  
ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
To skip directly to a particular game, click on its title: |
|
ToyShop & Floyditorium
|
#ClubFloyd Discussion
|
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| Jacqueline says, "I say we load up one of the phobia games that you have not yet played, David." | ||
| DavidW says (to ClubFloyd), "load sleepmask morris" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | The bells. The bells! | ||
| CF | | ||
| CF | You left it too late to leave the pub... and now THEY are here. | ||
| CF | How are you going to escape them this time? | ||
| CF | | ||
| CF | You are in the pub... but you've stayed too long. It's the Pokey End | ||
| CF | Folk Week in Pokey End, southwest England, and the village square | ||
| CF | outside the pub has been taken over by a troupe of Morris dancers. | ||
| CF | You're terrified of Morris dancers! You can't leave the pub now! | ||
| CF | | ||
| CF | Obviously, you can't go out the front door into the thick of the | ||
| CF | Morris dancers, so you'll need to find another way out before the | ||
| CF | barman unceremoniously turfs you out at closing time. | ||
| CF | | ||
| CF | | ||
| CF | Morris | ||
| CF | A text adventure game. | ||
| CF | © 2021 Dee Cooke. Type CREDITS for more information. | ||
| CF | | ||
| CF | Release 1 / Serial number 211121 / Inform v6.35 PunyInform v3.2 | ||
| CF | | ||
| CF | The Pub | ||
| CF | It's the village pub. The inside has looked the same for decades, with | ||
| CF | hard-wearing green patterned carpet and worn wooden furniture. A set | ||
| CF | of stairs leads up to the pub toilets and there is a back doorway to | ||
| CF | the west (plus a front doorway to the east that you are avoiding, | ||
| CF | because it leads out into the village square). | ||
| CF | | ||
| CF | You've been in the pub for... some hours. Some hours more than you | ||
| CF | planned. | ||
| CF | | ||
| CF | A large window faces east towards the village square... and the terror | ||
| CF | outside. | ||
| CF | | ||
| CF | You can also see a back door, a front door, a bar, a barman, a | ||
| CF | customer, a DJ and a mixing booth here. | ||
| CF | | ||
| CF | > | Knight_Otu asks, "A pub? Are we in for more faux beers?" | |
| Jacqueline says, "hahaha yay" | ||
| Jacqueline says, "Fear of Morris dancers is The Worst." | ||
| DavidW says, "I'm a bit unclear what Morris dancers do." | ||
| Perry says, "I was just looking it up now, myself" | ||
| DavidW asks, "Do they tap their feet in Morris code?" | ||
| Perry says, "Some British thing. That's my guess, though." | ||
| Jacqueline says, "They dance, and they have sticks that they clack, and sometimes fabric that they wave in the air, and they're a little boistrous." | ||
| Jacqueline says, "They're lovely." | ||
| Perry says, "That does sound rather terrifying." | ||
| Knight_Otu says, "Tap tap tap - taptaptap - tap tap tap." | ||
| Jacqueline says (to Perry), "Yeah, it's a British thing." | ||
| Perry says, "Taptaptap tap tap taptap tap taptaptap..." | ||
| DavidW says (to ClubFloyd), "x me" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X ME | ||
| CF | | ||
| CF | The same as ever. Except terrified. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You are empty handed. | ||
| CF | | ||
| CF | > | Jacqueline says, "Like, even if this game is terrible it has won a bit of my heart just on theme." | |
| DavidW says (to ClubFloyd), "x barman" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X BARMAN | ||
| CF | | ||
| CF | The barman, Mike, is a kindly soul who has owned this pub for a long | ||
| CF | time... certainly for more than the twenty years you've been coming to | ||
| CF | Pokey End on business. | ||
| CF | | ||
| CF | > | Knight_Otu says, "I'll be afk for a few minutes." | |
| DavidW says (to ClubFloyd), "ask barman about back door" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > ASK BARMAN ABOUT BACK DOOR | ||
| CF | | ||
| CF | 'Proper job,' says the barman approvingly. You've learnt from your | ||
| CF | previous visits to the southwest of England that this means 'good'. | ||
| CF | However, he doesn't appear to have anything else to say on the matter. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask barman about morris dancers" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > ASK BARMAN ABOUT MORRIS DANCERS | ||
| CF | | ||
| CF | 'They're great, aren't they?' says the barman, nodding his head to the | ||
| CF | terrifying music. 'A real fixture in Pokey End. It wouldn't be Folk | ||
| CF | Week without them!' | ||
| CF | | ||
| CF | 'That's, um, great,' you say carefully, inwardly vowing never to come | ||
| CF | to Pokey End in the middle of July again. Ever. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x customer" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X CUSTOMER | ||
| CF | | ||
| CF | The customer is propped up at the bar, looking a bit vacant. He's | ||
| CF | wearing a t-shirt that says 'Fulham Fiddlers' and nursing a pint of | ||
| CF | cloudy-looking ale. | ||
| CF | | ||
| CF | The customer takes a strange scrap of material out of his pocket and | ||
| CF | ties it around his head, revealing it to be a blindfold with an | ||
| CF | unsettling pair of cartoon eyes printed on it. After a moment, he | ||
| CF | takes it off and places it on the bar in front of him. 'Nah,' he says | ||
| CF | to himself. 'Wouldn't be able to see my fiddle.' | ||
| CF | | ||
| CF | > | Jacqueline says (to KO), "And fwiw, I have found a faux beer that I really like. I'm drinking one now. Less than 1% alcohol, 10 calories. Tastes like a real IPA." | |
| Perry says, "I'd like to try to look out any windows and try to see the dancers." | ||
| Perry asks, "How can something taste like a phonetic alphabet??" | ||
| DavidW asks, "Instagram Public Announcement?" | ||
| Jacqueline says, "India Pale Ale." | ||
| Jacqueline says, "It is a common, hoppy-tasting craft beer type." | ||
| DavidW says (to ClubFloyd), "x blindfold" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X BLINDFOLD | ||
| CF | | ||
| CF | A black blindfold with eyes printed on it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x DJ" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X DJ | ||
| CF | | ||
| CF | The DJ is playing folk tunes in a makeshift DJ booth. The music | ||
| CF | combines with the terrifying Morris music from outside to make a | ||
| CF | horrible jangly discordant sound. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x mixing booth" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X MIXING BOOTH | ||
| CF | | ||
| CF | The 'mixing booth' is really just a rickety folding table with a cheap | ||
| CF | CD player and mixer on it. There are some plastic packets of earplugs | ||
| CF | next to the equipment. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take earplugs" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > TAKE EARPLUGS | ||
| CF | | ||
| CF | 'Oi!' says the DJ, grabbing the packet before you can take it. 'Go get | ||
| CF | your own earplugs.' | ||
| CF | | ||
| CF | 'The music's too loud,' you argue. 'Can't you turn it down?' | ||
| CF | | ||
| CF | 'Nobody else is complaining,' says the DJ shortly. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | A couple of bar staff are blocking the way through the back doorway. | ||
| CF | They appear to be trying to manoeuvre a giant cake through the small | ||
| CF | entrance. | ||
| CF | | ||
| CF | > | Roger says, "kick rickety table" | |
| DavidW says (to ClubFloyd), "x cake" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X CAKE | ||
| CF | | ||
| CF | A giant cake is being carried - not altogether successfully - through | ||
| CF | the back doorway by a couple of bar staff. | ||
| CF | | ||
| CF | You notice the cake is being carried on a metal tray. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "x mixer" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X MIXER | ||
| CF | | ||
| CF | You're not interested in the DJ's equipment. | ||
| CF | | ||
| CF | > | Perry exclaims, "YES I AM!" | |
| DavidW says (to ClubFloyd), "x tray" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X TRAY | ||
| CF | | ||
| CF | The cake is being carried on a metal tray. You can't tell from this | ||
| CF | angle, but it looks like that might be the thing that's too wide for | ||
| CF | the doorframe. If you could just angle yourself to get a better view, | ||
| CF | you might be able to see what's going on with it. | ||
| CF | | ||
| CF | > | Lancelot says, "didnt we need to take the blindfold" | |
| DavidW says, "Probably, but it doesn't belong to us either." | ||
| Lancelot says, "ah nvm" | ||
| DavidW says (to ClubFloyd), "take blindfold" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > TAKE BLINDFOLD | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | DavidW says, "There." | |
| Perry says, "Klepto." | ||
| DavidW says (to ClubFloyd), "kick table" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > KICK TABLE | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x bar" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X BAR | ||
| CF | | ||
| CF | It's a bar with lots of beer taps. You've never heard of most of the | ||
| CF | beers, even though you come here every few months when you're on | ||
| CF | business in the village. | ||
| CF | There is a blackboard above the bar that shows the (limited) drinks | ||
| CF | menu, and a poster on the wall between the bar and the front window. | ||
| CF | | ||
| CF | > | Jade says, "lol" | |
| Lancelot says, "standard operating procedure for experienced adventurers :p" | ||
| DavidW says (to ClubFloyd), "x taps" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X TAPS | ||
| CF | | ||
| CF | You'd better not get distracted - you've had enough to drink. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x poster" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X POSTER | ||
| CF | | ||
| CF | The poster advertises the 47th Annual Pokey End Folk Week. You wish | ||
| CF | you'd looked at it earlier, because then you would have known that the | ||
| CF | Morrismen would be arriving in the village square at 5pm and staying | ||
| CF | there for the duration of the evening carnival. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x blackboard" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X BLACKBOARD | ||
| CF | | ||
| CF | The blackboard above the bar has prices listed on it: | ||
| CF | ALES £4.50 | ||
| CF | CIDERS £4.50 | ||
| CF | WATER £0.50 | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tilt head" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > TILT HEAD | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | Perry asks, "Tilt head?" | |
| Jacqueline says, "Dang. They're charging for water." | ||
| DavidW says, "There was that weird message about the cake tray." | ||
| DavidW says (to ClubFloyd), "x tray" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X TRAY | ||
| CF | | ||
| CF | The cake is being carried on a metal tray. You can't tell from this | ||
| CF | angle, but it looks like that might be the thing that's too wide for | ||
| CF | the doorframe. If you could just angle yourself to get a better view, | ||
| CF | you might be able to see what's going on with it. | ||
| CF | | ||
| CF | > | Perry says, "Ah" | |
| DavidW asks, "Any ideas on how to 'angle' ourselves?" | ||
| Lancelot asks, "angle?" | ||
| DavidW says, "It's not something I've had to do before in IF that I recall." | ||
| DavidW says (to ClubFloyd), "angle me" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > ANGLE ME | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | Lancelot asks, "maybe as a literal verb?" | |
| Lancelot says, "just trying" | ||
| Jade says, "change pov" | ||
| Knight_Otu says, "Back from stair training." | ||
| Perry says, "I'd assume standing on something and then looking at it." | ||
| DavidW asks, "how? Stand on the bar?" | ||
| DavidW says (to ClubFloyd), "stand on bar" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > STAND ON BAR | ||
| CF | | ||
| CF | A brief impulse comes over you to stand on the bar, but you resist. | ||
| CF | You haven't had that much to drink. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "stand on stairs" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > STAND ON STAIRS | ||
| CF | | ||
| CF | No need to concern yourself with that. | ||
| CF | | ||
| CF | > | Lancelot says, "lol" | |
| DavidW says (to ClubFloyd), "stand on table" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > STAND ON TABLE | ||
| CF | | ||
| CF | That doesn't seem to be something you can enter. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | The Pub | ||
| CF | It's the village pub. The inside has looked the same for decades, with | ||
| CF | hard-wearing green patterned carpet and worn wooden furniture. A set | ||
| CF | of stairs leads up to the pub toilets and there is a back doorway to | ||
| CF | the west (plus a front doorway to the east that you are avoiding, | ||
| CF | because it leads out into the village square). | ||
| CF | | ||
| CF | You've been in the pub for... some hours. Some hours more than you | ||
| CF | planned. | ||
| CF | | ||
| CF | A large window faces east towards the village square... and the terror | ||
| CF | outside. | ||
| CF | | ||
| CF | You can also see a poster, a blackboard, a tray, some bar staff, a | ||
| CF | cake, some earplugs, a back door, a front door, a bar, a barman, a | ||
| CF | customer, a DJ and a mixing booth here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x window" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X WINDOW | ||
| CF | | ||
| CF | You knew you shouldn't have looked out of the window. The full horror | ||
| CF | of the Morris hits you as you take in the terrifying sight... the | ||
| CF | bells, the wood clonking against the other wood, the black-painted | ||
| CF | faces, the HANDKERCHIEFS. | ||
| CF | | ||
| CF | You jump back and gasp in horror as one of the Morrismen approaches | ||
| CF | the open window, the bells on his costume jangling threateningly as he | ||
| CF | nears. He absent-mindedly wipes his hands with the handkerchief he's | ||
| CF | carrying, puts it down on the windowsill, and disappears back into the | ||
| CF | ominous mass. You squeeze your eyes tight shut and turn away, unable | ||
| CF | to deal with the fear anymore. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "stand on cair" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > STAND ON CAIR | ||
| CF | | ||
| CF | Sorry, I don't understand what "cair" means. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "stand on chair" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > STAND ON CHAIR | ||
| CF | | ||
| CF | Sorry, I don't understand what "chair" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take handkerchief" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > TAKE HANDKERCHIEF | ||
| CF | | ||
| CF | You close your eyes, steeling yourself, and pick up the handkerchief. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x it" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > X IT | ||
| CF | | ||
| CF | It's a handkerchief waved by Morrismen during their dance of terror. | ||
| CF | You feel faint just looking at it. | ||
| CF | | ||
| CF | > | Lancelot says, "ohoho you can get it" | |
| DavidW says, "open window, I guess." | ||
| DavidW says (to ClubFloyd), "clean blackboard with it" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > CLEAN BLACKBOARD WITH IT | ||
| CF | | ||
| CF | I only understood you as far as "clean blackboard" but then you lost | ||
| CF | me. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "clean blackboard" | ||
| CF ] The Pub | ||
| CF | | ||
| CF | > CLEAN BLACKBOARD | ||
| CF | | ||
| CF | You achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Pub Toilets | ||
| CF | You don't need to use the facilities, but at least the terrifying | ||
| CF | Morris music is fainter upstairs. | ||
| CF | | ||
| CF | The toilets are pretty much the only thing upstairs in the pub. The | ||
| CF | room is small and plain, but clean, with light coming from a window | ||
| CF | facing east towards the village square and a mirror above the sink. | ||
| CF | You can go back downstairs to the main room of the pub. | ||
| CF | | ||
| CF | A neat towel hangs next to the sink. | ||
| CF | | ||
| CF | You can also see a window and a sink (which is empty) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x mirror" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > X MIRROR | ||
| CF | | ||
| CF | You don't want to look at your reflection. You know you probably look | ||
| CF | as haunted as you feel. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x towel" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > X TOWEL | ||
| CF | | ||
| CF | It's a green towel with 'Pokey End Tourist Office' embossed on it. You | ||
| CF | suspect that it didn't originally belong to the pub. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take it" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > TAKE IT | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x sink" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > X SINK | ||
| CF | | ||
| CF | Plain, but it does the job. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x toilet" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > X TOILET | ||
| CF | | ||
| CF | Bog-standard. No pun intended. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x window" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > X WINDOW | ||
| CF | | ||
| CF | A window (currently closed) faces east towards the village square. | ||
| CF | Standing well back so as not to catch sight of the Morrismen down | ||
| CF | below, you can see a telephone wire sloping down from the roof to the | ||
| CF | other side of the square. | ||
| CF | | ||
| CF | > | DavidW asks, "okay, what if we tie the hanky, blindfold, and towel together into a rope?" | |
| Jacqueline exclaims, "Sure!" | ||
| DavidW says (to ClubFloyd), "open window" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > OPEN WINDOW | ||
| CF | | ||
| CF | If you open the window you will be able to see and hear the terrifying | ||
| CF | sights and sounds in the village square! | ||
| CF | | ||
| CF | > | Knight_Otu says, "I would guess that's an idea." | |
| DavidW says (to ClubFloyd), "tear towel" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > TEAR TOWEL | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tie towel to blindfold" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > TIE TOWEL TO BLINDFOLD | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x wire" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > X WIRE | ||
| CF | | ||
| CF | It stretches from the pub roof to the other side of the village | ||
| CF | square. You would need to climb through the window to reach it. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Can we get out the window?" | |
| DavidW says, "not yet." | ||
| DavidW says, "I think we need to wear the earplugs and blindfold first." | ||
| DavidW says (to ClubFloyd), "wear blindfold" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > WEAR BLINDFOLD | ||
| CF | | ||
| CF | You are now wearing the blindfold. | ||
| CF | | ||
| CF | > | Lancelot asks, "yeah so we dont get distracted and can cross the suqare with the wire?" | |
| DavidW says (to ClubFloyd), "open window" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > OPEN WINDOW | ||
| CF | | ||
| CF | If you open the window you will be able to hear the terrifying sounds | ||
| CF | in the village square! | ||
| CF | | ||
| CF | > | Jacqueline says, "Ah" | |
| DavidW says (to ClubFloyd), "remove blindfold" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > REMOVE BLINDFOLD | ||
| CF | | ||
| CF | You take off the blindfold. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open window" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > OPEN WINDOW | ||
| CF | | ||
| CF | If you open the window you will be able to see and hear the terrifying | ||
| CF | sights and sounds in the village square! | ||
| CF | | ||
| CF | > | Perry asks, "Did the DJ have earplugs or something?" | |
| DavidW says, "yes, but he wouldn't let me take them." | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | The Pub | ||
| CF | | ||
| CF | A large window faces east towards the village square... and the terror | ||
| CF | outside. | ||
| CF | | ||
| CF | You can also see a back door, a front door, a poster, a blackboard, a | ||
| CF | tray, some bar staff, a cake, some earplugs, a bar, a barman, a | ||
| CF | customer, a DJ and a mixing booth here. | ||
| CF | | ||
| CF | > | Jacqueline says, "There were some but we weren't allowed to take them." | |
| DavidW says (to ClubFloyd), "take earplugs" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > TAKE EARPLUGS | ||
| CF | | ||
| CF | 'Oi!' says the DJ, grabbing the packet before you can take it. 'Go get | ||
| CF | your own earplugs.' | ||
| CF | | ||
| CF | 'The music's too loud,' you argue. 'Can't you turn it down?' | ||
| CF | | ||
| CF | 'Nobody else is complaining,' says the DJ shortly. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x bar staff" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > X BAR STAFF | ||
| CF | | ||
| CF | A couple of bar staff are carrying - not altogether successfully - a | ||
| CF | giant cake through the back doorway. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask staff about cake" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > ASK STAFF ABOUT CAKE | ||
| CF | | ||
| CF | The staff just grunt. It doesn't look like they want to talk to you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take tray" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > TAKE TRAY | ||
| CF | | ||
| CF | 'Get out of the way!' says one of the staff members crossly. 'Leave | ||
| CF | this to us.' | ||
| CF | | ||
| CF | > | Perry asks, "Operation distract the DJ maybe? Can we break something in their setup?" | |
| DavidW says (to ClubFloyd), "x booth" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > X BOOTH | ||
| CF | | ||
| CF | The 'mixing booth' is really just a rickety folding table with a cheap | ||
| CF | CD player and mixer on it. There are some plastic packets of earplugs | ||
| CF | next to the equipment. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x player" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > X PLAYER | ||
| CF | | ||
| CF | You're not interested in the DJ's equipment. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Buy them a beer?" | |
| DavidW says (to ClubFloyd), "x table" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > X TABLE | ||
| CF | | ||
| CF | You're not interested in the DJ's equipment. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Like, barter for them somehow?" | |
| DavidW says (to ClubFloyd), "ask dj about beer" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > ASK DJ ABOUT BEER | ||
| CF | | ||
| CF | The DJ just glares at you. 'I'm busy.' | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask dj about music" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > ASK DJ ABOUT MUSIC | ||
| CF | | ||
| CF | 'Can you turn the music down?' you ask. 'It's so loud.' | ||
| CF | | ||
| CF | The DJ glares at you, and turns the music up instead. The customer at | ||
| CF | the bar looks around in irritation. | ||
| CF | | ||
| CF | > | Perry says, "Hahaha." | |
| Lancelot says, "aha" | ||
| DavidW says (to ClubFloyd), "ask customer about music" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > ASK CUSTOMER ABOUT MUSIC | ||
| CF | | ||
| CF | 'Music's too bloody loud in here, innit?' says the customer crossly. | ||
| CF | 'Can't hear a word you're saying, mate. Oi! Mike!' He waves at the | ||
| CF | barman. 'Get that bloke to turn it down. We can't hear ourselves | ||
| CF | think, especially with the Morris going on outside and all.' | ||
| CF | | ||
| CF | The barman sighs, and gestures for the DJ to come over to the bar. | ||
| CF | They enter into a spirited disagreement about the music volume. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take earplugs" | ||
| CF ] The Publets | ||
| CF | | ||
| CF | > TAKE EARPLUGS | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | Lancelot says, "yay" | |
| Jacqueline says, "YAY" | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Pub Toilets | ||
| CF | | ||
| CF | You can see a window and a sink (which is empty) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wear earplugs" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > WEAR EARPLUGS | ||
| CF | | ||
| CF | You are now wearing the earplugs. | ||
| CF | | ||
| CF | > | Jade says, "well done" | |
| DavidW says (to ClubFloyd), "wear blindfold" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > WEAR BLINDFOLD | ||
| CF | | ||
| CF | You are now wearing the blindfold. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open window" | ||
| CF ] Pub Toilets | ||
| CF | | ||
| CF | > OPEN WINDOW | ||
| CF | | ||
| CF | You can now go east to the telephone wire outside. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Window Ledge with Telephone Wire | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Window Ledge with Telephone Wire | ||
| CF | Balancing on the ledge is fairly terrifying... but nowhere near as | ||
| CF | terrifying as the Morrismen you know are below you! | ||
| CF | | ||
| CF | Though you can't see or hear anything, you know that it's unnervingly | ||
| CF | high up here. You should find a way to get onto the wire and get out | ||
| CF | of here. | ||
| CF | | ||
| CF | There is a small window facing the front of the building. | ||
| CF | | ||
| CF | > | Jacqueline says, "That was pretty unintuitive but very good." | |
| Perry says, "I think it's only unintuitive in the sense of how absurdist it is." | ||
| DavidW says (to ClubFloyd), "put towel on wire" | ||
| CF ] Window Ledge with Telephone Wire | ||
| CF | | ||
| CF | > PUT TOWEL ON WIRE | ||
| CF | | ||
| CF | No need to concern yourself with that. | ||
| CF | | ||
| CF | > | Perry says, "I thiiiink we can just climb it." | |
| DavidW says (to ClubFloyd), "tie towel to wire" | ||
| CF ] Window Ledge with Telephone Wire | ||
| CF | | ||
| CF | > TIE TOWEL TO WIRE | ||
| CF | | ||
| CF | You feel for the wire and wrap the towel around it. Taking hold of | ||
| CF | either end of the towel, you hoist yourself out of the window and hang | ||
| CF | from the wire. | ||
| CF | | ||
| CF | From here you can SLIDE WIRE to start moving down the wire. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "slide wire" | ||
| CF ] The Streetge with Telephone Wire | ||
| CF | | ||
| CF | > SLIDE WIRE | ||
| CF | | ||
| CF | You swing slightly to propel yourself forward, and soon feel yourself | ||
| CF | sliding down the telephone wire to the other end... | ||
| CF | | ||
| CF | The Street | ||
| CF | The terrifying sounds of the Morris fade into the distance as your | ||
| CF | feet hit the freedom of the street and you sprint away down the | ||
| CF | road... far away from the terror of the village square! | ||
| CF | | ||
| CF | You used escape route 1 of 2 to get out of the pub! | ||
| CF | | ||
| CF | You have successfully escaped the terror of the Morris dancers. You | ||
| CF | win! | ||
| CF | | ||
| CF | | ||
| CF | *** You have won *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Lancelot says, "pfff ok" | |
| Perry says, "I'll take it." | ||
| DavidW asks, "I guess the other way out involves the cake business?" | ||
| Jade says, "ther is another route" | ||
| Lancelot asks, "oh there are two escape routes lol I guess the other one has to do with that cake somehow?" | ||
| Knight_Otu asks, "Maybe?" | ||
| Lancelot asks, "next game?" | ||
| DavidW asks, "how are people feeling? next game?" | ||
| Jade says, "you're in commnad" | ||
| Knight_Otu says, "This was pretty short, sure." | ||
| Perry says, "Oh, I'd like to find the other ending." | ||
| DavidW says (to ClubFloyd), "quit" | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| CF | > QUIT | ||
| CF | debugcheapnitfol quit with exit status: 0 | ||
| CF asks, "That game over already? It was just getting good. Wanna play another?" | Perry says, "Eh too late." | |
| Jade says, "this was the winner" | ||
| Jacqueline says, "Heh" | ||
| DavidW says (to ClubFloyd), "load sleepmask onceopportunity" | ||
| CF ] Outside | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | Things have been tough lately, and finding a good rhythm to everyday | ||
| CF | life has been hard. About a week ago, you got a message where a | ||
| CF | certain Mr Bell invited you to his company for a chance to win a lot | ||
| CF | of money. The information you received was very limited, but you got | ||
| CF | an address which you tracked down to 'Game Hall Emporium', Las Vegas. | ||
| CF | Vegas was halfway across the country, but this was a once in a | ||
| CF | lifetime opportunity and not something that you could pass up on. | ||
| CF | | ||
| CF | You didn't know a lot coming in today, but you had one simple goal for | ||
| CF | the day, to leave a lot wealthier than you came. Hopefully your phobia | ||
| CF | won't come in the way of this. | ||
| CF | | ||
| CF | | ||
| CF | A Once in a Lifetime Opportunity | ||
| CF | A game by Interpied | ||
| CF | Release 4 / Serial number 211120 / Inform v6.35 PunyInform v3.1 | ||
| CF | | ||
| CF | Outside | ||
| CF | You are standing on the street outside the Game Hall Emporium. The | ||
| CF | main entrance is to the north. | ||
| CF | | ||
| CF | > | Jacqueline says, "I'm fine with moving on, but I like that there were two endings to that one. It was cute and fun." | |
| DavidW says, "yeah, I like the author's work in general." | ||
| DavidW says, "I see her name in credits with testing others' games too." | ||
| DavidW says, "Dee Cooke" | ||
| DavidW says (to ClubFloyd), "x me" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X ME | ||
| CF | | ||
| CF | As good-looking as ever. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You are empty handed. | ||
| CF | | ||
| CF | > | Perry says, "Suspicious number of vowels in that name..." | |
| Jacqueline says, "Sigh. AFK a sec." | ||
| Jade says, "2nd in punnyjam#2" | ||
| DavidW says, "pausing" | ||
| DavidW says, "Perhaps the phobia will be spiders or snakes or bugs. We haven't seen those phobias yet." | ||
| Perry exclaims, "But those are wonderful things!" | ||
| Knight_Otu asks, "What if it's fear of gambling?" | ||
| Perry says, "That was what I was thinking, KO." | ||
| DavidW asks (of Knight), "is that a thing?" | ||
| Knight_Otu says, "I'm not sure. But there are tons of phobias." | ||
| Perry says, "I mean, the 'F' in 'IF' gotta mean something." | ||
| DavidW says, "Fauxbeera" | ||
| DavidW asks, "Looks like it's gonna be more than a sec for Jacqueline. Perhaps we should continue?" | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Outside | ||
| CF | You are standing on the street outside the Game Hall Emporium. The | ||
| CF | main entrance is to the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x emporium" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X EMPORIUM | ||
| CF | | ||
| CF | This is a grand building made entirely from marble, with a very | ||
| CF | luxurious facade. The windows are big, but they don't begin until the | ||
| CF | 2nd floor which doesnt appear to belong the the Game Hall Emporium. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x 2nd floor" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X 2ND FLOOR | ||
| CF | | ||
| CF | Sorry, I don't understand what "2nd" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Foyer | ||
| CF | This is a very spacious room, very clean by the looks of it. There is | ||
| CF | a desk on the west side of the room, with a receptionist behind it. | ||
| CF | She is looking down into her paperwork, not paying attention to you. | ||
| CF | On the north wall there is a big sign with the words 'GAME HALL | ||
| CF | EMPORIUM' brightly lit up in a red border and yellow lamps, in true | ||
| CF | Vegas fashion. The main entrance to the south leads out into the | ||
| CF | street, and a double glass door to the north. | ||
| CF | | ||
| CF | You can also see a receptionist here. | ||
| CF | | ||
| CF | A big man comes walking in through the reception. The receptionist | ||
| CF | lets him through the glass doors without a word and continues to the | ||
| CF | left. He has a black suit and barely any hair left on his head. He has | ||
| CF | a nametag which you can't read as he passes by. He doesn't look at all | ||
| CF | interested in you or stopping to talk to you. He barges right past you | ||
| CF | and through the doors, then takes a left. He comes back through the | ||
| CF | glass doors only a minute later, walking right past you and | ||
| CF | dissapearing into the street. | ||
| CF | | ||
| CF | > | Perry says, "Huh." | |
| Lancelot says, "whats behind those doors..." | ||
| Jade exclaims, "wtf!" | ||
| DavidW says (to ClubFloyd), "x desk" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > X DESK | ||
| CF | | ||
| CF | It's a big, sturdy wooden desk with a bunch of paper's on top. Behind | ||
| CF | the desk is a receptionist. | ||
| CF | | ||
| CF | > | Jacqueline says, "Back. Reading." | |
| DavidW says (to ClubFloyd), "x receptionist" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > X RECEPTIONIST | ||
| CF | | ||
| CF | The receptionist is a middle-aged woman, who looks like she hasn't | ||
| CF | slept in a long time. As the is half dozing at her desk, she luckily | ||
| CF | doesn't notice your creepy staring. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask her about mr bell" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT MR BELL | ||
| CF | | ||
| CF | "I'm afraid he's not here right now. He comes in to check on the | ||
| CF | office every hour. You could come back later to check." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Oh god, I hope no one was looking while you were walking into a wall. | ||
| CF | How silly! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "read papers" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > READ PAPERS | ||
| CF | | ||
| CF | "What do you think you're doing?" | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the glass door is closed. | ||
| CF | | ||
| CF | The man walks past you. The receptionist lets him through the glass | ||
| CF | doors without a word. He doesn't stop to talk to you, but barges past | ||
| CF | you, through the doors and to the left. He comes back through those | ||
| CF | same doors only a minute later. He walks right past you and dissapears | ||
| CF | out into the street. | ||
| CF | | ||
| CF | > | Lancelot says, "nice touch... normally NPCs dont comment if you examine them :p" | |
| DavidW says (to ClubFloyd), "open glass door" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > OPEN GLASS DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | Perry says, "I also love the 'No exit in that direction' message." | |
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Outside | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x man" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X MAN | ||
| CF | | ||
| CF | The man who has been walking past you is a big white man wearing a | ||
| CF | black suit. He barely has any hair left on his head, and he always | ||
| CF | carries a name tag and a big cigar. He never stops to talk to you, and | ||
| CF | always walks the same path. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x tag" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X TAG | ||
| CF | | ||
| CF | Sorry, I don't understand what "tag" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x name tag" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X NAME TAG | ||
| CF | | ||
| CF | Sorry, I don't understand what "name" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x cigar" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > X CIGAR | ||
| CF | | ||
| CF | Sorry, I don't understand what "cigar" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "talk to man" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > TALK TO MAN | ||
| CF | | ||
| CF | The man who has been walking past you is a big white man wearing a | ||
| CF | black suit. He barely has any hair left on his head, and he always | ||
| CF | carries a name tag and a big cigar. He never stops to talk to you, and | ||
| CF | always walks the same path. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "follow man" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > FOLLOW MAN | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Oh, I suppose that's it then. See you later! No? Ok, come back here | ||
| CF | then. | ||
| CF | | ||
| CF | A man walks past you into the building. | ||
| CF | That same man walks out again only a few minutes later. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Oh, I suppose that's it then. See you later! No? Ok, come back here | ||
| CF | then. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Outside | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Are you trying to get yourself killed? You can't go walking into the | ||
| CF | middle of the road like that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Foyer | ||
| CF | | ||
| CF | You can also see a receptionist here. | ||
| CF | | ||
| CF | > | Perry says, "Geez, DW. Get it together." | |
| DavidW says (to ClubFloyd), "z" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | Jacqueline says (to Perry), "psh" | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Oh god, I hope no one was looking while you were walking into a wall. | ||
| CF | How silly! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Foyer | ||
| CF | This is a very spacious room, very clean by the looks of it. There is | ||
| CF | a desk on the west side of the room, with a receptionist behind it. | ||
| CF | She is looking down into her paperwork, not paying attention to you. | ||
| CF | On the north wall there is a big sign with the words 'GAME HALL | ||
| CF | EMPORIUM' brightly lit up in a red border and yellow lamps, in true | ||
| CF | Vegas fashion. The main entrance to the south leads out into the | ||
| CF | street, and a double glass door to the north. | ||
| CF | | ||
| CF | You can also see a receptionist here. | ||
| CF | | ||
| CF | The man walks past you. The receptionist lets him through the glass | ||
| CF | doors without a word. He doesn't stop to talk to you, but barges past | ||
| CF | you, through the doors and to the left. He comes back through those | ||
| CF | same doors only a minute later. He walks right past you and dissapears | ||
| CF | out into the street. | ||
| CF | | ||
| CF | > | Perry asks, "Hmm, can we stop his path?" | |
| DavidW asks, "how?" | ||
| DavidW says, "We have no inventory." | ||
| Lancelot asks, "we need to distract the receptionist? she lets him in looks like?" | ||
| Perry asks, "Unsure. I'd say blocking the way he's going, or maybe we can lock the door?" | ||
| Roger asks, "what are we afeared of?" | ||
| Jacqueline says, "Fight 'im" | ||
| Jacqueline says, "(Kidding)" | ||
| DavidW says, "The door is locked" | ||
| Jacqueline says (to ClubFloyd), "touch glass" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > TOUCH GLASS | ||
| CF | | ||
| CF | You don't feel anything unexpected. | ||
| CF | | ||
| CF | > | DavidW says (to Roger), "Don't know yet." | |
| Perry says, "I mean the door we enter though." | ||
| DavidW says (to ClubFloyd), "x door" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > X DOOR | ||
| CF | | ||
| CF | It's a big, thin glass double door. Behind it you can see a big | ||
| CF | waiting room. It appears to be empty. | ||
| CF | | ||
| CF | > | Jade says, "she" | |
| DavidW says, "The 'other' door isn't there." | ||
| DavidW says (to ClubFloyd), "break door" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > BREAK DOOR | ||
| CF | | ||
| CF | Violence isn't the answer to this one. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "ask her about man" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT MAN | ||
| CF | | ||
| CF | "God, that sounds mind-numbingly boring. Is there anything interesting | ||
| CF | I can help you with?" | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "ask her about hall" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT HALL | ||
| CF | | ||
| CF | "God, that sounds mind-numbingly boring. Is there anything interesting | ||
| CF | I can help you with?" | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask her about herself" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT HERSELF | ||
| CF | | ||
| CF | "God, that sounds mind-numbingly boring. Is there anything interesting | ||
| CF | I can help you with?" | ||
| CF | | ||
| CF | The man walks past you. The receptionist lets him through the glass | ||
| CF | doors without a word. He doesn't stop to talk to you, but barges past | ||
| CF | you, through the doors and to the left. He comes back through those | ||
| CF | same doors only a minute later. He walks right past you and dissapears | ||
| CF | out into the street. | ||
| CF | | ||
| CF | > | Lancelot says, "ah some response..." | |
| DavidW says, "no, still the default" | ||
| DavidW says (to ClubFloyd), "ask her about vegas" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT VEGAS | ||
| CF | | ||
| CF | "God, that sounds mind-numbingly boring. Is there anything interesting | ||
| CF | I can help you with?" | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tell her about me" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > TELL HER ABOUT ME | ||
| CF | | ||
| CF | This provokes no reaction. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask her about bell" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT BELL | ||
| CF | | ||
| CF | "I'm afraid he's not here right now. He comes in to check on the | ||
| CF | office every hour. You could come back later to check." | ||
| CF | | ||
| CF | > | Lancelot asks, "ask her about door?" | |
| DavidW says (to ClubFloyd), "ask her about door" | ||
| CF ] Foyerde | ||
| CF | | ||
| CF | > ASK HER ABOUT DOOR | ||
| CF | | ||
| CF | "Let me get that for you," says the receptionist, unlocking the door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Waiting Room | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | You are the only one in the waiting room. There are a dozen or so | ||
| CF | chairs along the walls, and an announcement board on the north wall. | ||
| CF | The reception is through the glass door to the south. There is an open | ||
| CF | door to the west leading to a long corridor. There is a wooden door to | ||
| CF | the north, and another room to the east. | ||
| CF | | ||
| CF | > | DavidW says, "thanks" | |
| Lancelot says, "yay" | ||
| Perry says, "Hardest puzzle ever." | ||
| DavidW says (to ClubFloyd), "x board" | ||
| CF ] Waiting Room | ||
| CF | | ||
| CF | > X BOARD | ||
| CF | | ||
| CF | It's cluttered with a million posters of different shows and | ||
| CF | performances that have been covered up with other posters. None of | ||
| CF | these are from the 21st century. A few are still distinguishable. | ||
| CF | | ||
| CF | The man walks past you, headed for the corridor. The receptionist lets | ||
| CF | him through the glass doors. He doesn't stop to talk to you, but | ||
| CF | barges past you into the office at the end of the hallway. He comes | ||
| CF | back out the same door only a few seconds later. He starts walking | ||
| CF | back to the waiting room and dissapears out through the reception and | ||
| CF | into the street. | ||
| CF | | ||
| CF | > | Lancelot says, "lol" | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] CorridorRoom | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Corridor | ||
| CF | This is quite a bland corridor. Then again, maybe you wouldn't expect | ||
| CF | much more from a corridor. A thick red mat is covering the entire | ||
| CF | floor. To the north is an open door leading to a locker room, and to | ||
| CF | the south there's a door with the letters 'WC'. You can see another | ||
| CF | room further down the corridor to the west, but can't quite make it | ||
| CF | out from here. To the east lies the waiting room. | ||
| CF | | ||
| CF | > | Jacqueline says, "This is fun." | |
| DavidW says (to ClubFloyd), "x mat" | ||
| CF ] CorridorRoom | ||
| CF | | ||
| CF | > X MAT | ||
| CF | | ||
| CF | It's a big, thick red mat. It's way too heavy to lift or move, and is | ||
| CF | visibly darker in the center where people have walked a lot. | ||
| CF | | ||
| CF | > | Jacqueline says, "(Sorry. That was mean. I am a meanie.)" | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | This is quite a bland corridor, but then again maybe you wouldn't | ||
| CF | expect much more from a corridor. A thick red mat is covering the | ||
| CF | entire floor. There is a black door to the north, and a few sheets of | ||
| CF | paper hanging on the outside of it. The beginning of the corridor is | ||
| CF | to the east. | ||
| CF | | ||
| CF | The door is shut. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x paper" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > X PAPER | ||
| CF | | ||
| CF | It's a schedule for a Mr Bell. It's divided into multiple pages, but | ||
| CF | they all follow the structure of Mr Bell arriving every hour at XX:53, | ||
| CF | checking in on his office at XX:55, then leaving a few minutes later. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the office door is closed. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "time" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > TIME | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | DavidW asks, "What if this is like the Prongleman Job and it's looking at the real time?" | |
| Jacqueline exclaims, "Then it's almost time!" | ||
| DavidW says, "It's 14:49 now" | ||
| Perry says, "I mean if it's Z-machine I don't think it can." | ||
| DavidW says, "I dunno. But yes, it's Z-machine and PunyInform as well." | ||
| Perry says, "But I'm not sure how much time is happening in one turn. I suspect the man would be him, then." | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | The man walks past you, headed for the office at the end of the | ||
| CF | corridor. He doesn't stop to talk to you, but barges past you into the | ||
| CF | office at the end of the hallway. He comes back out the same door only | ||
| CF | a few seconds later. He starts walking back to the waiting room and | ||
| CF | dissapears out into the reception. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the office door is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | Lancelot says, "hmm he comes and goes in a single turn" | |
| DavidW says, "I know." | ||
| DavidW says (to ClubFloyd), "x papers" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > X PAPERS | ||
| CF | | ||
| CF | It's a schedule for a Mr Bell. It's divided into multiple pages, but | ||
| CF | they all follow the structure of Mr Bell arriving every hour at XX:53, | ||
| CF | checking in on his office at XX:55, then leaving a few minutes later. | ||
| CF | | ||
| CF | > | Lancelot asks, "can we do something with that schedule?" | |
| Knight_Otu says, "Time must go fast if the man is Bell." | ||
| DavidW says, "I think we should wait a minute until it's 14:43 in real time" | ||
| DavidW says, "er 14:53" | ||
| DavidW says (to ClubFloyd), "take schedule" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > TAKE SCHEDULE | ||
| CF | | ||
| CF | That's fixed in place. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "knock on door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > KNOCK ON DOOR | ||
| CF | | ||
| CF | You knock on the door, but there is no response. | ||
| CF | | ||
| CF | The man walks past you, headed for the office at the end of the | ||
| CF | corridor. He doesn't stop to talk to you, but barges past you into the | ||
| CF | office at the end of the hallway. He comes back out the same door only | ||
| CF | a few seconds later. He starts walking back to the waiting room and | ||
| CF | dissapears out into the reception. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "knock on door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > KNOCK ON DOOR | ||
| CF | | ||
| CF | You knock on the door, but there is no response. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | DavidW says, "I guess that's not it." | |
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | This is quite a bland corridor, but then again maybe you wouldn't | ||
| CF | expect much more from a corridor. A thick red mat is covering the | ||
| CF | entire floor. There is a black door to the north, and a few sheets of | ||
| CF | paper hanging on the outside of it. The beginning of the corridor is | ||
| CF | to the east. | ||
| CF | | ||
| CF | The door is shut. | ||
| CF | | ||
| CF | > | DavidW asks, "I guess scope out the rest of the available geography?" | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | If I could find a suitable urinal, that'd be nice. | ||
| CF | | ||
| CF | Toilets | ||
| CF | This is a very clean bathroom. There are seven bathroom urinals along | ||
| CF | the west wall. Urinals 3 and 6 are in use. The door you came in | ||
| CF | through is to the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x urinals" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > X URINALS | ||
| CF | | ||
| CF | Sorry, I don't understand what "urinals" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x urinal" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > X URINAL | ||
| CF | | ||
| CF | They are old urinals, and while they haven't been changed for a long | ||
| CF | time, they've still been kept clean and in great condition. | ||
| CF | | ||
| CF | > | Jade says, "ok adventures, let's find the key" | |
| DavidW says (to ClubFloyd), "use urinal 4" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > USE URINAL 4 | ||
| CF | | ||
| CF | Why would I think it's a good idea to seat myself right between the | ||
| CF | other gentlemen, slightly closer to one than another? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "use urinal 7" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > USE URINAL 7 | ||
| CF | | ||
| CF | Let's take the time to go to the far end of the room only to bother | ||
| CF | some poor man trying to mind his own business. How cruel can I be? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "use urinal 5" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > USE URINAL 5 | ||
| CF | | ||
| CF | Skipping the fourth urinal to instead go and harass this poor man who | ||
| CF | is even further away would be incredibly rude. | ||
| CF | | ||
| CF | > | Jade says, "lol" | |
| DavidW says (to ClubFloyd), "use urinal 3" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > USE URINAL 3 | ||
| CF | | ||
| CF | Maybe if it wasn't already taken... | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "use urinal 1" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > USE URINAL 1 | ||
| CF | | ||
| CF | The closest one to the door? Do I really want everyone who opens that | ||
| CF | door to see ME before they see anything else? God, what a horrible | ||
| CF | pick! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "use urinal 2" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > USE URINAL 2 | ||
| CF | | ||
| CF | Stand next to another person and pick the next closest urinal to the | ||
| CF | door at that? Terrible decision. | ||
| CF | | ||
| CF | And people keep questioning why I have decidophobia in the first | ||
| CF | place... | ||
| CF | Public restrooms are a trap! | ||
| CF | | ||
| CF | > | Lancelot says, "lol" | |
| DavidW says, "DECIDOPHOBIA" | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Toiletsrof Corridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Toilets | ||
| CF | This is a very clean bathroom. There are seven bathroom urinals along | ||
| CF | the west wall. Urinals 3 and 6 are in use. The door you came in | ||
| CF | through is to the north. | ||
| CF | | ||
| CF | > | Jacqueline says, "That is not a thing, is it? Or at least, it's not called that." | |
| Knight_Otu says, "Decision paralysis" | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Locker Room | ||
| CF | This room is packed with lockers. It's as someone tried to fit as many | ||
| CF | lockers as they could into as small a space as possible. The floor is | ||
| CF | coverered in an old stiff rug. The door you came in through is to the | ||
| CF | south. | ||
| CF | | ||
| CF | > | ||
| Knight_Otu goes home. | ||
| DavidW says (to ClubFloyd), "x rug" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > X RUG | ||
| CF | | ||
| CF | It looks really old, yet really cheap. It's covering the whole floor, | ||
| CF | and looks like something used to cover up the floor rather than a | ||
| CF | decorative mat. | ||
| CF | | ||
| CF | > | ||
| Knight_Otu has arrived. | ||
| DavidW says (to ClubFloyd), "move rug" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > MOVE RUG | ||
| CF | | ||
| CF | That's fixed in place. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x lockers" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > X LOCKERS | ||
| CF | | ||
| CF | They are standard lockers, the walls have a grey color to them and the | ||
| CF | tall doors share a metallic red. Almost all of them are locked either | ||
| CF | with zipties or padlocks. One locker stands out from the rest, having | ||
| CF | no lock and being slightly ajar. | ||
| CF | | ||
| CF | > | Lancelot asks, "look under rug?" | |
| Lancelot says, "ah" | ||
| DavidW says (to ClubFloyd), "look in locker" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > LOOK IN LOCKER | ||
| CF | | ||
| CF | You can't see inside, since the locker is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open locker" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > OPEN LOCKER | ||
| CF | | ||
| CF | Opening the locker brings a cloud of dust out with it. | ||
| CF | Inside of it you see a dusty old suit. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x suit" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > X SUIT | ||
| CF | | ||
| CF | It's a grey suit, and looks much like something a gameshow host would | ||
| CF | wear. It looks very old, like it has been forgotten in here for years. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take it" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > TAKE IT | ||
| CF | | ||
| CF | You should probably leave this here. It looks like it could use some | ||
| CF | well deserved rest. Lifting it slightly, it does look like there is | ||
| CF | something in one of the pockets. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look in pocket" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > LOOK IN POCKET | ||
| CF | | ||
| CF | In the pocket you find a keycard, which looks well preserved in | ||
| CF | comparison to the dusty suit. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take keycard" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > TAKE KEYCARD | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x it" | ||
| CF ] Locker RoomCorridor | ||
| CF | | ||
| CF | > X IT | ||
| CF | | ||
| CF | It's a small plastic card with a black strip on the back. On the front | ||
| CF | of it, there is picture of a man in his mid 30s, with a funny | ||
| CF | patterned tie and a checkered suit. He has black hair and a big smile. | ||
| CF | The name on the card is 'Mr Hall'. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] CorridoroomCorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The door is shut. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the office door is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "unlock door with keycard" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNLOCK DOOR WITH KEYCARD | ||
| CF | | ||
| CF | The keycard doesn't seem to fit the lock. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > DOOR | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > X DOOR | ||
| CF | | ||
| CF | A slightly oversized black painted wooden door. It feels thicker than | ||
| CF | the other doors in the building. | ||
| CF | | ||
| CF | The man walks past you, headed for the office at the end of the | ||
| CF | corridor. He doesn't stop to talk to you, but barges past you into the | ||
| CF | office at the end of the hallway. He comes back out the same door only | ||
| CF | a few seconds later. He starts walking back to the waiting room and | ||
| CF | dissapears out into the reception. | ||
| CF | | ||
| CF | > | DavidW says, "no mention of card reader or keyhole. Just that the door feels thicker." | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | You are the only one in the waiting room. There are a dozen or so | ||
| CF | chairs along the walls, and an announcement board on the north wall. | ||
| CF | The reception is through the glass door to the south. There is an open | ||
| CF | door to the west leading to a long corridor. There is a wooden door to | ||
| CF | the north, and another room to the east. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Break Room | ||
| CF | This is your average break room. A dozen chairs are sloppily placed | ||
| CF | around four tables, and the eastern wall is covered in empty shelves | ||
| CF | and an old microwave. In the middle of the room stands two tall, round | ||
| CF | tables. One has a black suitcase on it and the other has a small plate | ||
| CF | with a pill. An old recording plays over the P.A. system: 'One of | ||
| CF | these could be yours today! On the left is a pill able to remove all | ||
| CF | of your fears and phobias for the rest of your life! On the right, a | ||
| CF | brief filled with a million dollars! Which one will you pick?' | ||
| CF | | ||
| CF | You can see a pill and a briefcase (which is closed) here. | ||
| CF | | ||
| CF | > | Perry says, "I'm curious if it's that easy to tell what the comparative thickness of a closed door is." | |
| Perry says, "Hahaha, our character won't be able to decide which to take." | ||
| DavidW says, "oh god" | ||
| DavidW says, "You might be right." | ||
| DavidW says (to ClubFloyd), "x microwave" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X MICROWAVE | ||
| CF | | ||
| CF | It's a really old microwave that hasn't been dusted in a long time. | ||
| CF | | ||
| CF | > | Jacqueline shakes her head. | |
| DavidW says (to ClubFloyd), "open it" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > OPEN IT | ||
| CF | | ||
| CF | You open the microwave, revealing nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x pill" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X PILL | ||
| CF | | ||
| CF | It's a deep red, very ordinary looking pill. It rests on a blue velvet | ||
| CF | cushion, like jewelry does. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x cushion" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X CUSHION | ||
| CF | | ||
| CF | Sorry, I don't understand what "cushion" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x case" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X CASE | ||
| CF | | ||
| CF | It's a clean, black briefcase. It's labeled '$1,000,000' | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open it" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > OPEN IT | ||
| CF | | ||
| CF | You open the briefcase, revealing a pile of money. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x money" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X MONEY | ||
| CF | | ||
| CF | The money is divided into 25 piles of $100 bills, leaving each stack | ||
| CF | to hold 400 bills. | ||
| CF | | ||
| CF | > | Perry says, "Math checks out." | |
| DavidW says (to ClubFloyd), "take case" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE CASE | ||
| CF | | ||
| CF | But in taking this money I would lose out on the pill... Why would I | ||
| CF | make such a decision? | ||
| CF | I really need that pill to get rid of my phobia. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take pill" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE PILL | ||
| CF | | ||
| CF | But then I would lose out on the $1,000,000... Why would I make such a | ||
| CF | descision? | ||
| CF | I could really use that money. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "take case and pill" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE CASE AND PILL | ||
| CF | | ||
| CF | briefcase: But in taking this money I would lose out on the pill... | ||
| CF | Why would I make such a decision? | ||
| CF | I really need that pill to get rid of my phobia. | ||
| CF | pill: But then I would lose out on the $1,000,000... Why would I make | ||
| CF | such a descision? | ||
| CF | I could really use that money. | ||
| CF | | ||
| CF | > | Lancelot says, "lol" | |
| Perry says, "t worth a shot" | ||
| DavidW says (to ClubFloyd), "take table" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE TABLE | ||
| CF | | ||
| CF | Do you mean the lunch tables or the item tables? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "item" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > ITEM | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | Roger says, "what a twist" | |
| DavidW says (to ClubFloyd), "take item tables" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE ITEM TABLES | ||
| CF | | ||
| CF | Sorry, I don't understand what "item" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put pill in case" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > PUT PILL IN CASE | ||
| CF | | ||
| CF | (first taking the pill) | ||
| CF | But then I would lose out on the $1,000,000... Why would I make such a | ||
| CF | descision? | ||
| CF | I could really use that money. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Break Room | ||
| CF | This is your average break room. A dozen chairs are sloppily placed | ||
| CF | around four tables, and the eastern wall is covered in empty shelves | ||
| CF | and an old microwave. In the middle of the room stands two tall, round | ||
| CF | tables. One has a black suitcase on it and the other has a small plate | ||
| CF | with a pill. An old recording plays over the P.A. system: 'One of | ||
| CF | these could be yours today! On the left is a pill able to remove all | ||
| CF | of your fears and phobias for the rest of your life! On the right, a | ||
| CF | brief filled with a million dollars! Which one will you pick?' | ||
| CF | | ||
| CF | You can see a pill and a briefcase (which contains a pile of money) | ||
| CF | here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | The man walks past you, headed for the corridor. The receptionist lets | ||
| CF | him through the glass doors. He doesn't stop to talk to you, but | ||
| CF | barges past you into the office at the end of the hallway. He comes | ||
| CF | back out the same door only a few seconds later. He starts walking | ||
| CF | back to the waiting room and dissapears out through the reception and | ||
| CF | into the street. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the wooden door is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | Do you mean the wooden door or the glass door? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wooden" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > WOODEN | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x it" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X IT | ||
| CF | | ||
| CF | It's a sturdy door with no windows. It has a brownish wooden tint to | ||
| CF | it, and on the front of it the letters 'M.H.' are written on a sign. | ||
| CF | There's a handle and to the left of it a device with a slot to | ||
| CF | presumably swipe some sort of key card. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "swipe card" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > SWIPE CARD | ||
| CF | | ||
| CF | I think you wanted to say "swipe card in something". Please try again. | ||
| CF | | ||
| CF | > | Roger says, "we're really good at door-appraisal" | |
| DavidW says (to ClubFloyd), "swipe card in device" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > SWIPE CARD IN DEVICE | ||
| CF | | ||
| CF | You swipe the keycard, which unlocks the wooden door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | Do you mean the wooden door or the glass door? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wooden" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > WOODEN | ||
| CF | | ||
| CF | You open the wooden door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Contest Room | ||
| CF | There is a yellow door on the north wall. It has the number 2 drawn | ||
| CF | onto it. There are two giant sheets hanging on the north wall, one on | ||
| CF | each side of the door. There is a man standing to the right of the | ||
| CF | sheet on the far right. He hasn't noticed you yet. The door that you | ||
| CF | entered through is to the south. | ||
| CF | | ||
| CF | You can also see a gameshow host here. | ||
| CF | | ||
| CF | > | Knight_Otu says, "Oh dear, a game show just would kill us." | |
| DavidW says, "It's the monty hall setup." | ||
| DavidW says (to ClubFloyd), "x host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > X HOST | ||
| CF | | ||
| CF | He's a middle-aged man in a cheap suit, his eyes look tired but | ||
| CF | routined but his mouth is stuck in a big smile giving him one of those | ||
| CF | very punchable faces. He looks as if he has been doing his job for a | ||
| CF | very long time. | ||
| CF | | ||
| CF | "Oh, hi! I didn't see you come in. How would YOU like a chance to win | ||
| CF | a BRAND NEW CAR?" The man proceeds to pull down the sheets on the | ||
| CF | sides, revealing two additional doors. The man continues, "Behind one | ||
| CF | these three doors is a brand new sports car, but the other two doors | ||
| CF | hold nothing but a goat each. Take your pick, good sir!" | ||
| CF | | ||
| CF | > | Perry says, "Oh, well that's easy. You switch." | |
| Jacqueline says, "heh" | ||
| Perry says, "2/3 chance for a new car, easy peasy." | ||
| DavidW says (to ClubFloyd), "pick 2" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > PICK 2 | ||
| CF | | ||
| CF | Oh god, why would I ever do that to myself? What kind of psychopath | ||
| CF | would just... pick something? Make a decision? | ||
| CF | Maybe if it werent for my phobia. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "pick 1" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > PICK 1 | ||
| CF | | ||
| CF | Oh god, why would I ever do that to myself? What kind of psychopath | ||
| CF | would just... pick something? Make a decision? | ||
| CF | Maybe if it werent for my phobia. | ||
| CF | | ||
| CF | > | Lancelot says, "; Thats the Monty Hall thing... and" | |
| Roger says, "this is why Batman was always punching Two-Face in both his faces" | ||
| DavidW says (to ClubFloyd), "x door 1" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > X DOOR 1 | ||
| CF | | ||
| CF | It's a big, blue door with the number 1 drawn onto it in black. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x door 3" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > X DOOR 3 | ||
| CF | | ||
| CF | It's a big, red door with the number 3 drawn onto it in black. | ||
| CF | | ||
| CF | > | DavidW says, "ah. The 'M.H.' earlier was 'Monty Hall'." | |
| Jacqueline says, "ah" | ||
| DavidW asks, "How do we break this impasse?" | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | The man walks past you, headed for the corridor. The receptionist lets | ||
| CF | him through the glass doors. He doesn't stop to talk to you, but | ||
| CF | barges past you into the office at the end of the hallway. He comes | ||
| CF | back out the same door only a few seconds later. He starts walking | ||
| CF | back to the waiting room and dissapears out through the reception and | ||
| CF | into the street. | ||
| CF | | ||
| CF | > | Jade says, "for sure" | |
| DavidW says (to ClubFloyd), "wait" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > WAIT | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x board" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X BOARD | ||
| CF | | ||
| CF | It's cluttered with a million posters of different shows and | ||
| CF | performances that have been covered up with other posters. None of | ||
| CF | these are from the 21st century. A few are still distinguishable. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x posters" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X POSTERS | ||
| CF | | ||
| CF | You can distinguish a few different ones from the mess. | ||
| CF | 'The Beatles, Britain's Fabulous Disc Stars!' - Aug 12th 1969 | ||
| CF | 'Led Zeppelin, With their NEW HIT "Stairway to Heaven"!' - March 5th | ||
| CF | 1971 | ||
| CF | 'THE EAGLES ON TOUR! NEW ALBUM "The Long Run"! SEE THEM THIS WEEKEND!' | ||
| CF | - September 23rd 1979 | ||
| CF | 'Nirvana skyrocketing to the top! "Smells Like Teen Spirit", listen to | ||
| CF | it now!' - August 16th 1992 | ||
| CF | | ||
| CF | | ||
| CF | > | Knight_Otu says, "Wear a blindfold, whirl around, point at random." | |
| DavidW says (to ClubFloyd), "x posters" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X POSTERS | ||
| CF | | ||
| CF | You can distinguish a few different ones from the mess. | ||
| CF | 'The Beatles, Britain's Fabulous Disc Stars!' - Aug 12th 1969 | ||
| CF | 'Led Zeppelin, With their NEW HIT "Stairway to Heaven"!' - March 5th | ||
| CF | 1971 | ||
| CF | 'THE EAGLES ON TOUR! NEW ALBUM "The Long Run"! SEE THEM THIS WEEKEND!' | ||
| CF | - September 23rd 1979 | ||
| CF | 'Nirvana skyrocketing to the top! "Smells Like Teen Spirit", listen to | ||
| CF | it now!' - August 16th 1992 | ||
| CF | | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take beatles" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > TAKE BEATLES | ||
| CF | | ||
| CF | Sorry, I don't understand what "beatles" means. | ||
| CF | | ||
| CF | > | DavidW says, "I'm not seeing any obvious clue from the posters." | |
| Jade says, "dates and capitals" | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Break Room | ||
| CF | | ||
| CF | You can see a pill and a briefcase (which contains a pile of money) | ||
| CF | here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search money" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > SEARCH MONEY | ||
| CF | | ||
| CF | You find nothing special. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take money" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE MONEY | ||
| CF | | ||
| CF | But in taking this money I would lose out on the pill... Why would I | ||
| CF | make such a decision? | ||
| CF | I really need that pill to get rid of my phobia. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "listen" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > LISTEN | ||
| CF | | ||
| CF | You hear nothing unexpected. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Break Room | ||
| CF | This is your average break room. A dozen chairs are sloppily placed | ||
| CF | around four tables, and the eastern wall is covered in empty shelves | ||
| CF | and an old microwave. In the middle of the room stands two tall, round | ||
| CF | tables. One has a black suitcase on it and the other has a small plate | ||
| CF | with a pill. An old recording plays over the P.A. system: 'One of | ||
| CF | these could be yours today! On the left is a pill able to remove all | ||
| CF | of your fears and phobias for the rest of your life! On the right, a | ||
| CF | brief filled with a million dollars! Which one will you pick?' | ||
| CF | | ||
| CF | You can see a pill and a briefcase (which contains a pile of money) | ||
| CF | here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x shelves" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X SHELVES | ||
| CF | | ||
| CF | They are nothing spectacular, but they do the job. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x tables" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X TABLES | ||
| CF | | ||
| CF | Do you mean the lunch tables or the item tables? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "lunch" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > LUNCH | ||
| CF | | ||
| CF | They are far from luxurious. They look like lunch tables from a | ||
| CF | school. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x chairs" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > X CHAIRS | ||
| CF | | ||
| CF | They look about ready to fall apart at any moment. These look like | ||
| CF | they could uphold some kind of standard a long time ago. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "sit on chairs" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > SIT ON CHAIRS | ||
| CF | | ||
| CF | That doesn't seem to be something you can enter. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take chair" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > TAKE CHAIR | ||
| CF | | ||
| CF | That's fixed in place. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look under item tables" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > LOOK UNDER ITEM TABLES | ||
| CF | | ||
| CF | Sorry, I don't understand what "item" means. | ||
| CF | | ||
| CF | > | Roger asks, "hmmm does inform still do random selection if you enter a command like "PICK A DOOR" ?" | |
| DavidW says, "I dunno." | ||
| DavidW says, "I didn't know Inform did that." | ||
| DavidW says (to ClubFloyd), "pick an item" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > PICK AN ITEM | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Break Roomomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Oh god, I hope no one was looking while you were walking into a wall. | ||
| CF | How silly! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | The sheets have been hung up on the wall again, and the host seems to | ||
| CF | have lost his concentration again. He doesn't notice you come in. | ||
| CF | Contest Room | ||
| CF | | ||
| CF | You can also see a gameshow host here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "pick a door" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > PICK A DOOR | ||
| CF | | ||
| CF | Do you mean the yellow door or the wooden door? | ||
| CF | | ||
| CF | > | Roger says, "I think it will if they're quasi-indistinguishable" | |
| DavidW says, "pick a prize door" | ||
| DavidW says (to ClubFloyd), "pick a prize door" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > PICK A PRIZE DOOR | ||
| CF | | ||
| CF | | ||
| CF | "Oh, hi! I didn't see you come in. How would YOU like a chance to win | ||
| CF | a BRAND NEW CAR?" The man proceeds to pull down the sheets on the | ||
| CF | sides, revealing two additional doors. The man continues, "Behind one | ||
| CF | these three doors is a brand new sports car, but the other two doors | ||
| CF | hold nothing but a goat each. Take your pick, good sir!" | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask host about car" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > ASK HOST ABOUT CAR | ||
| CF | | ||
| CF | "That's a great question, but would you please hold that for just a | ||
| CF | second? We can talk about it after we're done here." | ||
| CF | | ||
| CF | > | Jade asks, "choose?" | |
| DavidW says (to ClubFloyd), "ask host about goat" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > ASK HOST ABOUT GOAT | ||
| CF | | ||
| CF | "That's a great question, but would you please hold that for just a | ||
| CF | second? We can talk about it after we're done here." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "choose door" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > CHOOSE DOOR | ||
| CF | | ||
| CF | Do you mean the red door, the blue door, the yellow door or the wooden | ||
| CF | door? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wooden door" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > WOODEN DOOR | ||
| CF | | ||
| CF | Oh god, why would I ever do that to myself? What kind of psychopath | ||
| CF | would just... pick something? Make a decision? | ||
| CF | Maybe if it werent for my phobia. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x phobia" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > X PHOBIA | ||
| CF | | ||
| CF | Examining your own phobia... | ||
| CF | | ||
| CF | Decidophobia [decide + Gr. phobos, fear] - Fear of making decisions | ||
| CF | | ||
| CF | > | Lancelot says, "argh" | |
| DavidW says (to ClubFloyd), "drop it" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > DROP IT | ||
| CF | | ||
| CF | Examining your own phobia... | ||
| CF | | ||
| CF | Decidophobia [decide + Gr. phobos, fear] - Fear of making decisions | ||
| CF | | ||
| CF | > | Jacqueline says, "heh" | |
| Jacqueline says, "Nice try" | ||
| Perry says, "drop no tea" | ||
| Jade says, "clear enoug now" | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] CorridorRoomorridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] CorridorRoomorridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Corridor | ||
| CF | This is quite a bland corridor. Then again, maybe you wouldn't expect | ||
| CF | much more from a corridor. A thick red mat is covering the entire | ||
| CF | floor. To the north is an open door leading to a locker room, and to | ||
| CF | the south there's a door with the letters 'WC'. You can see another | ||
| CF | room further down the corridor to the west, but can't quite make it | ||
| CF | out from here. To the east lies the waiting room. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The door is shut. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | This is quite a bland corridor, but then again maybe you wouldn't | ||
| CF | expect much more from a corridor. A thick red mat is covering the | ||
| CF | entire floor. There is a black door to the north, and a few sheets of | ||
| CF | paper hanging on the outside of it. The beginning of the corridor is | ||
| CF | to the east. | ||
| CF | | ||
| CF | The door is shut. | ||
| CF | | ||
| CF | The man walks past you, headed for the office at the end of the | ||
| CF | corridor. He doesn't stop to talk to you, but barges past you into the | ||
| CF | office at the end of the hallway. He comes back out the same door only | ||
| CF | a few seconds later. He starts walking back to the waiting room and | ||
| CF | dissapears out into the reception. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x papers" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > X PAPERS | ||
| CF | | ||
| CF | It's a schedule for a Mr Bell. It's divided into multiple pages, but | ||
| CF | they all follow the structure of Mr Bell arriving every hour at XX:53, | ||
| CF | checking in on his office at XX:55, then leaving a few minutes later. | ||
| CF | | ||
| CF | > | Jade says, "Get papers" | |
| DavidW says (to ClubFloyd), "wait until XX:53" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > WAIT UNTIL XX:53 | ||
| CF | | ||
| CF | I only understood you as far as "wait" but then you lost me. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "get papers" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > GET PAPERS | ||
| CF | | ||
| CF | That's fixed in place. | ||
| CF | | ||
| CF | > | DavidW says, "Tried that earlier." | |
| DavidW says (to ClubFloyd), "look under papers" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > LOOK UNDER PAPERS | ||
| CF | | ||
| CF | Wow, you sure know how to look natural... | ||
| CF | | ||
| CF | > | Knight_Otu says, "Geeze, game." | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | The man walks past you, headed for the corridor. The receptionist lets | ||
| CF | him through the glass doors. He doesn't stop to talk to you, but | ||
| CF | barges past you into the office at the end of the hallway. He comes | ||
| CF | back out the same door only a few seconds later. He starts walking | ||
| CF | back to the waiting room and dissapears out through the reception and | ||
| CF | into the street. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Foyerng Roomorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Foyer | ||
| CF | | ||
| CF | You can also see a receptionist here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask receptionist about decidophobia" | ||
| CF ] Foyerng Roomorridor | ||
| CF | | ||
| CF | > ASK RECEPTIONIST ABOUT DECIDOPHOBIA | ||
| CF | | ||
| CF | "God, that sounds mind-numbingly boring. Is there anything interesting | ||
| CF | I can help you with?" | ||
| CF | | ||
| CF | > | Jade says, "perhaps with the pill we can do something in wc" | |
| DavidW says (to ClubFloyd), "ask receptionist about phobia" | ||
| CF ] Foyerng Roomorridor | ||
| CF | | ||
| CF | > ASK RECEPTIONIST ABOUT PHOBIA | ||
| CF | | ||
| CF | "God, that sounds mind-numbingly boring. Is there anything interesting | ||
| CF | I can help you with?" | ||
| CF | | ||
| CF | > | DavidW says (to Jade), "we can't take the pill." | |
| DavidW says, "I'm at a loss." | ||
| DavidW says, "I don't know what to do now." | ||
| Perry says, "I'm wondering if there's something we can do to make it not a decision. Something along the lines of taking both things at once." | ||
| Jade asks, "arent we cattying the pill?" | ||
| Jade says, "carrying" | ||
| Perry says, "Nope" | ||
| DavidW says, "no" | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Foyerng Roomorridor | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You're carrying a keycard. | ||
| CF | | ||
| CF | > | Jade says, "we don't need the car anymore" | |
| DavidW asks, "Because we took the plane to get to Vegas?" | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | The sheets have been hung up on the wall again, and the host seems to | ||
| CF | have lost his concentration again. He doesn't notice you come in. | ||
| CF | Contest Room | ||
| CF | | ||
| CF | You can also see a gameshow host here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open 2" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > OPEN 2 | ||
| CF | | ||
| CF | The man closes the door again. | ||
| CF | | ||
| CF | | ||
| CF | "Oh, hi! I didn't see you come in. How would YOU like a chance to win | ||
| CF | a BRAND NEW CAR?" The man proceeds to pull down the sheets on the | ||
| CF | sides, revealing two additional doors. The man continues, "Behind one | ||
| CF | these three doors is a brand new sports car, but the other two doors | ||
| CF | hold nothing but a goat each. Take your pick, good sir!" | ||
| CF | | ||
| CF | > | Jade says, "becouse MH door is already open." | |
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "close wooden door" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > CLOSE WOODEN DOOR | ||
| CF | | ||
| CF | You close the wooden door. | ||
| CF | | ||
| CF | "Oh, hi! I didn't see you come in. How would YOU like a chance to win | ||
| CF | a BRAND NEW CAR?" The man proceeds to pull down the sheets on the | ||
| CF | sides, revealing two additional doors. The man continues, "Behind one | ||
| CF | these three doors is a brand new sports car, but the other two doors | ||
| CF | hold nothing but a goat each. Take your pick, good sir!" | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x sheets" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > X SHEETS | ||
| CF | | ||
| CF | They are very thick sheets, almost like thick blankets. With the sheer | ||
| CF | size and weight of them they would be practically impossible to drag | ||
| CF | or lift by hand. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search sheets" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > SEARCH SHEETS | ||
| CF | | ||
| CF | You find nothing special. | ||
| CF | | ||
| CF | > | Lancelot says, "can we interact with the host somehow" | |
| DavidW says (to ClubFloyd), "open wooden door" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > OPEN WOODEN DOOR | ||
| CF | | ||
| CF | You open the wooden door. | ||
| CF | | ||
| CF | > | DavidW asks, "Can I get a more explicit direction?" | |
| DavidW says (to ClubFloyd), "hit host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > HIT HOST | ||
| CF | | ||
| CF | The host stares at you as you walk up. Already alerted of your | ||
| CF | intention, he sidesteps your attack with ease. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "kiss host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > KISS HOST | ||
| CF | | ||
| CF | Keep your mind on the game. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "bribe host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > BRIBE HOST | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | Lancelot says, "lol" | |
| DavidW says (to ClubFloyd), "cover host with sheets" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > COVER HOST WITH SHEETS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search sheets" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > SEARCH SHEETS | ||
| CF | | ||
| CF | You find nothing special. | ||
| CF | | ||
| CF | > | Lancelot asks, "open a door?" | |
| Perry says, "Can't, decision paralysis." | ||
| DavidW says, "If the host failed to notice us at all, doors 1 and 3 wouldn't be visible and we could open door 2." | ||
| Perry says, "Ooooo" | ||
| Lancelot says, "oh yeah right" | ||
| Perry says, "I bet that's it" | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | Lancelot says, "then there would be only once choice" | |
| DavidW says (to ClubFloyd), "z" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | The sheets have been hung up on the wall again, and the host seems to | ||
| CF | have lost his concentration again. He doesn't notice you come in. | ||
| CF | Contest Room | ||
| CF | | ||
| CF | You can also see a gameshow host here. | ||
| CF | | ||
| CF | > | Lancelot asks, "but that would mean door 2 is the right door?" | |
| DavidW asks, "Does it matter?" | ||
| Perry says, "It'd just mean it's the door we open, really." | ||
| DavidW says (to ClubFloyd), "quietly open door 2" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > QUIETLY OPEN DOOR 2 | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hide behind sheets" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > HIDE BEHIND SHEETS | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hit host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > HIT HOST | ||
| CF | | ||
| CF | "Ouch! That's rude, and seemingly uncalled for. You really brought the | ||
| CF | joy out of this for me..." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hit host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > HIT HOST | ||
| CF | | ||
| CF | "WHAT WAS THAT FOR???" | ||
| CF | | ||
| CF | > | Lancelot says, "aha" | |
| DavidW says (to ClubFloyd), "hit host" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > HIT HOST | ||
| CF | | ||
| CF | "WHAT WAS THAT FOR???" | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door 2" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > OPEN DOOR 2 | ||
| CF | | ||
| CF | You open the yellow door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Prize Roomomorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Prize Room | ||
| CF | Behind the door you find no car, but a small table stood upon what | ||
| CF | appears to be a pedestal the size of a car. To the south of you is the | ||
| CF | entrance to the room. | ||
| CF | | ||
| CF | You can also see a keychain and a letter here. | ||
| CF | | ||
| CF | > | Lancelot asks, "maybe host is now distracted?" | |
| Lancelot says, "oh nwm" | ||
| DavidW says (to ClubFloyd), "x keychain" | ||
| CF ] Prize Roomomorridor | ||
| CF | | ||
| CF | > X KEYCHAIN | ||
| CF | | ||
| CF | There are two keys on the chain. One car key and one matte black key. | ||
| CF | The matte black key is possibly slightly oversized. | ||
| CF | | ||
| CF | > | Lancelot says, "yay" | |
| DavidW says (to ClubFloyd), "x letter" | ||
| CF ] Prize Roomomorridor | ||
| CF | | ||
| CF | > X LETTER | ||
| CF | | ||
| CF | It's a hand-written letter to Gamm Bell. It reads: 'It appears we've | ||
| CF | run into a bit of a pickle regarding the whole car situation... Me and | ||
| CF | the guys crashed it into a lamp post last night, but I'm sure we can | ||
| CF | fix it. Anyways, you can have your keys back. They're no fun without | ||
| CF | the car. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take all" | ||
| CF ] Prize Roomomorridor | ||
| CF | | ||
| CF | > TAKE ALL | ||
| CF | | ||
| CF | keychain: Taken. | ||
| CF | letter: Taken. | ||
| CF | | ||
| CF | > | Knight_Otu says, "Darn." | |
| Lancelot says, "lol no car anyways" | ||
| Perry exclaims, ""What was that for" That was for exploiting years of poor mathematical understanding of a not actually that complicated problem, resulting in years of arguments and pages upon pages of debate over your dumb show!" | ||
| Perry exclaims, "YOU ALWAYS SWITCH!" | ||
| DavidW says, "s" | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Contest Roomorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Contest Room | ||
| CF | | ||
| CF | You can also see a gameshow host here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You're carrying a letter, a keychain and a keycard. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x keychain" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X KEYCHAIN | ||
| CF | | ||
| CF | There are two keys on the chain. One car key and one matte black key. | ||
| CF | The matte black key is possibly slightly oversized. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x black key" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X BLACK KEY | ||
| CF | | ||
| CF | Sorry, I don't understand what "black" means. | ||
| CF | | ||
| CF | The man walks past you, headed for the corridor. The receptionist lets | ||
| CF | him through the glass doors. He doesn't stop to talk to you, but | ||
| CF | barges past you into the office at the end of the hallway. He comes | ||
| CF | back out the same door only a few seconds later. He starts walking | ||
| CF | back to the waiting room and dissapears out through the reception and | ||
| CF | into the street. | ||
| CF | | ||
| CF | > | Lancelot says, "yeah I know the theory... always switch because that improves your chances from 1/.3 to 1/2" | |
| Jade says, "black door for sure" | ||
| DavidW says (to ClubFloyd), "x matte key" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X MATTE KEY | ||
| CF | | ||
| CF | Sorry, I don't understand what "matte" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] CorridorRoomorridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The door is shut. | ||
| CF | | ||
| CF | > | Lancelot says, "unlock door" | |
| DavidW says (to ClubFloyd), "unlock door with keychain" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNLOCK DOOR WITH KEYCHAIN | ||
| CF | | ||
| CF | You unlock the office door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the office door is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | You open the office door. | ||
| CF | A big man comes walking through the corridor. It looks like he is | ||
| CF | headed for the office. He has a black suit and barely any hair left on | ||
| CF | his head. His name tag reads 'Gamm Bell', and he has a big cigar in | ||
| CF | his mouth. He looks at the open office door, then looks at you for a | ||
| CF | split second, then starts walking towards you and grabs you by the | ||
| CF | neck. 'WHO DO YOU THINK YOU ARE'. There is nothing that you can do | ||
| CF | against this giant as he drags you out through the reception and | ||
| CF | throws you out into the street. He personally guarantees that you're | ||
| CF | not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Perry exclaims, "We win!!" | |
| DavidW says, "no, we lost" | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | The man walks past you, headed for the office at the end of the | ||
| CF | corridor. He doesn't stop to talk to you, but barges past you into the | ||
| CF | office at the end of the hallway. He comes back out the same door only | ||
| CF | a few seconds later. He starts walking back to the waiting room and | ||
| CF | dissapears out into the reception. | ||
| CF | | ||
| CF | > | Lancelot says, "sounds more like we missed something" | |
| Perry says, "I think we just had unlucky timing." | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "unlock door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNLOCK DOOR | ||
| CF | | ||
| CF | I think you wanted to say "unlock office door with something". Please | ||
| CF | try again. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "unlock door with keychain" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNLOCK DOOR WITH KEYCHAIN | ||
| CF | | ||
| CF | You unlock the office door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't, since the office door is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | You open the office door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | It would probably be a good idea to make sure you don't leave any | ||
| CF | marks here. | ||
| CF | Boss' Office | ||
| CF | It's a very impressive office. The door you came in through is to the | ||
| CF | south. On the west wall there is a very big cabinet, which appears to | ||
| CF | be empty. At the back of the room is a desk covered with paperwork. On | ||
| CF | the desk is a computer monitor, an old one. There is a painting on the | ||
| CF | east wall. | ||
| CF | | ||
| CF | The office door is open. Looking through it, you can see the bland | ||
| CF | corridor outside. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf14" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | Lancelot says, "yeah how many moves is a cycle? looks like timing is important" | |
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x paperwork" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X PAPERWORK | ||
| CF | | ||
| CF | Sorry, I don't understand what "paperwork" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search desk" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > SEARCH DESK | ||
| CF | | ||
| CF | The desk is empty. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x painting" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X PAINTING | ||
| CF | | ||
| CF | The painting depicts a box of chocolates. It's a white chocolate box | ||
| CF | with a feather on top. It looks very pretty, yet it's still only | ||
| CF | attached with a nail in the upper left corner. | ||
| CF | | ||
| CF | > | Perry says, "Safe behind the painting." | |
| Knight_Otu says, "Empty with paperwork." | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | Lancelot asks, "yeah pull it push it rotate it?" | |
| DavidW says (to ClubFloyd), "move painting" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > MOVE PAINTING | ||
| CF | | ||
| CF | It can't be pushed, since a nail is holding it to the wall. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | Perry says, "Probably rotate." | |
| DavidW says (to ClubFloyd), "take painting" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > TAKE PAINTING | ||
| CF | | ||
| CF | Afraid that's not possible, as it's nailed into the wall. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn painting" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > TURN PAINTING | ||
| CF | | ||
| CF | You turn the painting in a clockwise motion, revealing a small lock | ||
| CF | with three dials (0-9). | ||
| CF | | ||
| CF | > | Perry says, "Callllllled it." | |
| Lancelot says, "yeah rotate? its attached to a corner" | ||
| Lancelot says, "ah" | ||
| Jade asks, "dates?" | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The office door is open. Behind the door lies the boss' office. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "RESTORE" | ||
| DavidW says (to ClubFloyd), "cf14" | ||
| CF | > | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Oh god, I hope no one was looking while you were walking into a wall. | ||
| CF | How silly! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The office door is open. Behind the door lies the boss' office. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Waiting Room | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x posters" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X POSTERS | ||
| CF | | ||
| CF | You can distinguish a few different ones from the mess. | ||
| CF | 'The Beatles, Britain's Fabulous Disc Stars!' - Aug 12th 1969 | ||
| CF | 'Led Zeppelin, With their NEW HIT "Stairway to Heaven"!' - March 5th | ||
| CF | 1971 | ||
| CF | 'THE EAGLES ON TOUR! NEW ALBUM "The Long Run"! SEE THEM THIS WEEKEND!' | ||
| CF | - September 23rd 1979 | ||
| CF | 'Nirvana skyrocketing to the top! "Smells Like Teen Spirit", listen to | ||
| CF | it now!' - August 16th 1992 | ||
| CF | | ||
| CF | | ||
| CF | > | Jade says, "8, 3, 9, 8" | |
| Perry says, "Three dials thuogh." | ||
| Perry says, "Though, even." | ||
| Jade says, "..." | ||
| DavidW says, "I don't see an obvious three digits in this mess." | ||
| Perry says (to ClubFloyd), "x nirvana" | ||
| CF ] Waiting Roomorridor | ||
| CF | | ||
| CF | > X NIRVANA | ||
| CF | | ||
| CF | Sorry, I don't understand what "nirvana" means. | ||
| CF | | ||
| CF | > | Knight_Otu says, "Hrm." | |
| Perry says, "Is there any chance we can hide in the office and see what he does? I have a feeling that isn't the solution and figuring out the code from something else is, though." | ||
| DavidW says, "maybe" | ||
| DavidW says (to ClubFloyd), "RESTORE" | ||
| DavidW says (to ClubFloyd), "cf14" | ||
| CF | > | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hide under desk" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > HIDE UNDER DESK | ||
| CF | | ||
| CF | That is not a verb I recognize. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "get under desk" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > GET UNDER DESK | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Boss' Office | ||
| CF | It's a very impressive office. The door you came in through is to the | ||
| CF | south. On the west wall there is a very big cabinet, which appears to | ||
| CF | be empty. At the back of the room is a desk covered with paperwork. On | ||
| CF | the desk is a computer monitor, an old one. There is a painting on the | ||
| CF | east wall. | ||
| CF | | ||
| CF | The office door is open. Looking through it, you can see the bland | ||
| CF | corridor outside. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x computer" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X COMPUTER | ||
| CF | | ||
| CF | It's an old, dusty monitor with way too many post-it notes stuck to | ||
| CF | it. All of the post it notes seem to be about numbers. | ||
| CF | The door opens and in comes a big man. He has a black suit and barely | ||
| CF | any hair left on his head. His nametag reads 'Gamm Bell', and he has a | ||
| CF | big cigar in his mouth. He looks at you for a split second, then | ||
| CF | starts walking towards you and grabs you by the neck. There is nothing | ||
| CF | that you can do against this giant as he drags you out through the | ||
| CF | reception and throws you out into the street. He personally guarantees | ||
| CF | that you're not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Jacqueline exclaims, "!" | |
| Perry asks, "Cabinet?" | ||
| Perry says, "Oh, post it notes about numbers." | ||
| DavidW says (to ClubFloyd), "RESTORE" | ||
| DavidW says (to ClubFloyd), "cf14" | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x notes" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X NOTES | ||
| CF | | ||
| CF | The post it notes read: | ||
| CF | The sum of the individual numbers in the sum of the individual digits | ||
| CF | is 9. | ||
| CF | The first digit is not the highest one nor is it the lowest. | ||
| CF | Only one digit is prime. | ||
| CF | The digits have a total of two enclosed areas. | ||
| CF | The sum of two digits is equal to the sum of all digits divided by | ||
| CF | two. | ||
| CF | The sum of all digits is in the range of 12-24. | ||
| CF | There is at least one odd and one even digit. | ||
| CF | The middle digit is the highest of the three. | ||
| CF | The number can only be halved twice before becoming a decimal number. | ||
| CF | The number is greater than 312 yet lower than 688. | ||
| CF | One digit is 4. | ||
| CF | There are also some red post-it notes, with some more specific | ||
| CF | information on them. | ||
| CF | | ||
| CF | > | Perry says, "Yoooooo let's go" | |
| Jacqueline says, "I always store codes just like this." | ||
| Lancelot says, "ah some kind of mathematical puzzle" | ||
| DavidW asks, "How can the sum be 9 and between 12 and 24?" | ||
| Perry says, "It's the sum of the sum." | ||
| Perry says, "So the sum is 13" | ||
| Perry says, "Er, I mean 18" | ||
| DavidW says, "oh." | ||
| Perry says, "549 I think" | ||
| Perry says, "Wait, nope." | ||
| DavidW asks, "what does 'two enclosed areas' mean?" | ||
| Perry says, "Like in the numeral, there's a space in 4 and 9" | ||
| Perry says, "Sorry, 594, final answer." | ||
| Perry says, "Wait that's also wrong, not divisible by 4. Bah." | ||
| Jacqueline says, "I do not close my 4s..." | ||
| DavidW says, "4 isn't always closed." | ||
| Perry says, "I don't either, but it is in some fonts." | ||
| Jacqueline says, "Yeah" | ||
| Perry says, "Is the 'first' digit the most significant digit or the least" | ||
| DavidW asks, "So how do we know which font Bell is using?" | ||
| Jade says, "I barely understand some of them" | ||
| Jade says, "there are some additionally red notes" | ||
| Perry says, "I don't want to look at those yet." | ||
| DavidW says (to ClubFloyd), "x red notes" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X RED NOTES | ||
| CF | | ||
| CF | These notes contain clues for an easier solve, and are not part of the | ||
| CF | intended solution. Examine again to read. | ||
| CF | | ||
| CF | > | Jade says, "ok" | |
| Lancelot asks, "ah some kind of hint?" | ||
| Perry says, "Hmm, ignoring the divisible by four clue it should be 594..." | ||
| Knight_Otu says, "Weird way to do a hint, though." | ||
| DavidW says, "Probably an easier way past it." | ||
| Lancelot says, "wait if 4 is one of the digits that means the other one would be one out of 0,6,9 and last would be the prime" | ||
| Jade says, "too much info here" | ||
| Perry says, "Right, Lancelot" | ||
| Lancelot says, "(assuming 4 counts as closed)" | ||
| Perry says, "I really don't see how it could be anything but 594 despite how it's, uh, not." | ||
| Lancelot says, "we also know that two digits together sum up to the third" | ||
| DavidW says (to ClubFloyd), "set dial to 594" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > SET DIAL TO 594 | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | The door opens and in comes a big man. He has a black suit and barely | ||
| CF | any hair left on his head. His nametag reads 'Gamm Bell', and he has a | ||
| CF | big cigar in his mouth. He looks at you for a split second, then | ||
| CF | starts walking towards you and grabs you by the neck. There is nothing | ||
| CF | that you can do against this giant as he drags you out through the | ||
| CF | reception and throws you out into the street. He personally guarantees | ||
| CF | that you're not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | Jacqueline says, "Hm. We at least need to get out of there this turn." | |
| DavidW says (to ClubFloyd), "set dials to 594" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > SET DIALS TO 594 | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | The door opens and in comes a big man. He has a black suit and barely | ||
| CF | any hair left on his head. His nametag reads 'Gamm Bell', and he has a | ||
| CF | big cigar in his mouth. He looks at you for a split second, then | ||
| CF | starts walking towards you and grabs you by the neck. There is nothing | ||
| CF | that you can do against this giant as he drags you out through the | ||
| CF | reception and throws you out into the street. He personally guarantees | ||
| CF | that you're not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x safe" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X SAFE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Or can we not leave and then come back?" | |
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The office door is open. Behind the door lies the boss' office. | ||
| CF | A big man comes walking through the corridor. It looks like he is | ||
| CF | headed for the office. He has a black suit and barely any hair left on | ||
| CF | his head. His name tag reads 'Gamm Bell', and he has a big cigar in | ||
| CF | his mouth. He looks at the open office door, then looks at you for a | ||
| CF | split second, then starts walking towards you and grabs you by the | ||
| CF | neck. 'WHO DO YOU THINK YOU ARE'. There is nothing that you can do | ||
| CF | against this giant as he drags you out through the reception and | ||
| CF | throws you out into the street. He personally guarantees that you're | ||
| CF | not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| DavidW says (to ClubFloyd), "RESTORE" | ||
| DavidW says (to ClubFloyd), "cf14" | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | Perry says, "The sum of the sum of digits is 9 which means the sum of the digits has to be 18. (It can't be 27 since that'd be 999)." | |
| DavidW says (to ClubFloyd), "x safe" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > X SAFE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn picture" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > TURN PICTURE | ||
| CF | | ||
| CF | Sorry, I don't understand what "picture" means. | ||
| CF | | ||
| CF | > | Perry says, "Since one digit is 9, that means the remaining digits have to sum to 14, and the only way we get a prime number from that would be with 5 and 9." | |
| DavidW says (to ClubFloyd), "turn painting" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > TURN PAINTING | ||
| CF | | ||
| CF | You turn the painting in a clockwise motion, revealing a small lock | ||
| CF | with three dials (0-9). | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "set lock to 594" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > SET LOCK TO 594 | ||
| CF | | ||
| CF | A faint but satisfying 'click' can be heard from inside of the lock. | ||
| CF | | ||
| CF | > | Perry says, "And highest number goes in middle, the middle number goes first, so 594." | |
| Jacqueline says, "yay" | ||
| DavidW says (to ClubFloyd), "open safe" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > OPEN SAFE | ||
| CF | | ||
| CF | You open the safe, revealing a diamond. | ||
| CF | The door opens and in comes a big man. He has a black suit and barely | ||
| CF | any hair left on his head. His nametag reads 'Gamm Bell', and he has a | ||
| CF | big cigar in his mouth. He looks at you for a split second, then | ||
| CF | starts walking towards you and grabs you by the neck. There is nothing | ||
| CF | that you can do against this giant as he drags you out through the | ||
| CF | reception and throws you out into the street. He personally guarantees | ||
| CF | that you're not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Lancelot says, "true that must be it" | |
| Perry says, "But you can't divide it twice." | ||
| Perry says, "'The number can only be halved twice before becoming a decimal number.'" | ||
| Jacqueline says, "I mean it's 594, but that's not our issue." | ||
| DavidW says, "so he worded it badly" | ||
| Perry says, "Ohhh" | ||
| Lancelot says, "so we just need to time it and we are done" | ||
| DavidW says (to ClubFloyd), "restore" | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| DavidW says (to ClubFloyd), "cf 14" | ||
| CF | %% Critical error. | ||
| CF | %% Message: stream_open_file: unable to open file. | ||
| CF ] Boss' Officeorridor | ||
| CF | Failed restore. | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Perry says, "Right, it's meant to be read as 'the number becomes a decimal number only after halving it twice', not 'it's still an integer after halving it twice'. That's annoying." | |
| DavidW says (to ClubFloyd), "restore" | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| DavidW says (to ClubFloyd), "cf14" | ||
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn picture" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > TURN PICTURE | ||
| CF | | ||
| CF | Sorry, I don't understand what "picture" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn painting" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > TURN PAINTING | ||
| CF | | ||
| CF | You turn the painting in a clockwise motion, revealing a small lock | ||
| CF | with three dials (0-9). | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "set lock to 594" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > SET LOCK TO 594 | ||
| CF | | ||
| CF | A faint but satisfying 'click' can be heard from inside of the lock. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open safe" | ||
| CF ] Boss' Officeorridor | ||
| CF | | ||
| CF | > OPEN SAFE | ||
| CF | | ||
| CF | You open the safe, revealing a diamond. | ||
| CF | The door opens and in comes a big man. He has a black suit and barely | ||
| CF | any hair left on his head. His nametag reads 'Gamm Bell', and he has a | ||
| CF | big cigar in his mouth. He looks at you for a split second, then | ||
| CF | starts walking towards you and grabs you by the neck. There is nothing | ||
| CF | that you can do against this giant as he drags you out through the | ||
| CF | reception and throws you out into the street. He personally guarantees | ||
| CF | that you're not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Perry says, "Hmmm" | |
| Lancelot asks, "; just get out of the room and wait till the man just left?" | ||
| DavidW says, "sorry. I guess I didn't save early enough or we have to visit the office twice" | ||
| DavidW says (to Lancelot), "That doesn't work." | ||
| Jade says, "just wait" | ||
| DavidW says, "It doesn't work" | ||
| Jacqueline says, "And we can't leave, right? He gets us." | ||
| DavidW says, "I think I'd need to start over." | ||
| Lancelot says, "if we cannot leave or wait then we need to go to an earlier stage :(" | ||
| Perry asks, "Just to confirm, he gets us if we try to leave from right where the save is?" | ||
| DavidW says, "I don't know what you mean and you're free to try." | ||
| Perry says (to ClubFloyd), "restore" | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | Jacqueline asks, "Can we leave the room and escape right after the save, then come back later?" | |
| Perry says (to ClubFloyd), "cf14" | ||
| CF ] Boss' Officeorridor | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "s" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | | ||
| CF | The office door is open. Behind the door lies the boss' office. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "s" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Oh god, I hope no one was looking while you were walking into a wall. | ||
| CF | How silly! | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "l" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Far End of Corridor | ||
| CF | This is quite a bland corridor, but then again maybe you wouldn't | ||
| CF | expect much more from a corridor. A thick red mat is covering the | ||
| CF | entire floor. There is a black door to the north, and a few sheets of | ||
| CF | paper hanging on the outside of it. The beginning of the corridor is | ||
| CF | to the east. | ||
| CF | | ||
| CF | The office door is open. Behind the door lies the boss' office. | ||
| CF | A big man comes walking through the corridor. It looks like he is | ||
| CF | headed for the office. He has a black suit and barely any hair left on | ||
| CF | his head. His name tag reads 'Gamm Bell', and he has a big cigar in | ||
| CF | his mouth. He looks at the open office door, then looks at you for a | ||
| CF | split second, then starts walking towards you and grabs you by the | ||
| CF | neck. 'WHO DO YOU THINK YOU ARE'. There is nothing that you can do | ||
| CF | against this giant as he drags you out through the reception and | ||
| CF | throws you out into the street. He personally guarantees that you're | ||
| CF | not coming back in any time soon. You're forced to go home | ||
| CF | empty-handed. | ||
| CF | | ||
| CF | | ||
| CF | *** You lost your opportunity *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| Perry says (to ClubFloyd), "undo" | ||
| CF ] Far End of Corridor | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "e" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Corridor | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "z" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "z" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "z" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | ||
| Perry says (to ClubFloyd), "z" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | Perry says, "Wot" | |
| DavidW says, "okay, that's interesting" | ||
| Perry says (to ClubFloyd), "z" | ||
| CF ] Corridorof Corridor | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Nothing happens. | ||
| CF | | ||
| CF | > | DavidW says, "I suppose if you leave things badly and you're not physically there, you seem to be okay." | |
| Perry says, "Yeah, that's what I was thinking" | ||
| Perry says, "But I'm confused why we don't see him entering." | ||
| DavidW asks, "But does the game reset his office when he passes through?" | ||
| Perry says, "Side note, I just realized his name is 'gamble', which is fun. And yes, I think so DW." | ||
| Perry says, "You can drive again, I need to go get some food and coffee." | ||
| DavidW says, "So you can't just unlock his door and wait in the corridor." | ||
| Jacqueline asks, "So does this mean that restarting wouldn't help, DW?" | ||
| DavidW says, "I don't want to drive any more. It's almost 4pm and I'd feel better playing this one solo." | ||
| Perry says, "Okay! I'm fine with wrapping up here." | ||
| DavidW says, "I think restarting would help." | ||
| Jacqueline says, "I am okay with that. I was willing to watch for the benefit of your eventual walkthrough, but I am also perfectly fine with not seeing this one through." | ||
| DavidW says, "because we now know what to do." | ||
| DavidW says, "I don't know what the diamond's for except maybe the prize to leave with." | ||
| Perry says, "I'm a little bit annoyed at the number puzzle because the clues it gives you 1) make it faaaaar too easy and 2) there's way way more clues than needed." | ||
| DavidW says, "And maybe we never get the pill or money." | ||
| Jacqueline says, "That's what it was, I assumed." | ||
| Perry says, "And there's the badly worded one." | ||
| Perry says, "I think that was just a red herring, yeah." | ||
| DavidW says, "That urinal thing, though." | ||
| Jade says, "mmmm I don't know." | ||
| DavidW says, "There are videos on which urinal to use based on which are in use." | ||
| Perry says, "Yes, that was a very accurate scene." | ||
| DavidW says, "It all boils down to 'make the choice that's the least homo'." | ||
| Perry exclaims, "It's more about empathy and giving the other people there some privacy!" | ||
| DavidW says, "If privacy was paramount, they'd be in stalls too." | ||
| Perry asks, "Please, in the US?" | ||
| Lancelot says, "interesting game though that Monty Hall thing was kinda hard to guess" | ||
| Jade says, "there is anothe logic final puzzle" | ||
| DavidW asks (of Jade), "hm?" | ||
| Jacqueline says, "I don't even get why they're there. Just use toilets like you likely do at home." | ||
| Perry says (to Jacqueline), "I personally do just use toilets, though the same spacing logic applies there." | ||
| Jacqueline says, "Mythbusters did a thing once on which stall was the cleanest." | ||
| DavidW says (to Jacqueline), "For guys, if he just needs to pee, a urinal is faster than a toilet." | ||
| Jade says, "according to Dan Fabulish revoew at ifdb" | ||
| Jade says, "review" | ||
| Jacqueline says (to DW), "Yeah, but it's just not worth the extra infrastructure, imo." | ||
| Perry says, "^" | ||
| Jade says, "ok then. Good driving, GGs, stay safe, I go to bed right now" | ||
| Jacqueline says, "I used to clean toilets, and honestly it's not because they're any easier to clean." | ||
| Jacqueline says, "G'night, all." | ||
| Jacqueline says, "Sleep well, Jade." | ||
| DavidW says, "thanks everyone. Pick a game for next week!" | ||
| Knight_Otu exclaims, "Good night, all!" | ||
| Knight_Otu goes home. | Perry poofs. | |
