  
ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
|
|
ClubFloyd Transcript:
The idea behind ClubFloyd is that each
week at a pre-arranged time, a group of
people meet online to cooperatively play
a game of interactive fiction.
|
|
ToyShop & Floyditorium
|
#ClubFloyd Discussion
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|
| jenrexrode says, "hi" | ||
| Jacqueline says, "Howdy." | ||
| Jacqueline says, "I'm going to have to make fewer jokes today, my mud is too laggy foroptimal comedic timing." | ||
| Teaspoon says, "Good morning" | ||
| jenrexrode says, "hi tsp" | ||
| Jacqueline says, "'morn." | ||
| Jacqueline asks, "Were we planning to do another Gianluca Girelli game this week?" | ||
| Jacqueline says, "I think we were." | ||
| DavidW says, "I assumed we were, yes. Tin Star." | ||
| Teaspoon says, "suits me" | ||
| Jacqueline says, "Sounds good." | ||
| DavidW says, "With any luck, it'll be the same difficulty as last week's, but who knows until we play." | ||
| Jacqueline nods. | ||
| DavidW asks, "Are we ready to begin?" | ||
| jenrexrode says, "hi DW" | ||
| Jacqueline says, "Yes, Lisa." | ||
| DavidW says (to ClubFloyd), "load sleepmask tinstar" | ||
| CF ] Huge Rock Walls Moves: 0 | ||
| CF | | ||
| CF | Where the West begins, where the Great Plains stretch between the | ||
| CF | Mississippi-Missouri River and the Rocky Mountains, the tin star is | ||
| CF | the very symbol of the law, and the men who carry it challenge every | ||
| CF | day the violence and cunning of outlaws with no past and no future. | ||
| CF | | ||
| CF | After the violence of a group of criminals had almost taken away the | ||
| CF | life of your wife and daughter, you decided to become one of these | ||
| CF | "marshals". | ||
| CF | | ||
| CF | For a few years, your life passed quietly and your duties as sheriff | ||
| CF | were limited to short missions, like escorting outlaws to the state | ||
| CF | prisons. But one day, the tranquility of Tucson was shattered by the | ||
| CF | arrival of a group of dangerous bandits whose faces had long decorated | ||
| CF | the walls of many Union offices. The Bank was their target, and your | ||
| CF | absence, due to an official mission in El Paso, was their ace in the | ||
| CF | hole. They arrived shooting and shouting, spreading death and fear | ||
| CF | everywhere and taking away all the savings of the people of Tucson. | ||
| CF | Some citizens had fallen under the blows of the bandits and their | ||
| CF | friends had not even had the chance to bring the bodies back to the | ||
| CF | city. | ||
| CF | | ||
| CF | Unable to stand this, you saddled your horse and, after taking with | ||
| CF | you water, food and ammunition, you set off into the night in pursuit | ||
| CF | of the bandits, only to fall in their trap. When you woke up, the sun | ||
| CF | was already high, and hatred and desperation had grown inside you. | ||
| CF | Your horse was only a few dozen yards away, but you could not reach | ||
| CF | it, because the bandits had tied your hands and feet. An ordinary man | ||
| CF | would have ended up slowly dying of thirst under the torrid summer | ||
| CF | sun, but you are not an ordinary man, and you will soon prove it! | ||
| CF | | ||
| CF | | ||
| CF | Tin Star | ||
| CF | Kenneth Johnson trilogy #2 | ||
| CF | Copyright © 2025 Garry Francis & Gianluca Girelli | ||
| CF | [LINK] | ||
| CF | Type ABOUT for further info and credits. | ||
| CF | | ||
| CF | Release 1 / Serial number 250629 / Inform v6.42 PunyInform v5.14 | ||
| CF | | ||
| CF | Huge Rock Walls | ||
| CF | Huge rock walls without any support extend from east to west. To the | ||
| CF | west you can see the desert expanse and to the east, beyond the walls | ||
| CF | of the canyon, the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse, a rope, the remains of a campfire (which | ||
| CF | contains some coals) and an old blanket here. | ||
| CF | | ||
| CF | > | jenrexrode says, "spaghetti western series" | |
| Teaspoon says, "well, I guess we have a horse this time" | ||
| Jacqueline says, "Sort of." | ||
| Teaspoon asks, "can we burn our hands free with the coals?" | ||
| DavidW says (to ClubFloyd), "about" | ||
| CF ] Huge Rock Walls Moves: 0 | ||
| CF | | ||
| CF | > ABOUT | ||
| CF | | ||
| CF | This game is an enhanced, text-only port of the semi-graphic Italian | ||
| CF | adventure 'Kenneth Johnson: Tin Star' by Bonaventura Di Bello. It was | ||
| CF | originally written with The Quill and Illustrator and published by | ||
| CF | Edizioni Hobby S.r.l. on the cover tape of 'Viking', no. 5, May 1987 | ||
| CF | (for ZX Spectrum and C64). | ||
| CF | | ||
| CF | The data was extracted from the C64 version using UnQuill, translated | ||
| CF | to English and rewritten for a modern audience with the original | ||
| CF | author's permission. The coding was done using Inform 6 and the | ||
| CF | PunyInform library. | ||
| CF | | ||
| CF | Original story and map by Gentili Gian Paolo. | ||
| CF | Adaptation and programming by Bonaventura Di Bello. | ||
| CF | Technical support by Max Di Bello. | ||
| CF | Translation to English by Garry Francis & Google Translate. | ||
| CF | Game redesign and coding by Garry Francis & Gianluca Girelli. | ||
| CF | Play testing by Garry Francis, Piergiorgio D'Errico, Jade, | ||
| CF | improvmonster, Robert Eggleston, and RJ Kowalski. | ||
| CF | | ||
| CF | > | Jacqueline says, "I have just learned that the Federal Deposit Insurance Corporation was not founded until 1933." | |
| DavidW says (to ClubFloyd), "burn rope with coals" | ||
| CF ] Huge Rock Walls Moves: 1 | ||
| CF | | ||
| CF | > BURN ROPE WITH COALS | ||
| CF | | ||
| CF | You don't see a source of heat intense enough to burn the rope. | ||
| CF | | ||
| CF | A vulture flies high in the sky. It may have spotted a dead horse | ||
| CF | nearby. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Huge Rock Walls Moves: 2 | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You're carrying your clothes (worn). | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x rope" | ||
| CF ] Huge Rock Walls Moves: 3 | ||
| CF | | ||
| CF | > X ROPE | ||
| CF | | ||
| CF | It's a long rope that ties you up. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x coals" | ||
| CF ] Huge Rock Walls Moves: 4 | ||
| CF | | ||
| CF | > X COALS | ||
| CF | | ||
| CF | The coals are still warm. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x blanket" | ||
| CF ] Huge Rock Walls Moves: 5 | ||
| CF | | ||
| CF | > X BLANKET | ||
| CF | | ||
| CF | It is an Indian blanket, useful to shield yourself from cold desert | ||
| CF | nights, and to make smoke signals should the need arise. | ||
| CF | | ||
| CF | The hot sun beats down on you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x horse" | ||
| CF ] Huge Rock Walls Moves: 6 | ||
| CF | | ||
| CF | > X HORSE | ||
| CF | | ||
| CF | He's your faithful stallion. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "blow coals" | ||
| CF ] Huge Rock Walls Moves: 7 | ||
| CF | | ||
| CF | > BLOW COALS | ||
| CF | | ||
| CF | You blow on the warm coals and a flame suddenly lights up. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "burn rope with flame" | ||
| CF ] Huge Rock Walls Moves: 7 | ||
| CF | | ||
| CF | > BURN ROPE WITH FLAME | ||
| CF | | ||
| CF | Sorry, I don't understand what "flame" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "burn rope" | ||
| CF ] Huge Rock Walls Moves: 8 | ||
| CF | | ||
| CF | > BURN ROPE | ||
| CF | | ||
| CF | You edge closer to the fire and burn the rope just enough to free | ||
| CF | yourself. | ||
| CF | | ||
| CF | > | ||
| Teaspoon says, "yay" | Teaspoon says, "whoops" | |
| DavidW says (to ClubFloyd), "take blanket" | ||
| CF ] Huge Rock Walls Moves: 9 | ||
| CF | | ||
| CF | > TAKE BLANKET | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search horse" | ||
| CF ] Huge Rock Walls Moves: 10 | ||
| CF | | ||
| CF | > SEARCH HORSE | ||
| CF | | ||
| CF | There is nothing on the horse. | ||
| CF | | ||
| CF | > | DavidW says, "No saddle bag. No gun." | |
| DavidW says, "make smoke signal" | ||
| DavidW says (to ClubFloyd), "make smoke signal" | ||
| CF ] Huge Rock Walls Moves: 11 | ||
| CF | | ||
| CF | > MAKE SMOKE SIGNAL | ||
| CF | | ||
| CF | You have no reason to send smoke signals from this location. | ||
| CF | | ||
| CF | > | DavidW says, "huh. That command was a valid one." | |
| Teaspoon asks, "presumably we'll have to make smoke signals somewhere else later?" | ||
| DavidW says (to ClubFloyd), "pet horse" | ||
| CF ] Huge Rock Walls Moves: 11 | ||
| CF | | ||
| CF | > PET HORSE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Jacqueline asks, "I'm so confused about how I should be crediting these on the transcripts. Last week I said 'Gianluca Girelli, remade by Kenneth Johnson' but should I have Garry Francis and Bonaventura Di Bello and Gentili Gian Paolo?" | |
| DavidW says, "Kenneth Johnson is the character's name." | ||
| Jacqueline says, "oh" | ||
| Jacqueline says, "huh" | ||
| Jacqueline says, "oopd" | ||
| DavidW says, "Gianluca Girelli ported the game into Inform and English." | ||
| Jacqueline says, "er, oops" | ||
| DavidW says, "Bonaventura Di Bello is the author of the original Italian game, who helped make this version too." | ||
| Jacqueline says, "Okay. I may change last week's to Gianluca Girelli and Bonaventura Di Bello." | ||
| DavidW says, "You can find the Italian game on IFDB as well." | ||
| Jacqueline says, "But also Garry Francis." | ||
| Jacqueline says, "Anyway, carry on." | ||
| DavidW says, "well, Garry Francis is crazy helpful with remakes and other stuff." | ||
| Teaspoon asks, "can we ride the horse?" | ||
| DavidW says (to ClubFloyd), "ride horse" | ||
| CF ] Huge Rock Walls Moves: 12 | ||
| CF | | ||
| CF | > RIDE HORSE | ||
| CF | | ||
| CF | You're too weak to mount your horse right now. You need to drink some | ||
| CF | water first. | ||
| CF | | ||
| CF | > | DavidW says, "I see. There's no canteen around. Desert is west. Tuscon road is east. Walls north and south." | |
| Jacqueline says (to ClubFloyd), "do a rain dance" | ||
| CF ] Huge Rock Walls Moves: 12 | ||
| CF | | ||
| CF | > DO A RAIN DANCE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "dance" | ||
| CF ] Huge Rock Walls Moves: 12 | ||
| CF | | ||
| CF | > DANCE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | Teaspoon says, "aww" | |
| DavidW says, "If we're too weak to ride, we're too weak to climb. I think east is safest option, but I bet west is the correct option." | ||
| DavidW says, "Maybe there will be a rain dance in part 3." | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Huge Rock Walls Moves: 13 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Right now, you need to chase those bandits. They fled towards the | ||
| CF | west. | ||
| CF | | ||
| CF | > | DavidW says, "okay, east is out." | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 14 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. To | ||
| CF | the east, the enormous walls of a canyon mark the edge of the desert | ||
| CF | and the beginning of the road to Tucson. | ||
| CF | | ||
| CF | > | Teaspoon says, "west even though we can't ride our horse" | |
| DavidW says (to ClubFloyd), "x walls" | ||
| CF ] Desertock Walls Moves: 14 | ||
| CF | | ||
| CF | > X WALLS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 15 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Desertock Walls Moves: 16 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. To | ||
| CF | the east, the enormous walls of a canyon mark the edge of the desert | ||
| CF | and the beginning of the road to Tucson. | ||
| CF | | ||
| CF | A cloud of desert insects hovers briefly in the air, then flies off. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Huge Rock Walls Moves: 17 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Huge Rock Walls | ||
| CF | Huge rock walls without any support extend from east to west. To the | ||
| CF | west you can see the desert expanse and to the east, beyond the walls | ||
| CF | of the canyon, the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse, a rope and the remains of a campfire (which | ||
| CF | contains some coals (providing light)) here. | ||
| CF | | ||
| CF | > | Jacqueline asks, "Did the horse come with us?" | |
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Huge Rock Walls Moves: 18 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | DavidW says, "no." | |
| Jacqueline asks, "Or can we at least lead our horse if not?" | ||
| DavidW says (to ClubFloyd), "x walls" | ||
| CF ] Huge Rock Walls Moves: 19 | ||
| CF | | ||
| CF | > X WALLS | ||
| CF | | ||
| CF | They are too steep to be climbed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "lead horse" | ||
| CF ] Huge Rock Walls Moves: 19 | ||
| CF | | ||
| CF | > LEAD HORSE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "tie rope to horse" | ||
| CF ] Huge Rock Walls Moves: 20 | ||
| CF | | ||
| CF | > TIE ROPE TO HORSE | ||
| CF | | ||
| CF | You tie the rope to your horse and grab the other end. He will now | ||
| CF | follow you around when you're holding the rope. | ||
| CF | | ||
| CF | The sun is relentless. | ||
| CF | | ||
| CF | > | Jacqueline cries. | |
| Jacqueline says, "Oh, good." | ||
| Jacqueline says, "Sorry, I have lag." | ||
| DavidW says, "okay, the horse is following us." | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 21 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. To | ||
| CF | the east, the enormous walls of a canyon mark the edge of the desert | ||
| CF | and the beginning of the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | Teaspoon says, "obliging horse" | |
| DavidW says, "I think this is another maze like in the first game where we lucked through it." | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desertock Walls Moves: 22 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. To | ||
| CF | the east, the enormous walls of a canyon mark the edge of the desert | ||
| CF | and the beginning of the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Desertock Walls Moves: 23 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. To | ||
| CF | the east, the enormous walls of a canyon mark the edge of the desert | ||
| CF | and the beginning of the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | The heat is unbearable... and your throat is starting to get dry, too | ||
| CF | dry. | ||
| CF | | ||
| CF | A cloud of desert insects hovers briefly in the air, then flies off. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 24 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 25 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is closed) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open bag" | ||
| CF ] Desertock Walls Moves: 26 | ||
| CF | | ||
| CF | > OPEN BAG | ||
| CF | | ||
| CF | You open the saddle bag, revealing some pemmican and a canteen (empty) | ||
| CF | (which is closed). | ||
| CF | | ||
| CF | > | Teaspoon says, "getting our hopes up" | |
| DavidW says (to ClubFloyd), "take pemmican and canteen" | ||
| CF ] Desertock Walls Moves: 27 | ||
| CF | | ||
| CF | > TAKE PEMMICAN AND CANTEEN | ||
| CF | | ||
| CF | pemmican: Taken. | ||
| CF | canteen: Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf28" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Desertock Walls Moves: 27 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 28 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | You're exhausted... if you don't drink some water you'll soon | ||
| CF | collapse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open canteen" | ||
| CF ] Desertock Walls Moves: 29 | ||
| CF | | ||
| CF | > OPEN CANTEEN | ||
| CF | | ||
| CF | You open the canteen, revealing nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 30 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is open but empty) here. | ||
| CF | | ||
| CF | You need to drink. Now! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desertock Walls Moves: 31 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 32 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is open but empty) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Desertock Walls Moves: 33 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | Your vision blurs, and everything begins to disappear covered by a | ||
| CF | heavy black veil... you collapse on the burning desert sand...soon | ||
| CF | you'll be food for the vultures. (The desert is unforgiving. Try | ||
| CF | RESTART instead of UNDO.) | ||
| CF | | ||
| CF | | ||
| CF | *** You have died *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | ||
| DavidW says (to ClubFloyd), "restart" | ||
| CF ] Huge Rock Walls Moves: 0 | ||
| CF | | ||
| CF | Where the West begins, where the Great Plains stretch between the | ||
| CF | Mississippi-Missouri River and the Rocky Mountains, the tin star is | ||
| CF | the very symbol of the law, and the men who carry it challenge every | ||
| CF | day the violence and cunning of outlaws with no past and no future. | ||
| CF | | ||
| CF | After the violence of a group of criminals had almost taken away the | ||
| CF | life of your wife and daughter, you decided to become one of these | ||
| CF | "marshals". | ||
| CF | | ||
| CF | For a few years, your life passed quietly and your duties as sheriff | ||
| CF | were limited to short missions, like escorting outlaws to the state | ||
| CF | prisons. But one day, the tranquility of Tucson was shattered by the | ||
| CF | arrival of a group of dangerous bandits whose faces had long decorated | ||
| CF | the walls of many Union offices. The Bank was their target, and your | ||
| CF | absence, due to an official mission in El Paso, was their ace in the | ||
| CF | hole. They arrived shooting and shouting, spreading death and fear | ||
| CF | everywhere and taking away all the savings of the people of Tucson. | ||
| CF | Some citizens had fallen under the blows of the bandits and their | ||
| CF | friends had not even had the chance to bring the bodies back to the | ||
| CF | city. | ||
| CF | | ||
| CF | Unable to stand this, you saddled your horse and, after taking with | ||
| CF | you water, food and ammunition, you set off into the night in pursuit | ||
| CF | of the bandits, only to fall in their trap. When you woke up, the sun | ||
| CF | was already high, and hatred and desperation had grown inside you. | ||
| CF | Your horse was only a few dozen yards away, but you could not reach | ||
| CF | it, because the bandits had tied your hands and feet. An ordinary man | ||
| CF | would have ended up slowly dying of thirst under the torrid summer | ||
| CF | sun, but you are not an ordinary man, and you will soon prove it! | ||
| CF | | ||
| CF | | ||
| CF | Tin Star | ||
| CF | Kenneth Johnson trilogy #2 | ||
| CF | Copyright © 2025 Garry Francis & Gianluca Girelli | ||
| CF | [LINK] | ||
| CF | Type ABOUT for further info and credits. | ||
| CF | | ||
| CF | Release 1 / Serial number 250629 / Inform v6.42 PunyInform v5.14 | ||
| CF | | ||
| CF | Huge Rock Walls | ||
| CF | Huge rock walls without any support extend from east to west. To the | ||
| CF | west you can see the desert expanse and to the east, beyond the walls | ||
| CF | of the canyon, the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse, a rope, the remains of a campfire (which | ||
| CF | contains some coals) and an old blanket here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "blow coals" | ||
| CF ] Huge Rock Walls Moves: 1 | ||
| CF | | ||
| CF | > BLOW COALS | ||
| CF | | ||
| CF | You blow on the warm coals and a flame suddenly lights up. | ||
| CF | | ||
| CF | > | Jacqueline says, "aw" | |
| DavidW says (to ClubFloyd), "burn rope" | ||
| CF ] Huge Rock Walls Moves: 2 | ||
| CF | | ||
| CF | > BURN ROPE | ||
| CF | | ||
| CF | You edge closer to the fire and burn the rope just enough to free | ||
| CF | yourself. | ||
| CF | | ||
| CF | The hot sun beats down on you. | ||
| CF | | ||
| CF | > | Teaspoon says, "so we're on a timer, presumably" | |
| DavidW says (to ClubFloyd), "take rope, blanket" | ||
| CF ] Huge Rock Walls Moves: 3 | ||
| CF | | ||
| CF | > TAKE ROPE, BLANKET | ||
| CF | | ||
| CF | rope: Taken. | ||
| CF | old blanket: Taken. | ||
| CF | | ||
| CF | > | Jacqueline says, "The good ol' days of thirst daemons." | |
| DavidW says (to ClubFloyd), "tie rope to horse" | ||
| CF ] Huge Rock Walls Moves: 4 | ||
| CF | | ||
| CF | > TIE ROPE TO HORSE | ||
| CF | | ||
| CF | You tie the rope to your horse and grab the other end. He will now | ||
| CF | follow you around when you're holding the rope. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf29" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Huge Rock Walls Moves: 4 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 5 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. To | ||
| CF | the east, the enormous walls of a canyon mark the edge of the desert | ||
| CF | and the beginning of the road to Tucson. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | The hot sun beats down on you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 6 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | The sun is relentless. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 7 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is closed) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open bag" | ||
| CF ] Desertock Walls Moves: 8 | ||
| CF | | ||
| CF | > OPEN BAG | ||
| CF | | ||
| CF | You open the saddle bag, revealing some pemmican and a canteen (empty) | ||
| CF | (which is closed). | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take pemmican and canteen" | ||
| CF ] Desertock Walls Moves: 9 | ||
| CF | | ||
| CF | > TAKE PEMMICAN AND CANTEEN | ||
| CF | | ||
| CF | pemmican: Taken. | ||
| CF | canteen: Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Desertock Walls Moves: 10 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 11 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is open but empty) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Desertock Walls Moves: 10 | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Desertock Walls Moves: 90 | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Desertock Walls Moves: 10 | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is open but empty) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Desertock Walls Moves: 90 | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf30" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Desertock Walls Moves: 90 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "nw" | ||
| CF ] Desertock Walls Moves: 10 | ||
| CF | | ||
| CF | > NW | ||
| CF | | ||
| CF | There are no diagonal directions in this game. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "undo" | ||
| CF ] Desertock Walls Moves: 90 | ||
| CF | | ||
| CF | > UNDO | ||
| CF | | ||
| CF | Previous turn undone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Desertock Walls Moves: 10 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Desertock Walls Moves: 11 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 12 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, the carcass of a horse | ||
| CF | and a saddle bag (which is open but empty) here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desertock Walls Moves: 13 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desertock Walls Moves: 14 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | As soon as the horse spots the basin, he drinks until his strength is | ||
| CF | restored. The horse can now be mounted. | ||
| CF | | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a basin of water | ||
| CF | here. | ||
| CF | | ||
| CF | The heat is unbearable... and your throat is starting to get dry, too | ||
| CF | dry. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drink water" | ||
| CF ] Desertock Walls Moves: 15 | ||
| CF | | ||
| CF | > DRINK WATER | ||
| CF | | ||
| CF | You kneel on the ground and take a drink of water. After what you've | ||
| CF | been through in the desert, you feel so refreshed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "fill canteen" | ||
| CF ] Desertock Walls Moves: 16 | ||
| CF | | ||
| CF | > FILL CANTEEN | ||
| CF | | ||
| CF | (with water) | ||
| CF | You fill the canteen with water from the basin. | ||
| CF | | ||
| CF | > | Jacqueline says, "woo" | |
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf31" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Desertock Walls Moves: 16 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "horse, drink water" | ||
| CF ] Desertock Walls Moves: 17 | ||
| CF | | ||
| CF | > HORSE, DRINK WATER | ||
| CF | | ||
| CF | The horse with a rope tied to it has better things to do. | ||
| CF | | ||
| CF | > | DavidW says, "I cannot make my horse drink." | |
| Teaspoon says, "oh, I see, the horse needed to drink also" | ||
| DavidW says, "no, I'm making a joke." | ||
| Teaspoon says, "wonder if we'll have to keep him watered with the canteen" | ||
| Jacqueline says, "You can lead a horse to water, David..." | ||
| DavidW says (to ClubFloyd), "give water to horse" | ||
| CF ] Desertock Walls Moves: 18 | ||
| CF | | ||
| CF | > GIVE WATER TO HORSE | ||
| CF | | ||
| CF | You aren't holding it. | ||
| CF | | ||
| CF | > | Teaspoon says, "OH yeah" | |
| DavidW says (to ClubFloyd), "close canteen" | ||
| CF ] Desertock Walls Moves: 19 | ||
| CF | | ||
| CF | > CLOSE CANTEEN | ||
| CF | | ||
| CF | It's already closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drink water" | ||
| CF ] Desertock Walls Moves: 20 | ||
| CF | | ||
| CF | > DRINK WATER | ||
| CF | | ||
| CF | You don't need to drink again. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 21 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 22 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. The | ||
| CF | desert seems to end to the south, but you can't push your gaze any | ||
| CF | further, as you are blinded by the sun. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 23 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Desertock Walls Moves: 24 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. The | ||
| CF | desert seems to end to the south, but you can't push your gaze any | ||
| CF | further, as you are blinded by the sun. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sierra Sedonals Moves: 25 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | From now on you should be mounting your horse whenever possible. There | ||
| CF | is a long distance to cover. | ||
| CF | | ||
| CF | Around you, for miles, is the vast Sierra Sedona. To the east, you see | ||
| CF | the deadly vastness of the desert, while to the south, the Sierra | ||
| CF | continues until it merges, in the distance, with the horizon. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf32" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Sierra Sedonals Moves: 25 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | Teaspoon says, "considerate of the game to tell us to ride the horse now" | |
| DavidW says (to ClubFloyd), "ride horse" | ||
| CF ] Sierra Sedonals Moves: 26 | ||
| CF | | ||
| CF | > RIDE HORSE | ||
| CF | | ||
| CF | You're too weak to mount your horse right now. You need to drink some | ||
| CF | water first. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open canteen" | ||
| CF ] Sierra Sedonals Moves: 27 | ||
| CF | | ||
| CF | > OPEN CANTEEN | ||
| CF | | ||
| CF | You open the canteen, revealing nothing. | ||
| CF | | ||
| CF | > | DavidW asks, "wait, didn't I fill it?" | |
| Jacqueline says, "I was sure you had." | ||
| DavidW says (to ClubFloyd), "restore" | ||
| CF | > | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| DavidW says (to ClubFloyd), "cf31" | ||
| CF ] Desert Sedonals Moves: 16 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Desert Sedonals Moves: 17 | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a basin of water | ||
| CF | here. | ||
| CF | | ||
| CF | A coyote barks somewhere in the distance. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open canteen" | ||
| CF ] Desert Sedonals Moves: 18 | ||
| CF | | ||
| CF | > OPEN CANTEEN | ||
| CF | | ||
| CF | You open the canteen, revealing nothing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "fill it" | ||
| CF ] Desert Sedonals Moves: 19 | ||
| CF | | ||
| CF | > FILL IT | ||
| CF | | ||
| CF | It's already full. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "fill canteen with water" | ||
| CF ] Desert Sedonals Moves: 20 | ||
| CF | | ||
| CF | > FILL CANTEEN WITH WATER | ||
| CF | | ||
| CF | It's already full. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] Desert Sedonals Moves: 21 | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You're carrying a canteen (full of water) (which is open but empty), | ||
| CF | some pemmican, the end of a rope tied to your horse, an old blanket | ||
| CF | and your clothes (worn). | ||
| CF | | ||
| CF | > | Jacqueline says, "oh no" | |
| Jacqueline says, "full of water and open but empty" | ||
| Teaspoon asks, "so it is full, it's just badly coded?" | ||
| DavidW says, ""a canteen (full of water) (which is open but empty)"" | ||
| Jacqueline says, "Yeah, there seems to be a bug." | ||
| DavidW says, "yes, badly coded." | ||
| DavidW says (to ClubFloyd), "restore" | ||
| CF | > | ||
| CF | > RESTORE | ||
| CF | %% Enter a save filename to read: | ||
| DavidW says (to ClubFloyd), "cf32" | ||
| CF ] Sierra Sedonals Moves: 25 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drink water" | ||
| CF ] Sierra Sedonals Moves: 25 | ||
| CF | | ||
| CF | > DRINK WATER | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drink canteen" | ||
| CF ] Sierra Sedonals Moves: 26 | ||
| CF | | ||
| CF | > DRINK CANTEEN | ||
| CF | | ||
| CF | You drink a sip from the water out of the canteen. | ||
| CF | | ||
| CF | > | Teaspoon asks, "...good enough?" | |
| DavidW says, "I hope so." | ||
| DavidW says (to ClubFloyd), "mount horse" | ||
| CF ] Sierra Sedonals Moves: 27 | ||
| CF | | ||
| CF | > MOUNT HORSE | ||
| CF | | ||
| CF | You're too weak to mount your horse right now. You need to drink some | ||
| CF | water first. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drink canteen" | ||
| CF ] Sierra Sedonals Moves: 28 | ||
| CF | | ||
| CF | > DRINK CANTEEN | ||
| CF | | ||
| CF | You drink a sip from the water out of the canteen. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "mount horse" | ||
| CF ] Sierra Sedonals Moves: 29 | ||
| CF | | ||
| CF | > MOUNT HORSE | ||
| CF | | ||
| CF | You're too weak to mount your horse right now. You need to drink some | ||
| CF | water first. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "eat pemmican" | ||
| CF ] Sierra Sedonals Moves: 30 | ||
| CF | | ||
| CF | > EAT PEMMICAN | ||
| CF | | ||
| CF | You feel your strength coming back and you can now mount your horse, | ||
| CF | provided he has drunk as well. | ||
| CF | | ||
| CF | > | Jacqueline says, "ah" | |
| DavidW says (to ClubFloyd), "give canteen to horse" | ||
| CF ] Sierra Sedonals Moves: 31 | ||
| CF | | ||
| CF | > GIVE CANTEEN TO HORSE | ||
| CF | | ||
| CF | The horse with a rope tied to it doesn't seem interested. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "mount horse" | ||
| CF ] Sierra Sedonals Moves: 32 | ||
| CF | | ||
| CF | > MOUNT HORSE | ||
| CF | | ||
| CF | You mount your horse. | ||
| CF | | ||
| CF | > | Teaspoon exclaims, "hurrah!" | |
| DavidW says (to ClubFloyd), "close canteen" | ||
| CF ] Sierra Sedonals Moves: 33 | ||
| CF | | ||
| CF | > CLOSE CANTEEN | ||
| CF | | ||
| CF | It's already closed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sierra Sedonals Moves: 34 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Sierra Sedona (on the horse with a rope tied to it) | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see a dead tree (on which is a large branch) here. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "x branch" | ||
| CF ] Sierra Sedonals Moves: 35 | ||
| CF | | ||
| CF | > X BRANCH | ||
| CF | | ||
| CF | A dried-up large branch. Maybe you could use it as a torch, if needed. | ||
| CF | | ||
| CF | > | Teaspoon says, "hint hint" | |
| Jacqueline says, "I wonder if we will perhaps need a light source later." | ||
| DavidW says, "yeah, sorry, was trying to make notes" | ||
| DavidW says (to ClubFloyd), "take branch" | ||
| CF ] Sierra Sedonals Moves: 36 | ||
| CF | | ||
| CF | > TAKE BRANCH | ||
| CF | | ||
| CF | You can't reach the large branch while you're sitting on your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "stand" | ||
| CF ] Sierra Sedonals Moves: 37 | ||
| CF | | ||
| CF | > STAND | ||
| CF | | ||
| CF | You dismount your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take branch" | ||
| CF ] Sierra Sedonals Moves: 38 | ||
| CF | | ||
| CF | > TAKE BRANCH | ||
| CF | | ||
| CF | You take the large branch. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "mount horse" | ||
| CF ] Sierra Sedonals Moves: 39 | ||
| CF | | ||
| CF | > MOUNT HORSE | ||
| CF | | ||
| CF | You mount your horse. | ||
| CF | | ||
| CF | > | DavidW says, "I wonder if we were supposed to take the saddle bag." | |
| DavidW asks, "East to plains, West to mountains, or South to barrenness?" | ||
| DavidW says (to ClubFloyd), "x ground" | ||
| CF ] Sierra Sedonals Moves: 40 | ||
| CF | | ||
| CF | > X GROUND | ||
| CF | | ||
| CF | A look in that direction reveals nothing new. | ||
| CF | | ||
| CF | > | DavidW says, "No helpful tracks to follow." | |
| Jacqueline says, "Hm. Possibly we should have taken the bag, but I kindof doubt it." | ||
| DavidW says, "I guess I'll head east since no one seems to offer any opinion." | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Great Plainsals Moves: 41 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Great Plains (on the horse with a rope tied to it) | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Grassy Plainsls Moves: 42 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Grassy Plains (on the horse with a rope tied to it) | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | > | Teaspoon asks, "check out the plateau?" | |
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathinsls Moves: 43 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rocky Path (on the horse with a rope tied to it) | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Plateauathinsls Moves: 44 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Plateau (on the horse with a rope tied to it) | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Edge of Chasmls Moves: 45 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Edge of Chasm (on the horse with a rope tied to it) | ||
| CF | A wide, deep chasm opens up towards the north, at the bottom of which | ||
| CF | you can clearly see the rapids of a stream. A long, unstable rope | ||
| CF | bridge leads to the other side of the chasm. To the west, a plateau | ||
| CF | extends as far as your gaze can see. | ||
| CF | | ||
| CF | You can see a group of Mescalero Apaches here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x apaches" | ||
| CF ] Edge of Chasmls Moves: 46 | ||
| CF | | ||
| CF | > X APACHES | ||
| CF | | ||
| CF | This is one of the groups of Mescalero that usually raid the region. | ||
| CF | For some reason, they are not posing a direct threat to you. Unless | ||
| CF | you do something stupid. | ||
| CF | | ||
| CF | > | Teaspoon says, "Hum, let's not do anything stupid" | |
| DavidW says (to ClubFloyd), "ask apaches about bandits" | ||
| CF ] Edge of Chasmls Moves: 47 | ||
| CF | | ||
| CF | > ASK APACHES ABOUT BANDITS | ||
| CF | | ||
| CF | You can't reach the Mescalero Apaches while you're sitting on your | ||
| CF | horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "stand" | ||
| CF ] Edge of Chasmls Moves: 48 | ||
| CF | | ||
| CF | > STAND | ||
| CF | | ||
| CF | You dismount your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask apaches about bandits" | ||
| CF ] Edge of Chasmls Moves: 49 | ||
| CF | | ||
| CF | > ASK APACHES ABOUT BANDITS | ||
| CF | | ||
| CF | The Mescalero stare at you. If they undesrtand what you are saying, | ||
| CF | they sure don't want to reply. | ||
| CF | | ||
| CF | > | Teaspoon says, "I wonder what coding makes it impossible to talk while on a horse" | |
| Jacqueline says, "Every time we play these games (two data points, anyway) I get that lyric 'well, I've been through the desert on a horse with no name and a rope tied to it' stuck in my head." | ||
| Teaspoon says, "aw" | ||
| Jacqueline says (to ClubFloyd), "i" | ||
| CF ] Edge of Chasmls Moves: 50 | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You're carrying a large branch, a canteen (full of water) (which is | ||
| CF | closed), the end of a rope tied to your horse, an old blanket and your | ||
| CF | clothes (worn). | ||
| CF | | ||
| CF | > | DavidW says, "yeah, maybe I should untie the rope." | |
| Teaspoon asks, "what would that do?" | ||
| DavidW says, "I feel that crossing the rope bridge while mounted is very unsafe." | ||
| DavidW says (to Teaspoon), "stop the message about the rope being tied to the horse." | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Edge of Chasmls Moves: 51 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | A group of Mescalero Apaches are blocking your way. You need to send | ||
| CF | them off before proceeding. | ||
| CF | | ||
| CF | > | Jacqueline says, "Let us hope that we do not have smallpox..." | |
| Jacqueline says (to ClubFloyd), "give blanket to apaches" | ||
| CF ] Edge of Chasmls Moves: 52 | ||
| CF | | ||
| CF | > GIVE BLANKET TO APACHES | ||
| CF | | ||
| CF | The Mescalero Apaches doesn't seem interested. | ||
| CF | | ||
| CF | > | Jacqueline says, "Okay." | |
| Teaspoon says, "can we use the blanket to do a smoke signal...mmm" | ||
| DavidW says, "No, we'll just make smoke signals that their grandma is sick or something to decoy them." | ||
| DavidW says, "I'm sure we can't move them right now. We need to explore more." | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Plateau Chasmls Moves: 53 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Plateau | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ride horse" | ||
| CF ] Plateau Chasmls Moves: 54 | ||
| CF | | ||
| CF | > RIDE HORSE | ||
| CF | | ||
| CF | You mount your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Rocky Pathasmls Moves: 55 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | Rocky Path (on the horse with a rope tied to it) | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathasmls Moves: 56 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | First, you'd have to leave the horse with a rope tied to it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Rocky Pathasmls Moves: 57 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathasmls Moves: 58 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | First, you'd have to leave the horse with a rope tied to it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop horse" | ||
| CF ] Rocky Pathasmls Moves: 59 | ||
| CF | | ||
| CF | > DROP HORSE | ||
| CF | | ||
| CF | You aren't holding him. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathasmls Moves: 60 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | First, you'd have to leave the horse with a rope tied to it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Rocky Pathasmls Moves: 61 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Rocky Pathasmls Moves: 62 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | First, you'd have to leave the horse with a rope tied to it. | ||
| CF | | ||
| CF | > | Jacqueline says, "Sigh" | |
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Grassy Plainsls Moves: 63 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Grassy Plains (on the horse with a rope tied to it) | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ride horse" | ||
| CF ] Grassy Plainsls Moves: 64 | ||
| CF | | ||
| CF | > RIDE HORSE | ||
| CF | | ||
| CF | But you are already there! | ||
| CF | | ||
| CF | > | Jacqueline asks, "Do you have to tie him up somewhere?" | |
| DavidW says (to ClubFloyd), "get on horse" | ||
| CF ] Grassy Plainsls Moves: 65 | ||
| CF | | ||
| CF | > GET ON HORSE | ||
| CF | | ||
| CF | But you are already there! | ||
| CF | | ||
| CF | > | Teaspoon asks, "can we leave the horse?" | |
| DavidW says, "I guess I was mounted when I dropped the rope." | ||
| DavidW says, "I'm not used to riding horses.," | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathinsls Moves: 66 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rocky Path (on the horse with a rope tied to it) | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "stand" | ||
| CF ] Rocky Pathinsls Moves: 67 | ||
| CF | | ||
| CF | > STAND | ||
| CF | | ||
| CF | You dismount your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Rocky Pathinsls Moves: 68 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathinsls Moves: 69 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | DavidW says, "e" | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Rocky Pathinsls Moves: 70 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Rocky Pathinsls Moves: 71 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ride horse" | ||
| CF ] Rocky Pathinsls Moves: 72 | ||
| CF | | ||
| CF | > RIDE HORSE | ||
| CF | | ||
| CF | You mount your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Rocky Pathinsls Moves: 73 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Grassy Plainsls Moves: 74 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Grassy Plains (on the horse with a rope tied to it) | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Grassy Plainsls Moves: 75 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | First, you'd have to leave the horse with a rope tied to it. | ||
| CF | | ||
| CF | > | Teaspoon asks, "false alarm?" | |
| DavidW says (to ClubFloyd), "f n" | ||
| CF ] Grassy Plainsls Moves: 75 | ||
| CF | | ||
| CF | > F N | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Great Plainssls Moves: 76 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Great Plains (on the horse with a rope tied to it) | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Sierra Sedonals Moves: 77 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Sierra Sedona (on the horse with a rope tied to it) | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see a dead tree here. | ||
| CF | | ||
| CF | > | DavidW says, "I'll try the mountains this time" | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Foot of Mountain Range Moves: 78 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Foot of Mountain Range (on the horse with a rope tied to it) | ||
| CF | You have reached the foot of a long mountain range that marks the | ||
| CF | western border of the Sierra. To the south a rocky expanse disappears | ||
| CF | into the distance, while to the east you can see the immense sunny | ||
| CF | expanse of the Sierra. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Edge of Crevasse Range Moves: 79 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Edge of Crevasse (on the horse with a rope tied to it) | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | > | Teaspoon says, "don't think we want to ride the horse down the crevasse" | |
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Edge of Crevasse Range Moves: 80 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | You can't take the horse that way. You'll have to leave him behind. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "dismount" | ||
| CF ] Edge of Crevasse Range Moves: 81 | ||
| CF | | ||
| CF | > DISMOUNT | ||
| CF | | ||
| CF | You dismount your horse. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Edge of Crevasse Range Moves: 82 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Bottom of Crevasseange Moves: 83 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | Bottom of Crevasse | ||
| CF | The bottom of the crevasse is littered with rocks and debris, and in | ||
| CF | some places it also hosts a few stunted tufts of grass. The only way | ||
| CF | out is a steep path up. | ||
| CF | | ||
| CF | You can see a Navajo headdress here. | ||
| CF | | ||
| CF | > | Jacqueline says, "OH" | |
| DavidW says (to ClubFloyd), "x headdress" | ||
| CF ] Bottom of Crevasseange Moves: 84 | ||
| CF | | ||
| CF | > X HEADDRESS | ||
| CF | | ||
| CF | This eagle-feather headdress, also called a war bonnet, is | ||
| CF | traditionally a symbol of power and authority reserved for highly | ||
| CF | respected Native American men. It surely belongs to a chief. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take it" | ||
| CF ] Bottom of Crevasseange Moves: 85 | ||
| CF | | ||
| CF | > TAKE IT | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | DavidW says, "hm. Navajo. They were in the last game." | |
| Teaspoon says, "convenient for it just to be lying around" | ||
| Teaspoon says, "wonder if we wear it or trade it" | ||
| DavidW says (to ClubFloyd), "search grass" | ||
| CF ] Bottom of Crevasseange Moves: 85 | ||
| CF | | ||
| CF | > SEARCH GRASS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | DavidW says, "I think we ought to return it." | |
| DavidW says, "I don't feel that wearing it unearned is wise." | ||
| Jacqueline says, "We could save and try it, I suppose." | ||
| DavidW says, "sure, we can try that." | ||
| Teaspoon says, "if we can find the people to return it to" | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf33" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Bottom of Crevasseange Moves: 85 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "wear headdress" | ||
| CF ] Bottom of Crevasseange Moves: 86 | ||
| CF | | ||
| CF | > WEAR HEADDRESS | ||
| CF | | ||
| CF | You are now wearing the Navajo headdress. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "remove it" | ||
| CF ] Bottom of Crevasseange Moves: 87 | ||
| CF | | ||
| CF | > REMOVE IT | ||
| CF | | ||
| CF | You take off the Navajo headdress. | ||
| CF | | ||
| CF | > | DavidW says, "well, it's possible, so that's an option to keep in mind." | |
| Jacqueline nods. | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Edge of Crevasseseange Moves: 88 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see a group of Mescalero Apaches and your horse with a rope | ||
| CF | tied to it here. | ||
| CF | | ||
| CF | > | DavidW asks, "oh. The Apaches are here now?" | |
| Teaspoon asks, "huh, putting on the headdress called their code you think?" | ||
| DavidW says, "I don't know." | ||
| DavidW says (to ClubFloyd), "show headdress to apaches" | ||
| CF ] Edge of Crevasseseange Moves: 89 | ||
| CF | | ||
| CF | > SHOW HEADDRESS TO APACHES | ||
| CF | | ||
| CF | The Mescalero Apaches doesn't seem interested. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "talk to apaches" | ||
| CF ] Edge of Crevasseseange Moves: 90 | ||
| CF | | ||
| CF | > TALK TO APACHES | ||
| CF | | ||
| CF | "Go away, white man. You are not welcome here." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Edge of Crevasseseange Moves: 91 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sandy Terrainsseseange Moves: 92 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Sandy Terrain | ||
| CF | You are on a vast, arid, sandy, almost desert-like terrain. Some dry | ||
| CF | bushes roll in the wind, often getting stuck in piles of branches or | ||
| CF | in the rocks to the west, where, over the edge of a deep crevasse, you | ||
| CF | can see the peaks of the mountains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, some dead branches and | ||
| CF | a man tied to a stake here. | ||
| CF | | ||
| CF | > | Teaspoon exclaims, "oh!" | |
| DavidW says (to ClubFloyd), "x man" | ||
| CF ] Sandy Terrainsseseange Moves: 93 | ||
| CF | | ||
| CF | > X MAN | ||
| CF | | ||
| CF | This man looks like yet another victim of those criminals. You can see | ||
| CF | that he's tied firmly to the stake by some leather ties around his | ||
| CF | hands and feet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "untie man" | ||
| CF ] Sandy Terrainsseseange Moves: 94 | ||
| CF | | ||
| CF | > UNTIE MAN | ||
| CF | | ||
| CF | You can't untie that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "untie ties" | ||
| CF ] Sandy Terrainsseseange Moves: 95 | ||
| CF | | ||
| CF | > UNTIE TIES | ||
| CF | | ||
| CF | After shrinking in the hot sun, they're too tight to untie. | ||
| CF | | ||
| CF | > | Jacqueline says, "Yikes. Ouch." | |
| DavidW says, "I don't have any cutting tool." | ||
| DavidW says (to ClubFloyd), "talk to man" | ||
| CF ] Sandy Terrainsseseange Moves: 96 | ||
| CF | | ||
| CF | > TALK TO MAN | ||
| CF | | ||
| CF | He is unsconscious ... what about reviving him first? | ||
| CF | | ||
| CF | > | Jacqueline asks, "Cantee?" | |
| Teaspoon asks, "can we pour water on him?" | ||
| DavidW says (to ClubFloyd), "give water to man" | ||
| CF ] Sandy Terrainsseseange Moves: 97 | ||
| CF | | ||
| CF | > GIVE WATER TO MAN | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | Jacqueline says, "er, Canteen... yeah." | |
| DavidW says (to ClubFloyd), "give canteen to man" | ||
| CF ] Sandy Terrainsseseange Moves: 98 | ||
| CF | | ||
| CF | > GIVE CANTEEN TO MAN | ||
| CF | | ||
| CF | The man tied to a stake doesn't seem interested. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "revive man" | ||
| CF ] Sandy Terrainsseseange Moves: 99 | ||
| CF | | ||
| CF | > REVIVE MAN | ||
| CF | | ||
| CF | You should free him from those ties first. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x branches" | ||
| CF ] Sandy Terrainsseseange Moves: 100 | ||
| CF | | ||
| CF | > X BRANCHES | ||
| CF | | ||
| CF | These dead branches could come in useful to make a fire. | ||
| CF | | ||
| CF | > | ||
| Jacqueline says (to ClubFloyd), "pour water on ties" | ||
| CF ] Sandy Terrainsseseange Moves: 100 | ||
| CF | | ||
| CF | > POUR WATER ON TIES | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take branches" | ||
| CF ] Sandy Terrainsseseange Moves: 101 | ||
| CF | | ||
| CF | > TAKE BRANCHES | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sandy Terrainsseseange Moves: 102 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sandy Terrainsseseange Moves: 103 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sandy Terrainsseseange Moves: 104 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Edge of Crevasseseange Moves: 105 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see a group of Mescalero Apaches and your horse with a rope | ||
| CF | tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foot of Mountain Range Moves: 106 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Foot of Mountain Range | ||
| CF | You have reached the foot of a long mountain range that marks the | ||
| CF | western border of the Sierra. To the south a rocky expanse disappears | ||
| CF | into the distance, while to the east you can see the immense sunny | ||
| CF | expanse of the Sierra. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sierra Sedonaain Range Moves: 107 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] In Front of Teepeeange Moves: 108 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | In Front of Teepee | ||
| CF | A light breeze stirs the sparse tufts of grass that cover the barren | ||
| CF | territory on which you find yourself. A teepee stands in the middle of | ||
| CF | the desolation of the landscape, almost as if to challenge its arid | ||
| CF | climate, and in front of it an old Indian warms himself in front of a | ||
| CF | fire singing the ancient songs of his people. | ||
| CF | | ||
| CF | You can see a small fire that burns with a crackling sound, your horse | ||
| CF | with a rope tied to it, a teepee and an old Indian here. | ||
| CF | | ||
| CF | > | Teaspoon says, "Oh hello" | |
| DavidW says (to ClubFloyd), "x indian" | ||
| CF ] In Front of Teepeeange Moves: 109 | ||
| CF | | ||
| CF | > X INDIAN | ||
| CF | | ||
| CF | The old man looks like someone who has stood beside his warriors in | ||
| CF | countless battles. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "talk to him" | ||
| CF ] In Front of Teepeeange Moves: 110 | ||
| CF | | ||
| CF | > TALK TO HIM | ||
| CF | | ||
| CF | The old man looks at you with a puzzled face. He probably doesn't | ||
| CF | speak your language very well. Try asking more specific questions. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask him about navajo" | ||
| CF ] In Front of Teepeeange Moves: 111 | ||
| CF | | ||
| CF | > ASK HIM ABOUT NAVAJO | ||
| CF | | ||
| CF | "I don't know anything about it." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask him about headdress" | ||
| CF ] In Front of Teepeeange Moves: 112 | ||
| CF | | ||
| CF | > ASK HIM ABOUT HEADDRESS | ||
| CF | | ||
| CF | "I don't know anything about it." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask him about bandits" | ||
| CF ] In Front of Teepeeange Moves: 113 | ||
| CF | | ||
| CF | > ASK HIM ABOUT BANDITS | ||
| CF | | ||
| CF | "This place is full of those bad people, but the ones you are | ||
| CF | searching are probably hiding farther east, beyond the Grassy Plains. | ||
| CF | Beware of them." | ||
| CF | | ||
| CF | > | Teaspoon says, "that's helpful" | |
| DavidW says (to ClubFloyd), "ask him about apaches" | ||
| CF ] In Front of Teepeeange Moves: 114 | ||
| CF | | ||
| CF | > ASK HIM ABOUT APACHES | ||
| CF | | ||
| CF | "They are a great danger, and an enemy of the Navajo nation. Stay away | ||
| CF | from them. They can be seen near the Plateau, and use smoke signals to | ||
| CF | communicate that everything is fine." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "give headdress to him" | ||
| CF ] In Front of Teepeeange Moves: 115 | ||
| CF | | ||
| CF | > GIVE HEADDRESS TO HIM | ||
| CF | | ||
| CF | The old Indian seems happy with your offer, even if the impassivity of | ||
| CF | his wrinkled face doesn't reveal his emotions. He takes a knife from a | ||
| CF | fold in his clothing and offers it to you. You gratefully accept it. | ||
| CF | | ||
| CF | > | Jacqueline says, "nice" | |
| Teaspoon says, "Oh, now we can cut those ties" | ||
| Jacqueline says, "Oh yeah" | ||
| DavidW says, "yes" | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf34" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] In Front of Teepeeange Moves: 115 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "make smoke signal" | ||
| CF ] In Front of Teepeeange Moves: 116 | ||
| CF | | ||
| CF | > MAKE SMOKE SIGNAL | ||
| CF | | ||
| CF | You have no reason to send smoke signals from this location. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask him about smoke signal" | ||
| CF ] In Front of Teepeeange Moves: 117 | ||
| CF | | ||
| CF | > ASK HIM ABOUT SMOKE SIGNAL | ||
| CF | | ||
| CF | "A group of Mescalero will usually send smoke signals to indicate the | ||
| CF | place is free of intruders. The others will then keep a distance to | ||
| CF | search somewhere else." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sierra Sedonaeepeeange Moves: 118 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Foot of Mountain Range Moves: 119 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Foot of Mountain Range | ||
| CF | You have reached the foot of a long mountain range that marks the | ||
| CF | western border of the Sierra. To the south a rocky expanse disappears | ||
| CF | into the distance, while to the east you can see the immense sunny | ||
| CF | expanse of the Sierra. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Edge of Crevasse Range Moves: 120 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see a group of Mescalero Apaches and your horse with a rope | ||
| CF | tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sandy Terrainsse Range Moves: 121 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Sandy Terrain | ||
| CF | You are on a vast, arid, sandy, almost desert-like terrain. Some dry | ||
| CF | bushes roll in the wind, often getting stuck in piles of branches or | ||
| CF | in the rocks to the west, where, over the edge of a deep crevasse, you | ||
| CF | can see the peaks of the mountains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a man tied to a | ||
| CF | stake here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "cut ties" | ||
| CF ] Sandy Terrainsse Range Moves: 122 | ||
| CF | | ||
| CF | > CUT TIES | ||
| CF | | ||
| CF | (with the knife) | ||
| CF | You cut the leather ties with the knife and they fall to the ground. | ||
| CF | The man is barely alive, but you'd better revive him, before it's too | ||
| CF | late. | ||
| CF | | ||
| CF | > | Jacqueline asks, "So... are we supposed to mimic a particular tribe, or learn the different signals from those particular tribes?" | |
| DavidW says (to ClubFloyd), "revive man" | ||
| CF ] Sandy Terrainsse Range Moves: 123 | ||
| CF | | ||
| CF | > REVIVE MAN | ||
| CF | | ||
| CF | You move the man far from direct sunlight. Then, you help him to drink | ||
| CF | until the canteen is empty. After a few minutes he is back to his | ||
| CF | senses, and your gesture has earned you the eternal gratitude of this | ||
| CF | man. | ||
| CF | | ||
| CF | "Thank you, my friend. I do not know how to repay you. Ah! I see that | ||
| CF | you are unarmed." He disappears behind the rocks and reappears with a | ||
| CF | rifle. At first, you think he's going to shoot you, but he gives you | ||
| CF | the rifle. | ||
| CF | | ||
| CF | "I had hidden this before being attacked by a group of bandits. I see | ||
| CF | from your tin star that you're a sheriff. If you can find those | ||
| CF | bandits, this rifle may come in handy. Before the bandits surprised | ||
| CF | me, I noticed some smoke signals from Mescalero Apaches above the | ||
| CF | plateau. The bandits headed that way. Be careful and good luck, my | ||
| CF | friend." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x rifle" | ||
| CF ] Sandy Terrainsse Range Moves: 124 | ||
| CF | | ||
| CF | > X RIFLE | ||
| CF | | ||
| CF | It's a loaded Winchester rifle. This is exactly what you need to shoot | ||
| CF | a target from a safe distance. | ||
| CF | | ||
| CF | > | Jacqueline says, "It's like Christmas in July, this game." | |
| Teaspoon says, "I wonder what happened to our gun" | ||
| Teaspoon says, "presumably we had one when we left home" | ||
| DavidW says, "I assume the bandits took it." | ||
| Teaspoon says, "that follows" | ||
| DavidW asks, "okay, I assume the bandits are on the other side of the rope bridge and we now use the branches to make a fire, and light our original branch from the old man's fire, but where to build our fire?" | ||
| DavidW asks, "The plateau?" | ||
| Teaspoon says, "plateau makes sense" | ||
| DavidW asks, "Anything else to ask this guy?" | ||
| DavidW says (to ClubFloyd), "ask man about name" | ||
| CF ] Sandy Terrainsse Range Moves: 125 | ||
| CF | | ||
| CF | > ASK MAN ABOUT NAME | ||
| CF | | ||
| CF | "I don't know anything about it." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "l" | ||
| CF ] Sandy Terrainsse Range Moves: 126 | ||
| CF | | ||
| CF | > L | ||
| CF | | ||
| CF | Sandy Terrain | ||
| CF | You are on a vast, arid, sandy, almost desert-like terrain. Some dry | ||
| CF | bushes roll in the wind, often getting stuck in piles of branches or | ||
| CF | in the rocks to the west, where, over the edge of a deep crevasse, you | ||
| CF | can see the peaks of the mountains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, a man, a stake and some | ||
| CF | leather ties here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take stake" | ||
| CF ] Sandy Terrainsse Range Moves: 127 | ||
| CF | | ||
| CF | > TAKE STAKE | ||
| CF | | ||
| CF | That's fixed in place. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take ties" | ||
| CF ] Sandy Terrainsse Range Moves: 128 | ||
| CF | | ||
| CF | > TAKE TIES | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Edge of Crevasse Range Moves: 129 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see a group of Mescalero Apaches and your horse with a rope | ||
| CF | tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foot of Mountain Range Moves: 130 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Foot of Mountain Range | ||
| CF | You have reached the foot of a long mountain range that marks the | ||
| CF | western border of the Sierra. To the south a rocky expanse disappears | ||
| CF | into the distance, while to the east you can see the immense sunny | ||
| CF | expanse of the Sierra. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sierra Sedonaain Range Moves: 131 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] In Front of Teepeeange Moves: 132 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | In Front of Teepee | ||
| CF | A light breeze stirs the sparse tufts of grass that cover the barren | ||
| CF | territory on which you find yourself. A teepee stands in the middle of | ||
| CF | the desolation of the landscape, almost as if to challenge its arid | ||
| CF | climate, and in front of it an old Indian warms himself in front of a | ||
| CF | fire singing the ancient songs of his people. | ||
| CF | | ||
| CF | You can see a small fire that burns with a crackling sound, your horse | ||
| CF | with a rope tied to it, a teepee and an old Indian here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "light branch" | ||
| CF ] In Front of Teepeeange Moves: 133 | ||
| CF | | ||
| CF | > LIGHT BRANCH | ||
| CF | | ||
| CF | You light up the branch, making a crude lit torch. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sierra Sedonaeepeeange Moves: 134 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Great Plainsaeepeeange Moves: 135 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Great Plains | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Grassy Plainseepeeange Moves: 136 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Grassy Plains | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathinseepeeange Moves: 137 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rocky Path | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Plateauathinseepeeange Moves: 138 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Plateau | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "make fire" | ||
| CF ] Plateauathinseepeeange Moves: 139 | ||
| CF | | ||
| CF | > MAKE FIRE | ||
| CF | | ||
| CF | You don't know how to make that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop branches" | ||
| CF ] Plateauathinseepeeange Moves: 140 | ||
| CF | | ||
| CF | > DROP BRANCHES | ||
| CF | | ||
| CF | Dropped. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "burn branches" | ||
| CF ] Plateauathinseepeeange Moves: 141 | ||
| CF | | ||
| CF | > BURN BRANCHES | ||
| CF | | ||
| CF | You light up the dead branches, making a fire that burns with a | ||
| CF | crackling sound and produces a lot of smoke. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "make smoke signal" | ||
| CF ] Plateauathinseepeeange Moves: 142 | ||
| CF | | ||
| CF | > MAKE SMOKE SIGNAL | ||
| CF | | ||
| CF | (with the blanket) | ||
| CF | You lean down and, using the blanket, you partially cover the fire a | ||
| CF | couple of times so to send two distinctive puffs of smoke. This is the | ||
| CF | standard signal for "all is well" and, turning your gaze towards the | ||
| CF | east, you see the Mescalero riding away. They are gone, now, and you | ||
| CF | can proceed with your quest. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf35" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] Plateauathinseepeeange Moves: 142 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | Jacqueline says, "sweet" | |
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Edge of Chasmeepeeange Moves: 143 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Edge of Chasm | ||
| CF | A wide, deep chasm opens up towards the north, at the bottom of which | ||
| CF | you can clearly see the rapids of a stream. A long, unstable rope | ||
| CF | bridge leads to the other side of the chasm. To the west, a plateau | ||
| CF | extends as far as your gaze can see. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | Teaspoon says, "it doesn't occur to them to wonder who sent the signal, evidently" | |
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Edge of Chasmeepeeange Moves: 144 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't take the horse that way. You'll have to leave him behind. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Edge of Chasmeepeeange Moves: 145 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Rope Bridgesmeepeeange Moves: 146 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Rope Bridge | ||
| CF | Below you, between the high rocky walls of the gorge, a raging torrent | ||
| CF | rushes away in a south-east direction. The fragile rope bridge sways | ||
| CF | under your weight, and you barely manage to keep your balance, as you | ||
| CF | stare, not without a little fear, into the abyss beneath your feet. | ||
| CF | | ||
| CF | > | Teaspoon says, "aw, bye horse" | |
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Large Plateaueepeeange Moves: 147 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Large Plateau | ||
| CF | Crossing the long suspension bridge, you have reached a large plateau | ||
| CF | that extends north. To the south, beyond the rope bridge, you can see | ||
| CF | the other side of the ravine you crossed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] End of Plateauepeeange Moves: 148 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | End of Plateau | ||
| CF | The vast plateau ends here in front of the entrance to an old gold | ||
| CF | mine. At present you cannot enter it since a landslide has covered the | ||
| CF | only access, leaving only a small hole. To the south the plateau | ||
| CF | extends for a very long stretch. | ||
| CF | | ||
| CF | > | jenrexrode says, "Spam wouldn't be invented for another 25 years" | |
| Jacqueline says, "hee" | ||
| Teaspoon says, "lol" | ||
| Teaspoon asks, "can we dig the hole?" | ||
| DavidW says, "I missed something, I guess." | ||
| DavidW says (to ClubFloyd), "x hole" | ||
| CF ] End of Plateauepeeange Moves: 149 | ||
| CF | | ||
| CF | > X HOLE | ||
| CF | | ||
| CF | It's a small hole, about the width of a candle, possibly caused by the | ||
| CF | erosion. The small hole is empty. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "dig hole" | ||
| CF ] End of Plateauepeeange Moves: 150 | ||
| CF | | ||
| CF | > DIG HOLE | ||
| CF | | ||
| CF | You have better things to do than dig for buried treasure. | ||
| CF | | ||
| CF | > | Teaspoon says, "weird thing to include" | |
| DavidW says, "Not if there's a stick of TNT in the game." | ||
| Jacqueline says, "yeah" | ||
| DavidW says (to ClubFloyd), "x mine" | ||
| CF ] End of Plateauepeeange Moves: 151 | ||
| CF | | ||
| CF | > X MINE | ||
| CF | | ||
| CF | You can't enter it since a landslide covered the entrance. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] End of Plateauepeeange Moves: 152 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] End of Plateauepeeange Moves: 153 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x alksj" | ||
| CF ] End of Plateauepeeange Moves: 153 | ||
| CF | | ||
| CF | > X ALKSJ | ||
| CF | | ||
| CF | Sorry, I don't understand what "alksj" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x tnt" | ||
| CF ] End of Plateauepeeange Moves: 153 | ||
| CF | | ||
| CF | > X TNT | ||
| CF | | ||
| CF | Sorry, I don't understand what "tnt" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x dynamite" | ||
| CF ] End of Plateauepeeange Moves: 153 | ||
| CF | | ||
| CF | > X DYNAMITE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | DavidW says, "bingo" | |
| DavidW says, "The game knows the word 'dynamite' as an input word." | ||
| Jacqueline says, "mmhmm" | ||
| DavidW asks, "Any idea where to find it? The teepee? The man who gave the rifle?" | ||
| Teaspoon asks, "we're gonna have to find some dynamite?" | ||
| DavidW says, "I think so, yes." | ||
| Roger says, "bottom of abandoned mine shaft" | ||
| DavidW says, "Maybe I missed an exit somewhere." | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Large Plateauuepeeange Moves: 154 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Large Plateau | ||
| CF | Crossing the long suspension bridge, you have reached a large plateau | ||
| CF | that extends north. To the south, beyond the rope bridge, you can see | ||
| CF | the other side of the ravine you crossed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Large Plateauuepeeange Moves: 155 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Large Plateauuepeeange Moves: 156 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rope Bridgeauuepeeange Moves: 157 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rope Bridge | ||
| CF | Below you, between the high rocky walls of the gorge, a raging torrent | ||
| CF | rushes away in a south-east direction. The fragile rope bridge sways | ||
| CF | under your weight, and you barely manage to keep your balance, as you | ||
| CF | stare, not without a little fear, into the abyss beneath your feet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x gorge" | ||
| CF ] Rope Bridgeauuepeeange Moves: 157 | ||
| CF | | ||
| CF | > X GORGE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "curious gorge" | ||
| CF ] Rope Bridgeauuepeeange Moves: 157 | ||
| CF | | ||
| CF | > CURIOUS GORGE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Edge of Chasmuepeeange Moves: 158 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Edge of Chasm | ||
| CF | A wide, deep chasm opens up towards the north, at the bottom of which | ||
| CF | you can clearly see the rapids of a stream. A long, unstable rope | ||
| CF | bridge leads to the other side of the chasm. To the west, a plateau | ||
| CF | extends as far as your gaze can see. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Edge of Chasmuepeeange Moves: 159 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Plateau Chasmuepeeange Moves: 160 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Plateau | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, some smoke signals | ||
| CF | (rising up in the sky) and a makeshift fire that burns with a | ||
| CF | crackling sound and produces a lot of smoke here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Rocky Pathasmuepeeange Moves: 161 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | Rocky Path | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | Teaspoon says, "so pretty much , we wander around until we find some dynamite and then we come back" | |
| DavidW says, "If you have a better idea, feel free to share. I could shoot the hole with the rifle if you'd rather." | ||
| Teaspoon says, "nah, just trying to articulate the plan as it stands" | ||
| DavidW says, "I could try putting the torch into the hole hoping for coal gas to blow the rocks into my face." | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Rocky Pathasmuepeeange Moves: 162 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Rocky Pathasmuepeeange Moves: 163 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Grassy Plainsuepeeange Moves: 164 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Grassy Plains | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Grassy Plainsuepeeange Moves: 165 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Great Plainssuepeeange Moves: 166 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Great Plains | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Great Plainssuepeeange Moves: 167 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Great Plainssuepeeange Moves: 168 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Grassy Plainsuepeeange Moves: 169 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Grassy Plains | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Grassy Plainsuepeeange Moves: 170 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Great Plainssuepeeange Moves: 171 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Great Plains | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Sierra Sedonauepeeange Moves: 172 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | DavidW says, "If dynamite was in the desert, we might be screwed." | |
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Foot of Mountain Range Moves: 173 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Foot of Mountain Range | ||
| CF | You have reached the foot of a long mountain range that marks the | ||
| CF | western border of the Sierra. To the south a rocky expanse disappears | ||
| CF | into the distance, while to the east you can see the immense sunny | ||
| CF | expanse of the Sierra. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foot of Mountain Range Moves: 174 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Foot of Mountain Range Moves: 175 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Edge of Crevasse Range Moves: 176 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Edge of Crevasse Range Moves: 177 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sandy Terrainsse Range Moves: 178 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Sandy Terrain | ||
| CF | You are on a vast, arid, sandy, almost desert-like terrain. Some dry | ||
| CF | bushes roll in the wind, often getting stuck in piles of branches or | ||
| CF | in the rocks to the west, where, over the edge of a deep crevasse, you | ||
| CF | can see the peaks of the mountains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, a man and a stake here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask man about dynamite" | ||
| CF ] Sandy Terrainsse Range Moves: 179 | ||
| CF | | ||
| CF | > ASK MAN ABOUT DYNAMITE | ||
| CF | | ||
| CF | "I don't know anything about it." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sandy Terrainsse Range Moves: 180 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sandy Terrainsse Range Moves: 181 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sandy Terrainsse Range Moves: 182 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Edge of Crevasse Range Moves: 183 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Edge of Crevasse Range Moves: 184 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | You can't take the horse that way. You'll have to leave him behind. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Edge of Crevasse Range Moves: 185 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Bottom of Crevasseange Moves: 186 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | Bottom of Crevasse | ||
| CF | The bottom of the crevasse is littered with rocks and debris, and in | ||
| CF | some places it also hosts a few stunted tufts of grass. The only way | ||
| CF | out is a steep path up. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x debris" | ||
| CF ] Bottom of Crevasseange Moves: 186 | ||
| CF | | ||
| CF | > X DEBRIS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x grass" | ||
| CF ] Bottom of Crevasseange Moves: 186 | ||
| CF | | ||
| CF | > X GRASS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x rocks" | ||
| CF ] Bottom of Crevasseange Moves: 186 | ||
| CF | | ||
| CF | > X ROCKS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Bottom of Crevasseange Moves: 187 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Bottom of Crevasseange Moves: 188 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Bottom of Crevasseange Moves: 189 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Bottom of Crevasseange Moves: 190 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Edge of Crevasseseange Moves: 191 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Edge of Crevasse | ||
| CF | You have reached the edge of a deep natural crevasse. To the east | ||
| CF | opens a sandy territory, very similar to the desert, while to the | ||
| CF | north a mountain range borders the Sierra. A steep path leads down to | ||
| CF | the bottom of the crevasse. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Edge of Crevasseseange Moves: 192 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Foot of Mountain Range Moves: 193 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Foot of Mountain Range | ||
| CF | You have reached the foot of a long mountain range that marks the | ||
| CF | western border of the Sierra. To the south a rocky expanse disappears | ||
| CF | into the distance, while to the east you can see the immense sunny | ||
| CF | expanse of the Sierra. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sierra Sedonaain Range Moves: 194 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] In Front of Teepeeange Moves: 195 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | In Front of Teepee | ||
| CF | A light breeze stirs the sparse tufts of grass that cover the barren | ||
| CF | territory on which you find yourself. A teepee stands in the middle of | ||
| CF | the desolation of the landscape, almost as if to challenge its arid | ||
| CF | climate, and in front of it an old Indian warms himself in front of a | ||
| CF | fire singing the ancient songs of his people. | ||
| CF | | ||
| CF | You can see a small fire that burns with a crackling sound, your horse | ||
| CF | with a rope tied to it, a teepee and an old Indian here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask old about dynamite" | ||
| CF ] In Front of Teepeeange Moves: 195 | ||
| CF | | ||
| CF | > ASK OLD ABOUT DYNAMITE | ||
| CF | | ||
| CF | Do you mean the old blanket or the old Indian? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "indian" | ||
| CF ] In Front of Teepeeange Moves: 196 | ||
| CF | | ||
| CF | > INDIAN | ||
| CF | | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask old indian about dynamite" | ||
| CF ] In Front of Teepeeange Moves: 197 | ||
| CF | | ||
| CF | > ASK OLD INDIAN ABOUT DYNAMITE | ||
| CF | | ||
| CF | "I don't know anything about it." | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x teepee" | ||
| CF ] In Front of Teepeeange Moves: 198 | ||
| CF | | ||
| CF | > X TEEPEE | ||
| CF | | ||
| CF | This typical conical tent has seen better days. Now it's old and | ||
| CF | battered like the man who inhabits it, but it keeps standing still. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "enter it" | ||
| CF ] In Front of Teepeeange Moves: 199 | ||
| CF | | ||
| CF | > ENTER IT | ||
| CF | | ||
| CF | You can't enter that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search teepee" | ||
| CF ] In Front of Teepeeange Moves: 200 | ||
| CF | | ||
| CF | > SEARCH TEEPEE | ||
| CF | | ||
| CF | You find nothing special. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "enter teepee" | ||
| CF ] In Front of Teepeeange Moves: 201 | ||
| CF | | ||
| CF | > ENTER TEEPEE | ||
| CF | | ||
| CF | You can't enter that. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x fire" | ||
| CF ] In Front of Teepeeange Moves: 202 | ||
| CF | | ||
| CF | > X FIRE | ||
| CF | | ||
| CF | The fire warms you up and gives you hope. For a brief moment you | ||
| CF | wished this was all a dream, but you have to find those bandits. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] In Front of Teepeeange Moves: 203 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] In Front of Teepeeange Moves: 204 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] In Front of Teepeeange Moves: 205 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | DavidW says, "grr." | |
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sierra Sedonaeepeeange Moves: 206 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sierra Sedonaeepeeange Moves: 207 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | Around you, for miles, is the vast Sierra Sedona. To the east, you see | ||
| CF | the deadly vastness of the desert, while to the south, the Sierra | ||
| CF | continues until it merges, in the distance, with the horizon. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sierra Sedonaeepeeange Moves: 208 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Sierra Sedonaeepeeange Moves: 209 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sierra Sedonaeepeeange Moves: 210 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Great Plainsaeepeeange Moves: 211 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Great Plains | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Grassy Plainseepeeange Moves: 212 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Grassy Plains | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathinseepeeange Moves: 213 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rocky Path | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Plateauathinseepeeange Moves: 214 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Plateau | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, some smoke signals | ||
| CF | (rising up in the sky) and a makeshift fire that burns with a | ||
| CF | crackling sound and produces a lot of smoke here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Edge of Chasmeepeeange Moves: 215 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Edge of Chasm | ||
| CF | A wide, deep chasm opens up towards the north, at the bottom of which | ||
| CF | you can clearly see the rapids of a stream. A long, unstable rope | ||
| CF | bridge leads to the other side of the chasm. To the west, a plateau | ||
| CF | extends as far as your gaze can see. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Edge of Chasmeepeeange Moves: 216 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "ask horse about dynamite" | ||
| CF ] Edge of Chasmeepeeange Moves: 217 | ||
| CF | | ||
| CF | > ASK HORSE ABOUT DYNAMITE | ||
| CF | | ||
| CF | There is no reply. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Rope Bridgesmeepeeange Moves: 218 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Rope Bridge | ||
| CF | Below you, between the high rocky walls of the gorge, a raging torrent | ||
| CF | rushes away in a south-east direction. The fragile rope bridge sways | ||
| CF | under your weight, and you barely manage to keep your balance, as you | ||
| CF | stare, not without a little fear, into the abyss beneath your feet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Large Plateaueepeeange Moves: 219 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Large Plateau | ||
| CF | Crossing the long suspension bridge, you have reached a large plateau | ||
| CF | that extends north. To the south, beyond the rope bridge, you can see | ||
| CF | the other side of the ravine you crossed. | ||
| CF | | ||
| CF | > | Teaspoon says, "lol" | |
| DavidW says (to ClubFloyd), "n" | ||
| CF ] End of Plateauepeeange Moves: 220 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | End of Plateau | ||
| CF | The vast plateau ends here in front of the entrance to an old gold | ||
| CF | mine. At present you cannot enter it since a landslide has covered the | ||
| CF | only access, leaving only a small hole. To the south the plateau | ||
| CF | extends for a very long stretch. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "shoot hole" | ||
| CF ] End of Plateauepeeange Moves: 221 | ||
| CF | | ||
| CF | > SHOOT HOLE | ||
| CF | | ||
| CF | You can't just go around shooting things arbitrarily, especially in | ||
| CF | the Wild West. Choose your target carefully or it might get you | ||
| CF | killed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put torch in hole" | ||
| CF ] End of Plateauepeeange Moves: 222 | ||
| CF | | ||
| CF | > PUT TORCH IN HOLE | ||
| CF | | ||
| CF | The crude lit torch won't fit in the hole. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search landslide" | ||
| CF ] End of Plateauepeeange Moves: 223 | ||
| CF | | ||
| CF | > SEARCH LANDSLIDE | ||
| CF | | ||
| CF | You find nothing special. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "climb landslide" | ||
| CF ] End of Plateauepeeange Moves: 224 | ||
| CF | | ||
| CF | > CLIMB LANDSLIDE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | DavidW says, "I'm thinking the dynamite is in the desert maze somewhere, or that I missed an exit, or that there's a canyon wall to climb that I overlooked." | |
| Jacqueline says, "Or it's a sekrit gift from someone." | ||
| DavidW says, "um, okay" | ||
| DavidW says (to ClubFloyd), "i" | ||
| CF ] End of Plateauepeeange Moves: 225 | ||
| CF | | ||
| CF | > I | ||
| CF | | ||
| CF | You're carrying a crude lit torch (providing light), some leather | ||
| CF | ties, a Winchester rifle, a Navajo knife, a canteen (empty) (which is | ||
| CF | closed), an old blanket (now stinking like a barbecue) and your | ||
| CF | clothes (worn). | ||
| CF | | ||
| CF | > | Teaspoon says, "it'd be a bit mean of the game to put it in the desert" | |
| DavidW says, "well, I can't find it anywhere else." | ||
| Jacqueline says (to DW), "Well, I just mean that we've gotten some things in unexpected trades. The knife, the rifle." | ||
| DavidW says, "I can try to map the desert with the knife and ties and stuff." | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Large Plateauuepeeange Moves: 226 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Large Plateau | ||
| CF | Crossing the long suspension bridge, you have reached a large plateau | ||
| CF | that extends north. To the south, beyond the rope bridge, you can see | ||
| CF | the other side of the ravine you crossed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rope Bridgeauuepeeange Moves: 227 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rope Bridge | ||
| CF | Below you, between the high rocky walls of the gorge, a raging torrent | ||
| CF | rushes away in a south-east direction. The fragile rope bridge sways | ||
| CF | under your weight, and you barely manage to keep your balance, as you | ||
| CF | stare, not without a little fear, into the abyss beneath your feet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "jump" | ||
| CF ] Rope Bridgeauuepeeange Moves: 228 | ||
| CF | | ||
| CF | > JUMP | ||
| CF | | ||
| CF | You jump on the spot, fruitlessly. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Rope Bridgeauuepeeange Moves: 229 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Edge of Chasmuepeeange Moves: 230 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Edge of Chasm | ||
| CF | A wide, deep chasm opens up towards the north, at the bottom of which | ||
| CF | you can clearly see the rapids of a stream. A long, unstable rope | ||
| CF | bridge leads to the other side of the chasm. To the west, a plateau | ||
| CF | extends as far as your gaze can see. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Edge of Chasmuepeeange Moves: 231 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Plateau Chasmuepeeange Moves: 232 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Plateau | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, some smoke signals | ||
| CF | (rising up in the sky) and a makeshift fire that burns with a | ||
| CF | crackling sound and produces a lot of smoke here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Plateau Chasmuepeeange Moves: 233 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] Rocky Pathasmuepeeange Moves: 234 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | Rocky Path | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Grassy Plainsuepeeange Moves: 235 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Grassy Plains | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Great Plainssuepeeange Moves: 236 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Great Plains | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Sierra Sedonauepeeange Moves: 237 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Sierra Sedonauepeeange Moves: 238 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | Around you, for miles, is the vast Sierra Sedona. To the east, you see | ||
| CF | the deadly vastness of the desert, while to the south, the Sierra | ||
| CF | continues until it merges, in the distance, with the horizon. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Sierra Sedonauepeeange Moves: 239 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desert Sedonauepeeange Moves: 240 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. The | ||
| CF | desert seems to end to the south, but you can't push your gaze any | ||
| CF | further, as you are blinded by the sun. | ||
| CF | | ||
| CF | Some sort of bug scitters across the parched desert in front of you, | ||
| CF | then it's gone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sierra Sedonauepeeange Moves: 241 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | Around you, for miles, is the vast Sierra Sedona. To the east, you see | ||
| CF | the deadly vastness of the desert, while to the south, the Sierra | ||
| CF | continues until it merges, in the distance, with the horizon. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Sierra Sedonauepeeange Moves: 242 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desert Sedonauepeeange Moves: 243 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. The | ||
| CF | desert seems to end to the south, but you can't push your gaze any | ||
| CF | further, as you are blinded by the sun. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Desert Sedonauepeeange Moves: 244 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. | ||
| CF | | ||
| CF | You can see an overturned wagon here. | ||
| CF | | ||
| CF | > | Teaspoon exclaims, "ooh!" | |
| DavidW says (to ClubFloyd), "x wagon" | ||
| CF ] Desert Sedonauepeeange Moves: 245 | ||
| CF | | ||
| CF | > X WAGON | ||
| CF | | ||
| CF | This wagon was possibly used for transporting goods across the desert. | ||
| CF | It might be worth searching the wagon. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "search wagon" | ||
| CF ] Desert Sedonauepeeange Moves: 246 | ||
| CF | | ||
| CF | > SEARCH WAGON | ||
| CF | | ||
| CF | You search the wagon and find a stick of dynamite. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take stick" | ||
| CF ] Desert Sedonauepeeange Moves: 247 | ||
| CF | | ||
| CF | > TAKE STICK | ||
| CF | | ||
| CF | Taken. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Desert Sedonauepeeange Moves: 248 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Desert | ||
| CF | The hot summer sun of the desert reflects on the golden sea of burning | ||
| CF | sand. The desert extends in every direction, but you can't get your | ||
| CF | bearings, because the landscape is so similar wherever you turn. The | ||
| CF | desert seems to end to the south, but you can't push your gaze any | ||
| CF | further, as you are blinded by the sun. | ||
| CF | | ||
| CF | Some sort of bug scitters across the parched desert in front of you, | ||
| CF | then it's gone. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sierra Sedonauepeeange Moves: 249 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | Around you, for miles, is the vast Sierra Sedona. To the east, you see | ||
| CF | the deadly vastness of the desert, while to the south, the Sierra | ||
| CF | continues until it merges, in the distance, with the horizon. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take rope" | ||
| CF ] Sierra Sedonauepeeange Moves: 250 | ||
| CF | | ||
| CF | > TAKE ROPE | ||
| CF | | ||
| CF | You grab the other end of the rope so that your horse will follow you. | ||
| CF | | ||
| CF | > | Teaspoon says, "nice" | |
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Sierra Sedonauepeeange Moves: 251 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Sierra Sedona | ||
| CF | You are crossing the Sierra Sedona, which continues to the north, | ||
| CF | borders the Great Plains to the east, ends at the foot of a mountain | ||
| CF | range to the west and transforms into a barren and inhospitable region | ||
| CF | to the south. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it and a dead tree here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Great Plainsauepeeange Moves: 252 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Great Plains | ||
| CF | You have arrived in the Great Plains, where herds of bison usually | ||
| CF | find food and shelter. At present, though, you cannot spot any bison, | ||
| CF | here. To the west, in the distance, you see the Sierra Sedona, and | ||
| CF | beyond the plains, much further south, a mountain range. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Grassy Plainsuepeeange Moves: 253 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Grassy Plains | ||
| CF | The green expanse of grass sways like a sea of jade in the light | ||
| CF | breeze blowing from the south. Scanning the landscape in that | ||
| CF | direction, you see, in the distance, a plateau. To the north, the | ||
| CF | prairie extends for a long stretch. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Rocky Pathinsuepeeange Moves: 254 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Rocky Path | ||
| CF | A steep, rocky path winds up to a vast plateau, blending into the | ||
| CF | green of the Great Plains to the north. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Plateauathinsuepeeange Moves: 255 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | Plateau | ||
| CF | You have reached the surface of a vast plateau that extends from the | ||
| CF | east to a precipice. A stony path descends to the plains. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it, some smoke signals | ||
| CF | (rising up in the sky) and a makeshift fire that burns with a | ||
| CF | crackling sound and produces a lot of smoke here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Edge of Chasmuepeeange Moves: 256 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Edge of Chasm | ||
| CF | A wide, deep chasm opens up towards the north, at the bottom of which | ||
| CF | you can clearly see the rapids of a stream. A long, unstable rope | ||
| CF | bridge leads to the other side of the chasm. To the west, a plateau | ||
| CF | extends as far as your gaze can see. | ||
| CF | | ||
| CF | You can see your horse with a rope tied to it here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "drop rope" | ||
| CF ] Edge of Chasmuepeeange Moves: 257 | ||
| CF | | ||
| CF | > DROP ROPE | ||
| CF | | ||
| CF | You drop the end of the rope, so that your horse will no longer follow | ||
| CF | you. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Rope Bridgesmuepeeange Moves: 258 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Rope Bridge | ||
| CF | Below you, between the high rocky walls of the gorge, a raging torrent | ||
| CF | rushes away in a south-east direction. The fragile rope bridge sways | ||
| CF | under your weight, and you barely manage to keep your balance, as you | ||
| CF | stare, not without a little fear, into the abyss beneath your feet. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Large Plateauuepeeange Moves: 259 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Large Plateau | ||
| CF | Crossing the long suspension bridge, you have reached a large plateau | ||
| CF | that extends north. To the south, beyond the rope bridge, you can see | ||
| CF | the other side of the ravine you crossed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] End of Plateauepeeange Moves: 260 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | End of Plateau | ||
| CF | The vast plateau ends here in front of the entrance to an old gold | ||
| CF | mine. At present you cannot enter it since a landslide has covered the | ||
| CF | only access, leaving only a small hole. To the south the plateau | ||
| CF | extends for a very long stretch. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "put stick in hole" | ||
| CF ] End of Plateauepeeange Moves: 261 | ||
| CF | | ||
| CF | > PUT STICK IN HOLE | ||
| CF | | ||
| CF | You put the stick of dynamite into the small hole. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "light stick" | ||
| CF ] End of Plateauepeeange Moves: 262 | ||
| CF | | ||
| CF | > LIGHT STICK | ||
| CF | | ||
| CF | (with the torch) | ||
| CF | The wick of the dynamite is now burning like a sparkler. You'd better | ||
| CF | get out of here before it blows up! | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Large Plateauuepeeange Moves: 263 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Large Plateau | ||
| CF | Crossing the long suspension bridge, you have reached a large plateau | ||
| CF | that extends north. To the south, beyond the rope bridge, you can see | ||
| CF | the other side of the ravine you crossed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] Large Plateauuepeeange Moves: 264 | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes... | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "z" | ||
| CF ] Large Plateauuepeeange Moves: 265 | ||
| CF | | ||
| CF | > Z | ||
| CF | | ||
| CF | Time passes... | ||
| CF | | ||
| CF | KABOOM! You hear an explosion nearby. You can now inspect the damage. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] End of Plateauepeeange Moves: 266 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | End of Plateau | ||
| CF | The vast plateau ends here in front of the entrance to an old gold | ||
| CF | mine. The way is now open, thanks to the powerful explosion.To the | ||
| CF | south the plateau extends for a very long stretch. | ||
| CF | | ||
| CF | You can see lots of debris around the entrance to the mine and a large | ||
| CF | hole in the mountain wall here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf36" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] End of Plateauepeeange Moves: 266 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Large Gash in Tunnelse Moves: 267 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Large Gash in Tunnels | ||
| CF | The bright light of day breaks violently through the large gash | ||
| CF | produced by the dynamite, suffocated to the north and east by the dark | ||
| CF | mouth of two secondary tunnels. To the south, beyond the entrance, a | ||
| CF | large plateau extends under the summer sun. | ||
| CF | | ||
| CF | > | DavidW asks, "north or east?" | |
| Teaspoon asks, "eh, north?" | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Mining TunnelsTunnelse Moves: 268 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Mining Tunnels | ||
| CF | You're lost in an intricate network of mining tunnels. You try to | ||
| CF | project the light of your crude torch far away, but the darkness of | ||
| CF | the passages swallows it up from every side. In the silence, you seem | ||
| CF | to hear a distant dripping, but you can't figure out which direction | ||
| CF | it's coming from. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Mining TunnelsTunnelse Moves: 269 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Mining Tunnels | ||
| CF | You're lost in an intricate network of mining tunnels. You try to | ||
| CF | project the light of your crude torch far away, but the darkness of | ||
| CF | the tunnels swallows it from every side. In the silence, you seem to | ||
| CF | hear a distant dripping, but you can't figure out which direction it's | ||
| CF | coming from. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "listen" | ||
| CF ] Mining TunnelsTunnelse Moves: 270 | ||
| CF | | ||
| CF | > LISTEN | ||
| CF | | ||
| CF | A distant dripping seems to come from the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Tunnel TunnelsTunnelse Moves: 271 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Tunnel | ||
| CF | In the darkness of the tunnel, silence gives way to a typical ticking. | ||
| CF | The gallery is threatened by dangerous water infiltrations, and the | ||
| CF | mud covering the ground confirms it. To the south, you can see the | ||
| CF | dense network of galleries you have passed through, in which silence | ||
| CF | and darkness reign. | ||
| CF | | ||
| CF | You can see a Navajo hatchet here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x hatchet" | ||
| CF ] Tunnel TunnelsTunnelse Moves: 272 | ||
| CF | | ||
| CF | > X HATCHET | ||
| CF | | ||
| CF | It is single-handed axe with a straight shaft and a head made of iron. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "take it" | ||
| CF ] DarknessunnelsTunnelse Moves: 273 | ||
| CF | | ||
| CF | > TAKE IT | ||
| CF | | ||
| CF | As you take the hatchet you slide on the mud and the torch falls in | ||
| CF | the water, extinguishing itself. You are now in the dark. | ||
| CF | | ||
| CF | It is now pitch dark in here. | ||
| CF | | ||
| CF | > | Teaspoon says, "oh dear" | |
| Jacqueline asks (of Game), "What?!?" | ||
| DavidW says (to ClubFloyd), "listen" | ||
| CF ] DarknessunnelsTunnelse Moves: 274 | ||
| CF | | ||
| CF | > LISTEN | ||
| CF | | ||
| CF | A faint sound seems to come from the south. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Mining TunnelsTunnelse Moves: 275 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Mining Tunnels | ||
| CF | Now that your eyes are adapting to the darkness, you can see the | ||
| CF | outline of an exit door towards the east. | ||
| CF | | ||
| CF | > | jenrexrode asks, "what's the Italian word for grue?" | |
| Jacqueline says, "ha" | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Mining TunnelsTunnelse Moves: 276 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "listen" | ||
| CF ] Mining TunnelsTunnelse Moves: 277 | ||
| CF | | ||
| CF | > LISTEN | ||
| CF | | ||
| CF | A distant dripping seems to come from the north. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "open door" | ||
| CF ] Mining TunnelsTunnelse Moves: 278 | ||
| CF | | ||
| CF | > OPEN DOOR | ||
| CF | | ||
| CF | The door is warped and stuck, so it can't be opened. Since the wood is | ||
| CF | rotting, you might be able to cut it, should you have the right tool. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "cut door with hatchet" | ||
| CF ] Mining TunnelsTunnelse Moves: 279 | ||
| CF | | ||
| CF | > CUT DOOR WITH HATCHET | ||
| CF | | ||
| CF | Using the hatchet you just found, you chop down the door in tiny | ||
| CF | little pieces. The way out is now accessible going east. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Mining TunnelsTunnelse Moves: 280 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Mining Tunnels | ||
| CF | The cave you came from is north of your position while a faint light | ||
| CF | can be seen towards the south at the end of the tunnel. Is it freedom, | ||
| CF | or just the headlamp of an incoming train? | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] North Side of Gorgelse Moves: 281 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | North Side of Gorge | ||
| CF | When you reach the end of the tunnel, you find yourself in the open, | ||
| CF | on the edge of a deep precipice. It is the north side of a deep gorge, | ||
| CF | and on the other side you can see a group of rocks behind which smoke | ||
| CF | seems to emerge. Behind you is the entrance to the mining tunnel from | ||
| CF | which you came. A cluster of trees is adjacent to the ravine. | ||
| CF | | ||
| CF | You can see a long bridge that hangs along the side of the chasm here. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x bridge" | ||
| CF ] North Side of Gorgelse Moves: 282 | ||
| CF | | ||
| CF | > X BRIDGE | ||
| CF | | ||
| CF | The bridge was probably cut down by the band of outlaws, and it now | ||
| CF | hangs along this side of the chasm. It is impossible to use it, so you | ||
| CF | must find another way to get to the south side. | ||
| CF | | ||
| CF | > | Teaspoon says, "so we're getting closer to the outlaws" | |
| DavidW asks, "Climb down the bridge?" | ||
| DavidW says (to ClubFloyd), "climb down" | ||
| CF ] North Side of Gorgelse Moves: 283 | ||
| CF | | ||
| CF | > CLIMB DOWN | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "climb bridge" | ||
| CF ] North Side of Gorgelse Moves: 284 | ||
| CF | | ||
| CF | > CLIMB BRIDGE | ||
| CF | | ||
| CF | You would achieve nothing by this. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "d" | ||
| CF ] North Side of Gorgelse Moves: 285 | ||
| CF | | ||
| CF | > D | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x bridge" | ||
| CF ] North Side of Gorgelse Moves: 286 | ||
| CF | | ||
| CF | > X BRIDGE | ||
| CF | | ||
| CF | The bridge was probably cut down by the band of outlaws, and it now | ||
| CF | hangs along this side of the chasm. It is impossible to use it, so you | ||
| CF | must find another way to get to the south side. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] North Side of Gorgelse Moves: 287 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | You cannot go south since the bridge has been destroyed. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x trees" | ||
| CF ] North Side of Gorgelse Moves: 288 | ||
| CF | | ||
| CF | > X TREES | ||
| CF | | ||
| CF | Some very high trees grow close to the edge of the chasm. Maybe | ||
| CF | cutting one down could help you to cross it. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "cut tree with hatchet" | ||
| CF ] North Side of Gorgelse Moves: 289 | ||
| CF | | ||
| CF | > CUT TREE WITH HATCHET | ||
| CF | | ||
| CF | With considerable difficulty you finally manage to knock down one of | ||
| CF | the tallest trees, which falls towards the other side of the ravine, | ||
| CF | forming an excellent makeshift bridge. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] South Side of Ravinese Moves: 290 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | South Side of Ravine | ||
| CF | You are on the south side of a ravine, in the middle of a group of | ||
| CF | enormous rocks. To the south, you can clearly see the smoke of a | ||
| CF | campfire, while to the north a makeshift bridge allows you to reach | ||
| CF | the other side of the chasm. | ||
| CF | | ||
| CF | > | Teaspoon says, "this is a really good hatchet" | |
| Jacqueline says, "mmhmm" | ||
| DavidW says (to ClubFloyd), "x rocks" | ||
| CF ] South Side of Ravinese Moves: 290 | ||
| CF | | ||
| CF | > X ROCKS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x smoke" | ||
| CF ] South Side of Ravinese Moves: 290 | ||
| CF | | ||
| CF | > X SMOKE | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "s" | ||
| CF ] Campfire among Rocksse Moves: 291 | ||
| CF | | ||
| CF | > S | ||
| CF | | ||
| CF | Campfire among Rocks | ||
| CF | You have reached a campfire among the rocks. To the north, beyond the | ||
| CF | group of rocks you passed, a large chasm opens up. To the east, | ||
| CF | instead, you see a road to a pueblo. | ||
| CF | | ||
| CF | You can see a small fire that burns with a crackling sound here. | ||
| CF | | ||
| CF | > | Jacqueline says, "Time to send a message. Maybe." | |
| Teaspoon asks, "smoke signal again?" | ||
| DavidW says, "<smoke>Apaches, enemies here!</smoke>" | ||
| Jacqueline exclaims, "I've been trying to reach you about your vehicle's extended warranty!" | ||
| DavidW says, "oh lord" | ||
| Jacqueline cackles. | ||
| DavidW says, "Let's see what our other options are first. The Apaches might kill us as well as the bandits." | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Road to Pueblo Rocksse Moves: 292 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | Road to Pueblo | ||
| CF | You have set off on the road that leads north to an abandoned pueblo. | ||
| CF | To the west you can see the smoke of a campfire. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] In Front of White Buildings Moves: 293 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | In Front of White Buildings | ||
| CF | Bare white buildings placed one next to the other look at you with | ||
| CF | their black windows like skulls with empty eye sockets. The place is | ||
| CF | silent, but on the ground you can distinguish numerous horse | ||
| CF | hoofprints and human footprint all around, especially in front of one | ||
| CF | of the buildings. You can get in by going north. Towards the south you | ||
| CF | go back from where you came. | ||
| CF | | ||
| CF | You can see a watering trough (which is empty) and a couple of | ||
| CF | hitching rails here. | ||
| CF | | ||
| CF | > | jenrexrode says, "nice visual" | |
| DavidW says (to ClubFloyd), "x trough" | ||
| CF ] In Front of White Buildings Moves: 294 | ||
| CF | | ||
| CF | > X TROUGH | ||
| CF | | ||
| CF | It is a long, shallow container from which horses drink. It's full of | ||
| CF | water | ||
| CF | | ||
| CF | > | jenrexrode says, "water has strange properties in this game." | |
| DavidW says, "full of water (which is empty)" | ||
| DavidW says (to ClubFloyd), "fill canteen" | ||
| CF ] In Front of White Buildings Moves: 295 | ||
| CF | | ||
| CF | > FILL CANTEEN | ||
| CF | | ||
| CF | (with water) | ||
| CF | You fill the canteen with water from the basin. | ||
| CF | | ||
| CF | > | DavidW says, "cute. I reached the basin in the desert from here." | |
| DavidW says (to ClubFloyd), "x rails" | ||
| CF ] In Front of White Buildings Moves: 296 | ||
| CF | | ||
| CF | > X RAILS | ||
| CF | | ||
| CF | Made of wood, they are horizontal rails with vertical supports to | ||
| CF | which a horse can be hitched, or tied up to. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x building" | ||
| CF ] In Front of White Buildings Moves: 296 | ||
| CF | | ||
| CF | > X BUILDING | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x buildings" | ||
| CF ] In Front of White Buildings Moves: 296 | ||
| CF | | ||
| CF | > X BUILDINGS | ||
| CF | | ||
| CF | You don't need to refer to "buildings" in this game. | ||
| CF | | ||
| CF | > | Teaspoon says, "just one water source in the whole game, huh" | |
| DavidW says, "I guess. It just has more than one location." | ||
| DavidW says (to ClubFloyd), "SAVE" | ||
| DavidW says (to ClubFloyd), "cf37" | ||
| CF | > | ||
| CF | > SAVE | ||
| CF | %% Enter a save filename to write: | ||
| CF ] In Front of White Buildings Moves: 296 | ||
| CF | Ok. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Inside Old Buildinguildings Moves: 297 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | Inside Old Building | ||
| CF | The interior of the old building shows clear signs of abandonment, | ||
| CF | but, in one corner, a small, almost extinguished fire lets out a thin | ||
| CF | wisp of smoke that disappears, high up, between the rotten beams of | ||
| CF | the ceiling. A broken window allows you to look out to monitor the | ||
| CF | situation. You can go out the building heading south. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x fire" | ||
| CF ] Inside Old Buildinguildings Moves: 298 | ||
| CF | | ||
| CF | > X FIRE | ||
| CF | | ||
| CF | There is nothing special about it, except for the fact that it | ||
| CF | indicates people somewhat live here, and might be back soon. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x window" | ||
| CF ] Inside Old Buildinguildings Moves: 299 | ||
| CF | | ||
| CF | > X WINDOW | ||
| CF | | ||
| CF | Looking through the window you can see the outside is clear of | ||
| CF | bandits, at the moment. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x beams" | ||
| CF ] Inside Old Buildinguildings Moves: 300 | ||
| CF | | ||
| CF | > X BEAMS | ||
| CF | | ||
| CF | There is nothing special about the beans. | ||
| CF | | ||
| CF | Suddenly, you hear people laughing and screaming, almost covering the | ||
| CF | rumble of approaching horses. | ||
| CF | | ||
| CF | > | Teaspoon says, "oh oh" | |
| DavidW says (to ClubFloyd), "hide" | ||
| CF ] Inside Old Buildinguildings Moves: 300 | ||
| CF | | ||
| CF | > HIDE | ||
| CF | | ||
| CF | That's not a verb I recognise. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "u" | ||
| CF ] Inside Old Buildinguildings Moves: 301 | ||
| CF | | ||
| CF | > U | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "climb beams" | ||
| CF ] Inside Old Buildinguildings Moves: 302 | ||
| CF | | ||
| CF | > CLIMB BEAMS | ||
| CF | | ||
| CF | No need to concern yourself with that. | ||
| CF | | ||
| CF | Looking through the window, you can see they are dismounting to water | ||
| CF | the horses. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "n" | ||
| CF ] Inside Old Buildinguildings Moves: 303 | ||
| CF | | ||
| CF | > N | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "w" | ||
| CF ] Inside Old Buildinguildings Moves: 304 | ||
| CF | | ||
| CF | > W | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | Talking in Spanish, they start joking about their carnage. Their laugh | ||
| CF | is unbearable. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "e" | ||
| CF ] Inside Old Buildinguildings Moves: 305 | ||
| CF | | ||
| CF | > E | ||
| CF | | ||
| CF | You can't go that way. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "shoot men" | ||
| CF ] Inside Old Buildinguildings Moves: 305 | ||
| CF | | ||
| CF | > SHOOT MEN | ||
| CF | | ||
| CF | Sorry, I don't understand what "men" means. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "shoot bandits" | ||
| CF ] Inside Old Buildinguildings Moves: 305 | ||
| CF | | ||
| CF | > SHOOT BANDITS | ||
| CF | | ||
| CF | You can't see any such thing. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "x window" | ||
| CF ] Inside Old Buildinguildings Moves: 306 | ||
| CF | | ||
| CF | > X WINDOW | ||
| CF | | ||
| CF | It looks like the people you were looking for have finally arrived. | ||
| CF | Maybe you can try to shoot through the window to take them down. | ||
| CF | | ||
| CF | It looks like the bandits are almost ready to leave. | ||
| CF | | ||
| CF | > | ||
| DavidW says (to ClubFloyd), "shoot through window" | ||
| CF ] Inside Old Buildinguildings Moves: 307 | ||
| CF | | ||
| CF | > SHOOT THROUGH WINDOW | ||
| CF | | ||
| CF | (with the rifle) | ||
| CF | Hiding yourself with the window, you fire on the bandits, and with | ||
| CF | unerring aim you pick them off one by one before they have time to | ||
| CF | fire on you. | ||
| CF | | ||
| CF | Congratulations, sheriff! | ||
| CF | | ||
| CF | Once again the law triumphs, thanks to a man of valor who defends it | ||
| CF | at the cost of his own life. The people of Tucson will always remember | ||
| CF | your action. | ||
| CF | | ||
| CF | | ||
| CF | *** You have won *** | ||
| CF | | ||
| CF | | ||
| CF | Would you like to RESTART, RESTORE, UNDO the last move or QUIT? | Teaspoon says, "that was an unexpected win" | |
| Teaspoon says, "yay us" | ||
| DavidW says, "yes, yay us" | ||
| jenrexrode exclaims, "I want my, I want my, I want my TNT!" | ||
| Jacqueline says (to jen), "ha" | ||
| Jacqueline exclaims, "w00t!" | ||
| Teaspoon says, "thanks for driving, David" | ||
| DavidW says, "you're very welcome, thanks" | ||
| DavidW says, "I'm feeling clever at recognizing the need for dynamite." | ||
| Jacqueline smiles. "So you should." | ||
| DavidW says, "That's from all my experience at other games, like Augmented Fourth, which had an explosive herring you had to use as dynamite." | ||
| Teaspoon says, "I definitely wouldn't have gotten that from just a hole in the ground" | ||
| DavidW says, "hole in the landslide." | ||
| DavidW says, "Hole in the ground, you put a magic bean into." | ||
| Teaspoon says, "ah of course" | ||
| DavidW says, "Thanks all for coming, playing, helping, commenting, etc. I think I'll return to the lounge now." | ||
| Jacqueline exclaims, "Thank you!" | ||
