ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
ANOTHER WARNING! A lot (most!) of the transcripts contained on this site are, shall we say, family-friendly. This is not one of those family-friendly transcripts. Just so we're clear. |
ToyShop & Floyditorium
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#ClubFloyd Discussion
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Roger asks, "has anyone tested Studio (2024) with floyd?" | ||
DavidW says (to Roger), "I don't remember if I tested it or not. Assume I have not." | ||
Roger says, "I like those ods" | ||
Roger says, "odds, too" | ||
Teaspoon asks, "It says it's better played in a browser?" | DavidW says, "Well, sometimes a game works slightly differently because of real-time effects or Vorpal wizardry or what-have-you." | |
DavidW says, "But it could also mean we just miss the font choices." | ||
DavidW says (to ClubFloyd), "load sleepmask studio" | ||
CF ] | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Imagination, of course, can open any door—turn the key and let terror | ||
CF | walk right in. | ||
CF | - Truman Capote, In Cold Blood | Roger says, "I'm feeling a bit full of time-foolery" | |
DavidW says, "oh, it's not quite noon yet." | ||
Teaspoon asks, "that's not a problem, is it?" | ||
Roger says, "more polite to wait" | ||
Roger says, "we might get the chance to betatest a game for asparagus, at some future point" | ||
DavidW says, "oh yeah. That'll be exciting." | ||
Teaspoon asks, "asparagus does good games?" | ||
Roger says, "just started into I7" | ||
DavidW says, "I have no idea what sort of game he's making. It'll be his first." | ||
Roger says, "but I have high expectations" | ||
Teaspoon says, "ah, that's a good time" | ||
Teaspoon says, "I had tremendous fun doing my first game." | Teaspoon says, "...whoops" | |
DavidW | You see a twelve noon here. | ||
Teaspoon exclaims, "onwards!" | ||
DavidW pushes the green 'space' button. | ||
CF ] Main Room (near the bed) | ||
CF | It's been a whirlwind few days, but you're finally just about settled | ||
CF | in. New place, new city, no one here yet for you to lean on. | ||
CF | | ||
CF | You're absolutely exhausted. You've spent all day getting things set | ||
CF | up, running errands, and stressing out. You were supposed to | ||
CF | have help, but some no-name 747 decided it had something to say about | ||
CF | that, so you've had to go it alone. | ||
CF | | ||
CF | The sun sits low on the horizon as you look around your new apartment, | ||
CF | cataloging tasks you've missed. | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against a bamboo slat barrier. | ||
CF | There are a pillow and a comforter on the bed. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone charger is on the dresser. | ||
CF | | ||
CF | You can go north towards the counter, or west behind the | ||
CF | bookshelf. | ||
CF | | ||
CF | (First-time players should type ABOUT. Credits are available via | ||
CF | CREDITS.) | ||
CF | | ||
CF | > | Teaspoon asks, "about?" | |
DavidW says (to ClubFloyd), "about" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > ABOUT | ||
CF | | ||
CF | In Studio, you play as a woman in a very difficult situation. | ||
CF | | ||
CF | Development began in August of 2022. Version 1 was released as an | ||
CF | entrant to the Spring Thing Festival in April of 2024. | ||
CF | | ||
CF | Studio is a horror game, intended for mature audiences only. | ||
CF | More specific information about its content can be found by typing | ||
CF | CONTENT. | ||
CF | | ||
CF | For information about parser IF in general, type ABOUT IF. Even if | ||
CF | you're familiar with the format, you may want to type COMMANDS to see | ||
CF | a list of non-standard commands used in this game. | ||
CF | | ||
CF | A note to seasoned IF players: due to the way Studio handles | ||
CF | action processing and input, it is not recommended that you enter | ||
CF | multiple commands on the same line. Doing so may cause otherwise valid | ||
CF | commands to be unrecognized, or have unintended in-game consequences. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "content" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CONTENT | ||
CF | | ||
CF | Be warned that the content notes contain major spoilers for the entire | ||
CF | game, and reading them is likely to alter your experience. If you | ||
CF | would like to see them anyway, type the same command again. | ||
CF | | ||
CF | > | Teaspoon says, "Huh, I never saw a warning like that before" | |
DavidW says (to ClubFloyd), "commands" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > COMMANDS | ||
CF | | ||
CF | The following is a list of non-standard commands used in this game. | ||
CF | There are a few additional commands not listed here—rest assured, you | ||
CF | will be cued to them as needed. | ||
CF | | ||
CF | LOOKING COMMANDS | ||
CF | LOOK BEHIND (something), PEEK BEHIND (something) | ||
CF | LOOK UNDER (something) | ||
CF | READ (something) | ||
CF | | ||
CF | MOVEMENT COMMANDS | ||
CF | CROUCH, CROUCH DOWN | ||
CF | CROUCH BEHIND (something) | ||
CF | CROUCH ON (something) | ||
CF | GET BEHIND (something), GO BEHIND (something) | ||
CF | GET UNDER (something), HIDE UNDER (something) | ||
CF | LIE DOWN | ||
CF | LIE BEHIND (something) | ||
CF | LIE ON/IN (something) | ||
CF | SIT, SIT DOWN/UP | ||
CF | SIT BEHIND (something) | ||
CF | SIT ON/IN (something) | ||
CF | STAND, STAND UP | ||
CF | STAND ON/IN (something) | ||
CF | | ||
CF | OBJECT COMMANDS | ||
CF | CALL (someone or a number) | ||
CF | CLICK (something) | ||
CF | EMPTY (something) | ||
CF | KNOCK ON (something) | ||
CF | PLUG (something) INTO (something) | ||
CF | PUT (something) BEHIND (something) | ||
CF | PUT (something) UNDER (something else) | ||
CF | REBOOT (something) | ||
CF | SMASH (something) | ||
CF | SPIN/TUNE (something) TO (a number) | ||
CF | TEXT (someone or a number) | ||
CF | TYPE (something) | ||
CF | UNPLUG (something), UNPLUG (something) FROM (something) | ||
CF | | ||
CF | META COMMANDS | ||
CF | ABOUT | ||
CF | ABOUT IF | ||
CF | COMMANDS | ||
CF | COMMON COMMANDS | ||
CF | CONTENT | ||
CF | CREDITS | ||
CF | | ||
CF | > | Roger says, "oof" | |
Teaspoon says, "I take it that plugging in our phone is going to be important" | ||
Roger says, "The horror of setting up a room" | ||
Jacqueline says (to Roger), "Yay" | ||
Jacqueline says (to Roger), "And injoke I suspect was targeted to just us." | ||
Teaspoon asks, "shall we get our phone and then investigate the dresser?" | ||
Jacqueline says, "er, *an*" | ||
Roger says, "pretty much. Sure, might as well the usual looking-around stuff" | ||
DavidW says, "This doesn't seem like it'll be an easy game. I'm assuming someone or something will break into our new home, and we'll be the mouse to its cat." | ||
Teaspoon says, "that sounds unpleasant" | ||
Teaspoon says, "but then I imagine there isn't a content warning for no reason" | ||
Jacqueline says, "It does not sound fun, no." | ||
DavidW says, "Worse, we'll need to know the physical layout to an unpleasant level of detail." | ||
DavidW says (to ClubFloyd), "credits" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CREDITS | ||
CF | | ||
CF | Studio was conceptualized, written, and programmed by Charm | ||
CF | Cochran. | ||
CF | | ||
CF | It includes the following extensions: | ||
CF | Hiding Behind v1 and Remembering v1 by Charm Cochran (based on | ||
CF | extensions and code by Eric Eve/Gavin Lambert and Aaron Reed, | ||
CF | respectively); | ||
CF | Autosave v2.0.231013 by Daniel Stelzer; | ||
CF | Approaches v7.0.150410, Basic Screen Effects v8, Computers v8.2, | ||
CF | Glulx Entry Points v10.0.150101, Glulx Text Effects v6, Locksmith v13, | ||
CF | Plurality v9.0.101223, Postures v2, Punctuation Removal v5, Recorded | ||
CF | Endings v5, Room Description Control v14.1.220524, Skeleton Keys v1, | ||
CF | and Tailored Room Description v13.2.240108 by Emily Short; | ||
CF | Alternatives v3.0.150410, Bulk Limiter v9, Epistemology v9, Hiding | ||
CF | Under v4, and Underside v6.1 by Eric Eve; | ||
CF | Enterable Underside v2.0.200926 and Prepositional Correctness | ||
CF | v2.0.200926 by Gavin Lambert; | ||
CF | Far Away v5.0.160517 by Jon Ingold; | ||
CF | Simple Multimedia Effects For V10 v6 by Mathbrush; | ||
CF | Basic Plans v3.0.211124 and Planner v3.0.240130 by Nate Cull; and | ||
CF | Plugs and Sockets v4.2 by Sean Turner. | ||
CF | | ||
CF | It uses code from Achievements v1.0.151231 by Juhana Leinonen; Large | ||
CF | Game Speedup v6.0.220524 by Nathanael Nerode; Extended Grammar | ||
CF | v8.0.140501 by Aaron Reed; Assorted Text Generation v5.0.150410, | ||
CF | Automated Drawers v6, and Modern Conveniences v5 by Emily Short; and | ||
CF | Helpful Functions v1 by Daniel Stelzer. | ||
CF | | ||
CF | It uses code by Graham Nelson, which was included in the Inform Recipe | ||
CF | Book—specifically, it pulls from Example 24 - "Neighborhood Watch," | ||
CF | Example 366 - "Rock Garden," Example 370 - "Walls and Noses," Example | ||
CF | 408 - "Timeless," and Example 432 - "Eyes, Fingers, Toes." It also | ||
CF | uses publicly released code by Emily Short, Mathbrush, Sarah Willson, | ||
CF | and Zed Lopez. | ||
CF | | ||
CF | Object Response Tests v7 by Juhana Leinonen was used during testing. | ||
CF | | ||
CF | Feelie map by Julia Byrne. | ||
CF | | ||
CF | Special thanks to my testers, who deserve much credit and no blame: | ||
CF | Julia Byrne, Mel Jason, Nathan Ray, Peter M.J. Gross, Rovarsson, | ||
CF | Tabitha O'Connell, and Tommy Sullivan-Lovett. | ||
CF | | ||
CF | Special thanks, too, to Zed Lopez for invaluable programming help. | ||
CF | | ||
CF | Additional special thanks to Graham Nelson for Inform 7, and Mathbrush | ||
CF | for the Bisquixe interpreter. | ||
CF | | ||
CF | > | Jacqueline says, "Ah. Charm." | |
Teaspoon asks, "Charm?" | ||
Jacqueline says, "Charm Cochran." | ||
DavidW says, "I recognize the name but I don't remember which games are theirs." | ||
Jacqueline says, "Quite a prolific author." | ||
Teaspoon asks, "we're going to have to hide behind things? Or hide something from being found?" | ||
Roger says, "the feelie map:" | ||
Roger | [LINK] | ||
Roger says, "all this unpacking is exhausting so let's just go to bed" | ||
Teaspoon says, "Looks like you were right about the level of detail, David." | ||
DavidW says, "I didn't see a clock time in the status bar, so I assume the horror begins with a trigger incident or X turns after the start." | ||
Teaspoon says, "makes sense" | ||
Roger says, "I can confirm there's no clock or other goofiness in the browser version" | ||
DavidW asks, "Shall we at least start examining things? Or do we just want to wander the apartment's rooms?" | ||
Roger says, "driver's choice" | ||
Teaspoon says, "let's examine, yeah" | ||
DavidW says, "ok." | ||
DavidW says (to ClubFloyd), "i" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying your phone. | ||
CF | | ||
CF | Additionally, you're wearing some sweatpants and an undershirt. | ||
CF | | ||
CF | A loud beeping noise begins abruptly from the direction of the | ||
CF | kitchenette. Adrenaline briefly surges through your body, before you | ||
CF | realize that it's just the dishwasher finishing its cycle. | ||
CF | | ||
CF | You've honestly had enough for one day. You think you ought to finish | ||
CF | up your chores and just go to bed. Might as well start by unloading | ||
CF | the dishwasher. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X BED | ||
CF | | ||
CF | It's got a spartan metal frame, the first mattress you could find, and | ||
CF | the only sheet set you brought with you. You remind yourself that it's | ||
CF | only for now. | ||
CF | | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x pillow" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X PILLOW | ||
CF | | ||
CF | The pillow is fluffy and plush. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x comforter" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X COMFORTER | ||
CF | | ||
CF | The comforter is heavy and warm. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > LOOK UNDER BED | ||
CF | | ||
CF | There's nothing under the bed. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | (Who designs a dishwasher to keep beeping until it's opened?) | ||
CF | | ||
CF | > | Roger says, "oh it's a superheroine game, with this level of energetic adulting" | |
DavidW says (to ClubFloyd), "x dresser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X DRESSER | ||
CF | | ||
CF | (the dresser) | ||
CF | It's a bit beat up, but it was here before you. | ||
CF | | ||
CF | On the dresser is your phone charger. | ||
CF | | ||
CF | The dresser has four drawers. None are open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open top drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN TOP DRAWER | ||
CF | | ||
CF | (the first dresser drawer) | ||
CF | You open the first dresser drawer, revealing some folded shirts. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close it" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLOSE IT | ||
CF | | ||
CF | You close the first dresser drawer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open second" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN SECOND | ||
CF | | ||
CF | (the second dresser drawer) | ||
CF | You open the second dresser drawer, revealing some folded pants. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close it" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLOSE IT | ||
CF | | ||
CF | You close the second dresser drawer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open third" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN THIRD | ||
CF | | ||
CF | The drawer squeaks as you open it. | ||
CF | | ||
CF | Inside are a taser and some junk. | ||
CF | | ||
CF | Water rushes through the pipes in your wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x taser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X TASER | ||
CF | | ||
CF | A small plastic thing with metal prongs on one end. It's the | ||
CF | melee-only kind: no wires to shoot out or anything like that. | ||
CF | | ||
CF | > | Teaspoon says, "I wasn't expecting a taser" | |
DavidW says (to ClubFloyd), "take it" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE IT | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close third" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLOSE THIRD | ||
CF | | ||
CF | The drawer squeaks as you close it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open fourth" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN FOURTH | ||
CF | | ||
CF | You open the fourth dresser drawer, revealing your jewellery box. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x box" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X BOX | ||
CF | | ||
CF | Your jewellery box from home. You've had it since you were a kid, and | ||
CF | given the choice you'd never part with it. The box itself is more | ||
CF | precious to you than any treasures it might contain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open box" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN BOX | ||
CF | | ||
CF | (the jewellery box) | ||
CF | (first unlocking the jewellery box) | ||
CF | You'll need the tiny silver key that came with the box if you want to | ||
CF | unlock it. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close fourth" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLOSE FOURTH | ||
CF | | ||
CF | You close the fourth dresser drawer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "l" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > L | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against the bamboo slat barrier. | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone charger is on the dresser. | ||
CF | | ||
CF | You can go north towards the counter, or west behind the | ||
CF | bookshelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x charger" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X CHARGER | ||
CF | | ||
CF | Your phone's charging cord, pretty much fresh out of the package. | ||
CF | | ||
CF | It is not plugged into anything. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X PHONE | ||
CF | | ||
CF | Your phone, currently switched off. | ||
CF | | ||
CF | Well, you probably should say your new phone. Your old one is | ||
CF | probably at the bottom of the Hudson by now. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x counter" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X COUNTER | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bookshelf" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X BOOKSHELF | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | This is the portion of the main room closest to the kitchenette. That | ||
CF | space is divided from this one by a counter, on which are a vase and a | ||
CF | knife block. On this side of the counter are some barstools. | ||
CF | | ||
CF | You can go back south to the bedroom area, or west to | ||
CF | the office area. | ||
CF | | ||
CF | > | Teaspoon asks, "should we find the dishwasher?" | |
DavidW says, "You said driver's choice to examine stuff." | ||
Teaspoon says, "fair 'nuff" | ||
DavidW says, "I think the longer we put off opening the dishwasher, the longer the horror will wait." | ||
Teaspoon says, "plausible" | ||
Roger says, "the real horror is running out of Jet-Dry" | ||
DavidW says, "of course, the game might force the issue." | ||
Jacqueline says, "Honestly, I hate the dishwasher. The horror in this game is palpable. Shut up, dishwasher." | ||
DavidW says (to ClubFloyd), "x vase" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > X VASE | ||
CF | | ||
CF | A (very) expensive Ming vase, covered in colorful images. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in vase" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > LOOK IN VASE | ||
CF | | ||
CF | The vase is empty. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x block" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > X BLOCK | ||
CF | | ||
CF | A hunk of polished wood with slots for holding blades. | ||
CF | | ||
CF | Currently, none of the slots are occupied. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | Roger says, "what no it's not. What a big liar of a game" | |
DavidW says (to ClubFloyd), "x stools" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > X STOOLS | ||
CF | | ||
CF | Three barstools, like you'd see in an old-fashioned diner. Currently, | ||
CF | none of them are occupied. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | You've designated this area as an office. Thus far, it's the most | ||
CF | furnished part of the apartment. | ||
CF | | ||
CF | A rolling office chair sits by the desk. | ||
CF | | ||
CF | A desk stands against one wall, with a potted plant in the corner on | ||
CF | one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go back east to the counter area, north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x desk" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > X DESK | ||
CF | | ||
CF | (the desk) | ||
CF | A bulky desk from home, thankfully delivered before you arrived. | ||
CF | | ||
CF | On the desk are your laptop charger and your laptop. | ||
CF | | ||
CF | The desk has two drawers. Neither is open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open left" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > OPEN LEFT | ||
CF | | ||
CF | The phone is currently switched off. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open drawer" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > OPEN DRAWER | ||
CF | | ||
CF | Which drawer do you mean, the first or the second? | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "first" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > FIRST | ||
CF | | ||
CF | (the first desk drawer) | ||
CF | You open the first desk drawer, revealing a screwdriver. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open second" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > OPEN SECOND | ||
CF | | ||
CF | (the second desk drawer) | ||
CF | You open the second desk drawer, revealing a paperclip and some junk. | ||
CF | | ||
CF | > | Teaspoon says, "wonder what we'll need a screwdriver and a paperclip for" | |
Roger says, "the existential horror embodied in the loneliness of the Maytag repairman" | ||
DavidW says (to ClubFloyd), "x laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > X LAPTOP | ||
CF | | ||
CF | A laptop computer, as new as your new phone. Currently, it's closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x charger" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > X CHARGER | ||
CF | | ||
CF | (the laptop charger) | ||
CF | Your laptop's charging cord, pretty much fresh out of the package. | ||
CF | | ||
CF | It is not plugged into anything. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | Roger says, "I'm assuming some complicated taser-based trap" | |
DavidW says (to ClubFloyd), "x plant" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > X PLANT | ||
CF | | ||
CF | A small fern in a terracotta pot, meant to give the space some life. | ||
CF | | ||
CF | Water rushes through the pipes in your wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x chair" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > X CHAIR | ||
CF | | ||
CF | A thing of cheap plastic and threadbare cloth, it was already here | ||
CF | when you arrived. You don't see yourself using the desk much, so it's | ||
CF | acceptable for now. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | This is the area designated as a sitting room, bordered on one side by | ||
CF | the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A painting hangs on the wall. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) surround a glass | ||
CF | coffee table. A wicker trash can squats next to the couch. | ||
CF | | ||
CF | A stack of moving boxes, their contents as-of-yet unloaded, languishes | ||
CF | in one corner. | ||
CF | | ||
CF | You can go back north to the office area, or south | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X PAINTING | ||
CF | | ||
CF | A pastoral scene, painted by some dreary Impressionist or other. It | ||
CF | depicts an empty field with a stream running through it. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x couch" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X COUCH | ||
CF | | ||
CF | A sagging corduroy couch. It was here before you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x plush chair" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X PLUSH CHAIR | ||
CF | | ||
CF | You secretly ordered this chair to be delivered before you arrived, | ||
CF | worried about awful old furniture. Turns out you were right to be: | ||
CF | it's the most comfortable place to sit in the apartment. | ||
CF | | ||
CF | > | Roger says, "None of this junk sparks joy. Except maybe the taser." | |
DavidW says (to ClubFloyd), "x worn chair" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X WORN CHAIR | ||
CF | | ||
CF | This is the exact kind of thing you were worried about when you | ||
CF | ordered the other chair. A complete wreck of a thing, all creaking | ||
CF | wood and gaudy embroidery, liable to collapse at any moment. It was | ||
CF | here long before you. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x table" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X TABLE | ||
CF | | ||
CF | A nice, modern piece, with a glass top and metal legs. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bookshelf" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X BOOKSHELF | ||
CF | | ||
CF | A tall bookshelf with no back, so that its contents are accessible | ||
CF | from both sides. | ||
CF | | ||
CF | On the shelves are Crime and Punishment, Through the | ||
CF | Looking-Glass, Wuthering Heights, a bookend, a geode, | ||
CF | and a bust. | ||
CF | | ||
CF | > | Teaspoon says, "we have very definite views about furniture design, it appears." | |
DavidW says (to ClubFloyd), "x bookend" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X BOOKEND | ||
CF | | ||
CF | You only have the one—its twin must have gotten lost in the move. | ||
CF | | ||
CF | Someone walks past your door out in the hallway. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x geode" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X GEODE | ||
CF | | ||
CF | Half of a geode that's been cracked open to reveal the sparkling | ||
CF | amethyst inside. It was a gift from your father. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bust" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X BUST | ||
CF | | ||
CF | A marble bust; you're not sure of whom. It's a handsome enough face. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x can" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X CAN | ||
CF | | ||
CF | The woven wicker suggests artisan make, though you know these things | ||
CF | are mass-produced. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x boxes" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X BOXES | ||
CF | | ||
CF | The intimidatingly-large set of boxes whose contents you didn't get to | ||
CF | today. Better luck tomorrow, kid. Currently, the top one stands | ||
CF | closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open top box" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN TOP BOX | ||
CF | | ||
CF | You open the top box of the stack, revealing some junk and a radio. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x radio" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X RADIO | ||
CF | | ||
CF | An old, beat-up looking radio. You loved it as a kid, so your father | ||
CF | let you claim it when you moved out. | ||
CF | | ||
CF | It seems to be only capable of tuning to whole-number stations—it can | ||
CF | find 100 or 101, but not 100.5. | ||
CF | | ||
CF | The radio is currently switched off. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | Teaspoon asks, "What odds that we're going to be designing a Rube Goldberg device with all this stuff?" | |
DavidW says, "geez, I dunno" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | The rolling office chair sits by the desk. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go east to the counter area, north to the | ||
CF | entryway, or back south to the sitting area. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. Inside are | ||
CF | your keychain and your wallet. | ||
CF | | ||
CF | The door to the bathroom is closed to the west, and the front | ||
CF | door is closed to the north. The closet door is closed. The | ||
CF | kitchenette is to the east, and the rest of the apartment is | ||
CF | back south. | ||
CF | | ||
CF | > | Roger says, "I know it's supposed to be scary, and it's not doing a bad job of it really, but it still carries a Home Alone vibe to it. Maybe that's just me." | |
DavidW says, "It might look more scary in the right fonts and colours." | ||
DavidW says (to ClubFloyd), "x bowl" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X BOWL | ||
CF | | ||
CF | A bowl made of patterned glass. It would look more at home in an | ||
CF | antique shop than an industrial apartment. You bought it to keep your | ||
CF | keys in. | ||
CF | | ||
CF | In the key bowl are your keychain and your wallet. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x keychain" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X KEYCHAIN | ||
CF | | ||
CF | A simple keychain that does its job with no frills. | ||
CF | | ||
CF | On the keychain are a house key and a tiny silver key. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | DavidW says, "That tiny key would be for the jewelry box, I assume." | |
DavidW says (to ClubFloyd), "x wallet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X WALLET | ||
CF | | ||
CF | Thin, black, anonymous. You wouldn't have chosen it, but it's only for | ||
CF | now. | ||
CF | | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | Jacqueline says, "So many items. I mean, feels like a real place." | |
DavidW says (to ClubFloyd), "open it" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN IT | ||
CF | | ||
CF | You open the wallet, revealing your credit card, your driver's | ||
CF | license, and a twenty-dollar bill. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x credit" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X CREDIT | ||
CF | | ||
CF | Your credit card, for absolute emergencies only. Brookwood will | ||
CF | probably make you cut it up when he arrives. | ||
CF | | ||
CF | You are so exhausted. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x license" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X LICENSE | ||
CF | | ||
CF | Your New York state driver's license. You'll need to get a new one, | ||
CF | now. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bill" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X BILL | ||
CF | | ||
CF | A twenty-dollar bill, legal tender everywhere in the United States. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | (first opening the bathroom door) | ||
CF | | ||
CF | Bathroom | ||
CF | Given how cramped the rest of the apartment is, the bathroom is | ||
CF | surprisingly spacious. | ||
CF | | ||
CF | A toilet and a sink squat against one wall, and a bathroom cabinet | ||
CF | with a mirror hangs above the sink. A bathtub skulks at the back of | ||
CF | the room behind its shower curtain. | ||
CF | | ||
CF | A small metal trash can is nestled between the toilet and the sink. | ||
CF | | ||
CF | The door back east to the entryway is open. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x mirror" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X MIRROR | ||
CF | | ||
CF | In the mirror you can see a shower curtain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x curtain" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X CURTAIN | ||
CF | | ||
CF | A basic white shower curtain—the first you could find. Currently, | ||
CF | it's | ||
CF | closed. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open curtain" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > OPEN CURTAIN | ||
CF | | ||
CF | You open the shower curtain. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cabinet" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X CABINET | ||
CF | | ||
CF | A wooden cabinet installed in the wall, with a mirror on the front. | ||
CF | Currently, it stands closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open it" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > OPEN IT | ||
CF | | ||
CF | You open the bathroom cabinet, revealing some pill bottles, a | ||
CF | toothbrush, and a razor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x bottles" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X BOTTLES | ||
CF | | ||
CF | A bunch of orange prescription bottles, all half-empty and still | ||
CF | prescribed to your old name. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | Teaspoon says, "wonder who this Brookwood is going to be." | |
DavidW asks, "'old name'?" | ||
DavidW says (to ClubFloyd), "read bottles" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > READ BOTTLES | ||
CF | | ||
CF | They were supposed to have been changed over to show your new name | ||
CF | before now. In an operation as complex as this one, it's reasonable | ||
CF | for something to slip through the cracks, but you find yourself | ||
CF | wishing it wasn't this particular thing that did. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x razor" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X RAZOR | ||
CF | | ||
CF | A cheap single-blade razor. You can feel yourself breaking out just | ||
CF | looking at it. | ||
CF | | ||
CF | > | Jacqueline asks, "Hm. Are we in witness protection or something?" | |
DavidW asks, "Maybe?" | ||
Roger asks, "what, am I the only one picking up on this?" | ||
DavidW says (to ClubFloyd), "close cabinet" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > CLOSE CABINET | ||
CF | | ||
CF | You close the bathroom cabinet. | ||
CF | | ||
CF | > | Roger exclaims, "I'm supposed to be the obtuse one!" | |
Teaspoon asks, "would we have all the same stuff if it was?" | ||
DavidW says (to ClubFloyd), "x toilet" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X TOILET | ||
CF | | ||
CF | A thing of white porcelain majesty. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x sink" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X SINK | ||
CF | | ||
CF | A stately thing of white porcelain. | ||
CF | | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tub" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > X TUB | ||
CF | | ||
CF | A great dumpy plastic thing, with nary a claw foot to be seen. | ||
CF | | ||
CF | At the moment, its shower curtain is open. | ||
CF | | ||
CF | > | Teaspoon says, "it makes the parents longing somewhat ominious." | |
Teaspoon says, "but then I suppose it is a horror game." | ||
DavidW asks, "Most tubs don't have claw feet, yes?" | ||
Jacqueline says, "What do you mean, Roger? I'm not getting transition vibes so much as I'm getting SomeCrime Happened And I Had to Flee vibes." | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Entryway | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. Inside are | ||
CF | your keychain and your wallet. | ||
CF | | ||
CF | The door back to the bathroom is open to the west, and the | ||
CF | front door is closed to the north. The closet door is closed. | ||
CF | The kitchenette is to the east, and the rest of the apartment | ||
CF | is south. | ||
CF | | ||
CF | > | Teaspoon says, "same" | |
DavidW says (to ClubFloyd), "open closet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN CLOSET | ||
CF | | ||
CF | You open the closet door. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in closet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > LOOK IN CLOSET | ||
CF | | ||
CF | The inside of the closet is dusty. A set of hangers dangle from a | ||
CF | horizontal bar. On them are a leather jacket and a trenchcoat. | ||
CF | | ||
CF | Also in the closet is an umbrella. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x jacket" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X JACKET | ||
CF | | ||
CF | An expensive leather jacket, better suited to the weather in New York | ||
CF | than here. | ||
CF | | ||
CF | > | Roger says, "I guess I'm just getting 'leaving all the old life behind (except all my expensive stuff)' vibe" | |
DavidW says (to ClubFloyd), "x trenchcoat" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X TRENCHCOAT | ||
CF | | ||
CF | A long brown trench coat—one of your favorite pieces. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x umbrella" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X UMBRELLA | ||
CF | | ||
CF | A cheap black umbrella. You lost your old one recently, and had to buy | ||
CF | this one at the airport. Currently, it's closed. | ||
CF | | ||
CF | A car drives by on the street below, blasting music far too loudly. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | Jacqueline says, "We could be a spy." | |
DavidW says (to ClubFloyd), "close closet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > CLOSE CLOSET | ||
CF | | ||
CF | You close the closet door. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Kitchenette | ||
CF | The kitchenette is small and cramped. Also, it would seem that if | ||
CF | anyone came before you to clean, they missed several spots. | ||
CF | | ||
CF | At least it seems decently stocked. There's a sink, a dishwasher, an | ||
CF | oven with a stove on top, and a fridge. A foot-pedal trash can squats | ||
CF | in one corner. Much of the rest of the space is taken up by cabinets. | ||
CF | | ||
CF | A counter separates the space from the main area. On the counter are a | ||
CF | vase and a knife block. | ||
CF | | ||
CF | A refrigerator stands against one wall, humming quietly. | ||
CF | | ||
CF | You can go back west to the entryway. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x sink" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X SINK | ||
CF | | ||
CF | (the kitchen sink) | ||
CF | A rectangular metal sink built into the counter. | ||
CF | | ||
CF | You hear a siren in the distance. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X DISHWASHER | ||
CF | | ||
CF | An ancient-looking machine, currently closed and switched off. | ||
CF | | ||
CF | It's beeping at you to let you know it's finished its cycle and is | ||
CF | ready to be unloaded. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x fridge" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X FRIDGE | ||
CF | | ||
CF | A great blocky fridge, a bit older than the rest of the kitchen | ||
CF | appliances. It currently stands closed. It also includes a separate | ||
CF | freezer compartment, which is currently closed. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open fridge" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > OPEN FRIDGE | ||
CF | | ||
CF | You open the refrigerator, revealing some takeout and a bottle of | ||
CF | soda. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x takeout" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X TAKEOUT | ||
CF | | ||
CF | Some mostly-finished chicken fried rice from a Chinese place down the | ||
CF | street. | ||
CF | | ||
CF | > | DavidW says, "oh. Deja vu. There was Chinese food in The Lurking Horror." | |
Roger says, "maybe Anchorhead too; I can't quite recall" | ||
DavidW says, "We had to reheat the food to give to a hacker to get him to loan us his keyring. Also had to give him a large bottle of cola." | ||
Teaspoon asks, "deliberate ref or coincidence?" | ||
DavidW says, "oh yeah, the soda is here too." | ||
DavidW says (to ClubFloyd), "x soda" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X SODA | ||
CF | | ||
CF | A two-liter bottle of generic brand cola. You've already gone through | ||
CF | half of it. | ||
CF | | ||
CF | Someone walks past your door out in the hallway. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close fridge" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE FRIDGE | ||
CF | | ||
CF | You close the refrigerator. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open freezer" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > OPEN FREEZER | ||
CF | | ||
CF | You open the freezer, revealing some ice and a bag of frozen fruit. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x fruit" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X FRUIT | ||
CF | | ||
CF | A bag of frozen fruit you picked up earlier in the day and ate a | ||
CF | quarter of for dessert. | ||
CF | | ||
CF | > | DavidW says, "hm. Could be useful as a cold compress, I suppose." | |
DavidW says (to ClubFloyd), "x ice" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X ICE | ||
CF | | ||
CF | A frosting of ice coats the inside of the freezer. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close freezer" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE FREEZER | ||
CF | | ||
CF | You close the freezer. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x cupboards" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X CUPBOARDS | ||
CF | | ||
CF | (the kitchen cabinets) | ||
CF | Wooden cabinets line the walls of the kitchenette, or at least those | ||
CF | parts not occupied by appliances. | ||
CF | | ||
CF | > | Teaspoon says, "presumably the person walking outsidie will be relevant at some point." | |
DavidW says (to ClubFloyd), "open cabinets" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > OPEN CABINETS | ||
CF | | ||
CF | You open the kitchen cabinets, revealing a silverware holder and some | ||
CF | duct tape. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x holder" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X HOLDER | ||
CF | | ||
CF | The silverware holder is empty. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x tape" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X TAPE | ||
CF | | ||
CF | A roll of sturdy tape. You're not sure what compelled you to store it | ||
CF | in the kitchen cabinets. Perhaps you thought no one would look for it | ||
CF | there. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x oven" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X OVEN | ||
CF | | ||
CF | A surprisingly new-looking oven, currently closed and switched off. | ||
CF | | ||
CF | > | Roger says, "It would be a pretty good twist (once) if we eventually find the actual owner of the apartment all taped-up somewhere" | |
DavidW says (to ClubFloyd), "x stove" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X STOVE | ||
CF | | ||
CF | A sleek, modern stovetop is included with the oven. Its burners are | ||
CF | currently switched off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x can" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > X CAN | ||
CF | | ||
CF | (the foot-pedal trash can) | ||
CF | A blocky metal thing about waist high, with a foot pedal used to open | ||
CF | its lid. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | Jacqueline says (to Roger), "hahaha yes" | |
DavidW says (to ClubFloyd), "open can" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > OPEN CAN | ||
CF | | ||
CF | (the foot-pedal trash can) | ||
CF | You open the foot-pedal trash can. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look in it" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > LOOK IN IT | ||
CF | | ||
CF | The foot-pedal trash can is empty. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close it" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE IT | ||
CF | | ||
CF | You close the foot-pedal trash can. | ||
CF | | ||
CF | > | DavidW asks, "Are we ready to open the dishwasher?" | |
Roger says, "yeah let's go for it" | ||
Jacqueline says, "I'm never ready to do that unless I am out of forks." | ||
Teaspoon exclaims, "dum dum dummmm!" | ||
DavidW says (to ClubFloyd), "open dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > OPEN DISHWASHER | ||
CF | | ||
CF | (the dishwasher) | ||
CF | You open the dishwasher, revealing a paring knife, a meat cleaver, a | ||
CF | chef's knife, some plates, some bowls, some cups, some forks, some | ||
CF | spoons, and some butter knives. | ||
CF | | ||
CF | Now that you've opened the dishwasher, you can EMPTY it of its dishes. | ||
CF | | ||
CF | > | Jacqueline says, "Oh thank goodness there are forks." | |
Roger says, "putting your kitchen knives in the dishwasher is the real horror here" | ||
DavidW says (to ClubFloyd), "empty it" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > EMPTY IT | ||
CF | | ||
CF | You take the paring knife, the meat cleaver, the chef's knife, the | ||
CF | plates, the bowls, the cups, the forks, the spoons, and the butter | ||
CF | knives from the dishwasher. | ||
CF | | ||
CF | You decided earlier where all these things would be stored. The sharp | ||
CF | knives go in the knife block. The dishes go in the cabinets. The | ||
CF | silverware goes in the silverware holder, which is itself in the | ||
CF | cabinets. | ||
CF | | ||
CF | > | Teaspoon says, "that seems surprisingly straightforward." | |
DavidW says (to ClubFloyd), "i" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying some butter knives, some spoons, some forks, some | ||
CF | cups, some bowls, some plates, a chef's knife, a meat cleaver, a | ||
CF | paring knife, a taser, and your phone. | ||
CF | | ||
CF | Additionally, you're wearing some sweatpants and an undershirt. | ||
CF | | ||
CF | > | DavidW says, "gosh. We're juggling all of that." | |
DavidW says (to ClubFloyd), "put all knives in block" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT ALL KNIVES IN BLOCK | ||
CF | | ||
CF | chef's knife: Done. | ||
CF | meat cleaver: Done. | ||
CF | paring knife: Done. | ||
CF | butter knives: Those won't fit into any of the knifeblock's slots. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put all silverware in holder" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT ALL SILVERWARE IN HOLDER | ||
CF | | ||
CF | spoons: Done. | ||
CF | forks: Done. | ||
CF | butter knives: Done. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put all dish in cupboards" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT ALL DISH IN CUPBOARDS | ||
CF | | ||
CF | (the kitchen cabinets) | ||
CF | cups: Done. | ||
CF | bowls: Done. | ||
CF | plates: Done. | ||
CF | | ||
CF | Now that that's done, you want to check your email, in case there's an | ||
CF | update for you from Brookwood or (slim chance, but not impossible) | ||
CF | your family. You left your laptop in the office area. | ||
CF | | ||
CF | [You can use REMEMBER to think about people who aren't | ||
CF | present.] | ||
CF | | ||
CF | > | Teaspoon says, "Oh, we can remember our parents then" | |
DavidW says (to ClubFloyd), "remember parents" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > REMEMBER PARENTS | ||
CF | | ||
CF | It's your father's fault, you know. This whole situation could have | ||
CF | been avoided if he'd been a little more scrupulous about his business | ||
CF | partners. | ||
CF | | ||
CF | You can handle yourself, but you're worried about your younger | ||
CF | siblings, scattered to the winds. You weren't told where they'd been | ||
CF | sent. Gabriella's never been very responsible, and Leo's barely out of | ||
CF | college. | ||
CF | | ||
CF | > | Teaspoon says, "Ah. Not our crime. Somebody else's crime." | |
Jacqueline says, "oho" | ||
DavidW says (to ClubFloyd), "remember gabriella" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > REMEMBER GABRIELLA | ||
CF | | ||
CF | Gabby, your younger sister, has always been the troublemaker. Railing | ||
CF | against the inborn urge of middle siblings to keep the peace, she | ||
CF | instead has always sought out as much conflict as possible. | ||
CF | | ||
CF | You hope she has the good sense to lay low and not cause any trouble | ||
CF | in the near future. You've all had quite enough of that recently, and | ||
CF | looking for any more could prove legitimately dangerous. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember leo" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > REMEMBER LEO | ||
CF | | ||
CF | Little Leo, your father's third child and finally a son. | ||
CF | | ||
CF | He's always hated how much your parents doted on him. You think he | ||
CF | finds it emasculating. You wonder how he's feeling now, truly alone in | ||
CF | the great wide world for the first time. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember mom" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > REMEMBER MOM | ||
CF | | ||
CF | Saint that she is, Bianca Lucenti has stuck by her husband long past | ||
CF | the point a reasonable person would have filed for divorce. It was her | ||
CF | that organized this family scattering, as your father scrambled to | ||
CF | cover his assets. | ||
CF | | ||
CF | She was the one to stay back in New York and guard the family home. | ||
CF | The only person better to do it would be Brookwood, but you can't help | ||
CF | worrying for her. If anyone harms her, you'll kill your father | ||
CF | yourself. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "remember dad" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > REMEMBER DAD | ||
CF | | ||
CF | Your father, Nicolau Lucenti, isn't particularly scrupulous at the | ||
CF | best of times. He thinks of himself as an embarrassed kingpin, but | ||
CF | he's always been small-time. This frequently makes him much more | ||
CF | reckless in his dealings than he can really afford to be—despite your | ||
CF | mother's universally sage council—and this time it's come back to | ||
CF | bite | ||
CF | all of you. | ||
CF | | ||
CF | You didn't get much notice that your life was about to change when his | ||
CF | latest deal went bad. It's been less than a month, even though the | ||
CF | paranoia and isolation have made it feel much longer. | ||
CF | | ||
CF | > | Roger says, "oh I guess we're mobsters or some such. Nice" | |
Teaspoon says, "oh dear." | ||
DavidW says (to ClubFloyd), "remember brookwood" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > REMEMBER BROOKWOOD | ||
CF | | ||
CF | Brookwood isn't family, technically, but he might as well be. He's | ||
CF | been your handler for as long as you can remember, and always had your | ||
CF | best interests in mind. He can be scary, but he'd never hurt you. In | ||
CF | fact, he's paid very well to go to just about any lengths possible to | ||
CF | keep you from getting hurt. | ||
CF | | ||
CF | > | Jacqueline nods. | |
DavidW says (to ClubFloyd), "close dishwalker" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE DISHWALKER | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE DISHWASHER | ||
CF | | ||
CF | (the dishwasher) | ||
CF | You close the dishwasher. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close cupboards" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE CUPBOARDS | ||
CF | | ||
CF | (the kitchen cabinets) | ||
CF | You close the kitchen cabinets. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Entryway | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. Inside are | ||
CF | your keychain and your wallet. | ||
CF | | ||
CF | The door to the bathroom is open to the west, and the front | ||
CF | door is closed to the north. The closet door is closed. The | ||
CF | kitchenette is back to the east, and the rest of the apartment | ||
CF | is south. | ||
CF | | ||
CF | A car alarm goes off down on the street. | ||
CF | | ||
CF | > | Teaspoon says, "That's new." | |
DavidW says, "what is" | ||
Teaspoon says, "car alarm" | ||
Jacqueline says, "One of the things I hate more than a beeping appliance inside my flat." | ||
Teaspoon says, "hard to tell if it's background or meaningful" | ||
DavidW says (to ClubFloyd), "lock front door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > LOCK FRONT DOOR | ||
CF | | ||
CF | The front door is already locked. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | The rolling office chair sits by the desk. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go east to the counter area, back north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | The car alarm continues. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "open laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > OPEN LAPTOP | ||
CF | | ||
CF | (opening and starting up the laptop) | ||
CF | The laptop chimes cheerfully. | ||
CF | | ||
CF | A box on the screen invites you to type a password to proceed. | ||
CF | | ||
CF | You remember Brookwood telling you that the password would be your new | ||
CF | first name... which you can't currently remember. It'll be on the | ||
CF | important documents in the wall safe, which you hid behind a painting. | ||
CF | | ||
CF | The car alarm abruptly stops. | ||
CF | | ||
CF | > | Roger says, "oh maybe we are in protective secretness" | |
Teaspoon says, "So we have to look behind that impressionist painting, huh" | ||
DavidW says, "I guess. It was the only painting we saw." | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | This is the area designated as a sitting room, bordered on one side by | ||
CF | the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A painting hangs on the wall. | ||
CF | | ||
CF | A stack of moving boxes languishes in one corner. In the stack of | ||
CF | moving boxes are some junk and a radio. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) surround a glass | ||
CF | coffee table. A wicker trash can squats next to the couch. | ||
CF | | ||
CF | You can go back north to the office area, or south | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look behind painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > LOOK BEHIND PAINTING | ||
CF | | ||
CF | Behind the painting is a safe built into the wall. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X SAFE | ||
CF | | ||
CF | The painting is currently hung up, concealing the safe entirely and | ||
CF | preventing any interaction with it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "move painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > MOVE PAINTING | ||
CF | | ||
CF | You'd rather not risk the painting falling and getting damaged. | ||
CF | | ||
CF | > | DavidW says, "As if one of those knives we put in the block isn't gonna slash this before the sun rises." | |
Teaspoon asks, "Why would we do that?" | ||
Jacqueline asks, "Why is this game getting in our way?" | ||
DavidW says (to ClubFloyd), "remember safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > REMEMBER SAFE | ||
CF | | ||
CF | The painting is currently hung up, concealing the safe entirely and | ||
CF | preventing any interaction with it. | ||
CF | | ||
CF | > | ||
Jacqueline says (to ClubFloyd), "take painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TAKE PAINTING | ||
CF | | ||
CF | You remove the painting from its nail. | ||
CF | | ||
CF | > | Jacqueline says, "There." | |
Teaspoon says, "lol" | ||
DavidW says, "ah. thanks." | ||
Jacqueline says, "Welcome." | ||
DavidW says (to ClubFloyd), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | (first unlocking the safe) | ||
CF | It's hard to do much of anything while carrying the large painting—it | ||
CF | takes up both hands and most of your field of vision. You'll need to | ||
CF | drop it or put it on something first. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put painting on couch" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > PUT PAINTING ON COUCH | ||
CF | | ||
CF | You put the painting on the couch. | ||
CF | | ||
CF | > | Jacqueline says, "You may carry a thousand knives, but not a big painting." | |
DavidW says (to ClubFloyd), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | (first unlocking the safe) | ||
CF | You'll need to spin the dial to the correct combination in order for | ||
CF | that to happen. | ||
CF | | ||
CF | > | Teaspoon says, "very persnickety" | |
Jacqueline says, "Oh dear. Combo time." | ||
DavidW says (to ClubFloyd), "remember combination" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > REMEMBER COMBINATION | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | Teaspoon asks, "remember combination?" | |
Teaspoon says, "...ah" | ||
DavidW says (to ClubFloyd), "x safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X SAFE | ||
CF | | ||
CF | A metal safe embedded in the wall, with a dial on the front. | ||
CF | Currently, it stands closed. | ||
CF | | ||
CF | Brookwood told you the combination was four numbers long, and that | ||
CF | those four number were your birth date: December 4th, 1994. You | ||
CF | suspect you'll have to break the year into two numbers, since the dial | ||
CF | only goes from 0 to 99. You can SPIN the dial of the safe TO each | ||
CF | number. | ||
CF | | ||
CF | > | Teaspoon asks, "12 04 19 94 then?" | |
DavidW says, "sure" | ||
DavidW says (to ClubFloyd), "spin dial to 12" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 12 | ||
CF | | ||
CF | You dial 12 on the safe. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "spin dial to 4" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 4 | ||
CF | | ||
CF | You dial 4 on the safe. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "spin dial to 19" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 19 | ||
CF | | ||
CF | You dial 19 on the safe. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "spin dial to 94" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 94 | ||
CF | | ||
CF | You dial 94, and the safe unlocks with a snick. | ||
CF | | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | Jacqueline says, "Okay, we get it." | |
DavidW says (to ClubFloyd), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | You open the safe. Inside, right where you left them, are the | ||
CF | important documents. Somewhere in them is your new name. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "read documents" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > READ DOCUMENTS | ||
CF | | ||
CF | The stack includes myriad different forged legal documents. Among them | ||
CF | are three temporary driver's licenses, with expiration dates spaced | ||
CF | six weeks apart; a birth certificate; the lease to the apartment, with | ||
CF | "your" signature forged on it dozens of times; and extensive | ||
CF | documentation of a fictitious medical history. | ||
CF | | ||
CF | On the falsified birth certificate, you see your assumed name: Vanessa | ||
CF | DeCesare. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > CLOSE SAFE | ||
CF | | ||
CF | You close the safe, and it snicks locked. | ||
CF | | ||
CF | > | Jacqueline exclaims, "Snick!" | |
DavidW says (to ClubFloyd), "hang painting on wall" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > HANG PAINTING ON WALL | ||
CF | | ||
CF | (first taking the painting) | ||
CF | You hang the painting back up on the nail. | ||
CF | | ||
CF | Someone walks past your door out in the hallway. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | The rolling office chair sits by the desk. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go east to the counter area, north to the | ||
CF | entryway, or back south to the sitting area. | ||
CF | | ||
CF | > | Teaspoon asks, "so now we can log on to our laptop, yes?" | |
DavidW says (to ClubFloyd), "type vanessa" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TYPE VANESSA | ||
CF | | ||
CF | The password field vanishes, and you are granted access. | ||
CF | | ||
CF | The following options are visible on the screen: | ||
CF | | ||
CF | An EMAIL program | ||
CF | The MESSAGES app | ||
CF | A web BROWSER | ||
CF | | ||
CF | > | Teaspoon exclaims, "hurrah!" | |
DavidW says (to ClubFloyd), "click messages" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK MESSAGES | ||
CF | | ||
CF | You open the messaging app. | ||
CF | | ||
CF | The following options are visible on the screen: | ||
CF | | ||
CF | Mr Brookwood | ||
CF | Camille Realtor | ||
CF | Unknown number | ||
CF | | ||
CF | You can also select QUIT to return to the operating system. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "click mr brookwood" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK MR BROOKWOOD | ||
CF | | ||
CF | Yesterday 11:41 AM | ||
CF | | ||
CF | This is Brookwood. Please confirm receipt. | ||
CF | | ||
CF | got it! ✓ | ||
CF | | ||
CF | Today 3:51 PM | ||
CF | | ||
CF | Flight cancelled. Mechanical problems--unavoidable. Booked a redeye, | ||
CF | but will not arrive until tomorrow midday. | ||
CF | | ||
CF | ??? what am I supposed to do until then? | ||
CF | | ||
CF | Lay low. Get set up. You're a big girl--you can survive 24 hrs | ||
CF | unsupervised. | ||
CF | | ||
CF | but how am i to go on without your sparkling company?? | ||
CF | Read 3:58 PM | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "clock camille" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLOCK CAMILLE | ||
CF | | ||
CF | [That's not a verb I recognize.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "click camille" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK CAMILLE | ||
CF | | ||
CF | Today 10:03 AM | ||
CF | | ||
CF | Good to finally speak on the phone this morning! Key's under the mat, | ||
CF | as requested :) | ||
CF | | ||
CF | tysm! | ||
CF | | ||
CF | Of course! Just let me know if there's anything else you need :) | ||
CF | | ||
CF | will do! | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "click unknown" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK UNKNOWN | ||
CF | | ||
CF | This phone number has been activated. Thank you for using Squint | ||
CF | Mobile! | ||
CF | | ||
CF | This is an automated message. Please do not reply. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "click quit" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK QUIT | ||
CF | | ||
CF | You close the window and return to the desktop. | ||
CF | | ||
CF | The following options are visible on the screen: | ||
CF | | ||
CF | An EMAIL program | ||
CF | The MESSAGES app | ||
CF | A web BROWSER | ||
CF | | ||
CF | > | Teaspoon says, "So whenever the Spooky Thing happens, we're on our own for it." | |
DavidW says (to ClubFloyd), "clcik email" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLCIK EMAIL | ||
CF | | ||
CF | [That's not a verb I recognize.] | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "click email" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK EMAIL | ||
CF | | ||
CF | You open your email. | ||
CF | | ||
CF | The following messages are available for you to read or reply to: | ||
CF | | ||
CF | 9:00 am: Welcome to CoolMail! | ||
CF | | ||
CF | You can also select QUIT to return to the operating system. | ||
CF | | ||
CF | Nothing new. In the moment, you realize you haven't yet set up the | ||
CF | wireless router. | ||
CF | | ||
CF | Oh, well. Just one more thing to take care of tomorrow. Might as well | ||
CF | plug your phone in to charge and finish getting ready for bed. Last | ||
CF | you saw your phone's charger, it was on the dresser. | ||
CF | | ||
CF | > | Teaspoon says, "which you'd kind of figure, I suppose" | |
DavidW says (to ClubFloyd), "click welcome" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK WELCOME | ||
CF | | ||
CF | From: CoolMail Welcoming Committee | ||
CF | To: You | ||
CF | Subject: Welcome to CoolMail! | ||
CF | | ||
CF | | ||
CF | Hi Vanessa, | ||
CF | | ||
CF | Thank you for choosing CoolMail! We are pleased to welcome you to the | ||
CF | kind of world everybody dreams of: a world of easy, practical | ||
CF | communication. | ||
CF | | ||
CF | Once you've gotten your bearings, feel free to download our app, or | ||
CF | finish filling out your profile! | ||
CF | | ||
CF | | ||
CF | Below the text are two buttons, one reading "Download App" and one | ||
CF | reading "Manage Account." | ||
CF | | ||
CF | | ||
CF | > | DavidW says, "dealing with phone apps is the last thing I want to do" | |
DavidW says (to ClubFloyd), "click quit" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK QUIT | ||
CF | | ||
CF | You close the window and return to the desktop. | ||
CF | | ||
CF | The following options are visible on the screen: | ||
CF | | ||
CF | An EMAIL program | ||
CF | The MESSAGES app | ||
CF | A web BROWSER | ||
CF | | ||
CF | > | Teaspoon asks, "Well, we don't have to do it tonight, do we?" | |
DavidW says (to ClubFloyd), "click quit" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLICK QUIT | ||
CF | | ||
CF | Your selection, "quit", is not one of the available choices. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > CLOSE LAPTOP | ||
CF | | ||
CF | (closing and shutting down the laptop) | ||
CF | You switch the laptop off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | As you walk through the sitting room area, your foot catches on the | ||
CF | edge of the rug and you stumble. Your phone falls from your hand and | ||
CF | slides underneath the couch. | ||
CF | | ||
CF | You sigh. You'd rather not get down on the floor. Maybe if you LOOK | ||
CF | BEHIND the couch, you can find it without needing to. | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | This is the area designated as a sitting room, bordered on one side by | ||
CF | the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A stack of moving boxes languishes in one corner. The stack of moving | ||
CF | boxes contains some junk and a radio. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) surround a glass | ||
CF | coffee table. A wicker trash can squats next to the couch. | ||
CF | | ||
CF | The painting hangs on the wall. | ||
CF | | ||
CF | You can go back north to the office area, or south | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look behind couch" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > LOOK BEHIND COUCH | ||
CF | | ||
CF | Nope, the phone didn't slide quite this far back. Looks like you'll | ||
CF | have to crouch down and LOOK UNDER the couch to find it. | ||
CF | | ||
CF | There's nothing behind the couch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "crouch down" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > CROUCH DOWN | ||
CF | | ||
CF | You are now crouched. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "look under couch" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > LOOK UNDER COUCH | ||
CF | | ||
CF | Your phone has slid right under the middle of the couch. | ||
CF | | ||
CF | Someone walks past your door out in the hallway. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take phone" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TAKE PHONE | ||
CF | | ||
CF | You stretch and strain, but can't reach your phone from out here. As | ||
CF | much as you hate to admit it, you'll need to GO UNDER the couch to | ||
CF | retrieve it. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "go under couch" | ||
CF ] Main Room (under the couch) | ||
CF | > | ||
CF | > GO UNDER COUCH | ||
CF | | ||
CF | You get under the couch. | ||
CF | | ||
CF | You should be able to reach your phone now. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "take phone" | ||
CF ] Main Room (under the couch) | ||
CF | > | ||
CF | > TAKE PHONE | ||
CF | | ||
CF | Great, phone secured. Now it's time to get out of this nasty | ||
CF | under-space and plug it in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "out" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | You get out from under the couch. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "stand" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > STAND | ||
CF | | ||
CF | There's nothing to stand on here. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There's a wall in that direction. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (behind the bookshelf) | ||
CF | This is a small corridor between a bookshelf and the outside wall. | ||
CF | Windows allow orange and red sunset-light to dance on the floor. | ||
CF | | ||
CF | You can go east to the bedroom area, or back north to | ||
CF | the sitting room area. | ||
CF | | ||
CF | > | DavidW says, "I think I missed this location earlier." | |
DavidW says (to ClubFloyd), "x windows" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > X WINDOWS | ||
CF | | ||
CF | The windows offer a good view of the sidewalk and street below, and | ||
CF | the buildings across the way. | ||
CF | | ||
CF | Orange and red sunset-light dances on the floor. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "x buildings" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > X BUILDINGS | ||
CF | | ||
CF | The street is lined with skyscrapers. You think they're mostly | ||
CF | residential, but there may be one or two hotels mixed in. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against the bamboo slat barrier. | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone charger is on the dresser. | ||
CF | | ||
CF | You can go north towards the counter, or back west | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put charger in phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT CHARGER IN PHONE | ||
CF | | ||
CF | You plug the phone charger into the phone. | ||
CF | | ||
CF | It won't do any good, though, until the charger is also plugged into | ||
CF | an outlet. | ||
CF | | ||
CF | > | Teaspoon asks, "plug into the wall?" | |
DavidW says (to ClubFloyd), "plug charger into outlet" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PLUG CHARGER INTO OUTLET | ||
CF | | ||
CF | You plug the phone charger into the outlet. | ||
CF | | ||
CF | Your phone dings to indicate that it's now charging. | ||
CF | | ||
CF | Alright, that's the phone plugged in. Time for your final sweep, to | ||
CF | make sure everything in the apartment is dormant and ready for you to | ||
CF | be unconscious for a precious few hours. | ||
CF | | ||
CF | Off the top of your head, you know you need to switch off the foyer | ||
CF | lights and the main room lights. Additionally, you need to return the | ||
CF | taser to its proper place in the dresser. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put phone on dresser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT PHONE ON DRESSER | ||
CF | | ||
CF | (the dresser) | ||
CF | You put the phone on the dresser. | ||
CF | | ||
CF | > | Jacqueline asks, "Is the taser's proper place not... underneath our pillow?" | |
Teaspoon says, "cleanliness versus practicality" | ||
DavidW says, "apparently we're not allowed to prep." | ||
DavidW says (to ClubFloyd), "open third" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN THIRD | ||
CF | | ||
CF | The drawer squeaks as you open it. | ||
CF | | ||
CF | Inside is some junk. | ||
CF | | ||
CF | A car alarm goes off somewhere nearby. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "put taser in third" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT TASER IN THIRD | ||
CF | | ||
CF | You put the taser into the third dresser drawer. | ||
CF | | ||
CF | The car alarm continues. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "close third" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLOSE THIRD | ||
CF | | ||
CF | The drawer squeaks as you close it. | ||
CF | | ||
CF | The car alarm abruptly stops. | ||
CF | | ||
CF | > | DavidW asks, "That squeak is gonna get us killed, isn't it?" | |
Teaspoon says, "will the squeak matter later- yeah" | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | This is the portion of the main room closest to the kitchenette. That | ||
CF | space is divided from this one by a counter, on which are a vase and a | ||
CF | knife block, in which are a paring knife, a meat cleaver, and a chef's | ||
CF | knife. On this side of the counter are some barstools. | ||
CF | | ||
CF | You can go back south to the bedroom area, or west to | ||
CF | the office area. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | The rolling office chair sits by the desk. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go back east to the counter area, north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | You hear a helicopter fly by. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. Inside are | ||
CF | your keychain and your wallet. | ||
CF | | ||
CF | The door to the bathroom is open to the west, and the front | ||
CF | door is closed to the north. The closet door is closed. The | ||
CF | kitchenette is to the east, and the rest of the apartment is | ||
CF | back south. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn off lights" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TURN OFF LIGHTS | ||
CF | | ||
CF | You flip the switch, and the lights switch off. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | The rolling office chair sits by the desk. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go east to the counter area, back north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "turn off lights" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TURN OFF LIGHTS | ||
CF | | ||
CF | You flip the switch, and the lights switch off. | ||
CF | | ||
CF | That, you think, is the end of it. No appliances are running, no | ||
CF | lights are on, and everything that needs to be is locked. Finally, | ||
CF | finally, you can go to sleep. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "e" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | This is the portion of the main room closest to the kitchenette. That | ||
CF | space is divided from this one by a counter, on which are a vase and a | ||
CF | knife block, in which are a paring knife, a meat cleaver, and a chef's | ||
CF | knife. On this side of the counter are some barstools. | ||
CF | | ||
CF | You can go south to the bedroom area, or back west to | ||
CF | the office area. | ||
CF | | ||
CF | You are so exhausted. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "s" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against the bamboo slat barrier. | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone is plugged in to charge on the dresser. | ||
CF | | ||
CF | You can go back north towards the counter, or west | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "lie on bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > LIE ON BED | ||
CF | | ||
CF | Are you sure you're ready to sleep? > | Jacqueline says, "Not really, no." | |
DavidW says (to ClubFloyd), "yes" | ||
CF | Are you sure you're ready to sleep? > | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | You flop down onto the bed, then worm your way under the covers. | ||
CF | Before you have time to realize you're falling asleep, you're out | ||
CF | cold. | ||
CF | | ||
CF | [PRESS ANY KEY TO CONTINUE] | ||
DavidW pushes the green 'space' button. | ||
CF | You wake up some indeterminate amount of time later. As your mind | ||
CF | swims up from the realm of sleep, you recognize that it's now dark | ||
CF | out—as dark as the city gets, at least. | ||
CF | | ||
CF | A moment later, you recognize what it was that awoke you: a telltale | ||
CF | scratching, squeaking, rustling sound from your front door. You turn | ||
CF | your gaze towards it, able to see it without leaving your bed, and see | ||
CF | that the light spilling in underneath from the outside hall is broken | ||
CF | up by the telltale shadows of feet standing just outside. | ||
CF | | ||
CF | Instantly, you are wide awake. Your worst fears are realized: someone | ||
CF | is trying to break in. | ||
CF | | ||
CF | That this is happening the first night you're actually in an apartment | ||
CF | that's been secured for almost two weeks is no coincidence. This | ||
CF | person is not here to take just your valuables or your documents, but | ||
CF | also your life. | ||
CF | | ||
CF | You will have only a few moments to act before the intruder is inside. | ||
CF | You'll need to move quickly. | ||
CF | | ||
CF | [PRESS ANY KEY TO CONTINUE] | Jacqueline says, "(I mean, you answered correctly, I'm just on edge.)" | |
Teaspoon says, "hoo boy" | ||
Teaspoon asks, "is now a good time to save?" | ||
Jacqueline says, "Save and get the taser." | ||
DavidW pushes the green 'space' button. | ||
CF ] Main Room (on the bed) | ||
CF | [PRESS ANY KEY TO CONTINUE] | ||
CF | | ||
CF | | ||
CF | Studio | ||
CF | An interactive home invasion scenario by Charm Cochran | ||
CF | Release 1 / Serial number 240329 / Inform 7 v10.1.2 | ||
CF | | ||
CF | Main Room (on the bed) | ||
CF | You'll be in the area reserved for your bedroom. | ||
CF | | ||
CF | Pushed up against one wall will be a faux-wood dresser with four | ||
CF | drawers. An electrical outlet will sit low on the wall next to the | ||
CF | dresser. Your phone will be plugged in to charge on the dresser. | ||
CF | | ||
CF | On the bed will be a pillow and a comforter. | ||
CF | | ||
CF | You will be able to go back north towards the counter, or | ||
CF | west behind the bookshelf. | ||
CF | | ||
CF | [You can use "H" as a shorthand for listening.] | ||
CF | | ||
CF | A blast of rock music will briefly grow audible as someone leaves a | ||
CF | bar down the street. | ||
CF | | ||
CF | > | ||
DavidW says (to ClubFloyd), "SAVE" | ||
DavidW says (to ClubFloyd), "cf12" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
CF ] Main Room (on the bed) | ||
CF | > SAVE[Game saved.] | ||
CF | | ||
CF | > | Jacqueline says, "That was a long intro before the banner, and an odd time to do it inow." | |
DavidW says, "um. This is ... I don't wanna" | ||
Jacqueline says, "er, now." | ||
Roger says, "I will! If you don't mind" | ||
DavidW asks, "well, the game proper is now really starting, isn't it?" | ||
Teaspoon says, "looks like" | ||
DavidW asks, "I suppose you grab the taser and or a knife and the phone and hide somewhere?" | ||
Jacqueline says, "Yeah, but it's like SUPER INTENSE MOMENT! Let me now redescribe the mundanity of the room you're in." | ||
Teaspoon says, "heh" | ||
Jacqueline says (to DW), "Probably, yes." | ||
DavidW says (to Roger), "if you want to drive, feel free." | ||
Roger says (to f), "call 911" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > CALL 911 | ||
CF | | ||
CF | (first taking your phone) | ||
CF | As you dial the number, you will realize you can't make the call—the | ||
CF | intruder would hear you talking. Texting it, on the other hand, might | ||
CF | work. | ||
CF | | ||
CF | > | ||
Roger says (to text), "911" | ||
Roger says (to f), "text 911" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > TEXT 911 | ||
CF | | ||
CF | Today 2:49 am | ||
CF | | ||
CF | someone broke into my apartment please send help | ||
CF | | ||
CF | LA-911: Call 911 if you can, text only if you cannot. If unable to | ||
CF | call, text LOCATION and NATURE of emergency and standby for | ||
CF | assistance. | ||
CF | | ||
CF | DO YOU NEED POLICE OR EMS | ||
CF | | ||
CF | i cant call hell hear. police send them quickly | ||
CF | | ||
CF | WE ARE TRIANGULATING YOUR LOCATION; WHAT IS YOUR APARTMENT #? | ||
CF | | ||
CF | 784 | ||
CF | | ||
CF | ARE YOU ABLE TO REMAIN HIDDEN? | ||
CF | | ||
CF | im doing my best | ||
CF | | ||
CF | POLICE ARE ON THE WAY. HIDE UNDER FURNITURE OR BEHIND A LOCKED DOOR IF | ||
CF | YOU CAN. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | (first unplugging your phone) | ||
CF | (first getting off the bed) | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | You'll be in the portion of the main room closest to the kitchenette. | ||
CF | The two spaces are separated by a counter, on which will be a vase and | ||
CF | a knife block, in which will be a paring knife, a meat cleaver, and a | ||
CF | chef's knife. On the near side of the counter will be some barstools. | ||
CF | | ||
CF | You will be able to go back south to the bedroom area, or | ||
CF | west to the office area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your designated office area, thus far the most furnished part of the | ||
CF | apartment. | ||
CF | | ||
CF | The rolling office chair will sit by the desk. | ||
CF | | ||
CF | Your desk will stand against one wall, with a potted plant in the | ||
CF | corner on one side of it. On the other side, an electrical outlet will | ||
CF | sit low on the wall, with a light switch above it. Your laptop and its | ||
CF | charger will be on the desk. | ||
CF | | ||
CF | You will be able to go back east to the counter area, | ||
CF | north to the entryway, or south to the sitting area. | ||
CF | | ||
CF | Just then, you will hear the telltale sound of the front door's lock | ||
CF | snicking open. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim in | ||
CF | your short experience. | ||
CF | | ||
CF | A wooden shelf is built into the wall, if you remember correctly, | ||
CF | which will be displaying a key bowl. Inside will be your keychain and | ||
CF | your wallet. | ||
CF | | ||
CF | The door to the bathroom will be open to the west, and the | ||
CF | front door will be closed to the north. The closet door will be | ||
CF | closed. The kitchenette will be to the east, and the rest of | ||
CF | the apartment will be back south. | ||
CF | | ||
CF | Over in the hallway, the intruder will open the front door. | ||
CF | | ||
CF | The intruder will come into the room from the north. He won't yet have | ||
CF | seen you—you'll still have time to move away or hide. | ||
CF | | ||
CF | > | DavidW says, "I would never have thought of texting 911." | |
Teaspoon says, "well, we can't very well talk to them" | ||
Roger says (to f), "hide behind counter" | ||
CF ] Entryway | ||
CF | > | ||
CF | > HIDE BEHIND COUNTER | ||
CF | | ||
CF | You won't be able to see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Bathroom | ||
CF | Given how cramped the rest of the apartment is, you remember the | ||
CF | bathroom being surprisingly spacious. | ||
CF | | ||
CF | A toilet and a sink will squat against one wall, and a bathroom | ||
CF | cabinet with a mirror will hang above the sink. A bathtub will skulk | ||
CF | at the back of the room, its shower curtain open. | ||
CF | | ||
CF | A small metal trash can will be nestled between the toilet and the | ||
CF | sink. | ||
CF | | ||
CF | The door back east to the entryway will be open. | ||
CF | | ||
CF | The intruder will go south, disappearing from view. | ||
CF | | ||
CF | > | ||
Roger says (to close), "door" | ||
Roger says (to f), "close door" | ||
CF ] Bathroom | ||
CF | > | ||
CF | > CLOSE DOOR | ||
CF | | ||
CF | (the bathroom door) | ||
CF | The door will squeak as you close it. | ||
CF | | ||
CF | > | Jacqueline says, "It seems ridiculous, but apparently we can fit under our couch if we need to." | |
Jacqueline says, "Seems this is the first place they'll come." | ||
Roger says, "Some couches are more squeezable than others" | ||
DavidW asks, "Lie in the tub with the curtain closed?" | ||
Roger says (to f), "enter tub" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > ENTER TUB | ||
CF | | ||
CF | You will get into the bathtub. | ||
CF | | ||
CF | A car alarm will go off down on the street. | ||
CF | | ||
CF | You'll hear him mutter something under his breath. | ||
CF | | ||
CF | > | ||
Roger says (to f), "close curtain" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > CLOSE CURTAIN | ||
CF | | ||
CF | You will close the shower curtain. | ||
CF | | ||
CF | You'll hear the intruder say "Fuck." | ||
CF | | ||
CF | The car alarm will continue. | ||
CF | | ||
CF | > | Jacqueline says, "This is a good place to be murdered, sure. It'll contain all the blood pretty nicely." | |
Roger says (to f), "scream" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > SCREAM | ||
CF | | ||
CF | That would only alert the intruder to your presence. You'll need to | ||
CF | stay quiet. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | The car alarm will abruptly stop. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | You will hear, muffled by the closed door, something switch on | ||
CF | somewhere in the main room. | ||
CF | | ||
CF | > | Jacqueline asks, "Why are we future tense now?" | |
DavidW says, "dunno" | ||
Roger says, "I don't know. Also not sure what door is closed, but I am okay with that. Oh, I guess they mean the shower curtain and it's sound-attentuated properties" | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | You will hear, muffled by the closed door, a typing sound somewhere in | ||
CF | the main room. | ||
CF | | ||
CF | > | Roger says, "DEAR SIR OR MADAM," | |
Teaspoon says, "wonder if they're looking at our laptop" | ||
Jacqueline says, "Hacking our laptop. Fine." | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | You will hear, muffled by the closed door, a typing sound somewhere in | ||
CF | the main room. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | You will hear, muffled by the closed door, a typing sound somewhere in | ||
CF | the main room. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | You will hear, muffled by the closed door, a typing sound somewhere in | ||
CF | the main room. | ||
CF | | ||
CF | > | ||
Roger says (to f), "text 911" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > TEXT 911 | ||
CF | | ||
CF | You will have already contacted the police. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | You will hear, muffled by the closed door, a typing sound somewhere in | ||
CF | the main room. | ||
CF | | ||
CF | > | Teaspoon asks, "presumably the future tense is to let us consider possibilities without actually dying?" | |
Roger says, "game are you just jerking me around now" | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | The intruder will let out a noise of frustration, then mutter | ||
CF | something to himself. | ||
CF | | ||
CF | You will be unable to suppress a whimper. There'll be no way he won't | ||
CF | have heard it. | ||
CF | | ||
CF | > | Roger says, "oh okay" | |
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Bathroom (in the bathtub) | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | Over in the entryway, the intruder will open the bathroom door. | ||
CF | | ||
CF | The intruder will come into the room from the east. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | The intruder will search the bathtub, and all will be lost. | ||
CF | | ||
CF | But then, he will lock eyes with you, and you will know that it is | ||
CF | over. He will draw the gun in slow motion, its cold metal glinting in | ||
CF | the moonlight. A click. A bang. A white-hot, searing radiance—then | ||
CF | nothing, nothing, nothing. | ||
CF | | ||
CF | In the back of your mind, you know it's unlikely that murdering you is | ||
CF | all he'll do, but you refuse to even broach any other possibilities. | ||
CF | In your own head, at least, you can be allowed the mercy of a quick | ||
CF | death. | ||
CF | | ||
CF | Which is not to say you're planning on dying tonight. There must be a | ||
CF | better way. You will find a better way. | ||
CF | | ||
CF | [Press any key to restart the night.] | Teaspoon says, "called it." | |
Roger pushes the green 'space' button. | ||
CF ] Main Room (on the bed) | ||
CF | | ||
CF | Main Room (on the bed) | ||
CF | You'll start back in the area reserved for your bedroom. | ||
CF | | ||
CF | Pushed up against one wall will be a faux-wood dresser with four | ||
CF | drawers. An electrical outlet will sit low on the wall next to the | ||
CF | dresser. Your phone will be plugged in to charge on the dresser. | ||
CF | | ||
CF | There will be a pillow and a comforter on the bed. | ||
CF | | ||
CF | You will be able to go back north towards the counter, or | ||
CF | west behind the bookshelf. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take taser" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > TAKE TASER | ||
CF | | ||
CF | The last time you will have seen the taser, it will have been in the | ||
CF | third dresser drawer. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open third drawer" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > OPEN THIRD DRAWER | ||
CF | | ||
CF | The drawer will squeak as you open it. | ||
CF | | ||
CF | Inside will be a taser and some junk. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take taser" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > TAKE TASER | ||
CF | | ||
CF | You'll take the taser. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | (first getting off the bed) | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | You'll be in the portion of the main room closest to the kitchenette. | ||
CF | The two spaces are separated by a counter, on which will be a vase and | ||
CF | a knife block, in which will be a paring knife, a meat cleaver, and a | ||
CF | chef's knife. On the near side of the counter will be some barstools. | ||
CF | | ||
CF | You will be able to go back south to the bedroom area, or | ||
CF | west to the office area. | ||
CF | | ||
CF | > | Jacqueline says, "Ah. Interesting." | |
Roger says (to f), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your designated office area, thus far the most furnished part of the | ||
CF | apartment. | ||
CF | | ||
CF | The rolling office chair will sit by the desk. | ||
CF | | ||
CF | Your desk will stand against one wall, with a potted plant in the | ||
CF | corner on one side of it. On the other side, an electrical outlet will | ||
CF | sit low on the wall, with a light switch above it. Your laptop and its | ||
CF | charger will be on the desk. | ||
CF | | ||
CF | You will be able to go back east to the counter area, | ||
CF | north to the entryway, or south to the sitting area. | ||
CF | | ||
CF | A car alarm will go off down on the street. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim in | ||
CF | your short experience. | ||
CF | | ||
CF | A wooden shelf is built into the wall, if you remember correctly, | ||
CF | which will be displaying a key bowl. Inside will be your keychain and | ||
CF | your wallet. | ||
CF | | ||
CF | The door to the bathroom will be open to the west, and the | ||
CF | front door will be closed to the north. The closet door will be | ||
CF | closed. The kitchenette will be to the east, and the rest of | ||
CF | the apartment will be back south. | ||
CF | | ||
CF | Just then, you will hear the telltale sound of the front door's lock | ||
CF | snicking open. | ||
CF | | ||
CF | The car alarm will continue. | ||
CF | | ||
CF | > | ||
Roger says (to f), "tase doorknob" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TASE DOORKNOB | ||
CF | | ||
CF | You won't be able to see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "tase door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TASE DOOR | ||
CF | | ||
CF | Which do you mean, the front door, the bathroom door, or the closet | ||
CF | door? | ||
CF | | ||
CF | > | ||
Roger says (to f), "tase front door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TASE FRONT DOOR | ||
CF | | ||
CF | That would be a great way to ensure you never see your security | ||
CF | deposit again. | ||
CF | | ||
CF | > | Roger says, "got me there" | |
Roger says (to f), "lock front door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > LOCK FRONT DOOR | ||
CF | | ||
CF | You will extend the deadbolt and lock the front door. | ||
CF | | ||
CF | You will hear, muffled by the closed door, something unlocking out in | ||
CF | the hall. | ||
CF | | ||
CF | The car alarm will abruptly stop. | ||
CF | | ||
CF | > | ||
Roger says (to f), "lock front door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > LOCK FRONT DOOR | ||
CF | | ||
CF | You will extend the deadbolt and lock the front door. | ||
CF | | ||
CF | You will hear, muffled by the closed door, something unlocking out in | ||
CF | the hall. | ||
CF | | ||
CF | > | Roger says, "check and mate, bad guy" | |
Roger says (to f), "lock front door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > LOCK FRONT DOOR | ||
CF | | ||
CF | You will extend the deadbolt and lock the front door. | ||
CF | | ||
CF | You will hear, muffled by the closed door, something unlocking out in | ||
CF | the hall. | ||
CF | | ||
CF | > | ||
Roger says (to f), "text 911" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TEXT 911 | ||
CF | | ||
CF | It'll be hard to text anyone without a phone. | ||
CF | | ||
CF | > | Roger says, "oh yeah" | |
Roger says (to f), "open door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN DOOR | ||
CF | | ||
CF | Which do you mean, the bathroom door, the front door, the neighbor's | ||
CF | door, or the closet door? | ||
CF | | ||
CF | > | ||
Roger says (to f), "open front door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN FRONT DOOR | ||
CF | | ||
CF | You will open the front door. | ||
CF | | ||
CF | The intruder will approach from the north. He won't yet have seen | ||
CF | you—you'll still have time to move away or hide. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Outside Hall | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Outside Hall | ||
CF | The hall outside your apartment, you remember, is dingier than you're | ||
CF | used to, with flickering lights and a stained carpet. | ||
CF | | ||
CF | Yours is the last apartment at the very end of the hallway, which | ||
CF | continues to the east. The front door of your apartment will be | ||
CF | open to the south. | ||
CF | | ||
CF | The intruder will head south, out of the entryway and into the office | ||
CF | area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Down the Hall | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Down the Hall | ||
CF | You will race down the hallway towards the stairs. You will have done | ||
CF | it, escaped—but not without a cost. | ||
CF | | ||
CF | You will have left behind valuable things, both sentimentally and | ||
CF | literally. More importantly, you will have left behind the resources | ||
CF | he'll need to find your information. All of the work that went into | ||
CF | keeping you safe will have been undone in the span of less than an | ||
CF | hour. And besides all that, he will still know where you | ||
CF | live. | ||
CF | | ||
CF | Do you consider this an acceptable outcome? > | Roger exclaims, "hmm maybe!" | |
Teaspoon says, "you know what, that's not bad under the circumstances." | ||
Roger says, "just two ships passing in the night" | ||
Roger says (to f), "no" | ||
CF | Do you consider this an acceptable outcome? > | ||
CF | > NO | ||
CF | | ||
CF | No. No, it's not. There must be a better way. You will find a better | ||
CF | way. | ||
CF | | ||
CF | [Press any key to restart the night.] | ||
Roger pushes the green 'space' button. | ||
CF ] Main Room (on the bed) | ||
CF | | ||
CF | Main Room (on the bed) | ||
CF | You'll start back in the area reserved for your bedroom. | ||
CF | | ||
CF | Pushed up against one wall will be a faux-wood dresser with four | ||
CF | drawers. An electrical outlet will sit low on the wall next to the | ||
CF | dresser. Your phone will be plugged in to charge on the dresser. | ||
CF | | ||
CF | On the bed will be a pillow and a comforter. | ||
CF | | ||
CF | You will be able to go back north towards the counter, or | ||
CF | west behind the bookshelf. | ||
CF | | ||
CF | You will hear a burst of laughter from a party on the floor below. | ||
CF | | ||
CF | > | ||
Roger says (to f), "text 911" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > TEXT 911 | ||
CF | | ||
CF | (first taking your phone) | ||
CF | Today 2:48 am | ||
CF | | ||
CF | someone broke into my apartment please send help | ||
CF | | ||
CF | LA-911: Call 911 if you can, text only if you cannot. If unable to | ||
CF | call, text LOCATION and NATURE of emergency and standby for | ||
CF | assistance. | ||
CF | | ||
CF | DO YOU NEED POLICE OR EMS | ||
CF | | ||
CF | i cant call hell hear. police send them quickly | ||
CF | | ||
CF | WE ARE TRIANGULATING YOUR LOCATION; WHAT IS YOUR APARTMENT #? | ||
CF | | ||
CF | 784 | ||
CF | | ||
CF | ARE YOU ABLE TO REMAIN HIDDEN? | ||
CF | | ||
CF | im doing my best | ||
CF | | ||
CF | POLICE ARE ON THE WAY. HIDE UNDER FURNITURE OR BEHIND A LOCKED DOOR IF | ||
CF | YOU CAN. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open fourth drawer" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > OPEN FOURTH DRAWER | ||
CF | | ||
CF | You will open the fourth dresser drawer, revealing your jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take box" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > TAKE BOX | ||
CF | | ||
CF | (the jewellery box) | ||
CF | You'll take the jewellery box. | ||
CF | | ||
CF | > | Teaspoon asks, "do we actually want the police involved, given that we're not on the right side of the law?" | |
Roger says, "okay what else do we need" | ||
Roger says, "good question, dunno" | ||
DavidW says, "The key for the box is in the entry bowl" | ||
Roger says, "I don't care about that" | ||
Teaspoon asks, "presumably we also want the paperwork in the safe?" | ||
Roger says (to f), "w" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | (first unplugging your phone) | ||
CF | (first getting off the bed) | ||
CF | | ||
CF | Main Room (behind the bookshelf) | ||
CF | You'll be in the small corridor between the bookshelf and the outside | ||
CF | wall. The windows will allow cold, clinical moonlight to rake over the | ||
CF | floor. | ||
CF | | ||
CF | You will be able to go back east to the bedroom area, or | ||
CF | north to the sitting room area. | ||
CF | | ||
CF | > | Jacqueline says, "I think we are on the right side, its our dad who is not. But Brookhaven or whatever his name is may not like that." | |
Roger says (to f), "w" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | There'll be a wall in that direction. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | You'll be in the area designated as a sitting room, bordered on one | ||
CF | side by the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A stack of moving boxes will languish in one corner. In the stack of | ||
CF | moving boxes will be some junk and a radio. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) will surround a glass | ||
CF | coffee table. A wicker trash can will squat next to the couch. | ||
CF | | ||
CF | The painting will hang on the wall. | ||
CF | | ||
CF | You will be able to go north to the office area, or back | ||
CF | south behind the bookshelf. | ||
CF | | ||
CF | Just then, you will hear the telltale sound of the front door's lock | ||
CF | snicking open. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | (first unlocking the safe) | ||
CF | The painting will be hung up at that point, concealing the safe | ||
CF | entirely and preventing any interaction with it. | ||
CF | | ||
CF | > | ||
Roger says (to f), "move painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > MOVE PAINTING | ||
CF | | ||
CF | You think you'd rather not risk the painting falling and getting | ||
CF | damaged. | ||
CF | | ||
CF | > | DavidW says, "There's no time to fuss with the safe." | |
Teaspoon says, "fair nuff" | ||
Roger says (to f), "n" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your designated office area, thus far the most furnished part of the | ||
CF | apartment. | ||
CF | | ||
CF | The rolling office chair will sit by the desk. | ||
CF | | ||
CF | Your desk will stand against one wall, with a potted plant in the | ||
CF | corner on one side of it. On the other side, an electrical outlet will | ||
CF | sit low on the wall, with a light switch above it. Your laptop and its | ||
CF | charger will be on the desk. | ||
CF | | ||
CF | You will be able to go east to the counter area, north | ||
CF | to the entryway, or back south to the sitting area. | ||
CF | | ||
CF | Over in the hallway, the intruder will open the front door. | ||
CF | | ||
CF | The intruder will head south, out of the hallway and into the | ||
CF | entryway. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TAKE LAPTOP | ||
CF | | ||
CF | You'll take the laptop. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim in | ||
CF | your short experience. | ||
CF | | ||
CF | The intruder will be there. | ||
CF | A wooden shelf is built into the wall, if you remember correctly, | ||
CF | which will be displaying a key bowl. Inside will be your keychain and | ||
CF | your wallet. | ||
CF | | ||
CF | The door to the bathroom will be open to the west, and the | ||
CF | front door will be open to the north. The closet door will be | ||
CF | closed. The kitchenette will be to the east, and the rest of | ||
CF | the apartment will be back south. | ||
CF | | ||
CF | He will lock eyes with you, and you will know that it is over. He will | ||
CF | draw the gun in slow motion, its cold metal glinting in the moonlight. | ||
CF | A click. A bang. A white-hot, searing radiance—then nothing, nothing, | ||
CF | nothing. | ||
CF | | ||
CF | In the back of your mind, you know it's unlikely that murdering you is | ||
CF | all he'll do, but you refuse to even broach any other possibilities. | ||
CF | In your own head, at least, you can be allowed the mercy of a quick | ||
CF | death. | ||
CF | | ||
CF | Which is not to say you're planning on dying tonight. There must be a | ||
CF | better way. You will find a better way. | ||
CF | | ||
CF | [Press any key to restart the night.] | Teaspoon says, "welp" | |
Jacqueline asks, "I've been a little distracted, but have we tried barring the door with furniture?" | ||
Roger says, "I feel like maybe we should rig this stuff before we go to bed, but I don't know" | ||
Jacqueline says, "If it'll let us, yeah." | ||
Teaspoon says, "no, we haven't tried moving the furniture." | ||
Teaspoon says, "I'" | ||
Roger says, "We have a pre-bed save, so I'll restart if y'all don't mind" | ||
Teaspoon asks, "I am getting the idea that optimal solution is to tase the guy, then get our jewel box, laptop and fake papers before he wakes up?" | ||
DavidW says, "fine with me" | ||
Roger says, "maybe... let" | ||
Jacqueline says, "Worth trying, sure." | ||
Roger says (to f), "restart" | ||
CF ] Main Room (on the bed) | ||
CF | | ||
CF | Main Room (on the bed) | ||
CF | You'll start back in the area reserved for your bedroom. | ||
CF | | ||
CF | Pushed up against one wall will be a faux-wood dresser with four | ||
CF | drawers. An electrical outlet will sit low on the wall next to the | ||
CF | dresser. Your phone will be plugged in to charge on the dresser. | ||
CF | | ||
CF | On the bed will be a pillow and a comforter. | ||
CF | | ||
CF | You will be able to go back north towards the counter, or | ||
CF | west behind the bookshelf. | ||
CF | | ||
CF | > | ||
Roger says (to f), "restart" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > RESTART | ||
CF | | ||
CF | [Are you sure you want to restart?] | ||
Roger says (to f), "y" | ||
CF | | ||
CF | | ||
CF | | ||
CF | | ||
CF | Imagination, of course, can open any door—turn the key and let terror | ||
CF | walk right in. | ||
CF | - Truman Capote, In Cold Blood | ||
Roger pushes the green 'space' button. | ||
CF ] Main Room (near the bed) | ||
CF | It's been a whirlwind few days, but you're finally just about settled | ||
CF | in. New place, new city, no one here yet for you to lean on. | ||
CF | | ||
CF | You're absolutely exhausted. You've spent all day getting things set | ||
CF | up, running errands, and stressing out. You were supposed to | ||
CF | have help, but some no-name 747 decided it had something to say about | ||
CF | that, so you've had to go it alone. | ||
CF | | ||
CF | The sun sits low on the horizon as you look around your new apartment, | ||
CF | cataloging tasks you've missed. | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against a bamboo slat barrier. | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone charger is on the dresser. | ||
CF | | ||
CF | You can go north towards the counter, or west behind the | ||
CF | bookshelf. | ||
CF | | ||
CF | (First-time players should type ABOUT. Credits are available via | ||
CF | CREDITS.) | ||
CF | | ||
CF | > | DavidW says, "I doubt making a run for it will be the intended solution." | |
Roger says, "I'm okay with that" | ||
Roger says (to f), "open fourth drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN FOURTH DRAWER | ||
CF | | ||
CF | You open the fourth dresser drawer, revealing your jewellery box. | ||
CF | | ||
CF | A loud beeping noise begins abruptly from the direction of the | ||
CF | kitchenette. Adrenaline briefly surges through your body, before you | ||
CF | realize that it's just the dishwasher finishing its cycle. | ||
CF | | ||
CF | You've honestly had enough for one day. You think you ought to finish | ||
CF | up your chores and just go to bed. Might as well start by unloading | ||
CF | the dishwasher. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take box" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE BOX | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open third drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN THIRD DRAWER | ||
CF | | ||
CF | The drawer squeaks as you open it. | ||
CF | | ||
CF | Inside are a taser and some junk. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take taster" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE TASTER | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take taser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE TASER | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "x junk" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X JUNK | ||
CF | | ||
CF | It's a pile of miscellaneous junk, that hasn't yet found a permanent | ||
CF | home. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | (Who designs a dishwasher to keep beeping until it's opened?) | ||
CF | | ||
CF | > | ||
Roger says (to f), "search junk" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > SEARCH JUNK | ||
CF | | ||
CF | You're too tired to sort through it now. That can be left for | ||
CF | tomorrow. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open second drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN SECOND DRAWER | ||
CF | | ||
CF | (the second dresser drawer) | ||
CF | You open the second dresser drawer, revealing some folded pants. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open first drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN FIRST DRAWER | ||
CF | | ||
CF | (the first dresser drawer) | ||
CF | You open the first dresser drawer, revealing some folded shirts. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE PHONE | ||
CF | | ||
CF | You already have that. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "turn on phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TURN ON PHONE | ||
CF | | ||
CF | The phone screen brightens. | ||
CF | | ||
CF | A factory preset wallpaper appears on the screen briefly before giving | ||
CF | way to a number pad and an invitation to type a six-digit passcode. | ||
CF | Brookwood told you the passcode would be your birth month and year: | ||
CF | December 1994. | ||
CF | | ||
CF | > | Jacqueline asks, "Can you put the taser under the pillow?" | |
Roger says, "good thinking" | ||
Roger says (to f), "type 121994" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TYPE 121994 | ||
CF | | ||
CF | The phone vibrates slightly, and the password field vanishes. | ||
CF | | ||
CF | A second factory-preset wallpaper appears, overlaid with the following | ||
CF | apps: | ||
CF | | ||
CF | CONTACTS, represented by an anonymous silhouette | ||
CF | MESSAGES, represented by a speech bubble | ||
CF | The PHONE, represented by an old-fashioned landline | ||
CF | SETTINGS, represented by a gear | ||
CF | | ||
CF | > | Jacqueline says, "Or a knife." | |
Roger says (to f), "contacts" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CONTACTS | ||
CF | | ||
CF | [That's not a verb I recognize.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "x contacts" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X CONTACTS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "read contacts" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > READ CONTACTS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push contacts" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUSH CONTACTS | ||
CF | | ||
CF | You tap the contacts app. | ||
CF | | ||
CF | The following option are visible on the screen: | ||
CF | | ||
CF | Camille Realtor | ||
CF | Mr Brookwood | ||
CF | | ||
CF | You can also CLOSE the app to return to the home screen. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push camille" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUSH CAMILLE | ||
CF | | ||
CF | You tap the name, and the contact info opens on your screen. | ||
CF | | ||
CF | Camille Realtor | ||
CF | Organization: Fallon & Associates | ||
CF | | ||
CF | Cell: 212-555-4663 | ||
CF | | ||
CF | Memo | ||
CF | her actual last name is 'Harmon,' I think. | ||
CF | | ||
CF | You read through the information, then return to the contacts menu. | ||
CF | | ||
CF | Someone walks past your door out in the hallway. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push brookwood" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUSH BROOKWOOD | ||
CF | | ||
CF | You tap the name, and the contact info opens on your screen. | ||
CF | | ||
CF | Mr. Brookwood | ||
CF | | ||
CF | Cell: 202-555-3845 | ||
CF | | ||
CF | Memo | ||
CF | remember to let him know when you're settled in. | ||
CF | | ||
CF | You read through the information, then return to the contacts menu. | ||
CF | | ||
CF | > | ||
Roger says (to f), "text brookwood" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TEXT BROOKWOOD | ||
CF | | ||
CF | You have no pertinent updates to give Brookwood at the moment. | ||
CF | | ||
CF | > | ||
Roger says (to f), "close app" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLOSE APP | ||
CF | | ||
CF | You return to the home screen. | ||
CF | | ||
CF | The screen displays the following apps: | ||
CF | | ||
CF | CONTACTS, represented by an anonymous silhouette | ||
CF | MESSAGES, represented by a speech bubble | ||
CF | The PHONE, represented by an old-fashioned landline | ||
CF | SETTINGS, represented by a gear | ||
CF | | ||
CF | Someone walks past your door out in the hallway. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push setting" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUSH SETTING | ||
CF | | ||
CF | Your selection, "setting", is not one of the available choices. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push settings" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUSH SETTINGS | ||
CF | | ||
CF | Customizing the settings can wait for tomorrow. You're wiped. | ||
CF | | ||
CF | > | Teaspoon says, "I suppose texting him when the bad guy arrives won't help" | |
Roger says (to f), "w" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (behind the bookshelf) | ||
CF | This is a small corridor between a bookshelf and the outside wall. | ||
CF | Windows allow orange and red sunset-light to rake over the floor. | ||
CF | | ||
CF | You can go back east to the bedroom area, or north to | ||
CF | the sitting room area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open window" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > OPEN WINDOW | ||
CF | | ||
CF | (the windows) | ||
CF | The windows don't open. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | There's a wall in that direction. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | This is the area designated as a sitting room, bordered on one side by | ||
CF | the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A painting hangs on the wall. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) surround a glass | ||
CF | coffee table. A wicker trash can squats next to the couch. | ||
CF | | ||
CF | A stack of moving boxes, their contents as-of-yet unloaded, languishes | ||
CF | in one corner. | ||
CF | | ||
CF | You can go north to the office area, or back south | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "x painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > X PAINTING | ||
CF | | ||
CF | A pastoral scene, painted by some dreary Impressionist or other. It | ||
CF | depicts an empty field with a stream running through it. | ||
CF | | ||
CF | > | ||
Roger says (to f), "look behind painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > LOOK BEHIND PAINTING | ||
CF | | ||
CF | Behind the painting is a safe built into the wall. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | (first unlocking the safe) | ||
CF | The painting is currently hung up, concealing the safe entirely and | ||
CF | preventing any interaction with it. | ||
CF | | ||
CF | The phone's screen powers down. | ||
CF | | ||
CF | A car alarm goes off one street over. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TAKE PAINTING | ||
CF | | ||
CF | You remove the painting from its nail. | ||
CF | | ||
CF | The car alarm continues. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | (first unlocking the safe) | ||
CF | It's hard to do much of anything while carrying the large painting—it | ||
CF | takes up both hands and most of your field of vision. You'll need to | ||
CF | drop it or put it on something first. | ||
CF | | ||
CF | The car alarm abruptly stops. | ||
CF | | ||
CF | > | ||
Roger says (to f), "drop painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > DROP PAINTING | ||
CF | | ||
CF | You set the painting down gently on the ground. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | (first unlocking the safe) | ||
CF | You'll need to spin the dial to the correct combination in order for | ||
CF | that to happen. | ||
CF | | ||
CF | > | ||
Roger says (to f), "hang painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > HANG PAINTING | ||
CF | | ||
CF | (on the nail) | ||
CF | (first taking the painting) | ||
CF | You hang the painting back up on the nail. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take laptop" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TAKE LAPTOP | ||
CF | | ||
CF | You can't reach over there from here. | ||
CF | | ||
CF | > | Roger says, "sorry for any repetition" | |
Roger says (to f), "n" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | You've designated this area as an office. Thus far, it's the most | ||
CF | furnished part of the apartment. | ||
CF | | ||
CF | A rolling office chair sits by the desk. | ||
CF | | ||
CF | A desk stands against one wall, with a potted plant in the corner on | ||
CF | one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go east to the counter area, north to the | ||
CF | entryway, or back south to the sitting area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TAKE LAPTOP | ||
CF | | ||
CF | You should probably deal with the dishwasher first. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. Inside are | ||
CF | your keychain and your wallet. | ||
CF | | ||
CF | The door to the bathroom is closed to the west, and the front | ||
CF | door is closed to the north. The closet door is closed. The | ||
CF | kitchenette is to the east, and the rest of the apartment is | ||
CF | back south. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to x), "chain" | ||
Roger says (to f), "x chain" | ||
CF ] Entryway | ||
CF | > | ||
CF | > X CHAIN | ||
CF | | ||
CF | A simple keychain that does its job with no frills. | ||
CF | | ||
CF | On the keychain are a house key and a tiny silver key. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take chain" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TAKE CHAIN | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take wallet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TAKE WALLET | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "unlock box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > UNLOCK BOX | ||
CF | | ||
CF | (first taking the tiny silver key) | ||
CF | Better to leave all the keys on the keychain, so they don't get lost. | ||
CF | | ||
CF | You unlock the jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN BOX | ||
CF | | ||
CF | (the jewellery box) | ||
CF | You open the jewellery box, revealing an heirloom ring, some silver | ||
CF | earrings, and a tanzanite necklace. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put all in box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT ALL IN BOX | ||
CF | | ||
CF | phone: You should hold on to your phone until you're really ready to | ||
CF | sleep, just in case. | ||
CF | wallet: There is not enough room left in the jewellery box for the | ||
CF | wallet. | ||
CF | keychain: Done. | ||
CF | taser: Done. | ||
CF | | ||
CF | > | ||
Roger says (to f), "wear ring" | ||
CF ] Entryway | ||
CF | > | ||
CF | > WEAR RING | ||
CF | | ||
CF | (the heirloom ring) | ||
CF | (first taking the heirloom ring) | ||
CF | You put on the heirloom ring. | ||
CF | | ||
CF | > | Teaspoon says, "huh, I never heard of tanzanite before" | |
Roger says (to f), "wear earromgs" | ||
CF ] Entryway | ||
CF | > | ||
CF | > WEAR EARROMGS | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "wear earrings" | ||
CF ] Entryway | ||
CF | > | ||
CF | > WEAR EARRINGS | ||
CF | | ||
CF | (first taking the silver earrings) | ||
CF | You put on the silver earrings. | ||
CF | | ||
CF | > | ||
Roger says (to f), "wear necklace" | ||
CF ] Entryway | ||
CF | > | ||
CF | > WEAR NECKLACE | ||
CF | | ||
CF | (first taking the tanzanite necklace) | ||
CF | You put on the tanzanite necklace. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put wallet in box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT WALLET IN BOX | ||
CF | | ||
CF | There is not enough room left in the jewellery box for the wallet. | ||
CF | | ||
CF | A car alarm goes off down on the street. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take all from wallet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TAKE ALL FROM WALLET | ||
CF | | ||
CF | The wallet isn't open. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open wallet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN WALLET | ||
CF | | ||
CF | You open the wallet, revealing your credit card, your driver's | ||
CF | license, and a twenty-dollar bill. | ||
CF | | ||
CF | The car alarm continues. | ||
CF | | ||
CF | > | Jacqueline says (to Teaspoon), "Yeah, it's pretty enough." | |
Roger says (to f), "take all from wallet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TAKE ALL FROM WALLET | ||
CF | | ||
CF | credit card: Taken. | ||
CF | driver's license: Taken. | ||
CF | twenty-dollar bill: Taken. | ||
CF | | ||
CF | The car alarm abruptly stops. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put card in box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT CARD IN BOX | ||
CF | | ||
CF | You put the credit card into the jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put license in box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT LICENSE IN BOX | ||
CF | | ||
CF | You put the driver's license into the jewellery box. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "i" | ||
CF ] Entryway | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying a twenty-dollar bill, your wallet, your jewellery box, | ||
CF | and your phone. In the jewellery box are your driver's license, your | ||
CF | credit card, a taser, and your keychain. | ||
CF | | ||
CF | Additionally, you're wearing a tanzanite necklace, some silver | ||
CF | earrings, an heirloom ring, some sweatpants, and an undershirt. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put bill in box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT BILL IN BOX | ||
CF | | ||
CF | You put the twenty-dollar bill into the jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push chair n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUSH CHAIR N | ||
CF | | ||
CF | (pushing the rolling office chair ahead of you) | ||
CF | You can't reach over there from here. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push chair" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUSH CHAIR | ||
CF | | ||
CF | You can't reach over there from here. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push desk" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUSH DESK | ||
CF | | ||
CF | (the desk) | ||
CF | You can't reach over there from here. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | The rolling office chair sits by the desk. | ||
CF | | ||
CF | You can go east to the counter area, back north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push chair n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUSH CHAIR N | ||
CF | | ||
CF | (the rolling office chair north) | ||
CF | (pushing the rolling office chair ahead of you) | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | A refrigerator stands against one wall, humming quietly. | ||
CF | | ||
CF | A foot-pedal trash can stands nobly near the end of the counter. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. | ||
CF | | ||
CF | The door to the bathroom is closed to the west, and the front | ||
CF | door is closed to the north. The closet door is closed. The | ||
CF | kitchenette is to the east, and the rest of the apartment is | ||
CF | back south. | ||
CF | | ||
CF | > | ||
Roger says (to f), "push refrigerator" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUSH REFRIGERATOR | ||
CF | | ||
CF | You can't reach over there from here. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open closet door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN CLOSET DOOR | ||
CF | | ||
CF | You open the closet door. | ||
CF | | ||
CF | > | ||
Roger says (to f), "look in closet" | ||
CF ] Entryway | ||
CF | > | ||
CF | > LOOK IN CLOSET | ||
CF | | ||
CF | The inside of the closet is dusty. A set of hangers dangle from a | ||
CF | horizontal bar. On them are a leather jacket and a trenchcoat. | ||
CF | | ||
CF | Also in the closet is an umbrella. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open bathroom door" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OPEN BATHROOM DOOR | ||
CF | | ||
CF | The door squeaks as you open it. | ||
CF | | ||
CF | Someone shouts indistinctly on the street below. | ||
CF | | ||
CF | > | ||
Roger says, "..w" | ||
Roger says (to f), "e" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Kitchenette | ||
CF | The kitchenette is small and cramped. Also, it would seem that if | ||
CF | anyone came before you to clean, they missed several spots. | ||
CF | | ||
CF | At least it seems decently stocked. There's a sink, a dishwasher, an | ||
CF | oven with a stove on top, and a fridge. A foot-pedal trash can squats | ||
CF | in one corner. Much of the rest of the space is taken up by cabinets. | ||
CF | | ||
CF | A counter separates the space from the main area. On the counter are a | ||
CF | vase and a knife block. | ||
CF | | ||
CF | A refrigerator stands against one wall, humming quietly. | ||
CF | | ||
CF | You can go back west to the entryway. | ||
CF | | ||
CF | The dishwasher beeps at you again to remind you that it's finished. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > OPEN DISHWASHER | ||
CF | | ||
CF | (the dishwasher) | ||
CF | You open the dishwasher, revealing a paring knife, a meat cleaver, a | ||
CF | chef's knife, some plates, some bowls, some cups, some forks, some | ||
CF | spoons, and some butter knives. | ||
CF | | ||
CF | Now that you've opened the dishwasher, you can EMPTY it of its dishes. | ||
CF | | ||
CF | > | ||
Roger says (to f), "empty dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > EMPTY DISHWASHER | ||
CF | | ||
CF | (the dishwasher) | ||
CF | You take the paring knife, the meat cleaver, the chef's knife, the | ||
CF | plates, the bowls, the cups, the forks, the spoons, and the butter | ||
CF | knives from the dishwasher. | ||
CF | | ||
CF | You decided earlier where all these things would be stored. The sharp | ||
CF | knives go in the knife block. The dishes go in the cabinets. The | ||
CF | silverware goes in the silverware holder, which is itself in the | ||
CF | cabinets. | ||
CF | | ||
CF | > | ||
Roger says, "..w" | ||
Roger says (to f), "w" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | You have no reason to carry the paring knife around the apartment with | ||
CF | you—or, for that matter, the meat cleaver or the chef's knife. Better | ||
CF | to put them in the knife block before moving on. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put knives in block" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT KNIVES IN BLOCK | ||
CF | | ||
CF | chef's knife: Done. | ||
CF | meat cleaver: Done. | ||
CF | paring knife: Done. | ||
CF | butter knives: Those won't fit into any of the knifeblock's slots. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | Now that you've started unloading the dishwasher, you shouldn't leave | ||
CF | without finishing the job. | ||
CF | | ||
CF | > | Roger says, "well okay then" | |
Roger says (to f), "put butter knives in dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT BUTTER KNIVES IN DISHWASHER | ||
CF | | ||
CF | (the dishwasher) | ||
CF | You put the butter knives into the dishwasher. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | Now that you've started unloading the dishwasher, you shouldn't leave | ||
CF | without finishing the job. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take butter knives" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > TAKE BUTTER KNIVES | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "i" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying some butter knives, some spoons, some forks, some | ||
CF | cups, some bowls, some plates, your wallet, your jewellery box, and | ||
CF | your phone. In the jewellery box are a twenty-dollar bill, your | ||
CF | driver's license, your credit card, a taser, and your keychain. | ||
CF | | ||
CF | Additionally, you're wearing a tanzanite necklace, some silver | ||
CF | earrings, an heirloom ring, some sweatpants, and an undershirt. | ||
CF | | ||
CF | > | Jacqueline asks, "Didn't we just arrive? What did we do, pre-wash everything?" | |
Roger says (to f), "put silverware in cabinets" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT SILVERWARE IN CABINETS | ||
CF | | ||
CF | spoons: (first opening the kitchen cabinets) | ||
CF | Done. | ||
CF | forks: Done. | ||
CF | butter knives: Done. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put plates in cabinets" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT PLATES IN CABINETS | ||
CF | | ||
CF | You put the plates into the kitchen cabinets. | ||
CF | | ||
CF | > | DavidW says, "The silverware goes in the holder." | |
Roger says (to f), "put bowls in cabinets" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT BOWLS IN CABINETS | ||
CF | | ||
CF | You put the bowls into the kitchen cabinets. | ||
CF | | ||
CF | > | ||
Roger says (to f), "o" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > O | ||
CF | | ||
CF | [Sorry, that can't be corrected.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "i" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying some cups, your wallet, your jewellery box, and your | ||
CF | phone. In the jewellery box are a twenty-dollar bill, your driver's | ||
CF | license, your credit card, a taser, and your keychain. | ||
CF | | ||
CF | Additionally, you're wearing a tanzanite necklace, some silver | ||
CF | earrings, an heirloom ring, some sweatpants, and an undershirt. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put cups in cabinets" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > PUT CUPS IN CABINETS | ||
CF | | ||
CF | You put the cups into the kitchen cabinets. | ||
CF | | ||
CF | Now that that's done, you want to check your email, in case there's an | ||
CF | update for you from Brookwood or (slim chance, but not impossible) | ||
CF | your family. You left your laptop in the office area. | ||
CF | | ||
CF | [You can use REMEMBER to think about people who aren't | ||
CF | present.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "close dishwasher" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE DISHWASHER | ||
CF | | ||
CF | (the dishwasher) | ||
CF | You close the dishwasher. | ||
CF | | ||
CF | > | ||
Roger says (to f), "close cabinets" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > CLOSE CABINETS | ||
CF | | ||
CF | You close the kitchen cabinets. | ||
CF | | ||
CF | > | ||
Roger says, "..w" | ||
Roger says (to f), "w" | ||
CF ] Entryway | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | The rolling office chair sits abandoned in the middle of the space. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. | ||
CF | | ||
CF | The door to the bathroom is open to the west, and the front | ||
CF | door is closed to the north. The closet door is open. The | ||
CF | kitchenette is back to the east, and the rest of the apartment | ||
CF | is south. | ||
CF | | ||
CF | Water rushes through the pipes in your wall. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop and its charger | ||
CF | are on the desk. | ||
CF | | ||
CF | You can go east to the counter area, back north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "x laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > X LAPTOP | ||
CF | | ||
CF | A laptop computer, brand new. Currently, it's closed. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > OPEN LAPTOP | ||
CF | | ||
CF | (opening and starting up the laptop) | ||
CF | The laptop chimes cheerfully. | ||
CF | | ||
CF | A box on the screen invites you to type a password to proceed. | ||
CF | | ||
CF | You remember Brookwood telling you that the password would be your new | ||
CF | first name... which you can't currently remember. It'll be on the | ||
CF | important documents in the wall safe, which you hid behind a painting. | ||
CF | | ||
CF | You are so exhausted. | ||
CF | | ||
CF | > | Roger asks, "did we solve this one already?" | |
DavidW says, "vanessa" | ||
Roger says, "thx" | ||
DavidW says, "Unless it's randomized, which would be insane" | ||
Roger says (to f), "type vanessa" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TYPE VANESSA | ||
CF | | ||
CF | The password field vanishes, and you are granted access. | ||
CF | | ||
CF | The following options are visible on the screen: | ||
CF | | ||
CF | An EMAIL program | ||
CF | The MESSAGES app | ||
CF | A web BROWSER | ||
CF | | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | Teaspoon says, "Will it let us just remember" | |
Teaspoon says, "oh, nifty" | ||
Roger asks, "and do we have the safe combination?" | ||
DavidW says, "12 3 19 94" | ||
Jacqueline says, "It's our birth-- yeah" | ||
DavidW says, "er 13 4 19 94" | ||
Roger says, "thanks team" | ||
DavidW says, "ack" | ||
Roger says (to f), "take laptop" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TAKE LAPTOP | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | This is the area designated as a sitting room, bordered on one side by | ||
CF | the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) surround a glass | ||
CF | coffee table. A wicker trash can squats next to the couch. | ||
CF | | ||
CF | A stack of moving boxes languishes in one corner. | ||
CF | | ||
CF | The painting hangs on the wall. | ||
CF | | ||
CF | You can go back north to the office area, or south | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | DavidW says, "12 4 19 94" | |
Roger says (to f), "take painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TAKE PAINTING | ||
CF | | ||
CF | You remove the painting from its nail. | ||
CF | | ||
CF | > | ||
Roger says (to f), "turn safe 12" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TURN SAFE 12 | ||
CF | | ||
CF | I only understood you as far as wanting to turn the safe. | ||
CF | | ||
CF | > | DavidW says, "I cant type" | |
Roger says (to f), "dial safe 12" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > DIAL SAFE 12 | ||
CF | | ||
CF | [I didn't understand that number.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "dial 12" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > DIAL 12 | ||
CF | | ||
CF | It's hard to do much of anything while carrying the large painting—it | ||
CF | takes up both hands and most of your field of vision. You'll need to | ||
CF | drop it or put it on something first. | ||
CF | | ||
CF | > | ||
Roger says (to f), "drop paiting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > DROP PAITING | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | DavidW says, "spin dial to x" | |
Roger says (to f), "drop painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > DROP PAINTING | ||
CF | | ||
CF | You set the painting down gently on the ground. | ||
CF | | ||
CF | > | ||
Roger says (to f), "dial 12" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > DIAL 12 | ||
CF | | ||
CF | That's not a phone number you know. | ||
CF | | ||
CF | > | ||
Roger says (to f), "spin dial to 12" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 12 | ||
CF | | ||
CF | You dial 12 on the safe. | ||
CF | | ||
CF | > | DavidW says, "4" | |
Roger says (to f), "spin dial to 4" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 4 | ||
CF | | ||
CF | You dial 4 on the safe. | ||
CF | | ||
CF | > | DavidW says, "19" | |
Roger says (to f), "spin dial to 19" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 19 | ||
CF | | ||
CF | You dial 19 on the safe. | ||
CF | | ||
CF | > | DavidW says, "94" | |
Roger says (to f), "spin dial to 94" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL TO 94 | ||
CF | | ||
CF | You dial 94, and the safe unlocks with a snick. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > OPEN SAFE | ||
CF | | ||
CF | You open the safe. Inside, right where you left them, are the | ||
CF | important documents. Somewhere in them is your new name. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take documents" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > TAKE DOCUMENTS | ||
CF | | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "read documents" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > READ DOCUMENTS | ||
CF | | ||
CF | The stack includes myriad different forged legal documents. Among them | ||
CF | are three temporary driver's licenses, with expiration dates spaced | ||
CF | six weeks apart; a birth certificate; the lease to the apartment, with | ||
CF | "your" signature forged on it dozens of times; and extensive | ||
CF | documentation of a fictitious medical history. | ||
CF | | ||
CF | On the falsified birth certificate, you see your assumed name: Vanessa | ||
CF | DeCesare. | ||
CF | | ||
CF | > | Teaspoon asks, "presumably we want to leave with these documents?" | |
Roger says (to f), "put documents in box" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > PUT DOCUMENTS IN BOX | ||
CF | | ||
CF | (the jewellery box) | ||
CF | The important documents are too big to fit in the jewellery box. | ||
CF | | ||
CF | > | Teaspoon says, "oh well" | |
Roger says (to f), "close safe" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > CLOSE SAFE | ||
CF | | ||
CF | You close the safe, and it snicks locked. | ||
CF | | ||
CF | > | ||
Roger says (to f), "spin dial" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > SPIN DIAL | ||
CF | | ||
CF | [I didn't understand that sentence.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "hang painting" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > HANG PAINTING | ||
CF | | ||
CF | (on the nail) | ||
CF | (first taking the painting) | ||
CF | You hang the painting back up on the nail. | ||
CF | | ||
CF | > | ||
Roger says (to f), "i" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying some important documents, your laptop, your wallet, | ||
CF | your jewellery box, and your phone. In the jewellery box are a | ||
CF | twenty-dollar bill, your driver's license, your credit card, a taser, | ||
CF | and your keychain. | ||
CF | | ||
CF | Additionally, you're wearing a tanzanite necklace, some silver | ||
CF | earrings, an heirloom ring, some sweatpants, and an undershirt. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There's a wall in that direction. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (behind the bookshelf) | ||
CF | This is a small corridor between the bookshelf and the outside wall. | ||
CF | Windows allow orange and red sunset-light to dance on the floor. | ||
CF | | ||
CF | You can go east to the bedroom area, or back north to | ||
CF | the sitting room area. | ||
CF | | ||
CF | > | DavidW says, "Maybe that trenchcoat has pockets. I dunno. It didn't mention any." | |
Roger says (to f), "e" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against the bamboo slat barrier. | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone charger is on the dresser. | ||
CF | | ||
CF | You can go north towards the counter, or back west | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
Roger says (to f), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
Roger says (to f), "studioRC" | ||
CF ] Main Room (near the bed) | ||
CF | > SAVE[Game saved.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "lie in bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > LIE IN BED | ||
CF | | ||
CF | You still need to check your email before you can sleep, in case | ||
CF | there's some important new information there. | ||
CF | | ||
CF | > | ||
Roger says (to f), "open laptop" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OPEN LAPTOP | ||
CF | | ||
CF | That's already on. | ||
CF | | ||
CF | > | ||
Roger says (to f), "read email" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > READ EMAIL | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "x laptio" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X LAPTIO | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "x laptop" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > X LAPTOP | ||
CF | | ||
CF | A laptop computer, brand new. Currently, it's open. | ||
CF | | ||
CF | The following options are visible on the screen: | ||
CF | | ||
CF | An EMAIL program | ||
CF | The MESSAGES app | ||
CF | A web BROWSER | ||
CF | | ||
CF | > | DavidW says, "Click Email" | |
Roger says (to f), "click email" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CLICK EMAIL | ||
CF | | ||
CF | You open your email. | ||
CF | | ||
CF | The following messages are available for you to read or reply to: | ||
CF | | ||
CF | 9:00 am: Welcome to CoolMail! | ||
CF | | ||
CF | You can also select QUIT to return to the operating system. | ||
CF | | ||
CF | Nothing new. In the moment, you realize you haven't yet set up the | ||
CF | wireless router. | ||
CF | | ||
CF | Oh, well. Just one more thing to take care of tomorrow. Might as well | ||
CF | plug your phone in to charge and finish getting ready for bed. Last | ||
CF | you saw your phone's charger, it was on the dresser. | ||
CF | | ||
CF | > | DavidW says, "click quit or close laptop" | |
Roger says (to f), "plug phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PLUG PHONE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take charger" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE CHARGER | ||
CF | | ||
CF | (the phone charger) | ||
CF | Taken. | ||
CF | | ||
CF | > | ||
Roger says (to f), "plug charger" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PLUG CHARGER | ||
CF | | ||
CF | What do you want to plug the phone charger into? | ||
CF | | ||
CF | > | ||
Roger says (to f), "wall" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > WALL | ||
CF | | ||
CF | You plug the phone charger into the outlet. | ||
CF | | ||
CF | > | ||
Roger says (to f), "plug charger into phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PLUG CHARGER INTO PHONE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "charge phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CHARGE PHONE | ||
CF | | ||
CF | You can't see any such thing. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE PHONE | ||
CF | | ||
CF | Your phone has slipped from your hand and slid under the bed. | ||
CF | | ||
CF | > | ||
Roger says (to f), "look under bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > LOOK UNDER BED | ||
CF | | ||
CF | Your phone has slid right under the middle of the bed. | ||
CF | | ||
CF | > | ||
Roger says (to f), "go under bed" | ||
CF ] Main Room (under the bed) | ||
CF | > | ||
CF | > GO UNDER BED | ||
CF | | ||
CF | You get under the bed. | ||
CF | | ||
CF | You should be able to reach your phone now. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take phone" | ||
CF ] Main Room (under the bed) | ||
CF | > | ||
CF | > TAKE PHONE | ||
CF | | ||
CF | Great, phone secured. Now it's time to get out of this nasty | ||
CF | under-space and plug it in. | ||
CF | | ||
CF | > | ||
Roger says (to f), "sleep" | ||
CF ] Main Room (under the bed) | ||
CF | > | ||
CF | > SLEEP | ||
CF | | ||
CF | You need to plug your phone in to charge before you can sleep. | ||
CF | | ||
CF | It won't do any good, though, until you also plug the charger into the | ||
CF | phone. | ||
CF | | ||
CF | > | ||
Roger says (to f), "out" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | You get out from under the bed. | ||
CF | | ||
CF | > | ||
Roger says (to f), "charge phone" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > CHARGE PHONE | ||
CF | | ||
CF | You plug the phone charger into the phone. | ||
CF | | ||
CF | Your phone dings to indicate that it's now charging. | ||
CF | | ||
CF | Alright, that's the phone plugged in. Time for your final sweep, to | ||
CF | make sure everything in the apartment is dormant and ready for you to | ||
CF | be unconscious for a precious few hours. | ||
CF | | ||
CF | Off the top of your head, you know you need to switch off the foyer | ||
CF | lights and the main room lights. Additionally, a few things need | ||
CF | returning to their proper places: the heirloom ring, the silver | ||
CF | earrings, and the tanzanite necklace go in the jewellery box; the | ||
CF | jewellery box itself goes in the dresser, your keychain goes in the | ||
CF | key bowl, your wallet goes in the key bowl, and the taser goes in the | ||
CF | dresser (you don't want to risk electrocuting yourself in your sleep). | ||
CF | | ||
CF | > | Roger shakes fist. | |
Jacqueline says, "Save before we sleep, regardless." | ||
Roger says (to f), "put ring in box" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT RING IN BOX | ||
CF | | ||
CF | (the heirloom ring in the jewellery box) | ||
CF | (first taking it off) | ||
CF | You put the heirloom ring into the jewellery box. | ||
CF | | ||
CF | > | Jacqueline exclaims, "But why can't we sleep in that stuff? It makes so much sense!" | |
Teaspoon says, "the game really doesn't want us to do that, apparently" | ||
Roger says (to f), "put earrings in box" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT EARRINGS IN BOX | ||
CF | | ||
CF | (first taking them off) | ||
CF | You put the silver earrings into the jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put necklace in box" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT NECKLACE IN BOX | ||
CF | | ||
CF | (first taking it off) | ||
CF | You put the tanzanite necklace into the jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | (first setting down your phone on the dresser so that it stays plugged | ||
CF | in) | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | This is the portion of the main room closest to the kitchenette. That | ||
CF | space is divided from this one by a counter, on which are a vase and a | ||
CF | knife block, in which are a paring knife, a meat cleaver, and a chef's | ||
CF | knife. On this side of the counter are some barstools. | ||
CF | | ||
CF | You can go back south to the bedroom area, or west to | ||
CF | the office area. | ||
CF | | ||
CF | > | Roger says, ";f n" | |
Roger says (to f), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | You've never seen the point of climbing something when you can just go | ||
CF | around it. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop charger is on the | ||
CF | desk. | ||
CF | | ||
CF | You can go back east to the counter area, north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | The rolling office chair sits abandoned in the middle of the space. | ||
CF | | ||
CF | A wooden shelf built into the wall displays a key bowl. | ||
CF | | ||
CF | The door to the bathroom is open to the west, and the front | ||
CF | door is closed to the north. The closet door is open. The | ||
CF | kitchenette is to the east, and the rest of the apartment is | ||
CF | back south. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take bowl" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TAKE BOWL | ||
CF | | ||
CF | (the key bowl) | ||
CF | Taken. | ||
CF | | ||
CF | A car alarm goes off down on the street, before being quickly quelled. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put keyring in bowl" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT KEYRING IN BOWL | ||
CF | | ||
CF | (the key bowl) | ||
CF | (first taking the keychain) | ||
CF | You put the keychain into the key bowl. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put wallet in bowl" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT WALLET IN BOWL | ||
CF | | ||
CF | (the key bowl) | ||
CF | You put the wallet into the key bowl. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put bowl in box" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT BOWL IN BOX | ||
CF | | ||
CF | (the key bowl in the jewellery box) | ||
CF | The key bowl is too big to fit in the jewellery box. | ||
CF | | ||
CF | > | ||
Roger says (to f), "drop bowl" | ||
CF ] Entryway | ||
CF | > | ||
CF | > DROP BOWL | ||
CF | | ||
CF | Dropped. | ||
CF | | ||
CF | > | ||
Roger says, "..e" | ||
Roger says (to f), "e" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Kitchenette | ||
CF | The kitchenette is small, cramped, and dirty. | ||
CF | | ||
CF | There's a sink, a dishwasher, an oven with a stove on top, and a | ||
CF | fridge. A foot-pedal trash can squats in one corner. Much of the rest | ||
CF | of the space is taken up by cabinets. | ||
CF | | ||
CF | A counter separates the space from the main area. On the counter are a | ||
CF | vase and a knife block, in which are a paring knife, a meat cleaver, | ||
CF | and a chef's knife. | ||
CF | | ||
CF | A refrigerator stands against one wall, humming quietly. | ||
CF | | ||
CF | You can go back west to the entryway. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | You've never seen the point of climbing something when you can just go | ||
CF | around it. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Entryway | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | The rolling office chair sits abandoned in the middle of the space. | ||
CF | | ||
CF | You can see a key bowl here. Inside the bowl are your wallet and your | ||
CF | keychain. | ||
CF | | ||
CF | The door to the bathroom is open to the west, and the front | ||
CF | door is closed to the north. The closet door is open. The | ||
CF | kitchenette is back to the east, and the rest of the apartment | ||
CF | is south. | ||
CF | | ||
CF | The foyer shelf stands empty. | ||
CF | | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop charger is on the | ||
CF | desk. | ||
CF | | ||
CF | You can go east to the counter area, back north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | A car drives by on the street below, blasting music far too loudly. | ||
CF | | ||
CF | > | ||
Roger says (to f), "i" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | You're carrying some important documents, your laptop, and your | ||
CF | jewellery box. In the jewellery box are a tanzanite necklace, some | ||
CF | silver earrings, an heirloom ring, a twenty-dollar bill, your driver's | ||
CF | license, your credit card, and a taser. | ||
CF | | ||
CF | Additionally, you're wearing some sweatpants and an undershirt. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | This is the portion of the main room closest to the kitchenette. That | ||
CF | space is divided from this one by a counter, on which are a vase and a | ||
CF | knife block, in which are a paring knife, a meat cleaver, and a chef's | ||
CF | knife. On this side of the counter are some barstools. | ||
CF | | ||
CF | You can go south to the bedroom area, or back west to | ||
CF | the office area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against the bamboo slat barrier. | ||
CF | There are a pillow and a comforter on the bed. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone is plugged in to charge on the dresser. | ||
CF | | ||
CF | You can go back north towards the counter, or west | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
Roger says (to f), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
Roger says (to f), "studioRC" | ||
CF ] Main Room (near the bed) | ||
CF | > SAVE[Game saved.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "lie on bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > LIE ON BED | ||
CF | | ||
CF | You haven't yet finished your sweep! | ||
CF | | ||
CF | Before you can sleep comfortably, you need to switch off the foyer | ||
CF | lights and the main room lights. Additionally, a few things need | ||
CF | returning to their proper places: the key bowl goes on the shelf in | ||
CF | the foyer, the taser goes in the dresser, and the jewellery box goes | ||
CF | in the dresser. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | This is the portion of the main room closest to the kitchenette. That | ||
CF | space is divided from this one by a counter, on which are a vase and a | ||
CF | knife block, in which are a paring knife, a meat cleaver, and a chef's | ||
CF | knife. On this side of the counter are some barstools. | ||
CF | | ||
CF | You can go back south to the bedroom area, or west to | ||
CF | the office area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop charger is on the | ||
CF | desk. | ||
CF | | ||
CF | You can go back east to the counter area, north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | You miss your parents. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim, | ||
CF | even with the lights on. | ||
CF | | ||
CF | The rolling office chair sits abandoned in the middle of the space. | ||
CF | | ||
CF | You can see a key bowl here. Inside the bowl are your wallet and your | ||
CF | keychain. | ||
CF | | ||
CF | The door to the bathroom is open to the west, and the front | ||
CF | door is closed to the north. The closet door is open. The | ||
CF | kitchenette is to the east, and the rest of the apartment is | ||
CF | back south. | ||
CF | | ||
CF | The foyer shelf stands empty. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put bowl on shelf" | ||
CF ] Entryway | ||
CF | > | ||
CF | > PUT BOWL ON SHELF | ||
CF | | ||
CF | (the key bowl on the foyer shelf) | ||
CF | (first taking the key bowl) | ||
CF | You put the key bowl on the foyer shelf. | ||
CF | | ||
CF | A car drives by on the street below, blasting music far too loudly. | ||
CF | | ||
CF | > | ||
Roger says (to f), "turn off lights" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TURN OFF LIGHTS | ||
CF | | ||
CF | You flip the switch, and the lights switch off. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your office area, thus far the most furnished part of the apartment. | ||
CF | | ||
CF | Your desk stands against one wall, with a potted plant in the corner | ||
CF | on one side of it. On the other side, an electrical outlet sits low on | ||
CF | the wall, with a light switch above it. Your laptop charger is on the | ||
CF | desk. | ||
CF | | ||
CF | You can go east to the counter area, back north to the | ||
CF | entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "turn off lights" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > TURN OFF LIGHTS | ||
CF | | ||
CF | You flip the switch, and the lights switch off. | ||
CF | | ||
CF | > | ||
Roger says, "..s" | ||
Roger says (to f), "s" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (in the sitting area) | ||
CF | This is the area designated as a sitting room, bordered on one side by | ||
CF | the bamboo barrier and on another by the bookshelf. | ||
CF | | ||
CF | A couch and two chairs (one plush, one worn in) surround a glass | ||
CF | coffee table. A wicker trash can squats next to the couch. | ||
CF | | ||
CF | A stack of moving boxes languishes in one corner. | ||
CF | | ||
CF | The painting hangs on the wall. | ||
CF | | ||
CF | You can go back north to the office area, or south | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Main Room (in the sitting area) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | There's a wall in that direction. | ||
CF | | ||
CF | > | ||
Roger says (to f), "s" | ||
CF ] Main Room (behind the bookshelf) | ||
CF | > | ||
CF | > S | ||
CF | | ||
CF | | ||
CF | Main Room (behind the bookshelf) | ||
CF | This is a small corridor between the bookshelf and the outside wall. | ||
CF | Windows allow orange and red sunset-light to flood across the floor. | ||
CF | | ||
CF | You can go east to the bedroom area, or back north to | ||
CF | the sitting room area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Main Room (near the bed) | ||
CF | This is the area reserved for your bedroom, a space much more exposed | ||
CF | than you're used to sleeping in. | ||
CF | | ||
CF | Your bed is set up with its headboard against the bamboo slat barrier. | ||
CF | On the bed are a pillow and a comforter. | ||
CF | | ||
CF | Pushed up against one wall is a faux-wood dresser with four drawers. | ||
CF | An electrical outlet sits low on the wall next to the dresser. Your | ||
CF | phone is plugged in to charge on the dresser. | ||
CF | | ||
CF | You can go north towards the counter, or back west | ||
CF | behind the bookshelf. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put box on dresser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT BOX ON DRESSER | ||
CF | | ||
CF | (the dresser) | ||
CF | You put the jewellery box on the dresser. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put taser on dresser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT TASER ON DRESSER | ||
CF | | ||
CF | (the dresser) | ||
CF | (first taking the taser) | ||
CF | You put the taser on the dresser. | ||
CF | | ||
CF | > | ||
Roger says (to f), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
Roger says (to f), "studioRC" | ||
CF ] Main Room (near the bed) | ||
CF | > SAVE[Game saved.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "lie on bed" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > LIE ON BED | ||
CF | | ||
CF | You haven't yet finished your sweep! | ||
CF | | ||
CF | Before you can sleep comfortably, a few things need returning to their | ||
CF | proper places: the taser goes in the dresser and the jewellery box | ||
CF | goes in the dresser. | ||
CF | | ||
CF | > | Roger says, "okay fair" | |
Roger says (to f), "take box and taser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE BOX AND TASER | ||
CF | | ||
CF | Which do you mean, the stack of moving boxes or the jewellery box? | ||
CF | | ||
CF | > | Jacqueline asks, "And you tried the pillow thing?" | |
Roger says (to f), "take jewellery box and taser" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > TAKE JEWELLERY BOX AND TASER | ||
CF | | ||
CF | jewellery box: Taken. | ||
CF | taser: Taken. | ||
CF | | ||
CF | > | Roger says, "It seems kind of insistent about where to put things" | |
Jacqueline says, "I can choose, at any time, to determine that a new place is the proper new place to put a thing." | ||
Roger says (to f), "put jewellery box in first drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT JEWELLERY BOX IN FIRST DRAWER | ||
CF | | ||
CF | You put the jewellery box into the first dresser drawer. | ||
CF | | ||
CF | > | ||
Roger says (to f), "put taser in first drawer" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > PUT TASER IN FIRST DRAWER | ||
CF | | ||
CF | You put the taser into the first dresser drawer. | ||
CF | | ||
CF | That, you think, is the end of it. No appliances are running, no | ||
CF | lights are on, and everything that needs to be is locked. Finally, | ||
CF | finally, you can go to sleep. | ||
CF | | ||
CF | > | ||
Roger says (to f), "save" | ||
CF | > | ||
CF | > SAVE | ||
CF | %% Enter a save filename to write: | ||
Roger says (to f), "studioRC" | ||
CF ] Main Room (near the bed) | ||
CF | > SAVE[Game saved.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "sleep" | ||
CF ] Main Room (near the bed) | ||
CF | > | ||
CF | > SLEEP | ||
CF | | ||
CF | Are you sure you're ready to sleep? > | ||
Roger says (to f), "YES" | ||
CF | Are you sure you're ready to sleep? > | ||
CF | > YES | ||
CF | | ||
CF | | ||
CF | You flop down onto the bed, then worm your way under the covers. | ||
CF | Before you have time to realize you're falling asleep, you're out | ||
CF | cold. | ||
CF | | ||
CF | [PRESS ANY KEY TO CONTINUE] | DavidW says, "It doesn't have to be the squeaky drawer or different drawers, at least." | |
Roger says, "yeah" | ||
Roger pushes the green 'space' button. | ||
CF | You wake up some indeterminate amount of time later. As your mind | ||
CF | swims up from the realm of sleep, you recognize that it's now dark | ||
CF | out—as dark as the city gets, at least. | ||
CF | | ||
CF | A moment later, you recognize what it was that awoke you: a telltale | ||
CF | scratching, squeaking, rustling sound from your front door. You turn | ||
CF | your gaze towards it, able to see it without leaving your bed, and see | ||
CF | that the light spilling in underneath from the outside hall is broken | ||
CF | up by the telltale shadows of feet standing just outside. | ||
CF | | ||
CF | Instantly, you are wide awake. Your worst fears are realized: someone | ||
CF | is trying to break in. | ||
CF | | ||
CF | That this is happening the first night you're actually in an apartment | ||
CF | that's been secured for almost two weeks is no coincidence. This | ||
CF | person is not here to take just your valuables or your documents, but | ||
CF | also your life. | ||
CF | | ||
CF | You will have only a few moments to act before the intruder is inside. | ||
CF | You'll need to move quickly. | ||
CF | | ||
CF | [PRESS ANY KEY TO CONTINUE] | ||
Roger pushes the green 'space' button. | ||
CF ] Main Room (on the bed) | ||
CF | [PRESS ANY KEY TO CONTINUE] | ||
CF | | ||
CF | | ||
CF | Studio | ||
CF | An interactive home invasion scenario by Charm Cochran | ||
CF | Release 1 / Serial number 240329 / Inform 7 v10.1.2 | ||
CF | | ||
CF | Main Room (on the bed) | ||
CF | You'll be in the area reserved for your bedroom. | ||
CF | | ||
CF | Pushed up against one wall will be a faux-wood dresser with four | ||
CF | drawers. An electrical outlet will sit low on the wall next to the | ||
CF | dresser. Your phone will be plugged in to charge on the dresser. | ||
CF | | ||
CF | There will be a pillow and a comforter on the bed. | ||
CF | | ||
CF | You will be able to go north towards the counter, or back | ||
CF | west behind the bookshelf. | ||
CF | | ||
CF | [You can use "H" as a shorthand for listening.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "take phone and jewellery box and taser" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > TAKE PHONE AND JEWELLERY BOX AND TASER | ||
CF | | ||
CF | phone: You'll take your phone. | ||
CF | jewellery box: You'll take the jewellery box. | ||
CF | taser: You'll take the taser. | ||
CF | | ||
CF | > | ||
Roger says (to f), "i" | ||
CF ] Main Room (on the bed) | ||
CF | > | ||
CF | > I | ||
CF | | ||
CF | By that point, you'll be carrying a taser, your jewellery box, your | ||
CF | phone, some important documents, and your laptop. In the jewellery box | ||
CF | will be a tanzanite necklace, some silver earrings, an heirloom ring, | ||
CF | a twenty-dollar bill, your driver's license, and your credit card. | ||
CF | | ||
CF | Additionally, you'll be wearing some sweatpants and an undershirt. | ||
CF | | ||
CF | > | ||
Roger says (to f), "undo" | ||
CF ] Main Room (on the bed) | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Main Room | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Main Room (near the counter) | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | (first unplugging your phone) | ||
CF | (first getting off the bed) | ||
CF | | ||
CF | Main Room (near the counter) | ||
CF | You'll be in the portion of the main room closest to the kitchenette. | ||
CF | The two spaces are separated by a counter, on which will be a vase and | ||
CF | a knife block, in which will be a paring knife, a meat cleaver, and a | ||
CF | chef's knife. On the near side of the counter will be some barstools. | ||
CF | | ||
CF | You will be able to go back south to the bedroom area, or | ||
CF | west to the office area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "w" | ||
CF ] Main Room (in the office area) | ||
CF | > | ||
CF | > W | ||
CF | | ||
CF | | ||
CF | Main Room (in the office area) | ||
CF | Your designated office area, thus far the most furnished part of the | ||
CF | apartment. | ||
CF | | ||
CF | Your desk will stand against one wall, with a potted plant in the | ||
CF | corner on one side of it. On the other side, an electrical outlet will | ||
CF | sit low on the wall, with a light switch above it. Your laptop charger | ||
CF | will be on the desk. | ||
CF | | ||
CF | You will be able to go back east to the counter area, | ||
CF | north to the entryway, or south to the sitting area. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Entryway | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim in | ||
CF | your short experience. | ||
CF | | ||
CF | The rolling office chair will sit abandoned in the middle of the | ||
CF | space. | ||
CF | | ||
CF | A wooden shelf is built into the wall, if you remember correctly, | ||
CF | which will be displaying a key bowl. Inside will be your wallet and | ||
CF | your keychain. | ||
CF | | ||
CF | The door to the bathroom will be open to the west, and the | ||
CF | front door will be closed to the north. The closet door will be | ||
CF | open. The kitchenette will be to the east, and the rest of the | ||
CF | apartment will be back south. | ||
CF | | ||
CF | Just then, you will hear the telltale sound of the front door's lock | ||
CF | snicking open. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Kitchenette | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Kitchenette | ||
CF | The kitchenette is small, cramped, and dirty, if you remember. | ||
CF | | ||
CF | There'll be a sink, a dishwasher, an oven with a stove on top, and a | ||
CF | fridge. A foot-pedal trash can will squat in one corner. Much of the | ||
CF | rest of the space will be taken up by cabinets. | ||
CF | | ||
CF | You remember a counter separating it from the main area. On the | ||
CF | counter will be a vase and a knife block, in which will be a paring | ||
CF | knife, a meat cleaver, and a chef's knife. | ||
CF | | ||
CF | A refrigerator will stand against one wall, humming quietly. | ||
CF | | ||
CF | You will be able to go back west to the entryway. | ||
CF | | ||
CF | The intruder will appear in the entryway from the north. | ||
CF | | ||
CF | > | ||
Roger says (to f), "undo" | ||
CF ] Entryway | ||
CF | | ||
CF | > UNDO | ||
CF | | ||
CF | Entryway | ||
CF | [Previous turn undone.] | ||
CF | | ||
CF | > | ||
Roger says (to f), "enter closer" | ||
CF ] Entryway | ||
CF | > | ||
CF | > ENTER CLOSER | ||
CF | | ||
CF | The phone will be switched off by that point. | ||
CF | | ||
CF | > | ||
Roger says (to f), "take bowl" | ||
CF ] Entryway | ||
CF | > | ||
CF | > TAKE BOWL | ||
CF | | ||
CF | (the key bowl) | ||
CF | You'll take the key bowl. | ||
CF | | ||
CF | > | ||
Roger says (to f), "enter closet" | ||
CF ] Inside the Closet | ||
CF | > | ||
CF | > ENTER CLOSET | ||
CF | | ||
CF | | ||
CF | Inside the Closet | ||
CF | The inside of the closet will be dusty. A set of hangers will dangle | ||
CF | from a horizontal bar. | ||
CF | | ||
CF | An umbrella will lean against one wall. | ||
CF | | ||
CF | The rolling office chair will sit abandoned in the middle of the | ||
CF | space. | ||
CF | | ||
CF | There will be a leather jacket and a trenchcoat on the hangers. | ||
CF | | ||
CF | The door back out to the entryway will be open. | ||
CF | | ||
CF | The intruder will abruptly appear in the entryway from the north. | ||
CF | | ||
CF | > | ||
Roger says (to f), "hide behind trenchcoat" | ||
CF ] Inside the Closet | ||
CF | > | ||
CF | > HIDE BEHIND TRENCHCOAT | ||
CF | | ||
CF | The trenchcoat won't be capable of concealing you. | ||
CF | | ||
CF | > | ||
Roger says (to f), "z" | ||
CF ] Inside the Closet | ||
CF | > | ||
CF | > Z | ||
CF | | ||
CF | You will hold your breath and stay perfectly still. | ||
CF | | ||
CF | The intruder will head south, disappearing from view. | ||
CF | | ||
CF | > | ||
Roger says (to f), "out" | ||
CF ] Entryway | ||
CF | > | ||
CF | > OUT | ||
CF | | ||
CF | | ||
CF | Entryway | ||
CF | The small hallway at the front of the apartment is perpetually dim in | ||
CF | your short experience. | ||
CF | | ||
CF | The rolling office chair will sit abandoned in the middle of the | ||
CF | space. | ||
CF | | ||
CF | The door to the bathroom will be open to the west, and the | ||
CF | front door will be open to the north. The closet door will be | ||
CF | open. The kitchenette will be to the east, and the rest of the | ||
CF | apartment will be south. | ||
CF | | ||
CF | The foyer shelf will be bare by that point. | ||
CF | | ||
CF | The intruder will stalk east, disappearing from view. | ||
CF | | ||
CF | > | ||
Roger says (to f), "n" | ||
CF ] Outside Hall | ||
CF | > | ||
CF | > N | ||
CF | | ||
CF | | ||
CF | Outside Hall | ||
CF | The hall outside your apartment, you remember, is dingier than you're | ||
CF | used to, with flickering lights and a stained carpet. | ||
CF | | ||
CF | Yours is the last apartment at the very end of the hallway, which | ||
CF | continues to the east. The front door of your apartment will be | ||
CF | open to the south. | ||
CF | | ||
CF | You'll hear him mutter something under his breath. | ||
CF | | ||
CF | > | ||
Roger says (to f), "e" | ||
CF ] Down the Hall | ||
CF | > | ||
CF | > E | ||
CF | | ||
CF | | ||
CF | Down the Hall | ||
CF | You will race down the hallway towards the stairs. You will have done | ||
CF | it, escaped—but not without a cost. | ||
CF | | ||
CF | You will have left behind valuable things, if only sentimentally. And | ||
CF | besides all that, he will still know where you live. | ||
CF | | ||
CF | Do you consider this an acceptable outcome? > | Roger says, "hrm like, what, the ming vase? I can live with that. I guess I could grab it too" | |
DavidW says, "say yes. It's nearly 2pm." | ||
Teaspoon says, "you know what, that seems a fairly acceptable outcome" | ||
Jacqueline says (to DW), "Ha." | ||
Roger says (to f), "YES" | ||
CF ] Down the Hall | ||
CF | Do you consider this an acceptable outcome? > | ||
CF | > YES | ||
CF | | ||
CF | Okay. Here goes nothing. | ||
CF | | ||
CF | Your eyes snap open. The intruder has not yet opened the door. You | ||
CF | grab the east, then the east. | ||
CF | | ||
CF | You can do this. | ||
CF | | ||
CF | | ||
CF | | ||
CF | *** Time to begin. *** | ||
CF | | ||
CF | | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT, UNDO the last | ||
CF | command, review the ENDINGS you've seen so far, or RESET to the | ||
CF | beginning of the night? | ||
CF | > | Jacqueline exclaims, "Nice!" | |
Roger says, "woo" | ||
Roger says (to f), "ENDINGS" | ||
CF ] Down the Hall | ||
CF | > | ||
CF | > ENDINGS | ||
CF | | ||
CF | The endings you have encountered so far include: | ||
CF | | ||
CF | Ending I: Murdered by the intruder | ||
CF | Ending II: Escaped from the apartment building | ||
CF | | ||
CF | Would you like to RESTART, RESTORE a saved game, QUIT, UNDO the last | ||
CF | command, review the ENDINGS you've seen so far, or RESET to the | ||
CF | beginning of the night? | ||
CF | > | Roger says, "Fun enough but I wouldn't call it especially horror-triggery. Maybe I've grown jaded" | |
Teaspoon says, "presumably there's one where we tase him" | ||
Roger says, "Thanks for letting me push Vanessa around" | ||
Roger says, "I would guess so" | ||
Jacqueline says, "Well done." | ||
DavidW says, "thanks for driving, Roger" | ||
Teaspoon says, "indeed" | ||
Jacqueline says, "Definitely an interesting approach." | ||
Roger says, "I'll give this a thumbs-up. Everything, and there is a lot of things, seems well-implemented" | ||
DavidW says, "I wonder if you can hide behind the stack of boxes in the sitting room." | ||
Teaspoon says, "that would make sense, yeah" | ||
Jacqueline says (to Roger), "Yeah, I agree." | ||
Roger says, "except maybe for the potential to walk right past the guy" | ||
Roger says, "Anyways, yes, thanks everyone! We'll enjoy more next time" | ||
Teaspoon says, "I had a good time, thanks everybody" | ||
Roger says, "I guess I'll leave this loaded if anyone else feels like poking at it" | ||
DavidW says, "thanks all" | ||
Teaspoon disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | Jacqueline says, "Thanks." | |
DavidW goes home. | ||
DavidW has disconnected. | ||
Roger disappears through an invisible gap in the MUD. You think you may have heard the sounds of chatting before the gap closed again. | Roger says, "one final thing -- I see the game self-described as 'short' and it didn't feel particularly short, really" | |
Teaspoon says, "If it was short, we'd have gotten more endings." | ||
Jacqueline says, "From a Mike Russo review:" | ||
Jacqueline | I found seven different endings, most with variations depending on exactly how I reached them, and found it fun to collect them not because they implied drastically different narrative outcomes – in fact many of them are pretty similar, and the denouement is generally left to the imagination in each case, with just a few ambiguous sentences providing a hint of where things might go before asking the player if they’d like to try again. No, it’s just that seeing the simulation respond and react is delightful. | ||
Roger says, "I feel like it might have been more successful overall, for me anyway, if it had actually leaned more into a Home-Alone theme and mood" | ||
Jacqueline asks, "You were hoping for Rube Goldberg content?" | ||
Teaspoon asks, "if we'd needed to do things with these well implemented objects to go after the intruder, you mean?" | ||
Roger says, "I suspect it supports those sorts of shenanigans already" | ||
Jacqueline says, "It may, yes." | ||
Jacqueline says, "We could try to get one or two more endings next week, perhaps." | ||
Roger says, "sure. I have a hunch that there might be some way to oil up the squeaky doors, for one thing" | ||
Teaspoon says, "So that we could grab things without the squeakiness? Plausible." | ||
Teaspoon says, "I wonder how tight the timing constraints would be." | ||