulder. [2/5] | ||
CF | LOOK UP IRON ORE doesn't work. How else might you describe what | ||
CF | you're after? [3/5] | ||
CF | How do I get past the boulder blocking the cavern | ||
CF | entrance?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | DavidW says, "I don't know. That's why I'm getting a hint." | |
DavidW presses the yellow enter button. | ||
CF | Look closer at the boulder. There's an important detail in its | ||
CF | composition. [1/5] | ||
CF | The Pharmakon might have something to say about the iron ore | ||
CF | embedded in the boulder. [2/5] | ||
CF | LOOK UP IRON ORE doesn't work. How else might you describe what | ||
CF | you're after? [3/5] | ||
CF | LOOK UP METAL will take you to an entry on the vulk compound. [4/5] | ||
CF | How do I get past the boulder blocking the cavern | ||
CF | entrance?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | DavidW says, "'metal'" | |
DavidW says, "I flat out didn't think of that angle." | ||
Jade says, "metal, I readed" | ||
DavidW says (to ClubFloyd), "q" | ||
CF | Landslide 522 | ||
CF | Exits: southwest in | ||
CF | Done. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up metal" | ||
CF | Landslide 523 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP METAL | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Dissolving metals is one of the more terrible and destructive powers | ||
CF | available | ||
CF | to the Indagator, and one with the greatest potential for | ||
CF | undesirable | ||
CF | consequences. | ||
CF | | ||
CF | The essences involved for vulk are simply these: arsenic, | ||
CF | sulfur, & wax. | ||
CF | Applied properly, the metal will melt into its elemental state and | ||
CF | evaporate | ||
CF | off. | ||
CF | | ||
CF | Heed with care this alchemical transformation: Improperly used, it can | ||
CF | wreck an | ||
CF | inquiry. | ||
CF | | ||
CF | Hester IV of Minscip adds with uncharacteristic piquancy, "Good for | ||
CF | breaking | ||
CF | free of jail cells & shackles!" suggesting the predicaments an | ||
CF | Indagator | ||
CF | routinely faces. | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | DavidW says, "So, now we can dissolve metal. geez." | |
DavidW says (to ClubFloyd), "apply arsenic to boulder" | ||
CF | Landslide 524 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY ARSENIC TO BOULDER | ||
CF | | ||
CF | You need to wait before applying more essences. The boulder requires | ||
CF | time to | ||
CF | cool off from the last attempt. | ||
CF | | ||
CF | > | DavidW says, "oh drat" | |
DavidW says (to ClubFloyd), "z" | ||
CF | Landslide 525 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Landslide 526 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Landslide 527 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | Jade says, "it is odd indeed" | |
DavidW says (to ClubFloyd), "apply arsenic to boulder" | ||
CF | Landslide 528 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY ARSENIC TO BOULDER | ||
CF | | ||
CF | You spread some of the arsenic on the boulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sulfur to boulder" | ||
CF | Landslide 529 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY SULFUR TO BOULDER | ||
CF | | ||
CF | You spread some of the sulfur on the boulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to boulder" | ||
CF | Cavern entrance 530 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY WAX TO BOULDER | ||
CF | | ||
CF | You spread some of the wax on the boulder. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The strips and pockets of iron ore in the boulder quiver, then melt | ||
CF | off like | ||
CF | suet in a hot pan. The now hollowed-out boulder crumbles under the | ||
CF | weight of | ||
CF | itself, as well as the weight of the surrounding rock pressing down | ||
CF | upon it. | ||
CF | | ||
CF | You scramble back in time to witness the landslide collapse into heaps | ||
CF | of | ||
CF | rubble and chalky billows of dust around a freshly-revealed crevice in | ||
CF | the | ||
CF | rock. | ||
CF | | ||
CF | [You may now refer to the vulk compound by name.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF | Cavern 531 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | ?Cain brought of the fruit of the ground an offering unto the LORD. | ||
CF | | ||
CF | And Abel, he also brought of the firstlings of his flock and of the | ||
CF | fat | ||
CF | thereof. And the LORD had respect unto Abel and to his offering: | ||
CF | | ||
CF | But unto Cain and to his offering He had not respect. | ||
CF | -Genesis 4:3-5 KJV | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A deposit of a chalky red substance is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | From far off comes the rumbling of moving earth. You prepare youself | ||
CF | for the | ||
CF | inevitable quaking of the earth--and it arrives, if only for a few | ||
CF | moments. | ||
CF | [More] | ||
DavidW presses the yellow enter button. | ||
CF | [More] | ||
CF | > | ||
DavidW says (to ClubFloyd), "x face" | ||
CF | Cavern 532 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X FACE | ||
CF | | ||
CF | The vermillion-colored painting of a face is almost as tall as the | ||
CF | cavern | ||
CF | itself. Its nose and lips are wispy lines on the oval field of paint. | ||
CF | The | ||
CF | wide pale eyes are haunting--they may have witnessed much in this | ||
CF | cavern. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ocu to face" | ||
CF | > | ||
CF | > APPLY OCU TO FACE | ||
CF | | ||
CF | You spread some of the arsenic and the phlegm on the painted face. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Through the eyes painted on the wall, you witness Cain and Abel | ||
CF | entering the | ||
CF | cavern. | ||
CF | | ||
CF | In a straw basket Cain has assembled a sacrifice of ripe vegetables, | ||
CF | ears of | ||
CF | wheat, palm hearts stored in their own oil, sage honey, and tree nuts. | ||
CF | | ||
CF | Abel carries his sacrifice in a cured sheep stomach. Within it he has | ||
CF | placed | ||
CF | odd scraps of pelt, boiled bones, and a dried ox testicle wrapped in | ||
CF | palm | ||
CF | leaves. | ||
CF | | ||
CF | They enter their shrines, Abel to the northeast, Cain to the | ||
CF | southeast. They | ||
CF | return and kneel before the great face. Cain bows his head; Abel | ||
CF | appears | ||
CF | bored. | ||
CF | | ||
CF | Soon, they rise and return to their shrines. Cain emerges with his | ||
CF | untouched | ||
CF | bounty. Abel emerges as well, however, he is empty-handed. | ||
CF | | ||
CF | "The Creator has taken my offering to the heavens, and rejected your | ||
CF | paltry | ||
CF | nuts and honey," Abel announces. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Cavern 533 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | Cain hurries between the two shrines, first with puzzlement, then with | ||
CF | anger. | ||
CF | He confronts the stoic vermillion face. "How can this be?" he yells | ||
CF | at the | ||
CF | wall. "The world was created in goodness! Is it not governed by the | ||
CF | reward of | ||
CF | good works?" | ||
CF | | ||
CF | He throws aside his offering and storms out of the cavern, and Abel's | ||
CF | laughter | ||
CF | booms off the high walls. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pocket" | ||
CF | Cavern 534 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X POCKET | ||
CF | | ||
CF | The naturally-formed pocket in the porous volcanic rock wall is a hole | ||
CF | about | ||
CF | the size and shape of your palm. It's near the entrance of the | ||
CF | northeastern | ||
CF | passage, and just deep enough to hold something compact. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in pocket" | ||
CF | Cavern 535 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > LOOK IN POCKET | ||
CF | | ||
CF | You see nothing interesting in the wall pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "reach in pocket" | ||
CF | Cavern 535 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > REACH IN POCKET | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "red" | ||
CF | Cavern 536 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > RED | ||
CF | | ||
CF | A deposit of a chalky red substance is in the north end of the cavern. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take red" | ||
CF | Cavern 537 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE RED | ||
CF | | ||
CF | The deposit is too far away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Cinnabar deposit 538 | ||
CF | Exits: south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Cinnabar deposit | ||
CF | In a shallow grotto off the deep cavern you find a slim vein of | ||
CF | deep-vermillion | ||
CF | cinnabar running down the curved wall. | ||
CF | | ||
CF | The rest of the cavern is to the south. | ||
CF | | ||
CF | > | Jade says, "I think we need to put something into the pocket" | |
DavidW says, "We can get mercury from cinnabar." | ||
DavidW says (to ClubFloyd), "take cinnabar" | ||
CF | Cinnabar deposit 539 | ||
CF | Exits: south | ||
CF | | ||
CF | > TAKE CINNABAR | ||
CF | | ||
CF | You collect a single nugget of the precious cinnabar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Cavern 540 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | Jade says, "Yes we can" | |
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 541 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x altar" | ||
CF | Shrine to the Firstlings of the Flock 542 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X ALTAR | ||
CF | | ||
CF | A block of these caves' volcanic rock has been crudely cut down to | ||
CF | produce a | ||
CF | coarse stone altar. | ||
CF | | ||
CF | Nothing is on the altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x drawings" | ||
CF | Shrine to the Firstlings of the Flock 543 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X DRAWINGS | ||
CF | | ||
CF | The drawings were done in a slapdash, almost sloppy, fashion. Your | ||
CF | eye for | ||
CF | illustration, admittedly unrefined, detects the artist was effusive | ||
CF | but | ||
CF | impatient in producing this work. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move altar" | ||
CF | Shrine to the Firstlings of the Flock 544 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > MOVE ALTAR | ||
CF | | ||
CF | The stone altar is too heavy to move. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search altar" | ||
CF | Shrine to the Firstlings of the Flock 545 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > SEARCH ALTAR | ||
CF | | ||
CF | You find nothing of interest on the stone altar. | ||
CF | | ||
CF | > | DavidW says, "I was hoping to find grease." | |
DavidW says, "Perhaps I'll have to wait for John Travolta to be born." | ||
Jade says, "this is a sacrifices altar..." | ||
DavidW asks, "yes. For animal stuff. You think we should sacrifice a bone?" | ||
Jade says, "John, lol." | ||
DavidW says (to ClubFloyd), "put bone on altar" | ||
CF | Shrine to the Firstlings of the Flock 546 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PUT BONE ON ALTAR | ||
CF | | ||
CF | You put the animal bone on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pray" | ||
CF | Shrine to the Firstlings of the Flock 547 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PRAY | ||
CF | | ||
CF | You think about the sacrifice made here, and the loss of life it | ||
CF | represents. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bone" | ||
CF | Shrine to the Firstlings of the Flock 548 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > TAKE BONE | ||
CF | | ||
CF | You pick up the animal bone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 549 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone in pocket" | ||
CF | Cavern 550 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT BONE IN POCKET | ||
CF | | ||
CF | The animal bone is too large for the wall pocket. | ||
CF | | ||
CF | > | Jade says, "burning the sacrifice" | |
DavidW says, "oh. I suppose our burning compound to relight old fires might work." | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 551 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone on altar" | ||
CF | Shrine to the Firstlings of the Flock 552 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PUT BONE ON ALTAR | ||
CF | | ||
CF | You put the animal bone on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply encyp to altar" | ||
CF | Shrine to the Firstlings of the Flock 553 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > APPLY ENCYP TO ALTAR | ||
CF | | ||
CF | You spread some of the salt and the ash on the stone altar. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | > | DavidW says, "That failed." | |
DavidW says (to ClubFloyd), "take bone" | ||
CF | Shrine to the Firstlings of the Flock 554 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > TAKE BONE | ||
CF | | ||
CF | You pick up the animal bone. | ||
CF | | ||
CF | > | DavidW says, "I guess there wasn't a fire here." | |
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 555 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Shrine to the Fruit of the Ground 556 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Shrine to the Fruit of the Ground | ||
CF | Within this tight opening in the cavern stands a modest shrine to | ||
CF | fruit, grain, | ||
CF | vegetables, and honey. Crude but playful drawings of Nature's bounty | ||
CF | flow | ||
CF | across the walls and ceiling, and come to circle a stone altar | ||
CF | surrounded by | ||
CF | shadows. Most prominent are drawings of stalks of wheat around the | ||
CF | altar. | ||
CF | | ||
CF | In a corner is a dirt-encrusted spoon. | ||
CF | | ||
CF | You can exit to the northwest. | ||
CF | | ||
CF | > | Roger says, "Spoon of Cain" | |
DavidW says (to ClubFloyd), "x spoon" | ||
CF | Shrine to the Fruit of the Ground 557 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X SPOON | ||
CF | | ||
CF | This aged metal spoon is tarnished and encrusted in hard dirt, as | ||
CF | though | ||
CF | discarded some time ago. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take spoon" | ||
CF | Shrine to the Fruit of the Ground 558 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE SPOON | ||
CF | | ||
CF | You pick up the tarnished spoon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply novo to spoon" | ||
CF | Shrine to the Fruit of the Ground 559 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > APPLY NOVO TO SPOON | ||
CF | | ||
CF | You spread some of the sulfur and the black bile on the tarnished | ||
CF | spoon. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The encrusted dirt crackles and falls away from the spoon. The | ||
CF | tarnish | ||
CF | dissolves away, leaving you with a shiny tin spoon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x spoon" | ||
CF | Shrine to the Fruit of the Ground 560 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X SPOON | ||
CF | | ||
CF | It's a tiny and elegant, but crudely made, tin spoon. It gleams in | ||
CF | the light. | ||
CF | | ||
CF | > | DavidW says, "oh, perhaps the crow will like this." | |
Jade says, "let's take a shower" | ||
DavidW says (to ClubFloyd), "x paintings" | ||
CF | Shrine to the Fruit of the Ground 561 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X PAINTINGS | ||
CF | | ||
CF | Although poorly rendered, from the detail work, you surmise the | ||
CF | artisan spent a | ||
CF | loving amount of energy rendering these drawings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x altar" | ||
CF | Shrine to the Fruit of the Ground 562 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X ALTAR | ||
CF | | ||
CF | A block of these caves' volcanic rock has been crudely cut down to | ||
CF | produce a | ||
CF | coarse stone altar. | ||
CF | | ||
CF | Nothing is on the altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheat on altar" | ||
CF | Shrine to the Fruit of the Ground 563 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PUT WHEAT ON ALTAR | ||
CF | | ||
CF | You put the wheat on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Cavern 564 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 565 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone on altar" | ||
CF | Shrine to the Firstlings of the Flock 566 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PUT BONE ON ALTAR | ||
CF | | ||
CF | You put the animal bone on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x shadows" | ||
CF | Shrine to the Firstlings of the Flock 567 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X SHADOWS | ||
CF | | ||
CF | Shadows lurk along the corners and edges of the shrine. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x shrine" | ||
CF | Shrine to the Firstlings of the Flock 568 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X SHRINE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | On the stone altar you see an animal bone. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 569 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kneel" | ||
CF | Cavern 570 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > KNEEL | ||
CF | | ||
CF | You kneel before the giant face painted on the cavern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pray" | ||
CF | Cavern 571 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PRAY | ||
CF | | ||
CF | You think about the sacrifice made here, and the loss of life it | ||
CF | represents. | ||
CF | | ||
CF | > | Jade says, "kneel" | |
Jade says, "big lag" | ||
DavidW says (to ClubFloyd), "bow" | ||
CF | Cavern 571 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > BOW | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "bow head" | ||
CF | Cavern 571 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > BOW HEAD | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF | Cavern 572 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > STAND | ||
CF | | ||
CF | You are standing. | ||
CF | | ||
CF | > | DavidW says, "hm. I guess I missed a step or something." | |
DavidW says, "It does seem like the bone for one altar and wheat for the other is expected." | ||
DavidW says (to ClubFloyd), "x face" | ||
CF | Cavern 573 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X FACE | ||
CF | | ||
CF | The vermillion-colored painting of a face is almost as tall as the | ||
CF | cavern | ||
CF | itself. Its nose and lips are wispy lines on the oval field of paint. | ||
CF | The | ||
CF | wide pale eyes are haunting--they may have witnessed much in this | ||
CF | cavern. | ||
CF | | ||
CF | [Use RECALL THE GIANT FACE to recall the revelation unlocked from the | ||
CF | painted | ||
CF | face.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put spoon in pocket" | ||
CF | Cavern 574 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT SPOON IN POCKET | ||
CF | | ||
CF | You put the tin spoon in the wall pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take spoon" | ||
CF | Cavern 575 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE SPOON | ||
CF | | ||
CF | You pick up the tin spoon. | ||
CF | | ||
CF | > | DavidW says, "I have no idea what the pocket ought to have." | |
DavidW says (to ClubFloyd), "put knife in pocket" | ||
CF | Cavern 576 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT KNIFE IN POCKET | ||
CF | | ||
CF | You put the knife in the wall pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take knife" | ||
CF | Cavern 577 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE KNIFE | ||
CF | | ||
CF | You pick up the knife. | ||
CF | | ||
CF | > | Jade says, "spoon... to eat soup" | |
DavidW says (to ClubFloyd), "put knife in pocket" | ||
CF | Cavern 578 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT KNIFE IN POCKET | ||
CF | | ||
CF | You put the knife in the wall pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kneel" | ||
CF | Cavern 579 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > KNEEL | ||
CF | | ||
CF | You kneel before the giant face painted on the cavern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF | Cavern 580 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > STAND | ||
CF | | ||
CF | You are standing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take knife" | ||
CF | Cavern 581 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE KNIFE | ||
CF | | ||
CF | You pick up the knife. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 582 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You glance around--the animal bone has disappeared! | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x altar" | ||
CF | Shrine to the Firstlings of the Flock 583 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X ALTAR | ||
CF | | ||
CF | A block of these caves' volcanic rock has been crudely cut down to | ||
CF | produce a | ||
CF | coarse stone altar. | ||
CF | | ||
CF | Nothing is on the altar. | ||
CF | | ||
CF | > | DavidW says, "okay, something happened." | |
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 584 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Shrine to the Fruit of the Ground 585 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Shrine to the Fruit of the Ground | ||
CF | Within this tight opening in the cavern stands a modest shrine to | ||
CF | fruit, grain, | ||
CF | vegetables, and honey. Crude but playful drawings of Nature's bounty | ||
CF | flow | ||
CF | across the walls and ceiling, and come to circle a stone altar | ||
CF | surrounded by | ||
CF | shadows. Most prominent are drawings of stalks of wheat around the | ||
CF | altar. | ||
CF | | ||
CF | On the stone altar you see some wheat. | ||
CF | | ||
CF | You can exit to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Cavern 586 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put spoon in pocket" | ||
CF | Cavern 587 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT SPOON IN POCKET | ||
CF | | ||
CF | You put the tin spoon in the wall pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kneel" | ||
CF | Cavern 588 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > KNEEL | ||
CF | | ||
CF | You kneel before the giant face painted on the cavern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF | Cavern 589 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > STAND | ||
CF | | ||
CF | You are standing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Shrine to the Fruit of the Ground 590 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Shrine to the Fruit of the Ground | ||
CF | Within this tight opening in the cavern stands a modest shrine to | ||
CF | fruit, grain, | ||
CF | vegetables, and honey. Crude but playful drawings of Nature's bounty | ||
CF | flow | ||
CF | across the walls and ceiling, and come to circle a stone altar | ||
CF | surrounded by | ||
CF | shadows. Most prominent are drawings of stalks of wheat around the | ||
CF | altar. | ||
CF | | ||
CF | On the stone altar you see some wheat. | ||
CF | | ||
CF | You can exit to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Cavern 591 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see a tin spoon. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take spoon" | ||
CF | Cavern 592 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE SPOON | ||
CF | | ||
CF | You pick up the tin spoon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 593 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x grease" | ||
CF | Shrine to the Firstlings of the Flock 593 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X GREASE | ||
CF | | ||
CF | You see no grease here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bone" | ||
CF | Shrine to the Firstlings of the Flock 594 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > X BONE | ||
CF | | ||
CF | The animal bone has disappeared! | ||
CF | | ||
CF | > | DavidW says, "so strange" | |
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 595 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 596 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 597 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | You can't go that way. From here you could go southwest or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 598 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | Jade says, "the bone has dissapeared..." | |
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 599 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | DavidW says, "I know." | |
DavidW says, "I don't understand." | ||
DavidW says (to ClubFloyd), "u" | ||
CF | In the branches of the great cedar 600 | ||
CF | Exits: down up | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | In the branches of the great cedar | ||
CF | From this vantage you overlook much of the settlement below, and have | ||
CF | a good | ||
CF | view of the mountains to the south. | ||
CF | | ||
CF | The crow sits on the branch with you. It regards you with an | ||
CF | inquisitive | ||
CF | angling of its head. The spoon in your possession is quite | ||
CF | fascinating, | ||
CF | apparently. | ||
CF | | ||
CF | > | Jade says, "Neither go I" | |
DavidW says (to ClubFloyd), "show spoon to crow" | ||
CF | In the branches of the great cedar 601 | ||
CF | Exits: down up | ||
CF | | ||
CF | > SHOW SPOON TO CROW | ||
CF | | ||
CF | The mesmerized bird's head ducks and bobs with the spoon's movement, | ||
CF | eyes | ||
CF | transfixed on the shiny prize. | ||
CF | | ||
CF | > | Jade says, "do" | |
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf7" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | In the branches of the great cedar 601 | ||
CF | Exits: down up | ||
CF | Saved. | ||
CF | | ||
CF | > | Jade says, "hot, hot" | |
DavidW says (to ClubFloyd), "give spoon to crow" | ||
CF | In the branches of the great cedar 602 | ||
CF | Exits: down up | ||
CF | | ||
CF | > GIVE SPOON TO CROW | ||
CF | | ||
CF | The cagey crow makes two tentative steps toward you. With the speed | ||
CF | of a | ||
CF | striking snake, it snaps its beak on the spoon and scurries back. | ||
CF | | ||
CF | The crow's deft beak maneuvers the spoon so it can admire itself in | ||
CF | its mirror- | ||
CF | like bowl. It sees itself upside-down. You're beginning to think the | ||
CF | crow | ||
CF | sees everything upside-down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x crow" | ||
CF | In the branches of the great cedar 603 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X CROW | ||
CF | | ||
CF | Its blackness, so pure and undiluted, and its stoic observation of you | ||
CF | in its | ||
CF | natural terrain?you are mesmerized by the creature. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Foot of the great cedar tree 604 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 605 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 606 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | In the branches of the great cedar 607 | ||
CF | Exits: down up | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | In the branches of the great cedar | ||
CF | From this vantage you overlook much of the settlement below, and have | ||
CF | a good | ||
CF | view of the mountains to the south. | ||
CF | | ||
CF | The crow sits on the branch with you. It's ignoring you, however, as | ||
CF | it's | ||
CF | utterly fascinated with its new toy. | ||
CF | | ||
CF | The crow shifts the spoon to the side corner of its beak. It holds | ||
CF | the spoon | ||
CF | like an old sea salt would a pipe, and you swear it has a mischievous | ||
CF | smile as | ||
CF | it does so. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask crow for help" | ||
CF | In the branches of the great cedar 608 | ||
CF | Exits: down up | ||
CF | | ||
CF | > ASK CROW FOR HELP | ||
CF | | ||
CF | It cocks its head, but otherwise does not respond. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take crow" | ||
CF | In the branches of the great cedar 609 | ||
CF | Exits: down up | ||
CF | | ||
CF | > TAKE CROW | ||
CF | | ||
CF | The crow remains well out of your reach. The branch you share tapers | ||
CF | rapidly, | ||
CF | and would not support your weight if you were to venture further out | ||
CF | upon it. | ||
CF | | ||
CF | > | DavidW says, "I don't know if I erred or not." | |
DavidW says (to ClubFloyd), "take spoon" | ||
CF | In the branches of the great cedar 610 | ||
CF | Exits: down up | ||
CF | | ||
CF | > TAKE SPOON | ||
CF | | ||
CF | The crow shies away from you. Nothing doing. | ||
CF | | ||
CF | The crows makes three creaky caws out of the side of its | ||
CF | beak, and you are | ||
CF | certain it is chortling over its new acquisition. | ||
CF | | ||
CF | > | Jade says, "nothing happened" | |
DavidW says (to ClubFloyd), "RESTORE" | ||
DavidW says (to ClubFloyd), "cf7" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
CF | In the branches of the great cedar 610 | ||
CF | Exits: down up | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "restore" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
DavidW says (to ClubFloyd), "cf7" | ||
CF | In the branches of the great cedar 610 | ||
CF | Exits: down up | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "restore" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
DavidW says (to ClubFloyd), "cf6" | ||
CF | In the branches of the great cedar 610 | ||
CF | Exits: down up | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | DavidW says, "well, that's annoying." | |
DavidW says, "I wonder what restore failed." | ||
Jade says, "I am looking upwards and I think you didin't named the file" | ||
DavidW says, "I suppose we could try going to the mountains and seeing if the crow joins us there." | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Foot of the great cedar tree 611 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The ground shakes and dips for a moment, leaving you unnerved. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 612 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 613 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 614 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | > | Jade says, "let's go" | |
DavidW says (to ClubFloyd), "s" | ||
CF | Base of mountain 615 | ||
CF | Exits: north up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | After a taxing journey across the valley plain, you reach the foot of | ||
CF | a | ||
CF | mountain range? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the obsidian block has a revelation | ||
CF | locked | ||
CF | within it. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Animal trails 616 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | Animal trails | ||
CF | You continue through the underbrush, unsure if you're making progress | ||
CF | to the | ||
CF | summit. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "caw" | ||
CF | Animal trails 616 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > CAW | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Animal trails 617 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Animal trails | ||
CF | With the sun in the sky so ill-defined, your progress up the mountain | ||
CF | feels?aimless. | ||
CF | | ||
CF | Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Animal trails 618 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | You can't go that way. From here you could go north, east, south, | ||
CF | west, | ||
CF | northeast, northwest, southeast, southwest or down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x crow" | ||
CF | Animal trails 618 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > X CROW | ||
CF | | ||
CF | You see no crow here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Base of mountain 619 | ||
CF | Exits: north up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | You practically gallop down, jarring yourself and rattling your knees | ||
CF | in the | ||
CF | process, but you reach the base of the mountain in one piece? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the obsidian block has a revelation | ||
CF | locked | ||
CF | within it. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Sage field 620 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | After a trek across the valley floor, you reach the edge of the | ||
CF | settlement? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | The disturbed bees' drone from the east has a distinct intensity to | ||
CF | it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 621 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 622 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 623 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow in the branches stares down at you with its beady left eye. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | In the branches of the great cedar 624 | ||
CF | Exits: down up | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | In the branches of the great cedar | ||
CF | From this vantage you overlook much of the settlement below, and have | ||
CF | a good | ||
CF | view of the mountains to the south. | ||
CF | | ||
CF | The crow sits on the branch with you. It's ignoring you, however, as | ||
CF | it's | ||
CF | utterly fascinated with its new toy. | ||
CF | | ||
CF | The crow shifts around on the branch with the spoon firmly between its | ||
CF | beak. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "shake branch" | ||
CF | In the branches of the great cedar 624 | ||
CF | Exits: down up | ||
CF | | ||
CF | > SHAKE BRANCH | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask crow about spoon" | ||
CF | In the branches of the great cedar 625 | ||
CF | Exits: down up | ||
CF | | ||
CF | > ASK CROW ABOUT SPOON | ||
CF | | ||
CF | The crow stretches its neck and shakes its feathers. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x spoon" | ||
CF | In the branches of the great cedar 626 | ||
CF | Exits: down up | ||
CF | | ||
CF | > X SPOON | ||
CF | | ||
CF | It's a tiny and elegant, but crudely made, tin spoon. It gleams in | ||
CF | the light. | ||
CF | | ||
CF | > | Roger says, "elegant and crude, sure" | |
DavidW says, "I feel I made a mistake." | ||
DavidW says (to ClubFloyd), "restore" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
DavidW says (to ClubFloyd), "cfcain23" | ||
CF | In the branches of the great cedar 626 | ||
CF | Exits: down up | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | DavidW says, "geez. None of the save positions work." | |
DavidW asks, "hint?" | ||
Jade says, "yes, yes" | ||
DavidW says, "I'd like to learn if giving the spoon was the wrong thing to do." | ||
DavidW says (to ClubFloyd), "hint" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
CF | | ||
CF | > HINT | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You can take some of the wheat from the field. [1/5] | ||
CF | Is the wheat good for anything? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You can take some of the wheat from the field. [1/5] | ||
CF | Have you seen any other place outside of the field where wheat is | ||
CF | referenced? [2/5] | ||
CF | Is the wheat good for anything? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You can take some of the wheat from the field. [1/5] | ||
CF | Have you seen any other place outside of the field where wheat is | ||
CF | referenced? [2/5] | ||
CF | Search the caverns past the boulder and landslide. [3/5] | ||
CF | Is the wheat good for anything? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You can take some of the wheat from the field. [1/5] | ||
CF | Have you seen any other place outside of the field where wheat is | ||
CF | referenced? [2/5] | ||
CF | Search the caverns past the boulder and landslide. [3/5] | ||
CF | One of the shrines depicts ears of wheat about the altar. [4/5] | ||
CF | Is the wheat good for anything? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You can take some of the wheat from the field. [1/5] | ||
CF | Have you seen any other place outside of the field where wheat is | ||
CF | referenced? [2/5] | ||
CF | Search the caverns past the boulder and landslide. [3/5] | ||
CF | One of the shrines depicts ears of wheat about the altar. [4/5] | ||
CF | Try placing the wheat on the altar. [5/5] | ||
CF | [The End] | ||
CF | Is the wheat good for anything? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "p" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It does seem to be following you around. [1/6] | ||
CF | What does the crow want from me? Why does it keep watching | ||
CF | me?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It does seem to be following you around. [1/6] | ||
CF | Perhaps the crow is simply curious in what you're up to. [2/6] | ||
CF | What does the crow want from me? Why does it keep watching | ||
CF | me?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
Pinkunz has arrived. | ||
DavidW presses the yellow enter button. | ||
CF | It does seem to be following you around. [1/6] | ||
CF | Perhaps the crow is simply curious in what you're up to. [2/6] | ||
CF | If you climb the great tree in the center of the settlement, you have | ||
CF | a chance to interact with it. [3/6] | ||
CF | What does the crow want from me? Why does it keep watching | ||
CF | me?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | DavidW says, "hi Pinkunz" | |
DavidW presses the yellow enter button. | ||
CF | It does seem to be following you around. [1/6] | ||
CF | Perhaps the crow is simply curious in what you're up to. [2/6] | ||
CF | If you climb the great tree in the center of the settlement, you have | ||
CF | a chance to interact with it. [3/6] | ||
CF | It doesn't seem interested in much you have to offer, though. [4/6] | ||
CF | What does the crow want from me? Why does it keep watching | ||
CF | me?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It does seem to be following you around. [1/6] | ||
CF | Perhaps the crow is simply curious in what you're up to. [2/6] | ||
CF | If you climb the great tree in the center of the settlement, you have | ||
CF | a chance to interact with it. [3/6] | ||
CF | It doesn't seem interested in much you have to offer, though. [4/6] | ||
CF | Some of the revelations will mention the crow. Pay particular | ||
CF | attention to them. [5/6] | ||
CF | What does the crow want from me? Why does it keep watching | ||
CF | me?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It does seem to be following you around. [1/6] | ||
CF | Perhaps the crow is simply curious in what you're up to. [2/6] | ||
CF | If you climb the great tree in the center of the settlement, you have | ||
CF | a chance to interact with it. [3/6] | ||
CF | It doesn't seem interested in much you have to offer, though. [4/6] | ||
CF | Some of the revelations will mention the crow. Pay particular | ||
CF | attention to them. [5/6] | ||
CF | Go about your inquiry. The crow will make itself known when it's | ||
CF | ready. [6/6] | ||
CF | [The End] | ||
CF | What does the crow want from me? Why does it keep watching | ||
CF | me?Q=Quit P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | Pinkunz says, "Hi" | |
DavidW says (to ClubFloyd), "q" | ||
CF | In the branches of the great cedar 626 | ||
CF | Exits: down up | ||
CF | Done. | ||
CF | | ||
CF | > | Jade says, "Hi, Pinkunz" | |
DavidW says, "We're playing, or trying to play, According to Cain, but we may have made the game unwinnable, but we're not sure, and we can't restore from a saved position." | ||
DavidW says (to ClubFloyd), "hint" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
CF | | ||
CF | > HINT | Jade says, "So, we don't know what the crow wants" | |
Pinkunz says, "Sounds like an error of biblical proportions." | ||
DavidW says, "har" | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "u" | ||
CF | >General | ||
CF | >A Young Earth: Preparations | ||
CF | >A Fragile Earth: The settlement | ||
CF | >An Uncertain Earth: The mountains | ||
CF | Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | You should also investigate the two shrines with stone altars. [2/6] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | You should also investigate the two shrines with stone altars. [2/6] | ||
CF | You should replicate the sacrifice ceremony Cain and Abel once | ||
CF | performed here. [3/6] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | You should also investigate the two shrines with stone altars. [2/6] | ||
CF | You should replicate the sacrifice ceremony Cain and Abel once | ||
CF | performed here. [3/6] | ||
CF | You can find wheat in the wheat field. [4/6] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "push enter" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | You should also investigate the two shrines with stone altars. [2/6] | ||
CF | You should replicate the sacrifice ceremony Cain and Abel once | ||
CF | performed here. [3/6] | ||
CF | You can find wheat in the wheat field. [4/6] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | You should also investigate the two shrines with stone altars. [2/6] | ||
CF | You should replicate the sacrifice ceremony Cain and Abel once | ||
CF | performed here. [3/6] | ||
CF | You can find wheat in the wheat field. [4/6] | ||
CF | There is a pile of animal bones in the slaughterhouse. [5/6] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | You might examine the painted face on the cavern wall, if you've not | ||
CF | already. It will offer a clue as to the significance of these | ||
CF | shrines. [1/6] | ||
CF | You should also investigate the two shrines with stone altars. [2/6] | ||
CF | You should replicate the sacrifice ceremony Cain and Abel once | ||
CF | performed here. [3/6] | ||
CF | You can find wheat in the wheat field. [4/6] | ||
CF | There is a pile of animal bones in the slaughterhouse. [5/6] | ||
CF | Try putting the wheat and a bone on their respective altars. Leave | ||
CF | the shrines and return to them. What changed? [6/6] | ||
CF | [The End] | ||
CF | What am I looking for in the shrine caves? Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW says (to ClubFloyd), "d" | ||
CF | >How do I get the royal jelly? | ||
CF | >Is the wheat good for anything? | ||
CF | >What am I looking for in the shrine caves? | ||
CF | >What are the animal bones for? | ||
CF | >What do I do with the cinnabar? | ||
CF | >What does the crow want from me? Why does it keep watching | ||
CF | me? | ||
CF | >What is the blue gem for? | ||
CF | >What is the charcoal for? | ||
CF | >What is the purpose of the pocket in the cavern wall? | ||
CF | >What is the significance of the cracked rock? | ||
CF | >What should I do with the braid of cups? | ||
CF | >Why does the bone disappear from the altar? | ||
CF | A Fragile Earth: The settlement Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It appears you can put things inside it. See what happens when you | ||
CF | try. [1/4] | ||
CF | What is the purpose of the pocket in the cavern wall?Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It appears you can put things inside it. See what happens when you | ||
CF | try. [1/4] | ||
CF | Maybe try something you're not carrying? Something that might be | ||
CF | found elsewhere? [2/4] | ||
CF | What is the purpose of the pocket in the cavern wall?Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It appears you can put things inside it. See what happens when you | ||
CF | try. [1/4] | ||
CF | Maybe try something you're not carrying? Something that might be | ||
CF | found elsewhere? [2/4] | ||
CF | Be sure you've searched the rest of the settlement. You need an item | ||
CF | not found in the cavern. [3/4] | ||
CF | What is the purpose of the pocket in the cavern wall?Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | ||
DavidW presses the yellow enter button. | ||
CF | It appears you can put things inside it. See what happens when you | ||
CF | try. [1/4] | ||
CF | Maybe try something you're not carrying? Something that might be | ||
CF | found elsewhere? [2/4] | ||
CF | Be sure you've searched the rest of the settlement. You need an item | ||
CF | not found in the cavern. [3/4] | ||
CF | You need to find the obsidian slab. Try putting that in the pocket. | ||
CF | See what happens when you do. [4/4] | ||
CF | [The End] | ||
CF | What is the purpose of the pocket in the cavern wall?Q=Quit | ||
CF | P=Previous Menu | ||
CF | U=Up D=Down | ||
CF | ENTER=Select | DavidW says, "huh. Wasn't expecting that answer." | |
DavidW says (to ClubFloyd), "q" | ||
CF | In the branches of the great cedar 626 | ||
CF | Exits: down up | ||
CF | Done. | ||
CF | | ||
CF | > | Jade says, "obsidian" | |
DavidW says (to ClubFloyd), "d" | ||
CF | Foot of the great cedar tree 627 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 628 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 629 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 630 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Base of mountain 631 | ||
CF | Exits: north up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | After a taxing journey across the valley plain, you reach the foot of | ||
CF | a | ||
CF | mountain range? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the obsidian block has a revelation | ||
CF | locked | ||
CF | within it. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tale slab" | ||
CF | Base of mountain 631 | ||
CF | Exits: north up | ||
CF | | ||
CF | > TALE SLAB | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take slab" | ||
CF | Base of mountain 632 | ||
CF | Exits: north up | ||
CF | | ||
CF | > TAKE SLAB | ||
CF | | ||
CF | You pick up the obsidian slab. It fits well in your hand. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Sage field 633 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | After a trek across the valley floor, you reach the edge of the | ||
CF | settlement? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 634 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 635 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 636 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 637 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Cavern entrance 638 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF | Cavern 639 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put slab in pocket" | ||
CF | Cavern 640 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT SLAB IN POCKET | ||
CF | | ||
CF | The obsidian slab fits snugly within the pocket. It stands up within | ||
CF | the | ||
CF | opening. | ||
CF | | ||
CF | Due to its angle, it reflects an image of the shrine to the northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x slab" | ||
CF | Cavern 641 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X SLAB | ||
CF | | ||
CF | The oval slab of obsidian is small, about the size of a woman's palm, | ||
CF | with one | ||
CF | of its sides smooth and polished. | ||
CF | | ||
CF | With the slab situated so, you can see a dark reflection of the shrine | ||
CF | to the | ||
CF | northeast. The stone altar there is empty. | ||
CF | | ||
CF | [Use RECALL THE OBSIDIAN MIRROR to recall the revelation unlocked from | ||
CF | the | ||
CF | obsidian slab.] | ||
CF | | ||
CF | > | Jade says, "a reflection" | |
DavidW asks, "wait. Is this a way to spy what happens to the disappearing bone?" | ||
DavidW says, "Let's get another bone." | ||
Jade says, "perhaps" | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 642 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | You can't go that way. From here you could go north, northeast, | ||
CF | southeast or | ||
CF | out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 643 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 644 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 645 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | A single gentle caw from the crow comes down to you as though | ||
CF | reminding you of | ||
CF | your task at hand. | ||
CF | | ||
CF | > | Jade says, "This is exciting" | |
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 646 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 647 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 648 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 649 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Abel's slaughterhouse 650 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Abel's slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bone" | ||
CF | Abel's slaughterhouse 651 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE BONE | ||
CF | | ||
CF | You take one of the bones off the pile. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside a slaughterhouse 652 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 653 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 654 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 655 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Cavern entrance 656 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF | Cavern 657 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see an obsidian slab. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 658 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone on altar" | ||
CF | Shrine to the Firstlings of the Flock 659 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PUT BONE ON ALTAR | ||
CF | | ||
CF | You put the animal bone on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 660 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see an obsidian slab. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kneel" | ||
CF | Cavern 661 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > KNEEL | ||
CF | | ||
CF | You kneel before the giant face painted on the cavern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x slab" | ||
CF | Cavern 662 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X SLAB | ||
CF | | ||
CF | The oval slab of obsidian is small, about the size of a woman's palm, | ||
CF | with one | ||
CF | of its sides smooth and polished. | ||
CF | | ||
CF | With the slab situated so, you can see a dark reflection of the shrine | ||
CF | to the | ||
CF | northeast. On the altar is the animal bone. | ||
CF | | ||
CF | Unexpectedly comes movement in the black reflection--a sleek | ||
CF | four-legged animal | ||
CF | emerges from the shrine's shadows! Stealthily, it sniffs around at | ||
CF | the bone, | ||
CF | takes it between its teeth, and thieves it away. | ||
CF | | ||
CF | It darts back into the shadows and disappears. | ||
CF | | ||
CF | [Use RECALL THE OBSIDIAN MIRROR to recall the revelation unlocked from | ||
CF | the | ||
CF | obsidian slab.] | ||
CF | | ||
CF | > | DavidW says, "So God didn't take the bone, some critter did. A bear or wolf of something like that." | |
Jade says, "an animal" | ||
Pinkunz says, "No blaming God." | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 663 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | Now aware of what you're looking for, you discover a dark crevice | ||
CF | leading to | ||
CF | the southeast. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x crevice" | ||
CF | Shrine to the Firstlings of the Flock 664 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > X CREVICE | ||
CF | | ||
CF | A thin crevice, barely wide enough for you to slip through, lurks in | ||
CF | the | ||
CF | shadows. It leads southeast, deeper into the mountainside. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Lair 665 | ||
CF | Exits: out | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You manage to squeeze through the dark crevice and into another open | ||
CF | space | ||
CF | within this hill? | ||
CF | | ||
CF | Lair | ||
CF | This deep cave is barely high enough for you to stand in. Scattered | ||
CF | across the | ||
CF | ground are bits of cracked bone. The stink of rot and animal waste is | ||
CF | thick in | ||
CF | here. | ||
CF | | ||
CF | A vicious badger cowers against the rear of the cave, teeth bared and | ||
CF | hair on | ||
CF | its back standing. It's tied by a tether to a hook in the wall. It | ||
CF | snarls and | ||
CF | snaps at you. | ||
CF | | ||
CF | Near the badger is a pool of congealed grease. | ||
CF | | ||
CF | You notice an umber stain on the volcanic rock near you. | ||
CF | | ||
CF | The umber stain glows a clear blue hue. | ||
CF | | ||
CF | The only way out is through a crevice to the northwest. | ||
CF | | ||
CF | The badger cowers in the far recesses of the cave, wishing you would | ||
CF | leave it | ||
CF | alone. | ||
CF | | ||
CF | > | Jade says, "grease" | |
DavidW says (to ClubFloyd), "take grease" | ||
CF | Lair 666 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE GREASE | ||
CF | | ||
CF | You can't get to the grease as long as the badger is trapped in this | ||
CF | cave, | ||
CF | ready to flay your skin with its hooked claws. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x umber" | ||
CF | Lair 667 | ||
CF | Exits: out | ||
CF | | ||
CF | > X UMBER | ||
CF | | ||
CF | The stain is not paint, it's dried blood. It's low on the wall and | ||
CF | near the | ||
CF | floor of the cave. | ||
CF | | ||
CF | The umber stain glows a clear blue hue. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to umber" | ||
CF | Lair 668 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OSTENDO TO UMBER | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the umber stain. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the umber stain? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "The remedy of the | ||
CF | phlegmatic, the | ||
CF | poison of the sanguine, and wax." | ||
CF | | ||
CF | > | DavidW says, "That should be phlegm, lymph, and wax, I guess." | |
DavidW says (to ClubFloyd), "apply phlegm to umber" | ||
CF | Lair 669 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY PHLEGM TO UMBER | ||
CF | | ||
CF | You spread some of the phlegm on the umber stain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply lymph to umber" | ||
CF | Lair 670 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY LYMPH TO UMBER | ||
CF | | ||
CF | You spread some of the lymph on the umber stain. | ||
CF | | ||
CF | The badger nervously rubs its paws on its head and snout. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to umber" | ||
CF | Lair 671 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY WAX TO UMBER | ||
CF | | ||
CF | You spread some of the wax on the umber stain. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice arrives in your ear all at once, and in a rage: | ||
CF | | ||
CF | Abel's gone too far--this trick of his to prove his sacrifice is | ||
CF | worthy and | ||
CF | mine worthless--it's profane-- | ||
CF | | ||
CF | Once again my brother has found a way to humiliate me. In his | ||
CF | humiliation, he | ||
CF | has discovered another way to impress Father and open Mother's | ||
CF | heart a little | ||
CF | wider for him. Even our sister Awan has grown enamored with him. | ||
CF | I sense it | ||
CF | in her eyes and smile when he departs to tend to his flock. | ||
CF | | ||
CF | My attempts to free the frightened animal have left me bloodied | ||
CF | and lacerated. | ||
CF | His callousness toward this innocent creature is | ||
CF | unforgiveable. | ||
CF | | ||
CF | I must go and dig the rock out of the wheat field. I will return | ||
CF | afterwards | ||
CF | with food for the trapped animal, and determine some way to free | ||
CF | it. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | Jade says, "food and digging" | |
DavidW says (to ClubFloyd), "look up badger" | ||
CF | Lair 672 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP BADGER | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | There is no entry for "badger." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tether" | ||
CF | Lair 673 | ||
CF | Exits: out | ||
CF | | ||
CF | > X TETHER | ||
CF | | ||
CF | A tether keeps the badger trapped in this small space, with only | ||
CF | enough slack | ||
CF | to venture out to the shrine to steal its food. The tether is tied to | ||
CF | a hook | ||
CF | embedded in the rock wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hook" | ||
CF | Lair 674 | ||
CF | Exits: out | ||
CF | | ||
CF | > X HOOK | ||
CF | | ||
CF | It's a simple iron hook, crudely forged and bored into the rock wall. | ||
CF | You see | ||
CF | a tether attached to the hook. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut tether" | ||
CF | Lair 675 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT TETHER | ||
CF | | ||
CF | (with the knife) | ||
CF | Freed, the badger races out of the cave as fast as its stubby legs | ||
CF | will carry | ||
CF | it. The tether jounces along the ground behind it like an elongated | ||
CF | tail, | ||
CF | until both are gone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take grease" | ||
CF | Lair 676 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE GREASE | ||
CF | | ||
CF | You collect all the grease you can find, prepare it for use, and add | ||
CF | it to the | ||
CF | braid of cups. | ||
CF | | ||
CF | > | Jade says, "well done" | |
DavidW says, "I suppose I could also have dissolved the hook." | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Shrine to the Firstlings of the Flock 677 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest, or pass through a dark crevice to the | ||
CF | southeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 678 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see an obsidian slab. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 679 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 680 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Cavern entrance 681 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Cavern entrance 682 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You can't go that way. From here you could go southwest or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF | Cavern 683 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see an obsidian slab. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take slab" | ||
CF | Cavern 684 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE SLAB | ||
CF | | ||
CF | You pick up the obsidian slab. It fits well in your hand. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 685 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 686 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 687 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 688 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | The earth rolls beneath you. A rumbling under the soil accompanies | ||
CF | the | ||
CF | movement before it all tapers off. The scarecrow sways back and | ||
CF | forth, left | ||
CF | and right, then settles. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 689 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 690 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Base of mountain 691 | ||
CF | Exits: north up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | After a taxing journey across the valley plain, you reach the foot of | ||
CF | a | ||
CF | mountain range? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put slab in scar" | ||
CF | Base of mountain 692 | ||
CF | Exits: north up | ||
CF | | ||
CF | > PUT SLAB IN SCAR | ||
CF | | ||
CF | The obsidian mirror fits the obsidian block's oval scar perfectly. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply black bile to block" | ||
CF | Base of mountain 693 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY BLACK BILE TO BLOCK | ||
CF | | ||
CF | You spread some of the black bile on the obsidian block. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sage to block" | ||
CF | Base of mountain 694 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY SAGE TO BLOCK | ||
CF | | ||
CF | You spread some of the sage on the obsidian block. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply grease to block" | ||
CF | Base of mountain 695 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY GREASE TO BLOCK | ||
CF | | ||
CF | You spread some of the grease on the obsidian block. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply salt to block" | ||
CF | > | ||
CF | > APPLY SALT TO BLOCK | ||
CF | | ||
CF | You spread some of the salt on the obsidian block. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice is familiar to you now: | ||
CF | | ||
CF | Mother gathers Abel, our eldest sister Awan, and myself. She | ||
CF | leads us to the | ||
CF | foot of the mountains. | ||
CF | | ||
CF | "Strike the head, strike the heel," she tells us. "The gift of | ||
CF | childbirth was | ||
CF | mine, but I sense it abandoning my body. Cain and Awan, the gift | ||
CF | has been | ||
CF | passed to you. The great chain of the family of Mankind is now | ||
CF | your | ||
CF | responsibility." | ||
CF | | ||
CF | "And what of me?" Abel demands. "The Creator selected my yield in | ||
CF | the shrine, | ||
CF | and rejected Cain's." | ||
CF | | ||
CF | "Take Cain's inferior grain to the giant Nephilim living beyond | ||
CF | the mountains," | ||
CF | she says. "Trade with them for tack, tools, and supplies. If | ||
CF | they do not wish | ||
CF | to trade, barter for peace. The Fire indicates they are growing | ||
CF | restless, and | ||
CF | they outnumber us." | ||
CF | | ||
CF | I protest. "Abel is not the proper ambassador of our family. I | ||
CF | am the eldest | ||
CF | [More] | Jade says, "cool" | |
DavidW pushes the green 'space' button. | ||
CF | Base of mountain 696 | ||
CF | Exits: north up | ||
CF | son. I should represent our interests with the | ||
CF | Nephilim." | ||
CF | | ||
CF | "Abel has been chosen." Eve shows us the writing on the side of | ||
CF | the obsidian | ||
CF | block. "Heed the warning carved here. It will guide you through | ||
CF | the | ||
CF | mountains." | ||
CF | | ||
CF | Cain's voice dies off, leaving you only with an echo of this memory. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | DavidW asks, "There's writing?" | |
DavidW says (to ClubFloyd), "read block" | ||
CF | Base of mountain 697 | ||
CF | Exits: north up | ||
CF | | ||
CF | > READ BLOCK | ||
CF | | ||
CF | A mess of deep scratches run down one side of the obsidian block. It | ||
CF | all | ||
CF | appears chaotic, as though some mighty antediluvian creature sharpened | ||
CF | his | ||
CF | claws here. (Pray you do not run into such a beast!) | ||
CF | | ||
CF | However, you now realize these crosshatches and angles represents a | ||
CF | language-- | ||
CF | perhaps the first written language in the history of the world. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up language" | ||
CF | Base of mountain 698 | ||
CF | Exits: north up | ||
CF | | ||
CF | > LOOK UP LANGUAGE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | After much time with the Pharmakon, your motivated search | ||
CF | yields fruit: | ||
CF | | ||
CF | The glos compound provides the Indagator a complete | ||
CF | understanding of any | ||
CF | written language before him or her?with the proviso that such | ||
CF | comprehension is | ||
CF | fleeting, only affording enough time for a few words or a phrase to be | ||
CF | translated. | ||
CF | | ||
CF | Hester IV of Minscip adds in his telltale script: "Quite often, that | ||
CF | is all a | ||
CF | seasoned Indagator needs!" | ||
CF | | ||
CF | The compound is sophisticated by the standards of alchemy: blood, | ||
CF | chamomile, | ||
CF | grease, & wax. | ||
CF | | ||
CF | The entry concludes with a warning: "The compound must be applied | ||
CF | directly to | ||
CF | the writing or symbols stymieing the Indagator." | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | Jade says, "let's do it" | |
DavidW says (to ClubFloyd), "apply blood to scratches" | ||
CF | Base of mountain 699 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY BLOOD TO SCRATCHES | ||
CF | | ||
CF | You spread some of the blood on the scratches. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply chamomile to scratches" | ||
CF | Base of mountain 700 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY CHAMOMILE TO SCRATCHES | ||
CF | | ||
CF | You spread some of the chamomile on the scratches. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply grease to scratches" | ||
CF | Base of mountain 701 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY GREASE TO SCRATCHES | ||
CF | | ||
CF | You spread some of the grease on the scratches. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to scratches" | ||
CF | Base of mountain 702 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY WAX TO SCRATCHES | ||
CF | | ||
CF | You spread some of the wax on the scratches. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | You grow euphoric as the knowledge of another tongue floods in. Your | ||
CF | lightheaded state is amplified by the realization that you are not | ||
CF | merely | ||
CF | comprehending a foreign language, but the original language | ||
CF | of Mankind. | ||
CF | | ||
CF | The aimless lines of the scratches take the shape of knowledge | ||
CF | expressed. | ||
CF | Quickly, before the effect of the compound deteriorates, you memorize | ||
CF | the gist | ||
CF | of the message: | ||
CF | | ||
CF | "BEWARE the animals' paths running up the mountain, for they | ||
CF | travel in CIRCLES! | ||
CF | To reach the summit, enter the trailhead and navigate with care | ||
CF | these | ||
CF | directions: | ||
CF | | ||
CF | Southwest, southeast, east, and then north." | ||
CF | | ||
CF | The effect fades away. | ||
CF | | ||
CF | [You may now refer to the glos compound by name.] | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | > | Jade says, "the clue for the maze" | |
DavidW says, "yeah" | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Animal trails 703 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | Animal trails | ||
CF | You begin your trek up the mountainside with fresh confidence. Animal | ||
CF | tracks | ||
CF | wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Animal trails 704 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Animal trails | ||
CF | You continue your trek up the mountainside with growing confidence of | ||
CF | your | ||
CF | progress. Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Animal trails 705 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Animal trails | ||
CF | You continue your trek up the mountainside with growing confidence of | ||
CF | your | ||
CF | progress. Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Animal trails 706 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Animal trails | ||
CF | You continue your trek up the mountainside with growing confidence of | ||
CF | your | ||
CF | progress. Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Mountain pass 707 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You emerge from the crisscrossing trails to a wind-scarred clearing? | ||
CF | | ||
CF | III. AN UNCERTAIN EARTH | ||
CF | | ||
CF | Mountain pass | ||
CF | A brisk steady wind cuts across this mountain pass, an unwelcome | ||
CF | contrast to | ||
CF | the warm, if chilling, settlement below. You peer down on the | ||
CF | settlement and | ||
CF | realize how far you've traveled to reach here. | ||
CF | | ||
CF | A steep slope descends down the mountain in a hurry, while a path | ||
CF | leads | ||
CF | southeast. The way south leads up the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x settlement" | ||
CF | Mountain pass 708 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > X SETTLEMENT | ||
CF | | ||
CF | From a distance, it seems so quaint and peaceful. The fire in the | ||
CF | central pit | ||
CF | burns intensely, nothing but a kernel of light from this height. | ||
CF | | ||
CF | > | Jade says, "well done, the 3rd part" | |
Jade says, "try to save" | ||
DavidW says, "This is probably a good time to stop. It's just after 4." | ||
DavidW says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | Jade says, "ok, ok" | |
DavidW says (to ClubFloyd), "cfchapter3" | ||
CF | Mountain pass 708 | ||
CF | Exits: south southeast down | ||
CF | Saved. | ||
CF | | ||
CF | > | Jade says, "A good gameplay" | |
DavidW says, "yes, thanks. We made progress, but we needed many hints to do it." | ||
Jade says, "It is a rather difficult game" | ||
DavidW says, "I do hope we won't need the spoon later." | ||
Jade says, "Thanks for driving, for the session and the walkthrough" | ||
Jade says, "I also hope not" | ||
DavidW says, "You're welcome. I will update the notes." | ||
Jade says, "see you next week" | ||
DavidW says, "see you. bye" | ||
Jade says, "stay safe" | ||
*** SESSION FOUR *** | ||
Jacqueline says, "I am looking at your updated notes, David. They're great, as ever." | ||
DavidW says, "thanks" | ||
Jacqueline says, "I particularly appreciated the inclusion of:" | ||
Jacqueline | Found dead: | ||
Jacqueline | - Crado. | ||
Jacqueline says, "Let us not forget Crado as a character." | ||
Roger says, "Crado shot first" | ||
Jacqueline says, "ha" | ||
DavidW says, "We actually did put his bracelet back on him to send him home." | ||
DavidW says, "My updated notes are at [LINK]" | ||
Jade says, "thanks" | ||
DavidW says, "So, lemme quickly sum up last session's events." | ||
DavidW says, "We got past the boulder by melting the iron in it using a compound mentioned in our book." | ||
DavidW says, "We found the brothers' shrines inside in cavern, and some cinnabar." | ||
Jacqueline nods. | ||
Jacqueline says, "Hm. Shrines." | ||
Jacqueline says, "Also, mmm... cinnabar..." | ||
DavidW says, "When we put a bone on Cain's altar and some wheat on Abel's, then knelt in front of a painted face, the bone disappeared but the wheat did not." | ||
DavidW says, "Putting the obsidian mirror into a niche, we saw in its reflection that a creature took the bone." | ||
DavidW says, "Knowing that, we found a chained badger in its lair that Cain used to make it look like God accepted his offering while distaining Abel's harvest offering." | ||
Jacqueline says, "Cain is such a jerk." | ||
DavidW says, "We freed the badger and took some grease there." | ||
DavidW says, "The memory of the obsidian block told us that the scratches on it were writing." | ||
DavidW says, "Another compound let us understand any language briefly, and we learned the route to the mountain summit." | ||
DavidW says, "We climbed up there but stopped there." | ||
DavidW says, "We are still unable to unlock the memory of the large broken rock." | ||
DavidW says, "Also we returned Credo home by giving him back his bracelet." | ||
DavidW says, "And a spoon in the badger's lair we restored to shininess and gave it to the crow." | ||
Jade says, "I can't remember what did we need the grease for." | ||
DavidW says, "So the crow now had a shiny spoon and we can't get it back." | ||
Jacqueline asks, "Okay, is it question time?" | ||
DavidW says, "We needed grease to unlock the obsidian block's memory." | ||
DavidW says (to Jacqueline), "sure." | ||
Jacqueline asks, "Did we find another bracelet, or are we just altruistic to a fault and stuck here now?" | ||
DavidW says, "The latter." | ||
DavidW says, "I'm trusting that we'll somehow get our original bracelet." | ||
DavidW says, "Or that it won't matter in the end." | ||
Jacqueline blinks. | ||
Jade says, "I don't think we are stuck, we will see..." | ||
Jacqueline says, "Okay then." | ||
DavidW says, "I have a suspicion that we'll learn what the Mark of Cain is but never be able to tell anyone else." | ||
DavidW says, "I'm hoping this is the sort of game that can't be made unwinnable." | ||
Jade says, "it could be this way" | ||
Roger says, "seems like it so far" | ||
Jacqueline says, "It could be." | ||
DavidW says (to ClubFloyd), "l" | ||
CF says (to DavidW), "CF doesn't know that trick." | Jacqueline says, "It probably is." | |
DavidW says, "oh, there was one problem: we can't restore from our save points." | ||
DavidW says, "And CF isn't running our game." | ||
Jacqueline says, "Oh. The reboot." | ||
Roger says, "oh yeah" | ||
Jacqueline says, "I forgot to check on him. Inky was around a bit ago..." | ||
Jade says, "let Jacqueline try to restore" | ||
Jacqueline says, "Hm. CF is here." | ||
Jacqueline pushes the green 'space' button. | DavidW says, "CF is there, but he's not running a game." | |
Jacqueline asks, "Yeah. You just need to load and restore, right? Need me to look at what you called your last save?" | ||
DavidW says (to ClubFloyd), "load sleepmask accordingtocain" | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | | ||
CF | | ||
CF | | ||
CF | And the LORD had respect unto Abel and to his | ||
CF | offering: | ||
CF | But unto Cain and to his offering He had not respect. | ||
CF | -Genesis 4:4-5, King James Version | ||
CF | | ||
CF | | ||
CF | Then ALLAH sent a crow searching in the ground | ||
CF | to show [Cain] how to hide the disgrace of his | ||
CF | brother. | ||
CF | -Quran 5:31, Sahih International | ||
CF | | ||
CF | | ||
CF | "From this time forth?thou shalt be called | ||
CF | Perdition." | ||
CF | -Moses 5:24, Pearl of Great Price | ||
CF | | ||
CF | | ||
CF | And Cain said unto the LORD, | ||
CF | "My punishment is greater than I can bear?" | ||
CF | -Genesis 4:13 KJV | ||
CF | | ||
CF | | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | An inquiry | ||
CF | by Jim Nelson | ||
CF | | ||
DavidW pushes the green 'space' button. | ||
CF | | ||
CF | | ||
CF | | ||
CF | THE PROVOST TOPS off your brandy and invites you to sit. "The | ||
CF | question has | ||
CF | bedeviled the Academy's Scholastics since this institution was | ||
CF | founded," he | ||
CF | says with a weary sigh. "What is the Mark of Cain?" | ||
CF | | ||
CF | The Provost is a gray man, whiskered and immobile. He administers the | ||
CF | Academy | ||
CF | from his padded chair--ratty blanket thrown over his lap--by | ||
CF | scratching | ||
CF | messages on parchment and throwing them out the window to his | ||
CF | secretaries in | ||
CF | the courtyard below. | ||
CF | | ||
CF | "The Academy has already sent two of our best," he says. "They failed | ||
CF | to | ||
CF | return. We consider them lost. You must do better." | ||
CF | | ||
CF | You, a novitiate Indagator, investigate for the Academy all | ||
CF | manner of | ||
CF | esoterica. Usually the questions revolve around the finer points of | ||
CF | philosophy | ||
CF | and science debated by the Scholastics. This riddle, though--the Mark | ||
CF | of | ||
CF | Cain--is monumental. It is the oldest mystery in known history. | ||
CF | | ||
CF | The Provost breaks the silence with a deep and gravelly voice. | ||
CF | "Indagator, you | ||
CF | are charged with resolving this ancient question. Stand and prepare | ||
CF | yourself!" | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | instant, you are sent | ||
CF | back in time?to the beginning? | ||
DavidW pushes the green 'space' button. | ||
CF | back in time?to the beginning? | ||
CF | | ||
CF | I. A YOUNG EARTH | ||
CF | | ||
CF | East of Eden | ||
CF | A fine hazy mist shrouds the sky, making the sun little more than a | ||
CF | smeary | ||
CF | torch in a smoke-filled room. The air is redolent with a sour aroma. | ||
CF | The | ||
CF | world feels fresh and new. | ||
CF | | ||
CF | On your wrist is the orbis bracelet given to you by the Provost before | ||
CF | you were | ||
CF | sent to this time. You must not lose the bracelet; it's your only way | ||
CF | back to | ||
CF | the Academy. | ||
CF | | ||
CF | Before you, a circuitous path plunges eastward into the windswept | ||
CF | wilderness. | ||
CF | It is this direction you will need to travel to begin your inquiry. | ||
CF | | ||
CF | Behind you, to the distant west, lies Eden. | ||
CF | | ||
CF | [Type ABOUT for more information on this game.] | ||
CF | | ||
CF | > | DavidW says (to Jacqueline), "You can, but it won't work." | |
DavidW says (to ClubFloyd), "restore" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
DavidW says (to ClubFloyd), "cfcain23" | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | DavidW says, "I think we have to replay EVERYTHING or abandon the game." | |
Jade asks, "can you list savegames?" | ||
Jacqueline says (to ClubFloyd), "restore" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
Jacqueline says (to ClubFloyd), "cf3" | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | Jacqueline says, "huh" | |
Jacqueline asks, "That's been since the reboot?" | ||
DavidW says, "no, this happened last session too." | ||
DavidW says, "After we gave the spoon to the crow, we wanted to undo it and we couldn't." | ||
Jade says, "last session CF seemed to fail wheen saving" | ||
Jacqueline says (to ClubFloyd), "SAVE" | ||
Jacqueline says (to ClubFloyd), "cf8" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | Saved. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "restore" | ||
CF | > | ||
CF | > RESTORE | ||
CF | %% Enter a save filename to read: | ||
Jacqueline says (to ClubFloyd), "cf1" | ||
CF | East of Eden 0 | ||
CF | Exits: east | ||
CF | Failed: the position could not be restored. | ||
CF | | ||
CF | > | DavidW says, "In other news, we're out of clubhouse passes." | |
Jacqueline says, "hm. Gosh, everything is just going to heck." | ||
Jacqueline smiles. | ||
Jacqueline says, "I can get passes back if someone reminds me of the command to recall items." | ||
Jacqueline says, "I can never recall the recall command." | ||
DavidW says, "sorry, I should have anticipated this." | ||
Jacqueline says, "But yeah, seems save and restore is bugged." | ||
Jade says, "there are no passes but there is no new persons joining the game.... odd indeed" | ||
DavidW says, "The save/restore issue might be limited to TADS 3 games." | ||
Jacqueline says (to Jade), "Well, people come one week, take a pass, then don't come back." | ||
Jacqueline says (to DW), "True, but that's still an issue." | ||
DavidW says, "Looks like it's the @find command for finding lost items." | ||
Jacqueline says (to ClubFloyd), "i" | ||
CF | East of Eden 1 | ||
CF | Exits: east | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * an orbis bracelet | ||
CF | | ||
CF | > | Jade says, "I haven't seen new people here" | |
Roger asks, "DW, do you want to blitz through our transcript?" | ||
DavidW says, "I can try" | ||
Jacqueline says, "I'll scavenge passes while you do that." | ||
DavidW says (to ClubFloyd), "l" | ||
CF | East of Eden 2 | ||
CF | Exits: east | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | East of Eden | ||
CF | Before you, a circuitous path plunges eastward into the windswept | ||
CF | wilderness. | ||
CF | It is this direction you will need to travel to begin your inquiry. | ||
CF | | ||
CF | Behind you, to the distant west, lies Eden. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | A tree 3 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | A tree | ||
CF | In a break from the rugged and stark terrain, a magnificent tree rises | ||
CF | alongside the path. A crow descends from high above and alights upon | ||
CF | its | ||
CF | lowest branch. | ||
CF | | ||
CF | Nestled against the roots of the tree sits a leather rucksack. | ||
CF | | ||
CF | In the rucksack you see some arsenic, some lymph, some black bile, | ||
CF | some phlegm, | ||
CF | and some yellow bile. | ||
CF | | ||
CF | The Academy has provided well. This rucksack will you help you with | ||
CF | your | ||
CF | inquiry. As you travel, you should discover more of the tools you | ||
CF | will require | ||
CF | to complete your inquiry and prepare your report for the Provost. | ||
CF | | ||
CF | The way continues east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take all" | ||
CF | A tree 4 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE ALL | ||
CF | | ||
CF | You heave up the weighty rucksack and sling it over your shoulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | A Young Earth 5 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | As you travel, your thoughts wander to the plight of Adam and Eve, the | ||
CF | first | ||
CF | humans created and parents of all Mankind. | ||
CF | | ||
CF | They were brought forth in the paradise Eden. They lived a life of | ||
CF | pure ease, | ||
CF | only to be banished to the wilderness for a single weakness. This | ||
CF | path you | ||
CF | walk would have been the one they followed as they searched for a new | ||
CF | home? | ||
CF | | ||
CF | A Young Earth | ||
CF | Your journey brings you to the mouth of a turbulent valley and a | ||
CF | terrible | ||
CF | sight: The valley walls and floor have broken open, allowing foul | ||
CF | steam and | ||
CF | gases from the underworld to escape high into the air. | ||
CF | | ||
CF | Here lies yet another provision from the Academy for your inquiry: On | ||
CF | the | ||
CF | ground near the magma flow is a pulverulent cloth. | ||
CF | | ||
CF | The way continues east and west. Any travel south through the valley | ||
CF | is | ||
CF | blocked by the magma flow. | ||
CF | | ||
CF | > | asks, "can you send a trascript to CF in order to replay the game auto mode?" | |
Jacqueline departs. A clowder of cats chatters in the distance. | ||
DavidW says (to ClubFloyd), "take cloth" | ||
CF | A Young Earth 6 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE CLOTH | ||
CF | | ||
CF | You pick up the pulverulent cloth. | ||
CF | | ||
CF | A great grumbling announces itself beneath the ground, and you find | ||
CF | yourself | ||
CF | swaying about as though on a ship deck. A moment later, the | ||
CF | disturbance | ||
CF | ceases. | ||
CF | | ||
CF | > | Jacqueline says (to Jade), "No. We've rarely needed that." | |
DavidW says (to Jade), "I don't have any such transcript ready for that usage." | ||
DavidW says (to ClubFloyd), "e" | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Your thoughts return to the Provost's words in his quarters: | ||
CF | | ||
CF | "Recall that Eve birthed two sons," the Provost told you. "Cain, the | ||
CF | eldest, | ||
CF | tilled the fields. Younger brother Abel tended the flocks. Until?" | ||
CF | He trails | ||
CF | off. | ||
CF | | ||
CF | "Cain murdered Abel," you said to complete his thought. | ||
CF | | ||
CF | "The first murder in all of history. As punishment, the Creator | ||
CF | cursed Cain to | ||
CF | wander the Earth to the end of his days. Cain was marked to prove he | ||
CF | introduced murder into our world. The mark served to protect Cain | ||
CF | from others | ||
CF | taking vengeance upon him." | ||
CF | | ||
CF | "Why do that? Why protect such evil?" | ||
CF | | ||
CF | The Provost emitted a gravelly murmur. "Vengeance was the Creator's." | ||
CF | | ||
CF | Approaching the river | ||
CF | The steady rushing of a river comes from the east. A turbulent valley | ||
CF | of magma | ||
CF | and steam roils to the west. | ||
CF | | ||
CF | Lying here is a thick tome bound in calf-skin. It's the | ||
CF | Pharmakon, a formulary | ||
CF | and another provision made by the Academy for your inquiry. | ||
CF | [More] | Jacqueline says (to DW), "I do" | |
Jacqueline asks, "Do you want them just for this?" | ||
Jade says, "But still there should be older saves" | ||
DavidW says (to ClubFloyd), "take tome" | Jacqueline says, "Yeah, I tried an older save, and it didn't work, unfortunately." | |
DavidW pushes the green 'space' button. | ||
CF | Approaching the river 7 | ||
CF | Exits: east west | ||
CF | | ||
CF | This book may be the most valuable possession they delivered for your | ||
CF | work. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take tome" | ||
CF | Approaching the river 8 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE TOME | ||
CF | | ||
CF | With a grunt, you pick up the cumbersome and dusty tome. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Approaching the river 9 | ||
CF | Exits: east west | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Approaching the river | ||
CF | The steady rushing of a river comes from the east. A turbulent valley | ||
CF | of magma | ||
CF | and steam roils to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Crossing 10 | ||
CF | Exits: east west | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You recall the Provost throwing up his liver-spotted hands when you | ||
CF | last spoke | ||
CF | to him: | ||
CF | | ||
CF | "The historical record offers no clue to the form of Cain's rude | ||
CF | mark!" he | ||
CF | said. "Is it a scar on his face, or the color of his hair, or a horn | ||
CF | sprouting | ||
CF | from his forehead? To know this is to better understand the true | ||
CF | nature of | ||
CF | evil, for Cain was Perdition itself!" | ||
CF | | ||
CF | This is the question you must answer. It is why you've been sent back | ||
CF | to this | ||
CF | time, the beginning of mankind's existence on Earth. | ||
CF | | ||
CF | Crossing | ||
CF | A roaring river of whitewater and coursing rapids terminates your path | ||
CF | through | ||
CF | the wilderness. A lean, frayed rope bridge crosses east to the | ||
CF | opposite bank. | ||
CF | Otherwise, your only other path is west, the way you came. | ||
CF | | ||
CF | With a showy beating of its wings, a crow swoops down and settles | ||
CF | among the | ||
CF | topmost branches of a nearby eucalyptus. | ||
CF | | ||
CF | Lying on the river's bank is an oversized vellum envelope with a | ||
CF | prominent blue | ||
CF | seal. You will need it to issue your final report to the Academy. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take envelope" | ||
CF | Crossing 11 | ||
CF | Exits: east west | ||
CF | | ||
CF | > TAKE ENVELOPE | ||
CF | | ||
CF | You take the envelope. The stiffness of the vellum reminds you of the | ||
CF | Academy's formality. You think of the elderly and wise Provost, of | ||
CF | your | ||
CF | teacher Hester IV of Minscip, and of the steady purpose of the | ||
CF | Academy's | ||
CF | Scholastics. You do not want to let them down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Bearing some trepidation, you plant a foot on the rope bridge, then | ||
CF | the other. | ||
CF | Your crossing begins with careful, mindful steps. | ||
CF | | ||
CF | Three-quarters of the way across, your fears fade. Perhaps your time | ||
CF | at the | ||
CF | Academy among its soft scholars has left you suspicious of rural | ||
CF | craftsmanship. | ||
CF | After all, you made it this far without-- | ||
CF | | ||
CF | Strands of the rope start unwinding beneath your feet. You | ||
CF | impulsively grapple | ||
CF | for the hand-hold, but it too buckles. Madly you scramble to hold | ||
CF | onto your | ||
CF | possessions as the rope gives way. You tumble into the ice-cold | ||
CF | river? | ||
DavidW pushes the green 'space' button. | ||
CF | river? | ||
CF | | ||
CF | II. A FRAGILE EARTH | ||
CF | | ||
CF | You're washed far downstream before you manage to grasp solid rock and | ||
CF | pull | ||
CF | yourself from the river. You trudge up the eastern bank drenched to | ||
CF | the bone | ||
CF | and grouching about "rural craftsmanship." | ||
CF | | ||
CF | After some time in the sun, your equipment and essences are dry and | ||
CF | intact. | ||
CF | The frigid river has left you shivering uncontrollably, however. | ||
CF | | ||
CF | Worse: You lost your orbis bracelet in the water. Without it, you | ||
CF | have no way | ||
CF | to return to the Academy. | ||
CF | | ||
CF | You struggle to recall why you accepted this task from the Provost. | ||
CF | You | ||
CF | struggle equally to grasp why he would select you, a novitiate so | ||
CF | green in the | ||
CF | science of investigation. Perhaps after losing two | ||
CF | Indagatores to the inquiry, | ||
CF | he found himself facing a dearth of volunteers. | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Plain 12 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | A Fragile Earth 13 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | A Fragile Earth | ||
CF | Peering down from atop an incline, you behold yet another awesome | ||
CF | spectacle in | ||
CF | the distance: The earth ripped open and the underworld's molten rivers | ||
CF | and | ||
CF | miasma escaping to the surface. This young Earth suffers teething | ||
CF | pains, and | ||
CF | its tantrum is most awful. | ||
CF | | ||
CF | The narrow footpath continues down the hill into a chasm, or northwest | ||
CF | back to | ||
CF | the sluice gate. | ||
CF | | ||
CF | A deep blue gem strung on a loop of leather cord lies on the ground. | ||
CF | It's | ||
CF | another provision from the Academy. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take gem" | ||
CF | A Fragile Earth 14 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > TAKE GEM | ||
CF | | ||
CF | You pick up the lumens gem with care, aware of its value to your | ||
CF | inquiry. | ||
CF | | ||
CF | The breeze carries up from the chasm below the stench of rotten eggs. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear it" | ||
CF | A Fragile Earth 15 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > WEAR IT | ||
CF | | ||
CF | You put the leather cord around your neck. The lumens gem hangs at | ||
CF | your | ||
CF | sternum. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up gem in book" | ||
CF | A Fragile Earth 16 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > LOOK UP GEM IN BOOK | ||
CF | | ||
CF | Lumens gems are mined from the caves north of the Academy. Once cut | ||
CF | and milled | ||
CF | by a trained jeweler, they provide the wearer the ability to see | ||
CF | surfaces which | ||
CF | harbor extreme or painful memories. | ||
CF | | ||
CF | Once detected, the best way to unlock and reveal the memory is by | ||
CF | applying an | ||
CF | ostendo compound. Ostendo will announce the essences that must | ||
CF | be applied to | ||
CF | the surface to reveal the memory. | ||
CF | | ||
CF | c.f., ostendo | ||
CF | | ||
CF | You notice you're slightly warm, and feeling an unexpected soreness in | ||
CF | your jaw | ||
CF | and neck muscles. That dunk in the ice-cold river must have impaired | ||
CF | your | ||
CF | constitution more than you first thought. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Sulfur deposits 17 | ||
CF | Exits: up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Sulfur deposits | ||
CF | In this wide and arid chasm you spy the telltale yellow chalk of | ||
CF | sulfur | ||
CF | spilling down the slope. | ||
CF | | ||
CF | A winding path leads up out of the chasm. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take sulfur" | ||
CF | Sulfur deposits 18 | ||
CF | Exits: up | ||
CF | | ||
CF | > TAKE SULFUR | ||
CF | | ||
CF | You collect all the sulfur you can find, prepare it for use, and add | ||
CF | it to the | ||
CF | pulverulent cloth. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | A Fragile Earth 19 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | A Fragile Earth | ||
CF | Peering down from atop an incline, you behold yet another awesome | ||
CF | spectacle in | ||
CF | the distance: The earth ripped open and the underworld's molten rivers | ||
CF | and | ||
CF | miasma escaping to the surface. This young Earth suffers teething | ||
CF | pains, and | ||
CF | its tantrum is most awful. | ||
CF | | ||
CF | The narrow footpath continues down the hill into a chasm, or northwest | ||
CF | back to | ||
CF | the sluice gate. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | A Fragile Earth 20 | ||
CF | Exits: northwest down | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | You can't go that way. From here you could go northwest or down. | ||
CF | | ||
CF | > | Jacqueline says (to DW), "Sent" | |
DavidW asks, "er what?" | ||
Jacqueline says, "Sent you the transcripts thus far, in case you need to look something up." | ||
DavidW says, "no, my own notes should suffice" | ||
Jacqueline says, "mmkay" | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Plain 21 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | the valley floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | The sluice glows a clear blue hue. The lumens gem is telling you to | ||
CF | examine | ||
CF | the sluice closer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Salt bed 22 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Salt bed | ||
CF | This squat cave entrance is actually nothing more than a dry grotto | ||
CF | shaped | ||
CF | convex by the river. | ||
CF | | ||
CF | A gash up the side of the grotto reveals a bed of crystal salt | ||
CF | embedded in the | ||
CF | rock face. | ||
CF | | ||
CF | The sluice gate is to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take salt" | ||
CF | Salt bed 23 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > TAKE SALT | ||
CF | | ||
CF | You collect all the salt you can find, prepare it for use, and add it | ||
CF | to the | ||
CF | pulverulent cloth. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Plain 24 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Plain | ||
CF | You're standing on the edge of a flooded plain. A stagnant pond fed | ||
CF | by the | ||
CF | redirected river makes a murky mirror across the plain. An irrigation | ||
CF | ditch | ||
CF | controlled by a sluice gate leads to a distant field of wheat covering | ||
CF | much of | ||
CF | the valley floor. | ||
CF | | ||
CF | To the southeast is a winding footpath leading up an incline, while | ||
CF | northeast | ||
CF | of here is a squat cave set in the side of the bank. | ||
CF | | ||
CF | Far to the north, you make out a settlement around an enormous cedar | ||
CF | tree. The | ||
CF | way north is blocked by the pond. | ||
CF | | ||
CF | The sluice glows a clear blue hue. The lumens gem is telling you to | ||
CF | examine | ||
CF | the sluice closer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x gate" | ||
CF | Plain 25 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > X GATE | ||
CF | | ||
CF | A sluice gate with a wood lever controls whether the river water can | ||
CF | enter the | ||
CF | irrigation ditch. The gate's closed, causing the swollen river to | ||
CF | flood the | ||
CF | plain. | ||
CF | | ||
CF | The sluice glows a clear blue hue. The lumens gem has detected | ||
CF | powerful | ||
CF | memories stored within this surface. You should apply an ostendo | ||
CF | compound to | ||
CF | learn how to unlock them. They may potentially help you with your | ||
CF | inquiry. | ||
CF | | ||
CF | [Use LOOK UP OSTENDO to learn what substances you'll need to unlock | ||
CF | the | ||
CF | memories stored in the sluice.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up ostendo in book" | ||
CF | Plain 26 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > LOOK UP OSTENDO IN BOOK | ||
CF | | ||
CF | Strong emotional reactions are embedded in surfaces near the source of | ||
CF | the | ||
CF | psychic disturbance. | ||
CF | | ||
CF | Once an ostendo compound is applied to such a surface, the | ||
CF | Indagator will | ||
CF | receive an Inspiration for unlocking the revelation embedded within | ||
CF | it. | ||
CF | | ||
CF | Note that ostendo, as with all compounds, should only be applied once. | ||
CF | Applying the same compound to the same surface more than once only | ||
CF | serves to | ||
CF | waste essences. | ||
CF | | ||
CF | Hester IV of Minscip adds a footnote in his peculiar scrawl: | ||
CF | | ||
CF | "While detailing the ingredients ostendo requires should be | ||
CF | unnecessary for any | ||
CF | Indagator worth his salt, I will transcribe them here to | ||
CF | quiet the countless | ||
CF | students who bang on my door at all hours pleading for its | ||
CF | formulation: salt & | ||
CF | sulfur. Now let me sleep!" | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | [You should APPLY SALT TO SLUICE and APPLY SULFUR TO SLUICE to | ||
CF | activate an | ||
CF | ostendo compound.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply salt to sluice" | ||
CF | Plain 27 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY SALT TO SLUICE | ||
CF | | ||
CF | You spread some of the salt on the sluice. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apple sulfur to sluice" | ||
CF | Plain 27 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLE SULFUR TO SLUICE | ||
CF | | ||
CF | I don't understand that command. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sulfur to sluice" | ||
CF | Plain 28 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY SULFUR TO SLUICE | ||
CF | | ||
CF | You spread some of the sulfur on the sluice. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the sluice? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "Phlegm and sulfur." | ||
CF | | ||
CF | Applying these two essences to the sluice will unlock the memories | ||
CF | embedded | ||
CF | within it. | ||
CF | | ||
CF | [You may now refer to the ostendo compound by name. Using it | ||
CF | has seared its | ||
CF | list of essences into your memory. For example, you may APPLY OSTENDO | ||
CF | TO | ||
CF | SHOVEL if the need arises.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply phlegm to sluice" | ||
CF | Plain 29 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > APPLY PHLEGM TO SLUICE | ||
CF | | ||
CF | You spread some of the phlegm on the sluice. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sulfur to sluice" | ||
CF | > | ||
CF | > APPLY SULFUR TO SLUICE | ||
CF | | ||
CF | You spread some of the sulfur on the sluice. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The ethereal voice of a young man appears in your mind. It is a voice | ||
CF | recorded | ||
CF | in the past: | ||
CF | | ||
CF | After Father and I dug this trench to irrigate my wheat and | ||
CF | vegetables, brother | ||
CF | Abel made a discovery: When the sluice is closed, the field floods | ||
CF | deep enough | ||
CF | for his flock to drink from. This saves him half a day of | ||
CF | shepherding them | ||
CF | down to the river and back. My crops suffer for his laziness. I | ||
CF | have | ||
CF | repeatedly warned him not to lock the sluice closed without my | ||
CF | permission. | ||
CF | | ||
CF | Mother and Father will not intervene. He is the youngest son. | ||
CF | They are | ||
CF | intoxicated by his charms and soothed by his assurances that he | ||
CF | bears no ill | ||
CF | will. | ||
CF | | ||
CF | And yet here I find my field dry as dust and the sluice gate | ||
CF | closed. He has | ||
CF | managed to jam it shut with a wedge, to prevent me from undoing | ||
CF | his handiwork. | ||
CF | He is without shame! | ||
CF | | ||
CF | The voice fades off, leaving you with an electric charge of scholarly | ||
CF | excitement. The young man speaks of his brother Abel. "Mother" is | ||
CF | Eve, the | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Plain 30 | ||
CF | Exits: north northeast southeast | ||
CF | first Woman to walk the Earth. "Father" is Adam, the first | ||
CF | Man. This is | ||
CF | Cain's voice! | ||
CF | | ||
CF | [Use MEMORIES to list all revelations you've surfaced in your | ||
CF | inquiry.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take wedge" | ||
CF | Plain 31 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > TAKE WEDGE | ||
CF | | ||
CF | You manage to remove the wedge from the gate's jamb, but you lose the | ||
CF | slippery | ||
CF | thing in the murky water. The gate should be free to move now, | ||
CF | though. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open gate" | ||
CF | Plain 32 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > OPEN GATE | ||
CF | | ||
CF | The sluice cannot be moved directly. The lever looks promising, | ||
CF | however. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Plain 33 | ||
CF | Exits: north northeast southeast | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a great deal of effort, you succeed in pulling the sluice lever | ||
CF | back. The | ||
CF | gate opens and water rushes into the irrigation ditch. | ||
CF | | ||
CF | Within a few minutes, the pond has drained enough for you to move | ||
CF | north across | ||
CF | the plain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | River bank 34 | ||
CF | Exits: north south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | River bank | ||
CF | You recognize this to be the opposite bank of the river crossing you | ||
CF | attempted. | ||
CF | The rope bridge unraveled entirely and was swept downstream with you. | ||
CF | | ||
CF | North of here stands a small settlement. No fence or markings, only a | ||
CF | few | ||
CF | buildings around a grand cedar tree. To the south is a sluice gate. | ||
CF | | ||
CF | Down the rushing river flows ice-cold water. | ||
CF | | ||
CF | As though demonstrating the ease of fording a river, the crow launches | ||
CF | from the | ||
CF | far bank, soars over the river in a geometric arc, and lands | ||
CF | gracefully a few | ||
CF | feet from you. | ||
CF | | ||
CF | Without a glance, it emits a berating caaaw at you. | ||
CF | | ||
CF | It makes another showy beating of its wings, lifts off, and flies | ||
CF | away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Well 35 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | As you approach the settlement, you surmise it was abandoned some time | ||
CF | ago. | ||
CF | Time has worn down everything left behind? | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | The well glows a clear blue hue. | ||
CF | | ||
CF | It would be wise to examine the well closer, in case it may yield any | ||
CF | insights | ||
CF | into your inquiry. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to well" | ||
CF | Well 36 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > APPLY OSTENDO TO WELL | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the well. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the well? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "Yellow bile and ash." | ||
CF | | ||
CF | Applying this mixture to the well will unlock the memories embedded | ||
CF | within. | ||
CF | Now, if you could only find some ash? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 37 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | The crow alights upon one of the lower branches. It caws | ||
CF | twice at you and | ||
CF | ruffles its wings with a satisfied shrug. You reckon you could climb | ||
CF | to the | ||
CF | tree's lower branches, if you so desired, if only to give the crow a | ||
CF | piece of | ||
CF | your mind. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. | ||
CF | | ||
CF | The Academy has provided once more. A string of wood cups braided | ||
CF | together by | ||
CF | a strand of twine is piled on the ground at the foot of the tree. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cups" | ||
CF | Foot of the great cedar tree 38 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > TAKE CUPS | ||
CF | | ||
CF | You pick up the braid of cups. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 39 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. The middle is scorched out from much use, but the pit is | ||
CF | cold. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | The fire pit stones glow a clear blue hue. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to pit" | ||
CF | Fire pit 40 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY OSTENDO TO PIT | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the fire pit. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to stones" | ||
CF | Fire pit 41 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY OSTENDO TO STONES | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the fire pit stones. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the fire pit stones? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "Arsenic, sulfur, and | ||
CF | Adam's Humour." | ||
CF | | ||
CF | Stones will speak the truth, but you must coax it from them. | ||
CF | | ||
CF | Besides arsenic and sulfur, you must determine which of the Four | ||
CF | Humours | ||
CF | dominated Adam's temperament. Studying the Pharmakon may be | ||
CF | of help. Good | ||
CF | places to start would be the entries on Adam and the Four Humours. | ||
CF | | ||
CF | Unlocking other revelations around the settlement may shine a light on | ||
CF | the | ||
CF | matter as well. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take ash" | ||
CF | Fire pit 42 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE ASH | ||
CF | | ||
CF | You collect all the ash you can find, prepare it for use, and add it | ||
CF | to the | ||
CF | pulverulent cloth. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 43 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 44 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | The well glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the well has a revelation locked | ||
CF | within it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | Well 44 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed only one revelation: The sluice gate. You may RECALL | ||
CF | this | ||
CF | revelation by name. | ||
CF | | ||
CF | You've detected revelations within two surfaces that have not been | ||
CF | unlocked: | ||
CF | | ||
CF | * the fire pit stones | ||
CF | * the well | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply yellow bile to well" | ||
CF | Well 45 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > APPLY YELLOW BILE TO WELL | ||
CF | | ||
CF | You spread some of the yellow bile on the well. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ash to well" | ||
CF | > | ||
CF | > APPLY ASH TO WELL | ||
CF | | ||
CF | You spread some of the ash on the well. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The young man's voice--Cain--begins speaking in your mind about his | ||
CF | father, | ||
CF | Adam: | ||
CF | | ||
CF | Father believes with enough contrition, the Creator will permit us | ||
CF | to return to | ||
CF | the paradise Eden. He has begun a hard fast, consuming only sips | ||
CF | of rainwater | ||
CF | and nibbles of honeycomb. It has made him weak. His ribs press | ||
CF | into his skin | ||
CF | and reveal the cage encasing his heart. | ||
CF | | ||
CF | Fasting, hard work, and daily exhortations to the Creator have | ||
CF | driven Father to | ||
CF | the precipice. His eyes bulge egg-like from their sockets. White | ||
CF | foam flecks | ||
CF | the corners of his mouth. He rarely speaks, but when he does, he | ||
CF | rants and | ||
CF | raves, permitting none of us to get in so much as two words. | ||
CF | | ||
CF | Unlike Mother, he refuses to discuss his time in the garden | ||
CF | paradise before | ||
CF | their sins drove them out. Hard work is his silent contrition for | ||
CF | his error-- | ||
CF | daily, grinding, maddening hard work. | ||
CF | | ||
CF | This suggests much about Adam's temperament--and his Humour. | ||
CF | Obsession driven | ||
CF | to madness is a well-established behavior of an overly choleric | ||
CF | person. The | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Well 46 | ||
CF | Exits: east south down | ||
CF | | ||
CF | | ||
CF | [You've unlocked another revelation. Use MEMORIES for all revelations | ||
CF | you may | ||
CF | recall.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up choleric" | ||
CF | Well 47 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > LOOK UP CHOLERIC | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The humour yellow bile makes one choleric. It is countered by the | ||
CF | chamomile | ||
CF | poison. | ||
CF | | ||
CF | The choleric are characterized as decisive, analytic, and "quick on | ||
CF | their | ||
CF | feet." They prefer action over contemplation. Unlike | ||
CF | melancholics, they live | ||
CF | in the moment rather than the past. | ||
CF | | ||
CF | An excess of cholera leads to a depletion of the choleric's admirable | ||
CF | qualities. Decisiveness becomes quick-tempered; analytics are | ||
CF | surrendered to | ||
CF | instinct. Anger and snap decisions become their norm. Madness | ||
CF | is common. | ||
CF | | ||
CF | c.f., yellow bile, chamomile, melancholic, Four Humours, madness | ||
CF | | ||
CF | A distant screech from the crow sounds like a rebuke carried to you in | ||
CF | the | ||
CF | wind. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 48 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 49 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. The middle is scorched out from much use, but the pit is | ||
CF | cold. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | The fire pit stones glow a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the fire pit stones have a revelation | ||
CF | locked | ||
CF | within them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply arsenic to stones" | ||
CF | Fire pit 50 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY ARSENIC TO STONES | ||
CF | | ||
CF | You spread some of the arsenic on the fire pit stones. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sulfur to stones" | ||
CF | Fire pit 51 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY SULFUR TO STONES | ||
CF | | ||
CF | You spread some of the sulfur on the fire pit stones. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply yellow bile to stones" | ||
CF | > | ||
CF | > APPLY YELLOW BILE TO STONES | ||
CF | | ||
CF | You spread some of the yellow bile on the fire pit stones. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice appears in your thoughts, a message from the past: | ||
CF | | ||
CF | Each night, Father ignites the Great Fire. On haunches before the | ||
CF | crackling | ||
CF | flames, he supplicates himself to the Creator. His cries for | ||
CF | forgiveness echo | ||
CF | off the mountains to the south. | ||
CF | | ||
CF | Some mornings, I find him passed out before the Fire's dying | ||
CF | embers. He lies | ||
CF | naked and uncovered, having worked himself into a froth before | ||
CF | losing | ||
CF | consciousness. | ||
CF | | ||
CF | Once, in a raving lather, Adam cried out to the dancing Fire: "The | ||
CF | world was | ||
CF | created in goodness! So it must be governed according to the | ||
CF | fruit of good | ||
CF | works!" | ||
CF | | ||
CF | Father throws salt into the Fire to divine our family's future. | ||
CF | He wishes to | ||
CF | foresee if we will be permitted to return to the garden paradise. | ||
CF | And Adam has | ||
CF | divined a magick: He applies salt and ash to the pit to ignite the | ||
CF | Fire. | ||
CF | | ||
CF | In his mania he ignores the Crow, who trills down at him from the | ||
CF | Great Tree. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Fire pit 52 | ||
CF | Exits: east south west northeast | ||
CF | The Crow is scolding Adam for resorting to the black | ||
CF | arts. | ||
CF | | ||
CF | I know this: Ignore the Crow at your own peril. | ||
CF | | ||
CF | When Cain's voice fades off, you realize the "magick" Adam learned is, | ||
CF | in fact, | ||
CF | established science. It is known as encyp, and it is recorded in the | ||
CF | Pharmakon. | ||
CF | | ||
CF | [You've unlocked another revelation. Use MEMORIES for all revelations | ||
CF | you may | ||
CF | recall.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply salt to pit" | ||
CF | Fire pit 53 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > APPLY SALT TO PIT | ||
CF | | ||
CF | You spread some of the salt on the fire pit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ash to pit" | ||
CF | > | ||
CF | > APPLY ASH TO PIT | ||
CF | | ||
CF | You spread some of the ash on the fire pit. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Again, Cain's voice appears in your thoughts: | ||
CF | | ||
CF | "The Fire has forsaken me," Adam proclaims. He has broken his | ||
CF | fast, and his | ||
CF | health is much improved. "Both of you are to begin a ritual of | ||
CF | sacrifice. | ||
CF | Cain, gather your best grain and vegetables. Abel, slaughter the | ||
CF | first of your | ||
CF | flock. Submit your yield to the Creator for judgment." | ||
CF | | ||
CF | "I shall do as you wish," I tell Father and Mother. | ||
CF | | ||
CF | "I will not," Abel says. "Such waste does not honor my | ||
CF | labor." | ||
CF | | ||
CF | "Listen to your father," Eve says. "The one who provides the best | ||
CF | sacrifice | ||
CF | will be rewarded." | ||
CF | | ||
CF | Far to the northeast, The Crow perches among the rocks. It caws | ||
CF | twice for our | ||
CF | attention. | ||
CF | | ||
CF | "Establish your shrine where the Crow calls from," Father | ||
CF | says. | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Fire pit 54 | ||
CF | Exits: east south west northeast | ||
CF | With a great whooom, a massive and intense fire | ||
CF | springs up in the pit. So | ||
CF | sudden, and igniting with such force, you stumble backwards in | ||
CF | retreat, heart | ||
CF | palpitating and the whiff of singed hair all about you. | ||
CF | | ||
CF | A pile of cold charcoal you previously overlooked now smolders. Its | ||
CF | coals glow | ||
CF | a soft orange color. | ||
CF | | ||
CF | [You may now refer to the encyp compound by name.] | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 55 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | A white cotton roll sits on the ground, another provision from the | ||
CF | Academy for | ||
CF | your inquiry. It appears to be a bandage. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Hovel 56 | ||
CF | Exits: out | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor, as | ||
CF | though | ||
CF | pushed over and set aside in the hurry to abandon this place. | ||
CF | | ||
CF | These sparse accomodations can only remind you of life on your | ||
CF | grandfather's | ||
CF | farm, and the drafty cottage you both sought shelter in during | ||
CF | snowstorms and | ||
CF | torrential rains. | ||
CF | | ||
CF | How long has it been since you last shivered inside that cottage? Not | ||
CF | long | ||
CF | enough. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under basket" | ||
CF | Hovel 57 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UNDER BASKET | ||
CF | | ||
CF | The meager sunlight from the entry catches something nestled among the | ||
CF | rags | ||
CF | under the basket. It's a gleaming slab of obsidian sparkling in the | ||
CF | gray | ||
CF | sunlight coming through the entryway. | ||
CF | | ||
CF | > | ||
Jacqueline has arrived. | ||
DavidW says (to ClubFloyd), "take slab" | ||
CF | Hovel 58 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE SLAB | ||
CF | | ||
CF | On your knees and stretching as far as you can reach, your fingertips | ||
CF | get | ||
CF | enough of a hold to slide the obsidian slab close and pick it up. It | ||
CF | fits | ||
CF | nicely in your hand. | ||
CF | | ||
CF | You're clammy and perspiring slightly. All the walking around has | ||
CF | made you | ||
CF | feel more winded than you would expect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x straw" | ||
CF | Hovel 59 | ||
CF | Exits: out | ||
CF | | ||
CF | > X STRAW | ||
CF | | ||
CF | Stalks of straw and dead grass are strewn across the ground. | ||
CF | | ||
CF | You notice a strand of yellow silk caught in the mud and thatch of the | ||
CF | rear | ||
CF | wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x silk" | ||
CF | Hovel 60 | ||
CF | Exits: out | ||
CF | | ||
CF | > X SILK | ||
CF | | ||
CF | Upon closer examination, you see the silk is actually a strand of | ||
CF | blond hair. | ||
CF | It's long with a slight wave in it. From the length and various | ||
CF | qualities of | ||
CF | the hair, you believe this to be from the head of a girl or a young | ||
CF | woman. | ||
CF | | ||
CF | The strand of blond hair glows a clear blue hue. The hair is so | ||
CF | slight, the | ||
CF | hue is barely noticeable. | ||
CF | | ||
CF | > | Jacqueline says, "Jade, you had one of the passes, but I took it and you now can access without a pass." | |
DavidW says (to ClubFloyd), "apply ostendo to hair" | ||
CF | Hovel 61 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OSTENDO TO HAIR | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the strand of blond | ||
CF | hair. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the strand of blond hair? | ||
CF | | ||
CF | A disembodied voice whispers nearby: "Eve's Humour, poison of | ||
CF | Adam's Humour, | ||
CF | and wax." | ||
CF | | ||
CF | The Pharmakon will be of service here in determining which | ||
CF | essences correspond | ||
CF | to Adam's and Eve's Humours. In particular, you must add the | ||
CF | poison of Adam's | ||
CF | Humour. | ||
CF | | ||
CF | It's also possible the information may be gleaned by coaxing visions | ||
CF | and | ||
CF | revelations from other surfaces in the settlement. Keep searching! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Outside the hovel 62 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | A white cotton roll sits on the ground, another provision from the | ||
CF | Academy for | ||
CF | your inquiry. It appears to be a bandage. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bandage" | ||
CF | Outside the hovel 63 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > TAKE BANDAGE | ||
CF | | ||
CF | As you pick it up, a sudden lightheadedness comes over you. Your skin | ||
CF | is | ||
CF | clammy and waxy. A flushed prickliness swarms about your neck and | ||
CF | temples. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Inside the tent 64 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inside the tent | ||
CF | Inside this spacious tent is smashed and overturned equipment, as | ||
CF | though | ||
CF | destroyed in a fit of rage. You gather from the loose bits strewn | ||
CF | about that | ||
CF | this was once a craft workshop. | ||
CF | | ||
CF | The only undisturbed piece of equipment is a length of rope tied to | ||
CF | the tent's | ||
CF | center post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "untie rope" | ||
CF | Inside the tent 65 | ||
CF | Exits: out | ||
CF | | ||
CF | > UNTIE ROPE | ||
CF | | ||
CF | The knot's damnably tight. Whoever tied it off has--or had--a mastery | ||
CF | of them. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 66 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 67 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | Still reeling from the unexpected burst of flame leaping at your face, | ||
CF | your | ||
CF | gaze ascends to the heights of the great cedar tree across the | ||
CF | clearing. The | ||
CF | crow is jouncing up and down on its perch. Its taunting caws | ||
CF | echo across the | ||
CF | valley, sounding uncomfortably like the laughter you've endured from | ||
CF | the | ||
CF | Academy's Scholastics. | ||
CF | | ||
CF | "Indagatores," they murmured with a chuckle. "When has | ||
CF | anyone learned one | ||
CF | thing from them?" | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 68 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | From the branches, the crow cocks its head and studies you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 69 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | You recognize this to be a field of domesticated grain. That | ||
CF | knowledge comes | ||
CF | not from your time at the Academy, but rather of an unremarkable youth | ||
CF | spent | ||
CF | harvesting wheat and sorghum on your grandfather's farm. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | You're clammy and perspiring slightly. All the walking around has | ||
CF | made you | ||
CF | feel more winded than you would expect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x scarecrow" | ||
CF | In the wheat field 70 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > X SCARECROW | ||
CF | | ||
CF | This crude dummy is little more than willow and straw fashioned into a | ||
CF | human- | ||
CF | like form and tied to a post. Its lifeless eyes stare off toward a | ||
CF | clearing to | ||
CF | the south. | ||
CF | | ||
CF | Not that this scarecrow has earned its keep--from what you've seen so | ||
CF | far, the | ||
CF | crows around here seem to feel they rule the roost. | ||
CF | | ||
CF | You snap your fingers: An ocu compound may give this | ||
CF | scarecrow a voice to the | ||
CF | events it's witnessed in this field. The Pharmakon should be | ||
CF | of help here. | ||
CF | | ||
CF | A sharp jolt shakes you to and fro, causing you to check your balance. | ||
CF | It's | ||
CF | another reminder of a young Earth finding its legs. The scarecrow | ||
CF | sways back | ||
CF | and forth, left and right, then settles. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up ocu" | ||
CF | In the wheat field 71 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > LOOK UP OCU | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Dummies, portraits, and any other lifeless mimicry possessing human | ||
CF | eyes may | ||
CF | retain a memory of the past they've witnessed. Ocu provides a | ||
CF | way to hear | ||
CF | these mimics' tales. | ||
CF | | ||
CF | Arsenic & phlegm grants a voice to these mute witnesses. | ||
CF | Merely apply the | ||
CF | compound to the form bearing the eyes, and one will re-envision what | ||
CF | the | ||
CF | mimicked eyes witnessed. | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | ||
Jacqueline drops ClubFloyd Pass 01. | ||
ClubFloyd Pass 01 goes home. | ||
DavidW says (to ClubFloyd), "apply arsenic to scarecrow" | ||
CF | In the wheat field 72 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > APPLY ARSENIC TO SCARECROW | ||
CF | | ||
CF | You spread some of the arsenic on the scarecrow. | ||
CF | | ||
CF | > | ||
Jacqueline departs. A clowder of cats chatters in the distance. | ||
DavidW says (to ClubFloyd), "apply phlegm to scarecrow" | ||
CF | > | ||
CF | > APPLY PHLEGM TO SCARECROW | ||
CF | | ||
CF | You spread some of the phlegm on the scarecrow. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Your eyes become the scarecrow's eyes. Through them, you witness an | ||
CF | age-old | ||
CF | altercation: A brotherly spat. | ||
CF | | ||
CF | Cain toils in the field for hours exposed to the stark white sun. | ||
CF | Abel passes | ||
CF | by on several occasions, cool and refreshed, with a puckish smirk and | ||
CF | a | ||
CF | mischievous air about him. | ||
CF | | ||
CF | "Have you not your flock to attend to?" Cain snaps. He has labored | ||
CF | all morning | ||
CF | with a shovel to dig an enormous egg-shaped rock out from the field. | ||
CF | | ||
CF | "You are the keeper of your field," Abel says. "My flock is my | ||
CF | business." | ||
CF | | ||
CF | Throughout the sweltering day, Abel passes by several more times, | ||
CF | never | ||
CF | offering assistance. Cain toils against the stubborn rock. The | ||
CF | egg-shaped | ||
CF | rock does not budge. | ||
CF | | ||
CF | Abel taunts him. "The river is cool today. I swam while my flock | ||
CF | quenched | ||
CF | their thirst. What have you been doing with your time?" | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | In the wheat field 73 | ||
CF | Exits: north east south | ||
CF | Temper sapped, Cain throws aside the shovel and storms off. | ||
CF | The rock in the | ||
CF | field remains embedded in the ground. Abel grins, shakes his head, | ||
CF | and | ||
CF | saunters off. | ||
CF | | ||
CF | The crow cries out twice?and you return to the present moment, with | ||
CF | only the | ||
CF | memory of the scarecrow's vision as a memento. | ||
CF | | ||
CF | [You may now refer to the ocu compound by name.] | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x slab" | ||
CF | In the wheat field 74 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > X SLAB | ||
CF | | ||
CF | The oval slab of obsidian is small, about the size of a woman's palm, | ||
CF | with one | ||
CF | of its sides smooth and polished. | ||
CF | | ||
CF | In the polished face of the mirror gleams a reflection. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ocu to slab" | ||
CF | > | ||
CF | > APPLY OCU TO SLAB | ||
CF | | ||
CF | You spread some of the arsenic and the phlegm on the obsidian slab. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Your eyes reflecting back at you become the eyes of all who've gazed | ||
CF | into the | ||
CF | obsidian's polished surface. It is Eve who has peered into it the | ||
CF | most. | ||
CF | | ||
CF | A beauty when she was first created, her grace was ground down by her | ||
CF | exile to | ||
CF | the wilderness. Deadened eyes and a lifeless expression have replaced | ||
CF | the | ||
CF | charms of her youth. | ||
CF | | ||
CF | While studying herself in the obsidian mirror, she tells her children | ||
CF | long and | ||
CF | loving stories of life in Eden. Every plant bore succulent fruit and | ||
CF | aromatic | ||
CF | blossoms. The waterfalls provided endless fresh water. Never a storm | ||
CF | to flood | ||
CF | the garden. Never a drought to parch the soil. | ||
CF | | ||
CF | "It was a place of no tomorrows," she tells her children. "It was a | ||
CF | time of no | ||
CF | yesterdays." | ||
CF | | ||
CF | Adam tells her to quit lulling the children with tales of that which | ||
CF | has | ||
CF | passed. "There are stones to turn and lambs to slaughter." | ||
CF | | ||
CF | Eve lives her days in a waking half-dream peering back in time through | ||
CF | the | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | In the wheat field 75 | ||
CF | Exits: north east south | ||
CF | | ||
CF | | ||
CF | When the vision ceases, there is no doubt in your mind: Eve is | ||
CF | afflicted with | ||
CF | melancholy. The Pharmakon has more information. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up melancholy" | ||
CF | In the wheat field 76 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > LOOK UP MELANCHOLY | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | The humour black bile makes one melancholic. It is countered by the | ||
CF | arsenic | ||
CF | poison. | ||
CF | | ||
CF | Those afflicted with melancholy suffer from the most complex of | ||
CF | emotional | ||
CF | dispositions, which can only be described as a kind of | ||
CF | withdrawal from | ||
CF | relationships as well as society. Melancholy often leads to | ||
CF | despair, the | ||
CF | foulest of sins. | ||
CF | | ||
CF | c.f., black bile, arsenic, Four Humours, depression | ||
CF | | ||
CF | The crow launches from the tree, flies a roundabout loop in the hazy | ||
CF | sky, and | ||
CF | returns to its perch. | ||
CF | | ||
CF | > | ||
Jacqueline has arrived. | ||
DavidW says (to ClubFloyd), "look up yellow bile" | ||
CF | In the wheat field 77 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > LOOK UP YELLOW BILE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Yellow bile is a remedy promoting a choleric nature: Ambitious, | ||
CF | aggressive, | ||
CF | short of temper. It is countered by the chamomile poison. | ||
CF | | ||
CF | c.f., chamomile, remedy, choleric | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take wheat" | ||
CF | In the wheat field 78 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE WHEAT | ||
CF | | ||
CF | You select the best of the remaining wheat from a meager selection. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 79 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Slaughterhouse 80 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | A short stout knife lies on the tree stump. | ||
CF | | ||
CF | The tree stump glows a clear blue hue. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take knife" | ||
CF | Slaughterhouse 81 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE KNIFE | ||
CF | | ||
CF | You pick up the knife. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bone" | ||
CF | Slaughterhouse 82 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE BONE | ||
CF | | ||
CF | You take one of the bones off the pile. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to stump" | ||
CF | Slaughterhouse 83 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OSTENDO TO STUMP | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the tree stump. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the tree stump? | ||
CF | | ||
CF | A voice whispers in your ear: "Abel's Humour, the poison of | ||
CF | phlegm--which is | ||
CF | Cain's Humour--and salt." | ||
CF | | ||
CF | Excellent--ostendo has revealed phlegm to be Cain's Humour. But note | ||
CF | you must | ||
CF | apply phlegm's corresponding poison. | ||
CF | | ||
CF | The Pharmakon and further searching of the settlement may | ||
CF | help in deducing | ||
CF | which essences are to be used on the stump. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up phlegm" | ||
CF | Slaughterhouse 84 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP PHLEGM | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Phlegm is a remedy promoting a phlegmatic nature: reserved, quiet, | ||
CF | thoughtful, | ||
CF | introspective. It is countered by the sage poison. | ||
CF | | ||
CF | Hester IV of Minscip makes a handwritten addition: "Not to be confused | ||
CF | with the | ||
CF | phlegm from a runny nose! What organ secretes this vital fluid | ||
CF | remains unknown | ||
CF | to medical science." | ||
CF | | ||
CF | c.f., sage, remedy, phlegmatic | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside a slaughterhouse 85 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 86 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You can't go that way. From here you could go north, west or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 87 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Outside a slaughterhouse 88 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | From this distance, the crow's blackness perched in the tree limbs | ||
CF | makes an | ||
CF | oval hole in this serene, if ominous, place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 89 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 90 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Inside the tent 91 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inside the tent | ||
CF | Inside this spacious tent is smashed and overturned equipment, as | ||
CF | though | ||
CF | destroyed in a fit of rage. You gather from the loose bits strewn | ||
CF | about that | ||
CF | this was once a craft workshop. | ||
CF | | ||
CF | The only undisturbed piece of equipment is a length of rope tied to | ||
CF | the tent's | ||
CF | center post. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut rope with knife" | ||
CF | Inside the tent 92 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ROPE WITH KNIFE | ||
CF | | ||
CF | The rusted knife is far too dull to cut anything. | ||
CF | | ||
CF | You vaguely recall an alchemical compound that makes anew the old and | ||
CF | worn. | ||
CF | The Pharmakon may be of assistance with that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up renewal" | ||
CF | Inside the tent 93 | ||
CF | Exits: out | ||
CF | | ||
CF | > LOOK UP RENEWAL | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Although reversing the ravages of human age remains well-beyond the | ||
CF | current | ||
CF | limits of medical science, our understanding of the physical world | ||
CF | does permit | ||
CF | the more modest ability of restoring a simple man-made object to its | ||
CF | earlier | ||
CF | form. | ||
CF | | ||
CF | The alchemical compound novo may be concocted by applying the | ||
CF | following | ||
CF | essences to the article in need of restoration: sulfur & black | ||
CF | bile. | ||
CF | | ||
CF | Note the limits of novo: Complex machinery and intricate work are | ||
CF | unaffected by | ||
CF | the compound. Only the most simplest of creations are within its | ||
CF | powers. | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sulfur to knife" | ||
CF | Inside the tent 94 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY SULFUR TO KNIFE | ||
CF | | ||
CF | You spread some of the sulfur on the knife. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply black bile to knife" | ||
CF | Inside the tent 95 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLACK BILE TO KNIFE | ||
CF | | ||
CF | You spread some of the black bile on the knife. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The rust sizzles and burns off, producing a noxious smoke. Within | ||
CF | moments, the | ||
CF | years of age and use are wound back, leaving you with a a bright blade | ||
CF | of oiled | ||
CF | iron and a threatening edge. | ||
CF | | ||
CF | [You may now refer to the novo compound by name.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut rope with knife" | ||
CF | Inside the tent 96 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ROPE WITH KNIFE | ||
CF | | ||
CF | After some sawing with the knife, you succeed in cutting the knot, | ||
CF | leaving a | ||
CF | good length of sturdy rope on the ground before you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take rope" | ||
CF | Inside the tent 97 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE ROPE | ||
CF | | ||
CF | You coil up the rope and sling it over your shoulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 98 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | In the distance the crow cries out three times. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 99 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take charcoal" | ||
CF | Fire pit 100 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE CHARCOAL | ||
CF | | ||
CF | With tender fingers and quick moves, you take the topmost chunk of | ||
CF | charcoal. | ||
CF | Plenty more remains on the pile. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 101 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 102 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 103 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 104 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | The river of bees swarming the sage field detest the charcoal smoke. | ||
CF | Most move | ||
CF | off toward the mud hive to the east? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | The drone of industrious bees emanates from the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take sage" | ||
CF | Sage field 104 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE SAGE | ||
CF | | ||
CF | You can't do that while juggling the chunk of hot charcoal between | ||
CF | your hands. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop charcoal" | ||
CF | Sage field 105 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > DROP CHARCOAL | ||
CF | | ||
CF | With great relief, you release the charcoal. It breaks into brittle | ||
CF | pieces and | ||
CF | scatters. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take sage" | ||
CF | Sage field 106 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > TAKE SAGE | ||
CF | | ||
CF | You pick all the flowering sage available to you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 107 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Beehive 108 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Beehive | ||
CF | Tucked between the lowest branches of this elderly and stooped almond | ||
CF | tree is a | ||
CF | mud-covered beehive swarming with its diligent occupants. The mud | ||
CF | hive has | ||
CF | grown too weighty for its perch. Portions have broken away. The bees | ||
CF | are | ||
CF | frantic and steadfast in their concerted efforts to shore it up. | ||
CF | | ||
CF | A loose honeycomb shard hangs from the wall of the hive. | ||
CF | | ||
CF | You can retrace your footsteps through the wheat field by going | ||
CF | northwest. To | ||
CF | the west opens up a field of sage. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take honeycomb" | ||
CF | Beehive 109 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > TAKE HONEYCOMB | ||
CF | | ||
CF | Gently, so not to disturb the hive or its occupants, you remove the | ||
CF | brittle | ||
CF | chunk of wax and set it in one of the cups in the braid. | ||
CF | | ||
CF | The bees notice the loss. For a moment their numbers and intensity | ||
CF | are | ||
CF | changed. You feel threatened, and sense they will turn on you en | ||
CF | masse, but | ||
CF | they soon settle and continue their labors. | ||
CF | | ||
CF | With the honeycomb removed, the fat mud hive is partially opened, like | ||
CF | a | ||
CF | grievous belly wound exposing the innards of a suffering man. You spy | ||
CF | within | ||
CF | the hive several pockets of the highly-desired royal jelly. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Clearing 110 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 111 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 112 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 113 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tie rope to crossbar" | ||
CF | Well 114 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > TIE ROPE TO CROSSBAR | ||
CF | | ||
CF | You tie the rope to the crossbeam and throw the other end down to the | ||
CF | bottom of | ||
CF | the well. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Bottom of well 115 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | Ponderously, and with a streak of self-doubt eating at you, you take | ||
CF | hold of | ||
CF | the rope and rappel down the throat of the well? | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The climb down winded you. Your arms feel doughy and your ribs ache. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Corpse 116 | ||
CF | Exits: south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Corpse | ||
CF | Crumpled before you in an undignified heap is a corpse. From his | ||
CF | attire, you | ||
CF | can tell he was an Indagator from the Academy. | ||
CF | | ||
CF | You spy a jagged crevice cut in the tunnel high above revealing a scar | ||
CF | of sky | ||
CF | and some scattered sunlight. | ||
CF | | ||
CF | A narrow passage runs south. | ||
CF | | ||
CF | A raucous flapping of wings echoes down the cave walls, followed by an | ||
CF | ear- | ||
CF | piercing caaaw. The crow's stark silhouette forms a distinct | ||
CF | outline in the | ||
CF | white light of the crevice above. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x corpse" | ||
CF | Crado's corpse 117 | ||
CF | Exits: south | ||
CF | | ||
CF | > X CORPSE | ||
CF | | ||
CF | It is Crado, a highly experienced Indagator. He was sent by | ||
CF | the Academy before | ||
CF | you. | ||
CF | | ||
CF | Both his legs are broken. He must have suffered the injury climbing | ||
CF | down the | ||
CF | well, crawled here, and expired. Such are the risks of your chosen | ||
CF | profession?but still. To die in this manner is a waste. | ||
CF | | ||
CF | You discover a band partially hidden by the body. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take band" | ||
CF | Crado's corpse 118 | ||
CF | Exits: south | ||
CF | | ||
CF | > TAKE BAND | ||
CF | | ||
CF | You take the band. | ||
CF | | ||
CF | It's an orbis bracelet! | ||
CF | | ||
CF | > | DavidW asks, "Should I put the band on him?" | |
Jade says, "perghaps later" | ||
Jacqueline says, "Might as well if that's what you plan to do eventually - or wait..." | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Bottom of well 119 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | You're clammy and perspiring slightly. All the walking around has | ||
CF | made you | ||
CF | feel more winded than you would expect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | A dark tunnel 120 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You trudge through the dank darkness for a while? | ||
CF | | ||
CF | A dark tunnel | ||
CF | A bend in the tunnel runs northwest toward a feebly-lit clearing in | ||
CF | the cave, | ||
CF | and south toward a bright exit. | ||
CF | | ||
CF | A small unadorned clay jug lies on its side on the cave floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take jug" | ||
CF | A dark tunnel 121 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > TAKE JUG | ||
CF | | ||
CF | You pick up the clay jug. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | An Uncertain Earth 122 | ||
CF | Exits: north | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | You trudge down the dark corridor toward a blindingly bright light, | ||
CF | and emerge | ||
CF | into daylight? | ||
CF | | ||
CF | An Uncertain Earth | ||
CF | Swaying in the breeze is a modest array of flowering chamomile. | ||
CF | | ||
CF | A massive crevice has torn open the earth beside the field. Steaming | ||
CF | effluence | ||
CF | emerges from its depths. Across the chasm to the west blooms a robust | ||
CF | field of | ||
CF | sage. | ||
CF | | ||
CF | A dank cave is to the north. | ||
CF | | ||
CF | A few bees fly off from the chamomile and meander across the chasm to | ||
CF | the sage. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take chamomile" | ||
CF | An Uncertain Earth 123 | ||
CF | Exits: north | ||
CF | | ||
CF | > TAKE CHAMOMILE | ||
CF | | ||
CF | You pick all the flowering chamomile, as only the yellow pistil is | ||
CF | suitable for | ||
CF | mixing compounds. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | A dark tunnel 124 | ||
CF | Exits: south northwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You plunge into the cave and its dim dankness? | ||
CF | | ||
CF | A dark tunnel | ||
CF | A bend in the tunnel runs northwest toward a feebly-lit clearing in | ||
CF | the cave, | ||
CF | and south toward a bright exit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Bottom of well 125 | ||
CF | Exits: north southeast up | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You trudge through the darkness toward a dim opening in the caves lit | ||
CF | from | ||
CF | above? | ||
CF | | ||
CF | Bottom of well | ||
CF | A trickle of a cold stream runs across your feet. In the dim light | ||
CF | from above, | ||
CF | you cannot make out where the water originates from or disappears to, | ||
CF | but you | ||
CF | do see the underground cavern continues to the southeast. You also | ||
CF | make out a | ||
CF | narrow passage to the north. | ||
CF | | ||
CF | The rope dangles here, offering a way up to the surface. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Well 126 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | With careful but determined progress, you haul yourself up the shaft | ||
CF | of the | ||
CF | well? | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | The crow launches from the tree, flies a roundabout loop in the hazy | ||
CF | sky, and | ||
CF | returns to its perch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 127 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow in the branches stares down at you with its beady left eye. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 128 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 129 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Hovel 130 | ||
CF | Exits: out | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Hovel | ||
CF | The dim interior of this abandoned mud-and-thatch hovel suggests the | ||
CF | family who | ||
CF | made a life here lived quite roughly. Straw has been strewn about as | ||
CF | bedding, | ||
CF | with leftover strips of coarse linen indicative of old blankets left | ||
CF | behind. | ||
CF | | ||
CF | You notice a strand of blond hair caught in the mud and thatch of the | ||
CF | rear | ||
CF | wall. | ||
CF | | ||
CF | A limp and oversized woven basket sits upside-down on the floor. | ||
CF | | ||
CF | The strand of blond hair glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the strand of blond hair has a | ||
CF | revelation | ||
CF | locked within it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply black bile to hair" | ||
CF | Hovel 131 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLACK BILE TO HAIR | ||
CF | | ||
CF | You spread some of the black bile on the strand of blond hair. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply chamomile to hair" | ||
CF | Hovel 132 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY CHAMOMILE TO HAIR | ||
CF | | ||
CF | You spread some of the chamomile on the strand of blond hair. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to hair" | ||
CF | > | ||
CF | > APPLY WAX TO HAIR | ||
CF | | ||
CF | You spread some of the wax on the strand of blond hair. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice, once more: | ||
CF | | ||
CF | Mother commands me to marry my sister, Awan, as well as Second | ||
CF | Daughter when | ||
CF | she is of age. | ||
CF | | ||
CF | To me, she says: "As the eldest, you are responsible for Abel and | ||
CF | your sisters. | ||
CF | When your father and I are no longer of this world, you will be | ||
CF | patriarch." | ||
CF | | ||
CF | To my brother, she says: "Abel, you will serve your brother, to | ||
CF | ensure the | ||
CF | family of Mankind prospers and spreads." | ||
CF | | ||
CF | Our sisters gather in a tight brood far from the Fire. The | ||
CF | dancing flames | ||
CF | illuminate their horrified expressions. | ||
CF | | ||
CF | "Cain, you and your sisters will produce twelve children," she | ||
CF | says. | ||
CF | | ||
CF | I plead with her. The sheep and swine do not breed brother with | ||
CF | sister. "Eve | ||
CF | is in charge of family matters," is all Father will say. | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Hovel 133 | ||
CF | Exits: out | ||
CF | Abel announces: "If Cain discards Awan, I will marry her." | ||
CF | But Mother will | ||
CF | have none of it. | ||
CF | | ||
CF | That night, Mother drapes over the bed a veil of muslin and linen. | ||
CF | She | ||
CF | perfumes the bed with rare oils and essences. Awan and I are led | ||
CF | to this bower | ||
CF | and instructed to lay together. We are left alone in the | ||
CF | hovel. | ||
CF | | ||
CF | Pressed together for warmth, my sister's thick mane pillows both | ||
CF | our faces. | ||
CF | She whispers to me: "Please?no?please do not?" | ||
CF | | ||
CF | The uncomfortable reckonings of the Earth's first inhabitants fades | ||
CF | off. | ||
CF | | ||
CF | The hair sizzles away into a sour wispy smoke. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Outside the hovel 134 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside the hovel 135 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can't go that way. From here you could go south, west or in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 136 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Outside a slaughterhouse 137 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Slaughterhouse 138 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | The tree stump glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the tree stump has a revelation | ||
CF | locked within | ||
CF | it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut me" | ||
CF | Slaughterhouse 139 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT ME | ||
CF | | ||
CF | (with the knife) | ||
CF | After steeling yourself, you open a bit of flesh. Blood flows into | ||
CF | one of the | ||
CF | rucksack's glass phials. | ||
CF | | ||
CF | After drawing a sufficient quantity, you wrap your wound with the | ||
CF | bandage. A | ||
CF | vertigo comes over you; a moment later, the dizziness recedes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply blood to stump" | ||
CF | Slaughterhouse 140 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY BLOOD TO STUMP | ||
CF | | ||
CF | You spread some of the blood on the tree stump. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sage to stump" | ||
CF | Slaughterhouse 141 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY SAGE TO STUMP | ||
CF | | ||
CF | You spread some of the sage on the tree stump. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply salt to stump" | ||
CF | Abel's slaughterhouse 142 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY SALT TO STUMP | ||
CF | | ||
CF | You spread some of the salt on the tree stump. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | In your ear comes a familiar voice, the grim voice of Cain: | ||
CF | | ||
CF | At the close of Slaughter, the blood of forty animals coats my | ||
CF | brother from | ||
CF | neck to knee. His skin is slick and painted dark red from the | ||
CF | umber of his | ||
CF | flock. | ||
CF | | ||
CF | Abel is never happier than during Slaughter. With his | ||
CF | throat-knife's iron | ||
CF | between his teeth, he takes the beast in both hands. In one | ||
CF | confident motion | ||
CF | he wrangles the animal onto the tree stump. The animals stand | ||
CF | wide-eyed with | ||
CF | terror, but they do not resist. For the entirety of their short | ||
CF | lives, he has | ||
CF | been as a father to them. | ||
CF | | ||
CF | When he flicks the fine edge across the beast's neck, only a nick | ||
CF | appears, a | ||
CF | spot of black blood under its jaw. A moment later, a thread | ||
CF | thickens across | ||
CF | its neckline, then begins coursing like a stream. It is my knife, | ||
CF | I forged it | ||
CF | for Abel, and their blood will be reckoned when my time of | ||
CF | accounting comes. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed eight of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The strand of hair | ||
CF | * The slaughterhouse | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * novo: Restore a manmade invention to its original purpose | ||
CF | * ocu: Make a human-like yield an eyewitness revelation | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | | ||
CF | You've learned the following about the family members: | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Abel's slaughterhouse 142 | ||
CF | Exits: out | ||
CF | | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | DavidW says, "hm. Still not listing Eve's" | |
DavidW says (to ClubFloyd), "n" | ||
CF | Outside a slaughterhouse 143 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | You're definitely feverish, and grower sicker by the minute, but you | ||
CF | must press | ||
CF | on. Once this inquiry is over, you can take a long, well-deserved | ||
CF | rest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 144 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 145 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 146 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a landslide. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | Another rocking jolt strikes, upsetting your balance to and fro. It's | ||
CF | all you | ||
CF | can do to keep yourself upright. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Landslide 147 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Landslide | ||
CF | Loose shale and rock covers the foothill of a mountain range. You | ||
CF | suspect the | ||
CF | event was recent, and perhaps triggered by the groundshaking activity | ||
CF | you've | ||
CF | endured since arriving here. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x boulder" | ||
CF | Landslide 148 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > X BOULDER | ||
CF | | ||
CF | A boulder the shape of an enormous egg has come to rest at the foot of | ||
CF | the | ||
CF | mountain. Peering around its edges, you realize it's blocking the | ||
CF | entrance to | ||
CF | a cavern beyond. | ||
CF | | ||
CF | You also detect streaks and flecks of iron ore shot throughout the | ||
CF | great rock. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up ore" | ||
CF | Landslide 149 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP ORE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | You find nothing specific on "iron" or "ore," but the formulary is | ||
CF | poorly | ||
CF | organized. Perhaps searching for other terms would bear fruit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up metal" | ||
CF | Landslide 150 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > LOOK UP METAL | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Dissolving metals is one of the more terrible and destructive powers | ||
CF | available | ||
CF | to the Indagator, and one with the greatest potential for | ||
CF | undesirable | ||
CF | consequences. | ||
CF | | ||
CF | The essences involved for vulk are simply these: arsenic, | ||
CF | sulfur, & wax. | ||
CF | Applied properly, the metal will melt into its elemental state and | ||
CF | evaporate | ||
CF | off. | ||
CF | | ||
CF | Heed with care this alchemical transformation: Improperly used, it can | ||
CF | wreck an | ||
CF | inquiry. | ||
CF | | ||
CF | Hester IV of Minscip adds with uncharacteristic piquancy, "Good for | ||
CF | breaking | ||
CF | free of jail cells & shackles!" suggesting the predicaments an | ||
CF | Indagator | ||
CF | routinely faces. | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply arsenic to boulder" | ||
CF | Landslide 151 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY ARSENIC TO BOULDER | ||
CF | | ||
CF | You spread some of the arsenic on the boulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sulfur to boulder" | ||
CF | Landslide 152 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY SULFUR TO BOULDER | ||
CF | | ||
CF | You spread some of the sulfur on the boulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to boulder" | ||
CF | Cavern entrance 153 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > APPLY WAX TO BOULDER | ||
CF | | ||
CF | You spread some of the wax on the boulder. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The strips and pockets of iron ore in the boulder quiver, then melt | ||
CF | off like | ||
CF | suet in a hot pan. The now hollowed-out boulder crumbles under the | ||
CF | weight of | ||
CF | itself, as well as the weight of the surrounding rock pressing down | ||
CF | upon it. | ||
CF | | ||
CF | You scramble back in time to witness the landslide collapse into heaps | ||
CF | of | ||
CF | rubble and chalky billows of dust around a freshly-revealed crevice in | ||
CF | the | ||
CF | rock. | ||
CF | | ||
CF | [You may now refer to the vulk compound by name.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF | Cavern 154 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | ?Cain brought of the fruit of the ground an offering unto the LORD. | ||
CF | | ||
CF | And Abel, he also brought of the firstlings of his flock and of the | ||
CF | fat | ||
CF | thereof. And the LORD had respect unto Abel and to his offering: | ||
CF | | ||
CF | But unto Cain and to his offering He had not respect. | ||
CF | -Genesis 4:3-5 KJV | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A deposit of a chalky red substance is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x face" | ||
CF | Cavern 155 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X FACE | ||
CF | | ||
CF | The vermillion-colored painting of a face is almost as tall as the | ||
CF | cavern | ||
CF | itself. Its nose and lips are wispy lines on the oval field of paint. | ||
CF | The | ||
CF | wide pale eyes are haunting--they may have witnessed much in this | ||
CF | cavern. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ocu to face" | ||
CF | > | ||
CF | > APPLY OCU TO FACE | ||
CF | | ||
CF | You spread some of the arsenic and the phlegm on the painted face. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Through the eyes painted on the wall, you witness Cain and Abel | ||
CF | entering the | ||
CF | cavern. | ||
CF | | ||
CF | In a straw basket Cain has assembled a sacrifice of ripe vegetables, | ||
CF | ears of | ||
CF | wheat, palm hearts stored in their own oil, sage honey, and tree nuts. | ||
CF | | ||
CF | Abel carries his sacrifice in a cured sheep stomach. Within it he has | ||
CF | placed | ||
CF | odd scraps of pelt, boiled bones, and a dried ox testicle wrapped in | ||
CF | palm | ||
CF | leaves. | ||
CF | | ||
CF | They enter their shrines, Abel to the northeast, Cain to the | ||
CF | southeast. They | ||
CF | return and kneel before the great face. Cain bows his head; Abel | ||
CF | appears | ||
CF | bored. | ||
CF | | ||
CF | Soon, they rise and return to their shrines. Cain emerges with his | ||
CF | untouched | ||
CF | bounty. Abel emerges as well, however, he is empty-handed. | ||
CF | | ||
CF | "The Creator has taken my offering to the heavens, and rejected your | ||
CF | paltry | ||
CF | nuts and honey," Abel announces. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Cavern 156 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | Cain hurries between the two shrines, first with puzzlement, then with | ||
CF | anger. | ||
CF | He confronts the stoic vermillion face. "How can this be?" he yells | ||
CF | at the | ||
CF | wall. "The world was created in goodness! Is it not governed by the | ||
CF | reward of | ||
CF | good works?" | ||
CF | | ||
CF | He throws aside his offering and storms out of the cavern, and Abel's | ||
CF | laughter | ||
CF | booms off the high walls. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Cinnabar deposit 157 | ||
CF | Exits: south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Cinnabar deposit | ||
CF | In a shallow grotto off the deep cavern you find a slim vein of | ||
CF | deep-vermillion | ||
CF | cinnabar running down the curved wall. | ||
CF | | ||
CF | The rest of the cavern is to the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take cinnabar" | ||
CF | Cinnabar deposit 158 | ||
CF | Exits: south | ||
CF | | ||
CF | > TAKE CINNABAR | ||
CF | | ||
CF | You collect a single nugget of the precious cinnabar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Cavern 159 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 160 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone on altar" | ||
CF | Shrine to the Firstlings of the Flock 161 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PUT BONE ON ALTAR | ||
CF | | ||
CF | You put the animal bone on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 162 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Shrine to the Fruit of the Ground 163 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Shrine to the Fruit of the Ground | ||
CF | Within this tight opening in the cavern stands a modest shrine to | ||
CF | fruit, grain, | ||
CF | vegetables, and honey. Crude but playful drawings of Nature's bounty | ||
CF | flow | ||
CF | across the walls and ceiling, and come to circle a stone altar | ||
CF | surrounded by | ||
CF | shadows. Most prominent are drawings of stalks of wheat around the | ||
CF | altar. | ||
CF | | ||
CF | In a corner is a dirt-encrusted spoon. | ||
CF | | ||
CF | You can exit to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put wheat on altar" | ||
CF | Shrine to the Fruit of the Ground 164 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PUT WHEAT ON ALTAR | ||
CF | | ||
CF | You put the wheat on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Cavern 165 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kneel" | ||
CF | Cavern 166 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > KNEEL | ||
CF | | ||
CF | You kneel before the giant face painted on the cavern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 167 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You glance around--the animal bone has disappeared! | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 168 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put slab in pocket" | ||
CF | Cavern 169 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > PUT SLAB IN POCKET | ||
CF | | ||
CF | The obsidian slab fits snugly within the pocket. It stands up within | ||
CF | the | ||
CF | opening. | ||
CF | | ||
CF | Due to its angle, it reflects an image of the shrine to the northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 170 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 171 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 172 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | A flapping of wings and feathers comes from the crow above. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 173 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside a slaughterhouse 174 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Abel's slaughterhouse 175 | ||
CF | Exits: out | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Abel's slaughterhouse | ||
CF | The interior of the rustic slaughterhouse is stark and stunning to the | ||
CF | uninitiated. | ||
CF | | ||
CF | The planks are a rich tannin color from the sheer quantity of blood | ||
CF | spilled. | ||
CF | The coloration spreads up the walls, spattered from countless | ||
CF | slaughtered | ||
CF | animals. You imagine a grim assortment of iron tools and instruments | ||
CF | once | ||
CF | filled this place. | ||
CF | | ||
CF | Mostly, it's the lingering odor here that strikes you. | ||
CF | | ||
CF | A wide tree stump occupies the center of the shack. | ||
CF | | ||
CF | In one corner is a loose pile of animal bones. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bone" | ||
CF | Abel's slaughterhouse 176 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE BONE | ||
CF | | ||
CF | You take one of the bones off the pile. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Outside a slaughterhouse 177 | ||
CF | Exits: north west in | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Outside a slaughterhouse | ||
CF | This dilapidated shack of rough-cut cypress planks leans to one side | ||
CF | and is in | ||
CF | need of shoring up. From the dried red-wine splatter about the | ||
CF | interior walls, | ||
CF | it's obvious this was a slaughterhouse. | ||
CF | | ||
CF | The shack may be entered from here by going south. A fire pit is due | ||
CF | north, | ||
CF | while a field of wheat stands to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Fire pit 178 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The smoldering pile of charcoal causes a passing bee to alter its | ||
CF | course. It | ||
CF | makes a wide arc around the smoke. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Outside the hovel 179 | ||
CF | Exits: south west in | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Outside the hovel | ||
CF | You're standing before a hovel constructed of packed mud and straw. | ||
CF | Through | ||
CF | the entry you see the interior is a dim, cold place. | ||
CF | | ||
CF | East leads into the hovel. The fire pit is due west, while a gray | ||
CF | four-square | ||
CF | tent is south of here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Fire pit 180 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Cavern entrance 181 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | After walking a fair distance, you reach? | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF | Cavern 182 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see an obsidian slab. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 183 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put bone on altar" | ||
CF | Shrine to the Firstlings of the Flock 184 | ||
CF | Exits: southwest | ||
CF | | ||
CF | > PUT BONE ON ALTAR | ||
CF | | ||
CF | You put the animal bone on the stone altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 185 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | In the wall pocket you see an obsidian slab. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "kneel" | ||
CF | Cavern 186 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > KNEEL | ||
CF | | ||
CF | You kneel before the giant face painted on the cavern wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x slab" | ||
CF | Cavern 187 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > X SLAB | ||
CF | | ||
CF | The oval slab of obsidian is small, about the size of a woman's palm, | ||
CF | with one | ||
CF | of its sides smooth and polished. | ||
CF | | ||
CF | With the slab situated so, you can see a dark reflection of the shrine | ||
CF | to the | ||
CF | northeast. On the altar is the animal bone. | ||
CF | | ||
CF | Unexpectedly comes movement in the black reflection--a sleek | ||
CF | four-legged animal | ||
CF | emerges from the shrine's shadows! Stealthily, it sniffs around at | ||
CF | the bone, | ||
CF | takes it between its teeth, and thieves it away. | ||
CF | | ||
CF | It darts back into the shadows and disappears. | ||
CF | | ||
CF | [Use RECALL THE OBSIDIAN MIRROR to recall the revelation unlocked from | ||
CF | the | ||
CF | obsidian slab.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take slab" | ||
CF | Cavern 188 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > TAKE SLAB | ||
CF | | ||
CF | You pick up the obsidian slab. It fits well in your hand. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Shrine to the Firstlings of the Flock 189 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | Now aware of what you're looking for, you discover a dark crevice | ||
CF | leading to | ||
CF | the southeast. | ||
CF | | ||
CF | You can exit to the southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Lair 190 | ||
CF | Exits: out | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | You manage to squeeze through the dark crevice and into another open | ||
CF | space | ||
CF | within this hill? | ||
CF | | ||
CF | Lair | ||
CF | This deep cave is barely high enough for you to stand in. Scattered | ||
CF | across the | ||
CF | ground are bits of cracked bone. The stink of rot and animal waste is | ||
CF | thick in | ||
CF | here. | ||
CF | | ||
CF | A vicious badger cowers against the rear of the cave, teeth bared and | ||
CF | hair on | ||
CF | its back standing. It's tied by a tether to a hook in the wall. It | ||
CF | snarls and | ||
CF | snaps at you. | ||
CF | | ||
CF | Near the badger is a pool of congealed grease. | ||
CF | | ||
CF | You notice an umber stain on the volcanic rock near you. | ||
CF | | ||
CF | The umber stain glows a clear blue hue. | ||
CF | | ||
CF | The only way out is through a crevice to the northwest. | ||
CF | | ||
CF | The badger cowers in the far recesses of the cave, wishing you would | ||
CF | leave it | ||
CF | alone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to stain" | ||
CF | Lair 191 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY OSTENDO TO STAIN | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the umber stain. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the umber stain? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "The remedy of the | ||
CF | phlegmatic, the | ||
CF | poison of the sanguine, and wax." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply phlegm to stain" | ||
CF | Lair 192 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY PHLEGM TO STAIN | ||
CF | | ||
CF | You spread some of the phlegm on the umber stain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply lymph to stain" | ||
CF | Lair 193 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY LYMPH TO STAIN | ||
CF | | ||
CF | You spread some of the lymph on the umber stain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to stain" | ||
CF | Lair 194 | ||
CF | Exits: out | ||
CF | | ||
CF | > APPLY WAX TO STAIN | ||
CF | | ||
CF | You spread some of the wax on the umber stain. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice arrives in your ear all at once, and in a rage: | ||
CF | | ||
CF | Abel's gone too far--this trick of his to prove his sacrifice is | ||
CF | worthy and | ||
CF | mine worthless--it's profane-- | ||
CF | | ||
CF | Once again my brother has found a way to humiliate me. In his | ||
CF | humiliation, he | ||
CF | has discovered another way to impress Father and open Mother's | ||
CF | heart a little | ||
CF | wider for him. Even our sister Awan has grown enamored with him. | ||
CF | I sense it | ||
CF | in her eyes and smile when he departs to tend to his flock. | ||
CF | | ||
CF | My attempts to free the frightened animal have left me bloodied | ||
CF | and lacerated. | ||
CF | His callousness toward this innocent creature is | ||
CF | unforgiveable. | ||
CF | | ||
CF | I must go and dig the rock out of the wheat field. I will return | ||
CF | afterwards | ||
CF | with food for the trapped animal, and determine some way to free | ||
CF | it. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Lair 195 | ||
CF | Exits: out | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Lair | ||
CF | This deep cave is barely high enough for you to stand in. Scattered | ||
CF | across the | ||
CF | ground are bits of cracked bone. The stink of rot and animal waste is | ||
CF | thick in | ||
CF | here. | ||
CF | | ||
CF | A vicious badger cowers against the rear of the cave, teeth bared and | ||
CF | hair on | ||
CF | its back standing. It's tied by a tether to a hook in the wall. It | ||
CF | snarls and | ||
CF | snaps at you. | ||
CF | | ||
CF | Near the badger is a pool of congealed grease. | ||
CF | | ||
CF | You notice an umber stain on the volcanic rock near you. | ||
CF | | ||
CF | The only way out is through a crevice to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "cut tether" | ||
CF | Lair 196 | ||
CF | Exits: out | ||
CF | | ||
CF | > CUT TETHER | ||
CF | | ||
CF | (with the knife) | ||
CF | Freed, the badger races out of the cave as fast as its stubby legs | ||
CF | will carry | ||
CF | it. The tether jounces along the ground behind it like an elongated | ||
CF | tail, | ||
CF | until both are gone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take grease" | ||
CF | Lair 197 | ||
CF | Exits: out | ||
CF | | ||
CF | > TAKE GREASE | ||
CF | | ||
CF | You collect all the grease you can find, prepare it for use, and add | ||
CF | it to the | ||
CF | braid of cups. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Lair 198 | ||
CF | Exits: out | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Lair | ||
CF | This deep cave is barely high enough for you to stand in. Scattered | ||
CF | across the | ||
CF | ground are bits of cracked bone. The stink of rot and animal waste is | ||
CF | thick in | ||
CF | here. | ||
CF | | ||
CF | You notice an umber stain on the volcanic rock near you. | ||
CF | | ||
CF | The only way out is through a crevice to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Lair 199 | ||
CF | Exits: out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | You can't go that way. From here you could go out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Shrine to the Firstlings of the Flock 200 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Shrine to the Firstlings of the Flock | ||
CF | This natural grotto has been transformed to a shrine dedicated to | ||
CF | meat, organs, | ||
CF | blood, and fat. Drawings of grisly sacrifices being slaughtered and | ||
CF | butchered | ||
CF | smother the cave wall in a baroque and monstrous display. Most of the | ||
CF | drawings | ||
CF | depict the bones of various animals. | ||
CF | | ||
CF | These grotesques converge on a stone altar surrounded by shadows. | ||
CF | | ||
CF | You can exit to the southwest, or pass through a dark crevice to the | ||
CF | southeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Cavern 201 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Shrine to the Fruit of the Ground 202 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Shrine to the Fruit of the Ground | ||
CF | Within this tight opening in the cavern stands a modest shrine to | ||
CF | fruit, grain, | ||
CF | vegetables, and honey. Crude but playful drawings of Nature's bounty | ||
CF | flow | ||
CF | across the walls and ceiling, and come to circle a stone altar | ||
CF | surrounded by | ||
CF | shadows. Most prominent are drawings of stalks of wheat around the | ||
CF | altar. | ||
CF | | ||
CF | In a corner is a dirt-encrusted spoon. | ||
CF | | ||
CF | On the stone altar you see some wheat. | ||
CF | | ||
CF | You can exit to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take spoon" | ||
CF | Shrine to the Fruit of the Ground 203 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE SPOON | ||
CF | | ||
CF | You pick up the tarnished spoon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take wheat" | ||
CF | Shrine to the Fruit of the Ground 204 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE WHEAT | ||
CF | | ||
CF | You pick up the wheat. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply novo to spoon" | ||
CF | Shrine to the Fruit of the Ground 205 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > APPLY NOVO TO SPOON | ||
CF | | ||
CF | You spread some of the sulfur and the black bile on the tarnished | ||
CF | spoon. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The encrusted dirt crackles and falls away from the spoon. The | ||
CF | tarnish | ||
CF | dissolves away, leaving you with a shiny tin spoon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Cavern 206 | ||
CF | Exits: north northeast southeast out | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Cavern | ||
CF | Passages within this dark cavern branch deeper into the mountain. | ||
CF | Sizable ones | ||
CF | lead to the northeast and southeast. | ||
CF | | ||
CF | A great vermillion-colored face is painted on the cave wall between | ||
CF | the two | ||
CF | larger passages. | ||
CF | | ||
CF | On the wall near the northeast passage is a small, naturally-formed | ||
CF | pocket in | ||
CF | the rock about the size of your hand. | ||
CF | | ||
CF | A cinnabar deposit is in the north end of the cavern. | ||
CF | | ||
CF | The cavern exits through a slim crevice to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Cavern entrance 207 | ||
CF | Exits: southwest in | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Cavern entrance | ||
CF | Rubble of shale and loose rock cover the ground here, evidence of a | ||
CF | recent | ||
CF | landslide. A jagged crevice in the side of a hill opens to a dim | ||
CF | cavern within | ||
CF | the mountain. | ||
CF | | ||
CF | The fire pit is to the southwest. A thick column of smoke rises from | ||
CF | its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Fire pit 208 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | It's a fairly long walk to the fire pit. | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A bee passing through the clearing steers far from the smoldering pile | ||
CF | of | ||
CF | charcoal, as though allergic to its smoke, and flies away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 209 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 210 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | The crow soars about in the sky for a few moments, as though | ||
CF | stretching its | ||
CF | wings, before returning to its branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 211 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to rock" | ||
CF | Clearing 212 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY OSTENDO TO ROCK | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the russet-brown rock. | ||
CF | | ||
CF | The ostendo mixture sizzles and smokes. Something is wrong--the | ||
CF | noxious fumes | ||
CF | smell raw and sour-- | ||
CF | | ||
CF | Anguished screams come at you like banshees from all directions. They | ||
CF | send you | ||
CF | reeling left and right in confusion. | ||
CF | | ||
CF | When the effect fades and you recover your wits, you realize how | ||
CF | potent and | ||
CF | deep-seated the memory within this rock must be. | ||
CF | | ||
CF | To understand what it holds, you'll need to unlock more revelations in | ||
CF | and | ||
CF | around the settlement. | ||
CF | | ||
CF | You should also be certain of the Humour corresponding to each family | ||
CF | member: | ||
CF | Adam, Eve, Cain, and Abel. (Use MEMORIES to track what you've | ||
CF | learned.) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 213 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Base of mountain 214 | ||
CF | Exits: north up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | After a taxing journey across the valley plain, you reach the foot of | ||
CF | a | ||
CF | mountain range? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x block" | ||
CF | Base of mountain 215 | ||
CF | Exits: north up | ||
CF | | ||
CF | > X BLOCK | ||
CF | | ||
CF | This stout and abused obsidian block sits stolid and frog-like. Deep | ||
CF | scratches | ||
CF | are cut down its north-facing side. | ||
CF | | ||
CF | An oval scar on its top marks where a small slab of the black rock has | ||
CF | been cut | ||
CF | away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x scratches" | ||
CF | Base of mountain 216 | ||
CF | Exits: north up | ||
CF | | ||
CF | > X SCRATCHES | ||
CF | | ||
CF | A mess of deep scratches run down one side of the obsidian block. It | ||
CF | all | ||
CF | appears chaotic, as though some mighty antediluvian creature sharpened | ||
CF | his | ||
CF | claws here. (Pray you do not run into such a beast!) | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put slab in scar" | ||
CF | Base of mountain 217 | ||
CF | Exits: north up | ||
CF | | ||
CF | > PUT SLAB IN SCAR | ||
CF | | ||
CF | The obsidian mirror fits the obsidian block's oval scar perfectly. | ||
CF | | ||
CF | With the slab set in the scar, the block is whole once more. The | ||
CF | obsidian | ||
CF | block glows a clear blue hue. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to block" | ||
CF | Base of mountain 218 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY OSTENDO TO BLOCK | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the obsidian block. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the obsidian block? | ||
CF | | ||
CF | In your ear comes a disembodied whisper: "A melancholic remedy, a | ||
CF | phlegmatic | ||
CF | poison, a binding excipient, and the Body of the Three Primes." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply black bile to block" | ||
CF | Base of mountain 219 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY BLACK BILE TO BLOCK | ||
CF | | ||
CF | You spread some of the black bile on the obsidian block. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sage to block" | ||
CF | Base of mountain 220 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY SAGE TO BLOCK | ||
CF | | ||
CF | You spread some of the sage on the obsidian block. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply grease to block" | ||
CF | Base of mountain 221 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY GREASE TO BLOCK | ||
CF | | ||
CF | You spread some of the grease on the obsidian block. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply salt to block" | ||
CF | > | ||
CF | > APPLY SALT TO BLOCK | ||
CF | | ||
CF | You spread some of the salt on the obsidian block. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice is familiar to you now: | ||
CF | | ||
CF | Mother gathers Abel, our eldest sister Awan, and myself. She | ||
CF | leads us to the | ||
CF | foot of the mountains. | ||
CF | | ||
CF | "Strike the head, strike the heel," she tells us. "The gift of | ||
CF | childbirth was | ||
CF | mine, but I sense it abandoning my body. Cain and Awan, the gift | ||
CF | has been | ||
CF | passed to you. The great chain of the family of Mankind is now | ||
CF | your | ||
CF | responsibility." | ||
CF | | ||
CF | "And what of me?" Abel demands. "The Creator selected my yield in | ||
CF | the shrine, | ||
CF | and rejected Cain's." | ||
CF | | ||
CF | "Take Cain's inferior grain to the giant Nephilim living beyond | ||
CF | the mountains," | ||
CF | she says. "Trade with them for tack, tools, and supplies. If | ||
CF | they do not wish | ||
CF | to trade, barter for peace. The Fire indicates they are growing | ||
CF | restless, and | ||
CF | they outnumber us." | ||
CF | | ||
CF | I protest. "Abel is not the proper ambassador of our family. I | ||
CF | am the eldest | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Base of mountain 222 | ||
CF | Exits: north up | ||
CF | son. I should represent our interests with the | ||
CF | Nephilim." | ||
CF | | ||
CF | "Abel has been chosen." Eve shows us the writing on the side of | ||
CF | the obsidian | ||
CF | block. "Heed the warning carved here. It will guide you through | ||
CF | the | ||
CF | mountains." | ||
CF | | ||
CF | Cain's voice dies off, leaving you only with an echo of this memory. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up language" | ||
CF | Base of mountain 223 | ||
CF | Exits: north up | ||
CF | | ||
CF | > LOOK UP LANGUAGE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | After much time with the Pharmakon, your motivated search | ||
CF | yields fruit: | ||
CF | | ||
CF | The glos compound provides the Indagator a complete | ||
CF | understanding of any | ||
CF | written language before him or her?with the proviso that such | ||
CF | comprehension is | ||
CF | fleeting, only affording enough time for a few words or a phrase to be | ||
CF | translated. | ||
CF | | ||
CF | Hester IV of Minscip adds in his telltale script: "Quite often, that | ||
CF | is all a | ||
CF | seasoned Indagator needs!" | ||
CF | | ||
CF | The compound is sophisticated by the standards of alchemy: blood, | ||
CF | chamomile, | ||
CF | grease, & wax. | ||
CF | | ||
CF | The entry concludes with a warning: "The compound must be applied | ||
CF | directly to | ||
CF | the writing or symbols stymieing the Indagator." | ||
CF | | ||
CF | c.f., essence, alchemy | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply blood to scratches" | ||
CF | Base of mountain 224 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY BLOOD TO SCRATCHES | ||
CF | | ||
CF | You spread some of the blood on the scratches. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply chamomile to scratches" | ||
CF | Base of mountain 225 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY CHAMOMILE TO SCRATCHES | ||
CF | | ||
CF | You spread some of the chamomile on the scratches. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply grease to scratches" | ||
CF | Base of mountain 226 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY GREASE TO SCRATCHES | ||
CF | | ||
CF | You spread some of the grease on the scratches. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply wax to scratches" | ||
CF | Base of mountain 227 | ||
CF | Exits: north up | ||
CF | | ||
CF | > APPLY WAX TO SCRATCHES | ||
CF | | ||
CF | You spread some of the wax on the scratches. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | You grow euphoric as the knowledge of another tongue floods in. Your | ||
CF | lightheaded state is amplified by the realization that you are not | ||
CF | merely | ||
CF | comprehending a foreign language, but the original language | ||
CF | of Mankind. | ||
CF | | ||
CF | The aimless lines of the scratches take the shape of knowledge | ||
CF | expressed. | ||
CF | Quickly, before the effect of the compound deteriorates, you memorize | ||
CF | the gist | ||
CF | of the message: | ||
CF | | ||
CF | "BEWARE the animals' paths running up the mountain, for they | ||
CF | travel in CIRCLES! | ||
CF | To reach the summit, enter the trailhead and navigate with care | ||
CF | these | ||
CF | directions: | ||
CF | | ||
CF | Southwest, southeast, east, and then north." | ||
CF | | ||
CF | The effect fades away. | ||
CF | | ||
CF | [You may now refer to the glos compound by name.] | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | > | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed twelve of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The strand of hair | ||
CF | * The slaughterhouse | ||
CF | * The giant face | ||
CF | * The spot of blood | ||
CF | * The obsidian block | ||
CF | * The mountain warning | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * glos: Briefly read any language | ||
CF | * novo: Restore a manmade invention to its original purpose | ||
CF | * ocu: Make a human-like yield an eyewitness revelation | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Base of mountain 227 | ||
CF | Exits: north up | ||
CF | | ||
CF | * vulk: Melt metal | ||
CF | | ||
CF | You've learned the following about the family members: | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | * Eve is melancholic. Her Humour is black bile. | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Animal trails 228 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Animal trails | ||
CF | You begin your trek up the mountainside with fresh confidence. Animal | ||
CF | tracks | ||
CF | wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | Jade says, "we have plenty characters and 12/16 memories" | |
DavidW says (to ClubFloyd), "sw" | ||
CF | Animal trails 229 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Animal trails | ||
CF | You continue your trek up the mountainside with growing confidence of | ||
CF | your | ||
CF | progress. Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Animal trails 230 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Animal trails | ||
CF | You continue your trek up the mountainside with growing confidence of | ||
CF | your | ||
CF | progress. Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Animal trails 231 | ||
CF | Exits: north east south west northeast northwest | ||
CF | southeast southwest down | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Animal trails | ||
CF | You continue your trek up the mountainside with growing confidence of | ||
CF | your | ||
CF | progress. Animal tracks wander off in every direction. | ||
CF | | ||
CF | A nearby slope, quite steep and clear of brush, offers a quick trip | ||
CF | down to the | ||
CF | base of the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Mountain pass 232 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You emerge from the crisscrossing trails to a wind-scarred clearing? | ||
CF | | ||
CF | III. AN UNCERTAIN EARTH | ||
CF | | ||
CF | Mountain pass | ||
CF | A brisk steady wind cuts across this mountain pass, an unwelcome | ||
CF | contrast to | ||
CF | the warm, if chilling, settlement below. You peer down on the | ||
CF | settlement and | ||
CF | realize how far you've traveled to reach here. | ||
CF | | ||
CF | A steep slope descends down the mountain in a hurry, while a path | ||
CF | leads | ||
CF | southeast. The way south leads up the mountain. | ||
CF | | ||
CF | > | DavidW says, "We're now caught up." | |
Roger says, "yay -- thanks" | ||
DavidW says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
DavidW says (to ClubFloyd), "cfcainchapter3" | ||
CF | Mountain pass 232 | ||
CF | Exits: south southeast down | ||
CF | Saved. | ||
CF | | ||
CF | > | Jacqueline exclaims, "Thank you, DW!" | |
Jacqueline exclaims, "Now we hope that we either finish or the mud does not crash this week!" | ||
Jade exclaims, "232 turns, wow!" | ||
Jacqueline says, "I'll send a note to a couple of folks about the save issue." | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Camp 233 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Camp | ||
CF | A lean-to of hides and canvas stretched taut over a wood frame stands | ||
CF | against a | ||
CF | sheer rock face. | ||
CF | | ||
CF | Under the lean-to you discover all the trappings of a distillery. | ||
CF | Loose grain | ||
CF | kernels are scattered in the dirt about the centerpiece, a crude still | ||
CF | over a | ||
CF | scorched fire pit. | ||
CF | | ||
CF | The path back to the mountain pass is to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x lean-to" | ||
CF | Camp 234 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X LEAN-TO | ||
CF | | ||
CF | The lean-to is of slipshod construction, as though erected with some | ||
CF | haste and | ||
CF | with little thought of long-term use. The hides and skins are of | ||
CF | higher | ||
CF | quality, leading you to suspect its owner was proficient in | ||
CF | leatherwork but | ||
CF | perhaps not carpentry. | ||
CF | | ||
CF | > | Jacqueline says, "Actually, I'll wait to send until we're done, because they'll need Floyd free in order to troubleshoot..." | |
DavidW says (to ClubFloyd), "x grain" | ||
CF | Camp 235 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X GRAIN | ||
CF | | ||
CF | Husks and cracked kernels of wheat are spread over the ground. | ||
CF | They're so | ||
CF | numerous, and so thoroughly pressed into the soft dirt, you gather | ||
CF | that many | ||
CF | bags of them must have been brought here over time, and these | ||
CF | represent the | ||
CF | discarded and overlooked of the lot. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take grain" | ||
CF | Camp 236 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE GRAIN | ||
CF | | ||
CF | There's too many to gather them all, and there's no reason to take | ||
CF | only one. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "enter lean-to" | ||
CF | Camp 237 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > ENTER LEAN-TO | ||
CF | | ||
CF | The lean-to is not something you can enter. | ||
CF | | ||
CF | You're definitely feverish, and grower sicker by the minute, but you | ||
CF | must press | ||
CF | on. Once this inquiry is over, you can take a long, well-deserved | ||
CF | rest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x distillery" | ||
CF | Camp 238 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X DISTILLERY | ||
CF | | ||
CF | The still is a crude contraption of wood troughs and a beaten metal | ||
CF | pan | ||
CF | suspended over the fire pit. Connected to the contraption is a wood | ||
CF | lever. | ||
CF | | ||
CF | A gummy mash fills the center of the metal pan. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x mash" | ||
CF | Camp 239 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X MASH | ||
CF | | ||
CF | A black mash forms a gummy disk in the metal pan. It appears to be | ||
CF | composed of | ||
CF | wheat ground down and lightly cooked. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Camp 240 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a pull of the lever, the metal pan swings over the fire pit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push lever" | ||
CF | Camp 241 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PUSH LEVER | ||
CF | | ||
CF | The metal pan swings away from the fire pit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pit" | ||
CF | Camp 242 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > X PIT | ||
CF | | ||
CF | The fire pit is blasted and black from numerous fires burned here in | ||
CF | the past. | ||
CF | No fire is burning now, however. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply encyp to pit" | ||
CF | Camp 243 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > APPLY ENCYP TO PIT | ||
CF | | ||
CF | You spread some of the salt and the ash on the fire pit. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's voice rages in your ear: | ||
CF | | ||
CF | It was much to their surprise when I found them in the tent. | ||
CF | Awan--my sister | ||
CF | and supposed wife--lying with Abel and inebriated from his | ||
CF | vicious | ||
CF | distillation. The grain I labored to raise from the | ||
CF | earth--nourishment for our | ||
CF | family--fried down and transmuted into revelry and fleshy | ||
CF | pleasures. | ||
CF | | ||
CF | I beat Abel mightily--I remember little of the moment, but I did | ||
CF | it. Only | ||
CF | Awan's cries to halt could stop me. When I raised a hand to her, | ||
CF | I saw what I | ||
CF | had become, and I broke down. Awan carried our child, after | ||
CF | all. | ||
CF | | ||
CF | As I fled, Awan was cradling Abel's bruised head against the side | ||
CF | of her womb. | ||
CF | | ||
CF | Like so many phlegmatics, Cain suffers from bouts of cholera when his | ||
CF | brooding | ||
CF | nature is tested. This is not idle speculation; it is proven | ||
CF | scientific fact, | ||
CF | as your Academy training can attest. | ||
CF | | ||
CF | With a mighty whoom--you kept your distance this time--a fire | ||
CF | bursts alive. | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Camp 244 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a pull of the lever, the metal pan swings over the fire pit. The | ||
CF | pan | ||
CF | quickly begins to heat. | ||
CF | | ||
CF | The mash cooks down in the pan with hisses and gurgles. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Camp 245 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | A hot clear liquid pools around the mash. It has the astringent odor | ||
CF | of | ||
CF | spirits, the precious aqua vitae. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push lever" | ||
CF | Camp 246 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PUSH LEVER | ||
CF | | ||
CF | The metal pan swings away from the fire pit. The pan and the mash | ||
CF | cool, and | ||
CF | the nascent pool of spirits forming on the pan evaporates away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take aqua" | ||
CF | Camp 246 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE AQUA | ||
CF | | ||
CF | You see no aqua here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Camp 247 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a pull of the lever, the metal pan swings over the fire pit. The | ||
CF | pan | ||
CF | quickly begins to heat. | ||
CF | | ||
CF | The mash cooks down in the pan with hisses and gurgles. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Camp 248 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | A hot clear liquid pools around the mash. It has the astringent odor | ||
CF | of | ||
CF | spirits, the precious aqua vitae. | ||
CF | | ||
CF | > | Jade says, "well done" | |
DavidW says (to ClubFloyd), "take aqua vitae" | ||
CF | Camp 249 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE AQUA VITAE | ||
CF | | ||
CF | It's scalding hot. | ||
CF | | ||
CF | The pool gathers enough volume to move along the slope of the pan to a | ||
CF | wood | ||
CF | trough. The precious spirits are carried by twists and turns to the | ||
CF | V-shaped | ||
CF | spout, where the liquid drips as a clear thread. It spills across the | ||
CF | ground | ||
CF | and is absorbed into the earth. | ||
CF | | ||
CF | You push the lever and the metal pan swings away from the fire. | ||
CF | Although it's | ||
CF | been cooked down a little, you estimate you could produce a few more | ||
CF | more | ||
CF | batches from it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put jug under spout" | ||
CF | Camp 250 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PUT JUG UNDER SPOUT | ||
CF | | ||
CF | You put the clay jug under the wood spout. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push lever" | ||
CF | Camp 251 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PUSH LEVER | ||
CF | | ||
CF | The lever is already in the pushed position. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull lever" | ||
CF | Camp 252 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > PULL LEVER | ||
CF | | ||
CF | With a pull of the lever, the metal pan swings over the fire pit. The | ||
CF | pan | ||
CF | quickly begins to heat. | ||
CF | | ||
CF | The mash cooks down in the pan with hisses and gurgles. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Camp 253 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | A hot clear liquid pools around the mash. It has the astringent odor | ||
CF | of | ||
CF | spirits, the precious aqua vitae. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Camp 254 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | The pool gathers enough volume to move along the slope of the pan to a | ||
CF | wood | ||
CF | trough. The precious spirits are carried by twists and turns to the | ||
CF | V-shaped | ||
CF | spout, where the liquid drips as a clear thread. After a minute, the | ||
CF | jug is | ||
CF | full of spirits--the precious aqua vitae. | ||
CF | | ||
CF | You push the lever and the metal pan swings away from the fire. The | ||
CF | gummy mash | ||
CF | is now dry and burnt. It seems unlikely you could produce any more | ||
CF | from it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take jug" | ||
CF | Camp 255 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > TAKE JUG | ||
CF | | ||
CF | You pick up the clay jug. | ||
CF | | ||
CF | The earth rocks once, but mightily. The distillery contraption | ||
CF | rattles and | ||
CF | bangs with the earth's motion, then quiets. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up aqua vitae" | ||
CF | Camp 256 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > LOOK UP AQUA VITAE | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Alcohol spirits (aqua vitae) are the earthly quintessence of | ||
CF | the aether | ||
CF | permeating the cosmos. Spirits bring temporality and ephemerality to | ||
CF | a | ||
CF | compound. | ||
CF | | ||
CF | The spirit of the grain or the fruit must be distilled directly from | ||
CF | its | ||
CF | fermented source to be of use. | ||
CF | | ||
CF | c.f., excipient | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Camp 257 | ||
CF | Exits: northwest | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Camp | ||
CF | A lean-to of hides and canvas stretched taut over a wood frame stands | ||
CF | against a | ||
CF | sheer rock face. | ||
CF | | ||
CF | Under the lean-to stands all the trappings of a distillery. Loose | ||
CF | grain | ||
CF | kernels are scattered in the dirt about the centerpiece, a crude still | ||
CF | over a | ||
CF | scorched fire pit. The fire burns and cackles. | ||
CF | | ||
CF | The path back to the mountain pass is to the northwest. | ||
CF | | ||
CF | > | DavidW says, "not sure there's more to do here" | |
DavidW says (to ClubFloyd), "nw" | ||
CF | Mountain pass 258 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Mountain pass | ||
CF | A brisk steady wind cuts across this mountain pass, an unwelcome | ||
CF | contrast to | ||
CF | the warm, if chilling, settlement below. | ||
CF | | ||
CF | A steep slope descends down the mountain in a hurry, while a path | ||
CF | leads | ||
CF | southeast. The way south leads up the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Magma pool 259 | ||
CF | Exits: north | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Magma pool | ||
CF | Near the summit of the mountain you come across a roiling pool of | ||
CF | orange magma | ||
CF | surrounded by a ring of rocks. The stench of brimstone is quite | ||
CF | pungent. | ||
CF | | ||
CF | A single olive tree looms over the pool. Exposure to the heat and | ||
CF | exhaust has | ||
CF | stripped it of its bark and blackened its bare limbs. A heat-abused | ||
CF | pulley | ||
CF | dangles from the tree's lowest limb. | ||
CF | | ||
CF | A squat brick forge has fallen on its side beside the pool of magma. | ||
CF | Nearby is | ||
CF | what appears to be a makeshift anvil. | ||
CF | | ||
CF | The only way down the mountain is to the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tree" | ||
CF | Magma pool 260 | ||
CF | Exits: north | ||
CF | | ||
CF | > X TREE | ||
CF | | ||
CF | This unfortunate olive tree has suffered mightily from its proximity | ||
CF | to the | ||
CF | magma pool. One of its arthritic limbs, blackened by exposure to the | ||
CF | heat, | ||
CF | stretches away from the pool. A pulley dangling from its lowest limb | ||
CF | hangs | ||
CF | over the overturned brick forge. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pulley" | ||
CF | Magma pool 261 | ||
CF | Exits: north | ||
CF | | ||
CF | > X PULLEY | ||
CF | | ||
CF | A crude wooden pulley hangs from the lowest arthritic branch of the | ||
CF | poor olive | ||
CF | tree. The heat from the magma pool has blackened and warped it, but | ||
CF | it appears | ||
CF | serviceable. | ||
CF | | ||
CF | The groove around the pulley's circumference is deep enough for a rope | ||
CF | to be | ||
CF | threaded through it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pool" | ||
CF | Magma pool 262 | ||
CF | Exits: north | ||
CF | | ||
CF | > X POOL | ||
CF | | ||
CF | The magma pool, about the diameter of a garden sundial, is a scab | ||
CF | ripped open | ||
CF | across the skin of the earth. The molten lava within roils and stews, | ||
CF | producing the occasional thick burp. A ring of charred rocks circles | ||
CF | its | ||
CF | circumference. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rocks" | ||
CF | Magma pool 263 | ||
CF | Exits: north | ||
CF | | ||
CF | > X ROCKS | ||
CF | | ||
CF | Charred rocks have been arranged about the circumference of the magma | ||
CF | pool. | ||
CF | You suppose they are intended to act as supports for the brick forge. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x forge" | ||
CF | Magma pool 264 | ||
CF | Exits: north | ||
CF | | ||
CF | > X FORGE | ||
CF | | ||
CF | This compact block of fired brick is a rudimentary mobile forge. A | ||
CF | hook molded | ||
CF | into the top brick is for attaching a rope or chain. A slit opening | ||
CF | in the | ||
CF | front acts like a window into the forge's belly. A tube protrudes | ||
CF | from the top | ||
CF | of the forge. | ||
CF | | ||
CF | The forge lays uselessly on its side next to the pool of magma. You | ||
CF | wonder if | ||
CF | the shaking earth caused it to topple over from the rock supports | ||
CF | ringing the | ||
CF | pool. | ||
CF | | ||
CF | > | DavidW says, "okay, this is obviously how we extract mercury from the cinnabar." | |
DavidW says (to ClubFloyd), "x anvil" | ||
CF | Magma pool 265 | ||
CF | Exits: north | ||
CF | | ||
CF | > X ANVIL | ||
CF | | ||
CF | The "anvil" is nothing more than a flat granite rock. | ||
CF | | ||
CF | > | Roger says, "sounds about right" | |
Roger says, "we have that 'repair thingy' spell right" | ||
DavidW asks, "yes? For what, the pulley?" | ||
Roger says, "I was thinking the forge, but maybe" | ||
DavidW says (to ClubFloyd), "apply novo to pulley" | ||
CF | Magma pool 266 | ||
CF | Exits: north | ||
CF | | ||
CF | > APPLY NOVO TO PULLEY | ||
CF | | ||
CF | You cannot apply anything to the pulley. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply novo to forge" | ||
CF | Magma pool 267 | ||
CF | Exits: north | ||
CF | | ||
CF | > APPLY NOVO TO FORGE | ||
CF | | ||
CF | You spread some of the sulfur and the black bile on the brick forge. | ||
CF | The | ||
CF | forge's cracks fuse and the lines of the brick sharpen, but otherwise | ||
CF | the forge | ||
CF | appears much the same. | ||
CF | | ||
CF | > | Roger says, "oh I guess we need rope then" | |
Jade says, "we can try" | ||
DavidW says, "yeah, I need to fetch the rope from the well." | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Mountain pass 268 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Mountain pass | ||
CF | A brisk steady wind cuts across this mountain pass, an unwelcome | ||
CF | contrast to | ||
CF | the warm, if chilling, settlement below. | ||
CF | | ||
CF | A steep slope descends down the mountain in a hurry, while a path | ||
CF | leads | ||
CF | southeast. The way south leads up the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Base of mountain 269 | ||
CF | Exits: north up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | You practically gallop down, jarring yourself and rattling your knees | ||
CF | in the | ||
CF | process, but you reach the base of the mountain in one piece? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Sage field 270 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | After a trek across the valley floor, you reach the edge of the | ||
CF | settlement? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | The disturbed bees' drone from the east has a distinct intensity to | ||
CF | it. | ||
CF | | ||
CF | > | Roger says, "good old rope nothing beats rope" | |
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 271 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | From this distance, the crow's blackness perched in the tree limbs | ||
CF | makes an | ||
CF | oval hole in this serene, if ominous, place. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 272 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 273 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow high in the tree preens its feathers and shakes itself. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Well 274 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Well | ||
CF | A ring of rock surrounds a well in the ground. A crossbeam dissects | ||
CF | the well's | ||
CF | opening in half. From the depths below comes the echoing trickle of | ||
CF | slow- | ||
CF | running water. | ||
CF | | ||
CF | A length of rope is tied to the crossbeam, with its loose end hanging | ||
CF | down the | ||
CF | well's shaft. | ||
CF | | ||
CF | The river is south of here, while a towering cedar is to the east. | ||
CF | Beyond it | ||
CF | is a clearing and some ramshackle buildings. | ||
CF | | ||
CF | > | Jade says, "yes, of course" | |
DavidW says (to ClubFloyd), "untie rope" | ||
CF | Well 275 | ||
CF | Exits: east south down | ||
CF | | ||
CF | > UNTIE ROPE | ||
CF | | ||
CF | You pull up the rope and untie it from the crossbeam. You coil up the | ||
CF | rope and | ||
CF | sling it over your shoulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Foot of the great cedar tree 276 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 277 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 278 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Sage field 279 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Base of mountain 280 | ||
CF | Exits: north up | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | After a taxing journey across the valley plain, you reach the foot of | ||
CF | a | ||
CF | mountain range? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Mountain pass 281 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | You navigate the trails and switchbacks up the mountain side? | ||
CF | | ||
CF | Mountain pass | ||
CF | A brisk steady wind cuts across this mountain pass, an unwelcome | ||
CF | contrast to | ||
CF | the warm, if chilling, settlement below. | ||
CF | | ||
CF | A steep slope descends down the mountain in a hurry, while a path | ||
CF | leads | ||
CF | southeast. The way south leads up the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Magma pool 282 | ||
CF | Exits: north | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Magma pool | ||
CF | Near the summit of the mountain you come across a roiling pool of | ||
CF | orange magma | ||
CF | surrounded by a ring of rocks. The stench of brimstone is quite | ||
CF | pungent. | ||
CF | | ||
CF | A single olive tree looms over the pool. Exposure to the heat and | ||
CF | exhaust has | ||
CF | stripped it of its bark and blackened its bare limbs. A heat-abused | ||
CF | pulley | ||
CF | dangles from the tree's lowest limb. | ||
CF | | ||
CF | A squat brick forge has fallen on its side beside the pool of magma. | ||
CF | Nearby is | ||
CF | what appears to be a makeshift anvil. | ||
CF | | ||
CF | The only way down the mountain is to the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put rope in pulley" | ||
CF | Magma pool 283 | ||
CF | Exits: north | ||
CF | | ||
CF | > PUT ROPE IN PULLEY | ||
CF | | ||
CF | You thread the rope through the pulley. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "tie rope to forge" | ||
CF | Magma pool 284 | ||
CF | Exits: north | ||
CF | | ||
CF | > TIE ROPE TO FORGE | ||
CF | | ||
CF | You tie the rope to the hook on top of the forge. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull rope" | ||
CF | Magma pool 285 | ||
CF | Exits: north | ||
CF | | ||
CF | > PULL ROPE | ||
CF | | ||
CF | Putting all your strength into it, you manage to lift the forge off | ||
CF | its side | ||
CF | and swing it over the pool. | ||
CF | | ||
CF | You remind yourself: This is Cain's forge. History records him as the | ||
CF | first | ||
CF | metalworker. No doubt he forged the shovel you've seen in the | ||
CF | visions, as he | ||
CF | did the knife you found in Abel's slaughterhouse. | ||
CF | | ||
CF | You let the block settle atop the rocks ringing the magma. You | ||
CF | release the | ||
CF | rope with great relief, the muscles in your arms twitching and | ||
CF | tingling from | ||
CF | the stress. | ||
CF | | ||
CF | The forge begins heating up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull rope" | ||
CF | Magma pool 286 | ||
CF | Exits: north | ||
CF | | ||
CF | > PULL ROPE | ||
CF | | ||
CF | The forge is already upright and set over the magma pool. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push rope" | ||
CF | Magma pool 287 | ||
CF | Exits: north | ||
CF | | ||
CF | > PUSH ROPE | ||
CF | | ||
CF | Pushing the rope has no effect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop rope" | ||
CF | Magma pool 288 | ||
CF | Exits: north | ||
CF | | ||
CF | > DROP ROPE | ||
CF | | ||
CF | You aren't holding the rope. | ||
CF | | ||
CF | > | Roger asks, "untie rope?" | |
DavidW says (to ClubFloyd), "untie rope" | ||
CF | Magma pool 289 | ||
CF | Exits: north | ||
CF | | ||
CF | > UNTIE ROPE | ||
CF | | ||
CF | You unthread the rope from the pulley. You untie the rope from the | ||
CF | hook on top | ||
CF | of the forge. You coil up the rope and sling it over your shoulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put cinnabar in forge" | ||
CF | Magma pool 290 | ||
CF | Exits: north | ||
CF | | ||
CF | > PUT CINNABAR IN FORGE | ||
CF | | ||
CF | The forge is much too hot to be reaching into. You might try putting | ||
CF | the | ||
CF | cinnabar in the chimney. | ||
CF | | ||
CF | You're definitely feverish, and grower sicker by the minute, but you | ||
CF | must press | ||
CF | on. Once this inquiry is over, you can take a long, well-deserved | ||
CF | rest. | ||
CF | | ||
CF | > | Jacqueline says, "Ah, eep. Gotta go for my class." | |
DavidW says (to ClubFloyd), "put cinnabar in chimney" | ||
CF | Magma pool 291 | ||
CF | Exits: north | ||
CF | | ||
CF | > PUT CINNABAR IN CHIMNEY | ||
CF | | ||
CF | You drop the cinnabar down the tube and into the forge. | ||
CF | | ||
CF | After a moment, a high-pitched hissing squeals from the forge's stubby | ||
CF | chimney. | ||
CF | | ||
CF | > | Roger says, "come back when you've got no class" | |
DavidW says (to ClubFloyd), "put rope in pulley" | ||
CF | Magma pool 292 | ||
CF | Exits: north | ||
CF | | ||
CF | > PUT ROPE IN PULLEY | ||
CF | | ||
CF | You thread the rope through the pulley. | ||
CF | | ||
CF | The sound of gurgling liquid emerges from the forge. | ||
CF | | ||
CF | > | Jade says, "bye Jacqueline" | |
DavidW says (to ClubFloyd), "tie rope to forge" | ||
CF | Magma pool 293 | ||
CF | Exits: north | ||
CF | | ||
CF | > TIE ROPE TO FORGE | ||
CF | | ||
CF | You tie the rope to the hook on top of the forge. | ||
CF | | ||
CF | Mercury drips from the forge's opening with a slow trickle, until a | ||
CF | small pool | ||
CF | of the precious quicksilver has formed on the ground before you. | ||
CF | | ||
CF | > | Roger says, "oh, to turn it off. Good thinking" | |
DavidW says (to ClubFloyd), "take mercury" | ||
CF | Magma pool 294 | ||
CF | Exits: north | ||
CF | | ||
CF | > TAKE MERCURY | ||
CF | | ||
CF | You carefully gather the precious mercury and add it to your rucksack. | ||
CF | | ||
CF | > | Jacqueline says (to Roger), "ha" | |
Jacqueline says, "Bye, all." | ||
Jacqueline departs. A clowder of cats chatters in the distance. | Jade says, "well done" | |
DavidW says, "We might as well get the royal jelly too, at this point." | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed thirteen of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The strand of hair | ||
CF | * The slaughterhouse | ||
CF | * The giant face | ||
CF | * The spot of blood | ||
CF | * The obsidian block | ||
CF | * The mountain warning | ||
CF | * The distillery | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * glos: Briefly read any language | ||
CF | * novo: Restore a manmade invention to its original purpose | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Magma pool 294 | ||
CF | Exits: north | ||
CF | * ocu: Make a human-like yield an eyewitness | ||
CF | revelation | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | * vulk: Melt metal | ||
CF | | ||
CF | You've learned the following about the family members: | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | * Eve is melancholic. Her Humour is black bile. | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | Roger asks, "did we look up mercury in our hitchhiker's guide?" | |
DavidW says (to ClubFloyd), "look up mercury" | ||
CF | Magma pool 295 | ||
CF | Exits: north | ||
CF | | ||
CF | > LOOK UP MERCURY | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Mercury's rarity makes it one of the most important excipients in an | ||
CF | Indagator's stock. It is also referred to as "quicksilver." | ||
CF | | ||
CF | Mercury is one of the Three Primes. It represents the Spirit | ||
CF | (intellect & | ||
CF | imagination), fluidity, and fusibility (synthesis). | ||
CF | | ||
CF | c.f., excipient, Three Primes, cinnabar | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look up royal jelly" | ||
CF | Magma pool 296 | ||
CF | Exits: north | ||
CF | | ||
CF | > LOOK UP ROYAL JELLY | ||
CF | | ||
CF | (the Pharmakon) | ||
CF | Royal jelly is of the most prized of the excipients, and the most | ||
CF | particular in | ||
CF | Nature. It is only found in the hives of honey-producing bees. | ||
CF | | ||
CF | Conserve royal jelly for only the most important of compounds. Its | ||
CF | potency | ||
CF | represents the strength of a hive brought together for a single task | ||
CF | or focus. | ||
CF | | ||
CF | c.f., excipient, wax | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "untie rope" | ||
CF | Magma pool 297 | ||
CF | Exits: north | ||
CF | | ||
CF | > UNTIE ROPE | ||
CF | | ||
CF | You unthread the rope from the pulley. You untie the rope from the | ||
CF | hook on top | ||
CF | of the forge. You coil up the rope and sling it over your shoulder. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Magma pool 298 | ||
CF | Exits: north | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Magma pool | ||
CF | Near the summit of the mountain you come across a roiling pool of | ||
CF | orange magma | ||
CF | surrounded by a ring of rocks. The stench of brimstone is quite | ||
CF | pungent. | ||
CF | | ||
CF | A single olive tree looms over the pool. Exposure to the heat and | ||
CF | exhaust has | ||
CF | stripped it of its bark and blackened its bare limbs. A heat-abused | ||
CF | pulley | ||
CF | dangles from the tree's lowest limb. | ||
CF | | ||
CF | A squat brick forge sits atop the rocks ringing the magma pool, | ||
CF | growing hotter | ||
CF | by the minute. Nearby is what appears to be a makeshift anvil. | ||
CF | | ||
CF | The only way down the mountain is to the north. | ||
CF | | ||
CF | > | DavidW says, "We didn't use the anvil for anything." | |
Roger says, "maybe later. Or maybe it's just dressing. Who knows" | ||
DavidW says (to ClubFloyd), "push anvil" | ||
CF | Magma pool 299 | ||
CF | Exits: north | ||
CF | | ||
CF | > PUSH ANVIL | ||
CF | | ||
CF | Pushing the granite anvil has no effect. | ||
CF | | ||
CF | > | Roger says, "we don't have a good hammer yet, maybe" | |
DavidW says (to ClubFloyd), "move anvil" | ||
CF | Magma pool 300 | ||
CF | Exits: north | ||
CF | | ||
CF | > MOVE ANVIL | ||
CF | | ||
CF | The granite anvil is too heavy to move. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Mountain pass 301 | ||
CF | Exits: south southeast down | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Mountain pass | ||
CF | A brisk steady wind cuts across this mountain pass, an unwelcome | ||
CF | contrast to | ||
CF | the warm, if chilling, settlement below. | ||
CF | | ||
CF | A steep slope descends down the mountain in a hurry, while a path | ||
CF | leads | ||
CF | southeast. The way south leads up the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "d" | ||
CF | Base of mountain 302 | ||
CF | Exits: north up | ||
CF | | ||
CF | > D | ||
CF | | ||
CF | You practically gallop down, jarring yourself and rattling your knees | ||
CF | in the | ||
CF | process, but you reach the base of the mountain in one piece? | ||
CF | | ||
CF | Base of mountain | ||
CF | A range of Atlas-like mountains ascends mightily to the misty heavens. | ||
CF | Nearby, | ||
CF | on a more diminutive scale, a rotund obsidian block squats firmly in | ||
CF | the | ||
CF | ground. | ||
CF | | ||
CF | Up the mountain is a trailhead of animal paths and switchbacks | ||
CF | ascending the | ||
CF | side of the mountain. | ||
CF | | ||
CF | The settlement is north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Sage field 303 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | After a trek across the valley floor, you reach the edge of the | ||
CF | settlement? | ||
CF | | ||
CF | Sage field | ||
CF | A narrow winding strip of sage spreads forth from here. The growth is | ||
CF | so | ||
CF | thick, your travel into the field is impeded, and you can only reach | ||
CF | the first | ||
CF | row of plants. | ||
CF | | ||
CF | Steam and miasma emerge from a wide chasm on the far side of the | ||
CF | field. On the | ||
CF | other side of the chasm stands a field of chamomile. | ||
CF | | ||
CF | To the east stands an elderly almond tree supporting a mud hive. The | ||
CF | edge of | ||
CF | the wheat field is to the north. | ||
CF | | ||
CF | To the distant south runs an impressive mountain range rising into the | ||
CF | mist- | ||
CF | laden sky. | ||
CF | | ||
CF | The disturbed bees' drone from the east has a distinct intensity to | ||
CF | it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Clearing 304 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | Lost in thought for a moment, your focus snaps back when the crow's | ||
CF | shrill call | ||
CF | cuts through the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 305 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | Roger says, "idea for later -- maybe the anvil needs the boulder treatment" | |
CF | | ||
CF | > | DavidW says, "The boulder had iron to melt. I didn't see any metal mentioned in the anvil's description." | |
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 306 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | A single gentle caw from the crow comes down to you as though | ||
CF | reminding you of | ||
CF | your task at hand. | ||
CF | | ||
CF | > | Roger says, "good popint" | |
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 307 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | A sharp gust causes the smoke from the pile of charcoal to form a thin | ||
CF | trail in | ||
CF | the air. | ||
CF | | ||
CF | > | Roger says, "err point" | |
DavidW says (to ClubFloyd), "take charcoal" | ||
CF | Fire pit 308 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE CHARCOAL | ||
CF | | ||
CF | With tender fingers and quick moves, you take the topmost chunk of | ||
CF | charcoal. | ||
CF | Plenty more remains on the pile. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 309 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 310 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 311 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF | Beehive 312 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Beehive | ||
CF | Tucked between the lowest branches of this elderly and stooped almond | ||
CF | tree is a | ||
CF | mud-covered beehive swarming with its diligent occupants. The mud | ||
CF | hive has | ||
CF | grown too weighty for its perch. Portions have broken away. The bees | ||
CF | are | ||
CF | frantic and steadfast in their concerted efforts to shore it up. | ||
CF | | ||
CF | The bees don't care for the charcoal smoke. They give you a wide | ||
CF | berth as you | ||
CF | move, forming a constantly-agitating shell in the air about you. | ||
CF | | ||
CF | Hundreds of bees crawl about the interior walls of the hive. More | ||
CF | significantly, several pockets of royal jelly are within reach. | ||
CF | | ||
CF | You can retrace your footsteps through the wheat field by going | ||
CF | northwest. To | ||
CF | the west opens up a field of sage. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take jelly" | ||
CF | > | ||
CF | > TAKE JELLY | ||
CF | | ||
CF | If you take the royal jelly, you may not be able to return to this | ||
CF | area. Are | ||
CF | you certain you're ready? | Roger says, "hmm" | |
DavidW says (to ClubFloyd), "no" | ||
CF | Beehive 313 | ||
CF | Exits: west northwest | ||
CF | no | ||
CF | | ||
CF | You back away, leaving the royal jelly where you found it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop charcoal" | ||
CF | Beehive 314 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > DROP CHARCOAL | ||
CF | | ||
CF | With great relief, you release the charcoal. It breaks into brittle | ||
CF | pieces and | ||
CF | scatters. Its copious smoke lingers, and the bees momentarily remain | ||
CF | wary and | ||
CF | distant of you. | ||
CF | | ||
CF | The earth rolls beneath you. A rumbling under the soil accompanies | ||
CF | the | ||
CF | movement before it all tapers off. The bees seemingly take no note of | ||
CF | the | ||
CF | disturbance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF | Beehive 315 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | You can't go that way. From here you could go west or northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Clearing 316 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply ostendo to rock" | ||
CF | Clearing 317 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY OSTENDO TO ROCK | ||
CF | | ||
CF | You spread some of the salt and the sulfur on the russet-brown rock. | ||
CF | | ||
CF | The ostendo compound blends and dissolves, preparing to reveal the | ||
CF | next steps | ||
CF | for unlocking the revelations burned into the russet-brown rock? | ||
CF | | ||
CF | A disembodied voice whispers to you in an unsure voice: "Abel's | ||
CF | poison. Cain's | ||
CF | poison. Royal jelly. The spirit of aqua vitae. | ||
CF | And the Spirit of the Three | ||
CF | Primes." | ||
CF | | ||
CF | In all your studies at the Academy, this is unprecedented: A compound | ||
CF | requiring | ||
CF | two poisons and three excipients. Whatever event is locked within | ||
CF | this stone, | ||
CF | it must be extremely powerful. | ||
CF | | ||
CF | > | Roger asks, "interesting. How much of that stuff do we have?" | |
DavidW says, "we should have all of it but the jelly" | ||
Roger says, "good deal" | ||
DavidW says, "lemme look up what it all means, though" | ||
Jade says, "yes, we lack of jelly" | ||
DavidW says, "Abel's poison is lymph; Cain's poison is sage; Spirit of the Three Primes is mercury." | ||
DavidW says, "so, yeah, I better get that jelly now" | ||
DavidW says (to ClubFloyd), "n" | ||
CF | In the wheat field 318 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Foot of the great cedar tree 319 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | The crow's piercing call shatters the still air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF | Fire pit 320 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Fire pit | ||
CF | This clearing, along with the great cedar tree to the west, feels to | ||
CF | be the hub | ||
CF | of the settlement and its surrounding areas. | ||
CF | | ||
CF | In the center of the clearing stands a large fire pit surrounded by a | ||
CF | ring of | ||
CF | stones. A roaring fire burns here, sending a column of smoke into the | ||
CF | murky | ||
CF | skies. | ||
CF | | ||
CF | East of here, a thatch mud hovel and a gray tent are built against the | ||
CF | side of | ||
CF | a hill. To the south stands a dilapidated wood shack. | ||
CF | | ||
CF | Far to the northeast, you discern what appears to be a cavern | ||
CF | entrance. | ||
CF | | ||
CF | A loose pile of smoking charcoal stands beside the intense fire. | ||
CF | | ||
CF | The charcoal pile's thick smoke shifts with the change in the wind's | ||
CF | direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take charcoal" | ||
CF | Fire pit 321 | ||
CF | Exits: east south west northeast | ||
CF | | ||
CF | > TAKE CHARCOAL | ||
CF | | ||
CF | With tender fingers and quick moves, you take the topmost chunk of | ||
CF | charcoal. | ||
CF | Plenty more remains on the pile. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Foot of the great cedar tree 322 | ||
CF | Exits: east south west up | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foot of the great cedar tree | ||
CF | You're standing at the foot of a great cedar tree. Its leafy branches | ||
CF | reach | ||
CF | all directions overhead. | ||
CF | | ||
CF | A crow sits on one of the lower tree branches. You could reach it if | ||
CF | you | ||
CF | climbed up. | ||
CF | | ||
CF | A well stands to the west. To the south begins an expansive tilled | ||
CF | field. | ||
CF | East is a fire pit surrounded by some small buildings. Smoke rises | ||
CF | from its | ||
CF | center. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | In the wheat field 323 | ||
CF | Exits: north east south | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | In the wheat field | ||
CF | Twenty or thirty hectares of wheat are planted in tidy rows along the | ||
CF | southern | ||
CF | edge of the settlement. | ||
CF | | ||
CF | Traveling north will lead you out of the field and toward the center | ||
CF | of the | ||
CF | settlement. A dilapidated shack stands to the east, while a path | ||
CF | south through | ||
CF | the field leads to a clearing. | ||
CF | | ||
CF | A rough and ready scarecrow stands upright here. | ||
CF | | ||
CF | You toss the scalding chunk of charcoal from one hand to another. | ||
CF | Gray smoke | ||
CF | pollutes the air around you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Clearing 324 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the russet-brown rock has a | ||
CF | revelation locked | ||
CF | within it. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The disturbed bees' drone from the southeast has a distinct intensity | ||
CF | to it. | ||
CF | | ||
CF | > | Jade says, "save" | |
DavidW says (to ClubFloyd), "se" | ||
CF | Beehive 325 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | Beehive | ||
CF | Tucked between the lowest branches of this elderly and stooped almond | ||
CF | tree is a | ||
CF | mud-covered beehive swarming with its diligent occupants. The mud | ||
CF | hive has | ||
CF | grown too weighty for its perch. Portions have broken away. The bees | ||
CF | are | ||
CF | frantic and steadfast in their concerted efforts to shore it up. | ||
CF | | ||
CF | The bees don't care for the charcoal smoke. They give you a wide | ||
CF | berth as you | ||
CF | move, forming a constantly-agitating shell in the air about you. | ||
CF | | ||
CF | Hundreds of bees crawl about the interior walls of the hive. More | ||
CF | significantly, several pockets of royal jelly are within reach. | ||
CF | | ||
CF | You can retrace your footsteps through the wheat field by going | ||
CF | northwest. To | ||
CF | the west opens up a field of sage. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to readwrite: | ||
DavidW says (to ClubFloyd), "cfcainprejelly" | ||
CF | Beehive 325 | ||
CF | Exits: west northwest | ||
CF | Saved. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take jelly" | ||
CF | > | ||
CF | > TAKE JELLY | ||
CF | | ||
CF | If you take the royal jelly, you may not be able to return to this | ||
CF | area. Are | ||
CF | you certain you're ready? | ||
DavidW says (to ClubFloyd), "yes" | ||
CF | Beehive 326 | ||
CF | Exits: west northwest | ||
CF | yes | ||
CF | | ||
CF | Holding your breath and steeling your resolve, you drop the charcoal, | ||
CF | reach | ||
CF | into the gash running down the side of the hive, and scoop up the | ||
CF | precious | ||
CF | royal jelly. The swarm grows furious. | ||
CF | | ||
CF | You have just enough time to deposit your prize in a braided cup | ||
CF | before you | ||
CF | must-- | ||
CF | | ||
CF | Run! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Beehive 327 | ||
CF | Exits: west northwest | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | The furious swarm block your escape to the sage field--your only hope | ||
CF | is | ||
CF | returning to the wheat field, to the northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Clearing 328 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You beat a hasty retreat to the field? | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the russet-brown rock has a | ||
CF | revelation locked | ||
CF | within it. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | Panting and out of breath, you look up to the crow in the branches of | ||
CF | the great | ||
CF | cedar tree. Its head bobs up and down as it caws, as though laughing | ||
CF | at you. | ||
CF | | ||
CF | Your pulse races for too long before calming. The perspiration on | ||
CF | your brow is | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Clearing 329 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Clearing | ||
CF | The meticulously tended field of wheat opens to a circular clearing of | ||
CF | trampled | ||
CF | stalks and grain-heavy florets crushed underfoot. | ||
CF | | ||
CF | Off-center of the clearing sits a squat russet-brown rock cracked in | ||
CF | half. | ||
CF | | ||
CF | The russet-brown rock glows a clear blue hue. | ||
CF | | ||
CF | Your inquiry has determined that the russet-brown rock has a | ||
CF | revelation locked | ||
CF | within it. | ||
CF | | ||
CF | To the southeast stands an almond tree among a cloud of bees. A field | ||
CF | of | ||
CF | flowering sage spreads out to the south. A scarecrow is north of | ||
CF | here. | ||
CF | | ||
CF | An almost imperceptible trail of broken wheat stalks cuts southwest | ||
CF | through the | ||
CF | field. | ||
CF | | ||
CF | The cacophony of the agitated swarm drones continuously from the | ||
CF | southeast. | ||
CF | They are furious. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply lymph to rock" | ||
CF | Clearing 330 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY LYMPH TO ROCK | ||
CF | | ||
CF | You spread some of the lymph on the russet-brown rock. | ||
CF | | ||
CF | High in the tree, you make out the crow shaking the limb it's perched | ||
CF | upon with | ||
CF | its claws, as though testing the strength of the branch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply sage to rock" | ||
CF | Clearing 331 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY SAGE TO ROCK | ||
CF | | ||
CF | You spread some of the sage on the russet-brown rock. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply jelly to rock" | ||
CF | Clearing 332 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY JELLY TO ROCK | ||
CF | | ||
CF | You spread some of the royal jelly on the russet-brown rock. | ||
CF | | ||
CF | You are deathly ill. You look forward to collapsing and taking a long | ||
CF | sleep | ||
CF | when you've completed your inquiry. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply aqua to rock" | ||
CF | Clearing 333 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | > APPLY AQUA TO ROCK | ||
CF | | ||
CF | You spread some of the spirits on the russet-brown rock. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply mercury to rock" | ||
CF | > | ||
CF | > APPLY MERCURY TO ROCK | ||
CF | | ||
CF | You spread some of the mercury on the russet-brown rock. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Cain's growing rage floods in: | ||
CF | | ||
CF | On my knees, I work the shovel to pry this stubborn rock from the | ||
CF | field. Abel | ||
CF | approaches with his right cheek and eye socket still mottled from | ||
CF | the bruising | ||
CF | I gave him in the mountains. | ||
CF | | ||
CF | "I will marry Awan," he announces. "Just as Mother and Father | ||
CF | were wed in | ||
CF | their garden paradise." | ||
CF | | ||
CF | "You will not take my wife and child from me." | ||
CF | | ||
CF | "The child Awan carries is mine. She would tell you so, but shame | ||
CF | holds her | ||
CF | tongue." He leans down to me. "What troubles you, brother? This | ||
CF | rock? The | ||
CF | crow thieving your grain? Or is it the swarm of locusts sleeping | ||
CF | underground, | ||
CF | waiting for their moment to rise and overwhelm you?" | ||
CF | | ||
CF | It is difficult to speak in measured tones. "What troubles me is | ||
CF | this: I | ||
CF | perceive the world was created in goodness, but it is not governed | ||
CF | according to | ||
CF | the fruit of good works." | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | "You misperceive. In judgment there is no respect of persons. My | ||
CF | sacrifice | ||
CF | was superior to yours, and I am rewarded." | ||
CF | | ||
CF | I say, again, with difficulty: "Then there is neither judgment nor | ||
CF | judge, nor | ||
CF | even another world." | ||
CF | | ||
CF | A brash smile bursts across his face. "There was a judgment, | ||
CF | brother. There | ||
CF | is a better world, and it is reserved for Awan and me." | ||
CF | | ||
CF | I strike the blade of the shovel across his face. Taking him by | ||
CF | the neck, I | ||
CF | wrestle him to the dirt. My vision washes umber--I smash the back | ||
CF | of his head | ||
CF | into the rock repeatedly, as though by killing him I am killing | ||
CF | this stubborn | ||
CF | blister among my wheat. | ||
CF | | ||
CF | Abel lays sprawled across the ground, lifeless. My violence has | ||
CF | cracked the | ||
CF | rock in two. The black earth I've nourished now drinks my | ||
CF | brother's blood. | ||
CF | | ||
CF | What have I done? | ||
CF | | ||
CF | The Crow lands beside him. It sniffs at my brother's still body | ||
CF | for evidence | ||
CF | of life. | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Clearing 334 | ||
CF | Exits: north south southeast southwest | ||
CF | | ||
CF | | ||
CF | "Am I my brother's keeper?" I whisper to the Crow. | ||
CF | | ||
CF | As if in answer, the ground beneath me begins trembling and | ||
CF | groaning. | ||
CF | | ||
CF | The bird scratches in the dirt with its talons. It digs a trench | ||
CF | with its | ||
CF | beak. | ||
CF | | ||
CF | I must hurry--Mother calls my name, and when I do not arrive, she | ||
CF | will come to | ||
CF | find me. | ||
CF | | ||
CF | You witness a sobbing Cain burying his brother as Eve's voice draws | ||
CF | near. He | ||
CF | scampers off through the wheat field and cuts a path southwest through | ||
CF | the | ||
CF | stalks? | ||
CF | | ||
CF | ?You come to in a daze. | ||
CF | | ||
CF | The crow flies low overhead, its screech echoing across the valley. | ||
CF | It comes | ||
CF | to rest at a distant ravine to the southwest. | ||
CF | | ||
CF | It screeches once more, as though beckoning. | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | | ||
CF | > | DavidW says, "well. I guess we follow the crow" | |
DavidW says (to ClubFloyd), "sw" | ||
CF | > | ||
CF | > SW | ||
CF | | ||
CF | With the crow in your sights, and the memory of Cain's flight fresh in | ||
CF | your | ||
CF | mind, you easily follow the trail? | ||
CF | | ||
CF | IV. A WANDERING EARTH | ||
CF | | ||
CF | For from this time forth thou shalt be the father of his lies; | ||
CF | thou shalt be called Perdition? | ||
CF | -Moses 5:24, Pearl of Great Price | ||
CF | | ||
CF | And Cain went out from before the LORD, | ||
CF | and dwelt in the land of exile and wandering, | ||
CF | east of Eden. | ||
CF | | ||
CF | ?from the time that he sinned and killed his brother, | ||
CF | [the earth] changed to produce thorns and thistles. | ||
CF | -Genesis 4:16, Targum Jerusalem | ||
CF | | ||
CF | And the LORD set a mark upon Cain. | ||
CF | -Genesis 4:15 KJV | ||
CF | | ||
CF | You reach the edge of a ravine. Feverish, clothes soaked-through with | ||
CF | sweat, | ||
CF | you rest for awhile. | ||
CF | | ||
CF | [More] | Jade says, "yes" | |
DavidW pushes the green 'space' button. | ||
CF | Edge of barren field 335 | ||
CF | Exits: northeast northwest | ||
CF | | ||
CF | A wide ravine extends miles in both directions. Hundreds of feet | ||
CF | below runs a | ||
CF | veritable river of molten magma. Its lava scorches trees along its | ||
CF | path. You | ||
CF | suspect this ravine once hosted a river of water, until the young | ||
CF | Earth tore | ||
CF | itself open and its innards gushed out. | ||
CF | | ||
CF | To the northwest lies a field of gnarled vines. The wheat field is to | ||
CF | the | ||
CF | northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ravine" | ||
CF | Edge of barren field 336 | ||
CF | Exits: northeast northwest | ||
CF | | ||
CF | > X RAVINE | ||
CF | | ||
CF | The gorge is almost as wide as it is deep. A molten river flows | ||
CF | snake-like | ||
CF | below. Its heat is whipping up a wind racing down the ravine's | ||
CF | natural | ||
CF | corridor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF | Field of thorn and thistle 337 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | Field of thorn and thistle | ||
CF | This spacious tilled field is about a quarter the size of the wheat | ||
CF | field back | ||
CF | in the settlement. It's apparent it was meticulously tilled and | ||
CF | worked with | ||
CF | care. A sign on a post stands before the field. | ||
CF | | ||
CF | Rather than yielding grain or vegetable, the bounty this field | ||
CF | produced is a | ||
CF | crop of gnarled vines studded with thorns and wild thistle plants. | ||
CF | | ||
CF | A ravine lies to the southeast. Southwest of here you make out a | ||
CF | tunnel | ||
CF | opening in the side of the mountain. | ||
CF | | ||
CF | A brilliant glowing light shines like a crown over the outcropping | ||
CF | above. | ||
CF | | ||
CF | > | Roger says, "all according to plan" | |
Jade says, "chapter IV, we haven't let the bracelet" | ||
DavidW says (to ClubFloyd), "x light" | ||
CF | Field of thorn and thistle 338 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > X LIGHT | ||
CF | | ||
CF | The platinum gleam peeking over the outcropping is heavenly. It's | ||
CF | unlike any | ||
CF | light you've seen since your arrival here, as the sky has been | ||
CF | uniformly gray | ||
CF | and hazy. | ||
CF | | ||
CF | You are deathly ill. You look forward to collapsing and taking a long | ||
CF | sleep | ||
CF | when you've completed your inquiry. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x sign" | ||
CF | Field of thorn and thistle 339 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > X SIGN | ||
CF | | ||
CF | An unprepossessing wood sign is nailed atop a post before the tilled | ||
CF | field. A | ||
CF | series of strange symbols are scrawled across it in black paint. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply glos to symbols" | ||
CF | Field of thorn and thistle 340 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > APPLY GLOS TO SYMBOLS | ||
CF | | ||
CF | You spread some of the blood, the chamomile, the grease, and the wax | ||
CF | on the | ||
CF | sign. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | With a familiar wooziness, the alien language becomes as familiar as | ||
CF | your | ||
CF | grandfather's kindly face. The symbols rearrange until they're plain | ||
CF | to you: | ||
CF | | ||
CF | "Cain's Field / Free Food for All" | ||
CF | | ||
CF | The munificence did not go as planned. | ||
CF | | ||
CF | > | Roger says, "all the thorns you can eat! What is this, Scotland" | |
DavidW says, "There was a part of Oz that was all thorns. The creatures that ate them had insides lined with gold." | ||
DavidW says (to ClubFloyd), "x thorns" | ||
CF | Field of thorn and thistle 341 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > X THORNS | ||
CF | | ||
CF | The stiff vines have grown in knotted, arthritic shapes, and are | ||
CF | covered with | ||
CF | hooked thorns. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | Field of thorn and thistle 342 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can't go that way. From here you could go southeast or southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x outcropping" | ||
CF | Field of thorn and thistle 343 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > X OUTCROPPING | ||
CF | | ||
CF | The cantilevered outcropping is high above you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "u" | ||
CF | Field of thorn and thistle 344 | ||
CF | Exits: southeast southwest | ||
CF | | ||
CF | > U | ||
CF | | ||
CF | You can't go that way. From here you could go southeast or southwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF | Tunnel entrance 345 | ||
CF | Exits: west northeast | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Tunnel entrance | ||
CF | A narrow tunnel stretching due west burrows a hole into the | ||
CF | mountainside. When | ||
CF | your eyes adjust, you make out deep inside it what appears to be a man | ||
CF | staring | ||
CF | back at you. | ||
CF | | ||
CF | The field of thorn and thistle lies to the northeast. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x man" | ||
CF | Tunnel entrance 346 | ||
CF | Exits: west northeast | ||
CF | | ||
CF | > X MAN | ||
CF | | ||
CF | He appears to be staring back at you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to man" | ||
CF | Tunnel entrance 347 | ||
CF | Exits: west northeast | ||
CF | | ||
CF | > TALK TO MAN | ||
CF | | ||
CF | The man merely stares back at you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ocu man" | ||
CF | Tunnel entrance 348 | ||
CF | Exits: west northeast | ||
CF | | ||
CF | > OCU MAN | ||
CF | | ||
CF | The man is too far away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | As you enter the tunnel, a great rumbling grows around you--the earth | ||
CF | gives | ||
CF | way--weightless, you tumble headlong into the void? | ||
DavidW pushes the green 'space' button. | ||
CF | way--weightless, you tumble headlong into the void? | ||
CF | | ||
CF | In the darkness appears a ball of light. Soon, dozens of balls | ||
CF | dripping fire | ||
CF | approach, bringing with them cries and accusations. | ||
CF | | ||
CF | The grain-blight decimated your grandfather's wheat field, as well as | ||
CF | the oats | ||
CF | and sorghum in the neighboring farms. Your grandfather died a broken | ||
CF | man. He | ||
CF | left you his cottage, an exhausted well, and a field of dust and | ||
CF | memories. | ||
CF | | ||
CF | The villagers came to you at the zero hour with torches and | ||
CF | allegations. They | ||
CF | stripped you of your bedclothes; they painted your face like a clown; | ||
CF | they held | ||
CF | a trial around your bed, and judged you the ugliest in the village. | ||
CF | | ||
CF | Verdict passed, you were force-fed an oily meal of salted figs, | ||
CF | honeyed olives, | ||
CF | butter, and fattened goat. Face shiny with grease and paint, they | ||
CF | dragged you | ||
CF | from your farm table to the villagers lined up outside your | ||
CF | grandfather's | ||
CF | cottage. | ||
CF | | ||
CF | As you stumbled down the row, they struck you with switches and | ||
CF | paddles and | ||
CF | shovels. You brought the grain-blight, they screamed. Now they | ||
CF | chased it | ||
CF | away. | ||
CF | | ||
CF | Naked, blistered, and bruised, you wandered the wilderness for three | ||
CF | days | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | [More] | ||
CF | | ||
CF | Death would certainly have claimed you if not for the elderly | ||
CF | traveler. He | ||
CF | revived you and brought you to the Academy. There he nursed you to | ||
CF | health, | ||
CF | and, bedside, began teaching you of reason, investigation, and truth. | ||
CF | | ||
CF | His name was Hester, and he was the first person after your | ||
CF | grandfather to | ||
CF | demonstrate a flicker of belief in you? | ||
DavidW pushes the green 'space' button. | ||
CF | In the dark 349 | ||
CF | Exits: None | ||
CF | | ||
CF | | ||
CF | In the dark | ||
CF | You come to, hazy-headed and lying on your back, in near-total | ||
CF | darkness. A | ||
CF | crack high above lets in a meager thread of sunlight. | ||
CF | | ||
CF | Even with your eyes adjusted, the only other thing you can make out in | ||
CF | the | ||
CF | darkness is a spent wood torch lying within reach. | ||
CF | | ||
CF | Some great weight across your chest has pinned you to the dirt floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x torch" | ||
CF | In the dark 350 | ||
CF | Exits: None | ||
CF | | ||
CF | > X TORCH | ||
CF | | ||
CF | The spent wood torch, blackened from much prior use, lies on the floor | ||
CF | near | ||
CF | you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take it" | ||
CF | In the dark 351 | ||
CF | Exits: None | ||
CF | | ||
CF | > TAKE IT | ||
CF | | ||
CF | Trapped on the floor, you're not in a position to pick up anything. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply encyp to torch" | ||
CF | Trapped (on the dirt floor) 352 | ||
CF | Exits: west | ||
CF | | ||
CF | > APPLY ENCYP TO TORCH | ||
CF | | ||
CF | With a bit of difficulty, you manage to spread some of the salt and | ||
CF | the ash on | ||
CF | the torch. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The torch ignites with a searing white flame that nearly blinds you. | ||
CF | Soon its | ||
CF | pulsing heat is toasting the side of your face, but no matter--you | ||
CF | have some | ||
CF | light now. | ||
CF | | ||
CF | That vital light illuminates exactly what is holding you to the floor: | ||
CF | A | ||
CF | weighty bar, thoroughly cankered with rust, pinned across your chest. | ||
CF | | ||
CF | Trapped (on the dirt floor) | ||
CF | The tunnel you entered is now utterly blocked by the rock and rubble | ||
CF | all around | ||
CF | you. A torch on the floor burns with an unnaturally intense and | ||
CF | unwavering | ||
CF | flame. | ||
CF | | ||
CF | This bleak pocket of rock you find yourself trapped in continues to | ||
CF | the west. | ||
CF | | ||
CF | You are on the dirt floor. | ||
CF | | ||
CF | The weight of the rusted bar pins you down. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply vulk to bar" | ||
CF | Trapped (on the dirt floor) 353 | ||
CF | Exits: west | ||
CF | | ||
CF | > APPLY VULK TO BAR | ||
CF | | ||
CF | You struggle to spread some of the arsenic, the sulfur, and the wax on | ||
CF | the bar. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up?and evaporates away. | ||
CF | | ||
CF | The metal-disease so thoroughly covers the bar, the compound is unable | ||
CF | to touch | ||
CF | the iron metal core, rendering it useless. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Trapped (on the dirt floor) 354 | ||
CF | Exits: west | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Trapped (on the dirt floor) 355 | ||
CF | Exits: west | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | Roger says, "hmm" | |
DavidW says (to ClubFloyd), "apply novo to bar" | ||
CF | Trapped (on the dirt floor) 356 | ||
CF | Exits: west | ||
CF | | ||
CF | > APPLY NOVO TO BAR | ||
CF | | ||
CF | You struggle to spread some of the sulfur and the black bile on the | ||
CF | bar. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The cankerous rust begins to dissolve, its spots disappearing and its | ||
CF | gashes | ||
CF | healing up. Soon, the iron bar's lustrous finish has returned, from | ||
CF | end to | ||
CF | end. | ||
CF | | ||
CF | Of course, now you have a new problem. A heavy and pristine iron bar | ||
CF | is | ||
CF | pinning you to the floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Trapped (on the dirt floor) 357 | ||
CF | Exits: west | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "z" | ||
CF | Trapped (on the dirt floor) 358 | ||
CF | Exits: west | ||
CF | | ||
CF | > Z | ||
CF | | ||
CF | Time passes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply vulk to bar" | ||
CF | Trapped (on the dirt floor) 359 | ||
CF | Exits: west | ||
CF | | ||
CF | > APPLY VULK TO BAR | ||
CF | | ||
CF | You manage to spread some of the arsenic, the sulfur, and the wax on | ||
CF | the bar. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | The iron bar melts off into a gelatinous goo. It drains onto the cave | ||
CF | floor | ||
CF | and dissolves into the dirt. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Trapped (on the dirt floor) 360 | ||
CF | Exits: west | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Trapped (on the dirt floor) | ||
CF | The tunnel you entered is now utterly blocked by the rock and rubble | ||
CF | all around | ||
CF | you. A torch on the floor burns with an unnaturally intense and | ||
CF | unwavering | ||
CF | flame. | ||
CF | | ||
CF | This bleak pocket of rock you find yourself trapped in continues to | ||
CF | the west. | ||
CF | | ||
CF | You are on the dirt floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF | Trapped 361 | ||
CF | Exits: west | ||
CF | | ||
CF | > STAND | ||
CF | | ||
CF | You get off the dirt floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take torch" | ||
CF | Trapped 362 | ||
CF | Exits: west | ||
CF | | ||
CF | > TAKE TORCH | ||
CF | | ||
CF | The white-hot fire burns so bright, you dare not draw near the torch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rock" | ||
CF | Trapped 363 | ||
CF | Exits: west | ||
CF | | ||
CF | > X ROCK | ||
CF | | ||
CF | Piles of fresh rock and rubble line the walls of the cave, evidence of | ||
CF | the | ||
CF | cave-in which brought you here. They don't appear stable, and yet | ||
CF | they're all | ||
CF | that's holding up this pocket within the mountain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move rubble" | ||
CF | Trapped 364 | ||
CF | Exits: west | ||
CF | | ||
CF | > MOVE RUBBLE | ||
CF | | ||
CF | Moving any of the rock could be tantamount to suicide. In fact, | ||
CF | another tremor | ||
CF | could cause this entire pocket within the mountain to collapse. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dig" | ||
CF | Trapped 364 | ||
CF | Exits: west | ||
CF | | ||
CF | > DIG | ||
CF | | ||
CF | What do you want to dig in? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "floor" | ||
CF | Trapped 365 | ||
CF | Exits: west | ||
CF | | ||
CF | > FLOOR | ||
CF | | ||
CF | You can't dig there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "memories" | ||
CF | > | ||
CF | > MEMORIES | ||
CF | | ||
CF | You've witnessed fourteen of the sixteen available revelations: | ||
CF | | ||
CF | * The sluice gate | ||
CF | * The well | ||
CF | * The stones | ||
CF | * The great fire | ||
CF | * The scarecrow | ||
CF | * The obsidian mirror | ||
CF | * The strand of hair | ||
CF | * The slaughterhouse | ||
CF | * The giant face | ||
CF | * The spot of blood | ||
CF | * The obsidian block | ||
CF | * The mountain warning | ||
CF | * The distillery | ||
CF | * The burial rock | ||
CF | | ||
CF | You may RECALL these revelations by name. | ||
CF | | ||
CF | You've memorized the following alchemical compounds: | ||
CF | | ||
CF | * encyp: Restore an extinguished fire | ||
CF | * glos: Briefly read any language | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Trapped 365 | ||
CF | Exits: west | ||
CF | * novo: Restore a manmade invention to its original | ||
CF | purpose | ||
CF | * ocu: Make a human-like yield an eyewitness revelation | ||
CF | * ostendo: Reveal compound to unlock revelation | ||
CF | * vulk: Melt metal | ||
CF | | ||
CF | You've learned the following about the family members: | ||
CF | | ||
CF | * Adam is choleric. His Humour is yellow bile. | ||
CF | * Eve is melancholic. Her Humour is black bile. | ||
CF | * Cain is phlegmatic. His Humour is phlegm. | ||
CF | * Abel is sanguine. His Humour is blood. | ||
CF | | ||
CF | > | DavidW asks, "now what?" | |
Roger asks, "what is west?" | ||
DavidW says (to ClubFloyd), "i" | ||
CF | Trapped 366 | ||
CF | Exits: west | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You are wearing | ||
CF | | ||
CF | * a bandage | ||
CF | * a rope | ||
CF | * a lumens gem | ||
CF | * a rucksack (in which are some black bile, some lymph, some blood, | ||
CF | some | ||
CF | mercury, some yellow bile, some arsenic, and some phlegm) | ||
CF | | ||
CF | and carrying | ||
CF | | ||
CF | * Crado's orbis bracelet | ||
CF | * a knife | ||
CF | * a tin spoon | ||
CF | * some wheat | ||
CF | * a clay jug (in which are some spirits) | ||
CF | * a pulverulent cloth (in which are some ash, some sage, some | ||
CF | chamomile, | ||
CF | some salt, and some sulfur) | ||
CF | * a braid of cups (in which are some grease, some royal jelly, and | ||
CF | some wax) | ||
CF | * the Pharmakon | ||
CF | * a vellum envelope | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | Blocked 367 | ||
CF | Exits: east | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Blocked | ||
CF | At the rear of this caved-in pocket, a detailed life-sized portrait | ||
CF | has been | ||
CF | painted on the volcanic rock. The painting is of a young man standing | ||
CF | and | ||
CF | holding a lamb in his arms. | ||
CF | | ||
CF | At the feet of the portrait, a partially crushed wood chest is buried | ||
CF | in the | ||
CF | rock slide. | ||
CF | | ||
CF | The other half of this caved-in pocket lies to the east. | ||
CF | | ||
CF | > | DavidW says, "thanks" | |
DavidW says (to ClubFloyd), "apply ocu to man" | ||
CF | > | ||
CF | > APPLY OCU TO MAN | ||
CF | | ||
CF | You spread some of the arsenic and the phlegm on the painting. | ||
CF | | ||
CF | The admixture blends, swells, bubbles, seizes up-- | ||
CF | | ||
CF | Your eyes becomes the portrait's eyes--you become a mute witness. | ||
CF | What you do | ||
CF | not expect is to hear Abel's voice: | ||
CF | | ||
CF | Since I was young, Cain worked the soil and tended to his plants | ||
CF | with a patent | ||
CF | joy. My brother was more alive around his plants and flowers than | ||
CF | around us. | ||
CF | | ||
CF | Our parents leaned on him for all their problems. When Adam was | ||
CF | too sickly to | ||
CF | dig the well, Cain completed it. When Eve suffered bouts of her | ||
CF | dark moods, | ||
CF | she asked Cain for tea and a comforting word. Adam taught Cain | ||
CF | how to work | ||
CF | metal, how to build tents, how to light the Great Fire. | ||
CF | | ||
CF | What was I responsible for? Feeding goats and lambs. Walking | ||
CF | them to the | ||
CF | river. Slitting their throats when they grew plump. | ||
CF | | ||
CF | He would always be the eldest son. I could never surpass | ||
CF | him. | ||
CF | | ||
CF | From this dark place, I watch my brother work a new field. He | ||
CF | throws himself | ||
CF | into the task with great vigor. The rewards for his hard labor | ||
CF | are thorns like | ||
CF | knives and inedible thistles. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | Blocked 368 | ||
CF | Exits: east | ||
CF | | ||
CF | Still, he is resourceful. He hacks at the vines with an axe. He | ||
CF | extracts the | ||
CF | oil running in their veins. With it he oils his walking stick and | ||
CF | the hinge of | ||
CF | his precious lockbox. But he fails to harvest a crop, and so he | ||
CF | must leave and | ||
CF | wander further. | ||
CF | | ||
CF | Every night, he sobs and cries out in his sleep. He is alone, and | ||
CF | I am with | ||
CF | him, always. | ||
CF | | ||
CF | The voice of the dead. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | Blocked 369 | ||
CF | Exits: east | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Blocked | ||
CF | At the rear of this caved-in pocket, a detailed life-sized portrait | ||
CF | has been | ||
CF | painted on the volcanic rock. The painting is of a young man standing | ||
CF | and | ||
CF | holding a lamb in his arms. | ||
CF | | ||
CF | At the feet of the portrait, a partially crushed wood chest is buried | ||
CF | in the | ||
CF | rock slide. | ||
CF | | ||
CF | The other half of this caved-in pocket lies to the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chest" | ||
CF | Blocked 370 | ||
CF | Exits: east | ||
CF | | ||
CF | > X CHEST | ||
CF | | ||
CF | Wedged under a pile of rocks is a partially-crushed wood chest. It's | ||
CF | lying on | ||
CF | its front, closed, with its top lid facing you and its bottom buried | ||
CF | inside the | ||
CF | rubble. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open chest" | ||
CF | Blocked 371 | ||
CF | Exits: east | ||
CF | | ||
CF | > OPEN CHEST | ||
CF | | ||
CF | The pressure of the rock weighing on the half-crushed chest is | ||
CF | immense. | ||
CF | Although the top lid can move--barely--its misshapen form has jammed | ||
CF | it shut. | ||
CF | If there was some way of loosening the hinge, or making it move | ||
CF | easier, you | ||
CF | might be able to get it open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "apply grease to hinge" | ||
CF | Blocked 372 | ||
CF | Exits: east | ||
CF | | ||
CF | > APPLY GREASE TO HINGE | ||
CF | | ||
CF | You spread some of the grease on the crushed wood chest. | ||
CF | | ||
CF | A quick test of the lid indicates it's able to move now. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open chest" | ||
CF | Blocked 373 | ||
CF | Exits: east west | ||
CF | | ||
CF | > OPEN CHEST | ||
CF | | ||
CF | With some forcible effort, you manage to pull open the chest lid. The | ||
CF | bottom | ||
CF | of the chest is gone! It must have been blown out by the force of the | ||
CF | cave-in. | ||
CF | | ||
CF | Westward, out the bottom of the chest, the tunnel continues. It | ||
CF | reaches a | ||
CF | brilliant platinum light and a hazy gray sky. | ||
CF | | ||
CF | It may be wishful thinking, or it may be the fever playing tricks on | ||
CF | your mind, | ||
CF | but you plainly hear Hester IV of Minscip whisper in your ear: | ||
CF | | ||
CF | "Novitiate no longer! You are an Indagator, without | ||
CF | qualification!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | You crawl through the crushed chest, down the dark tunnel, and emerge | ||
CF | from the | ||
CF | cave to a dazzling light? | ||
CF | | ||
CF | A Wandering Earth | ||
CF | The crow arrives with a noisy beating of its wings. It lands in a | ||
CF | rocky perch | ||
CF | high above. | ||
CF | | ||
CF | From atop the outcropping, the source of the brilliant gleam in the | ||
CF | sky is | ||
CF | revealed: | ||
CF | | ||
CF | In the valley below you is the remains of a lush garden valley. | ||
CF | Blossoming | ||
CF | fruit trees, green grasses and flora, and steppes of rich undergrowth | ||
CF | once ran | ||
CF | down the valley slopes. | ||
CF | | ||
CF | The river of magma has reached the garden. It cleaves fiery arteries | ||
CF | through | ||
CF | the valley and destroys the pristine beauty acre by acre. Endless | ||
CF | waterfalls | ||
CF | are now fire-falls. The destruction casts a brilliant platinum light | ||
CF | up to the | ||
CF | sky. | ||
CF | | ||
CF | East leads down into the bowels of the earth. A narrow and rough | ||
CF | trail south | ||
CF | leads around the edge of the precipice to a field below. | ||
CF | | ||
CF | Sitting on the edge of the outcropping is a young man clothed in | ||
CF | coarse flax. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | A Wandering Earth 374 | ||
CF | Exits: east south | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x crow" | ||
CF | A Wandering Earth 375 | ||
CF | Exits: east south | ||
CF | | ||
CF | > X CROW | ||
CF | | ||
CF | The crow stares off toward the burning garden, utterly uninterested in | ||
CF | you and | ||
CF | your earthbound concerns. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x garden" | ||
CF | A Wandering Earth 376 | ||
CF | Exits: east south | ||
CF | | ||
CF | > X GARDEN | ||
CF | | ||
CF | The fiery remains of the garden valley is too tragic to describe. | ||
CF | It's also | ||
CF | quite unreachable from this vantage point. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x man" | ||
CF | A Wandering Earth 377 | ||
CF | Exits: east south | ||
CF | | ||
CF | > X MAN | ||
CF | | ||
CF | A woven knapsack and a wineskin are strapped to the man's sides. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "greet man" | ||
CF | A Wandering Earth 378 | ||
CF | Exits: east south | ||
CF | | ||
CF | > GREET MAN | ||
CF | | ||
CF | Up until now, the man's face has remained outside your view. Now he | ||
CF | turns to | ||
CF | you. Finally you can put a face to the voice of the man you've heard | ||
CF | so often | ||
CF | since your arrival here. | ||
CF | | ||
CF | It's the cragged face of a regretful man. Dust and dirt outline the | ||
CF | face's | ||
CF | wrinkles and folds. His watery eyes are veined red, and his mouth | ||
CF | seems | ||
CF | incapable of any shape but a deep frown. | ||
CF | | ||
CF | The Creator marked this man so he would never be harmed. Who could | ||
CF | attack | ||
CF | someone with such a piteous expression? | ||
CF | | ||
CF | You begin to speak to him--you have many questions-- | ||
CF | | ||
CF | The Crow lets out a berating caaaw, causing your head to snap | ||
CF | around. The | ||
CF | great black bird launches from its perch and flies toward the misty | ||
CF | horizon. | ||
CF | | ||
CF | When you turn back to Cain, he's gone. Among the trees down the hill, | ||
CF | you | ||
CF | catch sight of his knapsack slung over one shoulder as he trudges on | ||
CF | to his | ||
CF | next destination?and then he disappears into the wilderness. | ||
CF | | ||
CF | [You've unlocked another revelation.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF | A Wandering Earth 379 | ||
CF | Exits: east south | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | A Wandering Earth | ||
CF | The crow sits on a perch high above staring down on the fiery | ||
CF | destruction | ||
CF | below. | ||
CF | | ||
CF | From atop the outcropping, the source of the brilliant gleam in the | ||
CF | sky is | ||
CF | revealed: | ||
CF | | ||
CF | In the valley below you is the remains of a lush garden valley. | ||
CF | Blossoming | ||
CF | fruit trees, green grasses and flora, and steppes of rich undergrowth | ||
CF | once ran | ||
CF | down the valley slopes. | ||
CF | | ||
CF | The river of magma has reached the garden. It cleaves fiery arteries | ||
CF | through | ||
CF | the valley and destroys the pristine beauty acre by acre. Endless | ||
CF | waterfalls | ||
CF | are now fire-falls. The destruction casts a brilliant platinum light | ||
CF | up to the | ||
CF | sky. | ||
CF | | ||
CF | East leads down into the bowels of the earth. A narrow and rough | ||
CF | trail south | ||
CF | leads around the edge of the precipice to a field below. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF | Field of thorn and thistle 380 | ||
CF | Exits: north southeast southwest | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Field of thorn and thistle | ||
CF | This spacious tilled field is about a quarter the size of the wheat | ||
CF | field back | ||
CF | in the settlement. It's apparent it was meticulously tilled and | ||
CF | worked with | ||
CF | care. A sign on a post stands before the field. | ||
CF | | ||
CF | Rather than yielding grain or vegetable, the bounty this field | ||
CF | produced is a | ||
CF | crop of gnarled vines studded with thorns and wild thistle plants. | ||
CF | | ||
CF | A ravine lies to the southeast. Southwest of here you make out a | ||
CF | tunnel | ||
CF | opening in the side of the mountain. | ||
CF | | ||
CF | A brilliant glowing light shines like a crown over the outcropping | ||
CF | above. To | ||
CF | the north starts a rough and rocky trail ascending the mountainside. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF | A Wandering Earth 381 | ||
CF | Exits: east south | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | A Wandering Earth | ||
CF | The crow sits on a perch high above staring down on the fiery | ||
CF | destruction | ||
CF | below. | ||
CF | | ||
CF | From atop the outcropping, the source of the brilliant gleam in the | ||
CF | sky is | ||
CF | revealed: | ||
CF | | ||
CF | In the valley below you is the remains of a lush garden valley. | ||
CF | Blossoming | ||
CF | fruit trees, green grasses and flora, and steppes of rich undergrowth | ||
CF | once ran | ||
CF | down the valley slopes. | ||
CF | | ||
CF | The river of magma has reached the garden. It cleaves fiery arteries | ||
CF | through | ||
CF | the valley and destroys the pristine beauty acre by acre. Endless | ||
CF | waterfalls | ||
CF | are now fire-falls. The destruction casts a brilliant platinum light | ||
CF | up to the | ||
CF | sky. | ||
CF | | ||
CF | East leads down into the bowels of the earth. A narrow and rough | ||
CF | trail south | ||
CF | leads around the edge of the precipice to a field below. | ||
CF | | ||
CF | It's time to break the seal and make your report. Your inquiry is | ||
CF | complete. | ||
CF | | ||
CF | > | Roger says, "huzzah! I guess" | |
DavidW says, "I feel we've missed something, but okay." | ||
DavidW says (to ClubFloyd), "open envelope" | ||
CF | A Wandering Earth 382 | ||
CF | Exits: east south | ||
CF | | ||
CF | > OPEN ENVELOPE | ||
CF | | ||
CF | You need to break the blue seal to open the envelope. | ||
CF | | ||
CF | > | Roger says, "we can review the revelations if you like" | |
DavidW says (to ClubFloyd), "wear bracelet" | ||
CF | A Wandering Earth 383 | ||
CF | Exits: east south | ||
CF | | ||
CF | > WEAR BRACELET | ||
CF | | ||
CF | You set Crado's orbis bracelet about your wrist. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open envelope" | ||
CF | A Wandering Earth 384 | ||
CF | Exits: east south | ||
CF | | ||
CF | > OPEN ENVELOPE | ||
CF | | ||
CF | You need to break the blue seal to open the envelope. | ||
CF | | ||
CF | It's time to break the seal and make your report. Your inquiry is | ||
CF | complete. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "break seal" | ||
CF | > | ||
CF | > BREAK SEAL | ||
CF | | ||
CF | | ||
CF | The seal breaks in quarters and falls away. The stiff vellum envelope | ||
CF | flops | ||
CF | open to a single blank page. | ||
CF | | ||
CF | No instructions. No directives. No rubric or schema. A void for you | ||
CF | to fill. | ||
CF | | ||
CF | The Academy failed to send you ink, or even a writing instrument. | ||
CF | Your blood | ||
CF | is the ink and your hand the pen. Shaky with fever, you reopen your | ||
CF | wound and | ||
CF | dip your finger in your umber. | ||
CF | | ||
CF | You write down all you've seen. The father, the mother, the sons and | ||
CF | daughters. The Fire, the Tree, and the Crow. The rage and the | ||
CF | despair. And | ||
CF | the Mark. According to Cain, you smear across the top of the | ||
CF | vellum. | ||
CF | | ||
CF | With your last words on the page, the vellum shimmers and fades away. | ||
CF | It is | ||
CF | delivered. The Provost has his report. | ||
CF | | ||
CF | The fever has set. This fiery and broken world rocks to and fro. You | ||
CF | stumble | ||
CF | and fall to the dirt. You cover your sweat-beaded face with your | ||
CF | hands. | ||
CF | | ||
CF | The orbis begins growing warm. Soon you will be among the Scholastics | ||
CF | and the | ||
CF | Provost. You look forward to seeing Hester's warm, elderly face once | ||
CF | more. | ||
CF | You hope you've done him proud. | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | A Wandering Earth 384 | ||
CF | Exits: east south | ||
CF | | ||
CF | The cloud-ridden sky becomes a clear, cold night. The crow cries | ||
CF | out--and you | ||
CF | sleep, at last. | ||
CF | | ||
CF | *** Finis. *** | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART the story, UNDO the last move, | ||
CF | see the CREDITS, read | ||
CF | about the game's SOURCES and background, see the author's | ||
CF | BIBLIO | ||
CF | (bibliography), RESTORE a saved position, or QUIT? | ||
CF | | ||
CF | > | Roger says, "I'm glad to have experienced that game, I think, but I'm not sure quite how to feel about it" | |
DavidW says, "I'm guessing that somehow, near the end, if we give the shiny spoon to the crow, he might fetch our original bracelet for us." | ||
Jade says, "It is a great game with a big plot" | ||
Roger says, "oh that might be it, yeah" | ||
Roger says, "yeah there's a lot of game here" | ||
DavidW says (to ClubFloyd), "b" | ||
CF | > | ||
CF | > B | ||
CF | | ||
CF | INTERACTIVE FICTION | ||
CF | | ||
CF | According to Cain | ||
CF | Past Present | ||
CF | | ||
CF | BOOKS | ||
CF | | ||
CF | The Bridge Daughter Cycle: | ||
CF | | ||
CF | * Bridge Daughter | ||
CF | * Hagar's Mother | ||
CF | * Stranger Son | ||
CF | | ||
CF | A Man Named Baskerville | ||
CF | In My Memory Locked | ||
CF | Man in the Middle | ||
CF | Edward Teller Dreams of Barbecuing People | ||
CF | | ||
CF | For more information, visit j-nelson.net. | ||
CF | | ||
CF | Would you like to RESTART the story, UNDO the last move, | ||
CF | see the CREDITS, read | ||
CF | about the game's SOURCES and background, see the author's | ||
CF | BIBLIO | ||
CF | (bibliography), RESTORE a saved position, or QUIT? | ||
CF | [More] | Jade says, "yes, it could be this way" | |
DavidW says, "oh, the author has another IF." | ||
DavidW says, "I'll have to look that one up." | ||
Jade says, "of course" | ||
DavidW says, "I liked a lot of that game, but something was lacking. I'm not sure what though." | ||
Roger says, "there's a sort of nihilism to it, I vaguely feel like" | ||
Roger asks, "shall we see credits and sourceS?" | ||
Jade says, "we had to look at the help for hints" | ||
DavidW says, "I liked the alchemy system, but it would've been nicer if one didn't have to go through all the motions almost every time." | ||
Jade says, "that is the bad feelings" | ||
DavidW says (to ClubFloyd), "c" | Roger says, "we're in a MORE" | |
Roger says, "I think" | ||
DavidW pushes the green 'space' button. | ||
CF | A Wandering Earth 384 | ||
CF | Exits: east south | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "c" | ||
CF | > | ||
CF | > C | ||
CF | | ||
CF | According to Cain | ||
CF | An inquiry | ||
CF | by Jim Nelson | ||
CF | | ||
CF | Release 4 / Serial Number 221003 / compiled Oct 3 2022 with TADS 3.1 | ||
CF | Copyright (c) Jim Nelson | ||
CF | | ||
CF | Built using the TADS 3 system by Michael J. Roberts and the adv3Lite | ||
CF | library by | ||
CF | Eric Eve. | ||
CF | | ||
CF | Beta testers: StJohn Limbo, Mathbrush, Christopher Merriner, | ||
CF | Rovarsson, and | ||
CF | Mike Russo. | ||
CF | | ||
CF | Music: | ||
CF | | ||
CF | * "Arid Foothills," "Asian Drums," "Cambodian Odyssey," | ||
CF | "Expeditionary," | ||
CF | "Himalayan Atmosphere," "Infados," and "Monokoto" by Kevin MacLeod | ||
CF | (incompetech.com). Licensed under Creative Commons By Attribution 3.0 | ||
CF | (CC BY | ||
CF | 3.0) | ||
CF | * "Arabian," "Darbuka Groove," "Eastern Morning," "Farewell," and | ||
CF | "Muslim | ||
CF | Sorrow" by Serge Quadrado. Licensed under Creative Commons By | ||
CF | Attribution- | ||
CF | NonCommercial 4.0 International (CC BY-NC 4.0) | ||
CF | | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | A Wandering Earth 384 | ||
CF | Exits: east south | ||
CF | | ||
CF | | ||
CF | * Crow on Plum Branch in Rain, Kawanabe Ky?sai, ca. | ||
CF | 1880-1889. Brooklyn | ||
CF | Museum | ||
CF | * Among the Sierra Nevada, California, Albert Bierstadt, | ||
CF | 1868. Smithsonian | ||
CF | American Art Museum | ||
CF | * Valley of the Yosemite, Albert Bierstadt, 1864. Museum | ||
CF | of Fine Arts, | ||
CF | Boston | ||
CF | * Expulsion from the Garden of Eden, Thomas Cole, 1828. | ||
CF | Museum of Fine | ||
CF | Arts, Boston | ||
CF | * View from Mount Holyoke, Northampton, Massachusetts, after | ||
CF | a | ||
CF | Thunderstorm--The Oxbow, Thomas Cole, 1836. Metropolitan | ||
CF | Museum of Art | ||
CF | | ||
CF | Libraries utilized: | ||
CF | | ||
CF | * adv3Lite Library version 1.5 by by Eric Eve | ||
CF | * Room Parts version 1 by by Eric Eve | ||
CF | * Sensory version 2 by by Eric Eve | ||
CF | | ||
CF | Would you like to RESTART the story, UNDO the last move, | ||
CF | see the CREDITS, read | ||
CF | about the game's SOURCES and background, see the author's | ||
CF | BIBLIO | ||
CF | (bibliography), RESTORE a saved position, or QUIT? | ||
CF | | ||
CF | > | DavidW says, "I already have credits and sources in my notes." | |
DavidW says (to ClubFloyd), "sources" | ||
CF | > | ||
CF | > SOURCES | ||
CF | | ||
CF | SOURCES | ||
CF | | ||
CF | The Cain and Abel story is best known by the version related in the | ||
CF | fourth | ||
CF | chapter of Genesis ("Am I my brother's keeper?") I've relied on the | ||
CF | King James | ||
CF | (or Authorized) Version as a primary reference and for quotes. | ||
CF | | ||
CF | The metaphysical exchange between Cain and Abel ("The world was | ||
CF | created in | ||
CF | goodness, but it is not governed according to the fruit of good | ||
CF | works") is | ||
CF | paraphrased from the Targum Jerusalem. Awan (sister to Cain | ||
CF | and Abel) is named | ||
CF | in the Book of Jubilees ("Little Genesis"). The Cave of | ||
CF | Treasures and The Book | ||
CF | of Adam and Eve tell of the banished Adam & Eve unable to | ||
CF | cope with their | ||
CF | expulsion, and expands on Cain's motives for murdering his brother. | ||
CF | There are | ||
CF | many more extracanonical texts regarding the Creation family. | ||
CF | | ||
CF | The Quran's version of the Cain and Abel story describes the crow | ||
CF | advising Cain | ||
CF | after the murder. The Mormon Pearl of Great Price presents a | ||
CF | more traditional | ||
CF | telling of an evil Cain forming a conspiracy ("a secret combination") | ||
CF | with | ||
CF | Satan. It's this text that names Cain "Perdition." | ||
CF | | ||
CF | Umberto Eco's The Name of the Rose profoundly inspired my | ||
CF | detective-like | ||
CF | Indagator and the stodgy Scholastics. | ||
CF | | ||
CF | Information on the Four Humours, Three Primes, pharmakon, and | ||
CF | early-Earth | ||
CF | [More] | ||
DavidW pushes the green 'space' button. | ||
CF | A Wandering Earth 384 | ||
CF | Exits: east south | ||
CF | | ||
CF | | ||
CF | ARTWORK & SOUNDTRACK | ||
CF | | ||
CF | The in-game art mostly comes from the Hudson River School, a group of | ||
CF | 19th- | ||
CF | century oil painters who depicted the untouched American West as Eden | ||
CF | reclaimed. Their landscapes shaped my vision of the family's | ||
CF | postlapsarian and | ||
CF | antediluvian world. | ||
CF | | ||
CF | The music is my attempt to fashion a soundtrack in the spirit of Peter | ||
CF | Gabriel's Passion: Music for the The Last Temptation of | ||
CF | Christ. I am grateful | ||
CF | to Kevin MacLeod and Serge Quadrado for making their wonderful music | ||
CF | available | ||
CF | on the Creative Commons. | ||
CF | | ||
CF | Would you like to RESTART the story, UNDO the last move, | ||
CF | see the CREDITS, read | ||
CF | about the game's SOURCES and background, see the author's | ||
CF | BIBLIO | ||
CF | (bibliography), RESTORE a saved position, or QUIT? | ||
CF | | ||
CF | > | DavidW says, "hm. Of course, we missed out on the artwork and soundtrack." | |
Jade says, "we can see it offline" | ||
Roger says, "the feeling I have reminds me of the feeling that Death Stranding gave me" | ||
DavidW says, "The artwork is mostly at the beginnings of chapters, reincorparted in the left sidebar region." | ||
Roger says, "a lot of hefty pieces, arranged with care, but I can't see what they add up to" | ||
DavidW says, "I can't think of a good reason why no pen or ink was provided. They provided so much else." | ||
Jade says, "ok, good game. Thanks for driving. Be safe. I go to bed now." | ||
DavidW says, "yes, thanks to everyone for helping and watching and cheering etc" | ||