  
ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
To skip directly to a particular game, click on its title: |
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ToyShop & Floyditorium
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#ClubFloyd Discussion
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| DavidW says, "I've played that one fully, but it's not difficult. It's like Gun Mute, but with the sword/knife instead of a gun." | ||
| DavidW says, "It's sorta set in a post-apocolpyse future that's still kinda nice." | ||
| Jacqueline says (to DW), "Oh, hm. No, let's play something you haven't experienced yet." | ||
| DavidW says, "Should I remove games I've played then? I don't expect to always be the driver." | ||
| Jacqueline says, "Hrm. Well, I don't have much brain right now." | ||
| DavidW says, "ah" | ||
| DavidW says, "well, I haven't played Espresso Moka at all. I have played the previous game with the same characters, though." | ||
| DavidW says, "Portrait with Wolf is more of an art piece than a game. Surreal with many many endings. I "played" a little of it, to get to two endings, but I hear there's dozens." | ||
| DavidW says, "Probably not the game for today, though." | ||
| Jacqueline asks, "Too dark?" | ||
| DavidW asks, "uh, I don't know how dark it gets. It's got this weird vibe that involves the game needing to be played over and over, like Pick Up The Phone Booth and Die, and I think it bases some stuff on what came before? Maybe?" | ||
| DavidW says, "It's not really like anything else I've played before." | ||
| Jacqueline says, "Ah. I mean, if it's well written that might be good - lots of content for you explore still. But I'm fine with whatever." | ||
| DavidW says, "I just wish I had a better feeling about Espresso Moka, if it's like anything Breakfast in the Dolomites was." | ||
| Jacqueline says, "Well, since it sounds short, we could knock that out first." | ||
| DavidW says, "okay. here goes nuthin'" | ||
| DavidW says (to ClubFloyd), "load sleepmask espressomoka" | ||
| CF ] | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | It is Saturday afternoon. | ||
| CF | Francesco and Monica are walking down the main street of their town. | ||
| CF | Monica is very interested in the shop windows displaying clothes and | ||
| CF | accessories, shoes, bags... | ||
| CF | Francesco follows her with a bored look, unable to escape this | ||
| CF | routine. | ||
| CF | | ||
| CF | «The Strawberry Field» presents | ||
| CF | | ||
| CF | Please press SPACE to continue. | ||
| DavidW pushes the green 'space' button. | ||
| CF ] On the street | ||
| CF | Please press SPACE to continue. | ||
| CF | | ||
| CF | Espresso Moka | ||
| CF | An everyday life puzzle | ||
| CF | Copyright © 2025 by Roberto Ceccarelli | ||
| CF | Licensed under Creative Commons BY-NC-SA 4.0 | ||
| CF | Release 1 / serial 250323 / Inform7 v10.1.2 / Inform6 v6.43 | ||
| CF | | ||
| CF | On the street | ||
| CF | You have left the central square behind you (to the south) and are now | ||
| CF | heading north along the main road of the town. | ||
| CF | On the west side of the street are the windows of a large building, | ||
| CF | and on the east side a large window of a clothes store. | ||
| CF | | ||
| CF | While Monica carefully examines the shop window, you, not interested, | ||
| CF | remember that the capsules for your coffee machine at home are running | ||
| CF | out. | ||
| CF | "Mo, we must remember to buy coffee capsules: they are running | ||
| CF | out." — you say. | ||
| CF | "Sure Ciccio: the shop is just ahead." — she replies. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x Mo" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X MO | ||
| CF | | ||
| CF | Tall, slim with lots of slightly reddish, frizzy hair and sparkling | ||
| CF | green eyes. | ||
| CF | Could you not fall in love with her? | ||
| CF | A peppy girl, she won't forgive you anything you do that she doesn't | ||
| CF | like, but deep down she has her heart beating for you. | ||
| CF | You got used to shortening her name to Mo. | ||
| CF | She wears a pair of jeans, a striped camisole and a pair of shimmering | ||
| CF | gold sneakers. | ||
| CF | She also wears a shiny black handbag. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x me" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X ME | ||
| CF | | ||
| CF | A guy, about 30 years old, with blond hair and blue eyes. | ||
| CF | You work as a software engineer, enjoy photography and love hiking in | ||
| CF | the mountains. | ||
| CF | In love with your girlfriend, very beautiful, but also shrewish when | ||
| CF | something doesn't go her way. In the end you always please her and she | ||
| CF | appreciates it. | ||
| CF | Monica sometimes calls you Ciccio. | ||
| CF | You wear a black t-shirt, a pair of beige pants and a pair of blue | ||
| CF | sneakers. | ||
| CF | | ||
| CF | "Hey Ciccio!" — Monica claims your attention — "Do you | ||
| CF | think I'm shrewish too?" | Jacqueline says, "Awkward" | |
| asparagus says, "Happy puzzling. It's past my bed time. Was good to see you, Jacqueline." | ||
| DavidW asks, "uh.... she can read our internal narration?" | ||
| Jacqueline says (to asparagus), "You too. Take care." | ||
| DavidW says, "bye asparagus" | ||
| Jacqueline says (to DW), "Yeah, Add telepathic to the list of qualities." | ||
| DavidW pushes the green 'space' button. | ||
| CF ] On the street | ||
| CF | think I'm shrewish too?" | ||
| CF | > | ||
| CF | | ||
| CF | Please answer yes or no.> | asparagus says, "Night, DW." | |
| Jacqueline asks, "no?" | ||
| DavidW says (to ClubFloyd), "no" | ||
| CF ] On the street | ||
| CF | Please answer yes or no.> | ||
| CF | > NO | ||
| CF | | ||
| CF | ♥ "I knew you were nicer than that game's author." | ||
| CF | — | ||
| CF | Monica says. | ||
| CF | | ||
| CF | Monica, I'm thrilled to let you know that the author has decided to | ||
| CF | tweak the description a bit to make it more gentle. | ||
| CF | "Narrator, please return my thanks to the author." — she | ||
| CF | replies. | ||
| CF | Absolutely, Miss Monica, but now let's get back to the game. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Huh. Meta?" | |
| Jacqueline says, "Weird." | ||
| DavidW says, "In the last game, Mo and everyone in the hotel were actors playing their roles around you." | ||
| DavidW says, "Every now and then there was a fourth wall break, and they did a curtain call bow at the end when you won." | ||
| DavidW says, "but yes, weird" | ||
| DavidW says (to ClubFloyd), "x shop" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X SHOP | ||
| CF | | ||
| CF | A large window displaying women's clothing. You are not interested. | ||
| CF | | ||
| CF | > | Jacqueline says, "Ah. I can't recall if I played that one." | |
| DavidW says (to ClubFloyd), "l" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | On the street | ||
| CF | You have left the central square behind you (to the south) and are now | ||
| CF | heading north along the main road of the town. | ||
| CF | On the west side of the street are the windows of a large building, | ||
| CF | and on the east side a large window of a clothes store. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x large building" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X LARGE BUILDING | ||
| CF | | ||
| CF | You see nothing special about the large building windows. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > I | ||
| CF | | ||
| CF | You're not holding anything, and you have a wallet in the left pants | ||
| CF | pocket. | ||
| CF | | ||
| CF | > | DavidW says, "oh right. We had about four pockets I didn't know about in the last game and fumbled badly." | |
| DavidW says (to ClubFloyd), "x pocket" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X POCKET | ||
| CF | | ||
| CF | In the left pants pocket is a wallet. | ||
| CF | | ||
| CF | > | Jacqueline says, "I'm a woman. I don't even know what it's like to have pockets." | |
| DavidW asks, "They *still* haven't fixed that?" | ||
| Jacqueline says, "heh. No." | ||
| Jacqueline says, "Sam recently extended pockets in a pair of my jeans to make them actually functional. Pretty great." | ||
| DavidW says, "cool" | ||
| DavidW asks, "Shall we head north?" | ||
| Jacqueline says, "Sure" | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | On the street | ||
| CF | On the west side of the street is the large wooden front door of the | ||
| CF | building. | ||
| CF | On the east side is the entrance to the clothes store. | ||
| CF | | ||
| CF | "Hey look!" — Monica claims your attention — "There | ||
| CF | are | ||
| CF | the shorts you love, the ones that drove so many people crazy with | ||
| CF | their pockets in your last game." | ||
| CF | "It's better not to mention it," — you suggest — "I | ||
| CF | don't | ||
| CF | want players to run away thinking they have to search all the pockets | ||
| CF | for the wallet." | ||
| CF | You both start to laugh. | ||
| CF | | ||
| CF | > | Jacqueline says, "HA" | |
| Jacqueline says, "They're listening to this chat, David." | ||
| Jacqueline says, "That's, like, the fifth wall." | ||
| DavidW says, "indeed" | ||
| DavidW says (to ClubFloyd), "exits" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > EXITS | ||
| CF | | ||
| CF | That noun did not make sense in this context. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x wooden door" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X WOODEN DOOR | ||
| CF | | ||
| CF | A large wooden door. It is closed. | ||
| CF | | ||
| CF | > | Jacqueline says, "Just keep going north, I suspect." | |
| Jacqueline says, "Oh, or not." | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > W | ||
| CF | | ||
| CF | (the wooden front door) | ||
| CF | It is locked. | ||
| CF | Only the tenants have the key to open it. In any case, there is | ||
| CF | nothing of interest inside. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF | > | ||
| CF | > E | ||
| CF | | ||
| CF | ♥ "Oh dear, you know I love shopping!" — Monica | ||
| CF | exclaims. | ||
| CF | | ||
| CF | | ||
| CF | Please press SPACE to continue. | ||
| DavidW pushes the green 'space' button. | ||
| CF ] On the street | ||
| CF | Please press SPACE to continue. | ||
| CF | | ||
| CF | | ||
| CF | A few minutes later. | ||
| CF | | ||
| CF | You and Monica exit from the shop. | ||
| CF | You are carrying a shopper. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x shopper" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X SHOPPER | ||
| CF | | ||
| CF | A white paper shopper. | ||
| CF | | ||
| CF | In the white shopper is a pair of beige shorts. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x shorts" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X SHORTS | ||
| CF | | ||
| CF | A pair of beige shorts with lots of pockets: two on the back, two on | ||
| CF | the front and two on the legs. | ||
| CF | | ||
| CF | > | DavidW asks, "Maybe we can burn them later?" | |
| Jacqueline says, "heh" | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | On the street | ||
| CF | On the west side of the street the large building continues, and on | ||
| CF | the east side there is the coffee shop. | ||
| CF | | ||
| CF | "Well, we arrived at Marco's." — you say. | ||
| CF | "Did you see? He replaced the shop window." — Monica points | ||
| CF | out. | ||
| CF | "Yes, Marco knows how to attract his female customers." — | ||
| CF | you | ||
| CF | reply with a smile. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x window" | ||
| CF ] On the street | ||
| CF | > | ||
| CF | > X WINDOW | ||
| CF | | ||
| CF | Through the glass you can see a wooden shelf on which colored mokas | ||
| CF | are placed. | ||
| CF | | ||
| CF | ♥ "Those colourful mokas are really pretty." — | ||
| CF | Monica says to you sweetly. | ||
| CF | "I just told you that Marco is clever." — you reply. | ||
| CF | | ||
| CF | > | DavidW asks, "Mokas are waiters without shirts...?" | |
| Jacqueline asks, "We just need packets not a whole pot, right?" | ||
| DavidW says, "who knows" | ||
| Jacqueline says, "A moka pot is a type of hob-top espresso maker." | ||
| DavidW says, "ah. I've never made espresso, so this may be entertaining as I burn the linoleum." | ||
| Jacqueline says, "I only know of them because of Sam, though they've become more common in North America lately." | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > E | ||
| CF | | ||
| CF | | ||
| CF | In the coffee shop | ||
| CF | The essential-style shop is lined with shelves. | ||
| CF | Behind the counter is the espresso machine shelving, on one side the | ||
| CF | capsules shelving and on the opposite side the roasted coffee | ||
| CF | shelving. | ||
| CF | Next to the shop window is a small open shelf with moka pots on | ||
| CF | display. | ||
| CF | | ||
| CF | On the espresso machines shelving is a big old moka. | ||
| CF | | ||
| CF | On the counter are a cash register and a POS terminal. | ||
| CF | | ||
| CF | Marco is managing the shop. | ||
| CF | | ||
| CF | "Good evening Monica and Francesco!" — Marco welcomes you. | ||
| CF | "Hi Marco!" — Monica answers him. | ||
| CF | | ||
| CF | > | DavidW asks, "POS means something new, I assume. Point of Sale, maybe?" | |
| DavidW says (to ClubFloyd), "x marco" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X MARCO | ||
| CF | | ||
| CF | A man aged about 45 with a slightly heavyset build, with short brown | ||
| CF | hair and brown eyes. | ||
| CF | You are not his friends, but you know each other because you are his | ||
| CF | regular customers. And by now he knows your taste in coffee. | ||
| CF | | ||
| CF | > | Jacqueline says, "Yeah, point of sale." | |
| DavidW says (to ClubFloyd), "x moka" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X MOKA | ||
| CF | | ||
| CF | Which do you mean, the moka pots open shelf, the natural aluminium | ||
| CF | moka, the tricolor moka, the black moka, the red moka, the pink moka, | ||
| CF | the stylish moka or the big old moka? | ||
| CF | | ||
| CF | > | Jacqueline says, "Don't buy a colored moka. It will only get ruined." | |
| DavidW says (to ClubFloyd), "x natural moka" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X NATURAL MOKA | ||
| CF | | ||
| CF | A traditional natural aluminium moka pot for two cups. | ||
| CF | A tag indicates the price of sixteen euro and ninety cents. | ||
| CF | | ||
| CF | > | Jacqueline says, "Natural aluminium." | |
| Jacqueline says, "Oh, that's pretty cheap." | ||
| DavidW says (to ClubFloyd), "x capsules" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X CAPSULES | ||
| CF | | ||
| CF | A white box with golden text. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "read it" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > READ IT | ||
| CF | | ||
| CF | A white box with golden text. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "read golden text" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > READ GOLDEN TEXT | ||
| CF | | ||
| CF | There seems to be nothing suitable. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x coffee" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X COFFEE | ||
| CF | | ||
| CF | A white box with golden text. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x roasted" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X ROASTED | ||
| CF | | ||
| CF | A aluminium tin with red text. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "talk to marco" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > TALK TO MARCO | ||
| CF | | ||
| CF | "Hi Marco!" — you say. | ||
| CF | | ||
| CF | "We're here because we're running low on coffee capsules." — | ||
| CF | you explain to Marco. | ||
| CF | | ||
| CF | "Well," — Marco asks — "the usual ones?" | ||
| DavidW says (to ClubFloyd), "yes" | ||
| CF ] In the coffee shop | ||
| CF | "Well," — Marco asks — "the usual ones?" | ||
| CF | > YES | ||
| CF | | ||
| CF | Marco takes a white box from the shelf and puts it on the counter. | ||
| CF | "Here are your capsules." — he states. | ||
| CF | | ||
| CF | "I would like to make coffee with a moka, the way our mothers used | ||
| CF | to do it." — Monica says, then asks — "Should we buy one | ||
| CF | of | ||
| CF | those colored ones?" | ||
| DavidW says (to ClubFloyd), "no" | ||
| CF | those colored ones?" | ||
| CF | > NO | ||
| CF | | ||
| CF | "No!" — you answer annoyed — "It ends up the same as | ||
| CF | always: you use it once and then it becomes one of your ciaffi!" | ||
| CF | | ||
| CF | While Monica tries to soften you up with cuddles and eye candy, I try | ||
| CF | to explain what ciaffi are. | ||
| CF | The ciaffi are obviously useless objects, perhaps sometimes | ||
| CF | humorous, but currently taking up space and gathering dust. | ||
| CF | | ||
| CF | | ||
| CF | Please press SPACE to continue. | Jacqueline says, "We'll cave." | |
| DavidW pushes the green 'space' button. | ||
| CF ] In the coffee shop | ||
| CF | Please press SPACE to continue. | ||
| CF | | ||
| CF | "All right," — you say at last, with a disconsolate air — | ||
| CF | "so you won't sulk for a week." | ||
| CF | "You might think I say this just to make a sale," — Marco | ||
| CF | explains — "but trust me, for breakfast I prefer moka coffee to | ||
| CF | machine coffee. You've got to try it: I bet you'll change your mind!" | ||
| CF | | ||
| CF | | ||
| CF | "Well miss Monica," — Marco asks — "which color do you | ||
| CF | prefer?" | ||
| CF | "I let Fancesco choose," — Monica replies looking at you — | ||
| CF | "after all he is the art director." | ||
| CF | You smile. | ||
| CF | | ||
| CF | > | Jacqueline says, "I mean, I do prefer moka over any capsules." | |
| Jacqueline says, "I would be practical and go for natural, but she'd probably like the tricolor one." | ||
| DavidW says, "I am totally unfamiliar with the process." | ||
| DavidW says (to ClubFloyd), "x tricolor" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X TRICOLOR | ||
| CF | | ||
| CF | A green-white-red (as the italian flag) moka pot for two cups. | ||
| CF | A tag indicates the price of eighteen euro and ninety cents. | ||
| CF | | ||
| CF | > | DavidW asks, "s'okay?" | |
| Jacqueline says, "Sure" | ||
| DavidW says (to ClubFloyd), "buy tricolor" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > BUY TRICOLOR | ||
| CF | | ||
| CF | Marco takes the tricolor moka and places it on the counter. | ||
| CF | | ||
| CF | "You need coffee for this one, too. Don't you?" — Marco | ||
| CF | asks. | ||
| DavidW says (to ClubFloyd), "yes" | ||
| CF ] In the coffee shop | ||
| CF | "You need coffee for this one, too. Don't you?" — Marco | ||
| CF | asks. | ||
| CF | > YES | ||
| CF | | ||
| CF | "I can offer you an Arabica blend, like the ones you usually buy | ||
| CF | for the machine, a classic blend, ideal for breakfast, or even a light | ||
| CF | blend or a strong blend." — Marco explains. | ||
| CF | "And what about that cute tin with the man with the moustache?" | ||
| CF | — Monica asks. | ||
| CF | "Ah, the conquering moustache!" — Marco exclaims — | ||
| CF | "It's | ||
| CF | a product of cult, a mono-origin of Brazilian Arabica." | ||
| CF | | ||
| CF | > | Jacqueline says, "Sure. Get the girl whatever she wants." | |
| Jacqueline says, "I mean, I'm assuming we have funds." | ||
| DavidW says (to ClubFloyd), "buy brazilian" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > BUY BRAZILIAN | ||
| CF | | ||
| CF | Marco takes a white tin from the shelf and puts it on the counter. | ||
| CF | "Here is your coffee." — he states. | ||
| CF | | ||
| CF | "Anything else?" — Marco asks. | ||
| DavidW says (to ClubFloyd), "no" | ||
| CF ] In the coffee shop | ||
| CF | "Anything else?" — Marco asks. | ||
| CF | > NO | ||
| CF | | ||
| CF | Marco takes a brown shopper from the counter, then he puts the ground | ||
| CF | coffee tin, the tricolor moka and the coffee capsules box inside. | ||
| CF | Then he types on the cash register and states "The total amount is | ||
| CF | twenty-eight euro and sixty cents." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take wallet" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > TAKE WALLET | ||
| CF | | ||
| CF | You take the wallet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open it" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > OPEN IT | ||
| CF | | ||
| CF | You open the wallet, revealing a driving license, an identity card, a | ||
| CF | supermarket fidelity card, a credit card, a photo and some money. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "give credit card to marco" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > GIVE CREDIT CARD TO MARCO | ||
| CF | | ||
| CF | (first taking the credit card) | ||
| CF | Marco does not respond. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x pos" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X POS | ||
| CF | | ||
| CF | A white device with a large display. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put credit card on pos" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > PUT CREDIT CARD ON POS | ||
| CF | | ||
| CF | Putting things on the POS terminal would achieve nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask marco about pos" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > ASK MARCO ABOUT POS | ||
| CF | | ||
| CF | Marco does not respond. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask mo about pos" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > ASK MO ABOUT POS | ||
| CF | | ||
| CF | Monica stays silent. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "pay" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > PAY | ||
| CF | | ||
| CF | | ||
| CF | You swipe your card at the POS and after a few moments a receipt will | ||
| CF | be printed out. | ||
| CF | "All right, thank you." — Marco confirms, then asks — | ||
| CF | "Do | ||
| CF | I put the receipt in the shopper?" | Jacqueline asks, "Um, sure?" | |
| DavidW says (to ClubFloyd), "yes" | ||
| CF ] In the coffee shop | ||
| CF | I put the receipt in the shopper?" | ||
| CF | > YES | ||
| CF | | ||
| CF | Marco puts the receipt in the shopper. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put credit card in wallet" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > PUT CREDIT CARD IN WALLET | ||
| CF | | ||
| CF | You put the credit card into the wallet. | ||
| CF | | ||
| CF | "I'll take this one." — Monica says pointing at the shopper. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put wallet in pocket" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > PUT WALLET IN POCKET | ||
| CF | | ||
| CF | You close the wallet. | ||
| CF | | ||
| CF | You put the wallet into the left pants pocket. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x mo" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > X MO | ||
| CF | | ||
| CF | Tall, slim with lots of slightly reddish, frizzy hair and sparkling | ||
| CF | green eyes. | ||
| CF | Could you not fall in love with her? | ||
| CF | A peppy girl, she won't forgive you anything you do that she doesn't | ||
| CF | like, but deep down she has her heart beating for you. | ||
| CF | You got used to shortening her name to Mo. | ||
| CF | She wears a pair of jeans, a striped camisole and a pair of shimmering | ||
| CF | gold sneakers. | ||
| CF | She also wears a shiny black handbag. | ||
| CF | She carries a brown shopper. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look in brown shopper" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > LOOK IN BROWN SHOPPER | ||
| CF | | ||
| CF | In the brown shopper are a receipt, a coffee capsules box, a tricolor | ||
| CF | moka and a ground coffee tin. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "thank marco" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > THANK MARCO | ||
| CF | | ||
| CF | That noun did not make sense in this context. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "thank" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > THANK | ||
| CF | | ||
| CF | That noun did not make sense in this context. | ||
| CF | | ||
| CF | > | Jacqueline says, ">GO HOME, MAKE COFFEE, MAKE LOVE" | |
| DavidW says (to ClubFloyd), "thank you" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > THANK YOU | ||
| CF | | ||
| CF | That noun did not make sense in this context. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "bye" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > BYE | ||
| CF | | ||
| CF | "Bye Marco!" — you greet, then Monica adds — | ||
| CF | "Bye-bye!" | ||
| CF | | ||
| CF | "Let me know how the moka works." — Marco replies — | ||
| CF | "See | ||
| CF | you soon and thanks again." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] In the coffee shop | ||
| CF | > | ||
| CF | > W | ||
| CF | | ||
| CF | If you really want to go somewhere else the only way is out. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "out" | ||
| CF | > | ||
| CF | > OUT | ||
| CF | | ||
| CF | You and Monica leaves the shop and quickly go home. | ||
| CF | | ||
| CF | | ||
| CF | Please press SPACE to continue. | ||
| DavidW pushes the green 'space' button. | ||
| CF ] In the kitchen | ||
| CF | Please press SPACE to continue. | ||
| CF | | ||
| CF | | ||
| CF | About half an hour later. | ||
| CF | | ||
| CF | In the kitchen | ||
| CF | The room is painted light yellow with the furniture and the appliances | ||
| CF | on one side. | ||
| CF | A photograph hangs on the opposite wall and a window lights up the | ||
| CF | room. | ||
| CF | | ||
| CF | In the middle of the room is a table surrounded by chairs. | ||
| CF | On the table is a brown shopper. | ||
| CF | | ||
| CF | "Well, we are finally home." — you say — "It is the | ||
| CF | right | ||
| CF | time for tea." | ||
| CF | "But no, let's try the new moka now." — Monica replies — | ||
| CF | "Will you take care of it?" | Jacqueline says, "Of course, darling." | |
| DavidW says (to ClubFloyd), "yes" | ||
| CF ] In the kitchen | ||
| CF | "Will you take care of it?" | ||
| CF | > YES | ||
| CF | | ||
| CF | ♥ "Oh, you are so kind!" — she exclaims — | ||
| CF | "Thank | ||
| CF | you so much." | ||
| CF | Then she adds — "I wouldn't know exactly how to do it, I used to | ||
| CF | watch my mother prepare the coffee, but I couldn't repeat the | ||
| CF | process." | ||
| CF | "Beh, let's put these in their place in the meantime." — | ||
| CF | Monica says taking the capsules box. | ||
| CF | | ||
| CF | Monica puts the coffee capsules box into the right cabinet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x photograph" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > X PHOTOGRAPH | ||
| CF | | ||
| CF | The photo shows you and Monica standing close together on a sandy | ||
| CF | beach beside a scenic lake surrounded by tall trees and mountains. The | ||
| CF | lake's clear blue water extends into the distance, reflecting the | ||
| CF | surrounding landscape and sky. | ||
| CF | You took this photo on one of your mountain walks. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Okay, I may suck at this, but since I've used one of these before and you have not, would you like me to try?" | |
| Roger says, "Is this the pilot for Friends" | ||
| Jacqueline says (to Roger), "Yes, but Italian." | ||
| Roger says, "mamma mia" | ||
| Jacqueline says (to ClubFloyd), "x moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > X MOKA | ||
| CF | | ||
| CF | A green-white-red (as the italian flag) moka pot for two cups. | ||
| CF | | ||
| CF | Monica takes the ground coffee tin from the shopper and puts it on the | ||
| CF | table. | ||
| CF | | ||
| CF | > | DavidW says (to Jacqueline), "feel free to drive, please" | |
| Jacqueline says (to ClubFloyd), "take moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TAKE MOKA | ||
| CF | | ||
| CF | You hold it. | ||
| CF | | ||
| CF | "In the meantime, open the moka so we can wash it." — Monica | ||
| CF | suggests. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "open moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > OPEN MOKA | ||
| CF | | ||
| CF | You unscrew the moka and thus separate the heater from the pot. | ||
| CF | | ||
| CF | "Since you have opened it," — Monica advises — "give | ||
| CF | it a | ||
| CF | good wash." | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "wash moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > WASH MOKA | ||
| CF | | ||
| CF | You must first remove the filter from the heater. | ||
| CF | | ||
| CF | Monica takes the receipt from the shopper and puts it on the table. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "remove filter" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > REMOVE FILTER | ||
| CF | | ||
| CF | Now you hold it. | ||
| CF | | ||
| CF | Monica takes the shopper, folds it and puts it away. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "wash moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > WASH MOKA | ||
| CF | | ||
| CF | It's not advisable to wash the funnel while it contains the written | ||
| CF | paper sheet. | ||
| CF | | ||
| CF | > | Jacqueline says, "I mean, IRL, I also am annoyed by the paper in the new coffee thing." | |
| Jacqueline says (to ClubFloyd), "take paper" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TAKE PAPER | ||
| CF | | ||
| CF | You take the written paper sheet. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "read paper" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > READ PAPER | ||
| CF | | ||
| CF | A folded sheet of paper with the words "READ ME FIRST!" clearly | ||
| CF | visible. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "x paper" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > X PAPER | ||
| CF | | ||
| CF | A folded sheet of paper with the words "READ ME FIRST!" clearly | ||
| CF | visible. | ||
| CF | | ||
| CF | > | Roger says, "unfold it" | |
| Jacqueline says (to ClubFloyd), "unfold paper" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > UNFOLD PAPER | ||
| CF | | ||
| CF | Unfolded. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "read it" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > READ IT | ||
| CF | | ||
| CF | In addition to the words "READ ME FIRST!" which can be read even when | ||
| CF | folded, there are blocks of text in two languages: "English" | ||
| CF | and "Italiano". | ||
| CF | | ||
| CF | > | Roger says, "There we go" | |
| Jacqueline says (to ClubFloyd), "read italian" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > READ ITALIAN | ||
| CF | | ||
| CF | (looking at the written paper sheet) | ||
| CF | | ||
| CF | Italiano | ||
| CF | Complimenti per aver acquistato questa moka. | ||
| CF | | ||
| CF | La moka è la migliore amica di chi ama un buon caffè italiano. E il | ||
| CF | suo fascino non accenna a passare di moda. | ||
| CF | | ||
| CF | La moka rimane ancora oggi la regina delle cucine italiane. Per la sua | ||
| CF | praticità e maneggevolezza, senza dubbio, ma anche per la sua | ||
| CF | peculiare identità. Per non parlare del gusto: quello del caffè | ||
| CF | erogato e anche quello della sua preparazione, un insieme di gesti che | ||
| CF | si trasformano in un vero e proprio rito. | ||
| CF | | ||
| CF | Le nostre moka sono progettate per durare nel tempo e produrre caffè | ||
| CF | espresso di ottima qualità. | ||
| CF | | ||
| CF | Per ottenere il massimo dalla tua moka leggi i consigli e le | ||
| CF | avvertenze sul retro di questo foglio. | ||
| CF | | ||
| CF | | ||
| CF | > | Jacqueline says, "ha. Great." | |
| Jacqueline says (to ClubFloyd), "read english" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > READ ENGLISH | ||
| CF | | ||
| CF | | ||
| CF | English | ||
| CF | Thanks for purchasing this moka. | ||
| CF | | ||
| CF | A moka is the best friend of those who love a good Italian coffee. And | ||
| CF | its charm shows no sign of going out of fashion. | ||
| CF | | ||
| CF | Moka still remains the queen of Italian kitchens today. For its | ||
| CF | practicality and manageability, no doubt, but also for its peculiar | ||
| CF | identity. Not to mention the taste: that of the coffee dispensed and | ||
| CF | also that of its preparation, a set of gestures that grow into a real | ||
| CF | ritual. | ||
| CF | | ||
| CF | Our mokas are designed to last and produce the best quality espresso | ||
| CF | coffee. | ||
| CF | | ||
| CF | To get the most out of your moka, please read the tips and warnings on | ||
| CF | the back of this sheet. | ||
| CF | | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "read tips" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > READ TIPS | ||
| CF | | ||
| CF | I can't find anything about tips. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "flip paper" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > FLIP PAPER | ||
| CF | | ||
| CF | You turn the written paper sheet: now you see the back side. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "read it" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > READ IT | ||
| CF | | ||
| CF | The content is divided into three sections: "English", | ||
| CF | "Italiano" and "Picture of parts". | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "read english" | ||
| CF | > | ||
| CF | > READ ENGLISH | ||
| CF | | ||
| CF | | ||
| CF | English | ||
| CF | WARNINGS | ||
| CF | Read the instructions carefully as they contain important information | ||
| CF | about safety, use and maintenance of the product. | ||
| CF | IMPORTANT: READ THIS MANUAL THOROUGHLY AND KEEP IT WITH CARE FOR | ||
| CF | FUTURE REFERENCE. | ||
| CF | These instructions are an integral part of the product and, throughout | ||
| CF | the entire life of the product, must be kept and be available. The | ||
| CF | documentation should be given to the subsequent owners of the product. | ||
| CF | | ||
| CF | | ||
| CF | Please press SPACE to continue. | Roger says, "One can also make plain old coffee in these, afaik" | |
| Jacqueline says, "I mean, sort of ? I use mine to make Americano - just espresso cut with hot water." | ||
| Jacqueline pushes the green 'space' button. | ||
| CF ] In the kitchen | ||
| CF | Please press SPACE to continue. | ||
| CF | When using the coffee maker for the first time, wash thoroughly with | ||
| CF | water. | ||
| CF | Hand wash only without using detergents and abrasive sponges to | ||
| CF | preserve its features over the time. | ||
| CF | Never use the coffee maker without water in the heater. | ||
| CF | Never use other liquids in the heater, the coffee maker is intended to | ||
| CF | be used with water only. | ||
| CF | The coffee maker is designed to be used only with water and ground | ||
| CF | coffee for moka for household use. | ||
| CF | Never press coffee into the funnel. | ||
| CF | Make at least 3 cups of coffee, discarding them; do not drink the | ||
| CF | first 3 dispensing operations of coffee as they are necessary for | ||
| CF | enhancing the aroma of coffee at best. | ||
| CF | | ||
| CF | | ||
| CF | > | Jacqueline asks, "Wasteful much?" | |
| Jacqueline says (to ClubFloyd), "wash moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > WASH MOKA | ||
| CF | | ||
| CF | "You can't wash the moka while also holding the written paper | ||
| CF | sheet." — Monica states. | ||
| CF | | ||
| CF | > | Jacqueline says, "I can, though." | |
| Jacqueline says (to ClubFloyd), "drop paper" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > DROP PAPER | ||
| CF | | ||
| CF | Don't throw anything on the ground. | ||
| CF | | ||
| CF | > | Jacqueline asks (of Game), "First Monica, now you?" | |
| Jacqueline says (to ClubFloyd), "put paper on table" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT PAPER ON TABLE | ||
| CF | | ||
| CF | (the written paper sheet on the table) | ||
| CF | You put the written paper sheet on the table. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "wash moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > WASH MOKA | ||
| CF | | ||
| CF | You go to the sink and thoroughly wash all the parts of the moka. | ||
| CF | | ||
| CF | > | Jacqueline says, "I hope I didn't use detergent or an abrasive sponge." | |
| DavidW says, "This level of implementation is why I was so hesitant to play this one." | ||
| Jacqueline says (to ClubFloyd), "fill moka with water" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > FILL MOKA WITH WATER | ||
| CF | | ||
| CF | (the moka heater with water) | ||
| CF | You pour some water from the sink into the heater. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "open coffee" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > OPEN COFFEE | ||
| CF | | ||
| CF | (first taking the ground coffee tin) | ||
| CF | You open the ground coffee tin, revealing some coffee powder. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "fill moka with coffee" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > FILL MOKA WITH COFFEE | ||
| CF | | ||
| CF | Which do you mean, the moka heater or the moka pot? | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "fill moka pot with coffee" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > FILL MOKA POT WITH COFFEE | ||
| CF | | ||
| CF | "Come on now, don't be silly." — Monica comments — "I | ||
| CF | also know that's where the coffee collects and you don't have to fill | ||
| CF | it up." | ||
| CF | | ||
| CF | > | Jacqueline says, "Oh, yeah, not that." | |
| Jacqueline says (to ClubFloyd), "fill filter with coffee" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > FILL FILTER WITH COFFEE | ||
| CF | | ||
| CF | "I would put the filter in the heater before filling it," — | ||
| CF | Monica advises — "because when it is full it is difficult to | ||
| CF | handle without spilling all the powder." | ||
| CF | | ||
| CF | > | Jacqueline says, "Okay, true." | |
| Jacqueline says (to ClubFloyd), "put filter on heater" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT FILTER ON HEATER | ||
| CF | | ||
| CF | Putting things on the moka heater would achieve nothing. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "put filter in heater" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT FILTER IN HEATER | ||
| CF | | ||
| CF | You put the coffee funnel filter into the moka heater. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "put coffee in filter" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT COFFEE IN FILTER | ||
| CF | | ||
| CF | (the coffee powder in the coffee funnel filter) | ||
| CF | "You'd better help yourself with a teaspoon." — Monica | ||
| CF | suggests — "You will find it in the top drawer." | ||
| CF | | ||
| CF | > | Jacqueline says, "I never use a spoon for that, Mo." | |
| Jacqueline says (to ClubFloyd), "get spoon" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > GET SPOON | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "open drawer" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > OPEN DRAWER | ||
| CF | | ||
| CF | Which do you mean, the top, the middle or the bottom? | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "top" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TOP | ||
| CF | | ||
| CF | You open the top drawer of the furniture, revealing a pair of | ||
| CF | scissors, a teaspoon and some cutlery. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "take spoon" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TAKE SPOON | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "take scissors" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TAKE SCISSORS | ||
| CF | | ||
| CF | Now you hold it. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "open coffee" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > OPEN COFFEE | ||
| CF | | ||
| CF | It's already open. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "put coffee in filter" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT COFFEE IN FILTER | ||
| CF | | ||
| CF | (the coffee powder in the coffee funnel filter) | ||
| CF | You put a couple of teaspoons of powder into the funnel. | ||
| CF | | ||
| CF | ♥ "You have done a very good job." — Monica | ||
| CF | congratulates you — "Come on, close it up so that we can put it | ||
| CF | on | ||
| CF | the fire." | ||
| CF | ♥ "What one wouldn't do for a girl like you!" — | ||
| CF | you | ||
| CF | reply. | ||
| CF | "Then there would also be a need to put back the ground coffee tin | ||
| CF | and the pair of scissors and the teaspoon." — Monica reminds | ||
| CF | then | ||
| CF | asks — "Will you take care of this?" | Jacqueline asks, "Wait, we put it in the funnel??" | |
| Jacqueline says, "Oh, never press it in there." | ||
| Jacqueline says, "Maybe we're okay." | ||
| DavidW says, "I think you're Mo-approved." | ||
| Jacqueline says (to ClubFloyd), "close moka" | ||
| CF ] In the kitchen | ||
| CF | asks — "Will you take care of this?" | ||
| CF | > CLOSE MOKA | ||
| CF | | ||
| CF | Please answer yes or no.> | ||
| Jacqueline says (to ClubFloyd), "yes" | ||
| CF ] In the kitchen | ||
| CF | Please answer yes or no.> | ||
| CF | > YES | ||
| CF | | ||
| CF | ♥ "How kind you are today!" | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "close moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > CLOSE MOKA | ||
| CF | | ||
| CF | You have reassembled the tricolor moka. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "put spoon and scissors in drawer" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT SPOON AND SCISSORS IN DRAWER | ||
| CF | | ||
| CF | Which do you mean, the top, the middle or the bottom? | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "top" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TOP | ||
| CF | | ||
| CF | teaspoon: Done. | ||
| CF | pair of scissors: Done. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "put moka on stove" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > PUT MOKA ON STOVE | ||
| CF | | ||
| CF | You put the tricolor moka on the hob. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "turn on stove" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > TURN ON STOVE | ||
| CF | | ||
| CF | You light the flame. | ||
| CF | | ||
| CF | ♥ "How exciting!" — Monica says — "Our | ||
| CF | first | ||
| CF | coffee made with the moka." | ||
| CF | | ||
| CF | > | Jacqueline says, "This girl, really." | |
| Jacqueline says (to ClubFloyd), "z" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Monica gets the ground coffee tin from your hands. | ||
| CF | | ||
| CF | Monica closes the ground coffee tin. | ||
| CF | | ||
| CF | Then she puts it in the right cabinet. | ||
| CF | | ||
| CF | Monica takes the two coffeecups from the cabinet and puts them on the | ||
| CF | table. | ||
| CF | | ||
| CF | > | DavidW says, "feel free to give her a kiss, if you like." | |
| Jacqueline says (to ClubFloyd), "love mo" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > LOVE MO | ||
| CF | | ||
| CF | That noun did not make sense in this context. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "kiss mo" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > KISS MO | ||
| CF | | ||
| CF | ♥ "Oh dear!" — she whispers sweetly in your ear. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "x moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > X MOKA | ||
| CF | | ||
| CF | A green-white-red (as the italian flag) moka pot for two cups. | ||
| CF | | ||
| CF | The room fills with the rich, inviting scent of coffee; you can hear | ||
| CF | the coffee bubbling up in the moka pot. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "x moka" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > X MOKA | ||
| CF | | ||
| CF | A green-white-red (as the italian flag) moka pot for two cups. | ||
| CF | | ||
| CF | Monica switches the hob-switch off. | ||
| CF | | ||
| CF | "Ciccio, we have to switch off the fire," — Monica reminds | ||
| CF | you — "otherwise the coffee takes on a burnt taste." | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "open cabinet" | ||
| CF ] In the kitchen | ||
| CF | > | ||
| CF | > OPEN CABINET | ||
| CF | | ||
| CF | You open the right cabinet, revealing a ground coffee tin, a coffee | ||
| CF | capsules box and some food. | ||
| CF | | ||
| CF | > | DavidW says, "By the way, she uses heart emojis when you do the right thing, and spade emojis when you do not." | |
| Jacqueline says, "Where are the coffee cups." | ||
| DavidW says, "She put two on the table." | ||
| Jacqueline says, "Oh. She did? Great." | ||
| Jacqueline says (to ClubFloyd), "pour coffee" | ||
| CF | > | ||
| CF | > POUR COFFEE | ||
| CF | | ||
| CF | (first taking the tricolor moka) | ||
| CF | You pour the hot coffee into the coffeecup. A delicate swirling | ||
| CF | tendril of steam rises from it. | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | Please press SPACE to continue. | ||
| Jacqueline pushes the green 'space' button. | ||
| CF ] On the stage | ||
| CF | Please press SPACE to continue. | ||
| CF | Stop! | ||
| CF | | ||
| CF | This is the director's voice, stopping the action. | ||
| CF | "Oh my, just as this lovely coffee is ready." — Monica says | ||
| CF | to you in a whisper — "What do you say we just pretend nothing | ||
| CF | happened and enjoy it together?" ♥ | ||
| Jacqueline pushes the green 'space' button. | ||
| CF ] On the stage | ||
| CF | happened and enjoy it together?" ♥ | ||
| CF | > | ||
| CF | | ||
| CF | Please answer yes or no.> | ||
| Jacqueline says (to ClubFloyd), "yes" | ||
| CF ] On the stage | ||
| CF | Please answer yes or no.> | ||
| CF | > YES | ||
| CF | | ||
| CF | "Oh, come on, we've put so much effort in, it would be such a | ||
| CF | shame to waste it now!" — you reply. | ||
| CF | Marco comes from behind the scenes, carrying a large moka that's | ||
| CF | clearly been used. | ||
| CF | "Don't drink that coffee!" — he exclaims then adds — | ||
| CF | "Do | ||
| CF | you still remember what it said in the instructions for the moka?" | ||
| CF | | Jacqueline says, "Oh." | |
| Jacqueline asks, "That stupidness?" | ||
| Jacqueline says, "I would never do that for real at home." | ||
| DavidW says, "hee" | ||
| Jacqueline says (to ClubFloyd), "pour coffee in sink" | ||
| CF ] On the stage | ||
| CF | | ||
| CF | > POUR COFFEE IN SINK | ||
| CF | | ||
| CF | Please answer yes or no.> | ||
| Jacqueline says (to ClubFloyd), "y" | ||
| CF ] On the stage | ||
| CF | Please answer yes or no.> | ||
| CF | > Y | ||
| CF | | ||
| CF | "Then you can throw away that coffee, because it's not very good." | ||
| CF | — he suggests — "Make a few more coffees and throw them | ||
| CF | away, | ||
| CF | so that tomorrow morning you will have a good cup of coffee to wake | ||
| CF | you up." | ||
| CF | | ||
| CF | Then Marco turns to the director and asks — "I think we can both | ||
| CF | agree that these guys were pretty good, right?" | ||
| CF | "Absolutely!" — he replies — "And I absolutely love | ||
| CF | the | ||
| CF | idea of what you're planning to do with that old moka." | ||
| CF | "Francesco, would you like to help me make some coffee for | ||
| CF | everyone?" — Marco asks you. | ||
| Jacqueline says (to ClubFloyd), "y" | ||
| CF ] On the stage | ||
| CF | everyone?" — Marco asks you. | ||
| CF | > Y | ||
| CF | | ||
| CF | ♥ "It's great that we all share the same coffee." | ||
| CF | — | ||
| CF | Monica exclaims then asks Marco — "Can I also help?" | ||
| CF | "Oh, yes, we need some cups." — Marco replies — "There | ||
| CF | should be some in the shop scene." | ||
| CF | While you and Marco manage for the coffee Monica goes to the shop | ||
| CF | scene and comes back a few minutes later with some coffecups which she | ||
| CF | puts on the table. | ||
| CF | | ||
| CF | An inviting aroma of coffee begins to invade the kitchen scene; Marco | ||
| CF | starts pouring coffee for everyone. | ||
| CF | "The first one is obviously for Monica." — he states, then | ||
| CF | pointing you — "And then our talented Francesco." | ||
| CF | | ||
| CF | Thank you so much for taking part in this game! | ||
| CF | If you'd like to play it again by making different choices we are | ||
| CF | always here for you. | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | *** But now I am going to get my coffee as well, before | ||
| CF | it gets cold. *** | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | ||
| CF | command? | ||
| CF | > | DavidW claps | |
| Jacqueline says, "I am literally drinking a latte made from a moka pot as we speak." | ||
| DavidW says, "I didn't expect it to end so soon." | ||
| DavidW says (to Jacqueline), "oo, nice" | ||
| Jacqueline says, "Me either. I thought it was going to make me do that two more times." | ||
| Jacqueline says, "FWIW, I always press the coffee in kinda tight. Guess I didn't read the instructions." | ||
| DavidW asks, "I suppose the water needs the coffee to be loose enough to go through?" | ||
| Jacqueline says, "Well, I always thought that, by packing it, you were forcing water into the cofee more and thus getting a stronger cup." | ||
| DavidW says, "I dunno. Maybe so."[clubfloyd] DavidW says, "The Crew is a horror game but "very short"." | ||
| Jacqueline says, "Hm." | ||
| DavidW says, "We sorta have a backlog of horror games, unfortunately." | ||
| DavidW says, "The Wolf is more fairy tale-ish." | ||
| Jacqueline says, "Oh, that's not the issue. Just wondering if it'll be a one hour game." | ||
| DavidW asks, "Should I load it up?" | ||
| Jacqueline says, "Sure" | ||
| DavidW says (to ClubFloyd), "quit" | ||
| CF | > | ||
| CF | > QUIT | ||
| CF | cheapglulxe quit with exit status: 0 | ||
| CF asks, "That game over already? It was just getting good. Wanna play another?" | ||
| DavidW says (to ClubFloyd), "load sleepmask thecrew" | ||
| CF ] Storeroom | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | They laughed at me and said my calculations were wrong. | ||
| CF | They said my trajectory would miss Nostreperes. | ||
| CF | They are just nitwits and idiots. | ||
| CF | | ||
| CF | Me and my crew will prove them all wrong. | ||
| CF | And he who laughs last laughs best! | ||
| CF | | ||
| CF | The Crew | ||
| CF | An interactive horror short story by Olaf Nowacki | ||
| CF | Release 6 / Serial number 211102 / Inform 7 build 6M62 (I6/v6.33 lib | ||
| CF | 6/12N) | ||
| CF | Type "about" for credits and other information. | ||
| CF | | ||
| CF | Storeroom | ||
| CF | The storeroom is a long windowless tube made of metal. It is high | ||
| CF | enough for a small man to stand upright comfortably. Nets hang from | ||
| CF | the curved walls and contain the food supplies. | ||
| CF | | ||
| CF | The supplies here are slowly running out. But that's not a problem, | ||
| CF | because your journey will soon reach its destination. | ||
| CF | | ||
| CF | There is a round security door in the northern wall. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x me" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > X ME | ||
| CF | | ||
| CF | You look at yourself. You look pretty unkempt. On board, you don't | ||
| CF | have the same opportunities for personal hygiene as usual. But at | ||
| CF | least you're well fed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > I | ||
| CF | | ||
| CF | You are carrying nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | It seems to be locked. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x door" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > X DOOR | ||
| CF | | ||
| CF | In the middle of the round door is a wheel with which the door can be | ||
| CF | opened and closed. A rod is wedged in the wheel, preventing it from | ||
| CF | being turned. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rod" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > TAKE ROD | ||
| CF | | ||
| CF | The metal rod is wedged in the wheel, but with a little effort you can | ||
| CF | get it out. Now the wheel can be turned again. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn wheel" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > TURN WHEEL | ||
| CF | | ||
| CF | You open the round security door. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open it" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > OPEN IT | ||
| CF | | ||
| CF | It isn't something you can open. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Storeroom | ||
| CF | > | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | That's already open. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] In Front of the Airlock | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | In Front of the Airlock | ||
| CF | This section is even tighter than the others because it houses the | ||
| CF | airlock. Next to the airlock hatch in the east, a large porthole is | ||
| CF | set into the wall through which one can see out. A passageway is | ||
| CF | leading to the north. | ||
| CF | | ||
| CF | You can't help but notice that the security door to the south looks | ||
| CF | pretty battered from this side. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look through porthole" | ||
| CF ] In Front of the Airlock | ||
| CF | > | ||
| CF | > LOOK THROUGH PORTHOLE | ||
| CF | | ||
| CF | Beyond the porthole, in the endless black nothingness of space you see | ||
| CF | Nostreperes, the pale planet. Soon the spaceship will enter its | ||
| CF | atmosphere. You have calculated the course to descend in smaller and | ||
| CF | smaller ellipses until you will finally land gently on the surface. | ||
| CF | | ||
| CF | Floating in front of the large chalky white disc is one of your crew | ||
| CF | members in a spacesuit. That would have to be Robert, the most | ||
| CF | cautious of you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x robert" | ||
| CF ] In Front of the Airlock | ||
| CF | > | ||
| CF | > X ROBERT | ||
| CF | | ||
| CF | Robert is only connected to the spaceship by a meagre supply hose. It | ||
| CF | seems as if he and the hose are floating aimlessly back and forth, | ||
| CF | like a flag in slow motion. What's he doing out there? Did he | ||
| CF | suddenly find the fun in putting his life in danger? | ||
| CF | | ||
| CF | You have to ask Harrison about it. Robert has to come back on board | ||
| CF | quickly, because he won't make it through the atmosphere outside | ||
| CF | unscathed! | ||
| CF | | ||
| CF | > | Jacqueline says, "He will burn up, that is bad." | |
| DavidW says, "I think he's dead." | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Dormitory | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | Dormitory | ||
| CF | This is the area where you and your crew can rest and sleep. On each | ||
| CF | of the two long walls are two narrow bunks, one above the other. For | ||
| CF | most of your flight in all these months, you've had little else to do | ||
| CF | but kill time here. No wonder it smells like a men's locker room. | ||
| CF | | ||
| CF | To the north and south are passages to the other compartments. | ||
| CF | | ||
| CF | Bill lies in his bunk and sleeps peacefully. | ||
| CF | | ||
| CF | > | Jacqueline says, "Oh. Okay, that would make sense." | |
| DavidW says (to ClubFloyd), "x bill" | ||
| CF ] Dormitory | ||
| CF | > | ||
| CF | > X BILL | ||
| CF | | ||
| CF | Bill lies in his bunk and sleeps with his mouth open. Fortunately, he | ||
| CF | isn't snoring, which he usually does. He lies there quietly and | ||
| CF | peacefully. Maybe a side effect of him losing some weight? | ||
| CF | | ||
| CF | "Big Bill" you used to say, but now he's not so big any more. On the | ||
| CF | contrary, he has become quite thin. Maybe it's a good thing that the | ||
| CF | journey took a little longer than planned. That aside, your | ||
| CF | calculations are correct and you have arrived at Nostreperes. Or soon, | ||
| CF | anyway. And once you've landed, it'll be forgotten in no time that you | ||
| CF | had to ration food for a few weeks. | ||
| CF | | ||
| CF | > | Jacqueline says, "I feel like you're supposed to say, "He's dead, Jim."" | |
| DavidW says (to ClubFloyd), "wake bill" | ||
| CF ] Dormitory | ||
| CF | > | ||
| CF | > WAKE BILL | ||
| CF | | ||
| CF | Bill is sleeping so peacefully, you'd rather not wake him. | ||
| CF | | ||
| CF | > | Jacqueline says, "There's a lot of foreshadowing here." | |
| DavidW says, "yeah" | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Cockpit | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | Cockpit | ||
| CF | The cockpit is not sparsely equipped - it is not equipped at all. | ||
| CF | There are no controls or measuring instruments here, because the | ||
| CF | flight of the rocket was calculated by you personally and determined | ||
| CF | in such a way that no further readjustments are necessary. Therefore, | ||
| CF | there is only a large panorama window and two comfortable armchairs: | ||
| CF | one for you and one for Harrison, your first officer. | ||
| CF | | ||
| CF | Harrison sits in his armchair and looks intently through the panorama | ||
| CF | window. | ||
| CF | | ||
| CF | On the right side of the panorama window you can see Nostreperes | ||
| CF | slowly passing by. | ||
| CF | | ||
| CF | Any moment now, the gravity of the pale planet must catch your ship | ||
| CF | and slowly but surely pull it towards its surface. Just as you have | ||
| CF | calculated. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x harrison" | ||
| CF ] Cockpit | ||
| CF | > | ||
| CF | > X HARRISON | ||
| CF | | ||
| CF | You look at Harrison from the side. He is the most talkative of the | ||
| CF | whole crew. But the grandeur of this moment seems to have rendered him | ||
| CF | speechless. Only his famous crooked grin seems to greet you.. | ||
| CF | | ||
| CF | Harrison suddenly turns his head towards you. His sunken eyes stare at | ||
| CF | you questioningly. | ||
| CF | | ||
| CF | Nostreperes gradually disappears from your field of vision. Your | ||
| CF | spaceship makes no effort to tilt towards the planet's surface, as it | ||
| CF | should. | ||
| CF | | ||
| CF | But your calculations can't be wrong! | ||
| CF | | ||
| CF | > | Jacqueline says, "oopsie" | |
| DavidW says (to ClubFloyd), "z" | ||
| CF ] Cockpit | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | You are too psyched to do nothing. | ||
| CF | | ||
| CF | Harrison is still staring at you. His eyes look dried up. His crooked | ||
| CF | grin is discomforting, with his tongue hanging half out of his mouth. | ||
| CF | His skin is torn from nose to cheek. It flaps down and the bone | ||
| CF | underneath is visible. | ||
| CF | | ||
| CF | Through the panorama window, all that can be seen now is eternal | ||
| CF | blackness. Apart from your own breathing, there is not the slightest | ||
| CF | sound in the spaceship. | ||
| CF | | ||
| CF | You feel like laughing to fill the void. | ||
| CF | | ||
| CF | > | Jacqueline says, "Welp, guess we better go drown our sorrows in what's left of the food cache." | |
| DavidW says (to ClubFloyd), "laugh" | ||
| CF ] Cockpit | ||
| CF | > | ||
| CF | > LAUGH | ||
| CF | | ||
| CF | You just want to laugh. | ||
| CF | | ||
| CF | Laugh at your arrogance. | ||
| CF | Laugh at the fact that you've dragged your friends into it. | ||
| CF | | ||
| CF | Laughing because you'd rather let them starve than share the food with | ||
| CF | them. | ||
| CF | Laughing at the smell of decay from your rotting friends. | ||
| CF | | ||
| CF | Laugh because it all did you no good and yet you too will soon starve. | ||
| CF | Laugh because a some point you will be so hungry that you will start | ||
| CF | to eat their rotting flesh. | ||
| CF | | ||
| CF | So you let out an ugly, throaty laugh with your eyes wide open. | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | *** Isn't that a "happy" ending? *** | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE a saved game, QUIT or UNDO the last | ||
| CF | command? | ||
| CF | > | DavidW says, "wow" | |
| Jacqueline says, "I don't think we'll eat Harrison. He's past his Best By date." | ||
| Jacqueline says, "I guess that game did not take an hour." | ||
| Jacqueline says, "It didn't even take until the *top* of the hour." | ||
| DavidW says, "yeah. hm." | ||
| Jacqueline says, "Ten minutes." | ||
| Jacqueline says, "Maybe." | ||
| DavidW says, "A D R I F T is also about dying in outer space." | ||
| Jacqueline says, "But do we get to eat our decaying comrades? I feel like this game has set a high bar." | ||
| DavidW says, "I dunno" | ||
| DavidW says (to ClubFloyd), "quit" | ||
| CF | > | ||
| CF | > QUIT | ||
| CF | cheapglulxe quit with exit status: 0 | ||
| CF asks, "That game over already? It was just getting good. Wanna play another?" | ||
| DavidW says (to ClubFloyd), "load sleepmask adrift" | ||
| CF ] | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | | ||
| CF | мне крышка… | ||
| DavidW pushes the green 'space' button. | ||
| CF ] The Void | ||
| CF | | ||
| CF | ADRIFT | ||
| CF | Lost in the (Ros)Cosmos by Pinkunz | ||
| CF | Release 1 / Serial number 220331 / Inform 7 build 6M62 (I6/v6.33 lib | ||
| CF | 6/12N) | ||
| CF | | ||
| CF | The Void | ||
| CF | They always go on about the stars, stunning vistas spanning the | ||
| CF | heavens. Celestial tapestry… | ||
| CF | | ||
| CF | You see nothing but a pitch black void and the sun before you, | ||
| CF | ceaslessly constricting your pupils. You don't know how to turn away, | ||
| CF | let alone get home. | ||
| CF | | ||
| CF | It figures you're going to die in space and you won't even see the | ||
| CF | stars… | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x me" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X ME | ||
| CF | | ||
| CF | You're still alive (for now) although things are not looking good. | ||
| CF | Your suit doesn't appear to have been damaged in the decompression. | ||
| CF | Your wrist readout is flashing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x readout" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X READOUT | ||
| CF | | ||
| CF | You reflexively check the suit's readout: Plenty of oxygen; no | ||
| CF | integrity issues. The suit's internal monitors warn you that your | ||
| CF | blood pressure and respiration have spiked. Oh, and you're absolutely | ||
| CF | going to die. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x i" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X I | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > I | ||
| CF | | ||
| CF | You are carrying: | ||
| CF | a helmet (being worn) | ||
| CF | some gloves (being worn) | ||
| CF | a flex spacesuit (being worn) | ||
| CF | | ||
| CF | > | DavidW asks, "Are we not even in a ship this time?" | |
| DavidW says (to ClubFloyd), "x ship" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X SHIP | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x controls" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X CONTROLS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x helmet" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X HELMET | ||
| CF | | ||
| CF | You can only see a little bit of it from the inside, but prior | ||
| CF | experience informs you that the back of the helmet is an orange-tinged | ||
| CF | white with the entire front half a clear round glass bulb. Your helmet | ||
| CF | includes a forward spotlight and a retractable sun visor to prevent | ||
| CF | permanent damage to your eyes. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x gloves" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X GLOVES | ||
| CF | | ||
| CF | Your spacesuit includes large clumsy gloves. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x void" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X VOID | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x sun" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X SUN | ||
| CF | | ||
| CF | The visor is currently safe-guarding your vision, although you still | ||
| CF | do your best to not stare directly at the sun. | ||
| CF | | ||
| CF | In normal operations, you can switch the visor on and off. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "switch visor off" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SWITCH VISOR OFF | ||
| CF | | ||
| CF | Best to leave it on; being blind isn't going to help your situation. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "call for help" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > CALL FOR HELP | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn on spotlight" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TURN ON SPOTLIGHT | ||
| CF | | ||
| CF | You'll leave it off for now; the batteries are limited. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "poop my suit" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > POOP MY SUIT | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Jacqueline says, "C'mon, Pinkunz." | |
| DavidW says (to ClubFloyd), "take all" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TAKE ALL | ||
| CF | | ||
| CF | There are none at all available! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | The Void | ||
| CF | Sun... | ||
| CF | | ||
| CF | ...and black... | ||
| CF | | ||
| CF | Not much else to see beyond your own suited hands in front of you. If | ||
| CF | only you could turn around... | ||
| CF | | ||
| CF | > | DavidW says, "oh" | |
| DavidW says (to ClubFloyd), "turn around" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TURN AROUND | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look behind me" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > LOOK BEHIND ME | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wave arms" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > WAVE ARMS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Jacqueline says, "Don't know how we would." | |
| DavidW says (to ClubFloyd), "dance" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > DANCE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Jacqueline says, "Physics, and all that." | |
| DavidW says (to ClubFloyd), "sing" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SING | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "pray" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > PRAY | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK | ||
| CF | | ||
| CF | It makes your head hurt worse to do so, but you'll do your best. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "dance" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > DANCE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SEARCH | ||
| CF | | ||
| CF | What do you want to search? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "void" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > VOID | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x shadow" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X SHADOW | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x door" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X DOOR | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "about" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > ABOUT | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "credits" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > CREDITS | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "xyzzy" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > XYZZY | ||
| CF | | ||
| CF | Bless you! | ||
| CF | | ||
| CF | Do you need a tissue? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "yes" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > YES | ||
| CF | | ||
| CF | That was a rhetorical question. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "remove glove" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > REMOVE GLOVE | ||
| CF | | ||
| CF | Removing the flex spacesuit would lump you in with Fedorov. It's | ||
| CF | probably irrational but you can't defy the part of you that wants to | ||
| CF | keep living. | ||
| CF | | ||
| CF | > | Jacqueline says, "Was curious if this was made for a jam or something." | |
| DavidW says, "Spring Thing 2022: Back Garden" | ||
| Jacqueline says, "Ah" | ||
| Jacqueline says, "I noticed it was 22." | ||
| DavidW says (to ClubFloyd), "turn me" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TURN ME | ||
| CF | | ||
| CF | You might not like that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take sun" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TAKE SUN | ||
| CF | | ||
| CF | That seems to be a part of the helmet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search helmet" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SEARCH HELMET | ||
| CF | | ||
| CF | You find nothing of interest. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about fedorov" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT FEDOROV | ||
| CF | | ||
| CF | You were the only one suited. They are both beyond help. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about decompression" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT DECOMPRESSION | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | You reflexively glance at your oxygen reserves: O2 Reserves: 78 | ||
| CF | Minutes Remaining. | ||
| CF | | ||
| CF | The chemical CO2 scrubbers have days worth of capacity, so O2 is the | ||
| CF | problem. The emergency reserves might get you an extra 15 minutes, | ||
| CF | then maybe another 15 before you consume what's left in the suit. | ||
| CF | Then, maybe 5 or 10 minutes before you lose consciousness... That's, | ||
| CF | at best, an hour and 58 min- no, 57 minutes now, before | ||
| CF | lights out. No pressure. | ||
| CF | | ||
| CF | The joke falls flat even with you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about lyudmila" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT LYUDMILA | ||
| CF | | ||
| CF | You miss your fiance terribly. | ||
| CF | | ||
| CF | > | Jacqueline says, "I mean, at least we go to sleep and quietly die this way." | |
| DavidW says (to ClubFloyd), "think about home" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT HOME | ||
| CF | | ||
| CF | You can't imagine not seeing home again. Mila would never forgive you. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "meditate" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > MEDITATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about mission" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT MISSION | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about ship" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT SHIP | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "think about lyudmila" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT LYUDMILA | ||
| CF | | ||
| CF | You must stop thinking about her or nothing will get done. | ||
| CF | | ||
| CF | > | Jacqueline says, "Nothing is going to get done, might as well think about her." | |
| DavidW says (to ClubFloyd), "forget mila" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > FORGET MILA | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "don't think about mila" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > DON'T THINK ABOUT MILA | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "scream" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SCREAM | ||
| CF | | ||
| CF | AAAAAAAAAAAAAAAAHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!!!!!!! | ||
| CF | | ||
| CF | ... | ||
| CF | | ||
| CF | | ||
| CF | You scream yourself hoarse, tears of impotent rage welling up and | ||
| CF | careening around in your helmet like salty canonballs. You start | ||
| CF | sobbing, awash in self-pity and despair. You don't want to die. This | ||
| CF | isn't fair. You aren't even a real cosmonaut according to those | ||
| CF | balvans safe on the ground. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "x oxygen" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X OXYGEN | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about balvans" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT BALVANS | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "cry" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > CRY | ||
| CF | | ||
| CF | You really are a opezdol for volunteering for this position. When you | ||
| CF | had read the notice and resolved to apply, you hadn't really believed | ||
| CF | anything would come of it. And now here you are, Lyudmila's precious | ||
| CF | Сахарок, snotting yourself blind instead of doing something. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "snot myself" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SNOT MYSELF | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "sigh" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SIGH | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x readout" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X READOUT | ||
| CF | | ||
| CF | Okay, they didn't actually say you're going to die, but it | ||
| CF | might as well have. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "hyperventilate" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > HYPERVENTILATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | DavidW says, "heh. I remember that was the answer once." | |
| Jacqueline asks, "oh?" | ||
| DavidW says, "One of the Infocom games where you needed to cross empty space or water or something." | ||
| DavidW asks, "I think it was in Leather Goddesses of Phobos?" | ||
| Jacqueline says, "Huh." | ||
| Jacqueline says (to ClubFloyd), "die" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > DIE | ||
| CF | | ||
| CF | You reach up to wipe your face only to smack your visor. You shake | ||
| CF | your head to clear free-floating mucus and take yourself to task. | ||
| CF | | ||
| CF | ENOUGH. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "l" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | The Void | ||
| CF | Tears obscure your limited vision and your thoughts turn inward, to | ||
| CF | home, to the smell of rain. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "think about rain" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT RAIN | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "remember rain" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > REMEMBER RAIN | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "remember home" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > REMEMBER HOME | ||
| CF | | ||
| CF | You can't imagine not seeing home again. Mila would never forgive you. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "remember mila" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > REMEMBER MILA | ||
| CF | | ||
| CF | You must stop thinking about her or nothing will get done. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "listen" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > LISTEN | ||
| CF | | ||
| CF | You can't hear anything but your own breathing and the hissing of | ||
| CF | precious oxygen in your helmet. | ||
| CF | | ||
| CF | > | Jacqueline says, "I don't know what we'd reasonably be expected to do except hit z about 100 times." | |
| DavidW says (to ClubFloyd), "smell" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SMELL | ||
| CF | | ||
| CF | The only thing you can smell is yourself inside this suit. Lyudmila | ||
| CF | wouldn't approve. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Your suits internal monitors chirp a 1 hour warning for your oxygen | ||
| CF | reserves. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "swim" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SWIM | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "somersault" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SOMERSAULT | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Pray was not a verb, right?" | |
| DavidW says, "right" | ||
| DavidW says, "Maybe there isn't a way out of this." | ||
| DavidW says, "Maybe this game is that bleak." | ||
| Jacqueline says, "I don't see how there could be." | ||
| DavidW says (to ClubFloyd), "x helmet" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X HELMET | ||
| CF | | ||
| CF | You can only see a little bit of it from the inside, but prior | ||
| CF | experience informs you that the back of the helmet is an orange-tinged | ||
| CF | white with the entire front half a clear round glass bulb. Your helmet | ||
| CF | includes a forward spotlight and a retractable sun visor to prevent | ||
| CF | permanent damage to your eyes. | ||
| CF | | ||
| CF | > | Jacqueline asks, "May I type z.z.z.z.z.z.z.z. a lot?" | |
| DavidW says (to ClubFloyd), "touch helmet" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TOUCH HELMET | ||
| CF | | ||
| CF | You feel nothing unexpected. | ||
| CF | | ||
| CF | > | DavidW says, "okay" | |
| DavidW says, "unless we can sleep or wake up." | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | Jacqueline says, "I'll do it in blocks of 10." | |
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | You spare a quick glance down: O2 Reserves: 36 Minutes | ||
| CF | Remaining. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | You hear the furious beeping from the internal monitors. That's your | ||
| CF | 15 minute warning for O2 depletion... | ||
| CF | | ||
| CF | Come on, think! | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "sleep" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SLEEP | ||
| CF | | ||
| CF | You aren't feeling especially drowsy. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "sleep" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SLEEP | ||
| CF | | ||
| CF | You aren't feeling especially drowsy. | ||
| CF | | ||
| CF | > | Jacqueline says, "Well, just you wait." | |
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | The hissing of your oxygen comes to a halt and your suits internal | ||
| CF | monitors make a final ominous squeal and then... | ||
| CF | | ||
| CF | ...Silence. | ||
| CF | | ||
| CF | You don't have much time left; whatever's left in the suit. You're not | ||
| CF | fully sure how long that will last you. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | You feel tired... | ||
| CF | | ||
| CF | You just want to go home. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | Jacqueline says, "Why are we not dead yet>" | |
| Jacqueline asks, "?" | ||
| DavidW says (to ClubFloyd), "go home" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > GO HOME | ||
| CF | | ||
| CF | Just take some deep breathes... That's right. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "z.z.z.z.z.z.z.z.z.z." | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > Z.Z.Z.Z.Z.Z.Z.Z.Z.Z. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | DavidW says, "I guess the game doesn't end that way." | |
| Jacqueline says, "This is the game that never ends, maybe." | ||
| Jacqueline says, "Maybe it's ALL A DREAM" | ||
| Jacqueline says (to ClubFloyd), "wake up" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > WAKE UP | ||
| CF | | ||
| CF | The dreadful truth is, this is not a dream. | ||
| CF | | ||
| CF | > | Jacqueline says, "Oh" | |
| DavidW says (to ClubFloyd), "go home" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > GO HOME | ||
| CF | | ||
| CF | No more. You need to focus! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "go home" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > GO HOME | ||
| CF | | ||
| CF | No more. You need to focus! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "focus" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > FOCUS | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "go home" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > GO HOME | ||
| CF | | ||
| CF | No more. You need to focus! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "go out" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > GO OUT | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "remove helmet" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > REMOVE HELMET | ||
| CF | | ||
| CF | Removing the flex spacesuit would lump you in with Fedorov. It's | ||
| CF | probably irrational but you can't defy the part of you that wants to | ||
| CF | keep living. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK | ||
| CF | | ||
| CF | It makes your head hurt worse to do so, but you'll do your best. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK | ||
| CF | | ||
| CF | It makes your head hurt worse to do so, but you'll do your best. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Did he not think people would wait out the game for death?" | |
| DavidW says, "I don't know ." | ||
| DavidW says, "But it isn't that uncommon for a danger to be illusionary, something to prod the player to action, a fired bullet moving like Zeno's Achilles." | ||
| Jacqueline says, "Hm. Yeah, but there's not anything to really do except die." | ||
| DavidW says, "The air is reducing itself without ever reaching zero." | ||
| DavidW says, "Maybe there is and we failed to discover it." | ||
| Jacqueline says (to ClubFloyd), "score" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SCORE | ||
| CF | | ||
| CF | There is no score in this story. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about accident" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT ACCIDENT | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about me" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT ME | ||
| CF | | ||
| CF | Just a lowly botonist meeting his country's demands. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about country" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT COUNTRY | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about rescue" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT RESCUE | ||
| CF | | ||
| CF | Your thoughts stray to Lyudmila and home. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about survival" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > THINK ABOUT SURVIVAL | ||
| CF | | ||
| CF | You'd be better served by examing it instead. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x survival" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X SURVIVAL | ||
| CF | | ||
| CF | You can't really see it, but you know it's back there providing your | ||
| CF | limited oxygen and scrubbing CO2. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search suit" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SEARCH SUIT | ||
| CF | | ||
| CF | You are carrying: | ||
| CF | a helmet (being worn) | ||
| CF | some gloves (being worn) | ||
| CF | a flex spacesuit (being worn) | ||
| CF | | ||
| CF | The closest thing to a pocket is the small snap pouch located on your | ||
| CF | chest. Otherwise... | ||
| CF | | ||
| CF | You find nothing of interest. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open pocket" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > OPEN POCKET | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x pouch" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X POUCH | ||
| CF | | ||
| CF | A small snap pouch for holding sundries. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look in it" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > LOOK IN IT | ||
| CF | | ||
| CF | You can't see inside, since the pouch is closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open pouch" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > OPEN POUCH | ||
| CF | | ||
| CF | You open the pouch, revealing a fidget spinner. | ||
| CF | | ||
| CF | > | Jacqueline says, "ha" | |
| DavidW says (to ClubFloyd), "take spinner" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > TAKE SPINNER | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x it" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > X IT | ||
| CF | | ||
| CF | A gift from Lyudmila. A new American toy she bought na levo. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "fidget" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > FIDGET | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "spin it" | ||
| CF ] The Void | ||
| CF | > | ||
| CF | > SPIN IT | ||
| CF | | ||
| CF | I didn't understand that sentence. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "spin spinner" | ||
| CF | > | ||
| CF | > SPIN SPINNER | ||
| CF | | ||
| CF | (first taking the fidget spinner) | ||
| CF | You already have that. | ||
| CF | | ||
| CF | Out of options, you grasp the center of the toy with your left thumb | ||
| CF | and forefinger and, with some difficulty, manage to flick it into | ||
| CF | motion. | ||
| CF | | ||
| CF | !!!!!!! | ||
| CF | | ||
| CF | To your shock, your orientation ever so slightly begins to shift in | ||
| CF | the opposite rotation. Mila is forever a genius! | ||
| CF | | ||
| CF | With some experimentation, you manage to reorient yourself facing away | ||
| CF | from the primary. | ||
| CF | | ||
| CF | Press any key... | ||
| DavidW pushes the green 'space' button. | ||
| CF | Press any key...As you triumphantly return the small toy to | ||
| CF | the safety of your pouch, you immediately fumble it. | ||
| CF | | ||
| CF | "черт!!!!" you say with feeling. | ||
| CF | | ||
| CF | You watch helplessly as your only tool and last remaining connection | ||
| CF | to Mila drifts rapidly out of sight. | ||
| CF | | ||
| CF | Press any key... | ||
| DavidW pushes the green 'space' button. | ||
| CF ] | ||
| CF | Press any key... | ||
| CF | | ||
| CF | Still bitter about the loss of Mila's gift, you're immediately | ||
| CF | impatient with your latent blindness, blinking rapidly in a vain hope | ||
| CF | to return your vision faster. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "blink" | ||
| CF ] | ||
| CF | > | ||
| CF | > BLINK | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | | ||
| CF | The pitch black night engulfs you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn on spotlight" | ||
| CF ] | ||
| CF | > | ||
| CF | > TURN ON SPOTLIGHT | ||
| CF | | ||
| CF | You'll leave it off for now; the batteries are limited. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | | ||
| CF | Your eyes are still adjusting and but you notice some change. | ||
| CF | | ||
| CF | An indistinct object floats just at the edge of reach, your sunblinded | ||
| CF | eyes can't pick out any details just yet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x object" | ||
| CF ] | ||
| CF | > | ||
| CF | > X OBJECT | ||
| CF | | ||
| CF | You aren't even sure if it is really there or just your mind playing | ||
| CF | tricks. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take object" | ||
| CF ] | ||
| CF | > | ||
| CF | > TAKE OBJECT | ||
| CF | | ||
| CF | You're not even sure if it is really there, let alone what it is (or | ||
| CF | how dangerous it might be). Mila would remind you to be patient. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | | ||
| CF | Light pinpricks of blurry starlight start to emerge into your view. | ||
| CF | Nothing has appreciably changed regarding your situation, but you feel | ||
| CF | immense relief at seeing any detail at all. | ||
| CF | | ||
| CF | You don't think your full nightsight has yet returned. | ||
| CF | | ||
| CF | Something's definitely there. About a metre long and the same wide. | ||
| CF | The details still just allude you. | ||
| CF | | ||
| CF | > | Jacqueline says, "You've saved us, David." | |
| DavidW says, "Mila did" | ||
| Jacqueline says, "Or should I say, Comrade." | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] | ||
| CF | > | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes. | ||
| CF | | ||
| CF | | ||
| CF | A vast vista of stars lay glittering before you. Earth should be out | ||
| CF | there too, but your untrained eye cannot find it. "Spaceflight | ||
| CF | Participant" indeed. | ||
| CF | | ||
| CF | Now that your vision has finally cleared, you can confidently identify | ||
| CF | the object as an ejected supply crate, floating just out of reach, but | ||
| CF | it's getting closer ever so slowly. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x crate" | ||
| CF ] | ||
| CF | > | ||
| CF | > X CRATE | ||
| CF | | ||
| CF | The crate makes up some of the supply needed to feed and support the | ||
| CF | crew of 3. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "touch crate" | ||
| CF ] | ||
| CF | > | ||
| CF | > TOUCH CRATE | ||
| CF | | ||
| CF | You feel nothing unexpected. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TAKE CRATE | ||
| CF | | ||
| CF | It's a good thing you hadn't grabbed it yet. It hadn't been quite in | ||
| CF | reach and you would have likely bumped it away from you. | ||
| CF | | ||
| CF | It still isn't reachable, but it will be very soon... | ||
| CF | | ||
| CF | Periphery of the Buran | ||
| CF | The darker silhouette of the Buran Space Shuttle slowly emerges | ||
| CF | against the soft starlight behind it. It appears to be relatively | ||
| CF | stationary in relation to you, which is a great relief. | ||
| CF | | ||
| CF | Now, how to get to Buran? | ||
| CF | | ||
| CF | The crate has finally drifted within reach. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TAKE CRATE | ||
| CF | | ||
| CF | You gingerly pincer the crate between your fingertips and pull it into | ||
| CF | your chest, wrapping it securely in your arms. | ||
| CF | | ||
| CF | There will be no repeat performances here! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > OPEN CRATE | ||
| CF | | ||
| CF | It isn't something you can open. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X CRATE | ||
| CF | | ||
| CF | According to the label, it is a case of fried-dried borscht. The case | ||
| CF | is well-sealed under normal circumstances. With your hands gloved as | ||
| CF | they are, you have no hope of opening the crate. | ||
| CF | | ||
| CF | > | Jacqueline says, "There is no way to eat without opening the suit..." | |
| Jacqueline says, "But it's kind of funny to think about freeze-dried (fried-dried??) borscht." | ||
| DavidW says, "I think it's ballast. Push it one way, we go the other way." | ||
| DavidW says (to ClubFloyd), "push crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > PUSH CRATE | ||
| CF | | ||
| CF | That won't supply enough acceleration. There must be a way to get up | ||
| CF | some velocity on the crate before releasing it; like twirling a stone | ||
| CF | in swing before releasing it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "spin crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > SPIN CRATE | ||
| CF | | ||
| CF | I didn't understand that sentence. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TURN CRATE | ||
| CF | | ||
| CF | Nothing obvious happens. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "shake crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > SHAKE CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "throw crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > THROW CRATE | ||
| CF | | ||
| CF | That won't accomplish anything. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ride crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > RIDE CRATE | ||
| CF | | ||
| CF | That's not something you can enter. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x spinner" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X SPINNER | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open pouch" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > OPEN POUCH | ||
| CF | | ||
| CF | That's already open. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "look in it" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > LOOK IN IT | ||
| CF | | ||
| CF | The pouch is empty. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn me" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TURN ME | ||
| CF | | ||
| CF | You might not like that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "swim" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > SWIM | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "kick crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > KICK CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hit crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > HIT CRATE | ||
| CF | | ||
| CF | Violence isn't the answer to this one. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ugh" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > UGH | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Jacqueline says, "I also do not recognize the verb 'ugh'" | |
| DavidW says, "That was meant for the channel. It's not a verb." | ||
| DavidW says, "I'm stuck again." | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > L | ||
| CF | | ||
| CF | Periphery of the Buran | ||
| CF | The Buran Space Shuttle lies suspended in front of you in a sea of | ||
| CF | stars. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "think about crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > THINK ABOUT CRATE | ||
| CF | | ||
| CF | You'd be better served by examing it instead. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x shuttle" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X SHUTTLE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x buran" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X BURAN | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Jacqueline says, "I was just kidding. I am also in an ugh spot." | |
| DavidW says (to ClubFloyd), "x crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X CRATE | ||
| CF | | ||
| CF | Being effectively a box full of powdered soup, the crate is fairly | ||
| CF | dense with at least 50kg of mass. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TAKE CRATE | ||
| CF | | ||
| CF | You already have that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wave crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > WAVE CRATE | ||
| CF | | ||
| CF | You wave Supply Crate. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "throw crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > THROW CRATE | ||
| CF | | ||
| CF | That won't accomplish anything. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "spin crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > SPIN CRATE | ||
| CF | | ||
| CF | I didn't understand that sentence. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "turn arm" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TURN ARM | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wind crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > WIND CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "move crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > MOVE CRATE | ||
| CF | | ||
| CF | That won't supply enough acceleration. There must be a way to get up | ||
| CF | some velocity on the crate before releasing it; like twirling a stone | ||
| CF | in swing before releasing it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "twirl crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TWIRL CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Jacqueline says, "Sping it like a fidget spinner." | |
| DavidW says (to ClubFloyd), "turn crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TURN CRATE | ||
| CF | | ||
| CF | Nothing obvious happens. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x cord" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X CORD | ||
| CF | | ||
| CF | 1 | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "attach cord to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > ATTACH CORD TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x suit" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X SUIT | ||
| CF | | ||
| CF | Your suit is a standard-issue Orlan spacesuit. You think Federov had | ||
| CF | said it was the DMA-63C variant, but you can't remember for sure. You | ||
| CF | weren't listening carefully because you were never intended to stray | ||
| CF | from your Arabidopsis beds. | ||
| CF | | ||
| CF | It has the usual handy extras: a pouch for storing small items and an | ||
| CF | attachment for safety tethers, a lot of good the latter did for you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x attachment" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X ATTACHMENT | ||
| CF | | ||
| CF | A metal attachment meant to secure safety tethers to your spacesuit. | ||
| CF | The remains of your safety tether are still attached. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X TETHER | ||
| CF | | ||
| CF | 2 | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "attach tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > ATTACH TETHER TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "attach crate to attachment" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > ATTACH CRATE TO ATTACHMENT | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "attach crate to tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > ATTACH CRATE TO TETHER | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X TETHER | ||
| CF | | ||
| CF | 2 | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x attachment" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X ATTACHMENT | ||
| CF | | ||
| CF | A metal attachment meant to secure safety tethers to your spacesuit. | ||
| CF | The remains of your safety tether are still attached. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x remains" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X REMAINS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "detach tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > DETACH TETHER | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "untie tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > UNTIE TETHER | ||
| CF | | ||
| CF | Not yet; you need a counterweight first. | ||
| CF | | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put tether on crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > PUT TETHER ON CRATE | ||
| CF | | ||
| CF | (first taking the safety tether) | ||
| CF | That seems to be a part of the flex spacesuit. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tie tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TIE TETHER TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "attach tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > ATTACH TETHER TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "spin crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > SPIN CRATE | ||
| CF | | ||
| CF | I didn't understand that sentence. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "loop tether around crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > LOOP TETHER AROUND CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "loop crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > LOOP CRATE | ||
| CF | | ||
| CF | What do you want to loop Supply Crate around? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "loop crate around me" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > LOOP CRATE AROUND ME | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x suit" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X SUIT | ||
| CF | | ||
| CF | Your suit is a standard-issue Orlan spacesuit. You think Federov had | ||
| CF | said it was the DMA-63C variant, but you can't remember for sure. You | ||
| CF | weren't listening carefully because you were never intended to stray | ||
| CF | from your Arabidopsis beds. | ||
| CF | | ||
| CF | It has the usual handy extras: a pouch for storing small items and an | ||
| CF | attachment for safety tethers, a lot of good the latter did for you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "clip tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CLIP TETHER TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "clip crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CLIP CRATE | ||
| CF | | ||
| CF | What do you want to clip Supply Crate to? | ||
| CF | | ||
| CF | > | Jacqueline says, "We not only got out of bed, we put on a space suit and ejected ourselves." | |
| DavidW says (to ClubFloyd), "me" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > ME | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | DavidW says, "I'm just not guessing the verb today." | |
| DavidW says, "It's clear we need to attach the tether to the crate than whirl it than release it, but I cannot guess the syntax." | ||
| Jacqueline says, "Nothing more in our pocketses." | ||
| Jacqueline says, "Can't fidgetspin the creat." | ||
| Jacqueline says, "er, crate." | ||
| DavidW says, "The attachment didn't show up until the crate did." | ||
| DavidW says (to ClubFloyd), "x gloves" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X GLOVES | ||
| CF | | ||
| CF | Your spacesuit includes large clumsy gloves. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x helmet" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X HELMET | ||
| CF | | ||
| CF | You can only see a little bit of it from the inside, but prior | ||
| CF | experience informs you that the back of the helmet is an orange-tinged | ||
| CF | white with the entire front half a clear round glass bulb. Your helmet | ||
| CF | includes a forward spotlight and a retractable sun visor to prevent | ||
| CF | permanent damage to your eyes. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x visor" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X VISOR | ||
| CF | | ||
| CF | The visor is currently safe-guarding your vision, although you still | ||
| CF | do your best to not stare directly at the sun. | ||
| CF | | ||
| CF | In normal operations, you can switch the visor on and off. | ||
| CF | | ||
| CF | > | Jacqueline says (to DW), "Okay, fair." | |
| DavidW says (to ClubFloyd), "x attachment" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X ATTACHMENT | ||
| CF | | ||
| CF | A metal attachment meant to secure safety tethers to your spacesuit. | ||
| CF | The remains of your safety tether are still attached. | ||
| CF | | ||
| CF | > | Jacqueline asks, "So you think some other thing may magically appear if we do the right thing?" | |
| DavidW says (to ClubFloyd), "x safety" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X SAFETY | ||
| CF | | ||
| CF | Which do you mean, the attachment or the safety tether? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TETHER | ||
| CF | | ||
| CF | 2 | ||
| CF | | ||
| CF | > | DavidW says, "I think the game will end once we get into the shuttle." | |
| Jacqueline says, "So much for wanting to die." | ||
| DavidW says, "We'll send out a mayday." | ||
| Jacqueline nods. | ||
| DavidW says (to ClubFloyd), "x ring" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X RING | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | DavidW says, "The description of the tether is missing." | |
| DavidW says (to ClubFloyd), "fix tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > FIX TETHER | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X CRATE | ||
| CF | | ||
| CF | You may not be able to open the crate (how would you eat it anyway?), | ||
| CF | but the mass might be helpful if you could leverage it somehow. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > SEARCH CRATE | ||
| CF | | ||
| CF | You find nothing of interest. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x hook" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X HOOK | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x eye" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X EYE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x handle" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X HANDLE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x handle" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X HANDLE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x ring" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X RING | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x nail" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X NAIL | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x label" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > X LABEL | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hook tether on crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > HOOK TETHER ON CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "clip tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CLIP TETHER | ||
| CF | | ||
| CF | What do you want to clip the safety tether to? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "clip crate to me" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CLIP CRATE TO ME | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "clip me to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CLIP ME TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "unclip tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > UNCLIP TETHER | ||
| CF | | ||
| CF | Not yet; you need a counterweight first. | ||
| CF | | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put crate on tether" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > PUT CRATE ON TETHER | ||
| CF | | ||
| CF | Putting things on the safety tether would achieve nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "connect tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > CONNECT TETHER TO CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tie tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > TIE TETHER TO CRATE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "join tether to crate" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > JOIN TETHER TO CRATE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | DavidW says, "I give up." | |
| Jacqueline says, "Yeah, I'm okay with that." | ||
| DavidW says (to ClubFloyd), "hint" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > HINT | ||
| CF | | ||
| CF | You could receive a hand or you could disable help for the rest of | ||
| CF | this playthrough. Do you want to disable help?> | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Periphery of the Buran | ||
| CF | this playthrough. Do you want to disable help?> | ||
| CF | > N | ||
| CF | | ||
| CF | | ||
| CF | You hear clapping and cheering. | ||
| CF | | ||
| CF | You feel encouraged. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "help" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > HELP | ||
| CF | | ||
| CF | You hear clapping and cheering. | ||
| CF | | ||
| CF | You feel encouraged. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "hint" | ||
| CF ] Periphery of the Buran | ||
| CF | > | ||
| CF | > HINT | ||
| CF | | ||
| CF | You can keep trying, but tha's all you're getting. | ||
| CF | | ||
| CF | > | Jacqueline says, "hahahaha" | |
| Jacqueline says, "omg" | ||
| Jacqueline says, "PINKUNZ SRSLY" | ||
| Jacqueline says, "I mean, go ahead and disable it entirely." | ||
| DavidW says, "Yes, good wishes to Pinkunz, wherever he is." | ||
| Jacqueline says, "I think he's doing okay these days." | ||
| Jacqueline says, "Been through a lot, but doing okay." | ||
| DavidW says, "yeah" | ||
| DavidW says, "anyway, that was three games today. I'll have to look for more." | ||
| Jacqueline says, "Thanks for these." | ||
| Jacqueline says, "I have to say that, depressing as this one was, ending it with clapping and cheering was a good smile." | ||
| DavidW says, "You're welcome. Thanks for the help, especially with the moka." | ||
| Jacqueline says, "Welcome." | ||
| Jacqueline exclaims, "Have a good week, David!" | ||
