  
ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
|
|
ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
|
|
ToyShop & Floyditorium
|
#ClubFloyd Discussion
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| DavidW says (to ClubFloyd), "load sleepmask alphabetcity" | ||
| CF ] Studio 0/1 | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | "The city so nice they named it twice. New York, New York." | ||
| CF | But not in your part of East Manhattan. This is Alphabet City, USA. | ||
| CF | | ||
| CF | You have 100 points required to survive the day in Alphabet City. | ||
| CF | Items can help or hurt you. Same with people and situations. Choose | ||
| CF | wisely. | ||
| CF | | ||
| CF | Directions available to you are in green. Items to help or hurt you | ||
| CF | are in blue. Type their names to access them as needed in the command | ||
| CF | line box below. | ||
| CF | | ||
| CF | Your goal in this game is to save Jayne, your girlfriend as you | ||
| CF | watch your score. Dip below zero. and you lose. Go above one-hundred | ||
| CF | and you win - but you may do this without saving Jayne. You need to | ||
| CF | find her before things go badly wrong for her or you max out your | ||
| CF | score. | ||
| CF | | ||
| CF | In AC, things go wrong all the time. Good luck. | ||
| CF | | ||
| CF | You're going to need it. | ||
| CF | | ||
| CF | Alphabet City: The Parser Edition | ||
| CF | An Interactive Fiction by Julian Grant | ||
| CF | Release 1 / Serial number 240630 / Inform 7 v10.1.2 / D | ||
| CF | | ||
| CF | Studio (on the bed) | ||
| CF | It's a shithole as the setting sun pokes through the venetian | ||
| CF | Blinds hanging crookedly in the window. You are sprawled in | ||
| CF | your dirty sheets with a pile of puke on the floor. Empty | ||
| CF | bottles and baggies are all over the floor. | ||
| CF | | ||
| CF | There is a bathroom to the west, a kitchen to the | ||
| CF | south and a fire escape to the east. The front door | ||
| CF | of your Studio is to the north. | ||
| CF | | ||
| CF | You can see a front door of the studio, dirty | ||
| CF | sheets, a helmet, a messenger bag (empty), | ||
| CF | a scarred wooden desk (on which are a key, a | ||
| CF | beeper, a skullhead moth, a NA 30 Day Chip, | ||
| CF | a 35mm camera and a film roll (closed)), a Studio | ||
| CF | Key, a beat up office chair (on which is a leather | ||
| CF | jacket), a folding fixed in place three legged stool | ||
| CF | and a loose earring here. | ||
| CF | | ||
| CF | Exits: south, west and east. | ||
| CF | | ||
| CF | > | Lancelot says, "nvm" | |
| Lancelot says, "ouch that html tagging hurts" | ||
| DavidW says, "That's the blue and green, I guess." | ||
| DavidW asks, "so, we only interact with things by typing their names?" | ||
| Lancelot asks, "try?" | ||
| Lancelot says, "a LOT of things in the room" | ||
| DavidW says, "yeah, too many." | ||
| DavidW says (to ClubFloyd), "x me" | ||
| CF ] Studio 0/2 | ||
| CF | > | ||
| CF | > X ME | ||
| CF | | ||
| CF | Young, dumb and full of romantic aspirations despite your rough and | ||
| CF | ready appearance. You wear your heart on your sleeve and try to drug | ||
| CF | and drink the pain away. You're on a downward spiral - but maybe you | ||
| CF | can do some good. You've got 30 days clean. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x bed" | ||
| CF ] Studio 0/3 | ||
| CF | > | ||
| CF | > X BED | ||
| CF | | ||
| CF | It's a metal bed from Bellevue Hospital, apparently. One of the kind | ||
| CF | they'd attach shock therapy patients to back in the 60s. There are | ||
| CF | dangerous looking scorch marks and what look like fingernail scratches | ||
| CF | etched deep into the aluminum frame. | ||
| CF | | ||
| CF | > | Lancelot says, "sheets helmet bag desk key beeper moth chip camera roll key chair jacket stool earreing" | |
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Studio 0/4 | ||
| CF | > | ||
| CF | > I | ||
| CF | | ||
| CF | You are carrying nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x blinds" | ||
| CF ] Studio 0/5 | ||
| CF | > | ||
| CF | > X BLINDS | ||
| CF | | ||
| CF | You see nothing special about Blinds. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x puke" | ||
| CF ] Studio 0/6 | ||
| CF | > | ||
| CF | > X PUKE | ||
| CF | | ||
| CF | You ate shrimp last night, didn't you? No, no you didn't. Jayne did. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x bottles" | ||
| CF ] Studio 0/7 | ||
| CF | > | ||
| CF | > X BOTTLES | ||
| CF | | ||
| CF | Drink much? At least it's not heroin. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x baggies" | ||
| CF ] Studio 0/8 | ||
| CF | > | ||
| CF | > X BAGGIES | ||
| CF | | ||
| CF | Coke bindles, long emptied litter the floor. You've got a bad habit. | ||
| CF | Or used to. They're not yours. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x sheets" | ||
| CF ] Studio 0/9 | ||
| CF | > | ||
| CF | > X SHEETS | ||
| CF | | ||
| CF | You haven't changed these in a while. They are sticky with sweat, cum | ||
| CF | and spilled beer. The scent of perfume still lingers. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "smell sheets" | ||
| CF ] Studio 0/10 | ||
| CF | > | ||
| CF | > SMELL SHEETS | ||
| CF | | ||
| CF | You smell nothing unexpected. | ||
| CF | | ||
| CF | > | Lancelot says, "hmm rather bleak setting" | |
| DavidW says (to ClubFloyd), "look under bed" | ||
| CF ] Studio 0/11 | ||
| CF | > | ||
| CF | > LOOK UNDER BED | ||
| CF | | ||
| CF | You find nothing of interest. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x helmet" | ||
| CF ] Studio 0/12 | ||
| CF | > | ||
| CF | > X HELMET | ||
| CF | | ||
| CF | It's a DOT approved Nazi style brain bucket. Long out of fashion that | ||
| CF | gets lots of looks when you wear it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x key" | ||
| CF ] Studio 0/13 | ||
| CF | > | ||
| CF | > X KEY | ||
| CF | | ||
| CF | (the Studio Key) | ||
| CF | It unlocks and locks your Studio. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x desk" | ||
| CF ] Studio 0/14 | ||
| CF | > | ||
| CF | > X DESK | ||
| CF | | ||
| CF | On the scarred wooden desk are a key, a beeper, a skullhead moth, a NA | ||
| CF | 30 Day Chip, a 35mm camera and a film roll (closed). | ||
| CF | | ||
| CF | > | Lancelot asks, "film roll closed?" | |
| Lancelot says, "hmm" | ||
| DavidW says, "There's two keys, and the key on the desk doesn't have an adjective." | ||
| Lancelot says, "disambiguation hell" | ||
| DavidW says (to ClubFloyd), "x beeper" | ||
| CF ] Studio 0/15 | ||
| CF | > | ||
| CF | > X BEEPER | ||
| CF | | ||
| CF | Your lifeline to work. They've paged you 22 times. Looks like they | ||
| CF | want you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x moth" | ||
| CF ] Studio 0/16 | ||
| CF | > | ||
| CF | > X MOTH | ||
| CF | | ||
| CF | Deadly to the touch. Why would you even have this here? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x chip" | ||
| CF ] Studio 0/17 | ||
| CF | > | ||
| CF | > X CHIP | ||
| CF | | ||
| CF | You've white-knuckled 30 days. Not without a lot of booze. Giving up | ||
| CF | junk is one of the hardest things you've ever done. If only your | ||
| CF | girlfriend Jayne appreciated it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x camera" | ||
| CF ] Studio 0/18 | ||
| CF | > | ||
| CF | > X CAMERA | ||
| CF | | ||
| CF | Your lifelong friend.. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x roll" | ||
| CF ] Studio 0/19 | ||
| CF | > | ||
| CF | > X ROLL | ||
| CF | | ||
| CF | Perfect for carrying film & dope. Except you are all out of both. You | ||
| CF | can stash other things in here though | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open roll" | ||
| CF ] Studio 0/20 | ||
| CF | > | ||
| CF | > OPEN ROLL | ||
| CF | | ||
| CF | You open the film roll. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look in it" | ||
| CF ] Studio 0/21 | ||
| CF | > | ||
| CF | > LOOK IN IT | ||
| CF | | ||
| CF | The film roll is empty. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x chair" | ||
| CF ] Studio 0/22 | ||
| CF | > | ||
| CF | > X CHAIR | ||
| CF | | ||
| CF | On the beat up office chair is a leather jacket. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x jacket" | ||
| CF ] Studio 0/23 | ||
| CF | > | ||
| CF | > X JACKET | ||
| CF | | ||
| CF | Zippers everywhere and 100% cowhide. You got it from a guy called | ||
| CF | Ramon. He's dead now. RIP. | ||
| CF | | ||
| CF | > | Lancelot says, "I'm a bit lost... thats a VERY small container" | |
| DavidW says, "They were popular for storing powders, though, back in the day." | ||
| Lancelot says, "my gosh I prefferred the island setting but ok" | ||
| DavidW says, "yeah, me too" | ||
| DavidW says, "I was also hoping for wordplay fun, but I doubt that's how this game rolls." | ||
| DavidW says (to ClubFloyd), "x stool" | ||
| CF ] Studio 0/24 | ||
| CF | > | ||
| CF | > X STOOL | ||
| CF | | ||
| CF | It's broken. It won't hold your weight. | ||
| CF | | ||
| CF | > | Lancelot says, "we got spoiled by Andrew" | |
| DavidW says (to ClubFloyd), "x earring" | ||
| CF ] Studio 0/25 | ||
| CF | > | ||
| CF | > X EARRING | ||
| CF | | ||
| CF | Obviously, a woman's. It's a small gold hoop. With blood on the | ||
| CF | fixing. It looks like it's been ripped out of the earlobe of the | ||
| CF | owner. You think it's Jayne's. What happened? Ouch. | ||
| CF | | ||
| CF | You sorta remember a fight last night. About using. And quitting. With | ||
| CF | Jayne. | ||
| CF | | ||
| CF | > | Lancelot says, "okay some history building up here" | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Studio 0/26 | ||
| CF | > | ||
| CF | > W | ||
| CF | | ||
| CF | You need to get your camera. You can't work without it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "stand" | ||
| CF ] Studio 1/27 | ||
| CF | > | ||
| CF | > STAND | ||
| CF | | ||
| CF | Well done! It's the least you can do, | ||
| CF | [Your score has just gone up by one point.] | ||
| CF | | ||
| CF | > | Lancelot says, "I do not like us acting the agressinve dude" | |
| Lancelot says, "wtf" | ||
| DavidW says (to ClubFloyd), "take camera" | ||
| CF ] Studio 2/28 | ||
| CF | > | ||
| CF | > TAKE CAMERA | ||
| CF | | ||
| CF | Well done! You need this to work. You need to go to the SCREEM office. | ||
| CF | | ||
| CF | [Your score has just gone up by one point.] | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Bathroom 2/29 | ||
| CF | > | ||
| CF | > W | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Bathroom 2/30 | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | Bathroom | ||
| CF | A converted closet serves as a functional bathroom. It's jammed full | ||
| CF | of photo gear that you use as a makeshift darkroom. Showering is | ||
| CF | overrated. | ||
| CF | | ||
| CF | You can see Jayne here. | ||
| CF | | ||
| CF | Exits: east to the Studio. | ||
| CF | | ||
| CF | > | Lancelot says, "oh hello Jayne" | |
| DavidW asks, "Why didn't the room description show when we entered?" | ||
| DavidW says (to ClubFloyd), "x jayne" | ||
| CF ] Bathroom 2/31 | ||
| CF | > | ||
| CF | > X JAYNE | ||
| CF | | ||
| CF | "What's Jayne doing here. She looks awful. Is she sick? of course | ||
| CF | she's sick. It's what you've been fighting about. Her habit." | ||
| CF | | ||
| CF | The image flutters for a moment and then is gone. You are all alone | ||
| CF | | ||
| CF | Jayne disappears. You rub your face, unsure of what you've just seen. | ||
| CF | | ||
| CF | Maybe you're still drunk? | ||
| CF | | ||
| CF | Was she really here? | ||
| CF | | ||
| CF | You must be more fucked up than you thought. | ||
| CF | | ||
| CF | "I gotta see her" | ||
| CF | > | Lancelot asks, "hallucinations?" | |
| DavidW says (to ClubFloyd), "x gear" | ||
| CF ] Bathroom 2/31 | ||
| CF | > | ||
| CF | > X GEAR | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Lancelot says, "no photo gear" | |
| DavidW says, "oh right, the gear wasn't <u1>gear</u1>." | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Studio 2/32 | ||
| CF | > | ||
| CF | > E | ||
| CF | | ||
| CF | | ||
| CF | Studio | ||
| CF | There is a bathroom to the west, a kitchen to the | ||
| CF | south and a fire escape to the east. The front door | ||
| CF | of your Studio is to the north. | ||
| CF | | ||
| CF | You can see a front door of the studio, a bed, a | ||
| CF | pile of puke, dirty sheets, Empty bottles, | ||
| CF | baggies, Blinds, a helmet, a messenger | ||
| CF | bag (empty), a scarred wooden desk (on which are a | ||
| CF | key, a beeper, a skullhead moth, a NA 30 | ||
| CF | Day Chip and a film roll (empty)), a Studio | ||
| CF | Key, a beat up office chair (on which is a leather | ||
| CF | jacket), a folding fixed in place three legged stool | ||
| CF | and a loose earring here. | ||
| CF | | ||
| CF | Exits: south, west to the Bathroom and | ||
| CF | east. | ||
| CF | | ||
| CF | > | Lancelot says, "at least that bit helps us" | |
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Kitchen 2/33 | ||
| CF | > | ||
| CF | > S | ||
| CF | | ||
| CF | | ||
| CF | Kitchen | ||
| CF | A tiny efficiency space with a hotplate and an old microwave that | ||
| CF | weighs a ton and leaks radiation. The fridge barely works. | ||
| CF | | ||
| CF | You can see a fridge (closed) here. | ||
| CF | | ||
| CF | Exits: north to the Studio. | ||
| CF | | ||
| CF | > | DavidW says, "ok, so we can ignore the microwave, but the fridge is here." | |
| DavidW says (to ClubFloyd), "x fridge" | ||
| CF ] Kitchen 2/34 | ||
| CF | > | ||
| CF | > X FRIDGE | ||
| CF | | ||
| CF | You see nothing special about the fridge. | ||
| CF | | ||
| CF | > | Lancelot says, "yep" | |
| DavidW says, "Jayne better not be inside." | ||
| DavidW says (to ClubFloyd), "open fridge" | ||
| CF ] Kitchen 2/35 | ||
| CF | > | ||
| CF | > OPEN FRIDGE | ||
| CF | | ||
| CF | You open the fridge, revealing a beer, a lonely | ||
| CF | taco, a carton of spoiled milk and a withered | ||
| CF | apple. | ||
| CF | | ||
| CF | > | Lancelot says, "pfff whew" | |
| DavidW says (to ClubFloyd), "x beer" | ||
| CF ] Kitchen 2/36 | ||
| CF | > | ||
| CF | > X BEER | ||
| CF | | ||
| CF | You see nothing special about the beer. | ||
| CF | | ||
| CF | > | DavidW asks, "Nothing to say about the beer? Truly?" | |
| DavidW says (to ClubFloyd), "x taco" | ||
| CF ] Kitchen 2/37 | ||
| CF | > | ||
| CF | > X TACO | ||
| CF | | ||
| CF | It's pretty grungy looking. But it's breakfast. You probably shouldn't | ||
| CF | eat it. It's been in there at least two weeks. That green isn't | ||
| CF | lettuce. | ||
| CF | | ||
| CF | > | Lancelot says, "yuck" | |
| DavidW says (to ClubFloyd), "x milk" | ||
| CF ] Kitchen 2/38 | ||
| CF | > | ||
| CF | > X MILK | ||
| CF | | ||
| CF | It's like cottage cheese going down. Lumpy and sour. The green mold on | ||
| CF | the carton should have given away how bad this milk is. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x apple" | ||
| CF ] Kitchen 2/39 | ||
| CF | > | ||
| CF | > X APPLE | ||
| CF | | ||
| CF | It's brown and wrinkly. Like an old prune. Might be good if you suck | ||
| CF | the juice out of it. | ||
| CF | | ||
| CF | > | Lancelot says, "I guess the apple is the only edible thing" | |
| DavidW says, "or the beer" | ||
| Lancelot says, "yeah" | ||
| DavidW asks, "shall we try to eat the apple?" | ||
| Lancelot says, "but nothing speciaql.." | ||
| DavidW says (to ClubFloyd), "eat apple" | ||
| CF ] Kitchen 2/40 | ||
| CF | > | ||
| CF | > EAT APPLE | ||
| CF | | ||
| CF | You can't eat that. | ||
| CF | | ||
| CF | > | Lancelot says, "muc" | |
| Lancelot says, "aww" | ||
| DavidW says (to ClubFloyd), "suck apple" | ||
| CF ] Kitchen 2/40 | ||
| CF | > | ||
| CF | > SUCK APPLE | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | Lancelot asks, "drink nbeer then?" | |
| DavidW says (to ClubFloyd), "drink beer" | ||
| CF ] Kitchen 2/41 | ||
| CF | > | ||
| CF | > DRINK BEER | ||
| CF | | ||
| CF | There's nothing suitable to drink here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "eat beer" | ||
| CF ] Kitchen 2/42 | ||
| CF | > | ||
| CF | > EAT BEER | ||
| CF | | ||
| CF | You can't eat that. | ||
| CF | | ||
| CF | > | Lancelot says, "wtf" | |
| DavidW says (to ClubFloyd), "eat taco" | ||
| CF ] Kitchen 2/43 | ||
| CF | > | ||
| CF | > EAT TACO | ||
| CF | | ||
| CF | You can't eat that. | ||
| CF | | ||
| CF | > | Lancelot says, "missed opportunity here" | |
| DavidW says, "This is a lot less responsive than I expected." | ||
| DavidW says (to ClubFloyd), "close fridge" | ||
| CF ] Kitchen 2/44 | ||
| CF | > | ||
| CF | > CLOSE FRIDGE | ||
| CF | | ||
| CF | You close the fridge. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Studio 2/45 | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | Studio | ||
| CF | There is a bathroom to the west, a kitchen to the | ||
| CF | south and a fire escape to the east. The front door | ||
| CF | of your Studio is to the north. | ||
| CF | | ||
| CF | You can see a front door of the studio, a bed, a | ||
| CF | pile of puke, dirty sheets, Empty bottles, | ||
| CF | baggies, Blinds, a helmet, a messenger | ||
| CF | bag (empty), a scarred wooden desk (on which are a | ||
| CF | key, a beeper, a skullhead moth, a NA 30 | ||
| CF | Day Chip and a film roll (empty)), a Studio | ||
| CF | Key, a beat up office chair (on which is a leather | ||
| CF | jacket), a folding fixed in place three legged stool | ||
| CF | and a loose earring here. | ||
| CF | | ||
| CF | Exits: south to the Kitchen, west to the Bathroom | ||
| CF | and east. | ||
| CF | | ||
| CF | > | Lancelot says, "dang if I had known parsercomp was that bad I might have tried an entry lol" | |
| DavidW says, "ouch. but yes" | ||
| DavidW says (to ClubFloyd), "x studio" | ||
| CF ] Studio 2/45 | ||
| CF | > | ||
| CF | > X STUDIO | ||
| CF | | ||
| CF | Which do you mean, the front door of the studio or the Studio Key? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "door" | ||
| CF ] Studio 2/46 | ||
| CF | > | ||
| CF | > DOOR | ||
| CF | | ||
| CF | It's a heavy steel firedoor. | ||
| CF | | ||
| CF | > | DavidW says, "oh, that's bad news." | |
| DavidW says (to ClubFloyd), "take studio key" | ||
| CF ] Studio 2/47 | ||
| CF | > | ||
| CF | > TAKE STUDIO KEY | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | Lancelot says, "well we have a key yep" | |
| DavidW says, "The roll might be good for carrying that too-deadly-to-touch bug with." | ||
| Lancelot says, "ah the moth" | ||
| DavidW says (to ClubFloyd), "take roll" | ||
| CF ] Studio 4/48 | ||
| CF | > | ||
| CF | > TAKE ROLL | ||
| CF | | ||
| CF | Better than nothing! It's a good place to stash small items so they | ||
| CF | don't get lost. Like earrings. | ||
| CF | | ||
| CF | [Your score has just gone up by two points.] | ||
| CF | | ||
| CF | > | DavidW says, "oh, it's suggesting the earrings." | |
| DavidW says (to ClubFloyd), "put earring in roll" | ||
| CF ] Studio 4/49 | ||
| CF | > | ||
| CF | > PUT EARRING IN ROLL | ||
| CF | | ||
| CF | (first taking the loose earring) | ||
| CF | You put the loose earring into the film roll. | ||
| CF | | ||
| CF | > | Lancelot says, "well" | |
| DavidW says (to ClubFloyd), "close roll" | ||
| CF ] Studio 4/50 | ||
| CF | > | ||
| CF | > CLOSE ROLL | ||
| CF | | ||
| CF | You close the film roll. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take jacket" | ||
| CF ] Studio 4/51 | ||
| CF | > | ||
| CF | > TAKE JACKET | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | Lancelot says, "I thought film rolls went out of our lives some time ago lol" | |
| DavidW says (to ClubFloyd), "take chip" | ||
| CF ] Studio 14/52 | ||
| CF | > | ||
| CF | > TAKE CHIP | ||
| CF | | ||
| CF | Well done! Now if you could convince Jayne to join you, maybe you'd | ||
| CF | have a chance. | ||
| CF | | ||
| CF | [Your score has just gone up by ten points.] | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take beeper" | ||
| CF ] Studio 14/53 | ||
| CF | > | ||
| CF | > TAKE BEEPER | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | Lancelot asks, "whats that chip... a show of good behavior?" | |
| DavidW says (to ClubFloyd), "take key from desk" | ||
| CF ] Studio 14/54 | ||
| CF | > | ||
| CF | > TAKE KEY FROM DESK | ||
| CF | | ||
| CF | Taken. You need this to start your motorbike. It's downstairs in the | ||
| CF | Alley. | ||
| CF | | ||
| CF | > | Lancelot says, "okay so rough start but just taking things tells us what they are for" | |
| DavidW says, "of course we have a motorbike. So we need that helmet too, I bet." | ||
| Jade has arrived. | ||
| DavidW says (to ClubFloyd), "take helmet" | ||
| CF ] Studio 15/55 | ||
| CF | > | ||
| CF | > TAKE HELMET | ||
| CF | | ||
| CF | Taken. You need a helmet to ride a motorcycle in NYC. | ||
| CF | | ||
| CF | [Your score has just gone up by one point.] | ||
| CF | | ||
| CF | > | Lancelot says, "yeah figures" | |
| DavidW says, "We're playing Alphabet City at the moment, but not really enjoying its esthetic." | ||
| Jade says, "Faeries and grandparents, bad combination" | ||
| DavidW asks, "Should we use the front door or the fire escape?" | ||
| Jade asks, "Can you say me the name of this game please?" | ||
| DavidW says (to ClubFloyd), "take bag" | ||
| CF ] Studio 15/56 | ||
| CF | > | ||
| CF | > TAKE BAG | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to Jade), "Alphabet City" | Jade says, "Thank you" | |
| Lancelot says, "before that we tried Mystery Isles but that was a bit weird... untested looks like" | ||
| DavidW says, "I don't think we'll get far in this game." | ||
| DavidW says (to ClubFloyd), "unlock door with studio key" | ||
| CF ] Studio 15/57 | ||
| CF | > | ||
| CF | > UNLOCK DOOR WITH STUDIO KEY | ||
| CF | | ||
| CF | You unlock the front door of the studio. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Hallway 15/58 | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | (first opening the front door of the studio) | ||
| CF | | ||
| CF | Hallway | ||
| CF | There's a grotty payphone on the wall and an elevator down the far end | ||
| CF | to the north and a Stairwell to the east. | ||
| CF | | ||
| CF | You can see a front door of the studio and a | ||
| CF | payphone here. | ||
| CF | | ||
| CF | Exits: north and east. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "close door" | ||
| CF ] Hallway 15/59 | ||
| CF | > | ||
| CF | > CLOSE DOOR | ||
| CF | | ||
| CF | You close the front door of the studio. | ||
| CF | | ||
| CF | > | Lancelot says, "a payphone... I guess no cash at hand" | |
| DavidW says (to ClubFloyd), "lock it with studio key" | ||
| CF ] Hallway 15/60 | ||
| CF | > | ||
| CF | > LOCK IT WITH STUDIO KEY | ||
| CF | | ||
| CF | You lock the front door of the studio. | ||
| CF | | ||
| CF | > | Lancelot says, "wise move" | |
| DavidW says (to ClubFloyd), "x payphone" | ||
| CF ] Hallway 15/61 | ||
| CF | > | ||
| CF | > X PAYPHONE | ||
| CF | | ||
| CF | What was I expecting? Everything is busted around here. | ||
| CF | | ||
| CF | > | Lancelot says, "ah well" | |
| DavidW says (to ClubFloyd), "x elevator" | ||
| CF ] Hallway 15/61 | ||
| CF | > | ||
| CF | > X ELEVATOR | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Hallway 15/62 | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | Hallway | ||
| CF | There's a grotty payphone on the wall and an elevator down the far end | ||
| CF | to the north and a Stairwell to the east. | ||
| CF | | ||
| CF | You can see a front door of the studio and a | ||
| CF | payphone here. | ||
| CF | | ||
| CF | Exits: north and east. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Elevator 15/63 | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | Elevator | ||
| CF | It's even worse than your apartment. You are better off taking the | ||
| CF | stairwell. Or fire escape. | ||
| CF | | ||
| CF | Exits: south to the Hallway and down. | ||
| CF | | ||
| CF | > | Lancelot asks, "let me guess... elevator out of order too?" | |
| Lancelot says, "ah lol" | ||
| DavidW says, "Not sure, but let's try the stairwell." | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Hallway 15/64 | ||
| CF | > | ||
| CF | > S | ||
| CF | | ||
| CF | | ||
| CF | Hallway | ||
| CF | There's a grotty payphone on the wall and an elevator down the far end | ||
| CF | to the north and a Stairwell to the east. | ||
| CF | | ||
| CF | You can see a front door of the studio and a | ||
| CF | payphone here. | ||
| CF | | ||
| CF | Exits: north to Elevator and east. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Stairwell 15/65 | ||
| CF | > | ||
| CF | > E | ||
| CF | | ||
| CF | | ||
| CF | Stairwell | ||
| CF | Shit lighting and an overwhelming sense of dread make this the exit | ||
| CF | path only for the most adventurous. You want to watch you step here. | ||
| CF | If you move quickly, you'll end up in the Lobby. Don't stop for | ||
| CF | anything or anybody. | ||
| CF | | ||
| CF | Pools of light and rough concrete steps all the way down to the Lobby. | ||
| CF | You want to watch your step here as muggers like to rip people off. | ||
| CF | | ||
| CF | You can see Mugger here. | ||
| CF | | ||
| CF | Exits: west to the Hallway and down. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Lobby 15/66 | ||
| CF | > | ||
| CF | > D | ||
| CF | | ||
| CF | | ||
| CF | Lobby | ||
| CF | It's decrepit. Really cheesy. It used to be a Howard Johnson's back in | ||
| CF | the day and was bought cheap once they pulled out. Nothing has been | ||
| CF | updated in ten years. Everything is baby shit brown with additional | ||
| CF | stains on top. Definitely not a five star. Not even two. The front | ||
| CF | door to the hotel is to the north | ||
| CF | | ||
| CF | You can see Hank and a front desk here. | ||
| CF | | ||
| CF | Exits: north and up to Elevator. | ||
| CF | | ||
| CF | > | Lancelot says, "my god this game has negative vibes a lot" | |
| DavidW asks, "How does this place rank a receptionist?" | ||
| DavidW says, "This makes no sense." | ||
| Lancelot says, "maybe Hank is a doll" | ||
| DavidW says (to ClubFloyd), "x hank" | ||
| CF ] Lobby 15/67 | ||
| CF | > | ||
| CF | > X HANK | ||
| CF | | ||
| CF | As old as Methusalah, he's got an old-school hearing aid pinned next | ||
| CF | to his name tag. A cigarette dangles from his lips. | ||
| CF | | ||
| CF | > | Lancelot says, "oh just an old dude lol" | |
| DavidW says (to ClubFloyd), "ask hank about jayne" | ||
| CF ] Lobby 15/68 | ||
| CF | > | ||
| CF | > ASK HANK ABOUT JAYNE | ||
| CF | | ||
| CF | There is no reply. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "talk to hank" | ||
| CF ] Lobby 15/68 | ||
| CF | > | ||
| CF | > TALK TO HANK | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hank" | ||
| CF ] Lobby 15/69 | ||
| CF | > | ||
| CF | > HANK | ||
| CF | | ||
| CF | As old as Methusalah, he's got an old-school hearing aid pinned next | ||
| CF | to his name tag. A cigarette dangles from his lips. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x cigarette" | ||
| CF ] Lobby 15/69 | ||
| CF | > | ||
| CF | > X CIGARETTE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Lancelot says, "pfff" | |
| DavidW says (to ClubFloyd), "ask hank about mugger" | ||
| CF ] Lobby 15/70 | ||
| CF | > | ||
| CF | > ASK HANK ABOUT MUGGER | ||
| CF | | ||
| CF | There is no reply. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask hank about hank" | ||
| CF ] Lobby 15/71 | ||
| CF | > | ||
| CF | > ASK HANK ABOUT HANK | ||
| CF | | ||
| CF | There is no reply. | ||
| CF | | ||
| CF | > | Lancelot says, "I fear the island is preferable to this but ok" | |
| DavidW says, "The taxidermy on this guy is great. You can't see the stitches at all." | ||
| Lancelot asks, "yeah I wonder if he is still alive?" | ||
| DavidW says (to ClubFloyd), "x desk" | ||
| CF ] Lobby 15/72 | ||
| CF | > | ||
| CF | > X DESK | ||
| CF | | ||
| CF | Hank stands behind the counter. Biding his time. He ignores you as you | ||
| CF | pass by. | ||
| CF | | ||
| CF | > | Lancelot says, "score on the ignoring part" | |
| DavidW says (to ClubFloyd), "push hank" | ||
| CF ] Lobby 15/73 | ||
| CF | > | ||
| CF | > PUSH HANK | ||
| CF | | ||
| CF | Hank might not like that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search hank" | ||
| CF ] Lobby 15/74 | ||
| CF | > | ||
| CF | > SEARCH HANK | ||
| CF | | ||
| CF | You find nothing of interest. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "mug hank" | ||
| CF ] Lobby 15/74 | ||
| CF | > | ||
| CF | > MUG HANK | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Street Outside the Hotel 15/75 | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | Street Outside the Hotel | ||
| CF | Off 42nd Street, the front facade of the hotel is a continued work in | ||
| CF | progress. Scaffolding is wrapped around the front of the building | ||
| CF | although no work has been done in years. A scary Alley is | ||
| CF | south of the street. A nearby ramp leading to the Overpass is | ||
| CF | conveniently up at the traffic light. The Subway Entrance is | ||
| CF | west. | ||
| CF | | ||
| CF | You can see a garbage can and a NY Post newsbox | ||
| CF | here. | ||
| CF | | ||
| CF | Exits: south, west and up. | ||
| CF | | ||
| CF | > | Lancelot asks, "another game written by a first time author?" | |
| DavidW asks, "I guess our hog is in the alley?" | ||
| Lancelot says, "not much else" | ||
| DavidW says, "I see no mention of a parking lot." | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Alley 15/76 | ||
| CF | > | ||
| CF | > S | ||
| CF | | ||
| CF | | ||
| CF | Alley | ||
| CF | Down below the Fire Escape is a sketchy looking Alley. Watch out for | ||
| CF | trouble here. The street outside the Hotel is to the north. | ||
| CF | Behind you is a dead-end filled with trash dumpsters and rats, Lots of | ||
| CF | angry, vicious rats. | ||
| CF | | ||
| CF | The ugly fuckers glare at you with beady eyes from the piled trash. | ||
| CF | | ||
| CF | You can also see Malevilness the Rat and a | ||
| CF | motorcycle (on which is a motorcycle throttle) here. | ||
| CF | | ||
| CF | Exits: up and north to the Street Outside the Hotel. | ||
| CF | | ||
| CF | > | Lancelot says, "ah yep" | |
| Lancelot says, "ah so the fire escape avoids Hank" | ||
| Lancelot says, "and also the mugger I guess" | ||
| DavidW says, "oh there's probably Mad Martha or Pete the Pigeon on the fire escape." | ||
| Lancelot says, "lol" | ||
| DavidW says, "I didn't bring any 'food' for the rats, so we'll probably die just trying to ride our bike." | ||
| DavidW says (to ClubFloyd), "wear jacket" | ||
| CF ] Alley 15/77 | ||
| CF | > | ||
| CF | > WEAR JACKET | ||
| CF | | ||
| CF | You put on the leather jacket. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wear helmet" | ||
| CF ] Alley 15/78 | ||
| CF | > | ||
| CF | > WEAR HELMET | ||
| CF | | ||
| CF | You put on the helmet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x rat" | ||
| CF ] Alley 15/79 | ||
| CF | > | ||
| CF | > X RAT | ||
| CF | | ||
| CF | Malevilness the Rat is taller than 3 men, and there's always room in | ||
| CF | his stomach for one more. | ||
| CF | | ||
| CF | > | Lancelot says, "wtf" | |
| Lancelot says, "thats a BIG rat" | ||
| DavidW says, "somehow, a moldy taco probably wouldn't fill him up." | ||
| DavidW says (to ClubFloyd), "get on bike" | ||
| CF ] Alley 15/79 | ||
| CF | > | ||
| CF | > GET ON BIKE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Lancelot says, "maybe we can poison him" | |
| DavidW says (to ClubFloyd), "ride motorcycle" | ||
| CF ] Alley 15/80 | ||
| CF | > | ||
| CF | > RIDE MOTORCYCLE | ||
| CF | | ||
| CF | (the motorcycle) | ||
| CF | You mount the motorcycle. | ||
| CF | | ||
| CF | On the motorcycle you can see a motorcycle throttle. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "start it" | ||
| CF ] Alley 15/80 | ||
| CF | > | ||
| CF | > START IT | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x throttle" | ||
| CF ] Alley 15/81 | ||
| CF | > | ||
| CF | > X THROTTLE | ||
| CF | | ||
| CF | You goose the throttle, loving the throaty roar | ||
| CF | | ||
| CF | > | Lancelot says, "new we can see whether author implemented the vehicle" | |
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Street Outside the Hotel 15/82 | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | You start your bike. | ||
| CF | | ||
| CF | You need a helmet to ride in NYC. | ||
| CF | | ||
| CF | Street Outside the Hotel (on the motorcycle) | ||
| CF | Off 42nd Street, the front facade of the hotel is a continued work in | ||
| CF | progress. Scaffolding is wrapped around the front of the building | ||
| CF | although no work has been done in years. A scary Alley is | ||
| CF | south of the street. A nearby ramp leading to the Overpass is | ||
| CF | conveniently up at the traffic light. The Subway Entrance is | ||
| CF | west. | ||
| CF | | ||
| CF | You can see a garbage can and a NY Post newsbox | ||
| CF | here. | ||
| CF | | ||
| CF | On the motorcycle you can see a motorcycle throttle. | ||
| CF | | ||
| CF | Exits: south to the Alley, west and up. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wear helmet" | ||
| CF ] Street Outside the Hotel 15/83 | ||
| CF | > | ||
| CF | > WEAR HELMET | ||
| CF | | ||
| CF | You're already wearing that! | ||
| CF | | ||
| CF | > | Lancelot says, "sigh" | |
| Lancelot says, "this game could also use some testing" | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Overpass 15/84 | ||
| CF | > | ||
| CF | > U | ||
| CF | | ||
| CF | | ||
| CF | Overpass (on the motorcycle) | ||
| CF | It's up and South from your place. It's always crowded and | ||
| CF | riding a motorcycle in NY is like taking your life in your own hands. | ||
| CF | Still, it beats walking or taking the subway. You've got to get to | ||
| CF | work and the office is all the way out in Jersey - even though it | ||
| CF | boasts about being the voice of the city. Whatever. The pitted road | ||
| CF | leads west across the George Washington Bridge | ||
| CF | | ||
| CF | On the motorcycle you can see a motorcycle throttle. | ||
| CF | | ||
| CF | Exits: down to the Street Outside the Hotel, west | ||
| CF | and south. | ||
| CF | | ||
| CF | > | DavidW asks, "so west towards the office? Is that right?" | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] George Washington Bridge 15/85 | ||
| CF | > | ||
| CF | > W | ||
| CF | | ||
| CF | | ||
| CF | George Washington Bridge (on the motorcycle) | ||
| CF | You thread you way through traffic heading forever west | ||
| CF | across the river. Rusted to shit and barely functional, over a million | ||
| CF | cars a week pass over this thing. | ||
| CF | | ||
| CF | You can see Slow moving cars here. | ||
| CF | | ||
| CF | On the motorcycle you can see a motorcycle throttle. | ||
| CF | | ||
| CF | Exits: west. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Offramp to Jersey 15/86 | ||
| CF | > | ||
| CF | > W | ||
| CF | | ||
| CF | | ||
| CF | Offramp to Jersey (on the motorcycle) | ||
| CF | Commuters crowd the exit to the famed Jersey Shoreline. A traffic | ||
| CF | light, barely working, sluggishly cycles through its paces. A milk | ||
| CF | truck idles by the side of the road with a burst front tire. It's not | ||
| CF | helping traffic. | ||
| CF | | ||
| CF | You can see the SCREEM Building from the road south of where | ||
| CF | you are. | ||
| CF | | ||
| CF | So close but so far. | ||
| CF | | ||
| CF | You can see a milk truck, Rust bucket American made | ||
| CF | junkers, a panhandler, a Squeegee Kid and | ||
| CF | Scattered beer bottles here. | ||
| CF | | ||
| CF | On the motorcycle you can see a motorcycle throttle. | ||
| CF | | ||
| CF | Exits: east to the George Washington Bridge and | ||
| CF | south. | ||
| CF | | ||
| CF | > | Lancelot says, "oh only one way to do" | |
| Lancelot says, "SCREEM if where we work I guiess" | ||
| DavidW says, "I suppose this is another 'opportunity' area." | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] SCREEM building 15/87 | ||
| CF | > | ||
| CF | > S | ||
| CF | | ||
| CF | | ||
| CF | SCREEM building (on the motorcycle) | ||
| CF | It's an old tool and tie company thats been refitted for publishing a | ||
| CF | weekly music magazine. The folks working here are the least rock n" | ||
| CF | roll people you've ever met - but they get the magazine out every | ||
| CF | week. | ||
| CF | | ||
| CF | You pull in, get off your bike and head east to the office. | ||
| CF | An access road to the Tri-Borough Bridge leads away to the | ||
| CF | south. | ||
| CF | | ||
| CF | On the motorcycle you can see a motorcycle throttle. | ||
| CF | | ||
| CF | Exits: north to the Offramp to Jersey, east and | ||
| CF | south. | ||
| CF | | ||
| CF | > | Lancelot says, "no doubt but this must be US stuff I dont recognize the words" | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] SCREEM building 15/88 | ||
| CF | > | ||
| CF | > E | ||
| CF | | ||
| CF | You can't ride your bike inside, dummy. Dismount. | ||
| CF | | ||
| CF | You dismount the motorcycle. | ||
| CF | SCREEM building | ||
| CF | It's an old tool and tie company thats been refitted for publishing a | ||
| CF | weekly music magazine. An access road to the Tri-Borough Bridge leads | ||
| CF | away to the south. | ||
| CF | | ||
| CF | You can see a motorcycle (on which is a motorcycle | ||
| CF | throttle) here. | ||
| CF | | ||
| CF | Exits: north to the Offramp to Jersey, east and | ||
| CF | south. | ||
| CF | | ||
| CF | > | DavidW says, "Thought it said I did dismount." | |
| Roger says, "I feel they probably meant 'tool and die' but who knows" | ||
| DavidW says (to Roger), "agreed" | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] SCREEM Office 15/89 | ||
| CF | > | ||
| CF | > E | ||
| CF | | ||
| CF | | ||
| CF | SCREEM Office | ||
| CF | Inside, it's as shabby as the outside. Cubicles line the old | ||
| CF | factory floor with rock music and weed dominating | ||
| CF | the space. The Editor's office is to the southeast. The | ||
| CF | Janitor's Cubicle is to the east. Printing Presses are to the | ||
| CF | north. Exit out is in the west. | ||
| CF | | ||
| CF | Exits: west to the SCREEM building, east, | ||
| CF | north and southeast. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x weed" | ||
| CF ] SCREEM Office 15/90 | ||
| CF | > | ||
| CF | > X WEED | ||
| CF | | ||
| CF | Dumbo and Panama Red plus Mexican Brown if your nose is right. | ||
| CF | | ||
| CF | > | DavidW says, "oo, la la. The guy can't tell that all his food is rotting, but this, this he can smell." | |
| Lancelot says, "messed up body functions" | ||
| DavidW says, "I didn't see a trash can in that apartment." | ||
| DavidW says (to ClubFloyd), "se" | ||
| CF ] Editor's Office 15/91 | ||
| CF | > | ||
| CF | > SE | ||
| CF | | ||
| CF | | ||
| CF | Editor's Office | ||
| CF | The editor is deep in the thick of the cubicles. It's a maze in here | ||
| CF | but you know your way. You thread through the various late working | ||
| CF | geeks keeping your head down. The sound of the presses throb the walls | ||
| CF | in regular 4/4 time | ||
| CF | | ||
| CF | You can see John 'Flasher' Byrne and Byrne's desk | ||
| CF | (on which are a VIP ticket, an old typewriter and a | ||
| CF | multi line telephone) here. | ||
| CF | | ||
| CF | Exits: northwest to SCREEM Office. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x byrne" | ||
| CF ] Editor's Office 15/92 | ||
| CF | > | ||
| CF | > X BYRNE | ||
| CF | | ||
| CF | "Took you long enough to drag your ass out here. I called you 22 | ||
| CF | times. Your beeper busted?" he says. "I've got a little job for you." | ||
| CF | He points at the ticket on the desk. "You don't deserve it, but I'm | ||
| CF | stuck." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x ticket" | ||
| CF ] Editor's Office 15/93 | ||
| CF | > | ||
| CF | > X TICKET | ||
| CF | | ||
| CF | A golden ticket to Max's Kansas City. The hottest band showcase in | ||
| CF | town. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take ticket" | ||
| CF ] Editor's Office 15/94 | ||
| CF | > | ||
| CF | > TAKE TICKET | ||
| CF | | ||
| CF | "Taken. That will get you in. I need shots of Wayne Chainsaw and that | ||
| CF | new chick, Jayne. She's just back from LA. You used to know her, | ||
| CF | right?", asks Byrne. | ||
| CF | | ||
| CF | You nod. "Yeah I know Jayne. I'll get the shots and be back in the | ||
| CF | morning with the negatives." | ||
| CF | | ||
| CF | Byrne is already back at work. Job given. Problem solved. Onto the | ||
| CF | next fuckup. You leave quietly. | ||
| CF | | ||
| CF | > | Lancelot says, "oh right so his x gf is now with another dude" | |
| DavidW says, "I'm inclined to stop here, or just explore the rest of this building and then stop." | ||
| Lancelot says, "sounds like a plan... TBH I do not really like the mood of this game" | ||
| Lancelot says, "but thats a personal thing I guess" | ||
| DavidW says, "me neither, but I did like the title." | ||
| Lancelot says, "and I also expected more like a word puzzle thing lol" | ||
| DavidW says, "I guess it's a slang term meaning the city has a little bit of everything from A to Z." | ||
| Lancelot says, "roger" | ||
| Lancelot says (to ClubFloyd), "look" | ||
| CF ] Editor's Office 15/95 | ||
| CF | > | ||
| CF | > LOOK | ||
| CF | | ||
| CF | Editor's Office | ||
| CF | The editor is deep in the thick of the cubicles. It's a maze in here | ||
| CF | but you know your way. You thread through the various late working | ||
| CF | geeks keeping your head down. The sound of the presses throb the walls | ||
| CF | in regular 4/4 time | ||
| CF | | ||
| CF | You can see John 'Flasher' Byrne and Byrne's desk | ||
| CF | (on which are an old typewriter and a multi line | ||
| CF | telephone) here. | ||
| CF | | ||
| CF | Exits: northwest to SCREEM Office. | ||
| CF | | ||
| CF | > | Lancelot asks, "I dunno but room desc should not indicate an action by the PC< right?" | |
| DavidW says, "true. That's very bad form." | ||
| Lancelot says (to ClubFloyd), "about" | ||
| CF ] Editor's Office 15/95 | ||
| CF | > | ||
| CF | > ABOUT | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | ||
| Lancelot says (to ClubFloyd), "info" | ||
| CF ] Editor's Office 15/95 | ||
| CF | > | ||
| CF | > INFO | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | ||
| Lancelot says (to ClubFloyd), "credits" | ||
| CF ] Editor's Office 15/95 | ||
| CF | > | ||
| CF | > CREDITS | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | ||
| Lancelot says (to ClubFloyd), "help" | ||
| CF ] Editor's Office 15/95 | ||
| CF | > | ||
| CF | > HELP | ||
| CF | | ||
| CF | That's neither a verb I recognise nor a keyword you can use right | ||
| CF | now. | ||
| CF | > | DavidW says, "It's the sorts thing people would mock in a MST3K parody." | |
| Lancelot says, "yeah" | ||
| DavidW says (to ClubFloyd), "save" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| DavidW says (to ClubFloyd), "cfalphabetcity" | ||
| CF ] Editor's Office 15/95 | ||
| CF | > SAVEOk. | ||
| CF | | ||
| CF | > | Lancelot says, "makes me wonder where we fail as a community... apparently people can get to parsercomp and submit something..." | |
| DavidW says, "It's unlikely we'll continue this next week, but we might continue it if I can't find something else." | ||
| Lancelot says, "but no testing at all? people only need to ask to get testers" | ||
| DavidW says, "well, we might be a community of introverts with not quite the best social skills." | ||
