ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
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ToyShop & Floyditorium
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#ClubFloyd Discussion
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*** SESSION 1 *** | ||
DavidW says (to ClubFloyd), "load sleepmask worldofmonsters" | ||
CF ] Bedroom | ||
CF | | ||
CF | When you graduated from the University of Tokyo you were so eager to | ||
CF | start working and beginning your new life as a young adult that you | ||
CF | delved into your job full-time. Now, after so much work without any | ||
CF | rest, tired of living in such an overcrowded city like Tokyo, you | ||
CF | decided to spend a few days back in the little village where you were | ||
CF | raised. Despite now growing into a town, the village is still small | ||
CF | enough to give the visitor the look and feel of rural Japan, soothing | ||
CF | and relaxing. Also, you are supposed to meet a university friend, who | ||
CF | now lives in town. He is a young and very talented artist, as others | ||
CF | say of you, and you want to present him with a business proposition. | ||
CF | Upon your arrival, the townsfolk greet you as a friend, but there's | ||
CF | something weird going on. As unlikely as it may seem, could some | ||
CF | rumors you heard while traveling be true? You are currently inside | ||
CF | your room at the ryokan. Your plan is to have a quick look at the | ||
CF | local hot spring and then visit your friend who lives on the outskirts | ||
CF | of town. Also, you want to investigate those rumors for yourself; they | ||
CF | could make a great story to write about someday. | ||
CF | | ||
CF | [Your journey starts here. You can move around, examine things and | ||
CF | manipulate things by typing simple text commands of one or more words, | ||
CF | usually starting with a verb. The tutorial will offer suggestions to | ||
CF | get you started. Commands in the tutorial are shown in upper case, but | ||
CF | you can enter them in lower case, if you prefer. You can turn the | ||
CF | tutorial off by typing TUTORIAL OFF and turn it back on by typing | ||
CF | TUTORIAL ON. Good luck.] | ||
CF | | ||
CF | | ||
CF | Bakemono no Sekai - World of Monsters | ||
CF | A game inspired by Japanese folklore. | ||
CF | Copyright (c) 2024 Gianluca Girelli. | ||
CF | [LINK] | ||
CF | Type "ABOUT", "HELP" and "CREDITS" for further info. | ||
CF | | ||
CF | Release 1 / Serial number 240428 / Inform v6.42 PunyInform v5.4 | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | | ||
CF | You can also see a futon, a low table set and an oshiire (which is | ||
CF | closed) here. | ||
CF | | ||
CF | [The description above tells you where you are and what you can | ||
CF | see. The '>' below is the prompt. You type commands after the prompt. | ||
CF | When the location description scrolls off the screen, you can refresh | ||
CF | it by typing LOOK (or L). Try it now. Type L after the prompt.] | ||
CF | | ||
CF | > | Lancelot says, "kinda reminds me of that tutorial mode in the mother goose game :D" | |
Jacqueline says, "Lots to do on this relaxing break from our job." | ||
DavidW says, "hm. I'm already wishing for a Japaanese to English dictionary." | ||
Lancelot says, "I do hope they keep the number of unexplained Japanese words to a minimum lol" | ||
DavidW says (to ClubFloyd), "what is oshiire" | ||
CF ] Bedroom | ||
CF | | ||
CF | > WHAT IS OSHIIRE | ||
CF | | ||
CF | That is not a verb I recognize. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x oshiire" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X OSHIIRE | ||
CF | | ||
CF | In a washitsu, oshiire (Japanese-style closet) is the place for | ||
CF | storing futon (traditional Japanese bedding) and other items. | ||
CF | Typically, oshiire is wedged between walls on two sides, with fusuma | ||
CF | on its front face. In most cases, you don't have to take out the futon | ||
CF | from the oshiire and spread it on tatami by yourself, because | ||
CF | chambermaids called "nakai" will set everything up when you are having | ||
CF | dinner outside the room. | ||
CF | | ||
CF | [When you start a new game, it's a good idea to EXAMINE or LOOK AT | ||
CF | yourself. EXAMINE can be abbreviated to X. Try X ME.] | ||
CF | | ||
CF | > | Lancelot says, "ah they do explain" | |
DavidW says, "by introducing more words I don't know." | ||
DavidW asks, "What's a fusuma?" | ||
DavidW says (to ClubFloyd), "x me" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X ME | ||
CF | | ||
CF | Your name is Isao. You graduated a few years ago from Tokyo University | ||
CF | and, after a very long and busy period at work, decided to take a | ||
CF | short vacation in your hometown placed in the countryside. | ||
CF | | ||
CF | [When you start a new game, it's a good idea to take an inventory | ||
CF | to see if you're carrying anything. Try INVENTORY (or I).] | ||
CF | | ||
CF | > | Lancelot says, "some kind of cover or door I thought" | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Bedroom | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You're carrying your garments (worn). | ||
CF | | ||
CF | [Whenever you enter a new location, or you discover new items, you | ||
CF | should identify all the things mentioned in the description and | ||
CF | EXAMINE (or X) each one. The responses may provide more detail or | ||
CF | important clues. For example, try X GARMENTS.] | ||
CF | | ||
CF | > | Jacqueline says, "It's a type of sliding door panel." | |
Lancelot says, "I lived in such rooms a long time ago ... need to stow away everything" | ||
DavidW says (to ClubFloyd), "x garments" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X GARMENTS | ||
CF | | ||
CF | You are still in the warm season, so you are wearing a pair of faded | ||
CF | blue jeans and a white short sleeve shirt. The shirt has a front | ||
CF | pocket on it. Shoes and socks complete your attire. | ||
CF | You notice you are still wearing your shoes. It is usually considered | ||
CF | a bad habit not to take off your footwear at the entrance, but rules | ||
CF | in this ryokan are a little loose. Also, you need to go out and meet | ||
CF | your friend right away. | ||
CF | | ||
CF | [You discovered something new: the pocket on your shirt. EXAMINE | ||
CF | it to see if it reveals any more details or any clues. Try X | ||
CF | POCKET.] | ||
CF | | ||
CF | > | Jacqueline says, "I'm down to turn off that tutorial if others are." | |
Lancelot says, "we know the usual commands so yeah" | ||
DavidW says (to ClubFloyd), "x pocket" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X POCKET | ||
CF | | ||
CF | It's just a simple breast pocket. The pocket contains a notepad. | ||
CF | | ||
CF | [You found something. Try X NOTEPAD.] | ||
CF | | ||
CF | > | DavidW says, "I'm actually finding the tutorial a bit relaxing." | |
DavidW says (to ClubFloyd), "x notepad" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X NOTEPAD | ||
CF | | ||
CF | You can't examine it while it's in your pocket. | ||
CF | | ||
CF | [As you can't examine or read the notepad while it's in your | ||
CF | pocket, you can take it out of your pocket using GET or TAKE. Try GET | ||
CF | NOTEPAD.] | ||
CF | | ||
CF | > | Jacqueline says (to DW), "Oh, huh. Okay." | |
DavidW says (to ClubFloyd), "get notepad" | ||
CF ] Bedroom | ||
CF | | ||
CF | > GET NOTEPAD | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | [Now that you've taken the notepad out of your pocket, you can | ||
CF | examine it. Try X NOTEPAD.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x it" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X IT | ||
CF | | ||
CF | It's a pad of ruled pages for writing notes on. You are always | ||
CF | forgetting all sorts of things, so it may come in handy. You can read | ||
CF | it if you want to refresh your memory. | ||
CF | | ||
CF | [If you find something that's legible, you should try reading it. | ||
CF | Try READ NOTEPAD.] | ||
CF | | ||
CF | > | Lancelot says, "noted. I am also planning to add a tutorial lol" | |
DavidW says, "grr x =/= read" | ||
Knight_Otu says, "Who knows, we might get a prompt to CAST MAGIC." | ||
DavidW says (to ClubFloyd), "read it" | ||
CF ] Bedroom | ||
CF | | ||
CF | > READ IT | ||
CF | | ||
CF | At the moment there's nothing written on it. | ||
CF | | ||
CF | [Your pocket is like a container. You can put things in a | ||
CF | container using PUT or INSERT. Now that you are finished with the | ||
CF | notepad, try PUT NOTEPAD IN POCKET to put it back into your pocket. | ||
CF | This will also free up space in your inventory. However, remember that | ||
CF | during the adventure the notepad will be updated with relevant entries | ||
CF | everytime you encounter something noteworthy. Please read it | ||
CF | regularly.] | ||
CF | | ||
CF | > | Lancelot says, "I do remember Garry was being inconsistent in his oen game lol... he suggested not to have separate x and search commands" | |
DavidW says (to ClubFloyd), "put awkward notepad into unnecessary pocket" | ||
CF ] Bedroom | ||
CF | | ||
CF | > PUT AWKWARD NOTEPAD INTO UNNECESSARY POCKET | ||
CF | | ||
CF | Sorry, I don't understand what "awkward" means. | ||
CF | | ||
CF | [You can move around using any of the four cardinal compass | ||
CF | directions such as GO NORTH (or NORTH), as well as UP and DOWN. Often | ||
CF | games, like the present one, also feature full-compass directions like | ||
CF | GO NORTHWEST. These can be abbreviated to N, S, E, W, U, D, NW and so | ||
CF | on. The location description will usually tell you which directions | ||
CF | you can go. You can also use verbs like IN, OUT, CLIMB, ENTER and EXIT | ||
CF | when appropriate.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put notepad in pocket" | ||
CF ] Bedroom | ||
CF | | ||
CF | > PUT NOTEPAD IN POCKET | ||
CF | | ||
CF | You put the notepad into the pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF ] Bedroom | ||
CF | | ||
CF | > OUT | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | > | Lancelot says, "a missed opportunity" | |
DavidW says, "Can't use OUT, game." | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Bedroom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | | ||
CF | You can also see a futon, a low table set and an oshiire (which is | ||
CF | closed) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x futon" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X FUTON | ||
CF | | ||
CF | A futon set consists of a mattress (shikibuton) and a duvet | ||
CF | (kakebuton). Shikibuton, wrapped by a sheet, is spread on tatami, and | ||
CF | then covered by kakebuton. You can put a blanket on the kakebuton, or | ||
CF | use more kakebutons in winter. It looks very comfy. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x set" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X SET | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x table" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X TABLE | ||
CF | | ||
CF | Instead of Western tables and chairs, Japanese-style cushions | ||
CF | (zabuton), legless chairs (zaisu), and a low table (zataku) are placed | ||
CF | in a washitsu. You should put the zabuton under your hips when sitting | ||
CF | in a washitsu. You can sit back on your haunches in a zaisu, which has | ||
CF | a sitting face and a backrest instead of legs. There is nothing on the | ||
CF | table. | ||
CF | | ||
CF | > | Lancelot says, "pff they are kinda overdoing it now" | |
Lancelot says, "Japanese 101" | ||
DavidW says, "yeah, don't expect me to remember all these terms." | ||
DavidW says (to ClubFloyd), "open oshiire" | ||
CF ] Bedroom | ||
CF | | ||
CF | > OPEN OSHIIRE | ||
CF | | ||
CF | You open the oshiire, revealing a nemaki and an obi. | ||
CF | | ||
CF | > | Knight_Otu says, "This could use a "THINK ABOUT (term)" command, I feel." | |
DavidW says, "Which I tried." | ||
Knight_Otu says, "Yeah." | ||
DavidW says (to ClubFloyd), "x nemaki" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X NEMAKI | ||
CF | | ||
CF | A nemaki is a tube-sleeved, unisex Japanese robe worn by guests at | ||
CF | traditional inns, hot spring resorts and spas. It is similar to the | ||
CF | yukata in appearance, differing in its unisex sleeve construction, and | ||
CF | is typically worn with a thin, unisex obi (belt). | ||
CF | | ||
CF | > | Pinkunz says, "I sent him notes after playing, and I suggested an in game Japanese-English dictionary left by a tourist in the bedroom at the beginning of the game." | |
Lancelot says, "lol" | ||
DavidW says (to ClubFloyd), "x obi" | ||
CF ] Bedroom | ||
CF | | ||
CF | > X OBI | ||
CF | | ||
CF | An obi has varying size and shape and can be worn with both | ||
CF | traditional Japanese clothing and uniforms for Japanese martial arts | ||
CF | styles. Originating as a simple thin belt in Heian period Japan, it | ||
CF | developed over time into a belt with a number of different varieties, | ||
CF | sizes, proportions, lengths, and methods of tying. | ||
CF | | ||
CF | > | Pinkunz says, "He didn't respond, so I'm not sure if appreciated the notes, or maybe I screwed up his email. I dunno." | |
Lancelot says, "Ah the sash :D" | ||
DavidW asks, "Is that what we hang ourselves with from the nazibiiena?" | ||
Jacqueline says, "wow" | ||
Jacqueline says, "haha" | ||
DavidW says, "Anyway, there's three exits from this room, which may be why OUT doesn't work." | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Bedroom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | | ||
CF | You can also see a futon, a low table set and an oshiire (which | ||
CF | contains a nemaki and an obi) here. | ||
CF | | ||
CF | > | DavidW asks, "Which way do we go?" | |
Lancelot says, "shouldnt we get some stuff first" | ||
DavidW asks, "Why?" | ||
Lancelot says, "ah nvm then" | ||
Jacqueline says, "Because it's IF, possibly. But I'm good with just exploring." | ||
Jacqueline says, "Let's take 'em in order. West." | ||
DavidW says, "Like, I have no idea what's going on except we're going to meet someone, and maybe it would be incorrect to wear a bathrobe on the public transit." | ||
Jacqueline says, "Or hilarious. But yes." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Sitting Room | ||
CF | This small room, sometimes called "hiroen", is a space outside the | ||
CF | tatami room where guests can sit down and relax. It often holds | ||
CF | appliances to make tea and may be furnished with Western-style | ||
CF | furniture. It is separated from the bedroom by sliding doors called | ||
CF | "shoji", the traditional paper door, designed to let light in. Shojis | ||
CF | have a window-like paper structure fit into a wood frame. The only | ||
CF | exit is towards the east. | ||
CF | | ||
CF | You can see some Western-style furniture and a painting here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x furniture" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X FURNITURE | ||
CF | | ||
CF | This is no time to be admiring the furniture. You have things to do. | ||
CF | | ||
CF | > | Jacqueline says, "bah" | |
DavidW asks, "Like what, game?" | ||
Lancelot says, "interesting a sitting room with only an exit to the bedroom lol" | ||
DavidW says, "Do tell us what we need to do." | ||
Jacqueline says (to Lancelot), "Kinda cool, actually." | ||
DavidW says (to ClubFloyd), "x painting" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X PAINTING | ||
CF | | ||
CF | It's a painting of a mythical creature, depicted while moving in the | ||
CF | underwood. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x creature" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X CREATURE | ||
CF | | ||
CF | You recall the name of the creature is "KIRIN". You make a written | ||
CF | note on your notepad, so you can recall the topic later on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Lavatory | ||
CF | This room contains conveniences for washing, shaving and/or applying | ||
CF | make up. You can see a sink embedded in a counter, a cabinet and a | ||
CF | mirror, while the toilet is in a different room. To the north, via a | ||
CF | fusuma, you can enter your private bathroom. When you were a kid you | ||
CF | were scared to death by the tales about "AKANAME", the creature living | ||
CF | in the bathrooms, but you are an adult, now. Still, you add a note to | ||
CF | your notepad for later reference. Towards the west you go back to the | ||
CF | bedroom. | ||
CF | | ||
CF | The fusuma is closed. | ||
CF | | ||
CF | > | Pinkunz says, "I kept a pad and paper when I played and whenever I figured out a Japanese word, I'd jot it down and what it meant because I would forget otherwise." | |
Jacqueline says, "Ooh I hope it's a Toto toilet." | ||
DavidW says, "Do we have a gender? I saw a name, but I don't know which gender we are." | ||
Lancelot says, "I can imagine" | ||
DavidW asks, "Is a Toto toilet one that teleports us to Kansas or Oz?" | ||
Jacqueline says, "It's a fancy toilet with a bidet and warm water and dryers and stuff." | ||
Lancelot asks, "the ones with all the conveniences? like a control panel making you feel like Capt. Kirk?" | ||
Pinkunz says, "It's one that bites your ankle if you're a wicked witch." | ||
Jacqueline says, "They have them in a lot of places in Hawaii due to all the Japanese influence." | ||
Jacqueline says (to Lancelot), "Yes. Those." | ||
DavidW says (to ClubFloyd), "oh, like the Japanese toilet in that South Park episode." | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > OH, LIKE THE JAPANESE TOILET IN THAT SOUTH PARK EPISODE. | ||
CF | | ||
CF | I can't see who you are referring to. | ||
CF | | ||
CF | > | Jacqueline says, "yay" | |
DavidW says (to ClubFloyd), "x toilet" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X TOILET | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x sink" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X SINK | ||
CF | | ||
CF | It's a small, deep stainless steel sink. The sink is empty. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Lavatory | ||
CF | This room contains conveniences for washing, shaving and/or applying | ||
CF | make up. You can see a sink embedded in a counter, a cabinet and a | ||
CF | mirror, while the toilet is in a different room. To the north, via a | ||
CF | fusuma, you can enter your private bathroom. When you were a kid you | ||
CF | were scared to death by the tales about "AKANAME", the creature living | ||
CF | in the bathrooms, but you are an adult, now. Towards the west you go | ||
CF | back to the bedroom. | ||
CF | | ||
CF | The fusuma is closed. | ||
CF | | ||
CF | > | Lancelot says, "the other room" | |
DavidW says (to ClubFloyd), "open fusuma" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > OPEN FUSUMA | ||
CF | | ||
CF | The fusuma won't open, as if someone was keeping it shut from the | ||
CF | inside. Could it be an "AKANAME"? Maybe if you try AGAIN? | ||
CF | | ||
CF | [You can repeat the last action by simply typing AGAIN or G. Do it | ||
CF | now.] | ||
CF | | ||
CF | > | Lancelot says, "pfff" | |
DavidW says (to ClubFloyd), "g" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > G | ||
CF | | ||
CF | You open the fusuma door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Bathroom | ||
CF | | ||
CF | With relief, you notice that there is no akaname here... | ||
CF | | ||
CF | Despite the hot spring available outside, this room hosts your private | ||
CF | ofuro, a short, steep-sided wooden bathtub you can use to relax if you | ||
CF | don't feel like going to the onsen. The wooden floor is warm and | ||
CF | smooth. The overall appearance of this place is very enticing. The | ||
CF | only exit is to the south. | ||
CF | | ||
CF | Through the open door you can see the lavatory. | ||
CF | | ||
CF | You can also see a stool here. | ||
CF | | ||
CF | > | Jacqueline says, "I didn't know I was supposed to be afraid of akaname, but now I have looked them up and shall never use a toilet again." | |
Roger says, "ewww, someone left a stool in the lavatory" | ||
Lancelot says, "I dunno but the layout feels a bit off... as if someone just put together a bunch of Japanese stule rooms lol[D[D[D[D[D[D[D[D[D[D[D[D[D[D" | ||
DavidW asks, "Is this a three-legged stool or a smelly funky stool?" | ||
Jacqueline says (to Roger), "har" | ||
DavidW says (to ClubFloyd), "x stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X STOOL | ||
CF | | ||
CF | It's a small stool with three legs and shaped depressions for the | ||
CF | buttocks to make it more comfortable to sit on. It is customary to sit | ||
CF | to clean yourself before entering the tub. There is nothing on the | ||
CF | stool. | ||
CF | | ||
CF | > | DavidW says, "It has butt indentations!" | |
Lancelot says, "yeah wash and rinse before entering the ofuro" | ||
DavidW asks, "Do they sell used ones on the internet?" | ||
Jacqueline | The word aka refers to dead skin on a person's body, alongside the dirt, grime, or sweat that may be scrubbed or washed off; the aka can also refer to scum that accumulates at the bathhouse as a result, including perhaps mildew. Hence the name akaname means 'scum-licker' or 'filth-licker". | ||
DavidW says (to ClubFloyd), "x toilet" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X TOILET | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "smell stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > SMELL STOOL | ||
CF | | ||
CF | You smell nothing unexpected. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tub" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X TUB | ||
CF | | ||
CF | It's a wooden bathtub, not very big but comfortable anyway. It differs | ||
CF | from conventional Western bathtub by being of a deeper construction | ||
CF | and typically with no overflow drainage. The sides are generally | ||
CF | square apart from being sloped. Ofuro are part of the Japanese ritual | ||
CF | of bathing, not meant for washing but rather for relaxing and warming | ||
CF | oneself. Washing is carried out separately outside the tub, where the | ||
CF | bather should enter only after rinsing or lightly showering. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bathroom | ||
CF | Despite the hot spring available outside, this room hosts your private | ||
CF | ofuro, a short, steep-sided wooden bathtub you can use to relax if you | ||
CF | don't feel like going to the onsen. The wooden floor is warm and | ||
CF | smooth. The overall appearance of this place is very enticing. The | ||
CF | only exit is to the south. | ||
CF | | ||
CF | Through the open door you can see the lavatory. | ||
CF | | ||
CF | You can also see a stool here. | ||
CF | | ||
CF | > | Knight_Otu says, "Oof, Jacq." | |
Jacqueline says, "Look, I'm just the messenger." | ||
Knight_Otu says, "Wanted to make sure we all know." | ||
Jacqueline says, "Blame wikipedia." | ||
DavidW asks, "I didn't see anywhere to rinse first?" | ||
Lancelot says, "lol" | ||
Roger says, "if there's a drinking game associated with this IF game, we're gonna die" | ||
DavidW asks, "also, is the toilet missing?" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "exits" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > EXITS | ||
CF | | ||
CF | That is not a verb I recognize. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bathroom | ||
CF | Despite the hot spring available outside, this room hosts your private | ||
CF | ofuro, a short, steep-sided wooden bathtub you can use to relax if you | ||
CF | don't feel like going to the onsen. The wooden floor is warm and | ||
CF | smooth. The overall appearance of this place is very enticing. The | ||
CF | only exit is to the south. | ||
CF | | ||
CF | Through the open door you can see the lavatory. | ||
CF | | ||
CF | You can also see a stool here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Lavatory | ||
CF | This room contains conveniences for washing, shaving and/or applying | ||
CF | make up. You can see a sink embedded in a counter, a cabinet and a | ||
CF | mirror, while the toilet is in a different room. To the north, via a | ||
CF | fusuma, you can enter your private bathroom. Towards the west you go | ||
CF | back to the bedroom. | ||
CF | | ||
CF | The door is open, showing you a glimpse of your private bathroom. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close door" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > CLOSE DOOR | ||
CF | | ||
CF | You close the fusuma door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Foyer | ||
CF | This is the space where you take off your shoes or slippers. Just like | ||
CF | entering a Japanese house, guests are requested to take off their | ||
CF | footwear at the entrance. At many traditional ryokans, you have to | ||
CF | take off your shoes and put on slippers at the entrance of the ryokan, | ||
CF | and then take off the slippers at the guest room's foyer. However, | ||
CF | rules are not so strict here. There are exits towards the east and the | ||
CF | north. The door to the south takes you out. | ||
CF | | ||
CF | You can see your guestroom door and a shelf (on which is a newspaper) | ||
CF | here. | ||
CF | | ||
CF | [If you need to pick something up, you can try verbs like GET, | ||
CF | TAKE or PICK UP. For example, try GET NEWSPAPER.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x shelf" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > X SHELF | ||
CF | | ||
CF | It's a small shelf, suitable to put objects on like your keys or your | ||
CF | wallet. On the shelf is a newspaper. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x newspaper" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > X NEWSPAPER | ||
CF | | ||
CF | It's the local newspaper you bought at the train station newsstand on | ||
CF | your way here. It reports a weird article that may be worth reading. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read it" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > READ IT | ||
CF | | ||
CF | But you are not holding the newspaper! | ||
CF | | ||
CF | > | Lancelot says, "ouch need to step out for about half an hour argfh I love this setting but I am biased anyways" | |
DavidW says (to ClubFloyd), "take it" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > TAKE IT | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read it" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > READ IT | ||
CF | | ||
CF | "Several apparitions of undefined figures have been reported in the | ||
CF | past days in the woods and hills surrounding our town. According to | ||
CF | eye witnesses, such ghostly figures don't pose a direct threat to | ||
CF | animals or people, yet their presence was clearly of supernatural | ||
CF | origin. The police department reports no case of damage of properties | ||
CF | or harm of people, while the local medical authorities consider the | ||
CF | events non-existent and of hallucinatory nature." | ||
CF | | ||
CF | While reading such news you cannot avoid smiling: people living in the | ||
CF | countryside are sometimes reported to be naive, but this is just too | ||
CF | much. Still, why not investigate a little bit? It could make a great | ||
CF | story, one day. You add a note to your notepad for later use. | ||
CF | | ||
CF | [After taking something, you can drop it if it's no longer needed. | ||
CF | For example, try DROP NEWSPAPER.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put newspaper on shelf" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > PUT NEWSPAPER ON SHELF | ||
CF | | ||
CF | You put the newspaper on the shelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | You can't, since the guestroom door is closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open door" | ||
CF ] FoyeromyRoom | ||
CF | | ||
CF | > OPEN DOOR | ||
CF | | ||
CF | You mislaid your key and cannot open the door. Explore the rooms to | ||
CF | find it. | ||
CF | | ||
CF | > | Jacqueline says, "Wait. Wait wait wait." | |
DavidW says, ". . ." | ||
Knight_Otu exclaims, "We're trapped!" | ||
Jacqueline asks, "The PC was afraid of the akaname, but yet is making fun of the local folks for their superstitions?" | ||
DavidW says, "We did explore. We didn't look under the bedfutonsuma, though." | ||
Jacqueline says, "Fair." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under futon" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > LOOK UNDER FUTON | ||
CF | | ||
CF | The futon lies on the tatami and there is nothing under it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tatami" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > X TATAMI | ||
CF | | ||
CF | A rectangular rush-covered straw mat forming the traditional Japanese | ||
CF | floor covering. The word is derived from the verb tatamu, meaning "to | ||
CF | fold". This indicates that the early tatami were thin and could be | ||
CF | folded up to save space. | ||
CF | | ||
CF | > | Jacqueline says, "That's where I'd put my kagi (which is key... just going to get out ahead of that one)." | |
DavidW says (to ClubFloyd), "look under table" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > LOOK UNDER TABLE | ||
CF | | ||
CF | Nothing there to point out. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open chest" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > OPEN CHEST | ||
CF | | ||
CF | Sorry, I don't understand what "chest" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search nemaki" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > SEARCH NEMAKI | ||
CF | | ||
CF | You find nothing special. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x nemaki" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > X NEMAKI | ||
CF | | ||
CF | A nemaki is a tube-sleeved, unisex Japanese robe worn by guests at | ||
CF | traditional inns, hot spring resorts and spas. It is similar to the | ||
CF | yukata in appearance, differing in its unisex sleeve construction, and | ||
CF | is typically worn with a thin, unisex obi (belt). | ||
CF | | ||
CF | > | Jacqueline says, "If that key is behind the art, I will be upset." | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Sitting Room | ||
CF | This small room, sometimes called "hiroen", is a space outside the | ||
CF | tatami room where guests can sit down and relax. It often holds | ||
CF | appliances to make tea and may be furnished with Western-style | ||
CF | furniture. It is separated from the bedroom by sliding doors called | ||
CF | "shoji", the traditional paper door, designed to let light in. Shojis | ||
CF | have a window-like paper structure fit into a wood frame. The only | ||
CF | exit is towards the east. | ||
CF | | ||
CF | You can see some Western-style furniture and a painting here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move painting" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > MOVE PAINTING | ||
CF | | ||
CF | It's mounted on the wall. You can't very well push it into the wall. | ||
CF | | ||
CF | > | Jacqueline asks, "Oh, does the clothing in the closet have pockets?" | |
DavidW says (to ClubFloyd), "look behind it" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > LOOK BEHIND IT | ||
CF | | ||
CF | Sorry, I don't understand what "behind" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pull it" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > PULL IT | ||
CF | | ||
CF | You pull the painting and it falls on your big toe. OUCH! You put it | ||
CF | back on the wall. | ||
CF | | ||
CF | > | Jacqueline says (to Game), "..." | |
DavidW says (to ClubFloyd), "l" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Sitting Room | ||
CF | This small room, sometimes called "hiroen", is a space outside the | ||
CF | tatami room where guests can sit down and relax. It often holds | ||
CF | appliances to make tea and may be furnished with Western-style | ||
CF | furniture. It is separated from the bedroom by sliding doors called | ||
CF | "shoji", the traditional paper door, designed to let light in. Shojis | ||
CF | have a window-like paper structure fit into a wood frame. The only | ||
CF | exit is towards the east. | ||
CF | | ||
CF | You can see some Western-style furniture and a painting here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x closet" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > X CLOSET | ||
CF | | ||
CF | In a washitsu, oshiire (Japanese-style closet) is the place for | ||
CF | storing futon (traditional Japanese bedding) and other items. | ||
CF | Typically, oshiire is wedged between walls on two sides, with fusuma | ||
CF | on its front face. In most cases, you don't have to take out the futon | ||
CF | from the oshiire and spread it on tatami by yourself, because | ||
CF | chambermaids called "nakai" will set everything up when you are having | ||
CF | dinner outside the room. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open closet" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > OPEN CLOSET | ||
CF | | ||
CF | It's already open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in it" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > LOOK IN IT | ||
CF | | ||
CF | The oshiire contains a nemaki and an obi. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x nemaki" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > X NEMAKI | ||
CF | | ||
CF | A nemaki is a tube-sleeved, unisex Japanese robe worn by guests at | ||
CF | traditional inns, hot spring resorts and spas. It is similar to the | ||
CF | yukata in appearance, differing in its unisex sleeve construction, and | ||
CF | is typically worn with a thin, unisex obi (belt). | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x nemaki's pocket" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > X NEMAKI'S POCKET | ||
CF | | ||
CF | Sorry, I don't understand what "nemaki's" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "wear nemaki" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > WEAR NEMAKI | ||
CF | | ||
CF | But you are not holding the nemaki. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "search nemaki" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > SEARCH NEMAKI | ||
CF | | ||
CF | You find nothing special. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take it" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > TAKE IT | ||
CF | | ||
CF | You have no time for this, at the moment. | ||
CF | | ||
CF | > | Knight_Otu says, "Seems pocketless." | |
DavidW says (to ClubFloyd), "x door" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > X DOOR | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Jacqueline says, "hrm" | |
DavidW says (to ClubFloyd), "move mat" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > MOVE MAT | ||
CF | | ||
CF | Sorry, I don't understand what "mat" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move tatami" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > MOVE TATAMI | ||
CF | | ||
CF | What a concept! | ||
CF | | ||
CF | > | Jacqueline says, "hahaha" | |
DavidW says (to ClubFloyd), "l" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | Jacqueline says, "Nope. Never seen a mat before." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Lavatory | ||
CF | This room contains conveniences for washing, shaving and/or applying | ||
CF | make up. You can see a sink embedded in a counter, a cabinet and a | ||
CF | mirror, while the toilet is in a different room. To the north, via a | ||
CF | fusuma, you can enter your private bathroom. Towards the west you go | ||
CF | back to the bedroom. | ||
CF | | ||
CF | The fusuma is closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open cabinet" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > OPEN CABINET | ||
CF | | ||
CF | You open the cabinet, revealing nothing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x counter" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X COUNTER | ||
CF | | ||
CF | It holds the sink and serves as a storage space for your toiletry. | ||
CF | There is nothing on the counter. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x mirror" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X MIRROR | ||
CF | | ||
CF | It's wide enough to reflect your figure and part of the bedroom. For a | ||
CF | brief moment you saw something behind you, but when you turn, the room | ||
CF | looks just as empty as before. | ||
CF | | ||
CF | > | Jacqueline exclaims, "!" | |
DavidW says (to ClubFloyd), "open mirror" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > OPEN MIRROR | ||
CF | | ||
CF | You can't open that. | ||
CF | | ||
CF | > | DavidW says, "obvs a ghost stole our key." | |
Jacqueline says, "obvs" | ||
DavidW says, "The ghost's girlfriend won't give him the time of days unless he brings her seven keys to prove his love." | ||
Knight_Otu says, "I guess we'd best start believing in yokai stories. We're in one." | ||
Jacqueline says (to DW), "There's a plot for ectocomp." | ||
DavidW says, "It's pretty tragic since the gf doesn't really love him." | ||
Jacqueline says, "womp womp" | ||
DavidW says, "Fortunately, he'll eventually realize that the woman that runs the noodle shop downtown actually does love him." | ||
DavidW says (to ClubFloyd), "open door" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > OPEN DOOR | ||
CF | | ||
CF | You open the fusuma door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Bathroom | ||
CF | Despite the hot spring available outside, this room hosts your private | ||
CF | ofuro, a short, steep-sided wooden bathtub you can use to relax if you | ||
CF | don't feel like going to the onsen. The wooden floor is warm and | ||
CF | smooth. The overall appearance of this place is very enticing. The | ||
CF | only exit is to the south. | ||
CF | | ||
CF | Through the open door you can see the lavatory. | ||
CF | | ||
CF | You can also see a stool here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x lavatory" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X LAVATORY | ||
CF | | ||
CF | Through the open door you can see the lavatory, but you need to go | ||
CF | there to examine the objects it contains. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "enter lavatory" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > ENTER LAVATORY | ||
CF | | ||
CF | No need to concern yourself with that. | ||
CF | | ||
CF | > | DavidW asks, "But what if our KEY is there?" | |
Jacqueline says, "heh" | ||
DavidW says (to ClubFloyd), "look in tub" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > LOOK IN TUB | ||
CF | | ||
CF | You find nothing special. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > TAKE STOOL | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | Jacqueline asks, "So, y'all saw the thing, right? The thing that's in here with us?" | |
DavidW asks, "no?" | ||
Jacqueline says, "Yeah. We looked in the mirror and something was behind us for a sec, then disappeared." | ||
DavidW says, "There was that mirror thing, but it's still not really here yet." | ||
Jacqueline says, "Oh." | ||
Jacqueline says, "Well, I'm scared anyway." | ||
DavidW says (to ClubFloyd), "drop stoll" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > DROP STOLL | ||
CF | | ||
CF | Sorry, I don't understand what "stoll" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > DROP STOOL | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sit on stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > SIT ON STOOL | ||
CF | | ||
CF | You sit down briefly, decide that you're wasting time and stand up | ||
CF | again. | ||
CF | | ||
CF | > | Jacqueline says, "Oh, we should read our notebook." | |
DavidW says (to ClubFloyd), "take notebook" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > TAKE NOTEBOOK | ||
CF | | ||
CF | Sorry, I don't understand what "notebook" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take notepad" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > TAKE NOTEPAD | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read it" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > READ IT | ||
CF | | ||
CF | It holds a list of things to research. At present it says: kirin, | ||
CF | akaname, apparitions, and that's it. | ||
CF | | ||
CF | > | Jacqueline says, "So, nothing useful about keys" | |
DavidW says (to ClubFloyd), "put it in pocket" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > PUT IT IN POCKET | ||
CF | | ||
CF | You put the notepad into the pocket. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x shoes" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X SHOES | ||
CF | | ||
CF | You are still in the warm season, so you are wearing a pair of faded | ||
CF | blue jeans and a white short sleeve shirt. The shirt has a front | ||
CF | pocket on it. Shoes and socks complete your attire. | ||
CF | | ||
CF | > | Knight_Otu says, "I kind of expected a to-do list." | |
DavidW says (to ClubFloyd), "x socks" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X SOCKS | ||
CF | | ||
CF | You are still in the warm season, so you are wearing a pair of faded | ||
CF | blue jeans and a white short sleeve shirt. The shirt has a front | ||
CF | pocket on it. Shoes and socks complete your attire. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bathroom | ||
CF | Despite the hot spring available outside, this room hosts your private | ||
CF | ofuro, a short, steep-sided wooden bathtub you can use to relax if you | ||
CF | don't feel like going to the onsen. The wooden floor is warm and | ||
CF | smooth. The overall appearance of this place is very enticing. The | ||
CF | only exit is to the south. | ||
CF | | ||
CF | Through the open door you can see the lavatory. | ||
CF | | ||
CF | You can also see a stool here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x floor" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > X FLOOR | ||
CF | | ||
CF | A look in that direction reveals nothing new. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand on stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > STAND ON STOOL | ||
CF | | ||
CF | You stand on the stool. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > STAND | ||
CF | | ||
CF | You get off the stool. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take stool" | ||
CF ] BathroomRoom | ||
CF | | ||
CF | > TAKE STOOL | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Lavatory | ||
CF | This room contains conveniences for washing, shaving and/or applying | ||
CF | make up. You can see a sink embedded in a counter, a cabinet and a | ||
CF | mirror, while the toilet is in a different room. To the north, via a | ||
CF | fusuma, you can enter your private bathroom. Towards the west you go | ||
CF | back to the bedroom. | ||
CF | | ||
CF | The door is open, showing you a glimpse of your private bathroom. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "drop stool" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > DROP STOOL | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand on stool" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > STAND ON STOOL | ||
CF | | ||
CF | You stand on the stool. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Lavatory (on the stool) | ||
CF | This room contains conveniences for washing, shaving and/or applying | ||
CF | make up. You can see a sink embedded in a counter, a cabinet and a | ||
CF | mirror, while the toilet is in a different room. To the north, via a | ||
CF | fusuma, you can enter your private bathroom. Towards the west you go | ||
CF | back to the bedroom. | ||
CF | | ||
CF | The door is open, showing you a glimpse of your private bathroom. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x x counter" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X X COUNTER | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x counter" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X COUNTER | ||
CF | | ||
CF | It holds the sink and serves as a storage space for your toiletry. | ||
CF | There is nothing on the counter. | ||
CF | | ||
CF | > | Jacqueline says, "Oh good. Standing on that stool is good." | |
Jacqueline says, "Maybe" | ||
DavidW says (to ClubFloyd), "look under counter" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > LOOK UNDER COUNTER | ||
CF | | ||
CF | The cabinet under the counter is used as an additional storage space. | ||
CF | The cabinet is empty. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x door" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > X DOOR | ||
CF | | ||
CF | It's a simple fusuma door that's currently open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > STAND | ||
CF | | ||
CF | You get off the stool. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take stool" | ||
CF ] LavatoryRoom | ||
CF | | ||
CF | > TAKE STOOL | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "search futon" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > SEARCH FUTON | ||
CF | | ||
CF | There is nothing on the futon. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x features" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > X FEATURES | ||
CF | | ||
CF | Sorry, I don't understand what "features" means. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "look under table" | ||
CF ] BedroomyRoom | ||
CF | | ||
CF | > LOOK UNDER TABLE | ||
CF | | ||
CF | Nothing there to point out. | ||
CF | | ||
CF | > | Jacqueline says, "Oh, right. You did that." | |
DavidW says, "checked there already" | ||
DavidW asks, "maybe the 'furniture' in the west room has parts to it?" | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Sitting Room | ||
CF | This small room, sometimes called "hiroen", is a space outside the | ||
CF | tatami room where guests can sit down and relax. It often holds | ||
CF | appliances to make tea and may be furnished with Western-style | ||
CF | furniture. It is separated from the bedroom by sliding doors called | ||
CF | "shoji", the traditional paper door, designed to let light in. Shojis | ||
CF | have a window-like paper structure fit into a wood frame. The only | ||
CF | exit is towards the east. | ||
CF | | ||
CF | You can see some Western-style furniture and a painting here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x furniture" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X FURNITURE | ||
CF | | ||
CF | This is no time to be admiring the furniture. You have things to do. | ||
CF | | ||
CF | > | Jacqueline says, "Maybe this is like Things and you need to take a poo and then we'll find the key." | |
DavidW says (to ClubFloyd), "x window" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X WINDOW | ||
CF | | ||
CF | Sorry, I don't understand what "window" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x door" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X DOOR | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rame" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X RAME | ||
CF | | ||
CF | Sorry, I don't understand what "rame" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x frame" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > X FRAME | ||
CF | | ||
CF | Sorry, I don't understand what "frame" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "enter window" | ||
CF ] Sitting Room | ||
CF | | ||
CF | > ENTER WINDOW | ||
CF | | ||
CF | Sorry, I don't understand what "window" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Bedroom Room | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Bedroom | ||
CF | You are inside your room. At traditional onsen ryokans such rooms are | ||
CF | typically in Japanese-style, or "washitsu" in Japanese. Washitsu are | ||
CF | different from western rooms in many ways, and have a lot of | ||
CF | interesting features influenced by ancient Japanese culture. They are | ||
CF | covered with tatami mats and have all the functionality of living | ||
CF | room, dining room and bedroom together. Sizes of tatami rooms are | ||
CF | different from one another, and are measured by the number of mats | ||
CF | actually used. There are exits to the west, east and south of the | ||
CF | room. | ||
CF | | ||
CF | You can see a futon, a low table set and an oshiire (which contains a | ||
CF | nemaki and an obi) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Foyerom Room | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Foyer | ||
CF | This is the space where you take off your shoes or slippers. Just like | ||
CF | entering a Japanese house, guests are requested to take off their | ||
CF | footwear at the entrance. At many traditional ryokans, you have to | ||
CF | take off your shoes and put on slippers at the entrance of the ryokan, | ||
CF | and then take off the slippers at the guest room's foyer. However, | ||
CF | rules are not so strict here. There are exits towards the east and the | ||
CF | north. The door to the south takes you out. | ||
CF | | ||
CF | You can see your guestroom door and a shelf (on which is a newspaper) | ||
CF | here. | ||
CF | | ||
CF | > | DavidW says, "oh, there's a room to the east of here" | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Toilet Roomm | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Toilet Room | ||
CF | This is the toilet room. It's very small and very clean. On the floor | ||
CF | there are a pair of slippers, only to be used in this room to avoid | ||
CF | contaminating the others. The only exit is to the west. | ||
CF | | ||
CF | You can see a toilet here. | ||
CF | | ||
CF | "Here it is", you hear yourself saying. Without thinking, you take the | ||
CF | room key and you put it in your inventory. Now you can finally exit | ||
CF | the room and meet your friend. | ||
CF | | ||
CF | > | Jacqueline says, "oh" | |
DavidW says, "I completely missed that exit." | ||
Jacqueline says, "I told you we needed to go to the toilet. haha" | ||
DavidW says (to ClubFloyd), "x slippers" | ||
CF ] Toilet Roomm | ||
CF | | ||
CF | > X SLIPPERS | ||
CF | | ||
CF | They seem to fit you, but you are not in need of them, right now. | ||
CF | | ||
CF | > | Jacqueline says, "Thank goodness there may be more to this game." | |
DavidW says (to ClubFloyd), "x toilet" | ||
CF ] Toilet Roomm | ||
CF | | ||
CF | > X TOILET | ||
CF | | ||
CF | It is perfectly clean. The top of the water tank is actually a small | ||
CF | sink where the water drops from a faucet while filling the tank after | ||
CF | flushing. This way you can wash you hands without touching anything. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Foyert Roomm | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Foyer | ||
CF | This is the space where you take off your shoes or slippers. Just like | ||
CF | entering a Japanese house, guests are requested to take off their | ||
CF | footwear at the entrance. At many traditional ryokans, you have to | ||
CF | take off your shoes and put on slippers at the entrance of the ryokan, | ||
CF | and then take off the slippers at the guest room's foyer. However, | ||
CF | rules are not so strict here. There are exits towards the east and the | ||
CF | north. The door to the south takes you out. | ||
CF | | ||
CF | You can see your guestroom door and a shelf (on which is a newspaper) | ||
CF | here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "unlock door with key" | ||
CF ] Foyert Roomm | ||
CF | | ||
CF | > UNLOCK DOOR WITH KEY | ||
CF | | ||
CF | You unlock the guestroom door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Foyert Roomm | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | You can't, since the guestroom door is closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open door" | ||
CF ] Foyert Roomm | ||
CF | | ||
CF | > OPEN DOOR | ||
CF | | ||
CF | You open the guestroom door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] HallwayRoomm | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Hallway | ||
CF | The hallway runs from east to west along the length of the ryokan. | ||
CF | There are bedrooms to the north and to the south, but you don't feel | ||
CF | like bothering the other guests. At this point in the hallway, the | ||
CF | door to the north is the one to your guestroom. The main lobby lies to | ||
CF | the east, while towards the west the hallway takes you to the hot | ||
CF | spring. | ||
CF | | ||
CF | You can see your guestroom door here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close door" | ||
CF ] HallwayRoomm | ||
CF | | ||
CF | > CLOSE DOOR | ||
CF | | ||
CF | You close the guestroom door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "lock door" | ||
CF ] HallwayRoomm | ||
CF | | ||
CF | > LOCK DOOR | ||
CF | | ||
CF | I think you wanted to say "lock guestroom door with something". Please | ||
CF | try again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "lock door with key" | ||
CF ] HallwayRoomm | ||
CF | | ||
CF | > LOCK DOOR WITH KEY | ||
CF | | ||
CF | You lock the guestroom door. | ||
CF | | ||
CF | > | Jacqueline says, "gods" | |
DavidW asks, "Have we forgotten all about affordances?" | ||
Jacqueline says, "There's an extension for that." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] HallwayRoomm | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You wanted to take a look at the hot spring first. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Onsen Entrance | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Onsen Entrance | ||
CF | This is the entrance of the hot spring facility. To the northwest and | ||
CF | southwest you can reach the female and male bathing stations | ||
CF | respectively that, as you know, are separate. A northern door leads to | ||
CF | a veranda facing the female part, in case one just wants to take a | ||
CF | look at the spring. The same is, to the south, for the male sector. | ||
CF | East you go back to the hallway. | ||
CF | | ||
CF | > | Knight_Otu asks, "Isn't this punyinform? I thought it was?" | |
Jacqueline says, "oh." | ||
Jacqueline says, "Well, then I guess there's *not* an extension for that." | ||
Jacqueline exclaims, "Some things are making sense now!" | ||
DavidW says (to ClubFloyd), "x me" | ||
CF ] Onsen Entrance | ||
CF | | ||
CF | > X ME | ||
CF | | ||
CF | Your name is Isao. You graduated a few years ago from Tokyo University | ||
CF | and, after a very long and busy period at work, decided to take a | ||
CF | short vacation in your hometown placed in the countryside. | ||
CF | | ||
CF | > | DavidW says, "I still don't know if we're male or female." | |
Knight_Otu says, "I am reasonably sure that Isao is a male name." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Veranda | ||
CF | The veranda is a fairly wide open space that faces the male part of | ||
CF | the onsen. A high bamboo fence separates the male from the female | ||
CF | sector. There are no guests in the water at this moment, and the place | ||
CF | looks soothing and relaxing. Coils of steam rise from the hot water, | ||
CF | while beyond the spring you can see a bamboo thicket. The only way | ||
CF | back is northbound. | ||
CF | | ||
CF | Moving its steps out of the bamboo thicket, a horrific creature comes | ||
CF | toward you. The first thing that comes to your mind is "SUIKO", but | ||
CF | that just can't be real. The creature glares at you with beady eyes | ||
CF | and speaks in a watery voice, stopping you dead in your tracks. | ||
CF | | ||
CF | In Japanese folklore, a suiko (lit. water tiger) is a water yokai with | ||
CF | various appearances including kappa-like figures, tiger-like figures, | ||
CF | and humanoid-like figures. This one is big, really big. And scary! How | ||
CF | can it be? Monsters do not exist! Also, there is something weird about | ||
CF | how it looks, but right now you are too scared to delve into such | ||
CF | trivial details. | ||
CF | | ||
CF | "What are you doing here, human?" the suiko asks. "This is no place | ||
CF | for meat bags." | ||
CF | | ||
CF | You want to scream, but no sound comes out of your mouth. There's | ||
CF | water everywhere here, but your throat feels drier than a desert. | ||
CF | | ||
CF | [You are now in a very dangerous situation, where you have to | ||
CF | fight. Sometimes you can ATTACK someone (or something), other times, | ||
CF | it is better to keep your distance. This is your first real puzzle. | ||
CF | Try THROWing something at the creature.] | ||
CF | | ||
CF | You can also see a wrench here. | ||
CF | | ||
CF | > | Jacqueline says (to DW), "Looks like a generally masculine name." | |
Jacqueline says, "Gosh." | ||
Knight_Otu says, ""You're in a dangerous situation. Also, there's a wrench here."" | ||
DavidW says, "I didn't get any hint of gender from it." | ||
DavidW says (to ClubFloyd), "take wrench" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > TAKE WRENCH | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | The suiko looks at you with a hungry grin on its face. | ||
CF | | ||
CF | > | Jacqueline says (to DW), "Yeah, I looked it up." | |
DavidW says (to ClubFloyd), "throw wrench at creature" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > THROW WRENCH AT CREATURE | ||
CF | | ||
CF | You throw the wrench with all your might. You are not sure you hit the | ||
CF | target, but something happened... | ||
CF | | ||
CF | Veranda | ||
CF | The veranda is a fairly wide open space that faces the male part of | ||
CF | the onsen. A high bamboo fence separates the male from the female | ||
CF | sector. There are no guests in the water at this moment, and the place | ||
CF | looks soothing and relaxing. Coils of steam rise from the hot water, | ||
CF | while beyond the spring you can see a bamboo thicket. The only way | ||
CF | back is northbound. Now that you scared the suiko away, you can | ||
CF | continue your quest. | ||
CF | | ||
CF | You can see some black powder and a wrench here. | ||
CF | | ||
CF | > | Knight_Otu says, "Well thrown." | |
DavidW says (to ClubFloyd), "x powder" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > X POWDER | ||
CF | | ||
CF | It's a very thin powder that, at a closer look, could be graphite, a | ||
CF | material widely used in inks and pencils. It has been left behind | ||
CF | after the creature disappeared. | ||
CF | | ||
CF | > | Jacqueline says, "I hope we get eaten by something at some point and it's really gnarly." | |
DavidW says (to ClubFloyd), "take powder" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > TAKE POWDER | ||
CF | | ||
CF | It's too thin and scattered all over to be taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take wrench" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > TAKE WRENCH | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x water" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > X WATER | ||
CF | | ||
CF | Warm, relaxing, enticing... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x thicket" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > X THICKET | ||
CF | | ||
CF | Bamboos are growing closely together to form a thick patch. Apart from | ||
CF | their decorative nature, they also protect the place from prying eyes. | ||
CF | | ||
CF | > | Knight_Otu says, "For a moment, I read "Bamboos are growling."" | |
Pinkunz says, "That would have been unsettling." | ||
DavidW asks, "so, leave and go visit our nameless ambiguously-gendered friend of unknown acquaintance?" | ||
Pinkunz exclaims, "They're an artist!" | ||
Jacqueline says, "Sounds great." | ||
Pinkunz says, "Ambigously sexed protagonists first." | ||
DavidW says, "oh. When I play like this, it's easier for me to miss details." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Verandantrance | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Onsen Entrance | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Onsen Entrance | ||
CF | This is the entrance of the hot spring facility. To the northwest and | ||
CF | southwest you can reach the female and male bathing stations | ||
CF | respectively that, as you know, are separate. A northern door leads to | ||
CF | a veranda facing the female part, in case one just wants to take a | ||
CF | look at the spring. The same is, to the south, for the male sector. | ||
CF | East you go back to the hallway. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Hallwayntrance | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Hallway | ||
CF | The hallway runs from east to west along the length of the ryokan. | ||
CF | There are bedrooms to the north and to the south, but you don't feel | ||
CF | like bothering the other guests. At this point in the hallway, the | ||
CF | door to the north is the one to your guestroom. The main lobby lies to | ||
CF | the east, while towards the west the hallway takes you to the hot | ||
CF | spring. | ||
CF | | ||
CF | You can see your guestroom door here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Lobby | ||
CF | You are inside the main lobby, where the front desk is located. Next | ||
CF | to it there's a shop, which offers yukata cotton summer kimonos, which | ||
CF | the guests can use free of charge; the staff are delighted to help | ||
CF | with putting them on and wearing them properly. The shop also sells | ||
CF | unique kaleidoscopes, ceramics and other artworks by local artists, as | ||
CF | well as high quality brushes for cosmetics and shodo (calligraphy). | ||
CF | Before proceeding with your quest, you add a few notes to your notepad | ||
CF | for later reference. You can either exit the lobby going south or | ||
CF | going back to the hallway to the west. | ||
CF | | ||
CF | You can see the okami here. | ||
CF | | ||
CF | > | DavidW asks, "The okami is a flying carpet with private sauna, yes?" | |
DavidW says (to ClubFloyd), "x okami" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > X OKAMI | ||
CF | | ||
CF | She is the ryokan landlady. Her role corresponds to that of a general | ||
CF | manager in a Western hotel. In many cases, she is the owner of the | ||
CF | ryokan or the wife of the owner, which means that, as the | ||
CF | representative of the ryokan, she attends to all external affairs such | ||
CF | as business matters and cooperation with the local community. | ||
CF | Traditionally, ryokans are handed down through successive generations | ||
CF | within the same family. | ||
CF | | ||
CF | As soon as you enter the hall, the okami greets you with warm manners. | ||
CF | Your mother's family originally came from a nearby village, so you are | ||
CF | considered as sibling, here. It really feels like being back home. | ||
CF | | ||
CF | | ||
CF | [If you come across another character in the game, apart from | ||
CF | examining them, you should also try talking to them. Try TALK TO | ||
CF | OKAMI.] | ||
CF | | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to okami" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > TALK TO OKAMI | ||
CF | | ||
CF | "Good afternoon. Do you have questions to ASK?" | ||
CF | | ||
CF | [Some characters may be able to provide you with extra information | ||
CF | if you ask them about things. For example, try ASK OKAMI ABOUT ME, | ||
CF | HERSELF, SCHOOL, CITY, SUIKO, APPARITION, CREATURE, YOKAI (or YOUKAI), | ||
CF | KIRIN, AKANAME, RYOKAN, RUMORS, your FRIEND or anything else that | ||
CF | seems relevant.] | ||
CF | | ||
CF | > | Pinkunz says, "This actually threw me off in my playthrough." | |
Jacqueline says, "The okami is a Japanese drago and Shinto deity of rain and snow." | ||
Jacqueline says, "Or it's a conceirge." | ||
Pinkunz says, "Exactly, when it was the landlady it threw me." | ||
Jacqueline says, "er, concierge" | ||
DavidW says, "In this game, she could be both concepts." | ||
Jacqueline says, "Oh, the owner." | ||
Jacqueline exclaims (at DW), "True!" | ||
DavidW says (to ClubFloyd), "ask okami about creature" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > ASK OKAMI ABOUT CREATURE | ||
CF | | ||
CF | "If you need more information just consult a book. Maybe the local | ||
CF | library has one that suits your needs." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask okami about rumours" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > ASK OKAMI ABOUT RUMOURS | ||
CF | | ||
CF | "People have reported of weird events that started a few weeks ago, | ||
CF | but I never saw any apparition. Today's kids have no respect for the | ||
CF | truth. Too much television, perhaps?" | ||
CF | | ||
CF | > | Jade says, "lol" | |
Jacqueline says, "Something like that." | ||
Pinkunz says, "Rotting our brains." | ||
asparagus has arrived. | Pinkunz exclaims, "Don't sit so close!" | |
DavidW says (to ClubFloyd), "ask okami about herself" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > ASK OKAMI ABOUT HERSELF | ||
CF | | ||
CF | "I have always been here, since this family business has been running | ||
CF | for generations. I love this town and I love this job. Actually, I | ||
CF | consider it not a job but a mission. To us, the customer is a | ||
CF | blessing, so thank you for staying with us." | ||
CF | | ||
CF | The okami answers a phone call. She is always so busy. | ||
CF | | ||
CF | > | Pinkunz says, "Hi Asparagus" | |
DavidW says, "hi asparagus" | ||
Pinkunz says, "We're playing World of Monsters from the recent TALJ." | ||
DavidW says, "We're playing World of Monsters, set in Japanese name drop land." | ||
Jacqueline says, "Welcome to the ryokan, please remove your kutsu at the shoji." | ||
asparagus says, "Cool. I've not played that one. Hopefully I haven't missed much." | ||
Pinkunz says, "We just left our guestroom, still pretty early in the game." | ||
Jacqueline says, "Yeah" | ||
DavidW says, "I'm surprised we don't have an ipodo." | ||
Jade says, "Hello Aspargus" | ||
DavidW says (to ClubFloyd), "ask okami about city" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > ASK OKAMI ABOUT CITY | ||
CF | | ||
CF | "This is a small and quiet place, ideal to relax. Isn't it?" | ||
CF | | ||
CF | The okami answers a phone call. She is always so busy. | ||
CF | | ||
CF | > | DavidW says, "I was hoping she'd give suggestions on navigating the city." | |
Pinkunz asks, "Living hint generator?" | ||
DavidW says, "But perhaps everything is a short walk away and we don't need cars, buses, trains, rickshaws, etc." | ||
DavidW says, "like, we have no money for paying for transport." | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Main Lobbyance | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Main Lobby | ||
CF | You are inside the main lobby, where the front desk is located. Next | ||
CF | to it there's a shop, which offers yukata cotton summer kimonos, which | ||
CF | the guests can use free of charge; the staff are delighted to help | ||
CF | with putting them on and wearing them properly. The shop also sells | ||
CF | unique kaleidoscopes, ceramics and other artworks by local artists, as | ||
CF | well as high quality brushes for cosmetics and shodo (calligraphy). | ||
CF | You can either exit the lobby going south or going back to the hallway | ||
CF | to the west. | ||
CF | | ||
CF | You can see the okami here. | ||
CF | | ||
CF | > | DavidW asks, "South?" | |
Jacqueline says, "Sure." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Front Gateance | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Front Gate | ||
CF | You are at the entrance of the ryokan. A massive wooden gate, | ||
CF | surmounted by a sloping tiled roof, separates the inner environment | ||
CF | from the street. The gate is now open for good, but could originally | ||
CF | be closed as a defense for the entire complex, protected on all sides | ||
CF | by a high fence. Towards the north you enter the ryokan, while towards | ||
CF | the south you access the main road. | ||
CF | | ||
CF | You can see some salt here. | ||
CF | | ||
CF | [You're on your own now. Type HELP for a quick reminder of the | ||
CF | main commands or HINT if you get stuck. The tutorial may continue to | ||
CF | offer occasional suggestions.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x salt" | ||
CF ] Front Gateance | ||
CF | | ||
CF | > X SALT | ||
CF | | ||
CF | It's mound of sea salt put on a saucer and placed under the eaves by | ||
CF | the front gate. It is called morijio and, according to a legend | ||
CF | concerning the First Emperor of China, Qin Shi Huangdi, it is supposed | ||
CF | to bring good luck. In the case of a ryokan, it is to attract | ||
CF | customers. | ||
CF | | ||
CF | > | DavidW asks, "so, stealing the saucer of salt is contraindicated?" | |
Jacqueline says, "I feel like that is wrong for us to take the salt, but who knows." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | Knight_Otu says, "In any case, it would be rude." | |
DavidW says (to ClubFloyd), "x cloud" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > X CLOUD | ||
CF | | ||
CF | Sorry, I don't understand what "cloud" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x butterflies" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > X BUTTERFLIES | ||
CF | | ||
CF | Sorry, I don't understand what "butterflies" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cloud of butterflies" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > X CLOUD OF BUTTERFLIES | ||
CF | | ||
CF | Sorry, I don't understand what "cloud" means. | ||
CF | | ||
CF | > | Jacqueline says, "I may go code some scenery after we're done here." | |
Knight_Otu says, "Evasive flutterbyes." | ||
DavidW asks, "I assume we want to go southwest to residential?" | ||
Knight_Otu says, "I guess." | ||
DavidW says (to ClubFloyd), "sw" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | That is a residential area. You have no reason to go there. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | Knight_Otu says, "Or not." | |
Jacqueline asks, "Convenience store, maybe?" | ||
Jacqueline says, "Though I don't think we have money." | ||
DavidW asks, "Where are we meeting [ARTIST FRIEND NAME]?" | ||
Knight_Otu says, "I don't remember where we wanted to meet friend." | ||
DavidW says, "Let's see the store anyway. Maybe we have invisible endless money for necessary purchases." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Konbini | ||
CF | A konbini (contraction of the English terms 'convenience store') is a | ||
CF | small retail store that stocks everyday items ranging from food to | ||
CF | tobacco products, over-the-counter drugs, magazines and the like. | ||
CF | Most of them are open 24 hours and also sell tickets for events like | ||
CF | concerts or museums. Many different franchises are present in Japan, | ||
CF | like "7-Eleven" and "FamilyMart". This one is a "Lawson". Maybe one | ||
CF | day they will help your business. The only exit is towards the north. | ||
CF | | ||
CF | A cashier is patiently waiting behind the counter. | ||
CF | | ||
CF | You can also see an ATM, a magazine rack and a food shelf here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cashier" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > X CASHIER | ||
CF | | ||
CF | The cashier is a young girl, possibly a student working part-time, | ||
CF | well-mannered and professional. She is calm and polite, so you guess | ||
CF | she is really experienced despite her young age. She is wearing the | ||
CF | official uniform, a white shirt with vertical blue stripes. The | ||
CF | writing "Lawson" falls vertically across the shirt. | ||
CF | | ||
CF | > | Jacqueline | Your plan is to have a quick look at the local hot spring and then visit your friend who lives on the outskirts of town. | |
DavidW says, "oh" | ||
DavidW says (to ClubFloyd), "x atm" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > X ATM | ||
CF | | ||
CF | A handy cash dispenser, usually available 24 hours a day. Too bad this | ||
CF | one is momentarily out of service, and right when you needed it most. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x rack" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > X RACK | ||
CF | | ||
CF | A rack full of magazines for every age, gender and topic. | ||
CF | | ||
CF | > | Jacqueline | Also, you want to investigate those rumors for yourself; they could make a great story to write about someday. | |
DavidW says (to ClubFloyd), "x food" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > X FOOD | ||
CF | | ||
CF | So many different foods to choose from. It's better to ask the | ||
CF | cashier. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to cashier" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > TALK TO CASHIER | ||
CF | | ||
CF | "Good afternoon, honorable customer. How may I help you?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "topics" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > TOPICS | ||
CF | | ||
CF | That is not a verb I recognize. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask cashier about atm" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > ASK CASHIER ABOUT ATM | ||
CF | | ||
CF | "I apologize, but it is not working at the moment. We called the | ||
CF | assistance service, but they may take some time before repairing it." | ||
CF | | ||
CF | > | Jacqueline says, "And we have some sort of 'business proposition' for our friend. There's a lot." | |
Lancelot says, "back" | ||
DavidW says (to ClubFloyd), "ask cashier about food" | ||
CF ] Konbiniadeance | ||
CF | | ||
CF | > ASK CASHIER ABOUT FOOD | ||
CF | | ||
CF | "We have plenty of it. Please be more specific." | ||
CF | | ||
CF | > | Lancelot says, "ah the convenience of ATMs lol" | |
DavidW says, "I assume that eventually an NPC will require an egg salad sandwich with no crusts and this will be the only place to buy it." | ||
Jacqueline says, "haha. We have plenty of food. Which food, specifically? I mean, that's fair." | ||
Lancelot asks, "no displays?" | ||
Lancelot says, "normally they would display the foodstuff somewhere" | ||
DavidW says, "What are those triangular tuna and rice things wrapped in nori? I could use those." | ||
Lancelot says, "Onigiri" | ||
Lancelot says, "love em" | ||
DavidW says, "ah, thanks" | ||
Lancelot says, "try that lol" | ||
Pinkunz says, "Probably have bentos." | ||
DavidW says, "I've never had any but I'd like to." | ||
Lancelot says, "that would make sense assume people know about beto" | ||
Lancelot says, "bento" | ||
Lancelot says, "(lunchbox)" | ||
DavidW says, "I have had a bento once, but I don't know how authentic it was." | ||
Pinkunz says, "Like a cooler lunchable for adults." | ||
DavidW says, "anyway, I guess we want to head west or east from the [hotel] entrance." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | Coming from the east, the road continues westbound. Smaller streets | ||
CF | unfold to the north, to the southwest and to the southeast, while | ||
CF | directly south of your position you can reach the local school. East | ||
CF | you go back from where you came. | ||
CF | | ||
CF | > | Pinkunz says, "I really can't comment much other than pointing out that if you really get stuck, the game does have a built-in Hint option." | |
Pinkunz says, "Unless that is taboo with ClubFloyd." | ||
Pinkunz says, "I dunno." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | The road proceeds westbound, out of the city. You have no reason to | ||
CF | leave. Not yet, at least. | ||
CF | | ||
CF | The sound of many birds may be heard from the south. | ||
CF | | ||
CF | > | Knight_Otu says, "We try to avoid hints unless we think they're absolutely necessary." | |
Pinkunz says, "Good to know." | ||
Jacqueline says, "It's not taboo to do hints as long as we all agree we want a hint." | ||
DavidW says, "We have an entire city and we're looking for someone we don't even have a name for and the game can't even tell us the way." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can see a residential area to the north. When you were a kid there | ||
CF | was only a grass field here, but now many different houses have been | ||
CF | built. You have no reason to venture in that direction. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | The sound of many birds may be heard from the south. | ||
CF | | ||
CF | > | Knight_Otu asks, "Are those birds mocking us?" | |
DavidW says, "Library will be good for looking up monsters." | ||
DavidW says, "And it's free." | ||
Pinkunz says, "It was even suggested by the landlady." | ||
DavidW says (to ClubFloyd), "x library" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > X LIBRARY | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Pinkunz says, "Somewhat dismissively, granted." | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Library | ||
CF | The library is surprisingly large given the size of the town. | ||
CF | Thousands of volumes line the high shelves, and the air feels charged | ||
CF | with dust and the smell of antiquity. The villagers must be really | ||
CF | fond of reading. To the south is the exit to the outside. | ||
CF | | ||
CF | You can see the manager here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x manager" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > X MANAGER | ||
CF | | ||
CF | The library manager is a normal middle-aged man, always busy in | ||
CF | overseeing all the library operations, managing the budget, planning | ||
CF | and negotiating the acquisition of books, and so on. Above all, | ||
CF | though, he is a kind person always willing to help others. | ||
CF | | ||
CF | > | Lancelot says, "oh Japanese do love reading stuff a lot indeed" | |
DavidW says (to ClubFloyd), "ask manager about monsters" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > ASK MANAGER ABOUT MONSTERS | ||
CF | | ||
CF | "In the past people used to believe in this sort of thing, but we are | ||
CF | in the middle of the 1980s now. Shouldn't we leave such stories behind | ||
CF | us? " | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take notepad" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > TAKE NOTEPAD | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read it" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > READ IT | ||
CF | | ||
CF | It holds a list of things to research. At present it says: kirin, | ||
CF | akaname, apparitions, suiko, yokai, monsters, and that's it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask manager about books" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > ASK MANAGER ABOUT BOOKS | ||
CF | | ||
CF | "If you need more information just consult the book I gave you. I | ||
CF | apologize but my memory is not the one I used to have." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x book" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > X BOOK | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask manager about book" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > ASK MANAGER ABOUT BOOK | ||
CF | | ||
CF | "It's a kind of encyclopedia, containing loads of useful information. | ||
CF | Consult it whenever you come across relevant matters." | ||
CF | | Lancelot says, "which book" | |
CF | > | Knight_Otu says, "Ah. Somehow I thought we were closer to the present." | |
DavidW says (to ClubFloyd), "x book" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > X BOOK | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to manager" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > TALK TO MANAGER | ||
CF | | ||
CF | You tell the manager what has happened to you in the last couple of | ||
CF | days and, even though he doesn't seem to believe you right on the | ||
CF | spot, he is too well-mannered to comment and make you uncomfortable. | ||
CF | | ||
CF | "Creatures, you say? I don't know much about them, but I surely have a | ||
CF | book that may help you." | ||
CF | | ||
CF | He searches one of the shelves and hands you a kind of encyclopedia. | ||
CF | | ||
CF | "I studied this book for a long time and added a lot of entries | ||
CF | myself," the manager says, "I hope it helps." | ||
CF | | ||
CF | You take the book, which is now in your inventory. | ||
CF | | ||
CF | > | Lancelot says, "pfff" | |
DavidW says, "I did things out of order." | ||
Lancelot says, "okay so order of events indeed" | ||
Knight_Otu exclaims, "Sequence breaking!" | ||
DavidW says, "new authors have a tendency to write linearly." | ||
Lancelot says, "yeah game should cater for that lol" | ||
DavidW says (to ClubFloyd), "x book" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > X BOOK | ||
CF | | ||
CF | It's a kind of illustrated dictionary, with a lot of sidenotes added | ||
CF | by the library manager. You can look up words in it using the | ||
CF | following format: CONSULT BOOK ABOUT noun. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read notepad" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > READ NOTEPAD | ||
CF | | ||
CF | It holds a list of things to research. At present it says: kirin, | ||
CF | akaname, apparitions, suiko, yokai, monsters, and that's it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "consult book about kirin" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT KIRIN | ||
CF | | ||
CF | "Kirin" is the Japanese translation for "qilin", a four-legged | ||
CF | creature originating in Chinese mythology. The kirin is a strong and | ||
CF | magnificent yokai. Similar to unicorns, its physical attributes | ||
CF | reflect its divine lineage: the deer-like body represents grace, | ||
CF | agility, and harmony, while the dragon scales symbolize protection and | ||
CF | wisdom. The ox-like horns signify strength and stability. Nowadays the | ||
CF | word is also used to mean "giraffe". | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "consult book about akaname" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT AKANAME | ||
CF | | ||
CF | The akaname (filth licker) is a type of yokai that live their lives | ||
CF | licking the scum out of bathtubs. Since the word "aka" for filth | ||
CF | sounds as the word for red, they are usually depicted having a red | ||
CF | skin. Additionally, it is the color one is when getting out of a hot | ||
CF | bathtub. | ||
CF | | ||
CF | > | Jacqueline exclaims, "Yay! Filth licker!" | |
Jacqueline says, "You didn't even need me to tell you that." | ||
DavidW says (to ClubFloyd), "consult book about apparitions" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT APPARITIONS | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "consult book about apparition" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT APPARITION | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | Knight_Otu says, "Oh dear." | |
DavidW says (to ClubFloyd), "consult book about suiko" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT SUIKO | ||
CF | | ||
CF | Suikos (water tiger) are water spirits found in both China and Japan | ||
CF | and are often confused with kappa, which they closely resemble. | ||
CF | However, suiko are far more dangerous, violent, and hot-tempered than | ||
CF | their kappa cousins. It is possible to keep suiko at bay by leaning a | ||
CF | sickle against the side of a house and sprinkling flax seeds or | ||
CF | black-eyed peas on the ground outside. | ||
CF | | ||
CF | > | Lancelot says, "dont tell me we need to find a sickle now lol" | |
DavidW says, "okay, I won't tell you." | ||
Lancelot says, "lol" | ||
DavidW says, "We'll have sickle selective amnesia." | ||
Lancelot says, "I know about kappa but suiko I didnt know yet yay" | ||
DavidW says (to ClubFloyd), "consult book about kappa" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT KAPPA | ||
CF | | ||
CF | Kappa (river child) are aquatic reptilian humanoids who inhabit the | ||
CF | rivers and streams. Clumsy on land, they are at home in the water, | ||
CF | where they thrive during the warm months. They are excellent swimmers, | ||
CF | and despite their small size they are physically stronger than a grown | ||
CF | man. | ||
CF | | ||
CF | > | Lancelot asks, "hey it doesnt mention their heads?" | |
Knight_Otu exclaims, "Doesn't even mention the head-bowl with water!" | ||
Lancelot says, "thats what I am missing yeah" | ||
Lancelot says, "their vulnerability" | ||
DavidW says (to ClubFloyd), "consult book about yokai" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT YOKAI | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | Lancelot says, "yokai is the generic term" | |
DavidW says, "consult book about index" | ||
Lancelot says, "I guess the vook only does specifics then" | ||
DavidW says (to ClubFloyd), "consult book about index" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT INDEX | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "consult book about monsters" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT MONSTERS | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
Knight_Otu says (to ClubFloyd), "consult book about kami" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT KAMI | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
Knight_Otu says (to ClubFloyd), "consult book about oni" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT ONI | ||
CF | | ||
CF | Oni' are shown as evil and fierce creatures, with a well-known | ||
CF | appetite for murder and cannibalism. In Japanese folklore and art, oni | ||
CF | are characteristically giant in size and strength, with a fearful | ||
CF | appearance. The name comes from the Japanese reading of the Chinese | ||
CF | character for ghost. One of the ways to defeat an oni is throwing | ||
CF | beans at it, like during the Setsubun festival. | ||
CF | | ||
CF | > | Lancelot says, "ah yes the devils" | |
DavidW says, "oh, I remember oni vaguely from Katana, an old TADS game." | ||
Knight_Otu says (to ClubFloyd), "consult book about kitsune" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT KITSUNE | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | Lancelot asks, "mukade?" | |
Knight_Otu says (to ClubFloyd), "consult book about yuki-onna" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT YUKI-ONNA | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
Knight_Otu says (to ClubFloyd), "consult book about mukade" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > CONSULT BOOK ABOUT MUKADE | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | Lancelot says, "ah nvm random monster searchs are not very fruitful" | |
DavidW asks, "Do we get to keep this book or do we return it to the manager?" | ||
Knight_Otu says, "True." | ||
DavidW says (to ClubFloyd), "thank manager" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > THANK MANAGER | ||
CF | | ||
CF | That is not a verb I recognize. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "dance" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > DANCE | ||
CF | | ||
CF | That is not a verb I recognize. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "xyzzy" | ||
CF ] Libraryadeance | ||
CF | | ||
CF | > XYZZY | ||
CF | | ||
CF | Hoping this is just a bad dream, you chant the mystical word "xyzzy" | ||
CF | with all your might, hoping to wake up. However, as you finish your | ||
CF | incantation, you are still in the same place, more awake and lost than | ||
CF | ever, feeling foolish for believing in such a thing. Better to proceed | ||
CF | with your quest. | ||
CF | | ||
CF | > | Lancelot says, "how rude game" | |
Lancelot says, "lol" | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. However, | ||
CF | you still have things to do before meeting your friend. | ||
CF | | ||
CF | From a distant field comes the hoarse and strident croak of a crow. | ||
CF | | ||
CF | > | DavidW asks, "wait, we have things to do before meeting our friend. WHAT THINGS?" | |
Lancelot says, "no shopping list only that notepad thing" | ||
DavidW says (to ClubFloyd), "x jizo" | ||
CF ] Main Roadeance | ||
CF | | ||
CF | > X JIZO | ||
CF | | ||
CF | Jizos protect the souls of children but also travellers, and have been | ||
CF | made as memorials to protect the spirits of those who passed away | ||
CF | before they could complete their pilgrimage on Earth. The statues | ||
CF | often wear a red mantel that, according to Japanese folk belief, is | ||
CF | the color for expelling demons and illnesses. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | Lancelot asks, "visit the shrine?" | |
DavidW says, "sure." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Omotesandoance | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bamboo" | ||
CF ] Omotesandoance | ||
CF | | ||
CF | > X BAMBOO | ||
CF | | ||
CF | Bamboos are growing closely together to form a thick patch. Apart from | ||
CF | their decorative nature, they also protect the place from prying eyes. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | Jacqueline says, "We are supposed to meet the university friend, check out the rumors, look at the hot spring." | |
Lancelot says, "so the game is also like a mini Japanese tutorial lol" | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inari Shrine | ||
CF | You are at the north entrance of the Shinto shrine, a structure which | ||
CF | main purpose is to house ("enshrine") one or more kami, the deities of | ||
CF | the Shinto religion. This one is dedicated to "Inari" god of rice, | ||
CF | commerce, fertility, tea, sake, and agriculture. You wouldn't expect | ||
CF | anything else, from a village in rural Japan. You stand close to the | ||
CF | "torii", the access gate. The place is about to close, so access to | ||
CF | the shrine (towards the south) is not possible. It is still full of | ||
CF | people, though, all busy around the shops. The only exit is towards | ||
CF | the north. | ||
CF | | ||
CF | A miko, wearing the traditional white jacket with red pleated | ||
CF | trousers, is patiently waiting behind the shop counter. | ||
CF | | ||
CF | You can also see a shop (on which are a small box (which is closed), | ||
CF | two batteries and an ofuda) and a garbage bin (which contains some | ||
CF | garbage) here. | ||
CF | | ||
CF | > | Jacqueline says, "We are supposed to do the spring before the friend." | |
DavidW asks, "Did we not do the spring, or was it not enough to visit it?" | ||
DavidW says (to ClubFloyd), "ask miko about rumors" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > ASK MIKO ABOUT RUMORS | ||
CF | | ||
CF | There is no reply. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask miko about rumours" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > ASK MIKO ABOUT RUMOURS | ||
CF | | ||
CF | There is no reply. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to miko" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > TALK TO MIKO | ||
CF | | ||
CF | "Good afternoon, honorable customer. How may I help you?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x miko" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > X MIKO | ||
CF | | ||
CF | A "miko" is a shrine maiden who has trained for and taken up several | ||
CF | duties at a shrine including assistance of shrine functions, sale of | ||
CF | sacred goods, daily tidying of the premises, and performing the sacred | ||
CF | kagura dances on certain occasions. They were originally seen as | ||
CF | priestesses, with the word "miko" meaning "female shaman". | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask miko about shrine" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > ASK MIKO ABOUT SHRINE | ||
CF | | ||
CF | There is no reply. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask miko about box" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > ASK MIKO ABOUT BOX | ||
CF | | ||
CF | "We sure many kind of boxes for any purpose, such as storing somethig | ||
CF | precious. Would you like to BUY one?" | ||
CF | | ||
CF | > | Knight_Otu says, "I think the visit counted." | |
DavidW says (to ClubFloyd), "ask miko about batteries" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > ASK MIKO ABOUT BATTERIES | ||
CF | | ||
CF | "We sure have batteries of any kind. Visitors may need them." she | ||
CF | replies. "Would you like to BUY some?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x garbage" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > X GARBAGE | ||
CF | | ||
CF | It's just junk. You could search through it if you really want to. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ofuda" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > X OFUDA | ||
CF | | ||
CF | It's a powerful talisman, often used to keep demons away or to seal | ||
CF | things to avoid evil to escape. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask miko about ofuda" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > ASK MIKO ABOUT OFUDA | ||
CF | | ||
CF | "These ofuda are perfect to seal evil away." the miko states. "Would | ||
CF | you like to BUY one?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search garbage" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > SEARCH GARBAGE | ||
CF | | ||
CF | You find a discarded torch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "g" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > G | ||
CF | | ||
CF | You search through the garbage again, but don't find anything else of | ||
CF | interest. | ||
CF | | ||
CF | > | Lancelot says, "ah free items" | |
Knight_Otu says, "I mean, we might buy one, if we were sure we had money." | ||
Jacqueline says, "I know it's a hint, but I can't read BUY as anything other than her shouting." | ||
DavidW says (to ClubFloyd), "take torch" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > TAKE TORCH | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x torch" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > X TORCH | ||
CF | | ||
CF | It's an old battery-operated torch that's currently turned off. The | ||
CF | torch is empty. | ||
CF | | ||
CF | > | Knight_Otu asks, "BUY BUY BUY?" | |
DavidW says (to ClubFloyd), "buy batteries" | ||
CF ] Inari Shrinece | ||
CF | | ||
CF | > BUY BATTERIES | ||
CF | | ||
CF | You don't have any money with you. | ||
CF | | ||
CF | > | Lancelot says, "yeah lets go on a shopping spre... ah darn gosh it" | |
Knight_Otu says, "Now that's info we needed." | ||
DavidW says, "ok, time to rob a public fountain of its coins, as we always do." | ||
Lancelot says, "indeed a logical place to look for free cash" | ||
Jacqueline says, "heh. True. Did it last week." | ||
Jacqueline says, "It's time, by the way, but we did start late, so if we want to go a little long I guess we could." | ||
DavidW says, "or our friend could loan us some money, I suppose." | ||
DavidW says, "I'd at least like to see the eastern branch from the shrine road." | ||
DavidW says, "The bamboo is probably hiding a new monster." | ||
Knight_Otu asks, "Why are we vacationing without any money, anyway?" | ||
Jacqueline asks, "Why are we not staying with our parents?" | ||
DavidW says, "We're an idiot PC." | ||
Knight_Otu says, "I suppose we did play a superhero who forgot their utility belt that one time." | ||
DavidW says, "honestly, we should be recording all this for our followers on Tiktok." | ||
Knight_Otu says, "We're in the 80s, apparently, so no tiktoking yet, I guess." | ||
DavidW says, "awww. Mo balloons for us." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Omotesandonece | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | The sound of many birds may be heard from the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Darknessdonece | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Darkness | ||
CF | Night is falling, and the remaining light can't penetrate the thick | ||
CF | patch of bamboos. You need a source of light to proceed. | ||
CF | | ||
CF | > | Pinkunz says, "I took it that the ATM is the only one and you're stuck with no cash. It's the 80s after all." | |
Lancelot says, "too bad" | ||
DavidW says, "ah. This is what the torch is for." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Omotesandonece | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadonece | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. However, | ||
CF | you still have things to do before meeting your friend. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadonece | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | As much as you want to meet your friend, you sense you still have | ||
CF | something to do. Better explore some more and come back later. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadonece | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | That is a residential area. When you were a kid there was only a grass | ||
CF | field here, but now many different houses have been built. You have no | ||
CF | reason to go there. | ||
CF | | ||
CF | > | Knight_Otu asks, "Is this timed, or progression-based?" | |
DavidW says, "progression-based, I think." | ||
DavidW says, "I did skip past a school in the southwest part of town." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadonece | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadonece | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadonece | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | Coming from the east, the road continues westbound. Smaller streets | ||
CF | unfold to the north, to the southwest and to the southeast, while | ||
CF | directly south of your position you can reach the local school. East | ||
CF | you go back from where you came. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | School Main Gate | ||
CF | At the moment you have no particular business to attend to here at the | ||
CF | school. Proceed with your quest and come back later. You can go back | ||
CF | to the main road by heading north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | Coming from the east, the road continues westbound. Smaller streets | ||
CF | unfold to the north, to the southwest and to the southeast, while | ||
CF | directly south of your position you can reach the local school. East | ||
CF | you go back from where you came. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "sw" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > SW | ||
CF | | ||
CF | Rice fields extend southwest of your position. Dawn is approching, so | ||
CF | the peasants have already gone home. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "se" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > SE | ||
CF | | ||
CF | That is a residential area. When you were a kid there was only a grass | ||
CF | field here, but now many different houses have been built. You have no | ||
CF | reason to go there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "nw" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > NW | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can see a residential area to the north. When you were a kid there | ||
CF | was only a grass field here, but now many different houses have been | ||
CF | built. You have no reason to venture in that direction. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ne" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > NE | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | The road proceeds westbound, out of the city. You have no reason to | ||
CF | leave. Not yet, at least. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Front Gaten Gate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Front Gate | ||
CF | You are at the entrance of the ryokan. A massive wooden gate, | ||
CF | surmounted by a sloping tiled roof, separates the inner environment | ||
CF | from the street. The gate is now open for good, but could originally | ||
CF | be closed as a defense for the entire complex, protected on all sides | ||
CF | by a high fence. Towards the north you enter the ryokan, while towards | ||
CF | the south you access the main road. | ||
CF | | ||
CF | You can see some salt here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Lobbyn Gate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Lobby | ||
CF | You are inside the main lobby, where the front desk is located. Next | ||
CF | to it there's a shop, which offers yukata cotton summer kimonos, which | ||
CF | the guests can use free of charge; the staff are delighted to help | ||
CF | with putting them on and wearing them properly. The shop also sells | ||
CF | unique kaleidoscopes, ceramics and other artworks by local artists, as | ||
CF | well as high quality brushes for cosmetics and shodo (calligraphy). | ||
CF | You can either exit the lobby going south or going back to the hallway | ||
CF | to the west. | ||
CF | | ||
CF | You can see the okami here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask okami about money" | ||
CF ] Main Lobbyn Gate | ||
CF | | ||
CF | > ASK OKAMI ABOUT MONEY | ||
CF | | ||
CF | "If you need more information just consult a book. Maybe the local | ||
CF | library has one that suits your needs." | ||
CF | | ||
CF | "It is such a nice afternoon, isn't it Isao-san?" | ||
CF | | ||
CF | > | Jacqueline says, "hah" | |
Lancelot says, "we got a name" | ||
DavidW says (to ClubFloyd), "consult book about money" | ||
CF ] Main Lobbyn Gate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT MONEY | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | "Have you visited the temple yet? It's south of town." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Front Gaten Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Front Gate | ||
CF | You are at the entrance of the ryokan. A massive wooden gate, | ||
CF | surmounted by a sloping tiled roof, separates the inner environment | ||
CF | from the street. The gate is now open for good, but could originally | ||
CF | be closed as a defense for the entire complex, protected on all sides | ||
CF | by a high fence. Towards the north you enter the ryokan, while towards | ||
CF | the south you access the main road. | ||
CF | | ||
CF | You can see some salt here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Roaden Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | The sound of many birds may be heard from the south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roaden Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Public Park | ||
CF | For Japanese people, parks are the place to refresh and play. The size | ||
CF | of parks varies from small, such as the ones you see in this | ||
CF | residential area, to large, like in big cities, which take a few hours | ||
CF | to walk from end to end. The small sized parks are usually divided | ||
CF | into the resting area and the playground. Here you can see a swing, a | ||
CF | sandpit and a vending machine. On the fence there are a large sign, a | ||
CF | small sign and a flier. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | Lancelot exclaims, "salt!" | |
Lancelot says, "nvm" | ||
DavidW says, "ok, I overlooked this park." | ||
DavidW says, "The salt is there for a reason." | ||
DavidW says (to ClubFloyd), "read large sign" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > READ LARGE SIGN | ||
CF | | ||
CF | The large sign says, 'Do not litter. Keep this place as you would keep | ||
CF | your home'. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read small sign" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > READ SMALL SIGN | ||
CF | | ||
CF | The small sign says, 'Please don't feed the pigeons'. As a matter of | ||
CF | fact, those little pests are rather annoying. | ||
CF | | ||
CF | > | Lancelot says, "we normally put salt at the entrance to ward off bad sprits but I digress" | |
DavidW says (to ClubFloyd), "read flier" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > READ FLIER | ||
CF | | ||
CF | The flier gives details about place and hour of the match. It also | ||
CF | highlights the original 'religious' nature of the competition, where | ||
CF | salt is used to bless the ground before fighting. New entries have | ||
CF | been added to your notepad. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read notepad" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > READ NOTEPAD | ||
CF | | ||
CF | It holds a list of things to research. At present it says: kirin, | ||
CF | akaname, apparitions, suiko, yokai, monsters, sumo, salt, and that's | ||
CF | it. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | Lancelot says, "ah salt added lol" | |
DavidW says (to ClubFloyd), "consult book about salt" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT SALT | ||
CF | | ||
CF | In many religious practices and cultures, salt signifies preservation | ||
CF | and the binding of a spiritual covenant. The use of salt in rituals, | ||
CF | like spreading it during ceremonies or forming protective barriers, | ||
CF | showcases its significance in warding off negative energies and evil | ||
CF | spirits. | ||
CF | | ||
CF | > | Lancelot says, "yep" | |
DavidW says (to ClubFloyd), "consult book about sumo" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT SUMO | ||
CF | | ||
CF | This martial art originates from a fight between the kamis | ||
CF | Takemikazuchi and Takeminakata. It is considered a modern martial art, | ||
CF | but the sport has a history spanning many centuries. Many ancient | ||
CF | traditions have been preserved in sumo, and even today it includes | ||
CF | many ritual elements, such as the use of salt purification, from | ||
CF | Shinto. You feel like you will need the salt too. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x swing" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > X SWING | ||
CF | | ||
CF | You think about sitting on it for a few moments, but it's made for | ||
CF | kids and you would feel ridiculous. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Public Park | ||
CF | For Japanese people, parks are the place to refresh and play. The size | ||
CF | of parks varies from small, such as the ones you see in this | ||
CF | residential area, to large, like in big cities, which take a few hours | ||
CF | to walk from end to end. The small sized parks are usually divided | ||
CF | into the resting area and the playground. Here you can see a swing, a | ||
CF | sandpit and a vending machine. On the fence there are a large sign, a | ||
CF | small sign and a flier. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | Pinkunz asks, "How do we know it's a stray dog if it's in the distance?" | |
DavidW says (to ClubFloyd), "x vending machine" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > X VENDING MACHINE | ||
CF | | ||
CF | Machines like this are widely spread throughout Japan, selling a whole | ||
CF | range of products, either cold or warm. Often there are many different | ||
CF | machines lined up close to one another, but in this small park there's | ||
CF | not much space to spare. As a kid, you and your friends used to search | ||
CF | those machines hoping to find a coin left behind by a previous | ||
CF | customer, so you consider doing it again. | ||
CF | | ||
CF | > | Knight_Otu says, "Are we really to steal the nice lady's salt.... what am I saying, of course we are." | |
Lancelot says, "coins" | ||
DavidW says, "The dog has a gangi accent." | ||
DavidW says (to ClubFloyd), "search machine" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > SEARCH MACHINE | ||
CF | | ||
CF | You search the money slot and find some change. You take it, then you | ||
CF | think about calling the machine owner, but you lost your wallet and | ||
CF | you decide to keep the money in case it's needed for something urgent. | ||
CF | You will call the manager the following day and return the money. | ||
CF | | ||
CF | > | Lancelot says, "that looks like a clear hint lol" | |
Lancelot says, "we got cash" | ||
DavidW says (to ClubFloyd), "x money" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > X MONEY | ||
CF | | ||
CF | Sorry, I don't understand what "money" means. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x coins" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > X COINS | ||
CF | | ||
CF | A bunch of coins of all sizes. It's possibly a few thousand yen worth. | ||
CF | | ||
CF | > | Knight_Otu asks, "Ah, we lost our wallet, did we?" | |
Jacqueline says, "huh. Yeah." | ||
DavidW says, "or never had it" | ||
Jacqueline says, "Apparently." | ||
DavidW says (to ClubFloyd), "x sandpit" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > X SANDPIT | ||
CF | | ||
CF | It's a small pool full of sand where kids can spend some time while | ||
CF | trying to build makeshift castles. There's no one here at the moment. | ||
CF | | ||
CF | > | Knight_Otu says, "I do not recall seeing this information earlier." | |
DavidW says (to ClubFloyd), "dig sandpit" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > DIG SANDPIT | ||
CF | | ||
CF | Digging would achieve nothing here. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | Lancelot says, "looks like ah well we can go buy things now" | |
Jacqueline says (to DW), "It said we lost our wallet up above." | ||
DavidW says (to ClubFloyd), "search sandpit" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > SEARCH SANDPIT | ||
CF | | ||
CF | You find nothing special. | ||
CF | | ||
CF | From a distant field comes the hoarse and strident croak of a crow. | ||
CF | | ||
CF | > | DavidW asks, "did it?" | |
DavidW says, "I keep missing things." | ||
Jacqueline says, "Yep" | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Public Park Gate | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Public Park | ||
CF | For Japanese people, parks are the place to refresh and play. The size | ||
CF | of parks varies from small, such as the ones you see in this | ||
CF | residential area, to large, like in big cities, which take a few hours | ||
CF | to walk from end to end. The small sized parks are usually divided | ||
CF | into the resting area and the playground. Here you can see a swing, a | ||
CF | sandpit and a vending machine. On the fence there are a large sign, a | ||
CF | small sign and a flier. | ||
CF | | ||
CF | > | Jacqueline | You search the money slot and find some change. You take it, then you think about calling the machine owner, but you lost your wallet and you decide to keep the money in case it's needed for something urgent. You will call the manager the following day and return the money. | |
DavidW says, "ah" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadrk Gate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadrk Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. However, | ||
CF | you still have things to do before meeting your friend. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Omotesandok Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inari Shrine | ||
CF | You are at the north entrance of the Shinto shrine, a structure which | ||
CF | main purpose is to house ("enshrine") one or more kami, the deities of | ||
CF | the Shinto religion. This one is dedicated to "Inari" god of rice, | ||
CF | commerce, fertility, tea, sake, and agriculture. You wouldn't expect | ||
CF | anything else, from a village in rural Japan. You stand close to the | ||
CF | "torii", the access gate. The place is about to close, so access to | ||
CF | the shrine (towards the south) is not possible. It is still full of | ||
CF | people, though, all busy around the shops. The only exit is towards | ||
CF | the north. | ||
CF | | ||
CF | A miko, wearing the traditional white jacket with red pleated | ||
CF | trousers, is patiently waiting behind the shop counter. | ||
CF | | ||
CF | You can also see a shop (on which are a small box (which is closed), | ||
CF | two batteries and an ofuda) and a garbage bin (which contains some | ||
CF | garbage) here. | ||
CF | | ||
CF | > | Knight_Otu says, "We somehow mislaid our keys on the toilet, and our wallet who knows where. Either we're very forgetful, or cursed." | |
DavidW says (to ClubFloyd), "buy batteries" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > BUY BATTERIES | ||
CF | | ||
CF | "Here are your batteries. Thank you so much." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put batteries in torch" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > PUT BATTERIES IN TORCH | ||
CF | | ||
CF | You put the batteries into the torch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] OmotesandoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | > | Lancelot says, "yay" | |
DavidW says (to ClubFloyd), "e" | ||
CF ] DarknessdoneGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Darkness | ||
CF | Night is falling, and the remaining light can't penetrate the thick | ||
CF | patch of bamboos. You need a source of light to proceed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn on torch" | ||
CF ] DarknessdoneGate | ||
CF | | ||
CF | > TURN ON TORCH | ||
CF | | ||
CF | You'll have to close it first. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close torch" | ||
CF ] DarknessdoneGate | ||
CF | | ||
CF | > CLOSE TORCH | ||
CF | | ||
CF | You close the torch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn on torch" | ||
CF ] Bamboo GroveGate | ||
CF | | ||
CF | > TURN ON TORCH | ||
CF | | ||
CF | You switch it on. | ||
CF | | ||
CF | Bamboo Grove | ||
CF | You are on a dirt road that winds through a dense forest of bamboo | ||
CF | trees, traveling from west to east. The peaks are so high that light | ||
CF | struggles to pass through and now, at dusk, the forest is almost | ||
CF | completely dark. | ||
CF | | ||
CF | > | DavidW asks, "If this is a maze, can we stop here?" | |
Jacqueline says, "I'm fine with stopping here." | ||
Lancelot says, "saving here sounds like a good idea" | ||
DavidW says (to ClubFloyd), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | Knight_Otu says, "Yeah, we can stop here." | |
DavidW says (to ClubFloyd), "cfwombamboo" | ||
CF ] Bamboo GroveGate | ||
CF | Ok. | ||
CF | | ||
CF | > | DavidW says, "This game appears to be larger than I expected." | |
Jacqueline says, "Yeah. There's a lot." | ||
DavidW says (to ClubFloyd), "x coins" | ||
CF ] Bamboo GroveGate | ||
CF | | ||
CF | > X COINS | ||
CF | | ||
CF | A bunch of coins of all sizes. It's possibly a few thousand yen worth. | ||
CF | | ||
CF | > | DavidW says, "looks like the batteries purchase didn't diminesh our funds." | |
Knight_Otu says, "Huh. I expected it would." | ||
Jacqueline says, "How do we intend to pay this back, I wonder." | ||
Jacqueline says, "Also, I went down a little rabbit hole about how old ATMs are and... they're old." | ||
Pinkunz asks, "Infinite undiminished coinage?" | ||
Lancelot says, "I do remember that ATMs in Japan were a bit peculiar that often when the bank closed the ATM would be turned off as well lol" | ||
Lancelot says, "just when you neede the cash..." | ||
Pinkunz asks (of DW), "Did it grow on you at all?" | ||
DavidW says, "yes, a bit." | ||
DavidW says, "it's clumsy in places, but playable." | ||
Pinkunz says, "It being PunyInform, it tends to lean more old-fashioned when it comes to affordances most expect in something like an Inform 7 game." | ||
DavidW says, "The lack of direction bothers me a lot." | ||
Jacqueline says, "Okay. Might nap now myself. Thanks for driving, DW." | ||
Jacqueline disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | DavidW says, "you're welcome" | |
Lancelot exclaims, "yeah thank you very much for driving!" | ||
Knight_Otu exclaims, "Thanks for driving, David!" | ||
Pinkunz asks, "Wait, are we talking about the betas?" | ||
Lancelot asks, "whats the plan?" | ||
Lancelot asks, "if there is one?" | ||
Pinkunz says, "And thank you for driving, David." | ||
DavidW says, "you're all welcome" | ||
DavidW says (to Lancelot), "The plan is to be more organized. (snrk)" | ||
Pinkunz says, "I only ask, because, if we're going to do this, I need to get to work on it." | ||
Knight_Otu asks, "You suggested eight beta sessions with two breaks, right?" | ||
Pinkunz says (to KO), "Correct." | ||
Pinkunz says, "2 betas, followed by a break, then 3 more betas, then a second break, and then the last three betas. All assuming there's even that much interest." | ||
Lancelot asks, "the timing? last three will be just before deadline?" | ||
Jade says, "I take note" | ||
Lancelot says, "I remember last year was kinda stressfull :([D[D[" | ||
DavidW says, "And we have a roster of non-testing games waiting to play when we're not testing." | ||
Jade asks, "Pinakunz, are you going to put a notice in intfiction?" | ||
DavidW says, "that is, we should have a roster. We don't as yet have one." | ||
Pinkunz says, "I am open to spacing it differently; I was trying to make it so more testing sessions are available later for late-comers. And, yes, we'd want a roster of non-beta games." | ||
Pinkunz says (to Jade), "Yes, assuming the group is for it." | ||
Lancelot says, "one session per game, right>" | ||
Jade says, "I am in" | ||
Pinkunz says (to Lancelot), "That's the idea, yes." | ||
Jade says, "I think a session for each game will be ok" | ||
DavidW says, "I'm reasonably sure the membership is agreeable to beta-testing." | ||
Lancelot asks, "what about time limit for a session?" | ||
Jade says, "We will see by the way" | ||
Pinkunz says, "Same as normal. 2 hours, extensions if the group still is up to playing at the time cut-off." | ||
Lancelot says, "check" | ||
Pinkunz asks, "Any nays?" | ||
Knight_Otu says, "I'm fine with beta testing." | ||
Lancelot says, "whats the stand on IFComp participants" | ||
Lancelot says, "erm the forget the word" | ||
Pinkunz asks, "What do you mean, Lancelot?" | ||
Lancelot asks, "well if I intend to participate, then I cannot join beta testing sessions?" | ||
Pinkunz says, "You can, you just can vote for that game." | ||
Lancelot says, "not sure what the rules are" | ||
Lancelot says, "oh right got it" | ||
Pinkunz says, "*can't" | ||
Lancelot says, "well I am in, always fun to try things out" | ||
DavidW says, "I haven't voted in years, just so I can avoid worrying about the rules." | ||
DavidW says, "also, I don't like judging much." | ||
Lancelot says, "ill keep that time limit in mind, its hard to predict play times until people actually try" | ||
Pinkunz asks, "Okay then. Thanks guys. I will write up a post for intfiction. Do we want to come up with a list of non-beta games now or do we procrastinate it until later?" | ||
DavidW says, "I don't really have the energy to research games now, but I should be able to do so later." | ||
Pinkunz says, "Later works fine. Top of that list should probably be finishing this game." | ||
DavidW says, "I'll try to come up with a list of at least three games for not testing." | ||
Pinkunz says, "Thanks David" | ||
DavidW says, "And of course, anyone can suggest a game to me, so I can do that small part of this." | ||
Jade says, "Thank David for guiding" | ||
Pinkunz says, "We probably want to avoid a jumbo game for that list." | ||
DavidW says, "I don't want to organize the testing part, though. I think Pinkunz should be fully in charge of that aspect." | ||
Jade says, "There must be a lot of stuff" | ||
Pinkunz says (to DW), "Absolutely, I would be happy to handle all of that." | ||
Jade says, "I agree" | ||
DavidW says, "I'll try to find short-ish games for my list." | ||
DavidW says, "But it's difficult to tell how long a game truly is until you play it." | ||
asparagus says, "Indeed." | ||
Pinkunz says, "Thanks for being game for this guys, I appreciate it, and more importantly, it's appreciated by the game authors." | ||
Lancelot exclaims, "yup!" | ||
asparagus says, "I sadly missed most of this session (again). I might go play the game myself shortly." | ||
DavidW asks, "I assume we can continue with World of Monsters when we have the time for it?" | ||
Pinkunz asks (of DW), "Game length is always a bit of a crapshoot, isn't it?" | ||
DavidW says, "Yes" | ||
Pinkunz says (to DW), "Yeah, I suggest we put it on top of that list so we finish it while it's still somewhat in our memories." | ||
DavidW says, "I'm sure there must be some ParserComp or SpringThing or TALP games we haven't played and can play." | ||
Pinkunz says, "Agreed." | ||
DavidW says, "And there's that IF Writing Month of stuff if we're very desparate." | ||
Pinkunz says, "I haven't even looked at those titles yet, to be honest." | ||
DavidW says, "Some of them might not be worth it and unfinished." | ||
DavidW asks, "was there a second seed comp?" | ||
Pinkunz asks, "Alright, I'm going to head out to get to work on the post. Does anyone have any questions or concerns before I go?" | ||
Pinkunz says (to DW), "Yes there was. I'll snag you a link." | ||
Jade says, "none" | ||
Jade says, "See you next week" | ||
Lancelot exclaims, "see ya all next week!" | ||
Jade says, "I am going to bed" | ||
DavidW says, "I don't think I've played anything from the 2nd SeedComp." | ||
DavidW says, "good night Jade" | ||
Pinkunz says, "[LINK]" | ||
DavidW says, "bye Lancelot" | ||
DavidW says, "thanks Pinkunz" | ||
Lancelot says, "*wave*" | ||
Lancelot goes home. | asparagus says, "G'night, Jade" | |
Pinkunz says, "No problem. Goodnight everyone." | ||
Knight_Otu exclaims, "Good night, all!" | ||
Knight_Otu goes home. | ||
Pinkunz disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | ||
DavidW focuses on his crystal and fades away into a silver haze in the light. | Pinkunz says, "Hello" | |
Pinkunz says, "Heading out. Not sure why I came here first to log out." | ||
DavidW says, "habit" | ||
Pinkunz says, "tt-y'all-l" | ||
DavidW says, "bye Pinkunz and thanks" | ||
Pinkunz says, "np" | ||
Roger disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | ||
asparagus disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | ||
*** SESSION 2 *** | ||
Pinkunz says, "We are continuing World of Monsters unless someone else has an objection." | ||
DavidW says, "no, no objection here" | ||
DavidW asks, "I think in the game, we took coins from a fountain, found a torch and bought a battery or vice-versa?" | ||
DavidW says, "And we were about to explore a dark offshoot from the temple road. iirc." | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Bamboo GroveGate | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Bamboo Grove | ||
CF | You are on a dirt road that winds through a dense forest of bamboo | ||
CF | trees, traveling from west to east. The peaks are so high that light | ||
CF | struggles to pass through and now, at dusk, the forest is almost | ||
CF | completely dark. | ||
CF | | ||
CF | > | Pinkunz says, "That is my recollection as well." | |
DavidW says, "oh, I was worried this might be a maze. And I think we need to chance it." | ||
DavidW says, "oops, I want to log this too." | ||
DavidW says, "btw, I probably won't be here next session. My dad passed away a couple days ago and the funeral is next Saturday." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Old House | ||
CF | The dirt road coming from the bamboo thicket ends here, in front of an | ||
CF | old traditional house. Actually, judging from the ruins, it looks like | ||
CF | there were more than one building here in the past. Going back down | ||
CF | memory lane, you recall places like this used to be regarded as | ||
CF | inhabited by the "GAKI", so you add a note to your notepad about it. | ||
CF | Towards the west you go back to Omotesando. | ||
CF | | ||
CF | You can see a gaki here. | ||
CF | | ||
CF | > | Pinkunz says, "I'm really sorry to hear that, David." | |
DavidW says, "thanks" | ||
DavidW says (to ClubFloyd), "x gaki" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > X GAKI | ||
CF | | ||
CF | This spirit seems to be in horrible torment, afflicted with constant | ||
CF | suffering. It looks vaguely human, with a distended, bulging belly and | ||
CF | tiny, inefficient mouth and throat. Its contour merges with the | ||
CF | background, as if drawn in pencil. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "consult book about gaki" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT GAKI | ||
CF | | ||
CF | A "gaki" is a ghost suffering from hunger and thirst who fell into | ||
CF | "gakido", one of the six realms of reincarnation in Buddhist | ||
CF | cosmology, because of misdeeds during its lifetime. A demonic | ||
CF | possession by a gaki manifests with an unextinguishable hunger and | ||
CF | thirst, with the possessed getting weaker and weaker as time passes. | ||
CF | Such a curse can be lifted by eating a miso soup or steamed white rice | ||
CF | with a lot of water. Nowadays people refer to an ill-mannered or | ||
CF | annoying kid as a gaki, since children tend to eat much, like hungry | ||
CF | ghosts. | ||
CF | | ||
CF | > | ||
Jade goes home. | Pinkunz says, "aha, the "just eat some rice" bit makes me laugh." | |
DavidW says, "We might be able to buy miso soup at the convenience store, maybe." | ||
Pinkunz exclaims, "Good point!" | ||
DavidW says (to ClubFloyd), "x house" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > X HOUSE | ||
CF | | ||
CF | A small building, entirely made of wood, and consisting of a single | ||
CF | room. It's very old and crumbling into pieces, so it's better to stay | ||
CF | away from it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "in" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > IN | ||
CF | | ||
CF | You can't go that way. | ||
CF | | ||
CF | You must be under the influence of the gaki. You need to eat. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Bamboo GroveGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Bamboo Grove | ||
CF | You are on a dirt road that winds through a dense forest of bamboo | ||
CF | trees, traveling from west to east. The peaks are so high that light | ||
CF | struggles to pass through and now, at dusk, the forest is almost | ||
CF | completely dark. | ||
CF | | ||
CF | You can see a gaki here. | ||
CF | | ||
CF | You must be under the influence of the gaki. You need to eat. | ||
CF | | ||
CF | > | Pinkunz asks, "What do we have in our inventory again?" | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Bamboo GroveGate | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You're carrying some change, a torch (providing light), a book, a | ||
CF | notepad, a wrench, a metal key, a stool and your garments (worn). | ||
CF | | ||
CF | Your vision is blurred and you feel exhausted. You need to | ||
CF | eat. | ||
CF | | ||
CF | > | Pinkunz says, "Nothing to eat. I think we're about to die." | |
DavidW says, "well I hope not" | ||
Pinkunz says, "That looks like a progressive alert." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] OmotesandoveGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | You can see a gaki here. | ||
CF | | ||
CF | Your vision is blurred and you feel exhausted. You need to | ||
CF | eat. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadoveGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. However, | ||
CF | you still have things to do before meeting your friend. | ||
CF | | ||
CF | You can see a gaki here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoveGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | You can see a gaki here. | ||
CF | | ||
CF | Your vision is blurred and you feel exhausted. You need to | ||
CF | eat. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoveGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | You can see a gaki here. | ||
CF | | ||
CF | You must be under the influence of the gaki. You need to eat. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Konbini | ||
CF | A konbini (contraction of the English terms 'convenience store') is a | ||
CF | small retail store that stocks everyday items ranging from food to | ||
CF | tobacco products, over-the-counter drugs, magazines and the like. | ||
CF | Most of them are open 24 hours and also sell tickets for events like | ||
CF | concerts or museums. Many different franchises are present in Japan, | ||
CF | like "7-Eleven" and "FamilyMart". This one is a "Lawson". Maybe one | ||
CF | day they will help your business. The only exit is towards the north. | ||
CF | | ||
CF | A cashier is patiently waiting behind the counter. | ||
CF | | ||
CF | You can also see a gaki, an ATM, a magazine rack and a food shelf | ||
CF | here. | ||
CF | | ||
CF | You must be under the influence of the gaki. You need to eat. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask cashier about miso soup" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > ASK CASHIER ABOUT MISO SOUP | ||
CF | | ||
CF | "We certainly have a whole range of miso soups," the cashier states. | ||
CF | "Would you like to BUY some?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "buy miso soup" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > BUY MISO SOUP | ||
CF | | ||
CF | "Here is your miso soup, sir." says the cashier handing you the soup. | ||
CF | You take it and add it to your inventory. | ||
CF | | ||
CF | After seeing the gaki, you feel extremely hungry. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "eat soup" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > EAT SOUP | ||
CF | | ||
CF | You drink the hot soup in just one go, and immediately feel relieved. | ||
CF | Hopefully, the demonic influence of the gaki is gone for good. | ||
CF | | ||
CF | Konbini | ||
CF | A konbini (contraction of the English terms 'convenience store') is a | ||
CF | small retail store that stocks everyday items ranging from food to | ||
CF | tobacco products, over-the-counter drugs, magazines and the like. | ||
CF | Most of them are open 24 hours and also sell tickets for events like | ||
CF | concerts or museums. Many different franchises are present in Japan, | ||
CF | like "7-Eleven" and "FamilyMart". This one is a "Lawson". Maybe one | ||
CF | day they will help your business. The only exit is towards the north. | ||
CF | | ||
CF | A cashier is patiently waiting behind the counter. | ||
CF | | ||
CF | You can also see some black powder, an ATM, a magazine rack and a food | ||
CF | shelf here. | ||
CF | | ||
CF | > | Pinkunz says, "Considerate for our deadly hunger to wait a cross-town traipse." | |
DavidW says, "huh, more black powder. The thing in the spring did that too." | ||
Pinkunz asks, "Can we take the black powder?" | ||
DavidW says, "We couldn't before. But let's try." | ||
DavidW says (to ClubFloyd), "take powder" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > TAKE POWDER | ||
CF | | ||
CF | It's too thin and scattered all over to be taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x powder" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > X POWDER | ||
CF | | ||
CF | It's a very thin powder that, at a closer look, could be graphite, a | ||
CF | material widely used in inks and pencils. It has been left behind | ||
CF | after the creature disappeared. | ||
CF | | ||
CF | > | Pinkunz says, "I forgot, thank you." | |
DavidW says (to ClubFloyd), "consult book about powder" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT POWDER | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn off torch" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > TURN OFF TORCH | ||
CF | | ||
CF | You switch it off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > I | ||
CF | | ||
CF | You're carrying some change, a torch, a book, a notepad, a wrench, a | ||
CF | metal key, a stool and your garments (worn). | ||
CF | | ||
CF | > | Pinkunz says, "Huh. I feel like the graphite mention is important." | |
DavidW says (to ClubFloyd), "consult book about graphite" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT GRAPHITE | ||
CF | | ||
CF | There doesn't appear to be an entry for that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "consult book about salt" | ||
CF ] KonbiniadoveGate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT SALT | ||
CF | | ||
CF | In many religious practices and cultures, salt signifies preservation | ||
CF | and the binding of a spiritual covenant. The use of salt in rituals, | ||
CF | like spreading it during ceremonies or forming protective barriers, | ||
CF | showcases its significance in warding off negative energies and evil | ||
CF | spirits. | ||
CF | | ||
CF | > | DavidW says, "There was salt at the inn." | |
DavidW says, "But we need a container to take any." | ||
Pinkunz asks, "Should we steal some salt and try the old house again, minus the gaki?" | ||
DavidW says, "I think we should try the house again regardless." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadoveGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | Pinkunz says, "True, a handful of loose salt is hard to carry." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadoveGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | DavidW says, "I had to do it in a play once. Without any pockets in my costume." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadoveGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | Pinkunz says, "Did you get sweaty hands? I feel like the salt might start sticking if you have to grasp it too long." | |
DavidW I actually don't remember much except my annoyance. | Pinkunz says, "Fair enough." | |
DavidW says, "I don't remember which play it was or why I needed salt. Just the total awkwardness." | ||
Pinkunz says, "Funny the details that stick versus those that don't" | ||
DavidW asks, "I really wanted to just mime it, because who in the audience can see it?" | ||
Pinkunz says, "Granted. Probably 5 people in the front row at best." | ||
DavidW says, "Theatre has all kinds of weird in it. We once needed people to use a non-working laptop on stage and even though it wasn't facing the audience, they made it look like it was on by putting aluminum foil where the screen was and having green light from above reflect onto their faces." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] OmotesandoveGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | The sound of many birds may be heard from the south. | ||
CF | | ||
CF | > | Pinkunz says, "Aha, that is sorta cute, honestly." | |
DavidW says (to ClubFloyd), "e" | ||
CF ] DarknessdoveGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Darkness | ||
CF | Night is falling, and the remaining light can't penetrate the thick | ||
CF | patch of bamboos. You need a source of light to proceed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn on torch" | ||
CF ] Bamboo GroveGate | ||
CF | | ||
CF | > TURN ON TORCH | ||
CF | | ||
CF | You switch it on. | ||
CF | | ||
CF | Bamboo Grove | ||
CF | You are on a dirt road that winds through a dense forest of bamboo | ||
CF | trees, traveling from west to east. The peaks are so high that light | ||
CF | struggles to pass through and now, at dusk, the forest is almost | ||
CF | completely dark. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Old House | ||
CF | The dirt road coming from the bamboo thicket ends here, in front of an | ||
CF | old traditional house. Actually, judging from the ruins, it looks like | ||
CF | there were more than one building here in the past. Going back down | ||
CF | memory lane, you recall places like this used to be regarded as | ||
CF | inhabited by the "GAKI". Towards the west you go back to Omotesando. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "enter house" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > ENTER HOUSE | ||
CF | | ||
CF | No need to concern yourself with that. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "search house" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > SEARCH HOUSE | ||
CF | | ||
CF | No need to concern yourself with that. | ||
CF | | ||
CF | > | Pinkunz says, "Narrascope officially ended 6 minutes ago, btw. So maybe more people might wander in." | |
DavidW says (to ClubFloyd), "turn off torch" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > TURN OFF TORCH | ||
CF | | ||
CF | You switch it off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), ";" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > ; | ||
CF | | ||
CF | That is not a verb I recognize. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Old HouseoveGate | ||
CF | | ||
CF | > L | ||
CF | | ||
CF | Old House | ||
CF | The dirt road coming from the bamboo thicket ends here, in front of an | ||
CF | old traditional house. Actually, judging from the ruins, it looks like | ||
CF | there were more than one building here in the past. Going back down | ||
CF | memory lane, you recall places like this used to be regarded as | ||
CF | inhabited by the "GAKI". Towards the west you go back to Omotesando. | ||
CF | | ||
CF | > | DavidW says, "huh. This room is lit." | |
Pinkunz says, "Only exit is back too." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] DarknesseoveGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Darkness | ||
CF | Night is falling, and the remaining light can't penetrate the thick | ||
CF | patch of bamboos. You need a source of light to proceed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] OmotesandoveGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inari Shrine | ||
CF | You are at the north entrance of the Shinto shrine, a structure which | ||
CF | main purpose is to house ("enshrine") one or more kami, the deities of | ||
CF | the Shinto religion. This one is dedicated to "Inari" god of rice, | ||
CF | commerce, fertility, tea, sake, and agriculture. You wouldn't expect | ||
CF | anything else, from a village in rural Japan. You stand close to the | ||
CF | "torii", the access gate. The place is about to close, so access to | ||
CF | the shrine (towards the south) is not possible. It is still full of | ||
CF | people, though, all busy around the shops. The only exit is towards | ||
CF | the north. | ||
CF | | ||
CF | A miko, wearing the traditional white jacket with red pleated | ||
CF | trousers, is patiently waiting behind the shop counter. | ||
CF | | ||
CF | You can also see a shop (on which are a small box (which is closed) | ||
CF | and an ofuda) and a garbage bin (which contains some garbage) here. | ||
CF | | ||
CF | > | Pinkunz asks, "So what now?" | |
DavidW says, "I'm not sure." | ||
Pinkunz asks, "Can we meet our friend yet?" | ||
DavidW says, "We need to eventually go to our friend's place, but I don't know what we need to do before then." | ||
DavidW says (to ClubFloyd), "open box" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > OPEN BOX | ||
CF | | ||
CF | You open the small box, revealing nothing. | ||
CF | | ||
CF | > | Pinkunz says, "Hmmm" | |
DavidW says, "sure, we should try" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] OmotesandoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | Here the road splits in two directions: the first turns northeast and | ||
CF | heads out of town; the second proceeds straight to the east towards | ||
CF | the last house of the village. You can also see a small pond directly | ||
CF | to the north and a residential area to the south. Towards the west you | ||
CF | go back to the town. | ||
CF | | ||
CF | Standing at the end of the road, preventing you from going further | ||
CF | east thus reaching your friend's house, there's a massive "ONI". | ||
CF | | ||
CF | "Thou shall not pass!" the oni says. "I am guarding this place against | ||
CF | intruders." | ||
CF | | ||
CF | After all what you went through nothing surprises you anymore, yet | ||
CF | this is another challenge to overcome. | ||
CF | | ||
CF | "A new entry has been added to your notepad. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | Pinkunz says, "Hold on, David Welbourn probably wrote a walkthrough for this; let me check. ;-)" | |
DavidW says, "har har" | ||
DavidW says (to ClubFloyd), "x oni" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > X ONI | ||
CF | | ||
CF | In Japanese folklore, a oni is a type of demonic creature often of | ||
CF | giant size, great strength, and fearful appearance. This creature is | ||
CF | no exception and, once again, it looks like it was a pencil drawing | ||
CF | come to life. You feel you are close to uncovering the truth. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | Pinkunz says, "Huh, no hint on how to defeat it." | |
DavidW says, "Our friend has a magic pencil and drew monsters for reasons." | ||
DavidW says (to ClubFloyd), "consult book about oni" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT ONI | ||
CF | | ||
CF | Oni' are shown as evil and fierce creatures, with a well-known | ||
CF | appetite for murder and cannibalism. In Japanese folklore and art, oni | ||
CF | are characteristically giant in size and strength, with a fearful | ||
CF | appearance. The name comes from the Japanese reading of the Chinese | ||
CF | character for ghost. One of the ways to defeat an oni is throwing | ||
CF | beans at it, like during the Setsubun festival. | ||
CF | | ||
CF | > | Pinkunz says, "Ah, nvm." | |
DavidW says, "beans beans, they're a magical fruit." | ||
Pinkunz says, "The more you eat, the less you have for defeating mythological Japanese monsters." | ||
DavidW says, "Back to the store? Or visit the pond to the north." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | The pond looks beautiful from here, but it's getting dark and it's | ||
CF | better to avoid isolated places. | ||
CF | | ||
CF | > | DavidW says, "spoil sport" | |
Pinkunz says, "Convenient Convenience store again, I guess." | ||
DavidW says, "There's also a vending machine in the park, but if that's where the beans are from, I'll be sad." | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] KonbiniadoneGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Konbini | ||
CF | A konbini (contraction of the English terms 'convenience store') is a | ||
CF | small retail store that stocks everyday items ranging from food to | ||
CF | tobacco products, over-the-counter drugs, magazines and the like. | ||
CF | Most of them are open 24 hours and also sell tickets for events like | ||
CF | concerts or museums. Many different franchises are present in Japan, | ||
CF | like "7-Eleven" and "FamilyMart". This one is a "Lawson". Maybe one | ||
CF | day they will help your business. The only exit is towards the north. | ||
CF | | ||
CF | A cashier is patiently waiting behind the counter. | ||
CF | | ||
CF | You can also see some black powder, an ATM, a magazine rack and a food | ||
CF | shelf here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask cashier about beans" | ||
CF ] KonbiniadoneGate | ||
CF | | ||
CF | > ASK CASHIER ABOUT BEANS | ||
CF | | ||
CF | "I apologise, sir, but that item is not available here." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Public ParkeGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Public Park | ||
CF | For Japanese people, parks are the place to refresh and play. The size | ||
CF | of parks varies from small, such as the ones you see in this | ||
CF | residential area, to large, like in big cities, which take a few hours | ||
CF | to walk from end to end. The small sized parks are usually divided | ||
CF | into the resting area and the playground. Here you can see a swing, a | ||
CF | sandpit and a vending machine. On the fence there are a large sign, a | ||
CF | small sign and a flier. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x machine" | ||
CF ] Public ParkeGate | ||
CF | | ||
CF | > X MACHINE | ||
CF | | ||
CF | Machines like this are widely spread throughout Japan, selling a whole | ||
CF | range of products, either cold or warm. Often there are many different | ||
CF | machines lined up close to one another, but in this small park there's | ||
CF | not much space to spare. You've already searched the machine, so it's | ||
CF | not worth searching it again. | ||
CF | | ||
CF | > | Pinkunz says, "So so convenient anymore." | |
DavidW says (to ClubFloyd), "buy beans" | ||
CF ] Public ParkeGate | ||
CF | | ||
CF | > BUY BEANS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Pinkunz says, "No beans." | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | That is a residential area. When you were a kid there was only a grass | ||
CF | field here, but now many different houses have been built. You have no | ||
CF | reason to go there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] LibraryadrkeGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Library | ||
CF | The library is surprisingly large given the size of the town. | ||
CF | Thousands of volumes line the high shelves, and the air feels charged | ||
CF | with dust and the smell of antiquity. The villagers must be really | ||
CF | fond of reading. To the south is the exit to the outside. | ||
CF | | ||
CF | You can see the manager here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask manager about beans" | ||
CF ] LibraryadrkeGate | ||
CF | | ||
CF | > ASK MANAGER ABOUT BEANS | ||
CF | | ||
CF | "If you need more information just consult the book I gave you. I | ||
CF | apologize but my memory is not the one I used to have." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | From a distant field comes the hoarse and strident croak of a crow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | Pinkunz asks, "Seed library?" | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | Coming from the east, the road continues westbound. Smaller streets | ||
CF | unfold to the north, to the southwest and to the southeast, while | ||
CF | directly south of your position you can reach the local school. East | ||
CF | you go back from where you came. | ||
CF | | ||
CF | > | Pinkunz says, "No dice." | |
Pinkunz says, "I'm not sure where else to check." | ||
DavidW says, "It's a book library. A library of books, not seeds." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | You can see a residential area to the north. When you were a kid there | ||
CF | was only a grass field here, but now many different houses have been | ||
CF | built. You have no reason to venture in that direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadrkeGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Front GatekeGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Front Gate | ||
CF | You are at the entrance of the ryokan. A massive wooden gate, | ||
CF | surmounted by a sloping tiled roof, separates the inner environment | ||
CF | from the street. The gate is now open for good, but could originally | ||
CF | be closed as a defense for the entire complex, protected on all sides | ||
CF | by a high fence. Towards the north you enter the ryokan, while towards | ||
CF | the south you access the main road. | ||
CF | | ||
CF | You can see some salt here. | ||
CF | | ||
CF | > | Pinkunz asks, "Maybe the school?" | |
DavidW says (to ClubFloyd), "n" | ||
CF ] Main LobbykeGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Lobby | ||
CF | You are inside the main lobby, where the front desk is located. Next | ||
CF | to it there's a shop, which offers yukata cotton summer kimonos, which | ||
CF | the guests can use free of charge; the staff are delighted to help | ||
CF | with putting them on and wearing them properly. The shop also sells | ||
CF | unique kaleidoscopes, ceramics and other artworks by local artists, as | ||
CF | well as high quality brushes for cosmetics and shodo (calligraphy). | ||
CF | You can either exit the lobby going south or going back to the hallway | ||
CF | to the west. | ||
CF | | ||
CF | You can see the okami here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask okami about beans" | ||
CF ] Main LobbykeGate | ||
CF | | ||
CF | > ASK OKAMI ABOUT BEANS | ||
CF | | ||
CF | "If you need more information just consult a book. Maybe the local | ||
CF | library has one that suits your needs." | ||
CF | | ||
CF | "It is such a nice afternoon, isn't it Isao-san?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Front GatekeGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Front Gate | ||
CF | You are at the entrance of the ryokan. A massive wooden gate, | ||
CF | surmounted by a sloping tiled roof, separates the inner environment | ||
CF | from the street. The gate is now open for good, but could originally | ||
CF | be closed as a defense for the entire complex, protected on all sides | ||
CF | by a high fence. Towards the north you enter the ryokan, while towards | ||
CF | the south you access the main road. | ||
CF | | ||
CF | You can see some salt here. | ||
CF | | ||
CF | > | DavidW says, "Maybe we should've grabbed the box at the temple." | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Main RoadekeGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | A cloud of butterflies hovers in the air. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadekeGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | Coming from the east, the road continues westbound. Smaller streets | ||
CF | unfold to the north, to the southwest and to the southeast, while | ||
CF | directly south of your position you can reach the local school. East | ||
CF | you go back from where you came. | ||
CF | | ||
CF | From a distant field comes the hoarse and strident croak of a crow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | School Main Gate | ||
CF | Your are in front of the local school main gate, which is closed due | ||
CF | to the late hour. Usually lessons end around 3:15 PM, and it's now | ||
CF | almost dusk. You can go back to the main road by heading north. | ||
CF | | ||
CF | Standing in front of the school gate there's a young female student. | ||
CF | | ||
CF | > | Pinkunz asks, "For the salt?" | |
DavidW says, "oh, the student is new" | ||
DavidW says (to ClubFloyd), "x student" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > X STUDENT | ||
CF | | ||
CF | She is wearing the traditional uniform and she is turning her back at | ||
CF | you. | ||
CF | | ||
CF | > | DavidW says, "yeah" | |
Pinkunz says, "Also, small type." | ||
DavidW says (to ClubFloyd), "talk to student" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > TALK TO STUDENT | ||
CF | | ||
CF | As soon as you start talking to her, she turns towards you thus | ||
CF | revealing her true nature: she might look like a Junior High School | ||
CF | girl but her face is ... featureless. No eyes, no nose, no mouth, no | ||
CF | NOTHING! These creatures are known as "NOPPERABO". A loud scream | ||
CF | almost makes you deaf, and it only stops when you realize that you are | ||
CF | the one screaming. | ||
CF | | ||
CF | > | Pinkunz says, "Your are" | |
DavidW says (to ClubFloyd), "consult book about nopperabo" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > CONSULT BOOK ABOUT NOPPERABO | ||
CF | | ||
CF | The nopperabo, also known as zunberabo, is a type of yokai known to | ||
CF | have a face completely devoid of features. However, there are other | ||
CF | tales which state they merely lack eyes and a nose. The name is a pun | ||
CF | on the Japanese word "nopperi", which means "featureless". At times | ||
CF | they are considered a type of kitsune (foxes) or tanuki (badgers) and | ||
CF | are in fact shapeshifters which take this human, yet featureless | ||
CF | appearance. They usually dwell close to water, but like to get in the | ||
CF | way of humans, so they may be found elsewhere as well. Being night | ||
CF | creatures, they can be scared away by pointing a source of light at | ||
CF | them, and can be killed by direct sunlight. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn on torch" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > TURN ON TORCH | ||
CF | | ||
CF | You switch it on. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "point torch at student" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > POINT TORCH AT STUDENT | ||
CF | | ||
CF | Although not powerful like direct sunlight, the torch is enough to | ||
CF | make the creature disappear, at least for the time being. The creature | ||
CF | left a bag behind. | ||
CF | | ||
CF | New entries have been added to your notepad. | ||
CF | | ||
CF | School Main Gate | ||
CF | Your are in front of the local school main gate, which is closed due | ||
CF | to the late hour. Usually lessons end around 3:15 PM, and it's now | ||
CF | almost dusk. You can go back to the main road by heading north. | ||
CF | | ||
CF | You can see some black powder and a small bag here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take bag" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > TAKE BAG | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn torch off" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > TURN TORCH OFF | ||
CF | | ||
CF | You switch it off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bag" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > X BAG | ||
CF | | ||
CF | It's a small bag that the creature left behind after disappearing. You | ||
CF | can't see inside, since the small bag is closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open it" | ||
CF ] School Main Gate | ||
CF | | ||
CF | > OPEN IT | ||
CF | | ||
CF | You open the small bag, revealing some beans. | ||
CF | | ||
CF | > | Pinkunz exclaims, "Ta-da!" | |
Pinkunz says, "Well done." | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | Coming from the east, the road continues westbound. Smaller streets | ||
CF | unfold to the north, to the southwest and to the southeast, while | ||
CF | directly south of your position you can reach the local school. East | ||
CF | you go back from where you came. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | Here the road splits in two directions: the first turns northeast and | ||
CF | heads out of town; the second proceeds straight to the east towards | ||
CF | the last house of the village. You can also see a small pond directly | ||
CF | to the north and a residential area to the south. Towards the west you | ||
CF | go back to the town. | ||
CF | | ||
CF | Standing at the end of the road, preventing you from going further | ||
CF | east thus reaching your friend's house, there's a massive "ONI". | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take beans" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > TAKE BEANS | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | The sound of many birds may be heard from the north. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "throw beans at oni" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > THROW BEANS AT ONI | ||
CF | | ||
CF | You throw the beans, scaring the oni away. You still cannot believe | ||
CF | it, but it really worked. | ||
CF | | ||
CF | Main Road | ||
CF | Here the road splits in two directions: the first turns northeast and | ||
CF | heads out of town; the second proceeds straight to the east towards | ||
CF | the last house of the village. You can also see a small pond directly | ||
CF | to the north and a residential area to the south. Towards the west you | ||
CF | go back to the town. Now that you scared the oni away you can also go | ||
CF | east towards your friend's house. | ||
CF | | ||
CF | You can see some black powder here. | ||
CF | | ||
CF | > | DavidW says, "lemme try to get the box, then salt" | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roadin Gate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | A car slowly passes by. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Omotesandon Gate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | Pinkunz says, "Good call." | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inari Shrine | ||
CF | You are at the north entrance of the Shinto shrine, a structure which | ||
CF | main purpose is to house ("enshrine") one or more kami, the deities of | ||
CF | the Shinto religion. This one is dedicated to "Inari" god of rice, | ||
CF | commerce, fertility, tea, sake, and agriculture. You wouldn't expect | ||
CF | anything else, from a village in rural Japan. You stand close to the | ||
CF | "torii", the access gate. The place is about to close, so access to | ||
CF | the shrine (towards the south) is not possible. It is still full of | ||
CF | people, though, all busy around the shops. The only exit is towards | ||
CF | the north. | ||
CF | | ||
CF | A miko, wearing the traditional white jacket with red pleated | ||
CF | trousers, is patiently waiting behind the shop counter. | ||
CF | | ||
CF | You can also see a shop (on which are a small box (which is empty) and | ||
CF | an ofuda) and a garbage bin (which contains some garbage) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take box" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > TAKE BOX | ||
CF | | ||
CF | Not before buying it first. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "buy box" | ||
CF ] Inari ShrineGate | ||
CF | | ||
CF | > BUY BOX | ||
CF | | ||
CF | "Here is your box. Thank you so much." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] OmotesandoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | > | ||
asparagus has arrived. | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | A car slowly passes by. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main RoadoneGate | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Front GateneGate | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Front Gate | ||
CF | You are at the entrance of the ryokan. A massive wooden gate, | ||
CF | surmounted by a sloping tiled roof, separates the inner environment | ||
CF | from the street. The gate is now open for good, but could originally | ||
CF | be closed as a defense for the entire complex, protected on all sides | ||
CF | by a high fence. Towards the north you enter the ryokan, while towards | ||
CF | the south you access the main road. | ||
CF | | ||
CF | You can see some salt here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take salt" | ||
CF ] Front GateneGate | ||
CF | | ||
CF | > TAKE SALT | ||
CF | | ||
CF | You take the salt and put it inside the box. | ||
CF | | ||
CF | > | DavidW says, "tada" | |
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf45" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Front GateneGate | ||
CF | Ok. | ||
CF | | ||
CF | > | Pinkunz says, "Again, well done." | |
DavidW says (to ClubFloyd), "s" | ||
CF ] Main RoadeneGate | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Main Road | ||
CF | You are now on the main road, which runs east to west across the | ||
CF | village. As in most old towns, this is basically the only significant | ||
CF | road, with the others just being small connection routes to the | ||
CF | residential buildings, just southwest of your position. The ryokan | ||
CF | front gate is to the north, while towards the south there is a | ||
CF | convenience store. You can also walk down the road to the east or to | ||
CF | the west. | ||
CF | | ||
CF | From a distant field comes the hoarse and strident croak of a crow. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadeneGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | From this position you can enter the local library by going north or | ||
CF | proceed to the public park to the south. You can also walk down the | ||
CF | road to the east or to the west. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadeneGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main RoadeneGate | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | Here the road splits in two directions: the first turns northeast and | ||
CF | heads out of town; the second proceeds straight to the east towards | ||
CF | the last house of the village. You can also see a small pond directly | ||
CF | to the north and a residential area to the south. Towards the west you | ||
CF | go back to the town. Now that you scared the oni away you can also go | ||
CF | east towards your friend's house. | ||
CF | | ||
CF | You can see some black powder here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Inside the House | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Inside the House | ||
CF | You finally made it to your friend's house. The room is rather small, | ||
CF | but books, magazines and drawing tools are scattered everywhere. To | ||
CF | the west you exit the house, while a small door to the east takes you | ||
CF | to the backyard. | ||
CF | | ||
CF | You can see your friend Hayao here. | ||
CF | | ||
CF | "Isao-san!" your long-time friend says as soon as you enter the room | ||
CF | "I am so glad to see you!" | ||
CF | | ||
CF | "And so am I, Isao-san. I have been trying to reach you for the last | ||
CF | two days! What's going on here?" | ||
CF | | ||
CF | "What do you mean?" your friend asks with a puzzled look on his face | ||
CF | "You are not referring to those stupid rumors about yokai | ||
CF | manifestations, are you?" | ||
CF | | ||
CF | "Well, Hisao-san," you reply "they might be stupid rumors, but they | ||
CF | really gave me a hard time. Actually, they almost killed me. Besides, | ||
CF | those creatures looked exactly like the ones you are drawing right | ||
CF | now. What are you up to?" | ||
CF | | ||
CF | Hayao tells you he was experimenting for a new animated project, and | ||
CF | he shows you sketches of the same creatures you encountered before. | ||
CF | Nonetheless, he was totally unaware of the apparitions. Now, putting | ||
CF | in relation the monsters, the graphite and your friend's work, you ask | ||
CF | him if anything has happened recently. He shows you a brush. | ||
CF | | ||
CF | "Where does this come from?" you ask. "I found it in a shrine hidden | ||
CF | in the backyard. I was waiting for some prototype brushes that | ||
CF | Kazuo-san has commissioned to Shougetsudo Company but, since new ideas | ||
CF | came to my mind, I started using this one." | ||
CF | | ||
CF | "The Shougetsudo Company? You mean the Hiroshima-based factory that | ||
CF | crafts very high-quality brushes for calligraphy, drawing and | ||
CF | painting?" You remember how much of a perfectionist Kazuo-san is, so | ||
CF | no wonder he is working with the best to achieve excellence. "Well, | ||
CF | Hayao-san, as unbelieveable as it can be, it looks like we are dealing | ||
CF | with some kind of magic, here." | ||
CF | | ||
CF | You can also see a drawing table (on which are an anime brush and an | ||
CF | ink bottle) here. | ||
CF | | ||
CF | > | Pinkunz says, "Wow.." | |
Pinkunz says, "Please give me a minute." | ||
DavidW says, "I was right. The friend IS drawing them." | ||
DavidW sings "Oh you know my name is Simon. And the things I draw come true." | ||
Pinkunz says, "Tada." | ||
Pinkunz says, "Okay, I'm good. thank you." | ||
DavidW says (to ClubFloyd), "x brush" | ||
CF ] Inside the House | ||
CF | | ||
CF | > X BRUSH | ||
CF | | ||
CF | It's the brush used by Hayao to do all the drawings. It looks finely | ||
CF | crafted and way older than it is supposed to be. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bottle" | ||
CF ] Inside the House | ||
CF | | ||
CF | > X BOTTLE | ||
CF | | ||
CF | It's a bottle of water-based ink that you use with the brush. Those | ||
CF | traditional brushes, called "fude", are made of the highest quality, | ||
CF | produced by combining the skills of brush craftsmen to meet the | ||
CF | demands of drawing of a different dimension. It looks like Hayao was | ||
CF | using it to make the storyboards for his next assignment. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x hayao" | ||
CF ] Inside the House | ||
CF | | ||
CF | > X HAYAO | ||
CF | | ||
CF | Your friend Hayao is a distinctive gentleman, wearing a beard and | ||
CF | heavy glasses, fond of creative arts and full of talent. You met each | ||
CF | other back at the university and have been close friends since then, | ||
CF | often working together in animation projects. You are now here since | ||
CF | you were considering co-founding an animation studio with him. | ||
CF | Providing you can make it out of town alive, that is... | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to hayao" | ||
CF ] Inside the House | ||
CF | | ||
CF | > TALK TO HAYAO | ||
CF | | ||
CF | "It looks like you have many questions crossing your mind, Isao-san. | ||
CF | Did you want to ask me about something?" | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x notepad" | ||
CF ] Inside the House | ||
CF | | ||
CF | > X NOTEPAD | ||
CF | | ||
CF | It's a pad of ruled pages for writing notes on. You are always | ||
CF | forgetting all sorts of things, so it may come in handy. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read it" | ||
CF ] Inside the House | ||
CF | | ||
CF | > READ IT | ||
CF | | ||
CF | It holds a list of things to research. At present it says: kirin, | ||
CF | akaname, apparitions, suiko, yokai, monsters, gaki, nopperabo, beans, | ||
CF | sumo, salt, oni, and that's it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about oni" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT ONI | ||
CF | | ||
CF | "You also met such a demon? We need to stop this." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about brush" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT BRUSH | ||
CF | | ||
CF | "It is so well-crafted and with such an incredible inner power that I | ||
CF | couldn't stop drawing." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about shrine" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT SHRINE | ||
CF | | ||
CF | "I can't answer that, but we can trust the kami when we have | ||
CF | unanswered questions." | ||
CF | | ||
CF | > | DavidW asks, "What's a kami?" | |
Pinkunz says, "I don't recall." | ||
DavidW says (to ClubFloyd), "take brush" | ||
CF ] Inside the House | ||
CF | | ||
CF | > TAKE BRUSH | ||
CF | | ||
CF | You take the brush and closely examine it: it looks beautiful! You'd | ||
CF | like to keep it for yourself, but then you feel there's something | ||
CF | wrong about this object and you put it back on the table. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take ink" | ||
CF ] Inside the House | ||
CF | | ||
CF | > TAKE INK | ||
CF | | ||
CF | There's no need to. It's just an ink bottle. | ||
CF | | ||
CF | > | Pinkunz says, "kami, object of worship in Shinto and other indigenous religions of Japan. The term kami is often translated as "god," "lord," or "deity," but it also includes other forces of nature, both good and evil, which, because of their superiority or divinity, become objects of reverence and respect." | |
DavidW asks, "It's in the backyard, he said?" | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Inside the House | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | It looks like you still have things to do. Try talking and asking | ||
CF | questions to Hayao-san. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about kami" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT KAMI | ||
CF | | ||
CF | "I can't answer that, but we can trust the kami when we have | ||
CF | unanswered questions." | ||
CF | | ||
CF | > | Pinkunz says, "Cut scene isn't over I guess." | |
DavidW says (to ClubFloyd), "read notepad" | ||
CF ] Inside the House | ||
CF | | ||
CF | > READ NOTEPAD | ||
CF | | ||
CF | It holds a list of things to research. At present it says: kirin, | ||
CF | akaname, apparitions, suiko, yokai, monsters, gaki, nopperabo, beans, | ||
CF | sumo, salt, oni, and that's it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about nopperabo" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT NOPPERABO | ||
CF | | ||
CF | "You mean something like this?" Hayao-san shows you a drawing of a | ||
CF | faceless school girl. You cannot help screaming again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about suiko" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT SUIKO | ||
CF | | ||
CF | "I did draw a suiko recently. I am developing a concept for an | ||
CF | incoming animated project." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about akaname" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT AKANAME | ||
CF | | ||
CF | "I drew an akaname, a couple of days ago. Just for fun. They might be | ||
CF | scary, but harmless." | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "ask hayao about monsters" | ||
CF ] Inside the House | ||
CF | | ||
CF | > ASK HAYAO ABOUT MONSTERS | ||
CF | | ||
CF | "You are telling me you actually met those creatures? This changes the | ||
CF | situation. We must do something about it." | ||
CF | | ||
CF | > | Pinkunz asks, "Do you think it'll make you ask about each notepad entry before letting us leave?" | |
DavidW says, "I don't know." | ||
DavidW says, "I'm doing this Q and A for lack of any better idea." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Now that you are determined to end this mess, you take the brush and | ||
CF | go to the hidden shrine. | ||
CF | | ||
CF | Hidden Shrine | ||
CF | The backyard of Hayao's home is actually a wide open space that | ||
CF | narrows towards the east into a short path. At the end of it stands a | ||
CF | tiny shrine carved into the stone. Towards the west you go back inside | ||
CF | Hayao's home. | ||
CF | | ||
CF | You can see your friend Hayao here. | ||
CF | | ||
CF | You can also see an altar (on which is a brush holder (which is | ||
CF | empty)) here. | ||
CF | | ||
CF | > | Pinkunz says, "Fair enough." | |
DavidW says (to ClubFloyd), "x shrine" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > X SHRINE | ||
CF | | ||
CF | It's a tiny one carved into the stone. Apparently, as incredible as it | ||
CF | may seem, all this mess started here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x holder" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > X HOLDER | ||
CF | | ||
CF | This small wooden box is where the brush was originally found. Maybe | ||
CF | sealing the brush inside and blessing the ground will break the spell. | ||
CF | | ||
CF | > | Pinkunz says, "Hold on! [Draws a stack of gold bars.] Okay, go ahead." | |
DavidW asks, "put brush in holder, close holder, pour salt?" | ||
Pinkunz says, "Probably, yeah." | ||
DavidW says, "what, you want to use the brush for things that aren't monsters?? What a warped mind you must have." | ||
Pinkunz says, "Guilty as charged." | ||
DavidW says (to ClubFloyd), "put brush in holder" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > PUT BRUSH IN HOLDER | ||
CF | | ||
CF | Now the brush is where it belongs. It's almost over. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close holder" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > CLOSE HOLDER | ||
CF | | ||
CF | You close the brush holder. | ||
CF | | ||
CF | Suddenly, your friend stops as if he just realized something. Try | ||
CF | talking to him. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "talk to friend" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > TALK TO FRIEND | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Pinkunz says, "aha" | |
DavidW says (to ClubFloyd), "talk to hayao" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > TALK TO HAYAO | ||
CF | | ||
CF | "I think we need to perform a ritual to break the spell. Put the brush | ||
CF | into the holder, seal it with the ofuda and finally spread the salt to | ||
CF | bless the ground." | ||
CF | | ||
CF | > | Pinkunz says, "We have to remember the dude's name, I guess." | |
Pinkunz asks, "Ofuda?" | ||
DavidW asks, "ofuda, what's that?" | ||
DavidW says (to ClubFloyd), "ask hayao about ofuda" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > ASK HAYAO ABOUT OFUDA | ||
CF | | ||
CF | "As you know, it can be used to seal "evil" away." | ||
CF | | ||
CF | > | DavidW says, "Yes, of course I know that. I was just testing you." | |
Pinkunz says, "By ofuda the Japanese refer to a kind of amulet or talisman printed on a small piece of paper. Pilgrims, the faithful, simple tourists even, rarely visit a Buddhist temple or Shint� shrine without acquiring a piece or two, be that for their own purpose or for the sake of a relative or friend." | ||
Pinkunz asks, "So, the main shrine?" | ||
DavidW asks, "So now we go to the ofuda store?" | ||
Roger says, "we know them as 'fortune cookie fortunes'" | ||
DavidW says (to ClubFloyd), "consult book about ofuda" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > CONSULT BOOK ABOUT OFUDA | ||
CF | | ||
CF | In Shinto and Buddhism an ofuda is a talisman made out of various | ||
CF | materials such as paper, wood, cloth or metal. Certain kinds of ofuda | ||
CF | are intended for a specific purpose, such as protection against | ||
CF | calamity or misfortune, safety within the home, or finding love, and | ||
CF | may be kept on one's person or used to seal specific areas (such as | ||
CF | gates, doorways, kitchens, or ceilings). | ||
CF | | ||
CF | > | DavidW says, "Shrine, store, inn, or jizo statues, I guess." | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Inside the House | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Inside the House | ||
CF | You finally made it to your friend's house. The room is rather small, | ||
CF | but books, magazines and drawing tools are scattered everywhere. To | ||
CF | the west you exit the house, while a small door to the east takes you | ||
CF | to the backyard. | ||
CF | | ||
CF | You can see your friend Hayao here. | ||
CF | | ||
CF | You can also see a drawing table (on which is an ink bottle) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roade House | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | Here the road splits in two directions: the first turns northeast and | ||
CF | heads out of town; the second proceeds straight to the east towards | ||
CF | the last house of the village. You can also see a small pond directly | ||
CF | to the north and a residential area to the south. Towards the west you | ||
CF | go back to the town. Now that you scared the oni away you can also go | ||
CF | east towards your friend's house. | ||
CF | | ||
CF | You can see some black powder here. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | Pinkunz says, "Probably, yeah." | |
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Roade House | ||
CF | | ||
CF | > W | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x statues" | ||
CF ] Main Roade House | ||
CF | | ||
CF | > X STATUES | ||
CF | | ||
CF | Jizos protect the souls of children but also travellers, and have been | ||
CF | made as memorials to protect the spirits of those who passed away | ||
CF | before they could complete their pilgrimage on Earth. The statues | ||
CF | often wear a red mantel that, according to Japanese folk belief, is | ||
CF | the color for expelling demons and illnesses. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ofuda" | ||
CF ] Main Roade House | ||
CF | | ||
CF | > X OFUDA | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Omotesando House | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Inari Shrineouse | ||
CF | | ||
CF | > S | ||
CF | | ||
CF | Inari Shrine | ||
CF | You are at the north entrance of the Shinto shrine, a structure which | ||
CF | main purpose is to house ("enshrine") one or more kami, the deities of | ||
CF | the Shinto religion. This one is dedicated to "Inari" god of rice, | ||
CF | commerce, fertility, tea, sake, and agriculture. You wouldn't expect | ||
CF | anything else, from a village in rural Japan. You stand close to the | ||
CF | "torii", the access gate. The place is about to close, so access to | ||
CF | the shrine (towards the south) is not possible. It is still full of | ||
CF | people, though, all busy around the shops. The only exit is towards | ||
CF | the north. | ||
CF | | ||
CF | A miko, wearing the traditional white jacket with red pleated | ||
CF | trousers, is patiently waiting behind the shop counter. | ||
CF | | ||
CF | You can also see a shop (on which is an ofuda) and a garbage bin | ||
CF | (which contains some garbage) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "buy ofuda" | ||
CF ] Inari Shrineouse | ||
CF | | ||
CF | > BUY OFUDA | ||
CF | | ||
CF | "Here is your ofuda. Thank you so much." You take the ofuda and add an | ||
CF | entry to your notepad. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x ofuda" | ||
CF ] Inari Shrineouse | ||
CF | | ||
CF | > X OFUDA | ||
CF | | ||
CF | It's a powerful talisman, often used to keep demons away or to seal | ||
CF | things to avoid evil to escape. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Omotesandoneouse | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Omotesando | ||
CF | "Sando" is the general word for a road that leads up to a shrine. | ||
CF | Every shrine has one, even if the word isn't preserved in a place | ||
CF | name. "Omote" means "front" (in English you should probably say | ||
CF | "main"), so this is the main road that leads you to the shrine. It | ||
CF | runs north to south, right in the middle of a bamboo thicket. You can | ||
CF | also see a dirt road leading towards the east. | ||
CF | | ||
CF | A stray dog barks in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Roadoneouse | ||
CF | | ||
CF | > N | ||
CF | | ||
CF | Main Road | ||
CF | You are at a four-way crossroad, slowly approching the east end of the | ||
CF | village. The northbound road take you to another residential area; the | ||
CF | southbound one goes towards the Shrine. West you go back in town, | ||
CF | while proceeding east you go towards your friend's house. To one side | ||
CF | of the road leading south a few "Jizo" statues are lined up. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Roadoneouse | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Main Road | ||
CF | Here the road splits in two directions: the first turns northeast and | ||
CF | heads out of town; the second proceeds straight to the east towards | ||
CF | the last house of the village. You can also see a small pond directly | ||
CF | to the north and a residential area to the south. Towards the west you | ||
CF | go back to the town. Now that you scared the oni away you can also go | ||
CF | east towards your friend's house. | ||
CF | | ||
CF | You can see some black powder here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Inside the House | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Inside the House | ||
CF | You finally made it to your friend's house. The room is rather small, | ||
CF | but books, magazines and drawing tools are scattered everywhere. To | ||
CF | the west you exit the house, while a small door to the east takes you | ||
CF | to the backyard. | ||
CF | | ||
CF | You can see your friend Hayao here. | ||
CF | | ||
CF | You can also see a drawing table (on which is an ink bottle) here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > E | ||
CF | | ||
CF | Now that you are determined to end this mess, you take the brush and | ||
CF | go to the hidden shrine. | ||
CF | | ||
CF | Hidden Shrine | ||
CF | The backyard of Hayao's home is actually a wide open space that | ||
CF | narrows towards the east into a short path. At the end of it stands a | ||
CF | tiny shrine carved into the stone. Towards the west you go back inside | ||
CF | Hayao's home. | ||
CF | | ||
CF | You can see your friend Hayao here. | ||
CF | | ||
CF | You can also see an altar (on which is a brush holder (which is | ||
CF | closed)) here. | ||
CF | | ||
CF | > | Pinkunz says, "Thank goodness someone left like $200 in change in the vending machine." | |
DavidW says (to ClubFloyd), "seal holder" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > SEAL HOLDER | ||
CF | | ||
CF | I think you wanted to say "seal brush holder with something". Please | ||
CF | try again. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "seal holder with ofuda" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > SEAL HOLDER WITH OFUDA | ||
CF | | ||
CF | As soon as you put the ofuda on the box, the talisman seals it and | ||
CF | disappears, as if it was absorbed by the box itself. You feel like the | ||
CF | world is changing colors and sets at ease. Maybe it was not really | ||
CF | evil but, whatever it was, is now resting in peace. You still have | ||
CF | something to do, though. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "pour salt" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > POUR SALT | ||
CF | | ||
CF | You need to take the salt first. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take salt" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > TAKE SALT | ||
CF | | ||
CF | You can now spread the salt to bless the altar. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "spread salt" | ||
CF ] Hidden Shrineuse | ||
CF | | ||
CF | > SPREAD SALT | ||
CF | | ||
CF | | ||
CF | You spread the salt on the ground, blessing it. You are finally done | ||
CF | with your quest and, despite what happened, you feel your friendship | ||
CF | with Hayao is stronger than ever. After promising each other that, | ||
CF | from now on, you'll avoid working with enchanted artifacts, you start | ||
CF | refining your plans about a future cooperation in the animation | ||
CF | business. It only takes a couple of days, then you go back to the | ||
CF | metropolis to prepare the groundwork... | ||
CF | | ||
CF | ... A few years have now passed from those events that helped shape | ||
CF | your future. The world has been appointing you and Hayao as the best | ||
CF | expression of a certain Japanese entertainment system, and Kazuo's | ||
CF | collaboration with Shougetsudo Company and its marvellous brushes also | ||
CF | had something to do with it. Although flattered, titles like these | ||
CF | never really meant anything to you guys since all you ever wanted to | ||
CF | do was tell stories that would make people think. On your way to your | ||
CF | office you stop in front of a Lawson konbini. On its window a sign | ||
CF | says: Ghibli Museum tickets available here. | ||
CF | | ||
CF | Dedicated to Isao Takahata - Studio Ghibli co-founder | ||
CF | October 29, 1935 - April 5, 2018 | ||
CF | | ||
CF | | ||
CF | *** You have won *** | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Roger says, "yay, we have salted the earth" | |
DavidW says, "hooray" | ||
Pinkunz says (to Roger), "ahaha." | ||
Pinkunz says, "The memorial is cute." | ||
DavidW says, "yeah" | ||
Pinkunz says, "It's weird to play these TALJ games without the tutorial in a way." | ||
Pinkunz says, "I know we don't need it." | ||
Pinkunz says, "But, the Comp requires a robust tutorial, and is a significant component of the voting." | ||
Pinkunz says, "So, the authors put alot of work into it, so it's ironic to play it straight." | ||