AllThingsJacq.com - Interactive Fiction | ClubFloyd - November 17, 2024 - Fireboat, Museum of Paranormal Phenomena, and Your Little Haunting by Jeff Greer (fos1), Olaf Nowacki, and Christina Nordlander, respectively


ToyShop & Floyditorium		#ClubFloyd Discussion


		DavidW asks, "are we ready to try Fireboat?"
		Jacqueline says, "I am."
		Jade says, "ok, let's go with Fireboat"
DavidW says (to ClubFloyd), "load sleepmask fireboat"
CF ] FDNY 11 After Deck Moves: 0
CF \|
CF \| You are on the aft deck of fireboat FDNY 11 in the middle of the
CF \| Hudson River just off Manhattan, a borough in the city of New York.
CF \|
CF \| It is just getting dark and you notice something shimmering off the
CF \| fantail.
CF \|
CF \| NOTE: This game uses nautical directions while on board the FDNY 11.
CF \| For example:
CF \|
CF \| (If you use single letter abbreviations for the directions you wish to
CF \| go, it will not work!)
CF \|
CF \| Forward / Fore
CF \| After / Aft
CF \| Port ("Port" is a direction, not a place.)
CF \| Starboard / Stbd
CF \| Above / Up
CF \| Below / Down
CF \|
CF \| On a marine vessel (boat, ship etc.) when facing the bow (the pointy
CF \| end): port is on the left and starboard is on the right. This is a
CF \| moving marine vessel. You can only access a location when you are
CF \| actually at that location. For example, stepping off the after deck
CF \| when you aren't near a pier would result in a swim in the Hudson
CF \| river.
CF \|
CF \| Follow the breadcrumbs (narrative) and you will find your path.
CF \| Confucius.
CF \|
CF \| Fireboat
CF \| Copyright © 2024 Jeff Greer (fos1) at Breadcrumb Studios.
CF \| Type ABOUT and CREDITS for further info .
CF \|
CF \| Release 13 / Serial number 241028 / Inform v6.42 Library v6.12.6
CF \|
CF \| FDNY 11 After Deck
CF \| The aft deck is dominated by a fire cannon that can shoot a stream of
CF \| thousands of gallons of water per minute at vessels and shoreline
CF \| fires along the NYC coastline. It is controlled from Fire Cannon
CF \| Control above the deck house. The deck house is forward of the aft
CF \| deck.
CF \|
CF \| You can see a shimmering apparition here.
CF \|
CF \| >		Jacqueline says, "Do not step off the after deck when we are not at the pier."
		Jacqueline says, "Or, maybe do."
DavidW says (to ClubFloyd), "x apparition"
CF ] FDNY 11 After Deck Moves: 1
CF \|
CF \| > X APPARITION
CF \|
CF \| The shimmering or apparition appears to be taking on the shape of a
CF \| lady.
CF \|
CF \| Out of the corner of your eye, you see something forming on a window.
CF \|
CF \| >		Jacqueline says, "The ghosts are coming at us fast."
DavidW says (to ClubFloyd), "x window"
CF ] FDNY 11 After Deck Moves: 2
CF \|
CF \| > X WINDOW
CF \|
CF \| The window is on the forward end of the aft deck. Due to the warm
CF \| moist air, it is frequently fogged, sometimes blocking your view.
CF \| There have been times when the condensing moisture appears to make
CF \| shapes or even writing on the window.
CF \|
CF \| Try to read the writing and see.
CF \|
CF \| >
DavidW says (to ClubFloyd), "read writing"
CF ] FDNY 11 After Deck Moves: 3
CF \|
CF \| > READ WRITING
CF \|
CF \| Some writing is beginning to form on the fogged window. Try reading it
CF \| again in a few minutes.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x me"
CF ] FDNY 11 After Deck Moves: 4
CF \|
CF \| > X ME
CF \|
CF \| You are Captain Kent Decker, one of the senior fireboat captains with
CF \| the FDNY. You have seen just about everything on the Hudson, nothing
CF \| surprises you these days.
CF \|
CF \|
CF \| >
Roger has arrived.		Jacqueline says, "Yeah, nothing."
DavidW says (to ClubFloyd), "i"
CF ] FDNY 11 After Deck Moves: 5
CF \|
CF \| > I
CF \|
CF \| You're carrying nothing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x lady"
CF ] FDNY 11 After Deck Moves: 6
CF \|
CF \| > X LADY
CF \|
CF \| The shimmering has now coalesced into the full aura of a lady.
CF \|
CF \| >
DavidW says (to ClubFloyd), "greet lady"
CF ] FDNY 11 After Deck Moves: 6
CF \|
CF \| > GREET LADY
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >		Jacqueline says, "She took her time."
DavidW says (to ClubFloyd), "talk to lady"
CF ] FDNY 11 After Deck Moves: 7
CF \|
CF \| > TALK TO LADY
CF \|
CF \| The lady is not very talkative.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "x lady"
CF ] FDNY 11 After Deck Moves: 8
CF \|
CF \| > X LADY
CF \|
CF \| The shimmering has now coalesced into the full aura of a lady.
CF \|
CF \| >
DavidW says (to ClubFloyd), "bow to lady"
CF ] FDNY 11 After Deck Moves: 8
CF \|
CF \| > BOW TO LADY
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >		Jade says, "I got missed here"
		DavidW says, "I'm trying to be nice and welcoming."
		Jacqueline says, "Sure."
		DavidW asks, "Should I touch her?"
		Jacqueline says, "I mean, what New Yorker isn't warm and welcoming."
		Jacqueline says (to DW), "That seems very warm and welcoming."
		Jacqueline says, "But sure."
DavidW says (to ClubFloyd), "touch lady"
CF ] FDNY 11 After Deck Moves: 9
CF \|
CF \| > TOUCH LADY
CF \|
CF \| You decide that's not such a good idea.
CF \|
CF \| >		Jacqueline says, "I mean... that's reasonable."
DavidW says (to ClubFloyd), "read window"
CF ] FDNY 11 After Deck Moves: 10
CF \|
CF \| > READ WINDOW
CF \|
CF \| The window is on the forward end of the aft deck. Due to the warm
CF \| moist air, it is frequently fogged, sometimes blocking your view.
CF \| There have been times when the condensing moisture appears to make
CF \| shapes or even writing on the window.
CF \|
CF \| Try to read the writing and see.
CF \|
CF \| >
DavidW says (to ClubFloyd), "read writing"
CF ] FDNY 11 After Deck Moves: 11
CF \|
CF \| > READ WRITING
CF \|
CF \| The writing is now clear: "I left a note for you on the galley table."
CF \|
CF \| You can just make out a signature at the at the end of the note:
CF \| "Kenyon".
CF \|
CF \| >		Jacqueline says, "The aforementioned breadcrumbs."
DavidW says (to ClubFloyd), "exits"
CF ] FDNY 11 After Deck Moves: 11
CF \|
CF \| > EXITS
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >
DavidW says (to ClubFloyd), "fore"
CF ] Deckhouse Moves: 12
CF \|
CF \| > FORE
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >		Jade says, "Sorry... Lost, I am lost."
		DavidW says, "We're on a fireboat."
DavidW says (to ClubFloyd), "d"
CF ] Galley Moves: 13
CF \|
CF \| > D
CF \|
CF \|
CF \| Galley
CF \| The galley is a multi-purpose room that is more than a place with a
CF \| table for dining. Since the crew lives on the boat for extended
CF \| periods, it provides entertainment and recreation. There is a
CF \| computer, a TV and a bookshelf with a number of book for both pleasure
CF \| and study. The deckhouse is above.
CF \|
CF \| On the table is a "greeting note".
CF \|
CF \| You can see Kenyon here.
CF \|
CF \| >		Jade says, "Not miss but lost"
Jade has arrived.		Jacqueline says, "Oh, like lost in the MUD."
		Jacqueline says, "Not lost in the game."
		Jacqueline exclaims, "Welcome to the ClubHouse!"
		Jade says, "I get banned frequently"
DavidW says (to ClubFloyd), "read note"
CF ] Galley Moves: 14
CF \|
CF \| > READ NOTE
CF \|
CF \| I need your help immediately. I somehow observed a terrorist planning
CF \| to destroy the city of New York. I was born and raised here. My
CF \| husband passed away in World War II leaving me a child to raise on my
CF \| own. I passed away years ago, but I must help save the city for
CF \| everyone, not just my family.
CF \|
CF \| Enough of that. The terrorist has already planted a bomb on one of the
CF \| Bear Bridge support towers. I don't exactly know when it is set to go
CF \| off. The terrorist used a code symbol Ɛ. I'm not sure what it means
CF \| but it could be the date.
CF \|
CF \| I'll find a way to contact you again. Be alert. It is difficult for
CF \| me. Now that I have taken on the aura of Kenyon, I feel more
CF \| comfortable in the galley but I may still venture out and try to keep
CF \| track of the terrorist and his activities. Check back here whenever
CF \| you can.
CF \|
CF \| >		Jade says, "Something seems not to be working properly in the mud"
		Jacqueline asks (of Jade), "Oh?"
		Jade says, "I am kicked out everyday"
		Jacqueline asks, "I can't read the code symbol, can anyone else?"
		Jacqueline says (to Jade), "Oh, yeah, sometimes it drops."
		Jade says, "I can't read the messages in Clubhouse"
		Jacqueline asks, "Really?"
		Jacqueline asks, "Like, you can't see the game?"
		DavidW says, "The code symbol looks like an AE glyph."
		Jade says, "Yes, now itself..."
		Jacqueline says (to DW), "Thanks."
		Jade says, "Ok, go on"
DavidW says (to ClubFloyd), "x Kenyon"
CF ] Galley Moves: 15
CF \|
CF \| > X KENYON
CF \|
CF \| The mysterious Kenyon has just entered your life. Who knows? Maybe she
CF \| is just a figment of your imagination.
CF \|
CF \| You are intrigued, however, and must find out more. You had a
CF \| grandmother named Kenyon...
CF \|
CF \| Note: Apparitions are fleeting. Any information "Kenyon" might provide
CF \| will be fleeting and you may not be able to see it again. Either
CF \| memorize the info or write it down somewhere.
CF \|
CF \| >		Jacqueline says, "'The mysterious Jacqueline has just entered your life' would be a good olounge."
DavidW says (to ClubFloyd), "x computer"
CF ] Galley Moves: 16
CF \|
CF \| > X COMPUTER
CF \|
CF \| The computer station is located in a quiet corner of the galley. It
CF \| doesn't get much use since everyone is usually on duty. It doesn't
CF \| appear to be working at this time.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "x tv"
CF ] Galley Moves: 17
CF \|
CF \| > X TV
CF \|
CF \| The television is a modern flatscreen mounted on a wall off the end of
CF \| the galley table. It is currently set to a local news channel. A
CF \| commentator is warning everyone that the FBI issued an alert that a
CF \| terrorist is reported to be somewhere in New York. If you observe any
CF \| suspicious persons or activity, notify the local authorities
CF \| immediately. The FBI warns that he is armed and very dangerous. Do not
CF \| approach him under any circumstances.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x books"
CF ] Galley Moves: 17
CF \|
CF \| > X BOOKS
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x bookshelf"
CF ] Galley Moves: 18
CF \|
CF \| > X BOOKSHELF
CF \|
CF \| The bookshelf is an enclosed shelf that contains a few books including
CF \| novels, references and manuals for the boat's equipment. The shelf is
CF \| kept closed unless in use to prevent the books from falling all over
CF \| the deck.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "open it"
CF ] Galley Moves: 19
CF \|
CF \| > OPEN IT
CF \|
CF \| You open the bookshelf, revealing a math textbook, a Clive Cussler
CF \| series and a China Bayles series.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take math"
CF ] Galley Moves: 20
CF \|
CF \| > TAKE MATH
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "read it"
CF ] Galley Moves: 21
CF \|
CF \| > READ IT
CF \|
CF \| The math textbook is marked to a page describing number systems. A
CF \| section on the duo-decimal system is highlighted. The symbol Ɛ in
CF \| duo-decimal is an 'eleven' in our ten digit numbering system!
CF \|
CF \| Today is the eleventh! You must go to the FDNY Pier and "TAKE" the
CF \| SWAT team aboard #11 and "DROP" them off at the Bear Bridge.
CF \|
CF \| You will need to go to the Pilot House and move the boat to the FDNY
CF \| Pier.
CF \|
CF \| You suspect that this is more info from Kenyon. Be alert for future
CF \| info.
CF \|
CF \| >		Jacqueline says, "Well okay then."
		Jacqueline says, "It's all coming together."
DavidW says (to ClubFloyd), "close bookshelf"
CF ] Galley Moves: 22
CF \|
CF \| > CLOSE BOOKSHELF
CF \|
CF \| The bookshelf is already closed.
CF \|
CF \| >		Jade asks, "FDNY?"
		Jacqueline says, "Fire Department New York"
		Jade asks, "NYFD?"
		DavidW says, "Fireboat is like a fire truck, but a boat."
DavidW says (to ClubFloyd), "u"
CF ] Deckhouse Moves: 23
CF \|
CF \| > U
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] Fire Cannon Control Moves: 24
CF \|
CF \| > U
CF \|
CF \|
CF \| Fire Cannon Control
CF \| Wow! The nozzle jockey chair is incredible! The fire cannon is
CF \| controlled from this elevated, glass enclosed station. The windows
CF \| here have protection to prevent the formation of moisture or
CF \| condensation that might impair the view. The deckhouse is back below.
CF \|
CF \| You can see a nozzle jockey chair (in which is a pump power switch)
CF \| here.
CF \|
CF \| >		DavidW says, "oh. I misunderstood. The pilot is fore not up."
DavidW says (to ClubFloyd), "d"
CF ] Deckhouse Moves: 25
CF \|
CF \| > D
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "n"
CF ] Pilot House Moves: 26
CF \|
CF \| > N
CF \|
CF \|
CF \| Pilot House
CF \| The pilot house is located forward of the deck house. It is where the
CF \| captain controls the vessel. There are windows that allow observation
CF \| in every direction. The windows in the pilot house are protected to
CF \| prevent the formation of moisture or condensation that might impair
CF \| the view.
CF \|
CF \| You can return aft to the deckhouse.
CF \|
CF \| You can see navigation maps, priority locations, the Chief Mate and a
CF \| chartplotter (on which is a position dial) here.
CF \|
CF \| >		Jacqueline says, "We seem very wow'ed by this, considering how grizzled we are and how long we've been doing this work."
		Jacqueline says, "Oh. An NPC."
DavidW says (to ClubFloyd), "x maps"
CF ] Pilot House Moves: 27
CF \|
CF \| > X MAPS
CF \|
CF \| This binder contains maps and a table of important locations all along
CF \| the NYC coastal region. You don't need the navigation maps for today's
CF \| operations. The Chief Mate has already plotted everything we might
CF \| need into the chartplotter. You just have to set the dial to the
CF \| desired location.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "x locations"
CF ] Pilot House Moves: 28
CF \|
CF \| > X LOCATIONS
CF \|
CF \| Location Position Code
CF \| Bear Bridge Bridge
CF \| FDNY Pier FDNY
CF \| Liberty Pier Liberty
CF \| Trawler Trawler
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "x dial"
CF ] Pilot House Moves: 29
CF \|
CF \| > X DIAL
CF \|
CF \| The dial has settings for 'Neutral' 'FDNY' 'Trawler' 'Liberty' and
CF \| 'Bridge'.
CF \|
CF \| >		Jade asks, "Can we travel to any Position Code?"
DavidW says (to ClubFloyd), "set dial to FDNY"
CF ] The FDNY 11 After Deck Moves: 30
CF \|
CF \| > SET DIAL TO FDNY
CF \|
CF \| The plotter is set to: the FDNY Pier.
CF \|
CF \| You are on the after deck. You can now go port to the FDNY pier. Then
CF \| "TAKE" SWAT team to the Bear Bridge and "DROP" them off to disarm the
CF \| bomb.
CF \|
CF \| >
DavidW says (to ClubFloyd), "port"
CF ] FDNY pier Moves: 31
CF \|
CF \| > PORT
CF \|
CF \|
CF \| FDNY pier
CF \| The FDNY pier is at the FDNY Marine Headquarters. You will need to go
CF \| east to board FDNY 11.
CF \|
CF \| You can see a SWAT team here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take team"
CF ] The FDNY 11 After Deck Moves: 32
CF \|
CF \| > TAKE TEAM
CF \|
CF \| You are now back abord the FDNY 11 on the aft deck. You need to plot a
CF \| course and drop the SWAT team at the Bear Bridge.
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Deckhouse Moves: 33
CF \|
CF \| > F
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Pilot House Moves: 34
CF \|
CF \| > F
CF \|
CF \|
CF \| Pilot House
CF \| The pilot house is located forward of the deck house. It is where the
CF \| captain controls the vessel. There are windows that allow observation
CF \| in every direction. The windows in the pilot house are protected to
CF \| prevent the formation of moisture or condensation that might impair
CF \| the view.
CF \|
CF \| You can return aft to the deckhouse.
CF \|
CF \| You can see navigation maps, priority locations, the Chief Mate and a
CF \| chartplotter (on which is a position dial) here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "set dial to bridge"
CF ] The FDNY 11 After Deck Moves: 35
CF \|
CF \| > SET DIAL TO BRIDGE
CF \|
CF \| The plotter is set to: the Bear Bridge.
CF \|
CF \| You are on the after deck. You can now go aft to the Bear Bridge.
CF \|
CF \| >
DavidW says (to ClubFloyd), "aft"
CF ] Bear Mountain Bridge Moves: 36
CF \|
CF \| > AFT
CF \|
CF \|
CF \| Bear Mountain Bridge
CF \| The Bear Mountain Bridge, ceremonially named the Purple Heart Veterans
CF \| Memorial Bridge. At the time of completion in 1924, it was the longest
CF \| suspension bridge in the world. Go north to return to FDNY #11.
CF \|
CF \| You can see a west tower (on which is a bomb) here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "drop team"
CF ] The FDNY 11 After Deck Moves: 37
CF \|
CF \| > DROP TEAM
CF \|
CF \| The SWAT team is now neutralizing the bombs located in the Bear Bridge
CF \| support Towers. You need to find the terrorist! Maybe Kenyon left
CF \| another note in the galley?
CF \|
CF \| >		DavidW says, "This is a weirdly structured 'game'."
		Jacqueline says, "It's an approach."
DavidW says (to ClubFloyd), "x bomb"
CF ] The FDNY 11 After Deck Moves: 37
CF \|
CF \| > X BOMB
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x tower"
CF ] The FDNY 11 After Deck Moves: 37
CF \|
CF \| > X TOWER
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >		DavidW says, "oh, right, I'm back on the deck."
		DavidW says, "I'm not used to be being teleported in this type of situation."
DavidW says (to ClubFloyd), "f"
CF ] Deckhouse Moves: 38
CF \|
CF \| > F
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Galley Moves: 39
CF \|
CF \| > D
CF \|
CF \|
CF \| Galley
CF \| The galley is a multi-purpose room that is more than a place with a
CF \| table for dining. Since the crew lives on the boat for extended
CF \| periods, it provides entertainment and recreation. There is a
CF \| computer, a TV and a bookshelf with a number of book for both pleasure
CF \| and study. The deckhouse is above.
CF \|
CF \| On the table are a "idea note" and a "terrorist note".
CF \|
CF \| You can see an Eee here.
CF \|
CF \| >		Jacqueline says, "It's good to be clear about your notes."
		Jacqueline says, "Eee"
		DavidW says, "Eee's eee there."
DavidW says (to ClubFloyd), "x eee"
CF ] Galley Moves: 40
CF \|
CF \| > X EEE
CF \|
CF \| The symbol Ɛ appears in your mind as a fleeting thought. It is just a
CF \| fleeting thought. You have a feeling that it is a symbol from a
CF \| non-decimal numbering system. You need to look that up in a math book!
CF \|
CF \| >
DavidW says (to ClubFloyd), "x terrorist note"
CF ] Galley Moves: 41
CF \|
CF \| > X TERRORIST NOTE
CF \|
CF \| After I discovered the terrorist and his plans, I did not know what to
CF \| do.
CF \|
CF \| Somehow, your position as a captain with the Fire Department of New
CF \| York came into my mind. I know I am hard to believe and my presence
CF \| here is unbelievable. I have trouble believing it myself.
CF \|
CF \| I just wanted to reassure you that I am "real" or as real as a ghost
CF \| can be. Please believe me and the information I can leave you in
CF \| whatever manner I can make happen.
CF \|
CF \| And, I am your Grandmother. You were named after me. :)
CF \|
CF \| Sometimes you can smell Granny's old perfume whenever her aura is
CF \| around.
CF \|
CF \| >		Jacqueline exclaims, "Quick! To the math book!"
		DavidW says, "We did the math book already."
		Jade says, "yes"
DavidW says (to ClubFloyd), "x idea note"
CF ] Galley Moves: 42
CF \|
CF \| > X IDEA NOTE
CF \|
CF \| I'm pretty sure I know where the terrorist is now. He is on the water
CF \| on some kind of boat. I seem to have a vision of the boat having a
CF \| deck big enough to carry a truck. I don't know whether it is still on
CF \| the Hudson or if it has gone to the Statue of Liberty.
CF \|
CF \| >		Jacqueline says, "Oh, true. I was thinking it was a new symbol."
		Jacqueline says, "(Since I can't see that, for whatever reason.)"
		DavidW asks, "well, I suppose we can navigate to Liberty or Trawler next. Which?"
		Jacqueline says, "I feel like the author had an idea here, but not a great sense of how to show rather than tell. May have been a result of the time constraint / deadline, perhaps."
DavidW says (to ClubFloyd), "u"
CF ] Deckhouse Moves: 43
CF \|
CF \| > U
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Pilot House Moves: 44
CF \|
CF \| > F
CF \|
CF \|
CF \| Pilot House
CF \| The pilot house is located forward of the deck house. It is where the
CF \| captain controls the vessel. There are windows that allow observation
CF \| in every direction. The windows in the pilot house are protected to
CF \| prevent the formation of moisture or condensation that might impair
CF \| the view.
CF \|
CF \| You can return aft to the deckhouse.
CF \|
CF \| You can see navigation maps, priority locations, the Chief Mate and a
CF \| chartplotter (on which is a position dial) here.
CF \|
CF \| >		Jacqueline asks (of DW), "I guess Liberty?"
DavidW says (to ClubFloyd), "x mate"
CF ] Pilot House Moves: 45
CF \|
CF \| > X MATE
CF \|
CF \| The Chief Mate is the second in command of #11. He takes over command
CF \| whenever the Captain is unavailable. On this boat, the mate sometimes
CF \| feels like the Maytag repair person. He rarely has anything to do.
CF \|
CF \|
CF \| >		DavidW says, "yeah, just stand there and look cute."
DavidW says (to ClubFloyd), "set dial to liberty"
CF ] The FDNY 11 After Deck Moves: 46
CF \|
CF \| > SET DIAL TO LIBERTY
CF \|
CF \| The plotter is set to: the Liberty Pier.
CF \|
CF \| You are on the after deck. You can now go port to the Liberty pier.
CF \|
CF \| >		Jade says, "Look busy..."
DavidW says (to ClubFloyd), "port"
CF ] Liberty pier Moves: 47
CF \|
CF \| > PORT
CF \|
CF \|
CF \| Liberty pier
CF \| Liberty Pier is the ferry pier for the Statue of Liberty. It is NOT
CF \| open for public docking. Even FDNY fireboats are not authorized to
CF \| dock there except in an emergency situation. Since you are searching
CF \| for the terrorist, you are welcome here. You can visit the Statue area
CF \| to the west. You will need to go east to board FDNY 11.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Statue of Liberty Moves: 48
CF \|
CF \| > W
CF \|
CF \|
CF \| Statue of Liberty
CF \| The Statue of Liberty is an icon, a national treasure, and one of the
CF \| most recognizable figures in the world, a symbol of freedom,
CF \| inspiration, and hope.
CF \|
CF \| Visiting here, you recall your grandmother. You were quite young when
CF \| she passed away. She was always full of life and shared her knowledge
CF \| and wisdom with you even at your young age. He character was above
CF \| reproach. You fondly remember some of the dishes she made: hocake (a
CF \| large pan size flat bread made from cornmeal.) and fried catfish. It
CF \| was one of your favorites and she took the time to teach you how
CF \| remove the bones so you wouldn't choke. She always make grits to go
CF \| along with the catfish. It was so nice visiting granny's house after
CF \| uncle Percey caught a mess of fish. In any case, you didn't find any
CF \| evidence of the terrorist here at the Satue of Liberty. Thank
CF \| goodness!
CF \|
CF \| The pier is back to the east or you can board #11 to the northeast
CF \|
CF \| >		DavidW asks, "I am in ... awe?"
		Jacqueline says, "Interesting - this feels possibly second language, but then they say a phrase like 'mess of fish' and I think it's maybe not second language."
		DavidW asks, "We're looking for a terrorist but thinking about Granny's cooking?"
		Jacqueline says, "Well, we just saw her ghost. I don't think we can be blamed."
		Jacqueline says, "She maybe immigrated to the US through Ellis Island, and the Statue is reminding us of our beloved ghost grandma."
DavidW says (to ClubFloyd), "ne"
CF ] FDNY 11 After Deck Moves: 49
CF \|
CF \| > NE
CF \|
CF \|
CF \| FDNY 11 After Deck
CF \| The aft deck is dominated by a fire cannon that can shoot a stream of
CF \| thousands of gallons of water per minute at vessels and shoreline
CF \| fires along the NYC coastline. It is controlled from Fire Cannon
CF \| Control above the deck house. The deck house is forward of the aft
CF \| deck.
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Deckhouse Moves: 50
CF \|
CF \| > F
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Pilot House Moves: 51
CF \|
CF \| > F
CF \|
CF \|
CF \| Pilot House
CF \| The pilot house is located forward of the deck house. It is where the
CF \| captain controls the vessel. There are windows that allow observation
CF \| in every direction. The windows in the pilot house are protected to
CF \| prevent the formation of moisture or condensation that might impair
CF \| the view.
CF \|
CF \| You can return aft to the deckhouse.
CF \|
CF \| You can see navigation maps, priority locations, the Chief Mate and a
CF \| chartplotter (on which is a position dial) here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "set dial to trawler"
CF ] The FDNY 11 After Deck Moves: 52
CF \|
CF \| > SET DIAL TO TRAWLER
CF \|
CF \| The plotter is set to: the trawler.
CF \|
CF \| You are on the after deck. You can now go starboard to the Trawler.
CF \|
CF \| >
DavidW says (to ClubFloyd), "starboard"
CF ] Terrorist's Trawler Moves: 53
CF \|
CF \| > STARBOARD
CF \|
CF \|
CF \| Terrorist's Trawler
CF \| A good size trawler almost like a ferry with a ramp on the aft end. It
CF \| is easily big enough to transport several vehicles. The trawler is
CF \| approaching the Liberty Pier and the Statue of Liberty.
CF \|
CF \| You will need to go west to return to board FDNY 11
CF \|
CF \| You can see a truck (which is closed) and a trailer behind truck
CF \| (which is closed) here.
CF \|
CF \| >		Jade says, "This is a rather curious way to travel"
		Jacqueline says, "I was wondering if that was the terrorist's trawler, and apparently it is indeed the trawler of the terrorists."
DavidW says (to ClubFloyd), "open trailer"
CF ] Terrorist's Trawler Moves: 54
CF \|
CF \| > OPEN TRAILER
CF \|
CF \| You open the trailer behind truck, revealing a dirty bomb.
CF \|
CF \|
CF \| *** The trailer WAS booby trapped. As you opened the door, the
CF \| dirty bomb exploded killing everyone nearby, including you.
CF \| Unfortunately, the radioactive material was also spread throughout the
CF \| area rendering Ellis Island, the Statue of Liberty and New York City
CF \| uninhabitable for many years to come. Cleanup efforts will be
CF \| horrendous!
CF \| ***
CF \|
CF \|
CF \| Would you like to RESTART, RESTORE a saved game or QUIT?
CF \| >
DavidW says (to ClubFloyd), "undo"
CF ] Terrorist's Trawler Moves: 53
CF \|
CF \| > UNDO
CF \|
CF \| Terrorist's Trawler
CF \| [Previous turn undone.]
CF \|
CF \| >
DavidW says (to ClubFloyd), "open truck"
CF ] Terrorist's Trawler Moves: 54
CF \|
CF \| > OPEN TRUCK
CF \|
CF \| After opening the cab of the truck, you see what looks like a
CF \| terrorist. You don't have a weapon but order him to get out of the
CF \| truck with his hands up, anyway!
CF \|
CF \| Maybe you should try talking to him?
CF \|
CF \| >		Jade says, "This is just an ending"
DavidW says (to ClubFloyd), "talk to terrorist"
CF ] Terrorist's Trawler Moves: 55
CF \|
CF \| > TALK TO TERRORIST
CF \|
CF \| "Rather than talking, you need to look at me and see what I'm
CF \| carrying."
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "x terrorist"
CF ] The FDNY 11 After Deck Moves: 56
CF \|
CF \| > X TERRORIST
CF \|
CF \| He has a switch securely taped to his left hand and says, "If you do
CF \| anything, I'll blow the bomb immediately."
CF \|
CF \| You wonder what he is waiting for, since he clearly intends to destroy
CF \| the city anyway.
CF \|
CF \| Now that he has been discovered, he demands to speak to the President
CF \| of the United States, here, face to face!
CF \|
CF \| Putting your hands up, you agree to set up the talk, and depart back
CF \| to FDNY 11.
CF \|
CF \| You are now back on the aft deck of FDNY 11. You have no intention of
CF \| getting the President of the United States involved. You are going to
CF \| solve this problem yourself. Here and now! Maybe you could go to the
CF \| cannon control station and blast the terrorist and his bomb with the
CF \| fire cannon! The deluge of water will send the terrorist, his dead man
CF \| switch and the bomb into the river before he has time detonate the
CF \| bomb.
CF \|
CF \| Now go blast the truck with the fire cannon! It will take out the
CF \| terrorist and the trailer with the bomb all at once.
CF \|
CF \| >		Jacqueline says, "Author, I am sorry, as you may read this and I am being a little snarky. I don't really mean to be. The issue is that the writing is a little too on the nose. It doesn't give me time to think through things and suspect something before just telling me what is happening. There could be more mystery here."
		Jacqueline says (to DW), "Go ahead, be the hero we need."
		Jade says, "Yes, it is a bit too guided game by now"
DavidW says (to ClubFloyd), "l"
CF ] The FDNY 11 After Deck Moves: 57
CF \|
CF \| > L
CF \|
CF \|
CF \| The FDNY 11 After Deck
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Deckhouse Moves: 58
CF \|
CF \| > F
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] Fire Cannon Control Moves: 59
CF \|
CF \| > U
CF \|
CF \|
CF \| Fire Cannon Control
CF \| Wow! The nozzle jockey chair is incredible! The fire cannon is
CF \| controlled from this elevated, glass enclosed station. The windows
CF \| here have protection to prevent the formation of moisture or
CF \| condensation that might impair the view. The deckhouse is back below.
CF \|
CF \| You can see a nozzle jockey chair (in which is a pump power switch)
CF \| here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x chair"
CF ] Fire Cannon Control Moves: 60
CF \|
CF \| > X CHAIR
CF \|
CF \| You can get on the control chair. It is elevated and has a five point
CF \| harness in case of rough seas or the Captain's wild maneuvering. To
CF \| operate the cannon, you need to get into the chair and turn the pump
CF \| power on.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "sit on chair"
CF ] Fire Cannon Control Moves: 61
CF \|
CF \| > SIT ON CHAIR
CF \|
CF \| You get into the nozzle jockey chair.
CF \|
CF \| In the nozzle jockey chair you can see a pump power switch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn pump on"
CF ] Fire Cannon Control Moves: 62
CF \|
CF \| > TURN PUMP ON
CF \|
CF \| (the pump power switch on)
CF \| You switch the pump power switch on.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x pump"
CF ] Fire Cannon Control Moves: 63
CF \|
CF \| > X PUMP
CF \|
CF \| (the pump power switch)
CF \| The pump power switch switches the massive water pump in the machinery
CF \| room on and off.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "l"
CF ] Fire Cannon Control Moves: 64
CF \|
CF \| > L
CF \|
CF \|
CF \| Fire Cannon Control (in the nozzle jockey chair)
CF \| Wow! The nozzle jockey chair is incredible! The fire cannon is
CF \| controlled from this elevated, glass enclosed station. The windows
CF \| here have protection to prevent the formation of moisture or
CF \| condensation that might impair the view. The deckhouse is back below.
CF \|
CF \| In the nozzle jockey chair you can see a pump power switch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x cannon"
CF ] Fire Cannon Control Moves: 64
CF \|
CF \| > X CANNON
CF \|
CF \| That's not something you need to refer to in the course of this game.
CF \|
CF \| >		DavidW says, "um."
		Jade says, "lol"
Jacqueline says (to ClubFloyd), "x nozzle?"
CF ] Fire Cannon Control Moves: 64
CF \|
CF \| > X NOZZLE?
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >		DavidW asks, "Am I supposed to shoot X with Y without seeing either?"
		Jacqueline says, "The power switch may be involved."
DavidW says (to ClubFloyd), "x window"
CF ] Fire Cannon Control Moves: 64
CF \|
CF \| > X WINDOW
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x switch"
CF ] Fire Cannon Control Moves: 65
CF \|
CF \| > X SWITCH
CF \|
CF \| The pump power switch switches the massive water pump in the machinery
CF \| room on and off.
CF \|
CF \|
CF \| >		Jade says, "It is odd indeed"
		DavidW asks, "didn't I turn that on?"
DavidW says (to ClubFloyd), "turn switch on"
CF ] Fire Cannon Control Moves: 66
CF \|
CF \| > TURN SWITCH ON
CF \|
CF \| The pump power switch is already on.
CF \|
CF \| >		Jacqueline says, "oh"
		Jade says, "Perhaps is an auto guided action"
		Jacqueline says, ">WATER TERRORISTS"
DavidW says (to ClubFloyd), "blast terrorist"
CF ] Fire Cannon Control Moves: 66
CF \|
CF \| > BLAST TERRORIST
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "blast bomb"
CF ] Fire Cannon Control Moves: 66
CF \|
CF \| > BLAST BOMB
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "water terrorist"
CF ] Fire Cannon Control Moves: 66
CF \|
CF \| > WATER TERRORIST
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >		Jade says, "aim"
DavidW says (to ClubFloyd), "aim"
CF ] Fire Cannon Control Moves: 66
CF \|
CF \| > AIM
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >
DavidW says (to ClubFloyd), "blast"
CF ] Fire Cannon Control Moves: 67
CF \|
CF \| > BLAST
CF \|
CF \| (the nozzle jockey chair)
CF \| Violence isn't the answer to this one.
CF \|
CF \| >		Jacqueline says, "haha"
		Jade says, "shoot"
DavidW says (to ClubFloyd), "shoot"
CF ] Fire Cannon Control Moves: 68
CF \|
CF \| > SHOOT
CF \|
CF \| (the nozzle jockey chair)
CF \| Violence isn't the answer to this one.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Deckhouse Moves: 69
CF \|
CF \| > D
CF \|
CF \| (first getting out of the nozzle jockey chair)
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >		Jacqueline says, "We have gone from 'you are told everything' to 'you are told nothing'"
		Jade says, "the chais is the default here"
DavidW says (to ClubFloyd), "aft"
CF ] FDNY 11 After Deck Moves: 70
CF \|
CF \| > AFT
CF \|
CF \|
CF \| FDNY 11 After Deck
CF \| The aft deck is dominated by a fire cannon that can shoot a stream of
CF \| thousands of gallons of water per minute at vessels and shoreline
CF \| fires along the NYC coastline. It is controlled from Fire Cannon
CF \| Control above the deck house. The deck house is forward of the aft
CF \| deck.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x cannon"
CF ] FDNY 11 After Deck Moves: 71
CF \|
CF \| > X CANNON
CF \|
CF \| The fire cannon is easily capabile of delivering a large, powerful
CF \| stream of water on vessel and structure fires on the coastline of New
CF \| York City.
CF \|
CF \|
CF \| >
DavidW says (to ClubFloyd), "blast terrorist"
CF ] FDNY 11 After Deck Moves: 71
CF \|
CF \| > BLAST TERRORIST
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "aim cannon"
CF ] FDNY 11 After Deck Moves: 71
CF \|
CF \| > AIM CANNON
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >
DavidW says (to ClubFloyd), "point cannon"
CF ] FDNY 11 After Deck Moves: 71
CF \|
CF \| > POINT CANNON
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >
DavidW says (to ClubFloyd), "use cannon"
CF ] FDNY 11 After Deck Moves: 71
CF \|
CF \| > USE CANNON
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn on cannon"
CF ] FDNY 11 After Deck Moves: 72
CF \|
CF \| > TURN ON CANNON
CF \|
CF \| The fire cannon is not something you can switch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take cannon"
CF ] FDNY 11 After Deck Moves: 73
CF \|
CF \| > TAKE CANNON
CF \|
CF \| The fire cannon is fixed in place.
CF \|
CF \| >
DavidW says (to ClubFloyd), "ride cannon"
CF ] FDNY 11 After Deck Moves: 73
CF \|
CF \| > RIDE CANNON
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >
DavidW says (to ClubFloyd), "ask cannon what's wrong don't you love me?"
CF ] FDNY 11 After Deck Moves: 73
CF \|
CF \| > ASK CANNON WHAT'S WRONG DON'T YOU LOVE ME?
CF \|
CF \| You can only do that to something animate.
CF \|
CF \| >		DavidW says, "tell cannon about granny's cooking"
		Jade asks, "Fire cannon?"
DavidW says (to ClubFloyd), "fire cannon"
CF ] FDNY 11 After Deck Moves: 74
CF \|
CF \| > FIRE CANNON
CF \|
CF \| Violence isn't the answer to this one.
CF \|
CF \| >
DavidW says (to ClubFloyd), "push cannon"
CF ] FDNY 11 After Deck Moves: 75
CF \|
CF \| > PUSH CANNON
CF \|
CF \| The fire cannon is fixed in place.
CF \|
CF \| >
DavidW says (to ClubFloyd), "starboard"
CF ] Terrorist's Trawler Moves: 76
CF \|
CF \| > STARBOARD
CF \|
CF \|
CF \| Terrorist's Trawler
CF \| A good size trawler almost like a ferry with a ramp on the aft end. It
CF \| is easily big enough to transport several vehicles. The trawler is
CF \| approaching the Liberty Pier and the Statue of Liberty.
CF \|
CF \| You will need to go west to return to board FDNY 11
CF \|
CF \| You can see terrorist and a trailer behind truck (which is closed)
CF \| here.
CF \|
CF \| >		Jade says, "ok, fire cannon is the object's name"
DavidW says (to ClubFloyd), "x terrorist"
CF ] The FDNY 11 After Deck Moves: 77
CF \|
CF \| > X TERRORIST
CF \|
CF \| He has a switch securely taped to his left hand and says, "If you do
CF \| anything, I'll blow the bomb immediately."
CF \|
CF \| You wonder what he is waiting for, since he clearly intends to destroy
CF \| the city anyway.
CF \|
CF \| Now that he has been discovered, he demands to speak to the President
CF \| of the United States, here, face to face!
CF \|
CF \| Putting your hands up, you agree to set up the talk, and depart back
CF \| to FDNY 11.
CF \|
CF \| You are now back on the aft deck of FDNY 11. You have no intention of
CF \| getting the President of the United States involved. You are going to
CF \| solve this problem yourself. Here and now! Maybe you could go to the
CF \| cannon control station and blast the terrorist and his bomb with the
CF \| fire cannon! The deluge of water will send the terrorist, his dead man
CF \| switch and the bomb into the river before he has time detonate the
CF \| bomb.
CF \|
CF \| Now go blast the truck with the fire cannon! It will take out the
CF \| terrorist and the trailer with the bomb all at once.
CF \|
CF \| >
DavidW says (to ClubFloyd), "blast truck"
CF ] The FDNY 11 After Deck Moves: 77
CF \|
CF \| > BLAST TRUCK
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "f"
CF ] Deckhouse Moves: 78
CF \|
CF \| > F
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] Fire Cannon Control Moves: 79
CF \|
CF \| > U
CF \|
CF \|
CF \| Fire Cannon Control
CF \| Wow! The nozzle jockey chair is incredible! The fire cannon is
CF \| controlled from this elevated, glass enclosed station. The windows
CF \| here have protection to prevent the formation of moisture or
CF \| condensation that might impair the view. The deckhouse is back below.
CF \|
CF \| You can see a nozzle jockey chair (in which is a pump power switch)
CF \| here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "blast truck"
CF ] Fire Cannon Control Moves: 80
CF \|
CF \| > BLAST TRUCK
CF \|
CF \| You have to be seated in the chair to control the fire cannon.
CF \|
CF \| >		Jacqueline says, "Not shoot, not blast... use? Probably not use."
DavidW says (to ClubFloyd), "sit on chair"
CF ] Fire Cannon Control Moves: 81
CF \|
CF \| > SIT ON CHAIR
CF \|
CF \| You get into the nozzle jockey chair.
CF \|
CF \| In the nozzle jockey chair you can see a pump power switch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "blast truck"
CF ] Fire Cannon Control Moves: 82
CF \|
CF \| > BLAST TRUCK
CF \|
CF \| You have defeated the terrorist and neutralized his bombs and weapons!
CF \| Congratulations!
CF \|
CF \| Now that the threat has been elminated, Kenyon has left you another
CF \| note in the galley.
CF \|
CF \| >		Jade says, "Well done"
		Jacqueline exclaims, "Wait! I thought we tried blast!"
		DavidW says, "I did, but not 'blast truck'."
		Jacqueline gives the screen some sideeye.
		Jacqueline says (to DW), "Oh. oh. ohhhh."
DavidW says (to ClubFloyd), "stand"
CF ] Fire Cannon Control Moves: 83
CF \|
CF \| > STAND
CF \|
CF \| You get out of the nozzle jockey chair.
CF \|
CF \| Fire Cannon Control
CF \| Wow! The nozzle jockey chair is incredible! The fire cannon is
CF \| controlled from this elevated, glass enclosed station. The windows
CF \| here have protection to prevent the formation of moisture or
CF \| condensation that might impair the view. The deckhouse is back below.
CF \|
CF \| You can see a nozzle jockey chair (in which is a pump power switch)
CF \| here.
CF \|
CF \| >		Jacqueline frowns.
		Jade asks, "Did we seat in the seat before?"
		DavidW says, "yes"
DavidW says (to ClubFloyd), "turn off switch"
CF ] Fire Cannon Control Moves: 84
CF \|
CF \| > TURN OFF SWITCH
CF \|
CF \| You switch the pump power switch off.
CF \|
CF \| >		Jacqueline shakes her head.
DavidW says (to ClubFloyd), "d"
CF ] Deckhouse Moves: 85
CF \|
CF \| > D
CF \|
CF \|
CF \| Deckhouse
CF \| The deckhouse provides access to the galley below. The fire cannon
CF \| control station is above and the pilot house is forward. The after
CF \| deck is aft.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Galley Moves: 86
CF \|
CF \| > D
CF \|
CF \|
CF \| Galley
CF \| The galley is a multi-purpose room that is more than a place with a
CF \| table for dining. Since the crew lives on the boat for extended
CF \| periods, it provides entertainment and recreation. There is a
CF \| computer, a TV and a bookshelf with a number of book for both pleasure
CF \| and study. The deckhouse is above.
CF \|
CF \| On the table are a "Farewell" and a "terrorist note".
CF \|
CF \| You can see a bookshelf (which is closed) here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "read farewell"
CF ] Galley Moves: 87
CF \|
CF \| > READ FAREWELL
CF \|
CF \| I just wanted to say farewell before I go. I am so relieved that the
CF \| terroristls plans have been foiled. I feel fortunate that I was able
CF \| to play a small role in saving my home town. I hope that I will be
CF \| able to contact you again. Love, Granny. (Maybe next time I will
CF \| figure out a way to give you a hug.)
CF \|
CF \|
CF \| * You have won *
CF \|
CF \|
CF \| Would you like to RESTART, RESTORE a saved game or QUIT?
CF \| >		Jacqueline says, "Farewell from granny."
		Jacqueline says, "Well, that was a game."
		Jade says, "Well, another game has been beaten"
		Jacqueline says, "I do generally love a 'dead relative helps you' plot, but this felt too scripted."
		DavidW says, "We do have time to do MOPP. I've already played it, but perhaps you don't mind."
		Jacqueline says (to Jade), "Yes. All hail David, solver of the games."
		DavidW says, "thanks"
DavidW says (to ClubFloyd), "quit"
CF \| >
CF \| > QUIT
CF \| debugcheapnitfol quit with exit status: 0
CF asks, "That game over already? It was just getting good. Wanna play another?"		Jacqueline says (to DW), "Yeah, I don't mind. Particularly if you think we'd enjoy it."
DavidW says (to ClubFloyd), "load sleepmask mopp"
CF ] Office at the University 0/1
CF \|
CF \|
CF \|
CF \|
CF \| MoPP, it read above the entrance, short for Museum of Paranormal
CF \| Phenomena. In fact, this is just a shrine that pays homage to a
CF \| 40-year-old movie without wanting to infringe any copyright. Which
CF \| movie? That's not hard to guess...
CF \|
CF \| MoPP
CF \| An interactive homage by Olaf Nowacki
CF \| Release 1 / Serial number 241030 / Inform 7 v10.1.2
CF \|
CF \| Office at the University
CF \| An office filled with all kinds of stuff, namely that of Peter Venkman
CF \| at Columbia University. He, or rather a mannequin that looks like him,
CF \| is sitting at a desk in the center. Opposite him sit a male and a
CF \| female student, both mannequins too, of course. Apart from you,
CF \| there's probably not a living soul in the entire museum.
CF \|
CF \| An exit leads to the east.
CF \|
CF \| A fridge is somewhat out of place here.
CF \|
CF \| >		Jade says, "You are in fire, DW"
		DavidW says, "This is a simple tribute game to Ghostbusters."
		Jacqueline exclaims, "Quick! blast him with the fire cannon!"
		Jade says, "on fire"
DavidW says (to ClubFloyd), "x peter"
CF ] Office at the University 0/2
CF \| >
CF \| > X PETER
CF \|
CF \| Peter grins his smarmy grin. His right hand hovers over a button. His
CF \| left hand is held up as if he wants to snap his fingers (something is
CF \| missing!).
CF \|
CF \| >		Jacqueline asks, "Dang. I was a touch late with my joke. Where is Roger when we need quick snark?"
DavidW says (to ClubFloyd), "x male student"
CF ] Office at the University 0/3
CF \| >
CF \| > X MALE STUDENT
CF \|
CF \| The male student opposite Peter Venkman has his mouth open in fear.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x female student"
CF ] Office at the University 0/4
CF \| >
CF \| > X FEMALE STUDENT
CF \|
CF \| You see nothing special about the female student.
CF \|
CF \| >		Roger says, "Resting my snarker"
DavidW says (to ClubFloyd), "x desk"
CF ] Office at the University 0/5
CF \| >
CF \| > X DESK
CF \|
CF \| You see nothing special about the desk.
CF \|
CF \| Wow, there's Slimer! He looks pretty real as he floats into the room.
CF \| You can't make out a hidden projector here – amazing how they made
CF \| this work!
CF \|
CF \| >
DavidW says (to ClubFloyd), "x slimer"
CF ] Office at the University 0/6
CF \| >
CF \| > X SLIMER
CF \|
CF \| This is doomed to failure from the outset, because Slimer is just a
CF \| projection.
CF \|
CF \| Slimer hovers away.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x fridge"
CF ] Office at the University 0/7
CF \| >
CF \| > X FRIDGE
CF \|
CF \| The fridge is about five point nine feet high, angular and pale green.
CF \|
CF \| >		Jade says, "This was strange"
DavidW says (to ClubFloyd), "open fridge"
CF ] Office at the University 0/8
CF \| >
CF \| > OPEN FRIDGE
CF \|
CF \| You try with all your strength to open the fridge door, but to no
CF \| avail.
CF \|
CF \| >
DavidW says (to ClubFloyd), "e"
CF ] Headquarters Office 0/9
CF \| >
CF \| > E
CF \|
CF \|
CF \| Headquarters Office
CF \| One room further on is the headquarters of our extraordinary
CF \| exterminators. There's a desk here too, but Janine Melnitz is sitting
CF \| at it.
CF \|
CF \| Exits lead to the north and west. There is also a staircase leading
CF \| down.
CF \|
CF \| A lone cigarette lies on the desk.
CF \|
CF \| Slimer hovers in.
CF \|
CF \| >		Jacqueline says (to Roger), "I did not know it needed downtime to recharge."
DavidW says (to ClubFloyd), "take cigarette"
CF ] Headquarters Office 0/10
CF \| >
CF \| > TAKE CIGARETTE
CF \|
CF \| Taken.
CF \|
CF \| Slimer hovers towards the Office at the University.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x it"
CF ] Headquarters Office 0/11
CF \| >
CF \| > X IT
CF \|
CF \| A standard cigarette. But what ghost hunter other than Ray Stantz
CF \| smokes?
CF \|
CF \| Slimer hovers in.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x Janine"
CF ] Headquarters Office 0/12
CF \| >
CF \| > X JANINE
CF \|
CF \| She tilts her head a little and it looks as if she is talking. Her
CF \| left elbow is resting on the table, with her hand near her ear in a
CF \| gesture like an O. Strange.
CF \|
CF \| Slimer hovers away.
CF \|
CF \| >
DavidW says (to ClubFloyd), "n"
CF ] Hotel Corridor 0/13
CF \| >
CF \| > N
CF \|
CF \|
CF \| Hotel Corridor
CF \| A very dignified hotel corridor. Ray Stantz and a room service trolley
CF \| are parked here.
CF \|
CF \| Exits lead to the south and east.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x Ray"
CF ] Hotel Corridor 0/14
CF \| >
CF \| > X RAY
CF \|
CF \| Ray is wearing his pale green uniform, with the bulky rucksack on his
CF \| back and the proton blaster in both hands. Wide-eyed and open-mouthed,
CF \| he gapes at the room service trolley.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x trolley"
CF ] Hotel Corridor 0/15
CF \| >
CF \| > X TROLLEY
CF \|
CF \| One of those little trolleys on which the food is brought to you in
CF \| the hotel – at least in American movies. On top, however, lies also a
CF \| PKE meter.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x pke"
CF ] Hotel Corridor 0/16
CF \| >
CF \| > X PKE
CF \|
CF \| The PKE meter (or aurascope) is a measuring device invented by Egon
CF \| Spengler for detecting spirits.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take it"
CF ] Hotel Corridor 0/17
CF \| >
CF \| > TAKE IT
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "e"
CF ] Hallway in the Residential High-Rise 0/18
CF \| >
CF \| > E
CF \|
CF \|
CF \| Hallway in the Residential High-Rise
CF \| Another corridor, but this one is much more modest. Louis Tully is
CF \| standing in front of a (his!) flat door.
CF \|
CF \| Exits lead to the west and south.
CF \|
CF \| There is a small box on the floor next to Louis.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x louie"
CF ] Hallway in the Residential High-Rise 0/18
CF \| >
CF \| > X LOUIE
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >		Jacqueline says, "box"
DavidW says (to ClubFloyd), "x Louis"
CF ] Hallway in the Residential High-Rise 0/19
CF \| >
CF \| > X LOUIS
CF \|
CF \| Louis Tully has his right hand on the handle of his apartment door.
CF \| With his thick glasses on and one corner of his mouth pulled up, he
CF \| looks at the door as only he can. He has just locked himself out.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x box"
CF ] Hallway in the Residential High-Rise 0/20
CF \| >
CF \| > X BOX
CF \|
CF \| A black box with "FOG 1984" written on it. A pipe sticks out of the
CF \| side.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take it"
CF ] Hallway in the Residential High-Rise 0/21
CF \| >
CF \| > TAKE IT
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "open door"
CF ] Hallway in the Residential High-Rise 0/22
CF \| >
CF \| > OPEN DOOR
CF \|
CF \| It will most certainly not be appreciated if you mess around with the
CF \| exhibits here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "s"
CF ] Dana's Flat 0/23
CF \| >
CF \| > S
CF \|
CF \|
CF \| Dana's Flat
CF \| A kitchen in a flat. Dana Barrett stands in the middle of the room.
CF \|
CF \| An exit leads northwards and a ladder leads upwards.
CF \|
CF \| You can see a ghost trap here.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x dana"
CF ] Dana's Flat 0/24
CF \| >
CF \| > X DANA
CF \|
CF \| Dana Barrett has stretched out her left arm. Completely astonished,
CF \| she looks at the wall.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x trap"
CF ] Dana's Flat 0/25
CF \| >
CF \| > X TRAP
CF \|
CF \| A mobile ghost trap, about the size of an elongated shoe box, with a
CF \| double flap and a handle on the top.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take trap"
CF ] Dana's Flat 0/26
CF \| >
CF \| > TAKE TRAP
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] High-rise Roof 0/27
CF \| >
CF \| > U
CF \|
CF \|
CF \| High-rise Roof
CF \| On the roof of the high-rise building. The skyline of New York is
CF \| actually just painted on the walls. Gozer comes out of a triangular
CF \| gate. There are also a few pillars standing around and those two
CF \| dangerous-looking dog monsters.
CF \|
CF \| You can get back down via a ladder in the floor.
CF \|
CF \| Hm, there's a telephone on a broken pillar.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x skyline"
CF ] High-rise Roof 0/28
CF \| >
CF \| > X SKYLINE
CF \|
CF \| All around are the other skyscrapers of New York. As it is night, you
CF \| can only see their silhouettes and a binary pattern of illuminated
CF \| windows. Of course, it's all just painted on the walls, but it looks
CF \| amazingly real.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x gozer"
CF ] High-rise Roof 0/29
CF \| >
CF \| > X GOZER
CF \|
CF \| Gozer's skintight suit looks almost see-through and her make-up is
CF \| wonderfully eighties. Like so many characters here, she has one arm
CF \| outstretched, but in her case it looks fitting – as if she is about
CF \| to
CF \| destroy us.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x monsters"
CF ] High-rise Roof 0/30
CF \| >
CF \| > X MONSTERS
CF \|
CF \| The two creatures look like inflated bulldogs. Luckily, they are only
CF \| made of plastic.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x telephone"
CF ] High-rise Roof 0/31
CF \| >
CF \| > X TELEPHONE
CF \|
CF \| This is a really nice old desk phone, with a rotary dial.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take it"
CF ] High-rise Roof 0/32
CF \| >
CF \| > TAKE IT
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Dana's Flat 0/33
CF \| >
CF \| > D
CF \|
CF \|
CF \| Dana's Flat
CF \| A kitchen in a flat. Dana Barrett stands in the middle of the room.
CF \|
CF \| An exit leads northwards and a ladder leads upwards.
CF \|
CF \| >
DavidW says (to ClubFloyd), "n"
CF ] Hallway in the Residential High-Rise 0/34
CF \| >
CF \| > N
CF \|
CF \|
CF \| Hallway in the Residential High-Rise
CF \| Another corridor, but this one is much more modest. Louis Tully is
CF \| standing in front of a (his!) flat door. Everything looks good here.
CF \|
CF \| Exits lead to the west and south.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Hotel Corridor 0/35
CF \| >
CF \| > W
CF \|
CF \|
CF \| Hotel Corridor
CF \| A very dignified hotel corridor. Ray Stantz and a room service trolley
CF \| are parked here.
CF \|
CF \| Exits lead to the south and east.
CF \|
CF \| >
DavidW says (to ClubFloyd), "s"
CF ] Headquarters Office 0/36
CF \| >
CF \| > S
CF \|
CF \|
CF \| Headquarters Office
CF \| This is the HQ of the paranormal pest controllers. Janine Melnitz is
CF \| sitting at a desk.
CF \|
CF \| Exits lead to the north and west. There is also a staircase leading
CF \| down.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Basement of the Headquarters 0/37
CF \| >
CF \| > D
CF \|
CF \|
CF \| Basement of the Headquarters
CF \| This is obviously the basement of the headquarters. Winston Zeddemore
CF \| is standing in front of a complicated technical device – the
CF \| containment unit.
CF \|
CF \| An exit leads to the west and a staircase goes up.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x winston"
CF ] Basement of the Headquarters 0/38
CF \| >
CF \| > X WINSTON
CF \|
CF \| Winston Zeddemore holds his outstretched arm towards the containment
CF \| unit.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x unit"
CF ] Basement of the Headquarters 0/39
CF \| >
CF \| > X UNIT
CF \|
CF \| The containment unit is empty.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Library Archive 0/40
CF \| >
CF \| > W
CF \|
CF \|
CF \| Library Archive
CF \| This is obviously an archive. There are high bookshelves everywhere.		Jacqueline asks, "Hm. Is it all just scenery, or is there something we are meant to do?"
CF \| Egon Spengler is here.
CF \|
CF \| An exit leads to the east.
CF \|
CF \| >		DavidW says, "All we have to do is put the misplaced scenery bits back where they belong."
DavidW says (to ClubFloyd), "x Egon"
CF ] Library Archive 0/41
CF \| >
CF \| > X EGON
CF \|
CF \| Egon stands between two walls of shelves and frowns at his open hand.
CF \|
CF \| >		Jacqueline says, "ah"
		Roger says, "probably (although maybe we can entrap Slimer too)"
DavidW says (to ClubFloyd), "x shelves"
CF ] Library Archive 0/42
CF \| >
CF \| > X SHELVES
CF \|
CF \| There are lots of books on the shelves – some have greenish goo on
CF \| them, and in one spot there are some papers and books hanging on thin
CF \| nylon threads in the middle of the room.
CF \|
CF \| You also notice a deck of large cards with abstract symbols lying on
CF \| one of the shelves. Surely they belong somewhere else.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x deck"
CF ] Library Archive 0/43
CF \| >
CF \| > X DECK
CF \|
CF \| These cards are used in the movie to test people for telepathic
CF \| abilities.
CF \|
CF \| >		Jade says, "Reorganize"
DavidW says (to ClubFloyd), "take deck"
CF ] Library Archive 0/44
CF \| >
CF \| > TAKE DECK
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "i"
CF ] Library Archive 0/45
CF \| >
CF \| > I
CF \|
CF \| You are carrying:
CF \| some cards with symbols
CF \| a phone
CF \| a ghost trap
CF \| a small box
CF \| the PKE meter
CF \| a cigarette
CF \|
CF \| >		DavidW says, "Now I'm going to solve everything"
		Roger says, "that deck has a particular trademark name which I can't recall at the moment"
DavidW says (to ClubFloyd), "give meter to Egon"
CF ] Library Archive 1/46
CF \| >
CF \| > GIVE METER TO EGON
CF \|
CF \| You put the PKE meter in Egon's hand and now his stunned expression
CF \| matches. Your facial expression is very similar, however, when the PKE
CF \| meter suddenly comes to life and the two little arms flash upwards.
CF \| Just like in the movie!
CF \|
CF \| [Your score has just gone up by one point.]
CF \|
CF \| >		Jacqueline asks (of Roger), "Bicycle?"
		DavidW says, "Zener"
		Roger says, "yeah, that's it."
		DavidW says, "The ESP cards"
DavidW says (to ClubFloyd), "e"
CF ] Basement of the Headquarters 1/47
CF \| >
CF \| > E
CF \|
CF \|
CF \| Basement of the Headquarters
CF \| The basement of the headquarters. Winston Zeddemore is standing in
CF \| front of a complicated technical device – the containment unit.
CF \|
CF \| An exit leads to the west and a staircase goes up.
CF \|
CF \| >
DavidW says (to ClubFloyd), "give trap to Winston"
CF ] Basement of the Headquarters 2/48
CF \| >
CF \| > GIVE TRAP TO WINSTON
CF \|
CF \| You place the ghost trap in Winston's hand. Now it looks like he's
CF \| about to empty it into the containment unit. Perfect!
CF \|
CF \| [Your score has just gone up by one point.]
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] Headquarters Office 2/49
CF \| >
CF \| > U
CF \|
CF \|
CF \| Headquarters Office
CF \| This is the HQ of the paranormal pest controllers. Janine Melnitz is
CF \| sitting at a desk.
CF \|
CF \| Exits lead to the north and west. There is also a staircase leading
CF \| down.
CF \|
CF \| >
DavidW says (to ClubFloyd), "give telephone to Janine"
CF ] Headquarters Office 3/50
CF \| >
CF \| > GIVE TELEPHONE TO JANINE
CF \|
CF \| You put the phone on the desk and squeeze the receiver in Janine's
CF \| hand. You can practically hear her barking "What do you want?"
CF \|
CF \| [Your score has just gone up by one point.]
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Office at the University 3/51
CF \| >
CF \| > W
CF \|
CF \|
CF \| Office at the University
CF \| An office filled with all kinds of stuff, namely that of Peter Venkman
CF \| at Columbia University. He is sitting at a desk in the center.
CF \| Opposite him sit a male and a female student.
CF \|
CF \| An exit leads to the east.
CF \|
CF \| A fridge is somewhat out of place here.
CF \|
CF \| >		Roger says, "maybe we are the ghost"
		Jacqueline says, "zomg"
DavidW says (to ClubFloyd), "give deck to Peter"
CF ] Office at the University 4/52
CF \| >
CF \| > GIVE DECK TO PETER
CF \|
CF \| You place the deck of cards on the table and put the top card in
CF \| Peter's hand. Now it looks like in the movie: contrary to
CF \| expectations, the student has guessed the card correctly, but still
CF \| gets one from Peter.
CF \|
CF \| [Your score has just gone up by one point.]
CF \|
CF \| >
DavidW says (to ClubFloyd), "push fridge east"
CF ] Headquarters Office 4/53
CF \| >
CF \| > PUSH FRIDGE EAST
CF \|
CF \| You push the fridge over into the other room.
CF \|
CF \| Headquarters Office
CF \| This is the HQ of the paranormal pest controllers. Janine Melnitz is
CF \| sitting at a desk. Everything looks good here.
CF \|
CF \| Exits lead to the north and west. There is also a staircase leading
CF \| down.
CF \|
CF \| On the desk is a phone.
CF \|
CF \| >
DavidW says (to ClubFloyd), "push fridge north"
CF ] Hotel Corridor 4/54
CF \| >
CF \| > PUSH FRIDGE NORTH
CF \|
CF \| You push the fridge over into the other room.
CF \|
CF \| Hotel Corridor
CF \| A very dignified hotel corridor. Ray Stantz and a room service trolley
CF \| are parked here.
CF \|
CF \| Exits lead to the south and east.
CF \|
CF \| >
DavidW says (to ClubFloyd), "give cigarette to Ray"
CF ] Hotel Corridor 5/55
CF \| >
CF \| > GIVE CIGARETTE TO RAY
CF \|
CF \| You put the cigarette in Ray's mouth. It sticks to his lower lip and
CF \| dangles down, just like in the movie. Looks good.
CF \|
CF \| [Your score has just gone up by one point.]
CF \|
CF \| >
DavidW says (to ClubFloyd), "push fridge east"
CF ] Hallway in the Residential High-Rise 5/56
CF \| >
CF \| > PUSH FRIDGE EAST
CF \|
CF \| You push the fridge over into the other room.
CF \|
CF \| Hallway in the Residential High-Rise
CF \| Another corridor, but this one is much more modest. Louis Tully is
CF \| standing in front of a (his!) flat door. Everything looks good here.
CF \|
CF \| Exits lead to the west and south.
CF \|
CF \| >
DavidW says (to ClubFloyd), "push fridge south"
CF ] Dana's Flat 6/57
CF \| >
CF \| > PUSH FRIDGE SOUTH
CF \|
CF \| You push the fridge into the kitchen and place it against the wall,
CF \| right opposite Dana, and suddenly it opens by itself. Now it looks as
CF \| if Dana has opened the fridge. Inside you can see an incredibly finely
CF \| detailed and fantastic scene, a glimpse into another universe!
CF \|
CF \| Dana's Flat
CF \| A kitchen in a flat. Dana Barrett stands in the middle of the room.
CF \|
CF \| An exit leads northwards and a ladder leads upwards.
CF \|
CF \| Slimer hovers in.
CF \|
CF \| [Your score has just gone up by one point.]
CF \|
CF \| >
DavidW says (to ClubFloyd), "x fridge"
CF ] Dana's Flat 6/58
CF \| >
CF \| > X FRIDGE
CF \|
CF \| The fridge is about five point nine feet high, angular and pale green.
CF \| It stands against the kitchen wall and inside you can see into a
CF \| distant universe.
CF \|
CF \| Slimer looks at you with his mouth open and his tongue hanging out. He
CF \| looks like a dog that wants to play – or like a hungry monster.
CF \|
CF \| >
DavidW says (to ClubFloyd), "touch slimer"
CF ] Dana's Flat 6/59
CF \| >
CF \| > TOUCH SLIMER
CF \|
CF \| You reach for Slimer with your hand and, as you would expect, it just
CF \| goes right through him. You wonder how they've done it technically.
CF \|
CF \| Slimer hovers towards the High-rise Roof.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] High-rise Roof 6/60
CF \| >
CF \| > U
CF \|
CF \|
CF \| High-rise Roof
CF \| On the roof of the high-rise building. The skyline of New York is
CF \| actually just painted on the walls. Gozer comes out of a triangular
CF \| gate. There are also a few pillars standing around and those two
CF \| dangerous-looking dog monsters.
CF \|
CF \| You can get back down via a ladder in the floor.
CF \|
CF \| You can see Slimer here.
CF \|
CF \| Slimer hovers towards the Dana's Flat.
CF \|
CF \| >
DavidW says (to ClubFloyd), "i"
CF ] High-rise Roof 6/61
CF \| >
CF \| > I
CF \|
CF \| You are carrying:
CF \| a small box
CF \|
CF \| Slimer hovers in.
CF \|
CF \| >		Jacqueline says, "I do like 'five point nine feet high' - for some reason that is funny."
DavidW says (to ClubFloyd), "give box to Gozer"
CF ] High-rise Roof 7/61
CF \| >
CF \| > GIVE BOX TO GOZER
CF \|
CF \| You place the box on the floor next to Gozer and it starts to work all
CF \| by itself and fogs everything up. That's what's missing here. Now
CF \| everything looks even creepier and Gozer suddenly looks deceptively
CF \| real and very much alive.
CF \|
CF \| -----
CF \|
CF \| You've put everything back in its right place and now the atmosphere
CF \| is changing noticeably, as if everything is getting a little darker
CF \| and warmer.
CF \|
CF \| From a distance, you hear this familiar music. It slowly gets louder
CF \| and closer, then the singing starts: "If there's something strange in
CF \| your neighborhood – who you gonna call?"
CF \|
CF \| But there's something else coming at you – what is it? It's Slimer
CF \| and
CF \| he's racing towards you and... through you. You land on your back,
CF \| covered all over in green slime, like Peter Venkman in the movie.
CF \| Disgusting!
CF \|
CF \|
CF \|
CF \| * The End *
CF \|
CF \|
CF \| In that game you scored 7 out of a possible 7, in 61 turns.
CF \|
CF \|
CF \| Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last
CF \| command?
CF \| >		Jacqueline says, "Two New York games today on ClubFloyd."
		Roger says, "that was nicely-done enough"
		Jade says, "Yes, two NYPD"
		Roger says, "we missed NYComp"
		Jacqueline says (to Roger), "Yeah."
		Jade says, "This has been superfast"
		Jacqueline says, "I do not mind that it was superfast, honestly."
		DavidW asks, "should I upload the German version?"
		Jacqueline asks, "Ha. Um... no?"
		DavidW says, "okay"
		Roger says, "I mean, not for us, but someone might enjoy it, someday"
		Jacqueline says, "I mean, we've done foreign language games here before, but not usually when we've already seen them in English."
		Jacqueline says (to Roger), "Oh, upload? Sure. But not play today."
		DavidW says, "Your Little Haunting is very short."
		Jacqueline says, "Okay."
DavidW says (to ClubFloyd), "quit"
CF \| >
CF \| > QUIT
CF \| cheapglulxe quit with exit status: 0
CF asks, "That game over already? It was just getting good. Wanna play another?"
DavidW says (to ClubFloyd), "list y"
CF says (to DavidW), "yagwad yagwadr2 yakshaving yomomma yomommar3 youareachef youareaturkey youarestanding youretoast yourlittlehaunting yoursistheearth youwontgetherback"
DavidW says (to ClubFloyd), "load sleepmask yourlittlehaunting"
CF ] Murky Hallway
CF \|
CF \|
CF \|
CF \| You've been walking along a road you don't know, until your feet hurt.
CF \|
CF \| Night has fallen, black as a sheer gap above you, any lampposts far
CF \| off on the highway. You approached this house to ask to borrow
CF \| something to light your way.
CF \|
CF \| When no-one answered, you tried the door. It's not locked.
CF \|
CF \| Your Little Haunting
CF \| An Interactive Fiction by Christina Nordlander
CF \| Release 1 / Serial number 241031 / Inform 7 build 6M62 (I6/v6.33 lib
CF \| 6/12N)
CF \|
CF \| Murky Hallway
CF \| It doesn't look particularly run-down, or romantically old, but all
CF \| furnishings have been stripped out. It is impossible to tell what
CF \| pattern the wallpaper was.
CF \|
CF \| There is an empty doorway to the south, and a stairway at the end of
CF \| the hall leading up into blackness.
CF \|
CF \| The heavy front door leads back out to the west.
CF \|
CF \| >		Roger says, "dang that's some found poetry of all the stuff You Are"
DavidW says (to ClubFloyd), "x me"
CF ] Murky Hallway
CF \| >
CF \| > X ME
CF \|
CF \| You are you.
CF \|
CF \| >
DavidW says (to ClubFloyd), "i"
CF ] Murky Hallway
CF \| >
CF \| > I
CF \|
CF \| You are carrying nothing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x stairway"
CF ] Murky Hallway
CF \| >
CF \| > X STAIRWAY
CF \|
CF \| Plain wood. It looks dark, but that may be the bad light.
CF \|
CF \| >
DavidW says (to ClubFloyd), "s"
CF ] Kitchen
CF \| >
CF \| > S
CF \|
CF \|
CF \| Kitchen
CF \| A square room, as stripped as the rest of the house, lit with large
CF \| slashes of shadow from the electric lantern outside the window.
CF \|
CF \| A doorway to the north leads back to the hallway.
CF \|
CF \| An ancient electric stove stands along one wall.
CF \|
CF \| A sink and tap stands next to the oven.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x stove"
CF ] Kitchen
CF \| >
CF \| > X STOVE
CF \|
CF \| White enamel, peeling in the corners. Plates dark with rust.
CF \|
CF \| The stove is currently switched off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x window"
CF ] Kitchen
CF \| >
CF \| > X WINDOW
CF \|
CF \| All you can see outside is the glare of the lantern on the facade,
CF \| then a blackness that might be forest or just sky.
CF \|
CF \| >
DavidW says (to ClubFloyd), "open window"
CF ] Kitchen
CF \| >
CF \| > OPEN WINDOW
CF \|
CF \| It isn't something you can open.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x sink"
CF ] Kitchen
CF \| >
CF \| > X SINK
CF \|
CF \| An empty hollow of metal, a tap jutting out over it. The metal looks
CF \| clean in the slivers of light from the window, but this close up,
CF \| there is an unpleasant smell.
CF \|
CF \| The sink is currently switched off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn on sink"
CF ] Kitchen
CF \| >
CF \| > TURN ON SINK
CF \|
CF \| Water rushes out of the tap.
CF \|
CF \| >
DavidW says (to ClubFloyd), "drink water"
CF ] Kitchen
CF \| >
CF \| > DRINK WATER
CF \|
CF \| You crane your head under the jet and drink a few mouthfuls. The water
CF \| is cold and metallic-tasting, but you feel a distant, acerbic
CF \| undertaste that doesn't fade away.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn off sink"
CF ] Kitchen
CF \| >
CF \| > TURN OFF SINK
CF \|
CF \| You turn the tap with a squeak. The water stops.
CF \|
CF \| You feel a sudden sliver of cramp through your entrails. It's enough
CF \| to make your steps falter for a second.
CF \|
CF \| >
DavidW says (to ClubFloyd), "z"
CF ] Kitchen
CF \| >
CF \| > Z
CF \|
CF \| Time passes.
CF \|
CF \| >
DavidW says (to ClubFloyd), "z"
CF ] Kitchen
CF \| >
CF \| > Z
CF \|
CF \| Time passes.
CF \|
CF \| >
DavidW says (to ClubFloyd), "z"
CF ] Kitchen
CF \| >
CF \| > Z
CF \|
CF \| Time passes.
CF \|
CF \| You can't keep pushing against the pain. You double over with your
CF \| arms clutching your midsection, reeling, the floor wavering before
CF \| your eyes. As a last-ditch effort, you try to vomit, but the pain
CF \| isn't that kind. The lights wink out, and only the agony remains.
CF \|
CF \| You open your eyes and get up from the floor. The pain is gone. You
CF \| wait a few seconds, but it doesn't come back.
CF \|
CF \| >		Jacqueline says, "ugh"
DavidW says (to ClubFloyd), "look"
CF ] Kitchen
CF \| >
CF \| > LOOK
CF \|
CF \| Kitchen
CF \| A square room, as stripped as the rest of the house, lit with large
CF \| slashes of shadow from the electric lantern outside the window.
CF \|
CF \| A doorway to the north leads back to the hallway.
CF \|
CF \| A human figure of pale light is here. It doesn't seem to see you.
CF \|
CF \| An ancient electric stove stands along one wall.
CF \|
CF \| A sink and tap stands next to the oven.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x ghost"
CF ] Kitchen
CF \| >
CF \| > X GHOST
CF \|
CF \| It stands completely still, hunched over, as if unable to straighten
CF \| up. When you walk around to see its face, it is a rictus of pain.
CF \| .
CF \|
CF \| >
DavidW says (to ClubFloyd), "touch ghost"
CF ] Kitchen
CF \| >
CF \| > TOUCH GHOST
CF \|
CF \| Your hand moves through it. If your eyes were closed, you wouldn't
CF \| even notice.
CF \|
CF \| The ghost doesn't seem to notice your touch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "talk to ghost"
CF ] Kitchen
CF \| >
CF \| > TALK TO GHOST
CF \|
CF \| That's not a verb I recognise.
CF \|
CF \| >		Jacqueline asks, "Should we have not drunk from the sink, or was that unrelated?"
		DavidW says, "It is related, and we should not have, but there's not much to do in this game. It was optional."
		Jacqueline nods.
DavidW says (to ClubFloyd), "n"
CF ] Murky Hallway
CF \| >
CF \| > N
CF \|
CF \|
CF \| Murky Hallway
CF \| It doesn't look particularly run-down, or romantically old, but all
CF \| furnishings have been stripped out. It is impossible to tell what
CF \| pattern the wallpaper was.
CF \|
CF \| There is an empty doorway to the south, and a stairway at the end of
CF \| the hall leading up into blackness.
CF \|
CF \| The heavy front door leads back out to the west.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] Upper Storey Hallway
CF \| >
CF \| > U
CF \|
CF \|
CF \| Upper Storey Hallway
CF \| A dingy hallway, narrow around your shoulders, running east and west.
CF \| At the eastern end, a stairway leads up and down.
CF \|
CF \| A plain door leads south.
CF \|
CF \| >
DavidW says (to ClubFloyd), "s"
CF ] Bedroom
CF \| >
CF \| > S
CF \|
CF \| (first opening the plain door)
CF \|
CF \| Bedroom
CF \| This one hasn't been cleared out. There is a bed, piles of bed-linen,
CF \| a wardrobe; just lumpy dark silhouettes.
CF \|
CF \| A doorway leads back north to the dark hallway.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x bed"
CF ] Bedroom
CF \| >
CF \| > X BED
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x bed-linen"
CF ] Bedroom
CF \| >
CF \| > X BED-LINEN
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x wardrobe"
CF ] Bedroom
CF \| >
CF \| > X WARDROBE
CF \|
CF \| You can't see any such thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "n"
CF ] Upper Storey Hallway
CF \| >
CF \| > N
CF \|
CF \|
CF \| Upper Storey Hallway
CF \| A dingy hallway, narrow around your shoulders, running east and west.
CF \| At the eastern end, a stairway leads up and down.
CF \|
CF \| A plain door leads south.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Upper Storey Hallway
CF \| >
CF \| > W
CF \|
CF \| You can't go that way.
CF \|
CF \| >
DavidW says (to ClubFloyd), "e"
CF ] Upper Storey Hallway
CF \| >
CF \| > E
CF \|
CF \| You can't go that way.
CF \|
CF \| >
DavidW says (to ClubFloyd), "u"
CF ] Attic
CF \| >
CF \| > U
CF \|
CF \|
CF \| Attic
CF \| An attic, dirt piled up around the edges, the roof too low to stand
CF \| straight except in the middle. The house wall is to the east. To the
CF \| west, the attic continues into pitch blackness. It makes you
CF \| uncomfortable to have it so close. The stairway is a black hole down
CF \| to the rest of the house.
CF \|
CF \| On the wall next to you sits a fusebox, its door torn off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x fusebox"
CF ] Attic
CF \| >
CF \| > X FUSEBOX
CF \|
CF \| Inside it are stretched wires. Several have had the insulation gnawed
CF \| off them, exposing the shining metal. Next to the wires is a Bakelite
CF \| handle.
CF \|
CF \| The fusebox is currently switched off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x wires"
CF ] Attic
CF \| >
CF \| > X WIRES
CF \|
CF \| Time or vermin have gnawed off the insulation in strips. You see the
CF \| glint of the metal.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x handle"
CF ] Attic
CF \| >
CF \| > X HANDLE
CF \|
CF \| You see nothing special about the handle.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Darkness
CF \| >
CF \| > W
CF \|
CF \|
CF \| Darkness
CF \| It is pitch dark, and you can't see a thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "e"
CF ] Attic
CF \| >
CF \| > E
CF \|
CF \|
CF \| Attic
CF \| An attic, dirt piled up around the edges, the roof too low to stand
CF \| straight except in the middle. The house wall is to the east. To the
CF \| west, the attic continues into pitch blackness. It makes you
CF \| uncomfortable to have it so close. The stairway is a black hole down
CF \| to the rest of the house.
CF \|
CF \| On the wall next to you sits a fusebox, its door torn off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn on handle"
CF ] Attic
CF \| >
CF \| > TURN ON HANDLE
CF \|
CF \| It isn't something you can switch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "pull handle"
CF ] Attic
CF \| >
CF \| > PULL HANDLE
CF \|
CF \| You pull the handle. Nothing immediately obvious happens.
CF \|
CF \| >
DavidW says (to ClubFloyd), "push handle"
CF ] Attic
CF \| >
CF \| > PUSH HANDLE
CF \|
CF \| Nothing obvious happens.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn on fusebox"
CF ] Attic
CF \| >
CF \| > TURN ON FUSEBOX
CF \|
CF \| That's already on.
CF \|
CF \| With an abrupt crackle, small blue-white sparks fly from the wires.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Darkness
CF \| >
CF \| > W
CF \|
CF \|
CF \| Darkness
CF \| It is pitch dark, and you can't see a thing.
CF \|
CF \| >
DavidW says (to ClubFloyd), "e"
CF ] Attic
CF \| >
CF \| > E
CF \|
CF \|
CF \| Attic
CF \| An attic, dirt piled up around the edges, the roof too low to stand
CF \| straight except in the middle. The house wall is to the east. To the
CF \| west, the attic continues into pitch blackness. It makes you
CF \| uncomfortable to have it so close. The stairway is a black hole down
CF \| to the rest of the house.
CF \|
CF \| On the wall next to you sits a fusebox, its door torn off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "touch wires"
CF ] Attic
CF \| >
CF \| > TOUCH WIRES
CF \|
CF \| Your hand cramps around the wires. At first, there is only confusion,
CF \| then the electricity shoots through your body, a force too bright to
CF \| even be pain. You don't know whether your eyes are open or closed as
CF \| the light passes through you. Your spine is just a lightning-rod as
CF \| you spasm, locked to the wire by your translucent hand.
CF \|
CF \| After a long empty space of time, you open your eyes. You can move.
CF \| There is no pain.
CF \|
CF \| >
DavidW says (to ClubFloyd), "look"
CF ] Attic
CF \| >
CF \| > LOOK
CF \|
CF \| Attic
CF \| An attic, dirt piled up around the edges, the roof too low to stand
CF \| straight except in the middle. The house wall is to the east. To the
CF \| west, the attic continues into pitch blackness. It makes you
CF \| uncomfortable to have it so close. The stairway is a black hole down
CF \| to the rest of the house.
CF \|
CF \| A glowing human figure is here, standing on tiptoe, lit through with a
CF \| wild glow.
CF \|
CF \| On the wall next to you sits a fusebox, its door torn off.
CF \|
CF \| With an abrupt crackle, small blue-white sparks fly from the wires.
CF \|
CF \| >		Roger says, "weird flex but I'm kind of digging it"
DavidW says (to ClubFloyd), "x ghost"
CF ] Attic
CF \| >
CF \| > X GHOST
CF \|
CF \| Transparent, its entire nervous system lit by fire. Its head is flung
CF \| back, its hair streaming out. Its eyes are dark pits.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x me"
CF ] Attic
CF \| >
CF \| > X ME
CF \|
CF \| There is a ripping pain in your organs. Nothing you do seems to pacify
CF \| it.
CF \|
CF \| >
DavidW says (to ClubFloyd), "touch ghost"
CF ] Attic
CF \| >
CF \| > TOUCH GHOST
CF \|
CF \| Your hand moves through it. If your eyes were closed, you wouldn't
CF \| even notice.
CF \|
CF \| The ghost doesn't seem to notice your touch.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Western End
CF \| >
CF \| > W
CF \|
CF \|
CF \| Western End
CF \| The bare end of the attic room. To the east, you can see the stairs.
CF \|
CF \| A flashlight in a sturdy metal case sits on the floor near the bare
CF \| wooden wall.
CF \|
CF \| >
DavidW says (to ClubFloyd), "take flashlight"
CF ] Western End
CF \| >
CF \| > TAKE FLASHLIGHT
CF \|
CF \| Taken.
CF \|
CF \| >
DavidW says (to ClubFloyd), "x it"
CF ] Western End
CF \| >
CF \| > X IT
CF \|
CF \| A sturdy, military-looking flashlight in an olive-dark metal case.
CF \|
CF \| The flashlight is currently switched off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "turn it on"
CF ] Western End
CF \| >
CF \| > TURN IT ON
CF \|
CF \| You press the large, comfortable button. A strong beam comes on.
CF \|
CF \| >
DavidW says (to ClubFloyd), "e"
CF ] Attic
CF \| >
CF \| > E
CF \|
CF \|
CF \| Attic
CF \| An attic, dirt piled up around the edges, the roof too low to stand
CF \| straight except in the middle. The house wall is to the east. To the
CF \| west, the attic continues into pitch blackness. It makes you
CF \| uncomfortable to have it so close. The stairway is a black hole down
CF \| to the rest of the house.
CF \|
CF \| A glowing human figure is here, standing on tiptoe, lit through with a
CF \| wild glow.
CF \|
CF \| On the wall next to you sits a fusebox, its door torn off.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Upper Storey Hallway
CF \| >
CF \| > D
CF \|
CF \|
CF \| Upper Storey Hallway
CF \| A dingy hallway, narrow around your shoulders, running east and west.
CF \| At the eastern end, a stairway leads up and down.
CF \|
CF \| A plain door leads south.
CF \|
CF \| >
DavidW says (to ClubFloyd), "d"
CF ] Murky Hallway
CF \| >
CF \| > D
CF \|
CF \|
CF \| Murky Hallway
CF \| It doesn't look particularly run-down, or romantically old, but all
CF \| furnishings have been stripped out. It is impossible to tell what
CF \| pattern the wallpaper was.
CF \|
CF \| There is an empty doorway to the south, and a stairway at the end of
CF \| the hall leading up into blackness.
CF \|
CF \| The heavy front door leads back out to the west.
CF \|
CF \| >
DavidW says (to ClubFloyd), "w"
CF ] Murky Hallway
CF \| >
CF \| > W
CF \|
CF \| The door creaks as you open it. You step out onto the wet-rotted
CF \| porch.
CF \|
CF \| You don't have the flashlight. Your hand, and arm, and the rest of
CF \| your body, is generating its own pale light.
CF \|
CF \| Turning back to the hallway, you see the faces of your ghosts, bidding
CF \| you to stay.
CF \|
CF \|
CF \|
CF \| * YOU WERE NEVER GOING TO LEAVE *
CF \|
CF \|
CF \|
CF \| Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last
CF \| command?
CF \| >		DavidW says, "That's it."
		Jacqueline says, "Spooky"
		Roger says, "I don't often say there isn't enough exposition in a game, but here we are"
		Jacqueline says, "heh"
		DavidW says, "When I first played, I stumbled with the figures, since you can only refer to them as 'ghost'."
		DavidW says, "I agree this is a spooky one, but it needs more polish and bit more meat on its skeleton."
		Jacqueline nods.
		Jade says, "Thanks for driving. GG, I am going to dine right now. See you next week, stay safe."
		DavidW says, "bye Jade. Thanks for being here."
		Jacqueline says, "Night, Jade."
		Jacqueline exclaims, "And good day, DW and Roger. Thanks for the games, David!"
		DavidW says, "you're welcome! Glad to help!"
		DavidW says, "We should try tackling something like that Prom Dress game from a couple years ago, see if we can make any headway in it."
DavidW says (to ClubFloyd), "quit"
CF \| >
CF \| > QUIT
CF \| cheapglulxe quit with exit status: 0
CF asks, "That game over already? It was just getting good. Wanna play another?"		DavidW says, "I'm heading back to the lounge now. Thanks all!"
DavidW disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again.
Jade goes home.
Roger goes home.
Roger has disconnected.