ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
ANOTHER WARNING! A lot (most!) of the transcripts contained on this site are, shall we say, family-friendly. This is not one of those family-friendly transcripts. Just so we're clear. |
ToyShop & Floyditorium
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#ClubFloyd Discussion
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DavidW says (to ClubFloyd), "load sleepmask beatwitch" | ||
CF ] No music Staging Area Healthy | ||
CF | | ||
CF | | ||
CF | | ||
CF | The emergency responders move like yellow ghosts through the smoke. | ||
CF | | ||
CF | The group banded together before you could get away. Now you find | ||
CF | yourself in the middle, an unwilling participant in a silent parade | ||
CF | that marches past cars that won't start and shops that are eternally | ||
CF | closed. | ||
CF | | ||
CF | In the darkness, you seem like the others. You even adopt their | ||
CF | attitude of ignoring the piles of smoldering dead. | ||
CF | | ||
CF | The group stops near a high school gymnasium. One by one, you move | ||
CF | past the electric generators, through plastic sheets, and into the | ||
CF | light of the staging area. | ||
CF | | ||
CF | When the last of you has stepped through the final veil, the door | ||
CF | seals, and the scrubbers whir. | ||
CF | | ||
CF | The one in charge -- Dr. Steve, everyone affectionately calls him -- | ||
CF | takes off his hazmat helmet and motions everyone to do the same. | ||
CF | | ||
CF | You're done for. | ||
CF | | ||
CF | Beat Witch | ||
CF | An interactive loneliness by Robert Patten | ||
CF | Release 1 / Serial number 230928 / Inform 7 build 6M62 (I6/v6.33 lib | ||
CF | 6/12N) | ||
CF | | ||
CF | This story occasionally plays music if supported by your | ||
CF | interpreter. It is on by default. To toggle hearing it, type | ||
CF | MUSIC. | ||
CF | | ||
CF | Type HELP if you have never played interactive fiction | ||
CF | before. | ||
CF | | ||
CF | Staging Area | ||
CF | Translucent plastic veils enclose what was once a basketball court. | ||
CF | Hoops and bleachers are faint shadows. High above you, the scrubbers | ||
CF | sterilize any intruding air. A door is magnetically sealed against any | ||
CF | invisible danger outside. | ||
CF | | ||
CF | Dozens of tables bear medical equipment. In front of them is a | ||
CF | whiteboard. | ||
CF | | ||
CF | Dr. Steve wipes his brow, gestures to the tables, and clears his | ||
CF | throat. | ||
CF | | ||
CF | You can only half-hear with this bulky helmet on your head. | ||
CF | | ||
CF | " ... pathology team ... not found ... source ... disease," he says. | ||
CF | | ||
CF | The news is a surprise to no one, but shoulders slump. | ||
CF | | ||
CF | You're feeling despair for a different reason -- Dr. Steve is standing | ||
CF | between you and the door. | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
Jade says, "oh, the witch...lol" | ||
Lancelot says, "hazmat suits? hmm" | ||
DavidW says, "um, I'm always clumsy when thrown into the deep end at the start of a game." | ||
Lancelot asks, "x stuff?" | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | Your arsenal is limited. | ||
CF | | ||
CF | • You have your conversational notepad. | ||
CF | • Your most prized possession is a Walkman (closed and silent), which | ||
CF | is attached to earphones. | ||
CF | • You are sweating under a yellow hazmat suit and are wearing a bulky | ||
CF | helmet. | ||
CF | | ||
CF | "... few more tests ..." Dr. Steve is trying to sound encouraging. | ||
CF | "... Jessica?" | ||
CF | | ||
CF | "... disposing of the bodies with fire ..." Jessica says. Her voice is | ||
CF | quivering, but she forces the report from her lips. "... didn't know | ||
CF | the scale. With all ... need ... bigger crew ... can only focus ... | ||
CF | streets ... parks ... can't ... anything indoors ..." | ||
CF | | ||
CF | Dr. Steve nods. | ||
CF | | ||
CF | "No one understood ... sheer numbers of deceased ... will radio ... | ||
CF | more personnel ... Dave?" | ||
CF | | ||
CF | > | DavidW asks, "Should we remove our helmet?" | |
Lancelot says, "I guess we can hear better then" | ||
DavidW says (to ClubFloyd), "remove helmet" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > REMOVE HELMET | ||
CF | | ||
CF | You reach up to your helmet and hesitate. Maybe you can get away with | ||
CF | looking comfortable with the helmet on. | ||
CF | | ||
CF | Dave mutters something you probably wouldn't have been able to hear, | ||
CF | even if your helmet were off. | ||
CF | | ||
CF | "Dave?" | ||
CF | | ||
CF | He doesn't look up. "... riots ... looting." | ||
CF | | ||
CF | "None?" | ||
CF | | ||
CF | Dave's voice rises and cracks. | ||
CF | | ||
CF | "No panic ... people ... parents ... children. Just ..." He trails off | ||
CF | into what could be swearing or a prayer. "... silence. No one." | ||
CF | | ||
CF | He looks down again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x whiteboard" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > X WHITEBOARD | ||
CF | | ||
CF | It reads: | ||
CF | | ||
CF | Timeline: | ||
CF | March 2, 11:31 p.m. - Power goes out - all devices, entire city - EMP | ||
CF | device? | ||
CF | March 2, approx. 1:00 p.m. - First signs of plague appear - business | ||
CF | district | ||
CF | March 3 - Plague firmly in residential areas | ||
CF | March 4 - Quarantine in place | ||
CF | | ||
CF | Terrorists? Bacterium, virus, fungus? | ||
CF | Spread: Airborne? | ||
CF | Known symptom: Sudden death, no external or internal signs of injury | ||
CF | | ||
CF | "I'm seeing the same ... and Alisha ... safe ... can take off ..." | ||
CF | | ||
CF | At first you think Dr. Steve's pretending to pop off his head, but | ||
CF | he's actually demonstrating how to remove the headgear. | ||
CF | | ||
CF | You jolt. He's looking at you. | ||
CF | | ||
CF | Everyone is. | ||
CF | | ||
CF | > | Lancelot says, "we still didnt take of the helmet we hesitated" | |
DavidW asks, "Right. We don't want to, but I think we have to?" | ||
Knight_Otu says, "Because we are not part of the team." | ||
DavidW says, "well, it's the start of the game. We might learn something if we take the helmet off." | ||
Lancelot says, "I dont know the backstory... are we like incognito?>" | ||
DavidW says, "I don't know either." | ||
DavidW says (to ClubFloyd), "remove helmet" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > REMOVE HELMET | ||
CF | | ||
CF | No sense in postponing the inevitable. | ||
CF | | ||
CF | You sigh and remove the helmet. | ||
CF | | ||
CF | More than one person gives a startled yell. Dave draws a pistol. | ||
CF | | ||
CF | "Who are you, and what did you do with Alisha?" Dr. Steve demands. | ||
CF | "TALK TO me!" | ||
CF | | ||
CF | > | Lancelot says, "so just try" | |
Lancelot says, "okay so we were supposed to be Alisha" | ||
Lancelot asks, "undo?" | ||
DavidW says (to ClubFloyd), "talk to steve" | ||
CF | > | ||
CF | > TALK TO STEVE | ||
CF | | ||
CF | You prepared the notepad to be your voice for any number of situations | ||
CF | you might encounter here. Which page do you show Dr. Steve? | ||
CF | | ||
CF | 1) Hello. My name is Polly. | ||
CF | 2) If you do not cooperate, more will die. | ||
CF | 3) Stop the music, please. It hurts me. | ||
CF | 4) You must end this suffering. Have mercy. | ||
CF | 5) (close notepad) | ||
CF | >> | Lancelot says, "lol" | |
DavidW says (to ClubFloyd), "1" | ||
CF | >> | ||
CF | > 1 | ||
CF | | ||
CF | "People here call me Dr. Steve. I'm afraid you're in quite a bit of | ||
CF | trouble, young lady. This is a quarantined area, and --" | ||
CF | | ||
CF | The color leaves Dr. Steve's cheeks, and his eyes narrow. He diagnosed | ||
CF | the situation faster than you expected. Woman with a perfectly | ||
CF | proportioned face, can't speak, appears unexpectedly amid death ... it | ||
CF | makes sense. | ||
CF | | ||
CF | "Beat witch!" he shouts. | ||
CF | | ||
CF | The others cry out in fear and press against the walls, as though you | ||
CF | were a bomb. The now-trembling gun is still aimed at you, though Dave | ||
CF | seems to have forgotten it in his panic. | ||
CF | | ||
CF | Dr. Steve fumbles in his pockets and produces an iPhone. He can't | ||
CF | swipe fast enough. | ||
CF | | ||
CF | "This is for Ruby, Faith, and Ivy. Eat music, witch!" | ||
CF | | ||
CF | And it starts. | Knight_Otu says, "Huh." | |
Lancelot says, "oh we cannot speak ... nats a neat trick to avoid conv" | ||
DavidW pushes the green 'space' button. | ||
CF ] ♪ iPhone (loud) Staging Area Dying | ||
CF | And it starts.It happens to be a lively instrumental tune featuring a | ||
CF | viola, it's on full blast, and it has no lyrics to soften the musical | ||
CF | blow. | ||
CF | | ||
CF | You collapse. Your entire body shakes in painful spasms. | ||
CF | | ||
CF | You don't have much time. | ||
CF | | ||
CF | The melody burrows into your mind in fiery needles. Your shrieks are | ||
CF | soundless. | ||
CF | | ||
CF | "You are all safe now," Dr. Steve tells his colleagues. "Observe the | ||
CF | subject's loss of balance, the dry-heaving, the drooping gaze. Yes, we | ||
CF | are witnessing the beginning of a beautiful aneurysm." | ||
CF | | ||
CF | You barely overhear a couple of scientists muttering about how they | ||
CF | have never heard of a beat witch killing so many, so suddenly, but | ||
CF | here you are. You being the cause of the plague seems obvious in | ||
CF | retrospect. | ||
CF | | ||
CF | > | Knight_Otu says, "Geeze." | |
Lancelot asks, "so we have to avoid music.... but didnt we have something plugged in?" | ||
Lancelot asks, "a walkman or sth can we drown out the sound?" | ||
DavidW asks, "So, we're a witch who can't stand music?" | ||
Lancelot asks, "maybe the wrong type of music?" | ||
DavidW says (to ClubFloyd), "wear earphones" | ||
CF ] ♪ iPhone (loud) Staging Area Dying | ||
CF | > | ||
CF | > WEAR EARPHONES | ||
CF | | ||
CF | You slip on the earphones. They do nothing to block out the music. | ||
CF | | ||
CF | The world crashes into itself like a whirlpool. | ||
CF | | ||
CF | Every note you hear brings you one beat closer to your brain bursting. | ||
CF | You cradle the helmet against your chest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear helmet" | ||
CF ] ♪ iPhone (loud) Staging Area Dying | ||
CF | > | ||
CF | > WEAR HELMET | ||
CF | | ||
CF | The helmet is normally a snug fit. You can't wear it with the | ||
CF | earphones on. | ||
CF | | ||
CF | Your head is a pain-spewing fountain. If you can't find a way to block | ||
CF | out the sound, you're not going to last any longer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "play walkman" | ||
CF ] Deep silence Dead | ||
CF | > | ||
CF | > PLAY WALKMAN | ||
CF | | ||
CF | Don't forget your purpose here. The music in that Walkman is for one | ||
CF | person only. | ||
CF | | ||
CF | Fluid dribbles from your ears, and you have a hallucination of musical | ||
CF | notes ripping flesh from your bones. | ||
CF | | ||
CF | The helmet drops from your unfeeling fingers. The last thing you hear | ||
CF | is applause. | ||
CF | | ||
CF | A monster is dead. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | | ||
CF | | ||
CF | *** You die *** | ||
CF | | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT, or UNDO the | ||
CF | last command? | ||
CF | | ||
CF | > | Lancelot asks, "ouch game bug? because no sound support?" | |
DavidW says, "perhaps" | ||
Lancelot asks, "I think we can just restart it? or want to undo?" | ||
DavidW says (to ClubFloyd), "restart" | ||
CF ] No music Staging Area Healthy | ||
CF | | ||
CF | | ||
CF | | ||
CF | The emergency responders move like yellow ghosts through the smoke. | ||
CF | | ||
CF | The group banded together before you could get away. Now you find | ||
CF | yourself in the middle, an unwilling participant in a silent parade | ||
CF | that marches past cars that won't start and shops that are eternally | ||
CF | closed. | ||
CF | | ||
CF | In the darkness, you seem like the others. You even adopt their | ||
CF | attitude of ignoring the piles of smoldering dead. | ||
CF | | ||
CF | The group stops near a high school gymnasium. One by one, you move | ||
CF | past the electric generators, through plastic sheets, and into the | ||
CF | light of the staging area. | ||
CF | | ||
CF | When the last of you has stepped through the final veil, the door | ||
CF | seals, and the scrubbers whir. | ||
CF | | ||
CF | The one in charge -- Dr. Steve, everyone affectionately calls him -- | ||
CF | takes off his hazmat helmet and motions everyone to do the same. | ||
CF | | ||
CF | You're done for. | ||
CF | | ||
CF | Beat Witch | ||
CF | An interactive loneliness by Robert Patten | ||
CF | Release 1 / Serial number 230928 / Inform 7 build 6M62 (I6/v6.33 lib | ||
CF | 6/12N) | ||
CF | | ||
CF | This story occasionally plays music if supported by your | ||
CF | interpreter. It is on by default. To toggle hearing it, type | ||
CF | MUSIC. | ||
CF | | ||
CF | Type HELP if you have never played interactive fiction | ||
CF | before. | ||
CF | | ||
CF | Staging Area | ||
CF | Translucent plastic veils enclose what was once a basketball court. | ||
CF | Hoops and bleachers are faint shadows. High above you, the scrubbers | ||
CF | sterilize any intruding air. A door is magnetically sealed against any | ||
CF | invisible danger outside. | ||
CF | | ||
CF | Dozens of tables bear medical equipment. In front of them is a | ||
CF | whiteboard. | ||
CF | | ||
CF | Dr. Steve wipes his brow, gestures to the tables, and clears his | ||
CF | throat. | ||
CF | | ||
CF | You can only half-hear with this bulky helmet on your head. | ||
CF | | ||
CF | " ... pathology team ... not found ... source ... disease," he says. | ||
CF | | ||
CF | The news is a surprise to no one, but shoulders slump. | ||
CF | | ||
CF | You're feeling despair for a different reason -- Dr. Steve is standing | ||
CF | between you and the door. | ||
CF | | ||
CF | > | Lancelot says, "if we drop the headphones we can wear helmet" | |
DavidW says, "well, simpler not to wear the headphones at all." | ||
Lancelot says, "true" | ||
DavidW says, "But I have no idea what to do about the gun." | ||
DavidW asks, "If we're a witch, what powers do we have?" | ||
DavidW says (to ClubFloyd), "x me" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > X ME | ||
CF | | ||
CF | Your features are hidden under the hazmat helmet. | ||
CF | | ||
CF | "... few more tests ..." Dr. Steve is trying to sound encouraging. | ||
CF | "... Jessica?" | ||
CF | | ||
CF | "... disposing of the bodies with fire ..." Jessica says. Her voice is | ||
CF | quivering, but she forces the report from her lips. "... didn't know | ||
CF | the scale. With all ... need ... bigger crew ... can only focus ... | ||
CF | streets ... parks ... can't ... anything indoors ..." | ||
CF | | ||
CF | Dr. Steve nods. | ||
CF | | ||
CF | "No one understood ... sheer numbers of deceased ... will radio ... | ||
CF | more personnel ... Dave?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "spells" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > SPELLS | ||
CF | | ||
CF | Please rephrase that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x suit" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > X SUIT | ||
CF | | ||
CF | (the hazmat suit) | ||
CF | Bulky, yellow, and a useless means of keeping people safe from this | ||
CF | "plague." | ||
CF | | ||
CF | Dave mutters something you probably wouldn't have been able to hear, | ||
CF | even if your helmet were off. | ||
CF | | ||
CF | "Dave?" | ||
CF | | ||
CF | He doesn't look up. "... riots ... looting." | ||
CF | | ||
CF | "None?" | ||
CF | | ||
CF | Dave's voice rises and cracks. | ||
CF | | ||
CF | "No panic ... people ... parents ... children. Just ..." He trails off | ||
CF | into what could be swearing or a prayer. "... silence. No one." | ||
CF | | ||
CF | He looks down again. | ||
CF | | ||
CF | > | Knight_Otu says, "Witch may just be a derogatory term." | |
DavidW says (to ClubFloyd), "n" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You can't go anywhere with Dr. Steve in your way. And the door's | ||
CF | magnetically sealed. | ||
CF | | ||
CF | "I'm seeing the same ... and Alisha ... safe ... can take off ..." | ||
CF | | ||
CF | At first you think Dr. Steve's pretending to pop off his head, but | ||
CF | he's actually demonstrating how to remove the headgear. | ||
CF | | ||
CF | You jolt. He's looking at you. | ||
CF | | ||
CF | Everyone is. | ||
CF | | ||
CF | > | Lancelot says, "I guess we use that conversational notepsad for talking then" | |
DavidW says, "yes" | ||
DavidW asks, "Should we remove our helmet again? What other options do we have?" | ||
DavidW asks, "Do we talk to Steve first instead?" | ||
Knight_Otu says, "I guess it's either remove it ourselves or get it removed." | ||
DavidW says (to ClubFloyd), "talk to steve" | ||
CF ] No music Staging Area Healthy | ||
CF | > | ||
CF | > TALK TO STEVE | ||
CF | | ||
CF | Attempting to communicate with others would give you away. | ||
CF | | ||
CF | "What's ... matter with ... Alisha?" Dr. Steve asks. "Alisha?" | ||
CF | | ||
CF | "Let me," Dave says. He's right behind you. | ||
CF | | ||
CF | He yanks the helmet off your head. | ||
CF | | ||
CF | You grab the helmet back, but it's too late. | ||
CF | | ||
CF | More than one person gives a startled yell. Dave draws a pistol. | ||
CF | | ||
CF | "Who are you, and what did you do with Alisha?" Dr. Steve demands. | ||
CF | "TALK TO me!" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to Steve" | ||
CF | > | ||
CF | > TALK TO STEVE | ||
CF | | ||
CF | You prepared a notepad to be your voice for any number of situations | ||
CF | you might encounter here. Which page do you show Dr. Steve? | ||
CF | | ||
CF | 1) Hello. My name is Polly. | ||
CF | 2) If you do not cooperate, more will die. | ||
CF | 3) Stop the music, please. It hurts me. | ||
CF | 4) You must end this suffering. Have mercy. | ||
CF | 5) (close notepad) | ||
CF | >> | ||
DavidW says (to ClubFloyd), "2" | ||
CF | >> | ||
CF | > 2 | ||
CF | | ||
CF | Dr. Steve scowls. | ||
CF | | ||
CF | "Was that a threat?" | ||
CF | | ||
CF | The color leaves Dr. Steve's cheeks, and his eyes narrow. He diagnosed | ||
CF | the situation faster than you expected. Woman with a perfectly | ||
CF | proportioned face, can't speak, appears unexpectedly amid death ... it | ||
CF | makes sense. | ||
CF | | ||
CF | "Beat witch!" he shouts. | ||
CF | | ||
CF | The others cry out in fear and press against the walls, as though you | ||
CF | were a bomb. The now-trembling gun is still aimed at you, though Dave | ||
CF | seems to have forgotten it in his panic. | ||
CF | | ||
CF | Dr. Steve fumbles in his pockets and produces an iPhone. He can't | ||
CF | swipe fast enough. | ||
CF | | ||
CF | "This is for Ruby, Faith, and Ivy. Eat music, witch!" | ||
CF | | ||
CF | And it starts. | ||
DavidW says (to ClubFloyd), "3" | ||
CF ] ♪ iPhone (loud) Staging Area Dying | ||
CF | And it starts.It happens to be a lively instrumental tune featuring a | ||
CF | viola, it's on full blast, and it has no lyrics to soften the musical | ||
CF | blow. | ||
CF | | ||
CF | You collapse. Your entire body shakes in painful spasms. | ||
CF | | ||
CF | You don't have much time. | ||
CF | | ||
CF | The melody burrows into your mind in fiery needles. Your shrieks are | ||
CF | soundless. | ||
CF | | ||
CF | "You are all safe now," Dr. Steve tells his colleagues. "Observe the | ||
CF | subject's loss of balance, the dry-heaving, the drooping gaze. Yes, we | ||
CF | are witnessing the beginning of a beautiful aneurysm." | ||
CF | | ||
CF | You barely overhear a couple of scientists muttering about how they | ||
CF | have never heard of a beat witch killing so many, so suddenly, but | ||
CF | here you are. You being the cause of the plague seems obvious in | ||
CF | retrospect. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear helmet" | ||
CF ] ♪ iPhone (faint) Staging Area Healthy | ||
CF | > | ||
CF | > WEAR HELMET | ||
CF | | ||
CF | You put on your helmet. | ||
CF | | ||
CF | The music is muffled now, and you feel better instantly. Your skin | ||
CF | tingles with anticipation. There's no way you can make it out of here | ||
CF | without ... doing what you do. | ||
CF | | ||
CF | Dr. Steve's blocking the door. He won't once you DRAIN him. | ||
CF | | ||
CF | Everyone freezes, waiting for the mistress of death to take action. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "drain gmmm" | |
DavidW says (to ClubFloyd), "drain steve" | ||
CF ] ♪ iPhone (faint) Staging Area Strong | ||
CF | > | ||
CF | > DRAIN STEVE | ||
CF | | ||
CF | With a thought, you drain life from Dr. Steve. | ||
CF | | ||
CF | You love the sensation of new life -- your body inhaling steady rhythm | ||
CF | from other flesh, converting it to power. Your senses sharpen, your | ||
CF | muscles tighten, and a nearly blinding surge of energy bursts into | ||
CF | your veins. You love it so much, you find it disgusting, like gorging | ||
CF | on chocolate. | ||
CF | | ||
CF | Dr. Steve crashes to the floor. | ||
CF | | ||
CF | You were careful not to take too much, though. He'll be better in a | ||
CF | day, as long as you don't drain him again when he's like this. | ||
CF | | ||
CF | You are strong enough to deal with the door. | ||
CF | | ||
CF | > | Lancelot says, "custom verb" | |
Lancelot says, "whoa some action" | ||
DavidW says (to ClubFloyd), "open door" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > OPEN DOOR | ||
CF | | ||
CF | You give the magnetically sealed door a superhuman punch. It squeals | ||
CF | and shoots into the street. You run outside. | ||
CF | | ||
CF | Street | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | You bound over cars and burn piles like an impossible gazelle. | ||
CF | | ||
CF | Although you're still wearing the helmet, you can make out the | ||
CF | panicked shouts behind you. | ||
CF | | ||
CF | "Stop staring! Shoot her!" | ||
CF | | ||
CF | Deeper in City | ||
CF | CRACK. | ||
CF | | ||
CF | A sudden numbness engulfs your leg. | ||
CF | | ||
CF | "Bring Dr. Steve's phone! Don't worry about him right now -- she's | ||
CF | getting away!" | ||
CF | | ||
CF | You careen into a school-crossing sign and barely catch yourself from | ||
CF | falling. You gulp air and force yourself to move. | ||
CF | | ||
CF | Your augmented strength wears off faster than usual to deal with your | ||
CF | bullet wound, which only half-heals. Running slows to limping, | ||
CF | strength to weakness. You are a delirious rat in an asphalt maze. | ||
CF | | ||
CF | You've never been in this city before, and you have lost your sense of | ||
CF | direction. But you feel an itching, a howling in your mind that | ||
CF | crescendos as you get closer to the other beat witch. | ||
CF | | ||
CF | It's quiet here -- except for your breathing, which is heavy and fast. | ||
CF | You have to walk. | ||
CF | | ||
CF | You are among the shadows of apartment buildings, all dark, all | ||
CF | teeming with death. Somewhere in the distance, a dog howls -- you hate | ||
CF | to think what it's been surviving on. | ||
CF | | ||
CF | You pass reddish embers in the dark. It didn't take you long to become | ||
CF | accustomed to piles of burning corpses -- but this one strikes you as | ||
CF | unusual. A single body appears to have rolled off the pile before it | ||
CF | could ignite. | ||
CF | | ||
CF | You note with dismay that you have left a trail of blood behind you. | ||
CF | The bullet must have hit an artery. So much for losing this mob. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "can we use that body to hide" | |
Knight_Otu says (to ClubFloyd), "music" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > MUSIC | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | Music is off. | ||
CF | | ||
CF | > | Lancelot asks, "would have been nice if this game had some option to turn sound off? lose those error messages?" | |
Lancelot says, "nvm" | ||
Knight_Otu asks, "In theory it should be off now?" | ||
DavidW says, "I'm not sure what to do with the body." | ||
Jade says, "I don't know" | ||
Lancelot says, "x" | ||
DavidW says (to ClubFloyd), "x body" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > X BODY | ||
CF | | ||
CF | (the corpse) | ||
CF | Slightly bloated, one of the corpses is a young man in his 20s wearing | ||
CF | rollerblades. | ||
CF | | ||
CF | You wish you could GIVE LIFE to him, but you've tried this kind of | ||
CF | thing before, and nothing. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Knight_Otu says, "Let's see if that fixes the error message." | |
Knight_Otu says, "It doesn't. :/" | ||
Lancelot asks, "give life?" | ||
Lancelot says, "so we have drain and give :D" | ||
DavidW says (to ClubFloyd), "give life to body" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > GIVE LIFE TO BODY | ||
CF | | ||
CF | (the corpse) | ||
CF | Giving life to the lifeless is beyond your ability. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "can we give life to ourself" | |
Lancelot asks, "like heal?" | ||
DavidW says, "Or take his rollerblades." | ||
DavidW says (to ClubFloyd), "give life to me" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > GIVE LIFE TO ME | ||
CF | | ||
CF | You can't give life from yourself, to yourself, as much as your leg | ||
CF | pains you. | ||
CF | | ||
CF | You sense the disquiet from other beat witch. She's so close. | ||
CF | | ||
CF | It doesn't matter where you go -- your feet will take you to her. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear rollerblades" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > WEAR ROLLERBLADES | ||
CF | | ||
CF | (first taking the rollerblades) | ||
CF | With your leg the way it is, there's no way you could move in | ||
CF | rollerblades. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Knight_Otu says, "from other > from the other, I guess." | |
DavidW says (to ClubFloyd), "x leg" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > X LEG | ||
CF | | ||
CF | Your leg has been shot and is bleeding terribly. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "ah others... get those blades and ok" | |
DavidW says (to ClubFloyd), "bandage leg" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > BANDAGE LEG | ||
CF | | ||
CF | Please rephrase that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "fix leg" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > FIX LEG | ||
CF | | ||
CF | Please rephrase that. | ||
CF | | ||
CF | > | Lancelot says, "heal leg" | |
DavidW says (to ClubFloyd), "heal leg" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > HEAL LEG | ||
CF | | ||
CF | You can't give life from yourself, to yourself, as much as your leg | ||
CF | pains you. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | DavidW says, "I'm not sure what to do." | |
Lancelot asks, "can we drain that body?" | ||
DavidW says (to ClubFloyd), "drain body" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > DRAIN BODY | ||
CF | | ||
CF | (the corpse) | ||
CF | Taking life from the lifeless is beyond your ability. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot asks, "even if its dead..?" | |
Lancelot says, "ah nvm" | ||
DavidW says (to ClubFloyd), "search body" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > SEARCH BODY | ||
CF | | ||
CF | (the corpse) | ||
CF | You can do nothing for the dead. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | Your arsenal is limited. | ||
CF | | ||
CF | • You have your conversational notepad. | ||
CF | • Your most prized possession is a Walkman (closed and silent), which | ||
CF | is attached to earphones. | ||
CF | • You are sweating under a yellow hazmat suit and are wearing a bulky | ||
CF | helmet. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pile" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > X PILE | ||
CF | | ||
CF | Looking at the fires fills you with repulsive fascination. The flames | ||
CF | have almost finished consuming the blackened, twisted shapes that used | ||
CF | to be people. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "I would be tempted to dress up that body as me and get away but thats far fetched" | |
DavidW says (to ClubFloyd), "put hazmat suit on corpse" | ||
CF ] No music Deeper in City Wounded | ||
CF | > | ||
CF | > PUT HAZMAT SUIT ON CORPSE | ||
CF | | ||
CF | Putting things on the corpse is a funny idea, but you're in no mood to | ||
CF | laugh. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "lol ok" | |
Knight_Otu says, "Worth a try." | ||
DavidW says, "I am out of ideas except limping away." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] No music South Side of Skyscraper Wounded | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You follow the uneasiness before you. Exact directions mean nothing at | ||
CF | the moment. | ||
CF | | ||
CF | You hear the click clack of rollerblades behind you. When you | ||
CF | turn, you see only splotches of flame in the night. | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | The pain in your leg explodes. You stumble and black out for a few | ||
CF | seconds. | ||
CF | | ||
CF | When you awake, you find your fall knocked the helmet off. You manage | ||
CF | to stand, but you leave the helmet where it is. You can't summon the | ||
CF | strength to put it on. | ||
CF | | ||
CF | You take in your surroundings in the moonlight. You're a little more | ||
CF | lucid now and have a better sense of direction. You notice streets | ||
CF | downtown are laid out and labeled in a grid, though a winding gravel | ||
CF | path that goes northeast seems to be the exception. The entrance of | ||
CF | this office building is to the north. It's the tallest skyscraper | ||
CF | around and also happens to be where she is lurking. | ||
CF | | ||
CF | Lights on some of the floors flicker to life, and the front doors | ||
CF | appear to open on their own. | ||
CF | | ||
CF | She is waiting. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Knight_Otu asks, "Huh. That person was still alive?" | |
DavidW says, "I don't know." | ||
DavidW says, "Maybe the other beat witch can animate the dead." | ||
Lancelot says, "or at least heal us" | ||
Knight_Otu asks, "I'm gettng the feeling she's not our friend?" | ||
DavidW asks, "Should we head north inside, or check out the northeast path, or take some other street?" | ||
Lancelot says, "true but not sure if we have other options at present" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] ♪ iPhone (faint) Main Lobby Wounded | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Lobby | ||
CF | The only clue the white-marbled lobby does not belong to a 5-star | ||
CF | hotel is the gigantic logo behind the desk. | ||
CF | | ||
CF | On one side of the desk is a doorless opening that is marked as TO | ||
CF | STAIRWELL. On the other side is an elevator. | ||
CF | | ||
CF | A pale man in a blue blazer and bright red tie sits at the desk. His | ||
CF | name is Ted Tau, if his badge is to be trusted. He motions you farther | ||
CF | in. | ||
CF | | ||
CF | As soon as you clear the doorway, he pushes something under the desk, | ||
CF | and the doors slam shut behind you. | ||
CF | | ||
CF | Just in time too -- the first responders have found you. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | They rattle the double doors. Fists pound on the thick glass, but the | ||
CF | doors hold. | ||
CF | | ||
CF | Booted feet kick your helmet down the sidewalk, as though being a | ||
CF | plague on humanity were contagious. | ||
CF | | ||
CF | One of the responders waves Dr. Steve's phone at you. From the other | ||
CF | side of the glass, it is weak and harmless. | ||
CF | | ||
CF | > | Knight_Otu says, "Plagues can be quite contagious." | |
Lancelot says, "I guess we are safe for a bit" | ||
DavidW says (to ClubFloyd), "talk to ted" | ||
CF | > | ||
CF | > TALK TO TED | ||
CF | | ||
CF | Which page do you show Ted? | ||
CF | | ||
CF | 1) Hello. My name is Polly. | ||
CF | 2) If you do not cooperate, more will die. | ||
CF | 3) Stop the music, please. It hurts me. | ||
CF | 4) You must end this suffering. Have mercy. | ||
CF | 5) (close notepad) | ||
CF | >> | ||
DavidW says (to ClubFloyd), "1" | ||
CF ] ♪ iPhone (faint) Main Lobby Wounded | ||
CF | >> | ||
CF | > 1 | ||
CF | | ||
CF | Ted nods and goes back to gazing into nothingness. | ||
CF | | ||
CF | > | Lancelot says, "I wonder if its really a plague but ok" | |
DavidW says (to ClubFloyd), "in" | ||
CF ] No music Bottom of Stairs Wounded | ||
CF | > | ||
CF | > IN | ||
CF | | ||
CF | (entering the stairwell) | ||
CF | You've lost all sense of direction again. You stagger toward the | ||
CF | stairs. You trip, and Ted immediately catches you. As jarring as it is | ||
CF | for you to touch another person, you have no choice but to lean on his | ||
CF | stiff shoulder. | ||
CF | | ||
CF | Bottom of Stairs | ||
CF | You are at the base of what appears to be endlessly zigzagging stairs. | ||
CF | | ||
CF | A girl lies motionless on the floor. She clutches a gray book -- a | ||
CF | photo album -- in her arms, and a Polaroid camera hangs from her neck | ||
CF | by a strap. You believe she's breathing. Ted points at you, then her. | ||
CF | | ||
CF | You don't care how he knows that you aren't a force of destruction | ||
CF | only, that you can make life flow two ways ... but you are so weak! | ||
CF | You want to help, but you doubt you have much life to GIVE her -- it | ||
CF | would likely mean your death. | ||
CF | | ||
CF | On the other hand, taking what meager life must remain in the child is | ||
CF | a possibility. It would give you the strength you need to at least | ||
CF | limp up the stairs to face the beat witch. The girl would not be | ||
CF | strong enough to survive you draining her, though. | ||
CF | | ||
CF | > | Knight_Otu says, "Hm." | |
DavidW says, "well, this is an ugly choice." | ||
DavidW asks, "Can we partly drain Ted instead?" | ||
Lancelot says, "we can try good thinking" | ||
DavidW says (to ClubFloyd), "drain ted" | ||
CF ] No music Bottom of Stairs Wounded | ||
CF | > | ||
CF | > DRAIN TED | ||
CF | | ||
CF | You are desperate. You try to drain life from Ted, but it's like | ||
CF | sipping from an empty cup. You sense no life rhythm inside him, only | ||
CF | silence. | ||
CF | | ||
CF | What's happened to you? You've never failed to do this before. | ||
CF | | ||
CF | > | Lancelot says, "hmm is ted even human" | |
Knight_Otu says, "Ted's a robot or an animated corpse." | ||
DavidW says (to ClubFloyd), "x album" | ||
CF ] No music Bottom of Stairs Wounded | ||
CF | > | ||
CF | > X ALBUM | ||
CF | | ||
CF | You reach down to the ragged photo album, but Ted slaps your hand | ||
CF | away. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf10" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] No music Bottom of Stairs Wounded | ||
CF | > SAVESaved. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give life to girl" | ||
CF | > | ||
CF | > GIVE LIFE TO GIRL | ||
CF | | ||
CF | You're not sure if this is going to work, but what choice do you have? | ||
CF | This is it. You will die. But how can you leave her like this? | ||
CF | | ||
CF | You will your life into her body. Her chest rises sharply. The world | ||
CF | fades into soundlessness ... | Lancelot says, "give life to" | |
Lancelot says, "oh" | ||
DavidW pushes the green 'space' button. | ||
CF ] No music Upper Lobby Healthy | ||
CF | fades into soundlessness ... | ||
CF | Upper Lobby | ||
CF | You awaken to fingers grasping your wrist. | ||
CF | | ||
CF | You leap to your feet. Your leg feels fine -- it's as if you were | ||
CF | never shot. | ||
CF | | ||
CF | In the undulating red light, you face a man in a soiled shirt and | ||
CF | ragged tie. His smile is wide but strained. | ||
CF | | ||
CF | "A pulse! I didn't think I'd meet another living person," he says. He | ||
CF | suffocates you in a hug. You can't remember the last time anyone | ||
CF | showed you affection, and you're not sure what to do. | ||
CF | | ||
CF | Why do you feel lighter? | ||
CF | | ||
CF | You shove him away and pat your pockets in a frenzy. Your Walkman and | ||
CF | notepad are gone. | ||
CF | | ||
CF | The man doesn't seem to notice your sudden panic. | ||
CF | | ||
CF | "I'm Hal, chief executive of this establishment," he says while | ||
CF | showing you his corporate badge, which is unreadable, chewed-off | ||
CF | plastic dangling from a lanyard. "Usually the witch gives me little | ||
CF | notes when I ... wake up, but I think this one's for you." | ||
CF | | ||
CF | Hal points to the only wall that hasn't been gnawed by flame. | ||
CF | | ||
CF | Scribbled in crayon are the words "BENNY ABANDONED YOU" accompanied by | ||
CF | a happy face. | ||
CF | | ||
CF | You are enveloped in a boiling nausea. How dare she listen to side B | ||
CF | of your tape! | ||
CF | | ||
CF | You look around you as you try to relax -- or at least stop shaking. | ||
CF | | ||
CF | You are in a lobby labeled as "32 - Research and Development." | ||
CF | Everything is lit in pulsing red emergency lights. Scorch marks twist | ||
CF | over the walls and furniture, and wires dangle from the ceiling. | ||
CF | | ||
CF | The floor bears a charred decorative compass that tells you the | ||
CF | stairway door behind you is to the west, and the hallway beyond the | ||
CF | lobby goes east. The elevator looks busted. | ||
CF | | ||
CF | > | Lancelot says, "this reminds me of my own game... looks like we do not have a lot of freedom" | |
ASchultz has arrived. | Knight_Otu says, "Convenient floor decoration." | |
Lancelot says, "lol a literal compass on the floor :D" | ||
DavidW says, "hi ASchultz!" | ||
Lancelot exclaims, "Hi ASchultz!" | ||
DavidW says (to ClubFloyd), "x Hal" | ||
CF ] ♪ Music from ceiling (soft)Upper Lobby Tortured | ||
CF | > | ||
CF | > X HAL | ||
CF | | ||
CF | Hal is pale and seems to peer at you from the other side of a shadow. | ||
CF | | ||
CF | Judging from how loose his button-up shirt and slacks are, he recently | ||
CF | lost some weight. He wears a badge that has been chewed beyond | ||
CF | readability. | ||
CF | | ||
CF | Speakers hidden somewhere in the ceiling crackle and spew | ||
CF | easy-listening instrumental music. You claw your face in a mute wail. | ||
CF | | ||
CF | The music's volume has been set at precisely the right level -- the | ||
CF | notes are soft enough that their notes won't immediately kill you, but | ||
CF | they're loud enough to make your nerve endings burn. | ||
CF | | ||
CF | "Why are you --" Recognition clouds Hal's face. "Oh." | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Knight_Otu says, "Hey." | |
ASchultz says, "hey, good to be here even if I'm late" | ||
Jade says (to ASchultz), "Hello" | ||
Lancelot says, "we are playing beat witch" | ||
ASchultz says, "Ooh nice. That's one I didn't have time to look at fully." | ||
DavidW says, "We are vulnerable to all music, and we can DRAIN people of life energy or GIVE LIFE to someone else." | ||
Knight_Otu says, "Also we can't speak." | ||
DavidW says, "A second beat witch has assaulted the city, but the mob blamed us." | ||
DavidW says, "I'm again unsure what to do here." | ||
DavidW says, "Are our choices just west and east? We can't talk to Hal without our notepad." | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] ♪ Music from ceiling (soft)Upper Lobby Tortured | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | Your inventory is pitiful. | ||
CF | | ||
CF | • You are sweating under a yellow hazmat suit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remove suit" | ||
CF ] ♪ Music from ceiling (soft)Upper Lobby Tortured | ||
CF | > | ||
CF | > REMOVE SUIT | ||
CF | | ||
CF | You don't have time to undress. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Hal cringes a little and follows you. | ||
CF | | ||
CF | "So you're a good monster -- but you're not here to kill the | ||
CF | other witch? What are you here for?" | ||
CF | | ||
CF | You get the uncomfortable feeling that despite the fact that Hal's | ||
CF | business empire is a tomb, he is starting to see you as a bad job | ||
CF | interview. | ||
CF | | ||
CF | "I know I can come off as harsh," Hal says. "It's just irritatingly | ||
CF | unprofessional when my employees don't tell me everything -- or can't, | ||
CF | I guess in your case. Do you even have human motivations?" He coughs | ||
CF | uncomfortably. His face relaxes with a sympathy that could be genuine. | ||
CF | "I didn't mean it like ... that is, I suppose ... it must have been | ||
CF | ... I can't imagine what it would have been like, being an adolescent | ||
CF | girl, waking up one morning to find you can't speak, and you have | ||
CF | powers so fearsome that -- did I say something wrong?" | ||
CF | | ||
CF | You shrug for him to forget it. It's been decades, and you wish you | ||
CF | could. | ||
CF | | ||
CF | Hal tries to help you, but you wave him away. Despite the music, you | ||
CF | can walk on your own, and you've spent so many years without physical | ||
CF | human contact that the idea of touching someone else fills you with | ||
CF | shivers. He stays with you anyway. | ||
CF | | ||
CF | Corridor | ||
CF | The northern wall is mostly crumbled and charred to reveal the remains | ||
CF | of a lab. The southern wall didn't fare much better, though an office | ||
CF | door is intact. A memo has been posted near the door. | ||
CF | | ||
CF | "I've lost count of how many times the beat witch has drained me," Hal | ||
CF | says. The words that must have been pent up in him during his | ||
CF | isolation rise in a rapid babble. "Sometimes I wake up feeling like | ||
CF | she's given me more life, more energy, than I had before, and others, | ||
CF | I can barely stand. Each time, I'm on a different floor with more | ||
CF | crayon graffiti taunting me or inviting me to worship her, and no way | ||
CF | to get out. I've never seen her. Even sunlight doesn't stop the night. | ||
CF | I don't know how long it's been since ... since the others were | ||
CF | alive." He gives his name tag a nibble. "But this time, I wake up to a | ||
CF | woman in a protective suit who looks and behaves like a beat witch. | ||
CF | But ... you can't be her, can you? Why would you torture yourself?" | ||
CF | | ||
CF | Hal's voice quivers beneath its steel. "I need to know, witch. Are you | ||
CF | here to kill the other one?" | ||
CF | | ||
CF | You can indicate YES or NO> | Knight_Otu says, "Oh, I missed that our notepad was also nicked." | |
Lancelot says, "whoa text wall" | ||
Lancelot says, "oh critical question" | ||
Lancelot says, "ah" | ||
Lancelot says, "that music is that for the other witch" | ||
Knight_Otu says, "It does seem that we are here to kill her." | ||
Lancelot asks, "since we are vulnerable to music, I guess the other one is too?" | ||
DavidW says, "I need to use the bathroom. Help decide our choice." | ||
Knight_Otu says, "Hence the walkman." | ||
Jade says, "I don't know" | ||
Lancelot asks, "hmm what if we say yes? it seems this person is suffering because of her?" | ||
Knight_Otu says, "I would vote yes, but maybe she can control Hal in some way, and saying yes triggers that control." | ||
Lancelot says, "ouch that might be we do not know the extend of our powers" | ||
Knight_Otu says, "Hal is definitely suffering." | ||
Lancelot says, "then we better play it safe" | ||
Lancelot says, "yes making it easier to say yes I guess" | ||
DavidW says, "back. okay, YES it is." | ||
DavidW says (to ClubFloyd), "yes" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | You can indicate YES or NO> | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | You nod. Your original plan of begging her to stop is laughable now. | ||
CF | Your Plan B is to somehow put the earphones on her, press play on your | ||
CF | Walkman, and let the tuba music boom until she is just as dead as her | ||
CF | victims. That too is a childish hope. But what else is there? | ||
CF | | ||
CF | "Then lead on, witch!" | ||
CF | | ||
CF | > | Knight_Otu says, "Beat witches seem closer to vampires in my monster dictionary." | |
DavidW says (to ClubFloyd), "x memo" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > X MEMO | ||
CF | | ||
CF | Written on a clean piece of paper someone must have posted here after | ||
CF | the fire are the words: | ||
CF | | ||
CF | To all valued engineers: | ||
CF | | ||
CF | I am pleased to announce that last week's small-scale tests of the | ||
CF | Semper battery were a success. Although we are years away from using | ||
CF | it to power submarines and military bases, I am confident these | ||
CF | preliminary test results represent a step forward for this | ||
CF | company. | ||
CF | | ||
CF | A few of you have expressed concerns the full-sized prototype | ||
CF | would set off a reaction that would result in, and I quote, a | ||
CF | "localized fiery explosion as well as a massive electromagnetic pulse | ||
CF | that would have catastrophic effects on electronic devices in a | ||
CF | 20-mile radius." | ||
CF | | ||
CF | My brother Ted was opposed to further testing for this reason and | ||
CF | unfortunately did not hide that fact from lower-level employees. | ||
CF | However, we had an extensive conversation yesterday, and he is now as | ||
CF | confident as I am that full testing will be a success and will be | ||
CF | harmless to ourselves and the surrounding area. | ||
CF | | ||
CF | To the naysayers among us, I say if a respected engineer like Ted | ||
CF | can change his opinion, consider re-evaluating yours. | ||
CF | | ||
CF | The first full-scale test will take place at 11 a.m. Join us in | ||
CF | the 32nd floor breakroom at noon for a celebratory luncheon. | ||
CF | | ||
CF | Regards, | ||
CF | Hal Tau | ||
CF | Chief Executive Officer | ||
CF | Tau Labs | ||
CF | | ||
CF | "I didn't leave that there," Hal mutters. He avoids eye contact. "I | ||
CF | wrote it, sure, but I would never have put my ... my lowest moment on | ||
CF | display." | ||
CF | | ||
CF | > | Lancelot asks, "I guess that was the right choice?" | |
Knight_Otu says, "Seems so." | ||
Lancelot says, "hmm EMP would void our plan" | ||
Knight_Otu says, "So the corpse downstairs is Hal's brother." | ||
DavidW asks, "Where's the nearest steam-powered church organ?" | ||
Knight_Otu says, "I'm beginning to doubt Hal." | ||
Lancelot says, "lol" | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | You open the office door. | ||
CF | | ||
CF | What was once an office for middle management is now stuffed with | ||
CF | corpses. On the bottom of the pile are those with blistered flesh and | ||
CF | singed lab coats -- not from any purposeful cremation, but from how | ||
CF | they died. The unburned are on the top. They are so tightly packed, | ||
CF | you can't count them. That smell -- you're going to be sick. | ||
CF | | ||
CF | Hal dry heaves behind you. | ||
CF | | ||
CF | "There are offices stuffed like this all over the building," he says | ||
CF | between gasps. "But that doesn't make it any easier." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x corpses" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > X CORPSES | ||
CF | | ||
CF | What was once an office for middle management is now stuffed with | ||
CF | corpses. On the bottom of the pile are those with blistered flesh and | ||
CF | singed lab coats -- not from any purposeful cremation, but from how | ||
CF | they died. The unburned are on the top. They are so tightly packed, | ||
CF | you can't count them. That smell -- you're going to be sick. | ||
CF | | ||
CF | > | Knight_Otu says, "Eesh." | |
DavidW says (to ClubFloyd), "search corpses" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > SEARCH CORPSES | ||
CF | | ||
CF | You can do nothing for the dead. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close door" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > CLOSE DOOR | ||
CF | | ||
CF | You close the office door. Hal's breathing becomes more regular. | ||
CF | | ||
CF | "Let's not do that again," he says. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Corridor | ||
CF | The northern wall is mostly crumbled and charred to reveal the remains | ||
CF | of a lab. The southern wall didn't fare much better, though an office | ||
CF | door is intact. A memo has been posted near the door. | ||
CF | | ||
CF | Hal can't seem to decide if you are a friend or an unspeakable terror | ||
CF | made flesh. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | The lab is a ruined mess of wires and equipment that leaves you no | ||
CF | room for you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x lab" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > X LAB | ||
CF | | ||
CF | Among the smashed and burned remains of computers, tables, and | ||
CF | schematics is a rectangular, metallic thing the size of a bathtub -- | ||
CF | this must be the battery. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x battery" | ||
CF ] ♪ Music from ceiling (soft) Corridor Tortured | ||
CF | > | ||
CF | > X BATTERY | ||
CF | | ||
CF | It appears the fiery destruction emanated from the battery. | ||
CF | | ||
CF | Hal bites his mangled name tag -- he must be starving. | ||
CF | | ||
CF | > | DavidW says, "If it's the size of a bathtub, I don't want to take it." | |
DavidW asks, "so, we head back the other way?" | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] ♪ Music from ceiling (sofEnd of Corridor Tortured | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Hal follows you. | ||
CF | | ||
CF | End of Corridor | ||
CF | This is where it ends. | ||
CF | | ||
CF | A tall figure emerges from red-tinged shadow to the east. According to | ||
CF | the company-issued name tag, the young woman is Margo Harris. She's | ||
CF | wearing earplugs. | ||
CF | | ||
CF | "You found me! Speechless, Polly?" She erupts into hollow | ||
CF | giggles. "You're so confused and underpowered -- oooh, and angry too! | ||
CF | Does little Polly Dolly get mad when someone listens to her tape?" | ||
CF | | ||
CF | Hal is wailing. "How can it be you, Margo? I weighed in on the hiring | ||
CF | process of everyone -- even interns like you. You didn't seem like a | ||
CF | beat witch at all! I mean, you -- you can talk!" | ||
CF | | ||
CF | "Toys must not squeak," Margo says with a click of the tongue. | ||
CF | | ||
CF | She nods to an arched opening to the east. | ||
CF | | ||
CF | "Come to the breakroom, Polly Dolly. I have sandwiches. And you can | ||
CF | come too, Hal, if you kindly shut up." | ||
CF | | ||
CF | > | DavidW says, "oh. Or do this." | |
Lancelot says, "ah the witch... woth earplugs lol" | ||
Knight_Otu says, "Hm." | ||
Lancelot says, "and she can talk., hmmm" | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] ♪ Music from ceiling (soft) Breakroom Tortured | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | Breakroom | ||
CF | The flames left the breakroom untouched. | ||
CF | | ||
CF | This place was once ready to party: balloons are wilted rainbows on | ||
CF | the ceiling, and a counter next to a refrigerator is strewn with boxes | ||
CF | of sandwiches. | ||
CF | | ||
CF | Small, round tables and pale chairs are angled toward a wide window | ||
CF | that overlooks a gray twilight fog. Next to the window is a small but | ||
CF | bulky TV set controlled by a black remote on a table. | ||
CF | | ||
CF | "Did you miss him, Hal?" | ||
CF | | ||
CF | In the room's darkest corner, Ted stands at one of the tables, staring | ||
CF | through you as he did in the first-floor lobby. This time, his hands | ||
CF | are over his ears. | ||
CF | | ||
CF | Hal bounds to him and gives him a hug tighter than he gave you. Ted | ||
CF | stays rigid. | ||
CF | | ||
CF | "It's me! Hal!" No reaction. Hal resorts to blubbering. "Remember on | ||
CF | the stairwell after the explosion? We were so lucky to be that far | ||
CF | from the battery and -- we were running to get help, and you just ... | ||
CF | fell down after we passed the girl. Everyone else started dropping | ||
CF | dead after that, and I've been so ... don't you --" Hal steps back in | ||
CF | disgust and horror. "Ted ... you're, you're ..." | ||
CF | | ||
CF | "I am a goddess of miracles, the giver of life." Margo takes the | ||
CF | remote. She points it at Ted in a grand flourish. "And your brother's | ||
CF | my second-favorite corpse. I am in him and through him. Anything Dead | ||
CF | Ted sees and hears, I see and hear." | ||
CF | | ||
CF | > | Knight_Otu asks, "Did she... steal his ability to speak?" | |
DavidW says, "oh, maybe." | ||
DavidW says, "In a lot of stories, witches can make transactions for body parts or abilities like that; eg: Ursula." | ||
Knight_Otu says, "I think this is a story that won't enter Disney Animated Canon." | ||
DavidW says (to ClubFloyd), "x Margo" | ||
CF ] No music Breakroom Healthy | ||
CF | > | ||
CF | > X MARGO | ||
CF | | ||
CF | According to the corporate badge she wears, this tall young woman in | ||
CF | torn slacks and a stained blouse is marketing intern Margo Harris. | ||
CF | | ||
CF | Hal lunges at Margo, but Ted grabs him by the shoulders and plunks him | ||
CF | down in a chair. Ted's hands go immediately back to his ears. Is that | ||
CF | pain? | ||
CF | | ||
CF | Hal is scarlet with grief and anger. "My brother is no one's plaything | ||
CF | -- let him rest in peace, witch!" | ||
CF | | ||
CF | "But Hal, dear, I wouldn't have been able to figure out a lot of | ||
CF | things without the knowledge rotting inside of Teddy's brain -- like | ||
CF | how your company's adorable battery only fried electronics | ||
CF | outside the building. And I wouldn't have been able to get | ||
CF | the power generator running in a bazillion years without the helpful | ||
CF | dead. Besides, even if I wanted to, it takes a little time for me to | ||
CF | release my hold on a stiff -- time you don't have." | ||
CF | | ||
CF | She aims the remote upward and clicks a button. The music stops. | ||
CF | | ||
CF | Ted's hands rest at his sides. You no longer burn. | ||
CF | | ||
CF | "Have some wax candy, Teddy." Margo takes out her earplugs and tosses | ||
CF | them to Ted, who swallows them. | ||
CF | | ||
CF | "Ted, what ...?" | ||
CF | | ||
CF | Hal's reaction makes Margo snort. | ||
CF | | ||
CF | She aims the remote at the TV and turns on the news. Then she tosses | ||
CF | the remote to Ted. | ||
CF | | ||
CF | He puts it in his mouth and crunches hard on the plastic. Teeth fly | ||
CF | everywhere. Hal winces. Margo giggles. Apparently, corpses eating | ||
CF | random things has a punchline only she can see. | ||
CF | | ||
CF | "Don't be such a drippy-doodle, Hal. I've got a bunch of these remotes | ||
CF | on the 46th floor," Margo says. "And, Polly, guess what! You're | ||
CF | famous!" | ||
CF | | ||
CF | She shoves you onto one of the chairs. | ||
CF | | ||
CF | Breakroom (on a chair) | ||
CF | "-- whom authorities are now identifying as Polly Miller based on | ||
CF | descriptions from the emergency response team," a reporter says. | ||
CF | | ||
CF | Images of you slide across the screen in quick succession. | ||
CF | | ||
CF | "... killed half a million people in the city. But her murder spree | ||
CF | started years ago with her mother and brother ..." | ||
CF | | ||
CF | A picture of you and Benny in tuxedos before the Sibling Youth Music | ||
CF | Festival. He leans against a harp, and you heft a tuba twice your | ||
CF | size. | ||
CF | | ||
CF | "... highly dangerous ..." | ||
CF | | ||
CF | Your first wanted poster, which bears your sixth-grade student photo | ||
CF | and instructions for the public to set music to lethal levels on | ||
CF | sight. | ||
CF | | ||
CF | "... eluding ... running ... decades ..." | ||
CF | | ||
CF | You emerging from hiding in a national forest, you starving and | ||
CF | breaking into a grocery store after hours, you running from a crowd | ||
CF | with boomboxes. | ||
CF | | ||
CF | "... monster ..." | ||
CF | | ||
CF | The latest surveillance footage: You dragging "noted epidemiologist | ||
CF | Alisha Brown" into a shed outside the quarantine area after you | ||
CF | drained her and borrowed her hazmat suit. The fact that you didn't | ||
CF | kill Dr. Brown is not mentioned. | ||
CF | | ||
CF | "More after the break." | Lancelot says, "whoa" | |
Lancelot says, "this is a LOT of text ... is this really a parser game" | ||
Knight_Otu exclaims, "Halp, I'm drowning in words!" | ||
DavidW says, "yeah, this is more of a choice-based game in parser-based clothing." | ||
Lancelot says, "I would prefer more like screenful of text at most my eyes glazeth over" | ||
Lancelot says, "yeah this could be changed in a choice game... we do not seem to have a lot of options" | ||
DavidW pushes the green 'space' button. | ||
CF ] No music Breakroom Healthy | ||
CF | "More after the break." | ||
CF | The commercial is one for toothpaste. It's an upbeat jingle sung by | ||
CF | children. Both you and Margo tremble in a wave of agony, though the | ||
CF | presence of lyrics protects you from a full-on seizure. | ||
CF | | ||
CF | Pearly Bite toothpaste, O how clean! | ||
CF | My teeth are the whitest I've ever seen. | ||
CF | Sparkle, sparkle, like a diamond mine. | ||
CF | Having no cavities is oh so divine! | ||
CF | La-la-laaaaaahdy-la-la-- | ||
CF | | ||
CF | "My remote!" Margo shouts. | ||
CF | | ||
CF | But Ted has just swallowed the last of it. He stares through both of | ||
CF | you, his hands over his ears again. | ||
CF | | ||
CF | She rips the TV from the wall. The device goes silent and dark. Ted | ||
CF | stops covering his ears. | ||
CF | | ||
CF | But Margo wants revenge on the appliance. She hurls the TV out the | ||
CF | window in a burst of glass that sends shards everywhere, including | ||
CF | some that tear your face. | ||
CF | | ||
CF | Margo giggles some more. She pokes her head out of the massive, ragged | ||
CF | hole and waits a moment. "Dag nabbit -- too far to hear it land. I | ||
CF | hope it hit one of the yokels down there. Then when someone asks, | ||
CF | 'Hey, what's on TV?', the other person will say, "You mean, 'What's on | ||
CF | Alfred?' Hahaha." | ||
CF | | ||
CF | She reaches into her pockets and pulls out your Walkman and notepad. | ||
CF | She hands you the notepad but gives the tape player to Hal. Margo | ||
CF | manages to keep you seated, pin your arms to your side, and force the | ||
CF | earphones -- still attached to the Walkman by a long cord -- onto your | ||
CF | head as you struggle. Her grip on your upper arms is nearly tight | ||
CF | enough to draw blood. | ||
CF | | ||
CF | "Final game for both," she says. "That tape is set to side A -- not | ||
CF | dear Benny's voice, alas, but a tuba and a harp! Will you kill her | ||
CF | with her own music first, Hal? Or will you drain him first, Polly? | ||
CF | Think of it, girl -- you could get strong and kill me like you've | ||
CF | always wanted! Just be quicker than him." Giggle. "Or maybe you'll use | ||
CF | your notepad to beg for your life. It's like a cowboy movie! Isn't | ||
CF | this delightful? Aaand ... go!" | ||
CF | | ||
CF | Your gaze locks with Hal's. You've never been more aware of someone | ||
CF | else's life-rhythm -- or of your own. So much to give, so much to take | ||
CF | ... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf11" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] No music Breakroom Healthy | ||
CF | > SAVESaved. | ||
CF | | ||
CF | > | Lancelot asks, "maybe we can help hal? seems we are at his mercy?" | |
Lancelot asks, "what options we have with the notepad?" | ||
Knight_Otu asks, "Can we heal Ted, perhaps?" | ||
DavidW says (to ClubFloyd), "x notepad" | ||
CF ] No music Breakroom Healthy | ||
CF | > | ||
CF | > X NOTEPAD | ||
CF | | ||
CF | It's a pocket-sized notepad, and it's your only way to speak. To use | ||
CF | it in conversation, try to SHOW it to someone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read notepad" | ||
CF ] No music Breakroom Healthy | ||
CF | > | ||
CF | > READ NOTEPAD | ||
CF | | ||
CF | It's a pocket-sized notepad, and it's your only way to speak. To use | ||
CF | it in conversation, try to SHOW it to someone. | ||
CF | | ||
CF | > | DavidW says, "show pad to hal" | |
DavidW says (to ClubFloyd), "show pad to hal" | ||
CF | > | ||
CF | > SHOW PAD TO HAL | ||
CF | | ||
CF | Your words in the notepad have been altered in purple crayon. Margo | ||
CF | snickers. | ||
CF | | ||
CF | 1) Hello. My name is Poophead. | ||
CF | 2) I want to die. Will you cooperate? | ||
CF | 3) Start the music, please. I crave pain. | ||
CF | 4) Your suffering is deserved, and your death will be a mercy. | ||
CF | 5) (close notepad -- you're not playing this stupid game) | ||
CF | >> | Lancelot says, "hmm" | |
Lancelot says, "oh wait is that a hint" | ||
Knight_Otu asks, "Geeze Margo, what are you, twelve?" | ||
Lancelot says, "so much to give" | ||
Lancelot says, "so much to take" | ||
DavidW says, "Her brain is damaged somehow." | ||
Lancelot says, "at the end? are we supposed to give life to someone" | ||
Knight_Otu says, "I suppose it is." | ||
DavidW asks, "What should we do?" | ||
Knight_Otu says, "We could try GIVE LIFE TO TED." | ||
Lancelot says, "maybe give file to hal? since we are connected somehow" | ||
Lancelot says, "hmm or ted? nore sure who is on our side rerally" | ||
DavidW asks, "You mean, give the notepad?" | ||
Lancelot says, "give life" | ||
Knight_Otu says, "I feel giving life to Ted is the one move she wouldn't expect." | ||
Lancelot says, "true we can try and see what happens" | ||
DavidW says (to ClubFloyd), "5" | ||
CF ] No music Breakroom Healthy | ||
CF | >> | ||
CF | > 5 | ||
CF | | ||
CF | You close the notepad. | ||
CF | | ||
CF | "Oh, come on, Polly," Margo says. "You're such a soggy-diaper | ||
CF | spoilsport." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "give life to Ted" | ||
CF ] No music Breakroom Healthy | ||
CF | > | ||
CF | > GIVE LIFE TO TED | ||
CF | | ||
CF | It doesn't work. You feel your life's rhythm fading out you, only to | ||
CF | come roaring back into your body. | ||
CF | | ||
CF | | ||
CF | Why can't you do this? | ||
CF | | ||
CF | > | Lancelot says, "okay so ted is not human I think we tried before" | |
Knight_Otu says, "Well, was worth a try." | ||
Lancelot says, "tehn try with hal" | ||
DavidW says (to ClubFloyd), "give life to hal" | ||
CF ] ♪ Walkman Side A (faint) Breakroom Weak | ||
CF | > | ||
CF | > GIVE LIFE TO HAL | ||
CF | | ||
CF | You let as much life as you can spare flow out of you and into Hal. He | ||
CF | raises a hand to his face. He's glowing a little. | ||
CF | | ||
CF | He breaks Ted's grip. | ||
CF | | ||
CF | "Sorry," he tells Ted. Still holding the Walkman, Hal takes his | ||
CF | brother by the neck, lifts him with one hand, and flings him at Margo. | ||
CF | Ted and Margo crash in a burst of sandwiches. | ||
CF | | ||
CF | Hal leaps over your head and grabs the earphones from you in a single | ||
CF | motion. | ||
CF | | ||
CF | Margo is on her feet just as Hal puts the earphones on her head and | ||
CF | presses play. | ||
CF | | ||
CF | She screams and claws at the wire, but Hal presses the earphones | ||
CF | harder against her skull. | ||
CF | | ||
CF | Hal drags her toward the broken window by the head. Her feet kick | ||
CF | every which way. | ||
CF | | ||
CF | "Try draining anyone now, witch!" | ||
CF | | ||
CF | "Teddy!" Margo whispers. | ||
CF | | ||
CF | Ted starts to get up, but he trembles, collapses back into the | ||
CF | sandwiches like a masterless marionette and is still. | ||
CF | | ||
CF | Margo braces herself against the wall near the window, teetering | ||
CF | inches from the edge. Despite the music and Hal's strength, she's | ||
CF | barely managing to stay where she is. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Knight_Otu says, "We tried to drain Ted, I think." | |
Lancelot says, "yeah didnt work either seems ted is aligned with Margo anyway" | ||
Lancelot says, "this seems to call for a push lol" | ||
DavidW says (to ClubFloyd), "drain margo" | ||
CF ] ♪ Walkman Side A (faint) Breakroom Weak | ||
CF | > | ||
CF | > DRAIN MARGO | ||
CF | | ||
CF | You are too weak. Your focus is gone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "push margo" | ||
CF ] No music Breakroom Weak | ||
CF | > | ||
CF | > PUSH MARGO | ||
CF | | ||
CF | You get off the chair. | ||
CF | | ||
CF | Breakroom | ||
CF | This place was once ready to party: balloons are wilted rainbows on | ||
CF | the ceiling, and a counter next to a refrigerator is strewn with boxes | ||
CF | of sandwiches. | ||
CF | | ||
CF | Small, round tables and pale chairs are angled toward a shattered | ||
CF | window that overlooks a gray twilight fog. | ||
CF | | ||
CF | Ted lies below the counter, and Hal's slight glow casts the room in | ||
CF | ethereal shadows. Margo struggles against Hal's grip and is close to | ||
CF | the edge of the broken window. | ||
CF | | ||
CF | You half-crawl toward Margo and Hal. With the last of your strength, | ||
CF | you press your body against Margo's. They lurch into what remains of | ||
CF | the window, taking your Walkman with them. | ||
CF | | ||
CF | You catch yourself before you fall too. | ||
CF | | ||
CF | The next second seems to last hours. As he and Margo begin their | ||
CF | plummet through the teeth of dangling glass and into nothingness, Hal | ||
CF | turns and gives you a look that's ... pity? | ||
CF | | ||
CF | They both vanish, along with your Walkman. You don't hear anything hit | ||
CF | the ground, but Margo's shrieking has faded to silence. | ||
CF | | ||
CF | You slump to the floor for a moment. | ||
CF | | ||
CF | You did it. | ||
CF | | ||
CF | It's just you and Ted, who lies still, as is the natural way of | ||
CF | corpses. | ||
CF | | ||
CF | You take a deep breath. With Margo dead, you can focus on escaping | ||
CF | alive. The mob is still waiting for you on the street, no doubt. | ||
CF | | ||
CF | Why do you still feel this disquiet? | ||
CF | | ||
CF | > | Lancelot says, "wtf that easy" | |
Knight_Otu says, "We're not done." | ||
DavidW asks, "well, yeah, now what?" | ||
DavidW says (to ClubFloyd), "eat sandwich" | ||
CF ] No music Breakroom Weak | ||
CF | > | ||
CF | > EAT SANDWICH | ||
CF | | ||
CF | You can't make yourself get close to the "food." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x sandwich" | ||
CF ] No music Breakroom Weak | ||
CF | > | ||
CF | > X SANDWICH | ||
CF | | ||
CF | Covered in flies and an oozing mold, these sandwiches were once ... | ||
CF | ham and turkey? They are scattered all over the floor. | ||
CF | | ||
CF | > | DavidW says, "oh" | |
DavidW says (to ClubFloyd), "l" | ||
CF ] No music Breakroom Weak | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Breakroom | ||
CF | This place was once ready to party: balloons are wilted rainbows on | ||
CF | the ceiling, and a counter next to a refrigerator is strewn with boxes | ||
CF | of sandwiches. | ||
CF | | ||
CF | Small, round tables and pale chairs are angled toward a shattered | ||
CF | window that overlooks a gray twilight fog. | ||
CF | | ||
CF | Ted lies below the counter. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ted" | ||
CF ] No music Breakroom Weak | ||
CF | > | ||
CF | > X TED | ||
CF | | ||
CF | Ted is motionless. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open fridge" | ||
CF ] No music Breakroom Weak | ||
CF | > | ||
CF | > OPEN FRIDGE | ||
CF | | ||
CF | Dare you? | ||
CF | | ||
CF | You don't. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] No music End of Corridor Healthy | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | End of Corridor | ||
CF | The reddish darkness of the corridor seems deeper now. | ||
CF | | ||
CF | A sudden energy bursts into you from an unknown source. Someone, | ||
CF | somewhere has just given you life -- the amount you spent on | ||
CF | strengthening Hal. | ||
CF | | ||
CF | Footsteps approach. | ||
CF | | ||
CF | You turn to find ... Ted. For the first time, he speaks to you. | ||
CF | | ||
CF | "Miss me? I'm like a zit on prom night," he says. | ||
CF | | ||
CF | Panic makes breathing difficult. | ||
CF | | ||
CF | "Splatting all over the street hurt, Polly! And I didn't even bounce!" | ||
CF | He snickers. | ||
CF | | ||
CF | > | DavidW says, "[expletive]" | |
DavidW says, "She's back." | ||
Knight_Otu says, "Yeah." | ||
DavidW says (to ClubFloyd), "drain ted" | ||
CF ] No music End of Corridor Healthy | ||
CF | > | ||
CF | > DRAIN TED | ||
CF | | ||
CF | For some reason, you can't take life from Ted. | ||
CF | "You know, I was once a soggy pity-party like you -- always running, | ||
CF | slithering through shadows," Ted says. He gives the dazzling snarl of | ||
CF | a teacher about to launch into an unwanted lecture. "As for me ... | ||
CF | well, I had luck I had never dreamed of, though it didn't start that | ||
CF | way. I wandered into the city. I was starved! I managed not to be | ||
CF | noticed and was going through garbage in the park nearby when a | ||
CF | passing truck flooded downtown with the screechiest hickville | ||
CF | honky-tonk tune you can imagine!" He wrinkles his nose. "I was on the | ||
CF | grass, of course, shaking, foaming at the mouth -- as one does. Anyhow | ||
CF | ... the truck passed, and I got up and ran. But I had been seen. | ||
CF | People got out their phones and started chasing me -- you wouldn't | ||
CF | believe what passes for popular music these days." | ||
CF | | ||
CF | His voice quivers with mock surprise. "Apparently, beat witches are | ||
CF | too dangerous to live -- did you know that?" | ||
CF | | ||
CF | > | Lancelot says, "hmm" | |
Lancelot says, "maybe more witches around? I thought we took care of Margo" | ||
DavidW says, "no, this is Margo again, in Ted's body." | ||
Knight_Otu says, "Margo is possessing Ted." | ||
Lancelot says, "ahh ok right" | ||
DavidW says, "yeah. Somehow." | ||
Lancelot says, "somehow looks like Margo has a lot more powers tahn us" | ||
DavidW asks, "Is she *still* a witch, though?" | ||
Knight_Otu says, "Or we're too moral to use them." | ||
Lancelot says, "well she could heal us" | ||
DavidW asks, "Ted is just a walking corpse. Would she have her powers now?" | ||
Lancelot says, "well that what it said, someone gave us life" | ||
DavidW says, "I assumed that life energy was from Hal." | ||
Knight_Otu says, "I mean, she is using a power to possess Ted, so it seems likely that she has her powers still." | ||
Lancelot says, "yeah so I suspect Margo drained hal and returned that to us then? dunno" | ||
DavidW says, "So, do we hit her? Ted/Margo is probably stronger than us in a fist fight." | ||
Knight_Otu asks, "Or the life we lent returned to us as its "owner"?" | ||
DavidW asks, "Do we run?" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] No music Corridor Healthy | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Corridor | ||
CF | The northern wall is mostly crumbled and charred to reveal the remains | ||
CF | of a lab. The southern wall didn't fare much better, though an office | ||
CF | door is intact. You think you hear something stirring inside the | ||
CF | office A memo has been posted near the door. | ||
CF | | ||
CF | Ted gives you an overfriendly wave. | ||
CF | | ||
CF | "So ... you know what they say. 'A beat witch is a brass-knuckled slap | ||
CF | against nature.' 'For the public's safety, every beat witch must be | ||
CF | killed on sight.' 'Drown the abominations in music.' 'The demons wear | ||
CF | the faces of your daughters.' I was about to bid this world good | ||
CF | riddance, but everything changed when ..." Ted licks his lips. The | ||
CF | memory must be delicious. "BOOM!" | ||
CF | | ||
CF | > | DavidW says, "uh-oh" | |
Knight_Otu says, "The battery explosion gave her extra power." | ||
Lancelot says, "can we run awat" | ||
DavidW says, "I'm worried that the other corpses are animating too." | ||
Lancelot says, "sure talkative that witch lol" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] No music Upper Lobby Healthy | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Upper Lobby | ||
CF | You are in a lobby labeled as "32 - Research and Development." | ||
CF | Everything is lit in pulsing red emergency lights. Scorch marks twist | ||
CF | over the walls and furniture, and wires dangle from the ceiling. | ||
CF | | ||
CF | The floor bears a charred decorative compass that tells you the | ||
CF | stairway door behind you is to the west, and the hallway beyond the | ||
CF | lobby goes east. The elevator looks busted. | ||
CF | | ||
CF | Ted leaps in the air and clicks his heels. | ||
CF | | ||
CF | "This skyscraper rippled in the explosion. The stoplights blinked out. | ||
CF | Cars stopped. And best of all, everyone's phones went kaput! My | ||
CF | attackers were helpless and at my most incomparable mercy!" Ted | ||
CF | applauds himself. "A most unique opportunity! Did you know you can | ||
CF | drain more than one person at once? Amazingly, I hadn't tried before, | ||
CF | but it's true. And the more I drained, the stronger I became! I | ||
CF | reached a point where I didn't even have to be super close to someone | ||
CF | to drain them! I got the street musicians that way, and then, | ||
CF | eventually, everyone. Who could stop me?" | ||
CF | | ||
CF | > | Knight_Otu says, "Also, the EMP shorted the phones." | |
Lancelot says, "my gosh that Margo keeps droning on and on lol" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] No music Upper Lobby Healthy | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | You try to open the door to the stairwell. It is jammed. | ||
CF | | ||
CF | Ted guffaws your efforts. | ||
CF | | ||
CF | "Why live like vermin when you can be a goddess?" Ted spreads his | ||
CF | hands as if posing for some Renaissance painting of divinity. "You | ||
CF | live beneath yourself, Polly." | ||
CF | | ||
CF | > | Knight_Otu says, "She's in villainous monologue mode." | |
Lancelot says, "yeah normally the good guys abuse that moment to pull the proverbial rug lol" | ||
DavidW says (to ClubFloyd), "s" | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | Ted strolls down the corridor and stops at the office door. | ||
CF | | ||
CF | "Dare me to open this door?" | ||
CF | | ||
CF | Before you can make any response -- opening the office was less than | ||
CF | pleasant last time -- Ted opens it with a flourish and steps aside. | ||
CF | | ||
CF | "Aren't the dead lovely?" Ted says, gesturing to himself. "Would you | ||
CF | like to join them?" | ||
CF | | ||
CF | Countless bodies pour into the corridor from the office. Their faces | ||
CF | bubble with burns and rot. Decomposing tissue drips in yellow streams | ||
CF | through lab coats. And their eyes -- those with orbs still in their | ||
CF | eye sockets give you empty stares. | ||
CF | | ||
CF | They rush you. | ||
CF | | ||
CF | You stagger back, but they keep coming. | ||
CF | | ||
CF | They crowd into the lobby. Slimy flesh presses against you, and you | ||
CF | can't breathe. | ||
CF | | ||
CF | You are backed into the door to the stairwell, and the undead keep | ||
CF | spurting out of the office. | ||
CF | | ||
CF | The door at your back snaps, and the torrent of corpses sweeps you | ||
CF | away before you can gasp. | ||
DavidW pushes the green 'space' button. | ||
CF | away before you can gasp. | ||
CF | 32nd Floor Landing | ||
CF | The dead push you upward. | ||
CF | | ||
CF | 33rd Floor | ||
CF | | ||
CF | | ||
CF | 34th Floor | ||
CF | You can't get away. You are half-carried, half-shoved up the winding | ||
CF | stairs. | ||
CF | | ||
CF | 35th Floor | ||
CF | You can do nothing against the mass of rot and limbs. | ||
CF | | ||
CF | 36th Floor | ||
CF | | ||
CF | | ||
CF | 37th Floor | ||
CF | | ||
CF | | ||
CF | 38th Floor | ||
CF | Help. | Lancelot says, "I wish this game give a bit more agency to us" | |
Lancelot says, "looks like only one way to go" | ||
DavidW says, "yeah, it's very linear" | ||
DavidW says, "Carried upwards on a sea of dead bodies is new." | ||
Jade says, "yes, this is" | ||
Lancelot says, "it feels even more linear than my own game if that makes any sense lol" | ||
DavidW says (to ClubFloyd), "push space" | ||
CF | Help. | ||
CF | | ||
CF | | ||
CF | 39th Floor | ||
CF | | ||
CF | | ||
CF | 40th Floor | ||
CF | | ||
CF | | ||
CF | 41st Floor | ||
CF | | ||
CF | | ||
CF | 42nd Floor | ||
CF | BENNY | ||
CF | | ||
CF | 43rd Floor | ||
CF | I | ||
CF | | ||
CF | 44th Floor | ||
CF | FAILED | ||
DavidW says (to ClubFloyd), "push space" | ||
CF | FAILED | ||
CF | | ||
CF | | ||
CF | 45th Floor | ||
CF | | ||
CF | | ||
CF | 46th Floor | ||
CF | | ||
CF | | ||
CF | 47th Floor | ||
CF | | ||
CF | | ||
CF | 48th Floor | ||
CF | | ||
CF | | ||
CF | 49th Floor | ||
CF | A door ahead of you bursts open. Fog drifts past your face. | ||
DavidW pushes the green 'space' button. | ||
CF ] No music Roof Healthy | ||
CF | A door ahead of you bursts open. Fog drifts past your face.## Roof | ||
CF | You burst into night and haze. You choke and realize the fog you have | ||
CF | seen from afar is a thick mix of smoke and early morning mist. It's a | ||
CF | billowing wall here. | ||
CF | | ||
CF | Stiff fingers release you, and you tumble to concrete. The swirling | ||
CF | mass of dripping flesh opens. | ||
CF | | ||
CF | You and a machine are at the center of the circle of corpses. | ||
CF | | ||
CF | It's a cylinder-shaped metal device, similar to the smashed ruin you | ||
CF | saw in the lab, only this one appears to be functional. Its indicator | ||
CF | light is red. | ||
CF | | ||
CF | Your undead escorts wait, unmoving. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x device" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > X DEVICE | ||
CF | | ||
CF | You recognize this as the unbroken version of the smashed metal thing | ||
CF | you saw in the lab on the 32nd floor. The tan metal cylinder is about | ||
CF | five feet long and is labeled "SEMPER BATTERY by Tau Labs." Its small | ||
CF | displays are active, and a light glows a deep red. Below the light is | ||
CF | a dial. | ||
CF | | ||
CF | > | Lancelot says, "aha its still operational" | |
DavidW says, "This one is." | ||
DavidW says (to ClubFloyd), "x dial" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > X DIAL | ||
CF | | ||
CF | This simple black dial is unlabeled but appears to have two settings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read dial" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > READ DIAL | ||
CF | | ||
CF | This simple black dial is unlabeled but appears to have two settings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x settings" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > X SETTINGS | ||
CF | | ||
CF | This simple black dial is unlabeled but appears to have two settings. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn dial" | ||
CF | > | ||
CF | > TURN DIAL | ||
CF | | ||
CF | A corpse slaps your hand away from the dial. | ||
CF | | ||
CF | "Whatcha think of my doohickey?" Ted asks from behind you. "The | ||
CF | deceased-yet-friendly folks at Tau Labs built a second one at my | ||
CF | humble request. But ... by miracle and accident, it's more bomb than | ||
CF | battery, and it'll fry every gadget in town -- including those of the | ||
CF | music-making variety! So yes to jealousy but no to touchy." | ||
CF | | ||
CF | You whirl around. Ted glides through the parting crowd, fingers curled | ||
CF | around the hand of the golden-haired girl from the stairs. The girl | ||
CF | holds that gray book under her other arm, and the camera dangling from | ||
CF | her neck swings from side to side as she skips toward you. She | ||
CF | releases Ted's hand and gives you a wink. | ||
CF | | ||
CF | "Surprise, Polly!" Ted says, as though announcing an unexpected | ||
CF | birthday party. "Meet me ... Denise!" | Lancelot says, "Denise hmm" | |
DavidW pushes the green 'space' button. | ||
CF | birthday party. "Meet me ... Denise!" | ||
CF | The girl gives an exaggerated curtsy. Her lips curl in silent laughter | ||
CF | at your confusion. | ||
CF | | ||
CF | "Me!" Ted says. The girl gestures to herself, and Ted points to her. | ||
CF | "Denise. Your hostess. Your pal. Your queen, speaking through my chief | ||
CF | flesh puppet! You're welcome for healing you back there -- I couldn't | ||
CF | have you bleeding all over my palace." | ||
CF | | ||
CF | Ted, apparently the chief puppet, gives an exaggerated bow. Denise | ||
CF | cups a hand to her own ear. | ||
CF | | ||
CF | "What was that? You'll have to speak up." Ted snorts. "Still 'talking' | ||
CF | through that dopey notepad? We can't all become goddesses with the | ||
CF | life force of thousands, eh? I bet you can't do this either!" | ||
CF | | ||
CF | A white light bursts from Denise, so bright that your eyes feel like | ||
CF | fire. | ||
CF | | ||
CF | The display of divinity makes you lose your footing. The corpses | ||
CF | behind you step back so you can hit the concrete unhindered. | ||
CF | | ||
CF | When you finally stand, scraped and bruised, rubbing sight back into | ||
CF | your eyes, you find the battery is hidden behind the undead army. | ||
CF | | ||
CF | And Denise has the appearance of a normal girl again, though there is | ||
CF | nothing normal about the coldness in her smile. | ||
CF | | ||
CF | With unnatural speed, Denise swipes the notepad from your pocket, | ||
CF | opens it, and returns it to you. | ||
CF | | ||
CF | "I'm willing to entertain any questions you may have before your | ||
CF | regrettable end," Ted says as Denise gives another mock curtsy. "This | ||
CF | operator is standing by!" | ||
CF | | ||
CF | None of the heavily edited choices in your notepad look useful. | ||
CF | | ||
CF | 1) Hello. My name is Poophead. | ||
CF | 2) I want to die. Will you cooperate? | ||
CF | 3) Start the music, please. I crave pain. | ||
CF | 4) Your suffering is deserved, and your death will be a mercy. | ||
CF | 5) (close notepad -- you're not playing this stupid game again) | ||
CF | >> | Lancelot says, "oh so not Margo? this is confusing" | |
Knight_Otu says, "I guess Margo was another puppet." | ||
DavidW says, "It's still Margo. Margo is controlled everyone." | ||
DavidW asks, "Or was it Denise all along?" | ||
Knight_Otu says, "Denise seems to be the real beat witch." | ||
Lancelot asks, "can we drain anyone at this point?" | ||
Lancelot says, "oh wait we are in the menu" | ||
DavidW says, "I dunno. We couldn't drain Ted ever, but we did give life to Denise earlier." | ||
DavidW says (to ClubFloyd), "4" | ||
CF | >> | ||
CF | > 4 | ||
CF | | ||
CF | Denise rolls her eyes, and Ted speaks on her behalf. "My death? Do | ||
CF | you have an army of stiffs? Do you have a doohickey | ||
CF | of mayhem?" | ||
CF | | ||
CF | The girl squints into the darkness. | ||
CF | | ||
CF | "You know," Ted says, "you coming here has created gerbils of | ||
CF | problemos for me." | ||
CF | | ||
CF | Denise gestures to the night. | ||
CF | | ||
CF | "My rotting eyes and ears are everywhere. I let the emergency idiots | ||
CF | come with their equipment -- let them keep the world occupied with | ||
CF | silliness about germs and radiation and plagues while my army built | ||
CF | the new battery! But now, everyone knows a beat witch is here," Ted | ||
CF | says. "You know the powers-that-abide are sending drones. They're | ||
CF | going to fill the sky and turn this town into a jukebox." | ||
CF | | ||
CF | Ted, Denise, and all the corpses let out a simultaneous sigh. | ||
CF | | ||
CF | "Anyway, you can plead for your life now," Ted says. | ||
CF | | ||
CF | 1) Hello. My name is Poophead. | ||
CF | 2) I want to die. Will you cooperate? | ||
CF | 3) Start the music, please. I crave pain. | ||
CF | 4) Your suffering is deserved, and your death will be a mercy. | ||
CF | 5) (close notepad -- you're not playing this stupid game yet again) | ||
CF | >> | Lancelot says, "then just close it I guess" | |
DavidW says (to ClubFloyd), "5" | ||
CF ] No music Roof Healthy | ||
CF | >> | ||
CF | > 5 | ||
CF | | ||
CF | "You don't say much, even for a mute. Don't be embarrassed. Your | ||
CF | silence does the world a great service." | ||
CF | | ||
CF | Denise gives you an eye roll. | ||
CF | | ||
CF | "You don't need to say anything to show that you talk too much," Ted | ||
CF | says. "Gimme that back." | ||
CF | | ||
CF | One of the dead swipes the notepad from your hands. Ted shoves the | ||
CF | notepad in his mouth and chews. | ||
CF | | ||
CF | "But I've figured out how to stop the drones from coming," Ted says | ||
CF | through the slimy pulp in his mouth. "You can do it for me. Imagine | ||
CF | this: a beat witch who killed an entire city flees the fearless doers | ||
CF | of good. They corner her in this skyscraper. She realizes she is | ||
CF | surrounded, that she is worthless, an abomination, blah blah blah, so | ||
CF | much despair. And then ..." | ||
CF | | ||
CF | Ted pauses so Denise can show you a smile that could sink a mountain. | ||
CF | Ted swallows, and the puppet's voice becomes an overdramatic whisper. | ||
CF | | ||
CF | "... the beat witch jumps to her death." | ||
CF | | ||
CF | Before you realize what's happening, icy hands hoist you into the air. | ||
CF | The dead grab you by the wrists and stretch your arms outward while | ||
CF | holding your ankles together. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drain denise" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > DRAIN DENISE | ||
CF | | ||
CF | You sense Denise has some sort of wall around her life's rhythm -- | ||
CF | just as you have one around yours. You can't drain her, and she can't | ||
CF | drain you. She smirks. | ||
CF | | ||
CF | Your captors pass you to one another. | ||
CF | | ||
CF | "Since concerts are out for you, you never thought you'd be crowd | ||
CF | surfing, eh, Polly?" Ted calls at your feet. "Enjoy it!" | ||
CF | | ||
CF | > | Lancelot says, "okay so next we get thrown off the building I guess" | |
Lancelot says, "cannot see a lot of options" | ||
DavidW says (to ClubFloyd), "drain battery" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > DRAIN BATTERY | ||
CF | | ||
CF | You see nothing like that. | ||
CF | | ||
CF | > | Lancelot asks, "drain crowd?" | |
DavidW says (to ClubFloyd), "drain crowd" | ||
CF ] No music Roof Healthy | ||
CF | > | ||
CF | > DRAIN CROWD | ||
CF | | ||
CF | You see nothing like that. | ||
CF | | ||
CF | > | Lancelot asks, "drain all?" | |
DavidW says (to ClubFloyd), "drain all" | ||
CF ] Howling wind Falling Healthy | ||
CF | > | ||
CF | > DRAIN ALL | ||
CF | | ||
CF | Draining more than one person at a time? You've never done that | ||
CF | before. | ||
CF | | ||
CF | You may need that idea later. | ||
CF | | ||
CF | Your carriers stop their march. Underneath your head are wind and | ||
CF | nothingness. | ||
CF | | ||
CF | Denise pops into your vision -- she's on shoulders. Her camera points | ||
CF | down at you. | ||
CF | | ||
CF | "Yeah, someone's got to take the, um, fall, but I'm still | ||
CF | kinda-sorta-almost-ish sad that you won't be coming with," Ted says. | ||
CF | "Millions will be at my next party, thanks to the little | ||
CF | battery that goes boom. Once the fireworks start, Los Angeles will | ||
CF | have no electrical anything -- and so a whole-lotta-nada when it comes | ||
CF | to music to stop yours truly, so -- keep that expression! Your eyes | ||
CF | are as big as President Taft's second bathtub." A click and a flash. | ||
CF | "Perfecto, insecto!" | ||
CF | | ||
CF | Denise descends out of sight as she shakes the new Polaroid picture. | ||
CF | | ||
CF | "You are such a weirdo," Ted continues. "Why worry about so many who | ||
CF | want you dead? Remember our little game on the stairs? I wanted to see | ||
CF | if you were truly stupid -- stupid enough to die for a stranger. I | ||
CF | underestimated you. You are stupid enough to die for gaggles of | ||
CF | strangers who would rather kill you than say thanks! | ||
CF | | ||
CF | "It's going to be great, Polly. Who knows what will happen when I'm | ||
CF | glorified with the life force of a bazillion? Maybe I'll speak on my | ||
CF | own -- no stiffs needed. And -- ooh, I bet I'll be able to drain | ||
CF | people a hundred miles away! I'll be the goddess this world deserves! | ||
CF | | ||
CF | "Huh. Well, that's it, so ..." | ||
CF | | ||
CF | You slide forward and down. No one is holding you anymore. | ||
CF | | ||
CF | Falling | ||
CF | You are plummeting toward the ground. | ||
CF | | ||
CF | The mist rushes past you in a rippling blur. | ||
CF | | ||
CF | A crow appears in the haze. It darts downward with you, nearly | ||
CF | matching your speed. | ||
CF | | ||
CF | You always figured you'd die someday by your brain exploding, and even | ||
CF | though falling to your death means all your organs will burst | ||
CF | at once, it's a relief. No music, no look up at cheering monster | ||
CF | hunters ... just you, the screaming air, and the pavement. And, | ||
CF | apparently, this bird. | ||
CF | | ||
CF | Your only regret ... | ||
CF | | ||
CF | Time seems to slow as you think of Benny. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | > | Lancelot says, "oh may need that idea later hmmm" | |
Lancelot says, "I guess we can drain the bird but will that help us lol... we cannot swoop away I guess" | ||
DavidW asks, "If we give all our life to the bird, do we become the bird?" | ||
Lancelot says, "good idea" | ||
DavidW says (to ClubFloyd), "give life to bird" | ||
CF ] Howling wind Falling Healthy | ||
CF | > | ||
CF | > GIVE LIFE TO BIRD | ||
CF | | ||
CF | Your panic leads to insanity. Giving life to an animal is like fitting | ||
CF | a key into the wrong lock. | ||
CF | | ||
CF | The cassette tape Benny gave you is gone. Even if you could grow wings | ||
CF | like the crow that is following you down, you would likely never hear | ||
CF | his voice again. | ||
CF | | ||
CF | But you knew if you listened to his message too much, the tape would | ||
CF | wear out, and you would be truly alone. So you listened to it | ||
CF | sparingly, but you repeated his words to yourself every day. | ||
CF | | ||
CF | You mentally recite it one last time. The tape began with two hisses | ||
CF | and a pop. And then ... | ||
CF | | ||
CF | Polly, I'm not forgiving you for what you did today. Your tears, | ||
CF | your written protests that it was an accident, that you had no idea | ||
CF | you were a beat witch when you woke up -- Mom's still dead. | ||
CF | | ||
CF | And Dad is ... he's still angry, but he can't bring himself to | ||
CF | turn the record player up enough to kill you himself. So he's giving | ||
CF | you up to the police -- to your executioners -- and it's not | ||
CF | right. | ||
CF | | ||
CF | He's still on the phone, and he'll be screaming into that thing | ||
CF | for a while about his demon daughter. | ||
CF | | ||
CF | As soon as I finish recording this, I'm going down to the | ||
CF | basement. I'm going to shatter Dad's vinyl and stop your pain. I'm | ||
CF | going to let you go. | ||
CF | | ||
CF | I don't know how long you can run, Polly, but run. Stay away from | ||
CF | people. It's only safe in the quiet. | ||
CF | | ||
CF | I hope one day you can come home. | ||
CF | | ||
CF | You know I can't go with you. I'd like to say that's because it's | ||
CF | easier for one to disappear than two together, but we both know it's | ||
CF | dangerous for me to be nearby, at least until you figure out the | ||
CF | draining thing. | ||
CF | | ||
CF | But I'm not going home either. How can I live with the man who | ||
CF | calls himself Dad but condemns you to death? | ||
CF | | ||
CF | Don't forget the times we had. I know you can't listen to us | ||
CF | perform "Straitjacket Tuba" anymore, but don't ever record over the | ||
CF | other side of this tape. A bit of us is on there. | ||
CF | | ||
CF | Find me when you can prove you're not a monster. | ||
CF | | ||
CF | Remember the abandoned lighthouse we explored on our vacation last | ||
CF | summer? That's where I'll be, as long as it takes you. | ||
CF | | ||
CF | It may take you a long, long time, and it may require you to do | ||
CF | something magnificent. | ||
CF | | ||
CF | Bye, Polly. | ||
CF | | ||
CF | You fall through the last of the fog, and the city droops in the first | ||
CF | sickly light of morning. | ||
CF | | ||
CF | > | Lancelot asks, "huh now we get backstory?" | |
Lancelot says, "and a lighthouse is mentioned hmm but are we the bird now" | ||
Knight_Otu says, "We are not the bird." | ||
DavidW says, "I don't think we're the bird at all. The attempt to give life failed. Again." | ||
Lancelot says, "okay hmm how can we avoid the scenario, it seemed pretty linear up to now" | ||
DavidW says, "We can maybe try to drain the bird instead." | ||
DavidW says, "I think we were meant to fall." | ||
Lancelot says, "why not" | ||
DavidW says (to ClubFloyd), "drain bird" | ||
CF ] Howling wind Falling Healthy | ||
CF | > | ||
CF | > DRAIN BIRD | ||
CF | | ||
CF | The rhythm of animals is always off to you -- like hearing a | ||
CF | conversation in a strange language but still recognizing the emotion | ||
CF | behind the unintelligible words. | ||
CF | | ||
CF | In your desperation, you try to drain the crow anyway, and for a | ||
CF | moment, you feel the life moving into you, but it stops. Instead of | ||
CF | energy, you get a tsunami of feelings -- the desire to soar, to breed, | ||
CF | to nest, and above all, to eat. You've never felt such hunger-fueled | ||
CF | madness. | ||
CF | | ||
CF | The crow doesn't notice your attempt to drain its life, but it does | ||
CF | notice you -- so much juicy, fresh meat in a city of rot. | ||
CF | | ||
CF | You jolt, and your attempt to drain the bird comes to an end. | ||
CF | | ||
CF | > | DavidW says, "Now what? We're still failling." | |
DavidW says, "I don't think we have anything but the hazmat suit." | ||
Lancelot says, "they took that away didnt they" | ||
Lancelot says, "i" | ||
DavidW asks, "I don't think so?" | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Howling wind Falling Healthy | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | Your inventory is pitiful. | ||
CF | | ||
CF | • You are sweating under a yellow hazmat suit. | ||
CF | | ||
CF | You can see more than buildings now. The crow flaps its wings in | ||
CF | excitement and slows its fall. Its fresh meal has almost hit the | ||
CF | asphalt dinner plate. | ||
CF | | ||
CF | People in yellow hazmat suits are gathered on the street. Some point | ||
CF | at the living comet hurling toward them, while others pull them out of | ||
CF | the way. | ||
CF | | ||
CF | Did you know you can drain more than one person at once? | ||
CF | | ||
CF | One raises a phone, but you can't hear anything over the air roaring | ||
CF | around you, though you can sense the life rhythm of everyone below. | ||
CF | | ||
CF | It may require you to do something magnificent. | ||
CF | | ||
CF | > | Lancelot says, "oops yeah sorry still wearing it" | |
DavidW says, "oh, now we can DRAIN ALL." | ||
Knight_Otu says, "Yeah." | ||
Lancelot says, "I guess yeah" | ||
DavidW says (to ClubFloyd), "drain all" | ||
CF ] Deep silence Dead | ||
CF | > | ||
CF | > DRAIN ALL | ||
CF | | ||
CF | You absorb the rhythms coming from the mob -- all twenty-eight, all at | ||
CF | once. | ||
CF | | ||
CF | Your body glows. Those below collapse as one. And you keep falling. | ||
CF | | ||
CF | You've never experienced a surge like this before. | ||
CF | | ||
CF | Strength, energy -- you nearly faint from the electric thrill of it. | ||
CF | | ||
CF | Maybe this was what Benny meant by "magnificent." Why did you ever shy | ||
CF | away from this power? Why shouldn't you -- | ||
CF | | ||
CF | You slam into the street in a flurry of asphalt and blood. Your bones | ||
CF | shatter. Your insides burst. And you don't bounce. | ||
CF | | ||
CF | | ||
CF | | ||
CF | ** *** You die *** | ||
CF | | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT, or UNDO the | ||
CF | last command? | ||
CF | | ||
CF | > | ||
CF | > | Lancelot says, "didnt really help at all lol" | |
Knight_Otu says, "Hrm." | ||
DavidW says (to ClubFloyd), "undo" | ||
CF | > | ||
CF | > L | ||
DavidW says (to ClubFloyd), "give life to all" | ||
CF | > L | ||
CF | > I | ||
DavidW pushes the green 'space' button. | ||
CF | > I | ||
CF | > V | Knight_Otu says, "Uh." | |
DavidW pushes the green 'space' button. | ||
CF | > V | ||
CF | > E | ||
DavidW pushes the green 'space' button. | ||
CF ] Deaf South Side of Skyscraper Divine | ||
CF | > E | ||
CF | | ||
CF | You awaken from death. | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | You gasp as you emerge from sunless lands. The crow stops pecking at | ||
CF | your eyeball. | ||
CF | | ||
CF | You are tingling all over, as if tiny fires were running up and down | ||
CF | your body. Your limbs, bent at spidery angles, twist and snap into | ||
CF | their proper places. Your skin closes in on itself, and your blood | ||
CF | stops gushing. | ||
CF | | ||
CF | The crow flies away, cawing in confused terror. | ||
CF | | ||
CF | The pain ebbs away, but ... | ||
CF | | ||
CF | You clap your hands near the side of your face. Nothing. Your eardrums | ||
CF | must have exploded on impact. | ||
CF | | ||
CF | After some failed attempts, you gain enough balance to stumble to your | ||
CF | feet and out of the body-sized dent you left in the pavement. | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | | ||
CF | > | Lancelot says, "huh" | |
Lancelot says, "I dint get it what was that weird input" | ||
Lancelot asks, "it forced you to type live?" | ||
Knight_Otu says, "Simulated auto-input." | ||
DavidW says, "I was only pushing space." | ||
Lancelot says, "ah so fake death menu" | ||
DavidW says, "Well, we're a deaf-mute now." | ||
DavidW says, "So deaf, not death." | ||
Knight_Otu says, "We're save from music at least." | ||
Lancelot says, "yeah invulnerable beat witch lol" | ||
DavidW says, "Denise will be furious we can't hear her monologue any more." | ||
Knight_Otu says, "(I still say we're closer to vampires.)" | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] ♪ iPhone (loud) South Side of Skyscraper Dying | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Your hearing is suddenly healed, and you forget what you were trying | ||
CF | to do. | ||
CF | | ||
CF | You know that tune ... | ||
CF | | ||
CF | One of the emergency workers holds Dr. Steve's phone in a limp hand. | ||
CF | It's still playing the same viola song. | ||
CF | | ||
CF | You're on the ground again, shaking in rhythmic agony. | ||
CF | | ||
CF | > | DavidW says, "damn. We can hear again." | |
Knight_Otu says, "Short-lived invulnerability." | ||
Knight_Otu exclaims, "A Mario super star lasts longer!" | ||
DavidW says (to ClubFloyd), "turn off phone" | ||
CF ] ♪ iPhone (loud) South Side of Skyscraper Dying | ||
CF | > | ||
CF | > TURN OFF PHONE | ||
CF | | ||
CF | Everything will eventually stop. | ||
CF | | ||
CF | You have the urge to look around. Maybe something here can help you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] ♪ iPhone (loud) South Side of Skyscraper Dying | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | Your would-be killers are sprawled in front of the skyscraper's double | ||
CF | doors, unaware of anything -- almost as if they had decided to take an | ||
CF | early-morning nap. One of them holds the iPhone -- still playing music | ||
CF | -- in a loose grip. | ||
CF | | ||
CF | In the street is the dent you made on impact. Nearby is your hazmat | ||
CF | helmet. | ||
CF | | ||
CF | Your brain will explode soon -- and even the extra strength you carry | ||
CF | won't save you from music. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear helmet" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > WEAR HELMET | ||
CF | | ||
CF | (first taking your helmet) | ||
CF | You put on your helmet. | ||
CF | | ||
CF | The music is muffled. | ||
CF | | ||
CF | You feel the excess strength return -- most of it, anyway. That little | ||
CF | concert the phone was giving you stripped you of some of your stolen | ||
CF | power. You are not quite as strong as you were moments before, but it | ||
CF | will have to do. | ||
CF | | ||
CF | Your gazes shifts upward, where the last of the fog wraps the top of | ||
CF | the skyscraper in a golden shroud. Denise and her battery must not get | ||
CF | away, though you'll need some sort of weapon before you face her | ||
CF | again. | ||
CF | | ||
CF | Something buzzes in the distance and is gone. | ||
CF | | ||
CF | > | Knight_Otu exclaims, "Helmet!" | |
DavidW says (to ClubFloyd), "take phone" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > TAKE PHONE | ||
CF | | ||
CF | You slip the phone into your pocket. You can feel the music's | ||
CF | vibrations through what remains of your hazmat suit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn off phone" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > TURN OFF PHONE | ||
CF | | ||
CF | You actually don't know how to work a smart phone. They came out after | ||
CF | you became a fugitive. All you can do is hold this torture device and | ||
CF | hope it keeps working. | ||
CF | | ||
CF | > | Lancelot says, "I thought we lost the helmet but ok" | |
Knight_Otu says, "We did. We refound it." | ||
DavidW says, "We did lose it. We lost it here." | ||
Lancelot says, "oh right so we are close to where we started" | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | Your would-be killers are sprawled in front of the skyscraper's double | ||
CF | doors, unaware of anything -- almost as if they had decided to take an | ||
CF | early-morning nap. | ||
CF | | ||
CF | In the street is the dent you made on impact. | ||
CF | | ||
CF | > | Knight_Otu says, "And now I remember rollerskate corpse and how it foreshadowed the walking dead." | |
DavidW says (to ClubFloyd), "n" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | (first opening the double doors) | ||
CF | You give the doors a superhuman yank. They don't visibly break, but | ||
CF | something metallic pops in the inside of the frame. You nudge the | ||
CF | doors, and they swing open. | ||
CF | | ||
CF | Main Lobby | ||
CF | You take one step into the Lobby. The lights are still on, but no one | ||
CF | is here to greet you this time. Good. Now, you just have to bound up | ||
CF | the stairs, stop Denise somehow, and then -- | ||
CF | | ||
CF | Notes from invisible speakers assault your ears and brain. .You can't | ||
CF | even make out humming from the phone you carry. The additional music | ||
CF | is devoid of lyrics, and the notes are slow, sad, and deafening loud | ||
CF | -- loud enough to penetrate the helmet. | ||
CF | | ||
CF | The next moment is weakness, instinct, and panic. You collapse | ||
CF | backward out of the lobby ... | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | ... and onto the sidewalk. | ||
CF | | ||
CF | You jolt backward. With shaking feet, you kick both doors shut in a | ||
CF | swift movement, as if you were pulling you hand out of a fire. The | ||
CF | music immediately disappears. | ||
CF | | ||
CF | You pant and take a moment to gather your strength. Your exposure to | ||
CF | notes and rhythm only gave you pain and didn't harm you much, thanks | ||
CF | to the helmet. But even though the music was more deterrent than | ||
CF | weapon, there's no way you would survive fifty floors of it. | ||
CF | | ||
CF | You're more concerned about the fact that you will not have surprise | ||
CF | on your side. It makes sense -- just as the dread in the back of your | ||
CF | mind tells you another beat witch is close, so she must know that you | ||
CF | are no longer dead -- and you are an unwelcome invader. | ||
CF | | ||
CF | > | DavidW asks, "I guess we need to find our walkman's earphones with Margo and Hal's corpses?" | |
Knight_Otu says, "Possibly." | ||
DavidW says (to ClubFloyd), "ne" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > NE | ||
CF | | ||
CF | You're convinced the way back to Denise is right in front of you. | ||
CF | | ||
CF | > | Lancelot says, "look" | |
DavidW says (to ClubFloyd), "l" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | Your would-be killers are sprawled in front of the skyscraper's double | ||
CF | doors, unaware of anything -- almost as if they had decided to take an | ||
CF | early-morning nap. | ||
CF | | ||
CF | In the street is the dent you made on impact. | ||
CF | | ||
CF | The self-styled goddess at the top of the skyscraper is still moving | ||
CF | forward with her plans -- you have to get up there somehow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dent" | ||
CF ] ♪ iPhone (faint) South Side of Skyscraper Semi-divine | ||
CF | > | ||
CF | > X DENT | ||
CF | | ||
CF | The asphalt is broken in a shallow, body-length dent where you hit the | ||
CF | ground. It's stained with your blood. | ||
CF | | ||
CF | > | Lancelot says, "is there anything on the o" | |
Lancelot asks, "is this another hint?" | ||
DavidW asks, "We can't climb like Spider-Man, can we?" | ||
Lancelot says, "lol try" | ||
Knight_Otu says, "Unlikely." | ||
DavidW says (to ClubFloyd), "climb skyscraper" | ||
CF | > | ||
CF | > CLIMB SKYSCRAPER | ||
CF | | ||
CF | You spread the fingers of your right hand onto the building's surface, | ||
CF | like a normal person about to play the piano. You push. | ||
CF | | ||
CF | The stone cracks and groans, and your fingers slide into newly created | ||
CF | holes. You kick to the left, and a chunk of rock flies out of the | ||
CF | facade. A foothold. | ||
CF | | ||
CF | You reach up with your left hand and smash a new grip for your | ||
CF | fingers. You hoist yourself up. With your free foot, you pound a new | ||
CF | place to step. | ||
CF | | ||
CF | It's laborious and slower than you'd like, but you can't risk falling | ||
CF | -- you doubt you'd have enough excess life force remaining in you to | ||
CF | cheat death again. All you can do is keep a steady pace as you dig | ||
CF | into the stone and pull yourself up, over and over. | ||
CF | | ||
CF | Climbing | ||
CF | You are focused on your climb and not looking down -- so much so, that | ||
CF | you don't notice the shadows gathering at the nearby windows until | ||
CF | rotting hands burst through glass. | ||
CF | | ||
CF | You let out a gasp of surprise. But the undead extensions of Denise | ||
CF | shrink back immediately at the music you carry with you. They cover | ||
CF | their ears. | ||
CF | | ||
CF | You climb higher. | ||
CF | | ||
CF | More Climbing | ||
CF | Higher ... | ||
CF | | ||
CF | Still Climbing | ||
CF | Even higher ... | ||
CF | | ||
CF | Into the Mist | Lancelot says, "we have super power" | |
Lancelot asks, "argh we canb???" | ||
Knight_Otu says, "Oh." | ||
Knight_Otu says, "Good guess." | ||
Lancelot says, "this story is going in weird directions" | ||
DavidW pushes the green 'space' button. | ||
CF | Into the MistThe smoky fog veils everything and makes you doubt | ||
CF | your sense of up and down. You reach upward, but instead of finding | ||
CF | stone, you feel something cold and trembling. | ||
CF | | ||
CF | You give it a couple experimental pulls. Despite the quaking, it is | ||
CF | solid -- for now. You clamber onto the strange surface. | Lancelot says, "makes me wonder if people get stuck often here its not always clear what to do next" | |
DavidW pushes the green 'space' button. | ||
CF ] ♪ iPhone (faint) Fleshy Bridge Semi-divine | ||
CF | solid -- for now. You clamber onto the strange surface. | ||
CF | Fleshy Bridge | ||
CF | You are on a body. | ||
CF | | ||
CF | It's shaking from side to side, as if in pain, but it has a limited | ||
CF | range of movement. You can barely see it through the fog, and the head | ||
CF | is twisting away from you, but it's one of the Tau Labs engineers. You | ||
CF | take a quick step to the side, and you almost slip. You're on yet | ||
CF | another quivering body. They are everywhere. | ||
CF | | ||
CF | It takes a moment to process what you're seeing. | ||
CF | | ||
CF | You are standing on a tight, narrow clump of corpses with limbs | ||
CF | tangled with one another like a swarm of insects. The entire knotted | ||
CF | mass is shaking in agony, and the ones immediately beneath you and | ||
CF | around you -- where the iPhone is loudest -- are moving the most. | ||
CF | | ||
CF | The mist thins. You can now see that the human bridge begins at the | ||
CF | edge of the skyscraper roof and slopes downward across the street to | ||
CF | another building to the south. More clouds part, and you make out | ||
CF | other bridges in the distance, going from building to building, | ||
CF | | ||
CF | This is Denise's private highway of the dead and her ticket to leave | ||
CF | town unseen. | ||
CF | | ||
CF | The fog swallows everything again. | ||
CF | | ||
CF | > | Lancelot says, "yuck" | |
Knight_Otu says, "Oh. My. No." | ||
DavidW says, "wow. That is so grotesque." | ||
DavidW says, "I've heard of fire ants doing that sort of thing, but not human corpses." | ||
Lancelot asks, "I guess they are all undead?" | ||
DavidW says, "animated dead" | ||
DavidW says, "Not quite undead, really." | ||
DavidW says (to ClubFloyd), "u" | ||
CF ] ♪ iPhone (faint) Fleshy Bridge Semi-divine | ||
CF | > | ||
CF | > U | ||
CF | | ||
CF | You only want to find Denise. You can feel her presence in the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] No music Fleshy Bridge Strong | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | You rush south across the bridge, away from the Tau Labs skyscraper. | ||
CF | | ||
CF | The bridge ripples in response to the music you carry with you. | ||
CF | | ||
CF | Hands grab your feet. You stumble and go down face-first. The phone | ||
CF | flies out of your pocket. It vanishes into the depths of the mist. | ||
CF | | ||
CF | You land on the deceased in a squelching belly-flop. Fists, knees, and | ||
CF | faces pound your helmet, and it goes spinning off your head and | ||
CF | follows the phone into the emptiness. | ||
CF | | ||
CF | The many-limbed bridge won't let you go. It pulls you down by the | ||
CF | wrists and ankles, like a gooey, creeping quicksand. You struggle, but | ||
CF | your extra strength does nothing against the mass of innumerable dead. | ||
CF | In seconds, your head is the only part of you above the slimy human | ||
CF | mass. | ||
CF | | ||
CF | The bodies around you twist, and the air bursts from your lungs in a | ||
CF | violent wheeze. | ||
CF | | ||
CF | The grip tightens. A couple of your ribs pop. They immediately knit | ||
CF | together, and some of your excess strength ebbs away. | ||
CF | | ||
CF | Another squeeze. More bones and tissue crack and pop under the | ||
CF | suffocating pressure. Sparks ignite and wither in your vision. You | ||
CF | heal more slowly this time. | ||
CF | | ||
CF | Dozens of footsteps approach from the south. | ||
CF | | ||
CF | "Did you really think you could kill a goddess with a weak-sauce phone | ||
CF | speaker in just a few minutes?" | ||
CF | | ||
CF | Some of Denise's rotting slaves set the battery down. It's close | ||
CF | enough for you to reach it -- if you could get an arm free. | ||
CF | | ||
CF | "I want the doohickey to be the last thing you see," Ted says. "Just | ||
CF | think how much you goofed while I squeeze you like a juicy fart." | ||
CF | | ||
CF | Denise steps from behind her chief puppet and crouches to your level. | ||
CF | A white aura around her pulses with contentment. | ||
CF | | ||
CF | She clenches her fist, and you can't breathe again. | ||
CF | | ||
CF | "Tell the Grim Reaper he owes me a fruit basket, Po --" | ||
CF | | ||
CF | Denise's eyes widen, and Ted falls silent. | ||
CF | | ||
CF | The buzzing you heard on the street is coming in a dozen directions. | ||
CF | White shapes circle overheard and descend. | ||
CF | | ||
CF | The drones are here. | Lancelot says, "more wall" | |
Lancelot says, "ah the cavalry" | ||
Knight_Otu says, "More like the third army." | ||
DavidW says, "The drones will hurt both of us." | ||
Knight_Otu asks, "I guess we're supposed to sabotage the battery now?" | ||
Lancelot says, "yeah that dial or what was it" | ||
DavidW says, "The dial has two settings, but I failed to learn what the settings are." | ||
Lancelot asks, "maybe just try turn?" | ||
DavidW says (to ClubFloyd), "turn dial" | ||
CF ] ♪ Drones Fleshy Bridge Dying | ||
CF | The drones are here. | ||
CF | The machines are blasting a lively dance tune featuring synths and a | ||
CF | harpsichord -- a perfect blend of poison for a beat witch. | ||
CF | | ||
CF | SetVolume error: your interpreter does not support volume control. | ||
CF | A different agony contorts you now, and you're not the only one. The | ||
CF | entire bridge is writhing too. | ||
CF | | ||
CF | The corpses' twisting sends you rolling upward and onto the surface of | ||
CF | the bridge. Ted is shaking uncontrollably like the other dead. | ||
CF | | ||
CF | Denise is nearly tearing her eyes out. Her aura is gone. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] ♪ Drones Fleshy Bridge Dying | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | The drones circle above you like white vultures. Their cameras must be | ||
CF | broadcasting your death to the cheering masses. | ||
CF | | ||
CF | The corpses are pulling apart. The bridge swings in a wide arc. It's | ||
CF | not going to last long. | ||
CF | | ||
CF | Your hand brushes against the battery. | ||
CF | | ||
CF | > | Lancelot says, "ah now we are close" | |
Knight_Otu asks, "May I just say that I'm glad we don't get music?" | ||
DavidW says (to ClubFloyd), "turn dial" | ||
CF | > | ||
CF | > TURN DIAL | ||
CF | | ||
CF | You manage to nudge the dial with a flopping hand. | ||
CF | | ||
CF | The battery's light turns green. A display reads, "Commencing Semper | ||
CF | Battery start. Checking status of on-board systems." | ||
CF | | ||
CF | Denise, incredibly, manages to stand on wobbly feet. | ||
CF | | ||
CF | It takes all her effort, and she is still howling as silently as you. | ||
CF | The girl gives you a weak kick in your sore ribs, sending you rolling | ||
CF | to the side. She stumbles forward and reaches for the dial. | ||
CF | | ||
CF | That's when her puppets' grasp on one another breaks apart, and there | ||
CF | is no more bridge. | ||
CF | | ||
CF | The bodies under the battery give out first. Denise lunges. The photo | ||
CF | album flaps out of her hands. | ||
CF | | ||
CF | She wraps trembling arms around the device. She and the battery plunge | ||
CF | into the fog. | ||
CF | | ||
CF | A couple of seconds later, you fall, your limbs still shaking. | ||
CF | | ||
CF | Falling | ||
CF | The rush of air does not dilute the poison sounding from the drones, | ||
CF | which follow you down. You catch a glimpse of Denise. She's closer to | ||
CF | the ground than you, and she's banging her fists against the battery, | ||
CF | which is still booting up, apparently. | ||
CF | | ||
CF | You lose track of her in the hail of decay. | Lancelot asks, "hmm turn dial didnt work at first?" | |
Lancelot says, "ouch falling again lol" | ||
DavidW pushes the green 'space' button. | ||
CF ] No music Sales Floor Weak | ||
CF | You lose track of her in the hail of decay. | ||
CF | The music stops. | ||
CF | | ||
CF | The explosion below rattles your teeth before you hear its roar. | ||
CF | | ||
CF | Flying | ||
CF | The force sends you spinning helplessly upward. Human chunks and | ||
CF | scraps of metal shoot up at you. | ||
CF | | ||
CF | You see one of the skyscraper windows just in time to raise your arms | ||
CF | protectively in front of your face. You crash through the glass. | ||
CF | | ||
CF | Sales Floor | ||
CF | You somersault into cubicles, and they topple into one another. | ||
CF | | ||
CF | The banging of office equipment falling fades. The building is filled | ||
CF | with a heavy but relieved silence. | ||
CF | | ||
CF | You don't know how long you lie there, catching your breath and | ||
CF | enjoying the quiet, but you finally dare to stand. | ||
CF | | ||
CF | You brace yourself against a desk. Your divinity is gone now -- some | ||
CF | smashed and squeezed, some stripped by music, and the rest spent | ||
CF | surviving the edge of the explosion and the trip through the window. | ||
CF | | ||
CF | But you are alive. And you don't feel Denise's presence fraying the | ||
CF | edges of your mind anymore. | ||
CF | | ||
CF | > | Lancelot says, "wtf happened" | |
Lancelot says, "looks like Denise is gone" | ||
DavidW says, "The battery explosion blew us through a window." | ||
Knight_Otu says, "We had just enough life force left to survive." | ||
DavidW says, "We're back to normal power levels." | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] No music Sales Floor Weak | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You don't have much. | ||
CF | | ||
CF | • You wear bloody rags that used to be a yellow hazmat suit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remove suit" | ||
CF ] No music Sales Floor Weak | ||
CF | > | ||
CF | > REMOVE SUIT | ||
CF | | ||
CF | You don't have time to undress. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF ] No music Sales Floor Weak | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | But you aren't in anything at the moment. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] No music Sales Floor Weak | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Sales Floor | ||
CF | You are in what appears to be a call center in Tau Labs. Thanks to | ||
CF | your grand entrance through the now-shattered window, this single-room | ||
CF | floor is a mess. | ||
CF | | ||
CF | Many of the cubicles have toppled into one another, strewing desks, | ||
CF | phones, computers, printers, and paperwork everywhere. | ||
CF | | ||
CF | A sign above the door to the stairwell and elevator to the west reads | ||
CF | "16 - Outbound Sales." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | 16th Floor Landing | ||
CF | | ||
CF | | ||
CF | 15th Floor | ||
CF | You would like to rest, but you can't leave this place fast enough. | ||
CF | | ||
CF | 14th Floor | ||
CF | | ||
CF | | ||
CF | 13th Floor | ||
CF | No music, no shuffling of corpses, no hum of lights. | Lancelot asks, "ah maybe go down then?" | |
Lancelot says, "ok we go" | ||
DavidW pushes the green 'space' button. | ||
CF | No music, no shuffling of corpses, no hum of lights. | ||
CF | | ||
CF | | ||
CF | 12th Floor | ||
CF | | ||
CF | | ||
CF | 11th Floor | ||
CF | | ||
CF | | ||
CF | 10th Floor | ||
CF | | ||
CF | | ||
CF | 9th Floor | ||
CF | It's just you grabbing the railing, spiraling through the dark ... | ||
CF | | ||
CF | 8th Floor | ||
CF | | ||
CF | | ||
CF | 7th Floor | ||
CF | | ||
CF | | ||
CF | 6th Floor | ||
CF | | ||
CF | | ||
CF | 5th Floor | ||
CF | The darkness is soothing. The world is still. | Lancelot says, "there was an ambum maybe its down there too" | |
DavidW pushes the green 'space' button. | ||
CF ] No music South Side of Skyscraper Weak | ||
CF | The darkness is soothing. The world is still. | ||
CF | | ||
CF | | ||
CF | 4th Floor | ||
CF | | ||
CF | | ||
CF | 3rd Floor | ||
CF | | ||
CF | | ||
CF | 2nd Floor | ||
CF | | ||
CF | | ||
CF | Bottom of Stairs | ||
CF | | ||
CF | | ||
CF | Main Lobby | ||
CF | You finally see light through the familiar double doors. | ||
CF | | ||
CF | South Side of Skyscraper | ||
CF | You burst out of the building, closing it forever behind you. | ||
CF | | ||
CF | The street is coated with carnage left by the fallen bridge, with the | ||
CF | remains of the battery in the middle, and what's left of the drones | ||
CF | scattered throughout. | ||
CF | | ||
CF | Some bodies exploded. Others splattered. | ||
CF | | ||
CF | As you avert your eyes from the gruesome scene, you notice movement in | ||
CF | the edge of your vision. The first responders, once so eager to | ||
CF | eliminate the beat witch infection, are limping away. You suppose they | ||
CF | woke up in time to see the corpses slamming into the street from above | ||
CF | and barely escaped with their lives. | ||
CF | | ||
CF | And you, the handmaid of death, have just appeared. You, the recurring | ||
CF | nightmare. | ||
CF | | ||
CF | One shouts for the others to move faster. Despite the fact that they | ||
CF | are fighting the lack of energy from being drained, they manage to | ||
CF | scramble into a half-run and vanish around a corner. | ||
CF | | ||
CF | You have no interest in hunting them down or venturing deeper into the | ||
CF | graveyard of a city. | ||
CF | | ||
CF | A gravel path winds to the northeast. | ||
CF | | ||
CF | > | Lancelot says, "lol one way to go" | |
DavidW says (to ClubFloyd), "ne" | ||
CF ] No music South Side of Skyscraper Weak | ||
CF | > | ||
CF | > NE | ||
CF | | ||
CF | You take a step and stop. Among the gore is the gray photo album | ||
CF | Denise carried. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take album" | ||
CF ] No music South Side of Skyscraper Weak | ||
CF | > | ||
CF | > TAKE ALBUM | ||
CF | | ||
CF | Somehow, the photo album landed undamaged on a bloodless patch of the | ||
CF | street. You pick up the book and open it. | ||
CF | | ||
CF | The pictures glued to the first pages are yellowed and faded. They | ||
CF | depict what appears to be a happy, well-to-do group in formal poses. | ||
CF | | ||
CF | You're guessing the photographs must have been taken in the late 1800s | ||
CF | or just before World War I. The father and three sons wear ties that | ||
CF | are probably fancy enough to be called cravats, and the mother and | ||
CF | only daughter have lacy dresses that predict the era of the parachute. | ||
CF | | ||
CF | At the bottom of the pictures are the words "FAM DAMILY" in purple | ||
CF | crayon. | ||
CF | | ||
CF | You immediately recognize the daughter, who can't be older than 12: | ||
CF | Denise with the same curls. She's smiling -- genuinely smiling -- with | ||
CF | no malice in her eyes. | ||
CF | | ||
CF | You turn the page. The happy poses are gone. | ||
CF | | ||
CF | Instead, the pictures are taken at strange angles and overexposed -- | ||
CF | not the work of the original photographer but an inexperienced | ||
CF | amateur. Still, the subject is clear enough. | ||
CF | | ||
CF | These photos are of one person -- a mustachioed man holding a fiddle | ||
CF | in lifeless fingers, lying on a lawn. | ||
CF | | ||
CF | Below, also scrawled in purple crayon, are the words, "THE FIDDLER | ||
CF | THEY HIRED THOUGHT I WAS DEAD. HE STOPPED PLAYING TOO EARLY!" | ||
CF | | ||
CF | The next page has more corpses in what appears to be the same front | ||
CF | yard. You recognize them as her family. Their eyes are wide, and their | ||
CF | mouths are open in eternal screams. | ||
CF | | ||
CF | Then words written so hard, they ripped part of the page: "THEY TRIED | ||
CF | TO KILL ME SO I GOT THEM." | ||
CF | | ||
CF | You feel sick as you realize there are more pages. Many more. You flip | ||
CF | through these quickly. | ||
CF | | ||
CF | The photographs improve in quality as Denise and the technology get | ||
CF | better. But it doesn't change the fact that you're looking at | ||
CF | bloodless slaughter. Her victims' clothing changes with the decades, | ||
CF | and they are always a random assortment of the terrified. | ||
CF | | ||
CF | Worse than the deceased are the captions. "SURPRISE!" "GOTCHA!" "HOW'S | ||
CF | THAT FOR A CHRISTMAS CAROL?" "ME GUSTA WHEN THEY BEG." "HAPPINESS IS A | ||
CF | COLD HAND." | ||
CF | | ||
CF | You drop the book before vomit erupts from your throat. | ||
CF | | ||
CF | > | Lancelot says, "yay" | |
Jade says, "oh man!, I am going to bed just now. Tomorrow I have a long travel by car...again." | ||
Jade says, "Sorry. See you next week. thanks" | ||
Lancelot asks, "see ya next week... but then the IFComp results are announced, right?" | ||
Jade says, "yes, I will see you tbere" | ||
DavidW says, "I guess we have gone over. I'm thinking we must be close to the end, though." | ||
DavidW says (to ClubFloyd), "ne" | ||
CF ] No music Park Weak | ||
CF | > | ||
CF | > NE | ||
CF | | ||
CF | | ||
CF | Park | ||
CF | This small park in the skyscraper's shadow features a dumpster, a | ||
CF | swing set, and yellowed grass. | ||
CF | | ||
CF | The winding gravel path goes southwest and northwest. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in dumpster" | ||
CF ] No music Park Weak | ||
CF | > | ||
CF | > LOOK IN DUMPSTER | ||
CF | | ||
CF | You don't dare go near the dumpster. You hate to imagine how long the | ||
CF | trash has been there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF ] No music Alley Weak | ||
CF | > | ||
CF | > NW | ||
CF | | ||
CF | | ||
CF | Alley | ||
CF | The gravel path coming from the southeast ends in an alley on the | ||
CF | north side of the skyscraper. | ||
CF | | ||
CF | Hal and Margo's remains are broken and still. | ||
CF | | ||
CF | Brown water trickles into a sewer grate near the far wall. Next to the | ||
CF | grate is a bashed-in TV and your shattered Walkman, which partially | ||
CF | obscures a long, fluttering ribbon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take earphones" | ||
CF ] No music Alley Weak | ||
CF | > | ||
CF | > TAKE EARPHONES | ||
CF | | ||
CF | The earphones have rusted to the Walkman. | ||
CF | | ||
CF | > | Knight_Otu says, "Dang, our brother's message." | |
DavidW says (to ClubFloyd), "take ribbon" | ||
CF ] No music Alley Weak | ||
CF | > | ||
CF | > TAKE RIBBON | ||
CF | | ||
CF | You won't lose Benny, even if you can no longer hear him. You | ||
CF | carefully wind the ribbon -- his voice -- around your wrist. | ||
CF | | ||
CF | You know Benny didn't actually live in the cassette, but as you | ||
CF | survived alone in the shadows, it started to seem that way ... | ||
CF | | ||
CF | There is one way to hear him again, and it has nothing to do with | ||
CF | Walkmans. | ||
CF | | ||
CF | The thought excites and panics you -- not that you haven't imagined it | ||
CF | countless times before, except now, it may break through the prison of | ||
CF | your hopes. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open grate" | ||
CF ] No music Alley Weak | ||
CF | > | ||
CF | > OPEN GRATE | ||
CF | | ||
CF | You grab the bars and heave upward with all the energy you have. A | ||
CF | hidden hinge groans, but the grate opens so it stands perpendicular to | ||
CF | the ground. | ||
CF | | ||
CF | Below you is darkness, where creatures like you are supposed to | ||
CF | belong. | ||
CF | | ||
CF | Uneven footfalls crunch the gravel behind you and splash through the | ||
CF | sludge. | ||
CF | | ||
CF | You turn in time to see Dr. Steve bringing down a scalpel. You twist | ||
CF | to the side, and the blade slashes your chest -- barely deep enough to | ||
CF | draw blood. | ||
CF | | ||
CF | "Ruby, Faith, and Ivy!" | ||
CF | | ||
CF | Dr. Steve is drooling. The hand holding the scalpel quivers. "My wife. | ||
CF | My daughters. I was out of town -- I should have died with them. But | ||
CF | now -- just try to drain me again, witch! Do you think I care | ||
CF | anymore?" | ||
CF | | ||
CF | The scalpel swings wild, and you manage to dodge it completely, but at | ||
CF | the cost of losing your balance. You get a gag-inducing mouthful of | ||
CF | the muddy water. | ||
CF | | ||
CF | You try to get up, but Dr. Steve kicks you in the face. He sways as he | ||
CF | steadies himself. He hasn't completely recovered from your first | ||
CF | encounter. | ||
CF | | ||
CF | You could drain him again, though he wouldn't survive that. Or you | ||
CF | could just leave this madman to his grief and get out of here. | ||
CF | | ||
CF | One thing is certain -- your position at the edge of the grate means | ||
CF | you are stuck between him and the wall, and you won't be able to ward | ||
CF | off his next attack. | ||
CF | | ||
CF | Dr. Steve studies you, a scientist sizing up a disease. He seems to be | ||
CF | deciding the best place to make his fatal incision. | ||
CF | | ||
CF | > | Knight_Otu says, "Hrm." | |
Lancelot says, "; well earlier a lighthouse was mentioned so I guess we need to go there" | ||
Lancelot says, "what exits we have" | ||
DavidW says (to ClubFloyd), "d" | ||
CF ] No music Beach Healthy | ||
CF | > | ||
CF | > D | ||
CF | | ||
CF | You roll into the darkness of the sewer. | ||
CF | | ||
CF | Sewer | ||
CF | You land in more sludge and filth. | ||
CF | | ||
CF | "Beat witch!" Dr. Steve howls from above. | ||
CF | | ||
CF | You're already on your feet. He jumps into the sewer after you. | ||
CF | | ||
CF | You follow random passages in the dark. | ||
CF | | ||
CF | "Witch!" Dr. Steve calls behind you, but his voice is faint. In his | ||
CF | partially recovered state, he can't keep up. | ||
CF | | ||
CF | But you only stop hours later, when you tumble into a ... | ||
CF | | ||
CF | River | ||
CF | A large sewer pipe empties into a cold river, the water glowing like | ||
CF | crystals in the afternoon sun as it curves through stunted willows. | ||
CF | | ||
CF | Your eyes adjust, and you look over your shoulder to see the city in | ||
CF | the distance behind you, a gray mass of fog-wreathed buildings. Drones | ||
CF | buzz unseen. | ||
CF | | ||
CF | You can go now. You let a gentle current carry you away. | ||
CF | | ||
CF | Traveling | ||
CF | Moving unseen is what you do best. You travel by night and keep out of | ||
CF | sight during the day. You risk stealing new clothes at an | ||
CF | out-of-the-way truck stop. You forage in forest and garbage. You have | ||
CF | always done this. | ||
CF | | ||
CF | But you have never dared to go where you have once been -- not since | ||
CF | you were a child. | ||
CF | | ||
CF | Beach | ||
CF | It took you weeks to get to this peaceful spot where blue ocean meets | ||
CF | pale sand. | ||
CF | | ||
CF | Now that the lighthouse is in view to the north, you realize you have | ||
CF | no idea how you are going to explain all this to Benny. | ||
CF | | ||
CF | Was that -- someone moved past one of the lighthouse windows! | ||
CF | | ||
CF | > | Lancelot says, "oh nvm we are at the lighthouse already lol" | |
DavidW says (to ClubFloyd), "n" | ||
CF ] No music Beach Healthy | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You trudge through the sand toward the lighthouse. | ||
CF | | ||
CF | The door opens. Someone has seen your approach. | ||
CF | | ||
CF | Tears and ocean spray sting your eyes, and walking becomes running. | ||
CF | | ||
CF | It's him. | ||
CF | | ||
CF | | ||
CF | | ||
CF | *** The End *** | ||
CF | | ||
CF | | ||
CF | | ||
CF | Polly Miller will return. | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT, or UNDO the | ||
CF | last command? | ||
CF | | ||
CF | > | Knight_Otu says, "It's less rooms and more scenes in this game." | |
Lancelot says, "Polly Miller will return? hmm a sequel lol" | ||
DavidW says, "whew" | ||
Lancelot says, "yeah a lot of text though" | ||
DavidW says, "Dr Steve will be our Van Helsing." | ||
Knight_Otu asks, "I'm not sure what to say... it was interesting at the very least, but also gross?" | ||
DavidW says, "yeah." | ||
Knight_Otu says, "Lots of text dumps, pretty much linear." | ||
Lancelot asks, "gross and well I cannot say much about the mechanist... it felt like limited parser but ofen very railroaded?" | ||
DavidW says, "Let's try to find a game with more pleasant content for next week." | ||
DavidW says (to Lancelot), "yeah, sometimes a story is better suited to a choice-based system than parser." | ||
Lancelot says, "should be plenty of games... yeah thats what I was thinking this text looks more like suitable for choice" | ||
Lancelot says, "but then again Pinkunz told me the same about my game... that it might work in choice format as well :D" | ||
Lancelot says, "still interesting story and quite original I guess" | ||
Lancelot says, "but the twists I'm not sure how hard those are" | ||
DavidW says, "Survived two falls from a skyscraper and climbed one." | ||
Lancelot says, "gotta goi now, inetersting game, but indeed hopefully next time a more positive one :D" | ||
Knight_Otu says, "I know I keep saying it, but it's kind of a vampire story, if humanity could shoot sunlight from their hands." | ||
Knight_Otu says, "Turns a scary monster story into a vicious cycle of violence." | ||
Lancelot says, "it has like vampire vibe with the taking of life indeed" | ||
Lancelot says, "such the life force out of all lol" | ||
Lancelot says, "suck even" | ||
Lancelot says, "bye all" | ||
DavidW says, "And 'rhymes' instead of blood." | ||
Lancelot goes home. | Knight_Otu exclaims, "Thanks for driving, David!" | |
DavidW says, "er not rhymes. Rhythms." | ||
DavidW says, "thanks Knight. Thanks to everyone for helping me." | ||
DavidW says, "good night all. See you all next week." | ||